Tag: jeff-bridges

  • All the Oscar Winners in the MCU

    All the Oscar Winners in the MCU

    Marvel

    The MCU cast can’t be beat… including at awards shows. We’re so invested in these characters, it’s sometimes easy to forget a number of them won Oscars for other roles.

    Here are all the Oscar winners, in order of their appearance in the franchise, beginning with “Iron Man” in 2008.

    1. Jeff Bridges, Obadiah Stane

    n Marvel

    Sure, he’s best known as The Dude in “The Big Lebowski,” but he also made a damn good villain in “Iron Man” as Obadiah Stane, Tony Stark’s supposed mentor who was really trying to kill him. After several nominations, Bridges won Best Actor for 2009’s “Crazy Heart.”

    2. Gwyneth Paltrow, Pepper Potts

    Marvel

    As Pepper Potts, Paltrow went from irreplaceable right-hand woman to a fierce fighter in her own right. And if she hadn’t saved Tony’s first arc reactor (against his wishes), there would have been exactly one Iron Man movie. And the universe would pretty much be dust. Paltrow won Best Actress for 1998’s “Shakespeare in Love.”

    3. Sam Rockwell, Justin Hammer

    Marvel

    Before he nabbed an Oscar for “Three Billboards Outside Ebbing, Missouri,” Rockwell was a defense contractor intent on taking down business rival Tony Stark in “Iron Man 2.” He unwisely partnered with Ivan Vanko (Mickey Rourke), who had an even bigger grudge against Tony. We prefer his dancing villain in “Charlie’s Angels,” tbh.

    4. Anthony Hopkins, Odin

    Marvel

    The “Silence of the Lambs” Oscar winner lent his gravitas to the All-Father, who casts out unworthy Thor (Chris Hemsworth) to Earth.

    5. Natalie Portman, Jane Foster

    Marvel

    Astrophysicist Jane Foster never expected her years of study to lead her to an incredibly handsome demigod, but there you go. Hurrah for science. She bowed out of the franchise after “Thor: The Dark World,” but appears briefly in “Avengers: Endgame.” Portman won Best Actress for “Black Swan.”

    6. Tommy Lee Jones, Col. Chester Phillips

    Marvel

    In “Captain America: The First Avenger,” Jones plays the superlatively grumpy Colonel who at first doesn’t see the potential in scrawny Steve Rogers. Favorite scene: He interrogates Dr. Zola while asking if arsenic gives him a “rumbly tummy.” Jones won a Best Supporting Actor Oscar for his similarly gruff U.S. Marshal in “The Fugitive.”

    7. Ben Kingsley, The Mandarin/Trevor Slattery

    Marvel

    Sir Ben Kingsley, who won a Best Actor Academy Award for “Gandhi,” makes a fearsome opponent as The Mandarin in “Iron Man 3.” But there’s a twist! He’s really a washed-up actor hired to play the part. Kingsley plays both characters to perfection.

    8. Benicio del Toro, The Collector

    Marvel

    The Collector first pops up in an end-credits scene of “Thor: The Dark World.” Turns out, he has one of the Infinity Stones, which everyone in the galaxy wants. “Infinity War” would have been quite different if he’d been the one to collect them all. Del Toro won Best Supporting Actor for his role as an undercover cop in “Traffic” (2000).

    9. Robert Redford, Alexander Pierce

    Marvel

    Since “Captain America: The Winter Soldier” was inspired by such ’70s conspiracy films as “Three Days of the Condor,” it was a real coup to score “Condor” star Robert Redford as SHIELD’s Secretary of Defense. Redford (who says he’s retired now) never won an acting Oscar, but took home a Best Director for “Ordinary People” (1980) and an Honorary Oscar in 2002.

    10. Michael Douglas, Hank Pym

    Marvel

    We wouldn’t have Ant-Man without the “Wall Street” Oscar winner’s character, who finds a way to shrink (and supersize) people and objects.

    11. William Hurt, Thaddeus “Thunderbolt” Ross

    Marvel

    Taking over the role first played by Sam Elliott in Ang Lee’s “Hulk,” Hurt’s  general is there in “Civil War” to force the Avengers to sign the Sokovia Accords after everything that went down in “Avengers: Age of Ultron.” And to strongly disapprove of everything Avengers-related. Hurt won Best Actor for 1985’s “Kiss of the Spider Woman.” (Which, we hardly need point out, has absolutely nothing to do with Spider-Man).

    12. Tilda Swinton, The Ancient One

    Marvel

    The Doctor Strange character, a Tibetan man in the comics, was reworked to be an androgynous Celtic woman (a decision not without controversy). Swinton’s previously played Archangel Gabriel (in “Constantine“) and a vampire (in “Only Lovers Left Alive“), so she’s (ahem) an old hand at playing otherworldly, seemingly ageless characters. She won her Oscar for playing an unethical lawyer in “Michael Clayton.”

