Tag: jurassic-world

  • ‘Jurassic World’ Stars Reprise Roles for Universal Studios Ride

    ‘Jurassic World’ Stars Reprise Roles for Universal Studios Ride

    Bryce Dallas Howard and Chris Pratt in Jurassic World
    Universal Pictures

    Universal Studios Hollywood is opening “Jurassic World–The Ride” this summer, and it will feature familiar faces.

    Parkgoers will see Bryce Dallas Howard, Chris Pratt, and BD Wong when they board the dinosaur movie-themed attraction. The ride has original content that shows the trio discussing dinosaur interactions, facts, and other information. It’s the first time the actors have reprised their “Jurassic World” roles outside the films for a theme park attraction.

    Guests get to go on what Universal describes as a “breathtaking excursion” through the Jurassic World park from the movies. Along the way, they’ll spot dinosaurs such as the Indominus rex, Stegosaurus, Parasaurolophus, Velociraptors, and more, thanks to the wonders of technology and special effects. There’s even a way to view the Mosasaurus and its underwater habitat.

    In addition to giving a rare up-close look at the movie’s dinosaurs, the ride sounds like it will be an adrenaline rush. Some of the animals will turn predatory toward one another, and guests will escape down an 84-foot waterfall. It sounds like quite the adventure, right?

    Here’s Universal’s TV spot teasing the opening of the ride:

    “Jurassic World–The Ride” opens this summer at Universal Studios Hollywood.

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  • Chris Pratt in Talks for Taylor Sheridan Film, After Two Major Movie Delays

    Chris Pratt in Talks for Taylor Sheridan Film, After Two Major Movie Delays

    Guardians of the Galaxy
    Marvel Studios

    Chris Pratt is the guy you want in your movie. (Just ask The Rock.)

    Fans may have blamed his Star-Lord for what happened in “Avengers: Infinity War,” but between “Infinity War” and “Jurassic World: Fallen Kingdom,” Pratt pretty much owned the 2018 box office.

    And yet, he doesn’t have much coming up. He’ll return in “Avengers 4” in May, and his indie Western “The Kid” is in post-production.

    But he was supposed to be filming “Guardians of the Galaxy Vol. 3” starting in early 2019. Now … Disney/Marvel has to find a new director willing to drink from that poisoned chalice.

    Pratt was also supposed to be making the potential tentpole “Cowboy Ninja Viking,” but Universal pulled that from its June 28, 2019 release date.

    So that’s two major films down. But he may have found a replacement — and it sounds right up his rugged Manly Man alley.

    Variety reports that Pratt is in talks to star in Taylor Sheridan‘s new film, with the working title “Fast.”

    Sheridan would be writing and directing the film, which “follows a former special forces commando (Pratt), who’s recruited by the DEA to lead a black ops strike team targeting drug dealers who are protected by the CIA.”

    It’s not the most exciting or original premise, but the people involved give us some hope.

    Chris Pratt in Zero Dark Thirty
    Sony

    Sheridan made a name for himself writing “Sicario,” and then “Hell or High Water,” which was nominated for the Best Original Screenplay Oscar. He made his directorial debut with “Wind River” (starring two other Avengers), which he also wrote. And he’s the writer/director/producer behind “Yellowstone,” starring Kevin Costner, which turned out to be cable’s biggest hit since “The Walking Dead.”

    According to Variety, “Fast” — or whatever it is ultimately called — has a budget in the $70 million to $80 million range, so studio Warner Bros. needed a star in order to give it the green light. Now it looks like they have Chris Pratt.

    Pratt also has a voice role in “The Lego Movie 2: The Second Part.” And he’s going to be filming his third “Jurassic World” movie in the next year or so for its planned 2021 release.

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  • The 39 Worst Movie Sequels Ever Made

    The 39 Worst Movie Sequels Ever Made

  • ‘Jurassic World: Fallen Kingdom’ Director J.A. Bayona on That Ending

    ‘Jurassic World: Fallen Kingdom’ Director J.A. Bayona on That Ending

    Universal Pictures

    Jurassic World: Fallen Kingdom” arrives on Blu-ray today (it’s already available on digital HD), and with it comes the opportunity to, at the very least, soak up all of the individual details that you might have missed when watching it on the big screen. There’s so much packed into each and every frame — rampaging dinosaurs, exploding volcanoes, oily businessmen — that the ability to stop and re-watch scenes is very much appreciated. It’s a testament to director J.A. Bayona that he was able to make a movie that could have been just another big budget sequel into something richer and more complex.

