The news comes following Dunst’s comments last August that she’d like to be a part of the ‘Minecraft’ follow-up since her kids love it and, “maybe I can just make a movie where I don’t lose money?”
1EQyE49d0PbrfyGRt4ffD1
(L to R) Rashida Jones and Daveed Diggs star in ‘In the Blink of an Eye’.
Moviefone recently had the pleasure of speaking with Rashida Jones and Daveed Diggs about their work on ‘In the Blink of an Eye’, Diggs first reaction to the script, Jones’ approach to her character, and what makes this film stand out.
You can read the full interview below or click on the video player above to watch our interviews with Jones and Diggs, director Andrew Stanton, and screenwriter Colby Day.
Moviefone: To begin with, Daveed, can you talk about your first reaction to the screenplay and why you wanted to play this character?
Daveed Diggs: I loved the scripts. I loved how impossible it felt to make. I loved the people working on it. I loved Greg’s decisiveness about who he was in love with. It is just, “This is my person. I know this is my person. I’m so confident in that, and I’m just going to sit in that and be honest about that and believe that it’s going to work out.” There’s so much faith in him that I found aspirational.
MF: Rashida, can you talk about your approach to playing Claire and depicting her quiet moments?
Rashida Jones: I relate to the idea that all these small moments make up a big life, and that’s just the truth. Nobody can really see the scope of their life unless they’re looking back, which is why this movie’s beautiful, because you’re spending time with people as they live their lives. So, consequential looking back, but at the time, you’re just making decisions for your family and yourself that you think are right and that you hope are right, and you’re making decisions out of love, hopefully. So, it was nice. It was nice to play those as real and present without thinking about the scope of the movie and the scope of life.
MF: Finally, Daveed, what makes this film different than other movies and uniquely stand out?
DD: I think the span of time it’s attempting to take us through is unique. 40,000 years in the past to about that far in the future is a big scope. I think to have a film that’s essentially a romance, but it’s structured as a grand sweeping epic. It’s the ‘Ben-Hur’ of romances. It’s a unique thing. It was very exciting for me to be a part of.
Editorial Note: Krisily Fernstrom conducted this interview and contributed to this article.
‘In the Blink of an Eye’ premieres on Hulu and Hulu on Disney+ on February 27th.
What is the plot of ‘In the Blink of an Eye’?
Depicts three interconnected stories exploring the history of the world.
In theaters on August 29th is ‘The Roses’, the new adaptation of Warren Adler’s 1981 novel about a married couple whose relationship descends into frustration, deception and all-out war.
Jay Roach and ‘The Favourite’s writer Tony McNamara go a different route for ‘The Roses’, which for much of its running time is a portrait of a seemingly blissful couple whose public façade hides simmering resentments, but is more cold war until it truly ignites in the third act.
McNamara has long shown a talent for writing believably toxic relationships with enough of a farcical edge to keep it all from being too brutal –– except when it needs to be. His screenplay for ‘The Roses’ is the perfect fodder for two British stars (American audiences may sometimes react the way their marriage counsellor does in the first scene, taken aback by the sheer comic vitriol on display) to trade barbs like consummate pros.
And Roach, who has blended comedy and drama to winning effect (but also knows how to make farce serve story), was a solid choice to make this, keeping out of the cast’s way and working with them to develop the dynamics in very funny, sharp ways.
While you do sometimes wonder whether the film would have been better set in the UK, the disconnect between the leads and their American friends/co-workers does add some spice to the story.
This one really works because of its firecracker central pair; Cumberbatch and Colman may not totally convince as a couple deep in the throes of love and family, but when it comes to subversive, scathing dialogue, they are experts.
As Cumberbatch’s character sees his professional architect career (and ego) crumble even as his wife’s chef ambitions flourish, they craft excellent performances, bouncing off one another.
There is a deep bench of comedy performers backing them up, but the standouts here are certainly Andy Samberg and Kate McKinnon as Amy and Barry, friends of the couple whose own marriage has seen better days. Credit also to Allison Janney, who pops up for one scene as Colman’s ruthless divorce lawyer, stealing every moment she’s on screen.
‘The Roses’ may be more a skirmish than a war, but it is also a reboot that justifies its existence with a very different type of caustic relationship clash and superlative performances from its leads.