    13. Marisa Tomei, Aunt May

    Marvel

    Tomei (who won her Oscar for “My Cousin Vinny“) was so eager to sign on, she didn’t realize that Peter Parker’s aunt is usually portrayed as a little old woman with gray hair.  But we’re fine with “Hot Aunt May.” And a teenager’s aunt is just as likely be in her early 50s than her 70s. (For what it’s worth, Rosemary Harris was 64, only 12 years older than Tomei, for her first appearance as Aunt May in 2002’s “Spider-Man.”) Plus, this way we get an “Only You” reunion with Robert Downey Jr.

    14. Jennifer Connelly, Karen

    Universal/Marvel

    You may not be aware that was Jennifer Connelly as Karen, the voice of Peter Parker’s suit A.I. in “Spider-Man: Homecoming.” Which is nifty because, in real life, Connelly is married to Paul Bettany, the voice of Iron Man’s AI,  JARVIS. And she costarred as Betty Ross in the 2003 “Hulk.” Connelly won Best Supporting Actress for “A Beautiful Mind.”

    15. Cate Blanchett, Hela

    Marvel

    The double Oscar winner clearly had a blast playing wicked Hela, who wreaks untold havoc on Asgard in “Thor: Ragnarok.” All hail Goth Queen Blanchett!

    16. Matt Damon, Actor playing Loki

    Marvel

    The “Good Will Hunting” star (who collected an Oscar for cowriting the film), had a hilarious cameo in “Thor: Ragnarok” as an actor reenacting the tragic death of Loki. (Who isn’t really dead after all, of course.)

    17. Lupita Nyong’o, Nakia

    Marvel

    Nakia is not only T’Challa’s freeze-inducing love interest in “Black Panther,” but a conscientious force for all who are exploited and underrepresented. After holding her own in battle, she helps steer Wakanda towards a more benevolent, open relationship with the rest of the world. After a number of voice-only roles, it’s good to actually see Nyong’o, who won an Oscar for “12 Years a Slave,” in action.

    18. Forest Whitaker, Zuri

    Marvel

    The “The Last King of Scotland” Oscar winner played elder Wakanda statesman Zuri, who is the keeper of the heart-shaped herb. According to director Ryan Coogler,  Whitaker thinks of him as “the Wise Old Man, Black Panther’s version of Obi-Wan Kenobi.” (Speaking of… Whitaker also appeared as Rebel leader Saw Gerrera in “Rogue One: A Star Wars Story.”)

    19. Brie Larson, Captain Marvel

    Marvel

    Larson went from playing an abducted and imprisoned woman in “Room” (for which she won Best Actress) to a superhero whose realm is the entire galaxy. In the first solo film, Carol Danvers has to figure out who she is, exactly, and overcome the limitations others put on her. In “Room,” she saves herself and her son. In “Captain Marvel,” she saves a whole lot more.

  • 11 Favorite Dance Scenes in Rom-Coms

    11 Favorite Dance Scenes in Rom-Coms

  • Jeff Bridges Teases Return of His ‘Big Lebowski’ Character, the Dude

    Jeff Bridges Teases Return of His ‘Big Lebowski’ Character, the Dude

    The Big Lebowski
    Gramercy Pictures

    The Dude might be due for a return.

    “The Big Lebowski” star Jeff Bridges had a surprise for fans on Thursday, Jan. 24. He posted a video on Twitter that showed him dressed as his memorable slacker character, alongside a caption teasing something more to come. Bridges told fans to “stay tuned,” and the video highlighted the date Feb. 3, 2019.

    https://twitter.com/TheJeffBridges/status/1088481555582996480

    The date listed happens to be Super Bowl Sunday, as Entertainment Weekly pointed out. With that being the case, it seems likely that the video Bridges shared is a clip from a commercial that will air during the game. Many fans acknowledged this possibility in their replies to the video, but that didn’t stop them from wishing there was more to it — namely, an upcoming sequel.

    https://twitter.com/FlexoFGC/status/1088508979573968896

    https://twitter.com/TheGrindedGear/status/1088482849479688192

    Clearly, the 1998 crime comedy remains as popular as ever. Even if fans don’t get the sequel announcement they’re hoping for, though, we suspect they’ll be happy to see the Dude again. Thirty seconds is better than none, man.

    [via: Jeff Bridges/Twitter; h/t: EW]

  • Jeff Bridges to Receive Cecil B. DeMille Award at 2019 Golden Globes

    Jeff Bridges to Receive Cecil B. DeMille Award at 2019 Golden Globes

    Gramercy Pictures

    The Dude abides! Golden Globe and Oscar winner Jeff Bridges is receiving the Cecil B. deMille Award for lifetime achievement at the 76th annual Golden Globe Awards.

    Over his five-decade career, Bridges has won acclaim for many memorable roles, in particular “The Dude” in “The Big Lebowski” and Rooster Cogburn in “True Grit” (both of which came from the Coen brothers).

    He is one of the youngest actors ever to be nominated for an Academy Award (at the age of 22 in 1972 for Best Supporting Actor, “The Last Picture Show”) and one of the oldest ever to win (at the age of 60 in 2010 for Best Actor, “Crazy Heart”).