    Everywhere on the special features, too, you get the feeling that he was pushing to creative an experience that was bigger and more expressive than the one that came before it.

    So it was a thrill to get to chat with Bayona about what went into certain creative choices and asked him to go into the ending of the movie, specifically, unpacking things that we really weren’t able to talk about when the movie first came out. If you’re one of the three people who somehow missed seeing it theatrically, consider this a very big SPOILER WARNING. We go deep.

    Moviefone: On the Blu-ray special features they talk about how you wanted each of these dinosaurs to have its own unique look and personality. Could you talk about what went into that decision?

    Bayona: Well, I remember that talking about dinosaurs with kids, I was very surprised to see that when they talk about dinosaurs, they basically talk about texture and color and the skin tones. So I went to the guys at [visual effects house] Industrial Light & Magic and suggested that the dinosaurs have more color. And I wanted a specific personality for each dinosaur. So all of them, they feel a lot more colorful and they very different from each other. And also I suggested that, since it’s been four years into the wild, I wanted them to feel wilder than the previous movies. So you’ll see lots of scars of dinosaurs fighting with each other. They’re not like in a zoo. Some of them you can see them with broken horns.

    Universal Pictures

    They also talk about the movie’s villain, the Indoraptor, and how you wanted it to feel unfinished. Can you talk about how you landed on that idea?

    For Dr. Wu creating a dinosaur is trial and error. So we liked the idea of the Indoraptor being an error. It’s a prototype that went wrong. He’s like a discharged animal. I liked that idea. No one is feeling him anymore, no one cares about him anymore. I liked that. It reminded me of Frankenstein’s monster. That’s the same idea.

    It’s interesting you brought up “Frankenstein,” because on the Blu-ray you talk about how the scene where the Indoraptor comes into the child’s room being a direct reference to the Frank LangellaDracula.” What about that version of Dracula spoke to you?

    There is this Gothic element that is taken from the classic monster movies. This idea of long corridors … And I like that. Ever since I got the script from Colin Trevorrow, that scene with the Indoraptor coming into the window for Macy, it reminded me of that scene from “Dracula.” I saw that scene when I was 5-years-old and I was so scared. I was afraid of the window after that scene. It reminded me a lot of that. So I wanted to somehow reference that seem. It’s a very classic moments. It reminds me of the world of fairy tales, with the monster at the top of the tower. I liked that image that freaked me out as a child of Frank Langella crawling down and opening the window upside down.

    You’re obviously friends with Guillermo del Toro. What did you share with him? He is the foremost authority on monsters these days.

    I show Guillermo everything I do. So he came into the editing room and I showed him a rough cut of the movie and he loved it. He gave me a couple of suggestions but he really encouraged me when he saw it.

    Do you remember what some of his suggestions were?

    Normally with Guillermo you talk about the pace. So we talked about making some scenes shorter or maybe making that one scene longer. But I have been doing that since my very first movie. It’s such a privilege to be able to sit down with him. The same thing I did with Steven Spielberg. When you do a movie and you can get feedback from a legendary filmmaker like Steven Spielberg or Guillermo del Toro, it’s such a gift.

    So much of the end of this movie was shown in TV spots. Did you ever push back on that stuff?

    Yeah. For sure there were moments we were asking for them to pull back a little bit because as a director, you’re very insecure, and you want the audience to discover the movie for the first time in the theater. But at the same time, you see the job these guys did on “Jurassic World” and it was such a massive success and “Fallen Kingdom” is such a massive success. At a certain point you just have to trust these guys. Because your job is to make the movie and their job is to sell it. It’s always a very delicate situation for a director because you always have the impression that you’re showing too much. But that’s not the way it works for these types of films.

    Universal Pictures

    During that montage of the dinosaurs in the wild, did you shoot anything else?

    Yeah, when you think about the movie. There’s not much space to experiment. So the entire epilogue was storyboarded and pre-visualized. And there was a lot of conversation about what scene would be the final scene in the epilogue. A lot of ideas were drawn but not included. There was a moment with the Stygimoloch in a supermarket that felt too comical for that moment so we decided not to include it.

    What about the post-credits sting? Why was it important to end on that note?

