Tag: John Earl Jelks

  • ‘Exhibiting Forgiveness’ Exclusive Interview: Andra Day

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    Opening in theaters on October 18th is the new family drama ‘Exhibiting Forgiveness’, which marks the directorial debut of painter and artist Titus Kaphar. The film stars André Holland (‘Moonlight’), Andra Day (‘The United States vs. Billie Holiday’), John Earl Jelks (‘Miracle at St. Anna’), and Oscar-nominee Aunjanue Ellis- Taylor (‘King Richard’).

    Related Article: Director Ava DuVernay and Actress Aunjanue Ellis-Taylor Talk ‘Origin’

    Andra Day stars in 'Exhibiting Forgiveness'.
    Andra Day stars in ‘Exhibiting Forgiveness’.

    Moviefone recently had the pleasure of speaking with Andra Day about her work on ‘Exhibiting Forgiveness’, her first reaction the screenplay, why she wanted to be part of the project, working with first time filmmaker Titus Kaphar, and how her character supports her husband through his emotional journey.

    You can watch the full interview below or click on the video player above to watch our interviews with Day, André Holland, John Earl Jelks, and director Titus Kaphar.

    (L to R) André Holland and Andra Day in 'Exhibiting Forgiveness'. Photo: Roadside Attractions.
    (L to R) André Holland and Andra Day in ‘Exhibiting Forgiveness’. Photo: Roadside Attractions.

    Moviefone: To begin with, can you talk about your first reaction the screenplay and why you personally wanted to be a part of this project?

    Andra Day: I mean, my first reaction was that I knew this was going to be a beautiful story. Before even going into details with him, I could tell by reading it, that it was a personal story. You know what I mean? I think you always want to be very careful with subject matter. I wanted to be a part of this project because of Titus Kaphar. I was a huge fan of his painting. So, I remember he was like, “Oh, I can’t believe you agreed to do this.” I was like, “If you would’ve cast me as the janitor for seven seconds, I would have agreed to do this movie.” I knew I wanted to be a part of this project, just because the story is so important. I think it doesn’t necessarily even have to be your family dynamic for you to relate to it. The beauty of it, the way he was going to paint and tell this story, I just thought, “This seems groundbreaking and beautiful, and I want to be a part of that.” The cast that he put with this was unbelievable. So, everything was a factor for me, for sure.

    'Exhibiting Forgiveness' writer and director Titus Kaphar.
    ‘Exhibiting Forgiveness’ writer and director Titus Kaphar.

    MF: What was it like working with artist Titus Kaphar on his directorial debut and watching him execute his vision for this film on set?

    AD: I think Titus was finding his way through the space, maybe the first two or three days. By the second week, he was in the space. By the second week, he had learned the process and he landed on it very quickly. He also learned in ways where he would take more time, certain things that he needed to get done. So, he settled into it. I watched him settle into the role of director very quickly. You know what I mean? But I think what it was like was like watching a visionary. When people go, “Oh, it’s your first time directing.” I’m like, “It’s his directorial debut. It is not his first time directing in life.” So, when it comes to his artwork, when it comes to the content that he puts out, when it comes to how he puts out the art, the schools that he puts together, anytime he does that, he’s directing things. So, I think that this is just his first foray into traditional film. But he’s a visionary. I think people like him, if they are passionate about what they’re doing, if they care about what they’re doing, it will always be great. Because if you have the vision, I think everything else falls into place.

    (L to R) André Holland and Andra Day in 'Exhibiting Forgiveness'. Photo: Roadside Attractions.
    (L to R) André Holland and Andra Day in ‘Exhibiting Forgiveness’. Photo: Roadside Attractions.

    MF: Finally, can you talk about Aisha and Tarrell’s relationship and how she supports her husband through his journey to overcome his past?

    AD: It’s very interesting. I think Aisha loves her husband and I think that she also comes from a family of trauma. I don’t think this is unfamiliar to her. I think we decided that was also her life and that her and Tarrell have decided together to have a peaceful environment for their son. So, I think they are healing together, which I think you can do with love. But I think there’s also parts of trauma that do not involve a partner and that deal with forgiveness of the person that you need forgiveness from, or you need to forgive. So, I think that she supports him in a very interesting way. She supports him by trying to encourage him to reconcile and to heal. She supports him, also, by protecting him because she sees how this affects him. But I think she also supports him by standing her ground in her own life and making sure they keep the promises they made to each other. Those promises weren’t just, “Hey, I’ll be a great mother to our child, and you’ll be a great father to our child. We’ll be a great husband and wife.” I will give you the space and support you in your career in painting and in the art world, but you must give me the space and support me in my career in the music world. So, I think that she also supports him and helps him through this process by being an anchor point and keeping them adhering to the promises that they made to each other. Which can be very uncomfortable and can be contentious at times but is necessary.

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    What is the plot of ‘Exhibiting Forgiveness’?

    Utilizing his paintings to find freedom from his past, a Black artist (André Holland) on the path to success is derailed by an unexpected visit from his estranged father (John Earl Jelks), a recovering addict desperate to reconcile. Together, they learn that forgetting might be a greater challenge than forgiving.