    “Crazy Heart” also netted him a Golden Globe and Screen Actors Guild Award.

    His more recent work includes “Bad Times at El Royale,” “Kingsman: The Golden Circle,” and “Hell or High Water,” the latter of which earned him both Oscar and Golden Globe nominations.

    The 2019 Golden Globes ceremony will be hosted by Sandra Oh and Andy Samberg January 6 on NBC.

  • 8 Things You (Probably) Didn’t Know About Jeff Bridges

    8 Things You (Probably) Didn’t Know About Jeff Bridges

  • Every Fantastic Fest Movie We Saw This Year, Ranked

    Every Fantastic Fest Movie We Saw This Year, Ranked

    Ah, Fantastic Fest. The international film festival, which highlights genre films of every stripe, takes place at Austin, Texas’ Alamo Drafthouse on South Lamar every fall. It’s one of the greatest film festivals in the world, period, even if it does show a lot of very odd movies that your parents would probably disapprove of you watching.

    This year, the lineup was totally stellar, with a number of very high profile debuts and just as many interesting screenings of movies that have picked up hype over the last few months. It was an incredible event (as always), and while we didn’t get to see everything, we did get to see a lot. Here’s hoping we’ll see even more in 2019.

    15. ‘Madam Yankelova’s Fine Literature Club’

    On paper, it’s very easy to get behind a zany Israeli cannibal comedy-of-manners, but — whew, boy — watching is something very different indeed. Instead of there being any punch to the concept, “Madam Yankelova’s Fine Literature Club” is, instead, a tedious bore, full of mixed-up gender politics, suspense set pieces with very little tension, and a dopey love story at its center.

    Listen, they’re not all going to be winners.

    14. ‘An Evening with Beverly Luff Linn’

    Univerrsal

    Jim Hosking, the bizarre British filmmaker behind “The Greasy Strangler,” is back. Consider yourself warned.

    Instead of some crazed version of a horror movie, he’s doing some crazed version of a romantic comedy, with Aubrey Plaza playing a woman in love with a mysterious illusionist (Craig Robinson). Of course, her hired hand (Jemaine Clement) is in love with her. Oh, and Emile Hirsch plays her husband. The entire thing is incredibly off-putting, with a mixture of nonprofessional actors and actors behaving in incredibly nonprofessional ways. “An Evening with Beverly Luff Linn” heightened and icky, although there are a few laughs to be had along the way (even if immediately after laughing you feel the need to take a shower).

    13. ‘Burning’

    CGV

    Well this movie was … something. “Burning” is the latest film from South Korean master filmmaker Lee Chang-dong and, what’s more, it’s based on a short story by international literary phenomenon Haruki Murakami. Sadly, it is a very dull movie.

    It’s essentially a very protracted murder mystery, with very little murder or mystery, that might have some sociopolitical or cultural dimensions that I just didn’t pick up on but I couldn’t quite figure it out. (Keep in mind, it competed for the Palme d’Or at Cannes and is South Korea’s official Foreign Language Feature selection.) At 148 minutes, it’s at least 45 minutes too long, too.

    12. ‘Overlord’

    Paramount/Bad Robot

    J.J. Abrams‘ secretive World War II thriller made its long-awaited debut at Fantastic Fest, and while most fell in love with the bloody carnage, I remained cooler.

    Overlord” is the story of a group of soldiers (led by Jovan Adepo), dropped into Nazi-occupied France on the eve of D-Day, who encounter, along with an enemy-operated radio tower, lots and lots of zombies. Unlike many of the other movies at Fantastic Fest, you could tell that “Overlord” has gone through a number of revisions (there are two credited cinematographers) and the seams show. There’s never really any escalation to the action, and much of the horror feels ho-hum.

    11. ‘One Cut of the Dead’

    Fantastic Fest audiences went nuts for this wry Japanese zombie comedy (it was a smash in its native land, too) and while it’s easy to admire, it’s harder to actually love.

    The first 37 minutes are a single shot (the “one cut” of the title), following a film crew as they shoot a zombie movie but are – surprise! – attacked by actual zombies. Then the movie takes a very fun twist that puts it squarely in “Ed Wood” territory (the less said about it, the better). Sure, “One Cut of the Dead” is charming and strange in a satisfying way, it also feels cheaply made (the music is atrocious) and, for a zombie comedy, could have used a little more bite.

    10. ‘Lords of Chaos’

    Vice

    Lords of Chaos” is a based-on-a-true-story story so bizarre that you’ll undoubtedly look up the actual case the second the movie is over. (It checks out.)

    Music video visionary Jonas Åkerlund co-wrote and directed the film (based on the nonfiction book of the same name), which charts the meteoric rise of Norwegian death metal, focusing mostly on the band Mayhem. What makes the movie work so well is its expert tonal control; most of the movie plays like a younger version of “This Is Spinal Tap,” with a bunch of messy kids (led by Rory Culkin) trying to make a name for themselves and self-seriously piling on all of the offensive iconography and Satanic kitsch they can find.