    That was a scene that was included in the epilogue but because it was the only nighttime scene I felt that it broke the chronological in the epilogue. I felt it was out of sync with the other scenes. It was the only nighttime moment and it was only night because we couldn’t catch the sunset. That was a second unit shot and the second unit couldn’t catch the sunset. And I decided not to include. It was a fun shot, because you think you’re in Paris but obviously it would be impossible to be in Paris, and really you’re in Las Vegas because the dinosaurs would be all over that area. So we decided to put that as a bonus for the fans at the very end.

    Is it hard to turn the movies back to Colin Trevorrow?

    I think it’s great that the person who started it all will finish the trilogy. He is the architect of the trilogy and I think he’s the right one to do it. I would love to do another “Jurassic” movie but I wouldn’t want to do a “Jurassic” movie as my next movie. I always like to change a lot from one movie to the next. When you think about “The Orphanage” to “The Impossible” to “Monster Calls,” they’re very different. I’m not sure if I would like to do another “Jurassic” movie back-to-back.

    Just one plot question that has been bugging me: why did they need Chris Pratt and Bryce Dallas Howard to come back to the island if Dr. Wu was already working for the bad guys and would have the same security clearance?

    I think they have a very limited amount of time because of the volcano and they need the code, the microchip that Blue has, the only person that can locate her is Claire, because she has the hand scan to make the machine work. And at the same time Blue is so difficult to catch, they need Owen to get her as soon as possible, because the volcano is about to erupt. They need to move vey, very fast. Basically, it’s for the urgency.

    I accept that.

    You’ve been thinking about that since you saw the movie.

    Yes!

    I hope I answered your question! 

    “Jurassic World: Fallen Kingdom” is out on Blu-ray and digital HD now.

  • Jeff Goldblum’s ‘Jurassic Park’ Pose Got Its Own Statue in London, and Fans Are All Over It

    Jeff Goldblum’s ‘Jurassic Park’ Pose Got Its Own Statue in London, and Fans Are All Over It

    Jeff Goldblum
    Universal Pictures

    The British were so preoccupied with whether they *could*, they didn’t stop to think if they *should* make a giant Jeff Goldblum statue.

    Of course, they made the right call.

    Now TV erected the tribute to celebrate the 25th anniversary of “Jurassic Park,” and the birth of the $4 billion “Jurassic” franchise.

    This homage to Dr. Ian Malcolm will give London its sexiest reclining pose until July 26.

    Fans have been paying homage to the 330-pound #JurassicJeff statue on London’s south bank. They held on to their butts well enough, but also decided to hold on to Jeff’s nips:

    https://twitter.com/Fearian/status/1019565195084156930

    https://twitter.com/reluctant_gent/status/1019528444877639680

    https://twitter.com/shazzah_harm/status/1019555081639907337

    https://twitter.com/DLucksEdition/status/1019567211109810177

    God bless us, every one. No one had better dare make a “That is one big pile of sh*t” joke, since this statue is clearly a glorious representation of the next stage of evolution.

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  • ‘Jurassic World: Fallen Kingdom’ Passes $1 Billion at Box Office

    Jurassic World: Fallen Kingdom
    Universal Pictures

    Welcome to the Billion Club, “Jurassic World: Fallen Kingdom“!

    Chris Pratt is on a roll, with more than $3 billion in box office receipts for 2018 alone. You can blame Star-Lord all the way to the bank.

    Chris Pratt, Star-Lord
    Marvel Studios

    “Jurassic World: Fallen Kingdom” may never reach the $1,671,713,208 heights of “Jurassic World.” But it did just crack the $1 billion milestone, thanks to opening early and strong in the international markets. We’ve only had it here for three weeks, since it opened June 22 on the domestic front.

    But thanks to the worldwide market, “Jurassic World: Fallen Kingdom” now has just over $1 billion. And that’s before picking up more money over this upcoming post-Fourth of July weekend. (“Ant-Man and the Wasp” will surely be No. 1, but “Jurassic World 2” may follow, pushing “Incredibles 2” to third.)

    As Deadline noted, this makes “Jurassic World: Fallen Kingdom” the seventh film ever to reach $1 billion for Universal:

     

    “Crossing the $1B threshold makes Universal the only studio apart from Disney to have at least two titles in three separate franchises reach these heights. For Uni that’s both recent Jurassic World movies, the last two Fast & Furious entries and Despicable Me 3 and Minions.”