It may not always be a feel-good movie, but that’s not the intent. And it’ll certainly make you laugh.
Life seems easy for picture-perfect couple Ivy (Olivia Colman) and Theo (Benedict Cumberbatch): successful careers, a loving marriage, great kids.
But beneath the façade of their supposed ideal life, a storm is brewing –– as Theo’s career nosedives while Ivy’s own ambitions take off, a tinderbox of fierce competition and hidden resentment ignites.
Given all the recent casting, the tone certainly seems to be leaning in a comedic direction.
hCuUjEgel7kznFLKw8pp81
What is ‘Minecraft’?
Minecraft game from Mojang Studios.
If you’re not in the game’s target audience, here’s what you need to know… ‘Minecraft’, from Swedish developer Mojang AB, allows you to create and shape an entire world, and by 2014 had sold more than 35 million copies across PCs, the Xbox 360, and mobile platforms. Much like with Lego, the only stories here are those created by users, who can choose whether to explore, create or fight with each other. There are also nocturnal monsters stalking the place, which you must deal with. It reached 100 million users just a few years after launch and helping spark Microsoft to acquire Mojang for $2.5 billion in 2014.
Since then, it hasn’t been quite as much in the pop cultural zeitgeist (the likes of ‘Fortnite’ have tended to dominate), but it’s recognizable intellectual property.
What has happened with the development of the movie adaptation so far?
Jason Momoa as Dante in ‘Fast X’, directed by Louis Leterrier.
Around the time of the Microsoft purchase, Warners entered talks with prolific producer and director Shawn Levy, but his packed scheduled and slow development on the movie meant he never ended up in the director’s chair.
After Levy came ‘It’s Always Sunny in Philadelphia’ co-creator and self-avowed ‘Minecraft’ fan Rob McElhenney was next in line as director when the movie was still being planned as an animated release. He, like Levy, appears to have been the victim of scheduling, and has focused his video game-loving energies on co-creating and starring in Apple TV+’s ‘Mythic Quest’ series.
With ‘Wonder Woman’s Jason Fuchs sticking around for script work, the movie then targeted Steve Carell as a potential star but that also didn’t happen.
The most recent time that ‘Minecraft’ news showed up, it was with ‘Raising Victor Vargas’ Peter Sollett writing and directing.
“I think anybody that does any IP, they just want to avoid an ugly ‘Sonic’ situation [referring to the fan-hated original CG hedgehog from the movies]. just can’t disappoint the 10-year-olds, or they’re going to murder us.”
‘Minecraft’ is currently scheduled for release on April 4th, 2025.
Kate McKinnon attends the 89th Annual Academy Awards at Hollywood & Highland Center on February 26, 2017 in Hollywood, California. (Photo by Kevin Mazur/Getty Images).
Greta Gerwig’s ‘Barbie’ took the box office by storm, and as the audience showed up at the movie theaters all dolled up in pink, ‘Barbie’ quickly became this summer’s movie phenomenon.
4OzXLSHaYzgwPmGZqkJNI5
Based on the iconic doll, ‘Barbie’ takes us into Barbie Land, where we meet Margot Robbie’s Sterotypical Barbie as she begins to experience things out of her normal routine – cold showers, sour milk, thoughts of mortality, and the worst of all, flat feet. With Ken (Ryan Gosling) tagging along, Barbie sets off to seek out the answers by traveling to the real world. She soon realizes things in the real world are quite the opposite of everything she knows.
Directed by Greta Gerwig and co-written by Greta Gerwig and Noah Baumbach, the clever story and incredible visuals made ‘Barbie’ the talk of the town. The movie is certified Fresh on Rotten Tomatoes, with an 88% critics score and 83% audience score. Due to it sharing an opening date with Christopher Nolan’s ‘Oppenheimer’, movie fans took the opportunity and turned the dual release into a double-feature event, therefore kicking off the endless waves of “Barbenheimer” memes.
The official synopsis for ‘’Barbie” is below:
“To live in Barbie Land is to be a perfect being in a perfect place. Or you have a full-on existential crisis. Unless you’re a Ken.”