    Of course, once they start actually tapping into that darkness (church burnings! Murder!) is when the movie exerts even more power. If you’ve never been a head-banger, you can still easily love this film.

    9. ‘Apostle’

    Netflix

    If you’ve seen the trailer for “Apostle,” the brand new Gareth Evans movie debuting on Netflix on October 12, you get the general gist: a man (Dan Stevens) travels to a far away island to rescue his sister from a dangerous cult (led by Michael Sheen). But, really, that’s only a sliver of the story and to say anything more would probably get me banished.

    But know this: there are dark forces at work on that island and what begins as a fairly creepy horror movie along the lines of “The Wicker Man,” soon turns into a probing examination of what faith can do to people, and concludes with a wonderfully WTF moment that will require much discussion. Just know that Evans’ move away from action to more sustained atmospherics was a fruitful one indeed.

    8. ‘Hold the Dark’

    Netflix

    Another movie that was maybe purposefully misdirected in the marketing materials is “Hold the Dark,” now available on Netflix. As expressed in the trailer, the film is the tale of an Alaskan woman (Riley Keough) who hires a wolf expert (Jeffrey Wright), after she claims her young son was murdered by a local wolf. Now, that set up alone is great and it’s a very big part of the movie, but there’s a lot more to it than that. (Not that it’ll be spoiled here.)

    Director Jeremy Sualnier knows how to craft almost painfully thrilling set pieces, and he never allows the bleakness to overcome the movie’s inherent beauty. Throw in some performances as chilling as the Alaskan air, and you’ve got a cult favorite in the making.

    7. ‘Halloween’

    Universal/Blumhouse

    40 years later, we finally have a worthy successor to the original “Halloween.” This installment all but ignores every other sequel, remake, or spin-off, picking up where the events of the first film left off … only 40 years later.

    Laurie Strode (Jamie Lee Curtis) has become a backwoods survivalist, convinced that relentless killing machine Michael Myers will one day come for her (spoiler alert: he does!) What could have been a fairly standard, nostalgia-dipped slasher movie, instead becomes something deeper and more thoughtful, focusing on the way that the effects of violence and trauma can ripple through generations. (Thank director and co-writer David Gordon Green.)

    It’s just one of the many ways that expectations are inverted and subverted into something even newer and more exciting. (It’s a testament to how outstanding Fantastic Fest’s programming was this year that there are even six movies better than “Halloween.”) Also, this movie is going to make so much money.

    6. ‘The Night Comes For Us’

    Netflix

    October 19. That’s when “The Night Comes for Us” premieres on Netflix. I’m just letting you know so that you can drink plenty of water and maybe bolt yourself to the furniture or something because this movie kicks that much ass.

    It’s the tale of a member of the triad’s elite killing squad who turns his back on the mafia after being ordered to murder a child, and ends up taking the heat from the entire criminal organization. Indonesian filmmaker Timo Tjahjanto stages the action with gleeful, gory abandon, as wide shots take in all of the bone-crushing carnage. And it never, ever stops.

    This movie shows you just how lame and tired American action filmmaking has become, but makes you hopeful because, clearly, there are others out there still doing it right.

    5. ‘The Standoff at Sparrow Creek’

    RLJE

    Talk about an ingenious set up for a low budget thriller: There’s been a shooting at a police officer’s funeral. A local militia convenes and discovers that one of the group’s automatic weapons is missing, and that one of the men is responsible for the crime. What follows is an increasingly tense whodunit, as a former cop (James Badge Dale, also excellent in “Hold the Dark”) starts to investigate which one of them is lying.

    That’s about all that you can say about “The Standoff at Sparrow Creek” without giving anything away, but writer-director Henry Dunham, making his feature debut, has put together an incredibly exciting, wonderfully photographed yarn that is apolitical in ways you would never expect, leading to much post-viewing discussion. Get ready.

    4. ‘The World Is Yours’

    It struck me as odd that more people weren’t talking about “The World is Yours,” a zippy, incredibly engrossing French crime comedy from filmmaker Romain Gavras. The title, of course, comes from the mantra of Tony Montana in “Scarface,” and it’s a purposeful misdirect; instead of aspiration-minded gangsters who want nothing but the latest guns, shoes, and silk shirts, it follows a fairly straight, low-level goon who is just trying to make enough money to get a popsicle franchise off the ground in Africa. (Yes, seriously — it’s adorable.)

    Of course, things get rather complicated along the way, with each new wrinkle being introduced with almost surgical precision (my favorite subplot involved Vincent Cassel being consumed with Illuminati conspiracy theories). Add in a wicked supporting performance by Isabelle Adjani, and a killer score by Jamie xx and Sebastian, and you’ve got a comic soufflé too delicious to pass up.