    The first “Jurassic World” movie is currently No. 5 on the list of highest-grossing movies of all time (not adjusted for inflation). It was No. 4 until Chris Pratt’s other big franchise “Avengers: Infinity War” replaced it a couple of months ago.

    Only 35 films have ever passed $1 billion at the worldwide box office. As of this moment, “Jurassic World: Fallen Kingdom” is ready to replace “The Dark Knight” as No. 34 on the list of highest-grossing films of all time. And it’s not done yet.

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  • ‘Jurassic World: Fallen Kingdom’ Fans Traumatized by That Brachiosaurus Scene

    Never mind that “Incredibles 2” warning about flashing lights. “Jurassic World: Fallen Kingdom” needed its own signs posted in theaters:

    Warning: Bring your own box of tissues ’cause you will be crying your eyes out for a CGI dinosaur.

    You don’t go into a “Jurassic World” sequel expecting “Steel Magnolias” emotion, so that Brachiosaurus scene blindsided many of the fans watching over opening weekend.

    Director J.A. Bayona explained to The Hollywood Reporter that the scene “represents the ending of a dream that started 25 years ago” with 1993’s “Jurassic Park.” The first dinosaur we saw in that movie was a Brachiosaurus. And she was the last one we saw on Isla Nublar, helpless and abandoned as the island is destroyed by a volcano.

    Bayona explained to THR how he staged that devastating callback scene, considering there was no real dino for the stars to watch:

    “I played a very sweet and a little sad version of the ;Jurassic Park; melody. So that was very effective for the actors, especially for Bryce [Dallas Howard]. Being there, telling that story, listening to music from John Williams, they were all very emotional.”

    The scene totally effed up a lot of fans, who vented on social media:

    In a way, it’s good to see so many fans care this much. It shows you guys have big hearts and working empathy — you feel for a living creature in distress, even if you know logically that the suffering creature is just a CGI image.

    Good for you.

    But bad for the “Jurassic” team to break our hearts like that. Don’t do that again when the third movie comes out in 2021! (They probably will.)

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  • 27 Stupid Things ‘Jurassic World: Fallen Kingdom’ Thinks It Gets Away With

    There’s something really interesting happening in “Jurassic World: Fallen Kingdom“: it seems like a better movie than “Jurassic World,” but it isn’t.

    When you take even a passing look at the script from Colin Trevorrow and Derek Connolly, it features just as many shockingly bad, unexplained or implausible choices as its predecessor — except that director J.A. Bayona‘s considerable style turns this fifth installment in the storied franchise into something just scary enough to ignore them, at least while they’re unfolding.

    Nevertheless, we decided to go through the movie with a fine-toothed comb — or to be more accurate, just thought about it for five more minutes — and put together a list of some, and probably not all, of the many things that “Fallen Kingdom” thinks that it gets away with, but absolutely does not.

    From start to finish:
    1. Why would a giant underwater gate, protecting the park’s biggest dinosaur from unfettered access to the world’s oceans, need to be wifi enabled to operate?

    2. Benjamin Lockwood (James Cromwell), a guy with limitless wealth — whose name we’ve never heard before — hires former Jurassic World employee-turned-animal rights activist Claire Dearing to go back to the park to rescue the remaining dinosaurs from being destroyed by a volcanic eruption. Was there not one other surviving employee at her pay grade, much less one who might be less scrupulous than her — given the events that subsequently unfold — who could plunk down their handprint and grant Lockwood’s team access to the island’s tracking system?

    3. Also, Franklin — Clarie’s de facto computer nerd employee — basically works as an IT guy for the Dinosaur Protection Group. What remotely qualifies him to go to an exploding island to hack into a computer system that Lockwood needs Claire’s handprint to get access to?

    4. And if they could basically get any skilled computer hacker to crack into the former park’s security system, why do they need Claire at all?
    5. Dr. Wu still lives and is still very clearly committed to genetically engineering any kind of dinosaur that his employers ask. Would he maybe have the security clearance that, say, the head geneticist would absolutely need that Mills could utilize to get access to Jurassic World’s computer system?

    6. Speaking of Wu and the survivors of the park, how many are there? Is he the only person in the world with the scientific knowledge to clone dinosaurs?

    7. Was the plan always to kill Owen, Claire, and the rest of the rescuers after they helped acquire Blue? Or did they make that decision on the fly? And if it wasn’t, what was the plan? How does the tranquilizer that Owen gets shot with work less well on humans than it does on dinosaurs?