(L to R) Kinsley Ben-Adir, Ryan Gosling as Ken, and Ncuti Gatwa in Warner Bros. Pictures’ ‘Barbie,’ a Warner Bros. Pictures release. Photo Courtesy Warner Bros. Pictures.
‘Barbie’ is officially the highest grossing film of 2023, having just crossed $1.3 billion globally. Opening to $162 million, the Margot Robbie-led film has earned $612 million domestically. Already an icon for many, ‘Barbie’ quickly became a social media sensation, with fans posting everything from their movie-going outfits to their Barbie collections. The film is filled with references to many Barbies and Ken dolls from various decades, sending audiences down nostalgia lane.
On the surface, ‘Barbie’ may seem like a fun adventure, much like ‘The Lego Movie’. However, the film has a deeper message and touches on the pressure of expectations, insecurities, and most importantly, what it means to be human.
‘Barbie’ premiere on July 9, 2023 at the Shrine Auditorium in Los Angeles. It was released domestically on July 21, 2023. Currently, it is still playing in some theaters, but as the movie has been in theaters for around 45 days, its theatrical window will soon come to an end. If you want to experience ‘Barbie’ on the big screen, be sure to do it soon.
The movie arrived on digital September 5 for purchase on platforms such as Prime Video, Google Play, Apple TV, Vudu, YouTube, and more for $29.99.
‘Barbie’ has a total runtime of 1 hour and 56 minutes.
Although ‘Barbie’ is leaving the theaters, Warner Bros Pictures has teamed up with IMAX to give fans a limited one-week run of ‘Barbie’ starting September 22nd. As a special treat for the IMAX audience, a special greeting from director Greta Gerwig will play ahead of the film. There will also be exclusive post-credit footage playing after the film, specially selected by Gerwig herself.
Greta Gerwig attends the ‘Barbie’ Press Tour, Sydney Australia 2023. Photography by Caroline McCredie for Warner Bros/NBC Universal. Contact: jade.perry@nbcuni.com.
In regards to the special IMAX release, Jeff Goldstein, President of Domestic Distribution, and Andrew Cripps, President of International Distribution, said:
“We really wanted to super-serve all the fans out there who made this the Summer of ‘Barbie’ in every way imaginable, and we couldn’t think of a better way than to serve up the biggest film of 2023 and the biggest Warner Bros. film of all time on the biggest, most experiential screens around. Thanks to our terrific partners at IMAX and our incredible director, Greta Gerwig, we went a step further and are offering audiences an added incentive with this special post-credits footage. We encourage moviegoers everywhere, whether they’ve seen ‘Barbie’ or not, to see it in IMAX for a can’t-miss moment in film history.”
No word yet when ‘Barbie’ will make its way to streaming, but when it does, it is likely to end up on Max as the film is distributed by Warner Bros/Discovery.
After being expelled from the utopian Barbie Land for being less-than-perfect dolls, Barbie (Margot Robbie) and Ken (Ryan Gosling) go on a journey of self-discovery to the real world.
‘Barbie’ is a surprisingly subversive, entertaining, and hilarious movie that was beautifully shot by director Greta Gerwig. The filmmaker sets a strong tone and Barbie Land is a fully formed universe, however the movie loses a little magic when the characters briefly travel to the “Real World.” Margot Robbie delivers a funny and very emotional performance as Barbie, but it is Ryan Gosling that steals the movie as Ken, delivering a hilarious and also musical over-the-top performance.
Story and Direction
Director/Writer Greta Gerwig attends the ‘Barbie’ Press Junket Photo Call at the Four Seasons Hotel in Beverly Hills, CA. Photo by Eric Charbonneau.
The story is fairly simple and begins by introducing us to the colorful and delightful Barbie Land and all of the Barbies and Kens that live within it. We soon meet “Stereotypical Barbie,” (that’s actually what she is referred to in the movie), played by Margot Robbie. Barbie lives a perfect life among the other Barbies, which include President Barbie (Issa Rae), Physicist Barbie (Emma Mackey), Journalist Barbie (Ritu Arya), and even Mermaid Barbie (Dua Lipa), until one day she realizes her life is not as perfect as she thinks. This begins an existential crisis for the character that leads her to Weird Barbie (Kate McKinnon), who explains that she must travel to the “Real World,” to find the human who is “playing with her.”