    3. ‘Bad Times at the El Royale’

    Fox

    The festival’s closing night film seems like something of a no-brainer: It’s a twisty turny, noir-tinged story of double-crosses and people pretending to be something they’re not. But what makes “Bad Times at the El Royale” transcend those fairly obvious genre trappings is how much heart writer-director Drew Goddard injects into the material, and what marvelous, full-bodied performances stars like Fantastic Fest MVP Dakota Johnson, Jon Hamm, Chris Hemsworth, Jeff Bridges, and breakout Cynthia Erivo provide.

    Some folks groused about the movie’s lengthy 140-minute running time; I was happy to luxuriate with the colorful band of lowlifes. Checking into the El Royale, it’s best not to know much of anything except, of course, that you’ll have a ball.

    2. ‘Piercing’

    Universal

    Well, “Piercing” was a huge surprise: Nicholas Pesce‘s follow-up to 2016’s dour, black-and-white horror movie “The Eyes of My Mother” turns out to be a bright, vibrant, very screwed-up romantic comedy (of sorts). Christopher Abbott plays a straight-laced businessman who, fighting back homicidal urges, checks into a hotel and orders a prostitute, luring her to her doom. Except, of course, the prostitute is Mia Wasikowska and, well, you know what they say about best-laid plans.

    Alternately horrifying and hilarious, Pesce’s sophomore feature is more human and alive than his debut, complimented by unassumingly oddball production design (all of the exteriors of buildings are miniatures) and featuring a musical bedrock full of obscure cuts from movies like “Cherry 2000” and “Tenebre.”

    1. ‘Suspiria’

    Amazon Studios

    When “Suspiria,” “Call Me By Your Name” filmmaker Luca Guadagnino‘s autumnally hued take on Dario Argento‘s 1977 candy-colored classic, made its debut at the Venice Film Festival reactions were, um, muted, to say the least. So it was something of a surprise that “Suspiria” exploded at Fantastic Fest the way it did; nobody quite knew what they were getting into (and not just because it was the never-officially-announced secret screening). But, make no mistake, this new version of the ballet-school-run-by-witches tale is vitally alive and unlike any other movie released this year (or, potentially, any other year).

    Instead of a remake or sequel, it’s a straight-up transformation, taking the original conceit and making it sexier, weirder, more political, and more distinctly feminist. The results are a fascinating, electric work of art, featuring sublime performances by Dakota Johnson (as the naïve waif), Tilda Swinton (as the plotting witch — plus a couple of other characters), and Mia Goth (as the delicate ballerina-turned-detective).

    It’s almost impossible to describe, but this intricately staged masterpiece (with new music by Thom Yorke) will carry you away. It’s bloody brilliant.

  • First ‘Bad Times at the El Royale’ Photos Include Shirtless Cult Leader Chris Hemsworth

    Chris Hemsworth gives dreamy hippie/Jesus/Jim Morrison vibes in two of the first photos from “Bad Times at the El Royale.”

    (Doesn’t he also kinda look like Chris Pine — at least, the Chris Pine of “Wet Hot American Summer” First Day of Camp”?)

    Drew Goddard wrote and directed the star-studded thriller, which has this synopsis:

    “Seven strangers, each with a secret to bury, meet at Lake Tahoe’s El Royale, a rundown hotel with a dark past. Over the course of one fateful night, everyone will have a last shot at redemption… before everything goes to hell.”

    Entertainment Weekly shared more details on “Bad Times at the El Royale,” including some character breakdowns:

    Already on hand to welcome them is a young concierge (Lewis Pullman).

    Among the gathered rogues: a down-on-his-luck priest (Jeff Bridges), a singer named Darlene Sweet (Cynthia Erivo), an impressionable Southern girl (Cailee Spaeny) and her older sister (Dakota Johnson), a vacuum cleaner salesman (Jon Hamm), and — perhaps most enigmatically — a charismatic and shirt-averse cult leader, played by Chris Hemsworth.

    Jon Hamm is forever Don Draper. Always selling something.

    Empire shared the first photo of Hemsworth’s character, followed by EW with another Hemsworth shot and images of other cast members:

    _89A4327.CR2Very, very intrigued about this movie. The first trailer should be coming any time now.

    “Bad Times at the El Royale” opens in U.S. theaters October 5.

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  • 15 Things You Never Knew About ‘The Big Lebowski’

    It’s been 20 years since moviegoers were first introduced to The Dude, an affable hippie just trying to make his way through life and bowl a few rounds — in between buying coffee creamer using a check.

    The Big Lebowski” was not a smash hit when it first debuted, but it’s built up a considerable cult following in the years since — deservedly so. To celebrate its 20th anniversary, here are 15 things you might not know about this Coen Bros. classic.

    1. While fictional, the movie draws inspiration from several real-life figures. The Dude himself is loosely based on a man named Jeff Dowd, who helped distribute the Coens’ first film, “Blood Simple.”