    8. How exactly would one capture a T. Rex while it is still awake, as the mercenaries seem to do when they fly it off the island?

    9. Did Rafe Spall and Ted Levine know that they were playing dumber, broader versions of characters (Arliss Howard and Peter Stormare, respectively) from “The Lost World?”
    10. How does Owen, Franklin, and Claire go off a cliff, where there is no visible shoreline, and wash up on the beach in a sandy cove?

    11. Although Spall’s character, Eli Mills, intends to sell the dinosaurs to the highest bidder, Lockwood was apparently sincere about his desire to protect them. What was Mills’ plan to deceive his employer — hope that Lockwood just died before finding out? Because his seemingly improvised solution when Lockwood’s “granddaughter” finds out what’s going on is to murder his employer.

    12. Then again, how long could Mills be developing this plan to sell and exploit dinosaurs in Lockwood’s own house — where he lives basically as a shut-in — without being found out? Was Lockwood aware of the super-secret basement lab? Or the “Blade II,” Blood Pack-looking security team of mercenaries carrying assault rifles outside his home?

    13. Speaking of the “granddaughter,” what is the presumption we are to make about her with regard to Mills after Lockwood’s death? He views her as property? Mills fires Lockwood’s assistant, who leaves without a fight — despite having loved and raised this child — and then announces that he will be her guardian.

    14. It’s unclear how much an individual dinosaur costs to “raise” — starting with the price of the technology and manpower to clone, feed, and train them, not to mention the massive undertaking of hiring a team of mercenaries to go in and bring them back to the mainland. In three years, The Masrani Corporation already paid $800 million in settlements to victims of the park. Dinosaurs sell for $10-20 million apiece, and the entire auction in the film earns $125 million. What is Mills’ business plan?

    15. Basically, why would Mills sell dinosaurs for millions when they likely cost billions to clone?

    16. Since Wheatley left them for dead on the island and they not only survived but completely uncovered Mills’ plans for the dinosaurs, why wouldn’t Mills not immediately kill Owen and Claire after locking them in one of the dinosaur cages?
    17. How long does it take an Indoraptor grow to full size? Even if they were able to successfully take DNA from the Indominus Rex bone retrieved from the Mosasaurus lagoon, how much time could have elapsed between then and the dinosaur auction to raise and train it with the laser targeting device?

    18. There is no indication whatsoever to the evil consortium of black-clad animal traders that dinosaurs can be trained or controlled, minus Owen’s work with Blue. Why would they think it’s a good idea to drop a Velociraptor (much less the Indoraptor) into combat situations — or at least good enough to pay tens of millions of dollars to try it out? And it’s JUST one dinosaur – how would that be cost effective to any military?

    19. And who do they plan to find to train these dinos? Outside of Owen, are dino-combat trainers a thing?

    20. And, if not, if Owen is the only expert in his field, why kill him?
    21. Is Wheatley (Ted Levine) a big-game hunter or just a garden-variety mercenary? Either way, was he not prepped about the behavior of dinosaurs before going to Isla Nublar, or at the very least, would he really have absolutely no instinct to avoid leaving open the door to the cage of a very dangerous-looking dinosaur when he went in to retrieve his trophy (a tooth for his necklace because REASONS) from its mouth?

    22. Early in the film, Claire says that a Velociraptor can track its prey from more than a mile away. Why can’t the Indoraptor make a snack of Claire, Owen, and Maisie in about five seconds — in a room where the creature is on one side of the only obstacle in the room — and the humans on the other?

    23. Also, how is it impervious to tranquilizer darts?

    24. If a Velociraptor can smash through metal and glass without any trouble at all, why wouldn’t it be able to easily break through the wooden door of a dumbwaiter?

    25. Why does Owen risk his life to save the little girl from a raptor brawl raging in her bedroom, only to curl up in bed with her to watch in awe as the dinos go at it?

    26. And why does Lockwood’s granddaughter, when faced with the the threat of a dinosaur in her house, retreat to hiding under her bed sheets? After we saw her scale the outside of her very tall home, in the rain, simply because she suspected weird sh** was afoot?
    27. When we first see Ian Malcolm, he is giving a speech to Congress. Then, at the end of the film, we seem him again. Addressing Congress, in the same clothes and at the same time of day as last time. So is Malcolm giving part of the same speech from the beginning of the film at the end? Or does Congress just have him on retainer to deliver ominous speeches about mankind’s hubris and the dangers of genetic engineering?