As Barbie journeys to the real world, she discovers that Ken (Ryan Gosling) has tagged along as his world revolves around Barbie and he would not know what to do without her. But once they arrive, Ken discovers the antiquated idea that men are superior to women. No longer wanting to live in Barbie’s shadow, Ken quickly returns to Barbie Land, suppresses the other Barbies and leads the other Kens to a misogynistic revolution.
Meanwhile, Barbie discovers her owner, a teenager named Sasha (Ariana Greenblatt) who has lost interest in dolls and no longer believes in Barbie’s ideals. Her mother, Gloria (America Ferrera), just happens to work for the CEO of Mattel (Will Ferrell), who is fully aware that something is wrong in Barbie Land as it is causing sales of the toys to go down. Now, it is up to Barbie, Gloria and Sasha to return to Barbie Land, liberate the other Barbies, and put an end to Ken’s evil reign.
The screenplay by Greta Gerwig and Noah Baumbach is quite clever and sets the right tone for a fun summer movie that also tackles a lot of important subjects like female empowerment and toxic masculinity with grace and humor. The film is also not afraid of making fun of itself and the absurdity of a ‘Barbie’ movie, while also taking on the criticisms that Mattel and the doll line have faced over the years and making the case of why Barbie is a good role model for girls. Kudos to Mattel for having the smarts to hire Gerwig and Baumbach (two excellent filmmakers) in the first place and then having the guts to let them make the movie they wanted to make.
Gerwig began her career as an actress in films like ‘Greenberg,’ ‘The House of the Devil’ and ‘Arthur’ but wrote 2012’s ‘Frances Ha,’ which she also starred in. She made her directorial with ‘Lady Bird,’ which earned her an Oscar nomination for Best Director, and followed it with ‘Little Women,’ which earned her an Oscar nomination for Best Adapted Screenplay. ‘Barbie’ is a big leap for her from Academy Award nominated movies to summer blockbusters, but the director does it with ease, crafting a completely enjoyable popcorn film, that also makes you think. Gerwig’s independent film background also serves her well as she fills the movies with odd inspirations, from a reference to ‘The Red Shoes’ to the choice of using a particular Indigo Girls song ad nauseum.
It has long been rumored that comedian Amy Schumer was originally tapped to play the title role in ‘Barbie,’ and while I understand what they would have been going for with a “Not Perfect Barbie,” I actually think that message gets across better by casting Margot Robbie in the lead role. Aesthetically she looks perfect, which is why she is called “Stereotypical Barbie,” but Robbie is also an incredible actress, which allows her to chip away at the character’s perfectness and show you who she really is, which is strong and vulnerable at the same time, her greatest strength. Robbie’s performance gets to the heart of the character, and the theme of the movie, which is that every women can be whatever she wants and is in charge of her own destiny. ‘Barbie’ gives Robbie her first chance at leading a blockbuster movie without playing Harley Quinn, and the actress proves that she has a lot of range and is now a big time movie star in her own right too.
While Robbie’s Barbie is definitely the focal point of the film and carries the movie well, she also allows her co-star Ryan Gosling to steal every scene he’s in. Best known for his cool-as-ice public persona and appearing in action dramas like ‘Drive’ or ‘The Gray Man,’ Gosling really gets to use his comedic chops in this film and takes advantage of every opportunity he has to poke fun at the character, while never becoming a cliché. Though his actions are misguided, Gosling reveals his characters’ vulnerability and low self-esteem, which allows the audience to sympathize with the character. Make no mistakes, Ken is the villain of the movie, which is delightful in itself, but Gosling is still likable as the character despite his despicable actions.
It should also be noted that ‘Barbie’ is partially a musical, and with his dancing background in films like ‘La La Land,’ and of course his history with the ‘Mickey Mouse Club,’ the actor knocks it out of the park in his dance scenes and especially his MTV video like sequence where he sings the opus “Just Ken.” Once Ken “goes bad,” Gosling’s transformation from an innocent lovesick puppy dog to a misogynistic 90’s boyband reject was absolutely brilliant and brings some of the movie’s best laughs. Gosling and Robbie are great together on screen, and clearly understood the tone Gerwig was going for.