    Who is in the cast of ‘Exhibiting Forgiveness’?

    • André Holland as Tarrell
    • Andra Day as Aisha
    • Aunjanue Ellis-Taylor as Joyce
    • John Earl Jelks as La’Ron
    • Ian Foreman as Young Tarrell
    • Daniel Michael Barriere as Jermaine
    • Matthew Elam as Quentin
    • Jaime Ray Newman as Janine
    (L to R) Andra Day and André Holland in 'Exhibiting Forgiveness'. Photo: Roadside Attractions.
    (L to R) Andra Day and André Holland in ‘Exhibiting Forgiveness’. Photo: Roadside Attractions.

    Other Andra Day Movies and TV Shows:

    Buy Tickets: ‘Exhibiting Forgiveness‘ Movie Showtimes

    Buy Andra Day Movies on Amazon

     

  • Female Filmmakers in Focus: Robin Wright’s ‘Land’ & Zeinabu irene Davis’s ‘Compensation’

    Female Filmmakers in Focus: Robin Wright’s ‘Land’ & Zeinabu irene Davis’s ‘Compensation’

    Welcome to Female Filmmakers in Focus, a new column where I’ll be recommending films directed by women to watch. Women directors only accounted for 16% of the top 100 grossing films of 2020, but that doesn’t mean that women directed only 16% of all the films released last year; the key phrase in this study is “top grossing.”

    As a viewer, one way to help increase these numbers is to simply watch more films directed by women! They do exist, and I’m here to help you find them. Each week I’ll highlight one new release (in theaters/on premium VOD/streaming) and one old release (from the streaming catalog, an online rental, etc.) that I think is worth your time. I’ll also share a little about the women who made these films. I once spent an entire year watching nothing but films directed by women, and I’ve barely scratched the surface of what is out there, and what continues to be released each week. Hopefully with this guide you’ll discover some new (or new-to-you) favorite filmmakers.


    Land (2021) – directed by Robin Wright

    Director Robin Wright and cinematographer Bobby Bukowski on the set of 'Land'
    Director Robin Wright and cinematographer Bobby Bukowski on the set of ‘Land’

    This week Robin Wright (Wonder Woman) makes her feature directorial debut with the wilderness drama Land. Wright began her career as an actress, debuting in 1986’s ‘Hollywood Vice Squad’ (directed by Penelope Spheeris), before breaking out in Rob Reiner’s classic ‘The Princess Bride’. She has received numerous accolades for her work in front of the camera, including for her performances in Forrest Gump and House of Cards, and also directed several episodes of the latter.

    Land, which had its debut last month at the Sundance Film Festival, was shot over 29 days in the Canadian wilderness and stars Wright as Edee, a depressed woman who, after experiencing a great trauma, moves to a cabin on a remote mountain. Her attempt to isolate herself as a way to move past her grief takes a disastrous turn after most of her food is eaten by a bear that breaks into her cabin, and she almost freezes to death during a blizzard. Eventually she is discovered by a hunter, played to with subtle warmth by Demián Bichir (‘The Hateful Eight’, ‘The Midnight Sky’) and the two form a bond that helps them both feel alive again. While a lesser film might have pushed the drama into a romantic space, this film’s action remains steadfastly in the realm of platonic friendship and the strength that can be found in that kind of camaraderie, something that is still all too rarely explored. Wright and Bichir’s compelling performances, as well as stunning cinematography by Bobby Bukowski, make Land a worthwhile journey from the numbness of loss to the joys of finding peace within.

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    Compensation (1999) – directed by Zeinabu irene Davis

    Michelle A. Banks in Zeinabu irene Davis's 'Compensation'
    Michelle A. Banks in Zeinabu irene Davis’s ‘Compensation’

    Currently streaming on the Criterion Channel, this romantic drama was shot in the summer of 1993 on location in Chicago and eventually played at 2000 Sundance Film Festival. Part of the movement of independent Black filmmakers known as the L.A. Rebellion, Zeinabu irene Davis received an MFA in Film and Video Production from UCLA in 1989 and made several short films before starting work on her first feature. The work of L.A. Rebellion filmmakers like Davis and Julie Dash (whose 1991 film ‘Daughters of the Dust’ was the first feature film directed by an African-American woman to have general theatrical release in the United States) have inspired countless contemporary filmmakers like Ava DuVernay and Beyoncé.

    Compensation follows two parallel love stories – one in 1906 and one in 1993 – between a deaf woman and a hearing man. In each story the couples (played by Michelle A. Banks and John Earl Jelks in dual roles) must learn to communicate with each other, both in terms of their own actual languages, but also in the manner in which they communicate their needs and feelings for each other in a way that each can understand. Shot in black and white, the film uses unique creative ways to showcase these communication issues, mixing silent film style intertitles and subtitles over American Sign Language. A beautiful film about the power of communication and human connection, ‘Compensation’ is perfect for those looking for something to hit the spot during this socially distanced Valentine’s Day weekend.

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