  • Box Office: ‘Jurassic World 2’ $150M Opening Takes Big Bite Out of ‘Incredibles 2’

    The supers couldn’t hold on to their butts.

    Jurassic World: Fallen Kingdom pushed Incredibles 2off a cliff with its $150 million domestic opening. However, it never even came close to the $209 million debut for 2015’s Jurassic World.” That’s OK, the “Jurassic” sequel was never expected to open THAT huge.

    “Fallen Kingdom” surpassed the $147.1 million opening of Furious 7 in 2015. So that’s impressive. But it pales in comparison to the $180 million “Incredibles 2” picked up last weekend for its opening. That’s OK, “Jurassic World 2” was never expected to open THAT big either.

    Still, the dinos pushed the supers to second place for Disney-Pixar’s second weekend. “The Incredibles” made $80.9 million, a drop of more than 55 percent from its first week. So far, “Incredibles 2” has $350.3 million domestic and $134.7 foreign for a current balance of $485M. But it’s just getting started on the world stage.

    “Jurassic World 2” decided to open overseas a few weeks before the domestic release, pushing the entire “Jurassic” franchise over $4 billion last week. In total, “Fallen Kingdom” has made $711.5 million worldwide so far — $150M domestic, and $561.5 at the foreign box office.

    “Incredibles 2” is taking a very different release path. It just opened overseas in a few locations this week — including the major market of China — and it’s rolling out slowly across July and August in many countries around the world.

    So as “Jurassic World: Fallen Kingdom” starts to wind down from here, “Incredibles 2” is going to stay steady across world markets all summer. In the end, “Incredibles 2” is likely to come away with the larger number.

    That’s not a huge shock since it has been 14 years since The Incredibles came out, building anticipation, and it has been only three years since “Jurassic World.” That’s why the 2015 “Jurassic” movie made such a killing at the box office — launching a brand new trilogy — and was only recently displaced by Avengers: Infinity Waras the fourth highest-grossing movie of all time. A third movie in the “Jurassic World” trilogy is coming in 2021.

    The rest of the June 22-24 box office chart looks pretty tame:

    Oceans’ 8took third with $11.6 million, followed by Tagwith $8.2 million, then Deadpool 2 with $5.2 million, Solo: A Star Wars Storystill hanging on with $4 million, Hereditary with $3.8 million, Superflywith $3.3 million, good ole Avengers: Infinity WarSTILL kicking with $2.4 million, and — lookee what we got here — Won’t You Be My Neighbor? inching up to take No. 10 with $1.875 million.

    Good for you, Mister Rogers. That’s an 87 percent boost for his movie, after adding about 250 more theaters. American Animalsalso saw a 173.5 percent boost from adding a similar number of theaters, making $576,215 this weekend.

    What’s coming next? The “Sicario” sequel, then early July brings us Ant-Man and the Wasp,” “Skyscraper,Hotel Transylvania 3,” etc. But next week should still be round 2 for dinos vs. supers.

    [Via: Deadline, Box Office Mojo]

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  • ‘Jurassic World: Fallen Kingdom’ Star Daniella Pineda on Who Came Up with That ‘Nasty Woman’ Line

    There are a lot of dinosaurs in J.A. Bayona’sJurassic World: Fallen Kingdom.” There are creatures of every shape, size, and tooth configuration running and galloping and chomping. And while Chris Pratt and Bryce Dallas Howard gamely return to the franchise, there are also some fresh faces that these sneering beasts chase after.

    Of these characters, the breakout is undoubtedly Dr. Zia Rodriguez, a “paleo-veterinarian” played by Daniella Pineda, who gets swooped up in an adventure to save the dinosaurs from the original Jurassic World (there’s an impending volcanic eruption, don’t-cha-know).

    With her distinctive look (glasses! tattoos!) and a take-no-guff attitude, she feels like the closest the franchise has had to a Ian Malcolm-style rock star scientist since he left the franchise (he’s back in this, but less chaos-y). And talking with the young actress was a genuine delight. She is just as spirited and smart as the character she plays in the film, and she let us know what her relationship was to the original film, who came up with that “nasty woman” line, and if she’s started bothering producers about a part in the next sequel.

    Moviefone: What was your relationship with the original “Jurassic Park“?