There are so many well-known actors and actress playing different versions of Barbie and Ken that I can’t mention them all, but Issa Rae certainly stood out as President Barbie, as did Kate McKinnon playing Weird Barbie, the doll your older brother got a hold of and put through a woodchipper. Emma Mackey, who is often confused with Robbie in real life, was cleverly cast as Physicist Barbie, and musician Dula Lipa also stands out in a cameo as Mermaid Barbie opposite John Cena’s Mermaid Ken. Two MCU alumni, ‘Secret Invasion’s Kingsley Ben-Adir and ‘Shang-Chi’s Simu Liu also play Kens, but neither are given anything significant to do. While many may not remember, the Mattel line of dolls did introduce two other less popular characters, Allan and Midge, who are played well comedically by Michael Cera and Emerald Fennell, respectively.
Outside of the Barbie Land characters, America Ferrera and Ariana Greenblatt are both great as Gloria and Sasha, respectively, and their mother/daughter relationship really helps to bring home the message of the movie. Helen Mirren plays the narrator and I can’t think of an actress with more gravitas to voice the role. The script also allows her to add her own funny commentary, including mentioning that Barbie’s eloquent monologue about the pressures of being beautiful would have more weight if not delivered by an actress as aesthetically pleasing as Robbie.
However, there were a few “real world” characters that didn’t quite work. Look, it’s always nice to see legendary ‘Cheers’ actress Rhea Pearlman on screen, but she plays the ghost of Barbie creator Ruth Handler, who unexplainably lives on the 7th floor of Mattel’s corporate headquarters. While the actress gives a nice monologue that ties the themes of the movie together at the conclusion, it didn’t seem entirely necessary. The film already asks us to except the idea that Barbie Land and the dolls are real, so trying to also except that ghosts and the afterlife exist seemed a step too far for me.
I also have to question the casting of Will Ferrell as the CEO of Mattel, as it is basically the same character he played in ‘The Lego Movie,’ which uses a similar storytelling device with the idea that the toys are real and what they do in their world affects ours. Maybe Gerwig was going for a meta-joke with his casting, or perhaps she just wanted to work with Ferrell, who is perfectly fine in the role, but I couldn’t help thinking of the comparisons to ‘The Lego Movie’ and Ferrell’s inclusion took me out of the movie in some moments.
Which leads to my next point, the “real world” scenes are definitely the low point of the film. Once Barbie and Ken journey to the real world, which is about 30 minutes into the movie, I was worried that the rest of the film would take place there and it would become a “fish out of water” story with Barbie not understanding human concepts like money, or being sexually objectified by men. Unfortunately, those stale jokes are used, but luckily the characters do not stay in the real world for long and the third act takes place back in Barbie Land. I do understand why the characters needed to go to the “real world,” plot wise Ken needed to discover misogyny in order to bring it back to Barbie Land, and while some scenes work, like Ken’s altercation with a female doctor, it’s not the high point of the film and you are grateful when they do return to Barbie Land.
Barbie Land
Margot Robbie as Barbie in Warner Bros. Pictures’ ‘Barbie,’ a Warner Bros. Pictures release.
The major set piece of the movie is Barbie Land and it comes to life beautifully with eye-popping color and a magical tone. Set designer Sarah Greenwood and decorator Katie Spencer did marvelous work creating a realistic yet magical world and I wouldn’t be surprised if they are rewarded for their work come awards season. Their design for Ken’s Barbie Land is also unique and fabulous, with stallions and heavy metal featured throughout. Costume designer Jacqueline Durran will also likely be on a shortlist come Oscar time with stunning costumes that represent many of Barbie’s iconic looks. But again, the fun is when Ken transforms and his costumes look like a cross between Sylvester Stallone in the 80s and ‘N Sync.
Is ‘Barbie’ a Kid’s Movie?
Margot Robbie as Barbie in Warner Bros. Pictures’ ‘Barbie,’ a Warner Bros. Pictures release. Photo Courtesy Warner Bros. Pictures.
No, is the short answer. With a PG-13 rating, some material may be inappropriate for pre-teenagers, and while they might enjoy the humor, musical numbers, and colorful characters and sets, some of the film’s political and pop culture messages will get lost on a young audience, but its message of love and equality will shine through, even if it is subliminally.