    2. Meanwhile, Julianne Moore‘s character, Maude, is based on artist Carolee Schneemann and singer Yoko Ono. John Goodman‘s Walter is based on screenwriter John Milius.3. The Coens’ friend, Peter Exline, a screenwriter and film professor, also directly inspired the development of “The Big Lebowski.” It was Exline who actually coined the phrase: “It really ties the room together” and whose personal anecdotes inspired several key moments in the film.

    4. If you’ve ever wondered how The Dude manages to financially support himself while clearly in a perpetual state of “funemployment,” an early draft of the screenplay revealed he’s the heir to the Rubik’s Cube fortune.5. The majority of The Dude’s outfits were supplied by Jeff Bridges himself. He even reused a shirt he previously wore in 1991’s “The Fisher King.”

    6. In order to film the bowling shots from just the right angle, the Coens mounted a camera atop an RC car frame and used that to follow the bowling balls down the alley.
    7. The Dude drives a 1973 Ford Torino. Two versions of the car were used for filming. One of them was destroyed, but the other later resurfaced in an episode of “The X-Files.”

    8. Every single song played during the course of the film is actually heard by the characters themselves, either on the radio or on the supermarket loudspeakers.

    9. Bridges clearly has musical talent, as shown by his starring role in 2009’s “Crazy Heart.” However, Bridges also moonlights as a musician on the side and plays in a Lebowski-inspired band called The Abiders.10. Steve Buscemi‘s poor, put-upon hero Donnie (RIP) apparently has trouble remembering his own name, or at least has really ticked off his tailor. The character’s customized bowling bowling shirts always display the wrong name throughout the film.

    11. Donnie is also notable for bowling a strike every single time — until his very last turn, which comes moments before his tragic death.
    12. Walter’s gun shop, Sobchak Security, advertises that it sells “peace of mind.” This is a callback to John Goodman’s character in “Barton Fink,” who made a similar claim.13. Peter Stormare‘s character, Uli, was partly conceived on the set of “Fargo.” There, Stormare’s character showed a similar obsession with pancakes, and Stormare would often lapse into an exaggerated German accent in between takes.

    14. The Dude is so lazy, that he’s never actually seen bowling once in the entire film, even during that iconic dream sequence. However, he does drink exactly nine White Russians during that time.15. Characters say the F-word exactly 292 times throughout the movie, which puts it just above 1983’s “Scarface” and below 1990’s “Goodfellas.”

  • 19 Things You Never Knew About Disney’s ‘Tron’

    TRON 1982Thirty-five years ago this week (on July 9, 1982), Disney’s release of “Tron” was a bold gamble, an experiment in new storytelling technology and a bid to reinvent the then-adrift studio. And in every respect, that gamble was a colossal failure.

    Or so it seemed in the short term. In the long term, of course, “Tron” not only led Disney to become a studio known for more than just reassuring family entertainment, but it also led to a revolution in computer-generated imagery that would redefine how movies are made. Oh, and besides being the launch point of digital filmmaking, it also told a geeky-cool story about a programmer sucked into his own video game, a tale that became a franchise that included a sequel, an animated TV series, and several video games.

    Dreamed up before everyone had PCs, smartphones, or connections to the internet, “Tron’s” vision of humans literally swallowed by their own technology seems eerily prescient. Still, as familiar as “Tron” and its world seem to us today, there’s a lot you may not know about the movie, from how its still-astonishing effects were created to the shocking reason it was snubbed at the Oscars. Hook up your handset modem and floppy disk drive, grab your video arcade quarters, and travel back in time to learn the “Tron” truth.

    1. “Tron” was the brainchild of animator Steven Lisberger, conceived in the mid-1970s when he first saw the early video game “Pong.” He grasped that the computer technology that moved the primitive rackets and ball of that game could be used for animation, which led him to conceive of the story’s video arcade game-inspired plot.

    2. Lisberger and his partners spent $300,000 putting together a package meant to attract the interest of investors and Hollywood studios, a package that included a script, storyboarded scenes for the entire film, and an effects demo reel. No studio, however, would bite, until Team Lisberger offered the project to Disney.

    3. In 1980, Disney was struggling, with a series of flops and an animation studio that seemed to have lost direction since Walt’s death more than a decade earlier. It had tried to jump on the post-“Star Wars” sci-fi bandwagon with “The Black Hole,” a visionary live-action movie (and the studio’s first-ever PG-rated release) that nonetheless was a costly failure at the box office. It also was not a studio accustomed to working with outside filmmakers. Still, it was desperate enough to take a chance on Lisberger’s vision. (True to form, Disney also saw “Tron’s” toy and game merchandising potential.) Even so, all but one member (Jerry Rees) of the studio’s legendary animation department refused to work on the film, as if they sensed that Lisberger’s primitive CGI was the seed of a technology that would ultimately put them out of business.TRON 19824. The filmmakers hired legendary French comic book artist Jean Giraud, a.k.a. Moebius, to do additional art direction for the film, including set design, costume design, and storyboards. He had recently done similar work on “Alien” and “Blade Runner.”