    Daniella Pineda: That was one of the first VHS tapes that I owned — it didn’t belong to my parents, it belonged to me. And I actually ended up breaking that VHS in a VCR probably because the VCR was janky, to be honest, but I like to think it’s because we played it so many times.

    What was it like when you got the call to be in the new one?

    I was in Los Angeles when I got the call. I was in West Hollywood, after having just flown in from New York City, and subsequently found out that my apartment was infested with these giant, cat-sized rats. It was my new apartment. And I was like, “Great, I have to get out of here.” And then I found out that I got the job and flew to London that Sunday. So it was all super immediate and crazy. But it was the best phone call that I’d ever gotten in my life.

    Was it a secretive process? Did they tell you anything about the movie?

    If you’re an actor and you pass on a movie like this, you should not be an actor. I would have been an animatronic. I would have been a bush. But the fact that I got a big speaking part was a big deal.

    I was going to ask you about the animatronics! Can you talk about what it was like working with those?

    I think J.A. Bayona wants things to look real and, you know, we’ve been in this CGI world for a long time. I really like it when something isn’t completely CGI, but rather is enhanced with CGI. And what was so wonderful was that J.A. cares about the performance and having such a lifelike animatronic makes the actor have a better performance — there’s something that’s physically there to react to. And the animatronic of Blue was so realistic, it took about 12 puppeteers to operate it from underneath. Its eyes would dilate, is veins would pulse, it would sweat, it had reptile scales. It was the craziest thing you’ve ever seen.

    And you had to run away from imaginary dinosaurs.

    Well, I didn’t have to too much. Chris, Bryce, and Justin did a lot more. I didn’t get so much cardio on this movie. When the dinosaurs were completely computerized, we didn’t have anything to react to. But what was cool during those scenes was that we didn’t have to play audio, so there were entire scenes I got to do with music playing. J.A. would play a song that would be in relation to the tone of whatever scene we were doing. That made my job a lot easier.

    What songs would he play?

    One of my favorite movies is “Ghost” with Patrick Swayze, Demi Moore, and Whoopi Goldberg. “Unchained Melody” and also the theme song to that movie, J.A. knows that it makes me cry on command. So that was a bit of a cheat. And he would play those songs for me.You also got a moment that got a big reaction when Ted Levine calls you a “nasty woman.” Was that in the script?

    I believe that was Ted Levine. I think Ted came up with that. I could be wrong. But I think that was Ted. Ted is brilliant. Of course, everyone remembers him as Buffalo Bill from “Silence of the Lambs.” Ted was tremendous. I loved having him on set. Because he’s that kind of classic old school actor and, when you’re in a scene with him, you have to bring it.

    Did you get some good stories out of him?

    Oh, big time. He’s been around. I love him. His big scene in the movie is my favorite.

    Was there any scene you shot that you wish was still in the movie?

    Well, it’s funny — I spoke with J.A., our director, last night. And our original cut of the movie was two hours and 40 minutes and we shot so much footage. So there was so much that got cut. The story, as you know, picks up real fast — the action hits real fast. And there’s one scene that I wish had made the final cut where we’re with all these mercenaries inside this military truck. And I’m sizing Chris up and saying, “You have good muscle structure, good jawbone, and I don’t like men but, if I did, maybe it’d be you.” It was a funny scene that gives a little back story about her and where she’s coming from. They had to cut that along with a million other characters’ cool scenes.

    It was so refreshing to see a Latina main character. Did that add any pressure?

    Yeah! That’s a really interesting question. First of all, I was really excited because — within the American/Latino demographic — some of us who have been here for several generations where we’re put in this position of not being Mexican enough and not being American enough. I think Edward James Olmos gave a whole speech about it in the “Selena” movie. Check that out.

    Shout out.

    Shout out! But I’m honored to be in a position that a lot of third generation Mexican Americans share. When it comes to Latinas, I think we need diversity within diversity. I didn’t necessarily see myself growing up. I saw a lot of very beautiful, very sensual women, but I didn’t really see myself. When it comes to that, I’d like to see the spectrum. So if I get to be a part of that, then cool.

    The ending of this movie really leaves things open. Have you started campaigning for your character to return?

    I have no control over that but let’s just say I’m screaming at them to put me in the next one.

    “Jurassic World: Fallen Kingdom” is in theaters EVERYWHERE starting tonight.