Final Thoughts
Director Greta Gerwig has done the impossible … delivered a ‘Barbie’ movie that is an entertaining summer blockbuster, while also being socially important and containing thoughtful, emotional and funny performances. Margot Robbie earns her movie star status producing and starring in this well-made summer tentpole, while Ryan Gosling proves he’s just as funny as he is cool with his hilarious over-the-top performance.
After being expelled from the utopian Barbie Land for being less-than-perfect dolls, Barbie (Margot Robbie) and Ken (Ryan Gosling) go on a journey of self-discovery to the real world.
Moviefone recently had the pleasure of sitting down in-person with co-writer and director Greta Gerwig to talk about her work on ‘Barbie,’ why she wanted to direct the movie, working with actress and producer Margot Robbie, and Ryan Gosling’s hilarious performance as Ken.
‘Barbie’ co-writer and director Greta Gerwig.
You can read the full interview below or click on the video player above to watch it.
Moviefone: To begin with, what was your first reaction to idea of a Barbie movie, and once you agreed to be a part of the project, what tone and direction did you want to take the film in?
Greta Gerwig: I had been wanting to work with Margot Robbie and she had the rights and was setting it up with her company at Warner Bros. She came to me and said, “Would you like to write this movie?” I jumped at the chance because it was her, and I was like, “Yes, I would love to.” I was also terrified of it because I was not even sure where to start with a Barbie movie. I think there was something about it that seemed like such a tricky problem to solve that it felt a bit of a puzzle. What’s the vantage point? How do we get into this? Then once Noah and I had written the script together and we had the script, that’s when I thought, “Oh, I love this and I don’t want anyone to direct it but me.” So then I said, “I have to direct it,” and they thank goodness, let me.
MF: What was it like working with Margot Robbie and why was she the right actress to play this specific version of Barbie?
GG: I mean, Margot’s a dream as a producer, and as an actor, she’s everything. I mean, she can do anything you want 10 times over, backwards in heels. She’s just an extraordinary actress. I always knew it was going to be hers so when we were writing it, I knew it was going to be hers. So that was always in my mind, but I think that as we worked on it, as we started doing rehearsals and started reading, it just changed and got deeper and more dimensional because I started to know her really well as a person, as an actor, and it was something that evolved alongside her.
MF: Finally, can you talk about Ryan Gosling’s performance as Ken and the direction you wanted to take that character?
GG: I mean, Ryan is jaw-dropping. He’s incredible in this movie. It’s the same thing I like about Margot is that Ryan is incredibly funny, but he never does it in a way that’s making fun of the character, it’s always inside the character. He takes it very seriously, which is why it’s so funny. I actually also wrote it for him, which I can’t believe still that he said yes because I didn’t know him. He wasn’t sure at first, and then I waited him out and he finally was like, “Oh, they’re not going to leave, they’re still here,” which was me and Margot. We just wouldn’t let him not do it. Yeah, and what he brought to it was just he committed beyond any way I would ever imagine in my wildest dreams he would commit. We texted about it and talked about it for a year before we started shooting. We came up with the idea of his Flo Jo dojo mink. But we were texting back and forth pictures of like, we both love Sylvester Stallone and we were like, “What about this look? What about that look?” Then there’s like a pair of glasses he wears in the movie when he puts on the second pair of glasses that were based on the glasses that the ballet director from ‘The Red Shoes’ wears. So they are these cat eye glasses and they’re just such wonderful glasses. I mean, we went so detailed with it and it was like references we gathered for so long. I was sort of slightly terrified when he showed up. I was like, “What if he doesn’t want to do any of this?” But he showed up and just committed, bleached his hair, did the whole thing, shaved his legs, and then there we were.
Director/Writer Greta Gerwig attends the ‘Barbie’ Press Junket Photo Call at the Four Seasons Hotel in Beverly Hills, CA. Photo by Eric Charbonneau.
When a group of animals receive super powers, Lex Luthor’s (Marc Maron) guinea pig Lulu (Kate McKinnon) captures the Justice League and attacks Metropolis. Krypto (Dwayne Johnson), Superman’s (John Krasinski) dog, must now learn to work with his new friend Ace (Kevin Hart), in order to rescue his owner.