    5. “Tron” wasn’t the first film to use CGI — even “The Black Hole” had a brief, extended CGI sequence during its opening credits — but it was the first movie to make such extensive use of CGI, with some 800 shots making use of digital sets and props. Still, that amounts to only about 15 to 20 minutes of the 96-minute film.

    6. The computers available at the time couldn’t actually animate footage; they could only generate one still frame at a time, making the animation process as painstaking and time-consuming as traditional hand-drawn animation. The machines used had operating memory of just 2 MB, with no more than 330 MB of storage. Still, there were few computers at the time that had enough computing power to do the work, so few that Lisberger had to hire four different computer-graphics companies to have enough machines to complete the work.

    7. Much of the effects work was done through old-school analog photography, but with a twist. For the scenes involving actors inside the game, Lisberger made extensive use of a technique called backlit animation, filming the actors in black-and-white on a black set, then projecting colored light through the frame from behind. (It’s akin to the technique used to create the lightsaber effects in “Star Wars.”) Even so, the technique required the use of large photographic plates, which then had to be colored by hand. (Lisberger likened the process to making stained-glass windows.) Making such extensive use of backlit animation was a feat so labor-intensive and costly that no filmmaker before had ever done it. No filmmaker since, either.TRON 19828. To get the actors into the right frame of mind, there were coin-operated video arcade games, like “Battlezone,” on the set. Shooting might be delayed for minutes or hours if the crew or cast were on a gaming streak. Fittingly, Rees recalled 30 years later, it was Jeff Bridges, who played Kevin Flynn, the film’s hacker/gamer hero, who was the “Battlezone” high scorer.

    9. Many of the scenes at the fictional ENCOM corporation, including those in the laser bay, were actually shot at the famed Lawrence Livermore lab, which had never allowed itself to be used as a movie location. Cindy Morgan, who played the dual role of laser scientist Lora and heroic program Yori, said in a 2005 interview that she accidentally stepped into a spill of radioactive liquid there, and her contaminated shoes were confiscated.

    10. Morgan, whose nerdy “Tron” characters marked an about-face from her then-recent role as temptress Lacey Underall in “Caddyshack,” said she won her part in the film over occasional actress and Blondie frontwoman Deborah Harry.

    11. “Tron” has a couple of Easter eggs for sharp-eyed viewers. One is an image of Pac-Man, in a scene where Sark (David Warner) is tracking the escaped lightcycles on a wall-sized screen. And during the journey of the solar sailor, a giant Mickey Mouse silhouette is visible below the craft.TRON 1982 PAC-MAN12. The movie gave early career boosts to several young animators who would become successful feature directors of animated and live-action feature films, including Roger Allers (“The Lion King“), Chris Wedge (“Ice Age“), Brad Bird (“The Incredibles“), and Tim Burton.

    13. Disney spent between $17 and $20 million on “Tron,” still a lot for a movie budget in 1982. It grossed $33 million in ticket sales, but since about half a movie’s gross goes to the theater owners, that meant Disney lost money on the film.

    14. Why were audiences reluctant to embrace “Tron”? Lisberger said in 2015 that, while kids of the video game generation appreciated it, adults found it disorienting. “It was like we put LSD in the punch at the school prom and it was just way more than they can handle,” he said in 2015. He also recognized that the movie wasn’t the kind of familiar, comforting family entertainment moviegoers had come to expect from the Disney brand. “People do not want to get their minds blown by Walt Disney Studios, they want to be reassured by them,” he said.

    15. At the 1983 Academy Awards, Oscar voters declined to nominate the film’s pioneering special effects. Lisberger said it was because they felt using computers as an animation tool was cheating. Nonetheless, they did nominate “Tron” for its costumes and sound.TRON 198216. Fourteen years later, however, coder Ken Perlin won a Sci-Tech Oscar for “Perlin noise,” a distortion effect that makes computer-animated surfaces look less plastic and more textured and organic. By the time he received the award in 1997, Perlin’s algorithm, which he’d invented for “Tron,” had become a common tool for computer animators.

    17. Of course, there was a “Tron” video game, licensed by Disney and manufactured by Bally, which placed the game in hundreds of arcades nationwide. Reportedly, the game earned more than the movie, as much as $45 million.

    18. Today, of course, digital filmmaking and CGI effects are the norm. Disney has found success making movies for grown-ups, though it’s still best known for family entertainment. Disney is also the home of Pixar, which made the first feature-length computer-animated film (“Toy Story“) 13 years after “Tron” and went on to become the world’s most beloved computer-animation studio. Pixar founder John Lasseter has acknowledged how much “Tron” influenced his work, saying, “Without ‘Tron,’ there would be no ‘Toy Story.’”

    19. After 28 years, during which “Tron” became a cult favorite and saw its influence acknowledged by contemporary filmmakers and animators, Disney finally made a theatrical sequel, “Tron: Legacy.” The 2010 film, which brought back Bridges and Bruce Boxleitner from the original, cost a reported $172 million to make and earned back $400 million worldwide — not enough to make a profit, but enough to make Disney consider a third installment. The studio pulled the plug on the three-quel in 2015, but this past March, the Hollywood Reporter said the project was being rebooted, with Jared Leto being approached to star.