With the help of a turtle called Merton McSnurtle (Natasha Lyonne), Chip the squirrel (Diego Luna), and a pig named PB (Vanessa Bayer), Krypto must team with the other Super-Pets to defeat Lulu and save Superman, Batman (Keanu Reeves) and the rest of the JLA.
The result is a really fun, funny, and emotionally heart-warming animated movie filled with DC Easter eggs that is really about the love we share for our pets, and the unconditional love they give back to us.
The movie begins with a new origin story for Superman’s (Krasinski) dog Krypto (Johnson), which shows that Jor-El sent him with baby Kal-El to Earth to protect him while Krypton was exploding. Years later, Kal-El is all gown-up now living in Metropolis as Clark Kent by day and Superman by night, fighting crime with Krypto as his partner.
We soon meet Ace (Hart), a dog living with other animals at an animal shelter. While Ace devises a plan for he and the other animals to escape, Lulu (McKinnon), a guinea pig and former pet of Lex Luthor (Maron), utilizes orange Kryptonite to give herself and the other animals super powers. Using an army of mutated guinea pigs as her minions, she captures the Justice League and begins to destroy Metropolis.
With Superman missing, Krypto teams with the now super-powered Ace and his friends to form the League of Super-Pets in order to save the Justice League and stop Lulu. But Krypto only knows how to work with Superman and must now learn from his new friends how to be a team player.
‘DC League of Super-Pets’ works on several different levels and is a thoroughly enjoyable animated movie on all fronts. For kids, there is a lot of humor, lovable characters and fantastic animation. For adults, there is a sweet and sophisticated story about the unconditional love that our pets give us. And for DC fans, there are enough comic book Easter eggs and deep cut characters to make your head spin.
Writer and director Jared Stern, who helped pen the equally excellent ‘The Lego Batman Movie,’ perfectly captured the humor and fun of these classic DC characters that are pulled from different points of the cannon.
For example, Superman has a 1940’s Max Fleischercartoons inspired costume, but the character resembles Christopher Reeve. Aquaman has his 90’s era hook, while the filmmakers chose to include the recent version of Green Lantern from the comics, Jessica Cruz. All of this leads to a well-balanced and exciting animated version of the Justice League.
The voice cast is excellent, including actor and comedian Marc Maron, who plays a very realistic version of Lex Luthor. While her role is somewhat limited, Jameela Jamil plays an excellent version of as Wonder Woman, one that I wouldn’t mind seeing in live-action someday.
And speaking of actors we’d like to see reprise their roles in live-action, can someone please make a Batman movie starring Keanu Reeves already! The ‘John Wick’ actor is very funny but also very emotional playing an extremely depressed and haunted version of the Caped Crusader.
Kate McKinnon is also at her best in this film portraying the hilarious and absolutely evil Lulu. The actress is clearly having a lot of fun in her role, and the character is a great advisory for both the animal and human heroes in the movie.
But the film wouldn’t work quite as well as it did if not for the voice work of Dwayne Johnson and Kevin Hart. The two actors have worked together before, and have great chemistry on and off the set, which is apparent watching the film and adds to their characters’ relationship.
Hart, who is certainly funny in the movie, gives a more layered and emotional performance than we’ve seen from him in the past, which works really well for his character. You understand by the end of the movie why Ace is destined to partner with Batman, and the film gives a new origin story for himself and the other previously established DC animal characters in the movie.
Johnson, who seems to be taking over DC with ‘Black Adam’ headed to theaters in October, was the perfect actor to play Krypto. His voice is familiar and already associated in audience’s minds with heroics, doing half of the actor’s job for him before he utters his first line. But he also brings Krypto to life in a way we haven’t seen before, showing off his fears as much as his strength, while emphasizing his unconditional love and faithfulness to Superman.
In the end, if you take the DC elements out of the film, you still have an extremely charming and funny animated movie about the unconditional love we have for our pets and they have for us. What ‘DC League of Super-Pets’ does best is remind us that every dog is a superhero!
‘DC League of Super-Pets’ receives 4 out of 5 stars.
‘Barbie’ is one of those movies that it’s hard to get a handle on. When you know that Mattel is working with Warner Bros. to adapt the iconic toy, your first thought might be of a cheap animated cash-in designed to sell more of the plastic princess.
Instead, the idea – even before it arrived at Warners – appears to be looking to make a more interesting live-action version that explores the character in different ways.
The ensemble, though, is anchored by Margot Robbie, who jumped aboard as star and producer, ready to play the Malibu favorite who, according to the actor “comes with a lot of baggage, and a lot of nostalgic connections. But with that comes a lot of exciting ways to attack it.”
And attack it she has, teaming up with Gerwig and Baumbach to figure out something that, for now at least, is shrouded in mystery.
Kingsley Ben-Adir stars in ‘One Night in Miami.’ Photo: Patti Perret/Amazon Studios.
Even most of the roles are being kept quiet for now, though we do know that Ryan Gosling (yet another actor not traditionally associated with blockbuster money grabs) is playing Ken.
Since the core duo was attached, ‘Barbie’ has slowly been building its cast, and has certainly kept us all guessing with the people jumping aboard. America Ferrera, Kate McKinnon and ‘Shang-Chi’s Simu Liu were among the first group.
They were soon joined by trailblazing trans performer Hari Nef and Alexandra Shipp, most recently seen in the Oscar-nominated ‘Tick, Tick… Boom!’. Also on the list? Ariana Greenblatt and Will Ferrell, who unlike many of the others, actually has a potential role – he’s rumored to play a toy company CEO (wonder if he’ll be anything like ‘The Lego Movie’s President Business?)
And Gatwa isn’t the only person from Netflix hit series ‘Sex Education’; his co-stars Emma Mackey and Connor Swindells are also on board.
Before it was at Warners, ‘Barbie’ was in development at Sony, where Amy Schumer and Anne Hathaway were attached at different times to play the lead, while ‘Juno’s Diablo Cody wrote at least one draft of the script.
Gerwig has been shooting the movie since early this year at Warner Bros.’ Leavesden Studios just outside of London. ‘Barbie’ doesn’t have a set release date yet but should be in theaters next year.
The series, created and run by ‘Milk’ Oscar winner Dustin Lance Black, adapts Jon Krakauer’s novel, which itself was the result of an investigation into a reclusive, regressive, and restrictive Mormon community where a dreadful killing had occurred.
Garfield here plays Detective Pyre a Mormon law enforcer whose faith is tested as he investigates a brutal murder that seems to be connected to an esteemed Utah family’s spiral into LDS fundamentalism and their distrust in the government.
Pyre is committed to his Church and family but begins to question some of the Church’s teachings through his contact with a suspected murderer and the family of Brenda (Daisy Edgar-Jones), who was brutally slain.
It’s far from Garfield’s first encounter with religious extremism – in Martin Scorsese’s ‘Silence’, he plays Father Rodrigues, a priest who goes looking for his mentor in 17th century Japan after the man goes missing. He’s also recently been seen as disgraced evangelist Jim Bakker in ‘The Eyes of Tammy Faye’, alongside Jessica Chastain.
Kate McKinnon attends the 89th Annual Academy Awards at Hollywood & Highland Center on February 26, 2017 in Hollywood, California. Photo by Kevin Mazur/Getty Images.
On a completely different televisual front, we have ‘Joe Vs. Carol’, which offers a new perspective on the outrageous true story chronicled in Netflix’s pandemic-era sensation ‘Tiger King’.
The documentary series chronicled the deeply interconnected community of big cat conservationists and collectors in America, and the private zoos and animal sanctuaries they have set up for the care and public display of these animals.
Its focus was primarily Joe “Exotic” Schreibvogel, an extravagant big cat collector, gun fan and ardent self-promoter who was in a feud with animal rights crusader Carol Baskin.
Now, spun not so much from the Netflix series as from the podcast 2019 Wondery podcast ‘Joe Exotic: Tiger King;’ (which pre-dated the Netflix show) is ‘Joe Vs. Carol’, which stars John Cameron Mitchell as Exotic and Kate McKinnon as Baskin.
Here, the eye is more on Baskin, a big cat enthusiast, who learns that fellow exotic animal lover Joe “Exotic” Schreibvogel is breeding and using his big cats for profit. She sets out to shut down his venture, inciting a quickly escalating rivalry. But Carole has a checkered past of her own and when the claws come out, Joe will stop at nothing to expose what he sees as her hypocrisy.