  • 14 Things You Didn’t Know About ‘The Fisher King’

    25 years ago, Terry Gilliam’s wildly visual “The Fisher King” premiered on September 27, 1991.

    The fantastical, New York-set film stars Jeff Bridges as a Howard Stern-like shock jock who inadvertently inspires a listener to go on a shooting spree. Robin Williams steals the movie, though, as a man who lost his wife in the shooting tragedy — now reduced to a raving homeless man obsessed with finding the Holy Grail. Mercedes Ruehl won the Academy Award for Best Supporting Actress for her role as a kooky video store owner and Williams was nominated for Best Actor.

    In honor of this exceptional film hitting the quarter century mark, here are some things you probably didn’t know about the film.
    1. It was the first film by Gilliam (left), who co-directed “Monty Python and the Holy Grail,” that didn’t feature any of his fellow Monty Python members.

    2. James Cameron was reportedly considered to direct, but instead did “Terminator 2: Judgment Day.” Years later, Gilliam would blast Cameron, saying that mega-million movies like “Avatar” make it harder for smaller filmmakers to succeed.
    3. As Gilliam said in a 2011 American Masters interview, he was inspired to cast Jeff Bridges after seeing him in “The Fabulous Baker Boys,” but Bridges spent most of his meeting with the director trying to get Gilliam to cast someone besides him. He even brought a list of his friends who should do the part instead.

    4. When Bridges showed Gilliam a book of photographs by Joel-Peter Witkin with “missing limbs and heads that have been chopped open,” he was convinced Bridges had the necessary darkness for the role. “It’s the most disturbing, horrifying, beautiful, magical photographs I’d ever seen.” the director recalled on American Masters. “Here’s this sweet all-American lad in the depths of all this. I thought, ‘Wow. You impress me.’”
    5. Gilliam told American Masters in 2011 that he and Williams were the “hot air that flies off into the stratosphere” and that Bridges was “the guy who anchored the movie.” Added Williams, “Even playing an out-there drunk, he’s still the voice of sanity. Especially with me being the voice of insanity.”

    6. Robin Williams helped turn things around on a particularly tough evening. Recalled writer Richard LaGravenese: “I remember one night in particular, filming the Chinese restaurant scene. It was about five in the morning, and we’d been there since seven the night before. Everyone’s energy was drained. Suddenly, Robin did twenty minutes of nonstop impersonations and comedy. I remember one of the grips turning to me with tears in his eyes, he was laughing so hard. Everyone was rejuvenated and juiced. Then Terry turned to me and said: ‘Thank God for him.’” (Gilliam would share his own, slightly-different account of this to The Hollywood Reporter.)
    7. Producer Lynda Obst recalled another night when Williams came to the rescue: “We were shooting the scene where he waltzes in Grand Central Station through all the extras. Commuters would be arriving at 5 a.m. We were so late, we couldn’t break for the extras to have water. The AD was so freaked out, he threw down his walkie talkie and quit. So as Robin’s waltzing in this heavy costume, he’s grabbing water on the sidelines and handing to all the extras when they were hot, tired, crowded, and ready to faint. We could never have wrapped that scene — which might be the best one in the movie — without his spirit.”

    8. One of the men who attacks Jeff Bridges at the beginning of the film is played by Dan Futterman, who went on to play Robin Williams’ son in “The Birdcage.”
    9. In college, Mercedes Ruehl wrote a thesis about T.S. Eliot’s poem “The Wasteland”, which features the Fisher King, so she had had a good feeling when she saw the script for the “The Fisher King.”

    10. The night of the Oscars, Ruehl was trapped in traffic and nearly missed her own category, as she told Hoda Kotb and Kathie Lee in 2009. Since the show is live, she couldn’t be seated until they went to commercial break. “Luckily,” she said, “Jack Palance started doing those pushups and it gave me a few minutes to get my equipoise back.”

    11. Ruehl also revealed that she nearly fell when going up the stairs to accept her Best Supporting Actress Oscar, but someone from the audience came to her aid — Warren Beatty!
    12. You might have missed singer Tom Waits (above) as the beggar in the wheelchair at the train station.

    13. Howard Stern reportedly asked to be a consultant on the film since they were basing Bridges’s character on him. But since the studio wouldn’t pay him, he refused to share tapes from his show with the production.
    14. The day after Williams’s death, Jeff Bridges was doing a press conference in New York for his film “The Giver.” He opened by paying tribute to his late friend:

    “I remember pulling up to the boathouse where we had our party and I look out I say, “Is that Robin? Is that his ghost? No, it’s Radioman.” [Radioman, a homeless movie fan, has appeared in dozens of films in New York.] “It brought back all of these wonderful feelings of what an amazing time we had shooting ‘The Fisher King.’ Bridges said that, when he hugged Radioman, “I felt Robin’s spirit, as I’m feeling him now in this room with us.”
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