Director Kevin Smith talks ‘Dogma’ 25th Anniversary rerelease.
Moviefone recently had the pleasure of speaking with Kevin Smith about reclaiming ‘Dogma’ from the hands of the Weinstein brothers (the film has been unavailable for theatrical or streaming release for two decades), how he’s changed as a filmmaker and the reaction to the once-controversial movie this time around.
You can read the full interview below or click on the video player above to watch our interviews.
(Lto R) Salma Hayek Pinault, Alan Rickman and Chris Rock in ‘Dogma.’ Photo: Triple Media Film.
Moviefone: To begin with, what does getting ‘Dogma’ back mean to you?
Kevin Smith: It comes at the right time in my career because right about now people are like, “No, he sucks.” So it’s nice to be able to bring out an old movie where it’s, “Well, he didn’t suck then, there was hope!” Generally when I bring out a new movie it’s like I’ve got to convince people, “No, really I should still be doing this,” and they’re, “you should have stopped a long f****n’ time ago!” Coming out with this old movie that they liked back in the day and still like today is like going out there with a shield.
(L to R) Matt Damon and Ben Affleck in ‘Dogma.’ Photo: Triple Media Film.
MF: How do you view it now through the lens of who you are today?
KS: We’ve been touring it for 20 cities, then we just also played at Cannes. Every night I’ve been watching the movie and interacting with a vision of a young Kevin Smith. The kid who made that movie, believed in everything that’s up there. He’s not talking about Christian mythology, he’s not raising a hairy eyebrow or coming out with sharp teeth and claws the way Monty Python would on ‘Life of Brian.’ He believes in everything, so it’s been charming to sit back and watch the movie and be, “Aw, young Kevin Smith is so adorable.” I don’t have those same beliefs anymore so it’s like we say in the movie, beliefs are tricky to get around because once you have a belief you’re mired in it, but it’s more important to have good ideas, and now I think I have good ideas.
(L to R) Jason Mewes, Kevin Smith and Matt Damon in ‘Dogma.’ Photo: Triple Media Film.
MF:‘Dogma’ was protested upon its release. Do you think the reactions would be the same today?
KS: What an interesting question. I think if we would have done it for the first time now and it was a streaming series I don’t think people would bump into it that hard. I mean, look, last year ‘Heretic’ came out and granted it went through the prism of the Latter-Day Saints, the Church of Mormon, and the Book of Mormon, so it wasn’t as big a polemic perhaps in the Mormon community. But that was a movie where watching it, I was leaning forward going, “Oh, a kindred spirit, of sorts.” The movie came and was respected and nobody got in trouble or nearly got killed.
Alan Rickman in ‘Dogma.’ Photo: Triple Media Film.
MF: Have you seen any protests at all this time around?
KS: I’ve only seen one or two protests, one of which was as I was driving into the AMC movie theater in Dallas where we were doing our screenings. So I’m going to pull into the mall and I’m at the light. I look over at the median and there’s a kid, 18, 19 years old and he’s holding a placard, like big white cardboard, has the current ‘Dogma’ poster in the middle of it and it says, “AMC blasphemes” or something like that. So I was, “Oh my God, how adorable.” So I laid on the horn, give support and the kid is so excited and he looks around and he sees me, and then he sees who I am and he looks away. He f****n’ shunned me! So that’s as bad as the protest has been this time around. I’ll take that, that’s fine.
(L to R) Linda Fiorentino, Jason Mewes, Salma Hayek and Chris Rock in ‘Dogma.’ Photo: Triple Media Film.
MF: Finally, how else has the rerelease reaction been different compared to the original release?
KS: Last time the protests were loud and vicious because people hadn’t seen the movie so the people who were making hay over it did so without anyone seeing what the movie is. Once people saw the movie, they’re, “this doesn’t go after the faith, this movie’s so reverent it’s crazy.” I now know years later, people may have heard about, “oh, you guys went through it.” But I’m seeing current reviews, people going, “can you believe that this movie took s**t back in the day and almost got people killed?” It seems to have aged better and plays way better now although, oddly enough, it feels like there’s less freedom in 2025, religious or otherwise, than there was in 1999.
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What is the plot of ‘Dogma’?
An abortion clinic worker with a special heritage is called upon to save the existence of humanity from being negated by two renegade angels trying to exploit a loophole and re-enter Heaven.
Who is in the cast of ‘Dogma’?
Ben Affleck as Bartleby
Matt Damon as Loki
Linda Fiorentino as Bethany
Alan Rickman as Metatron
Jason Lee as Azrael
George Carlin as Cardinal Glick
Salma Hayek Pinault as Serendipity
Chris Rock as Rufus
Jason Mewes as Jay
Kevin Smith as Silent Bob
Alanis Morissette as God
(L to R) Chris Rock, Kevin Smith, Jason Mewes and Linda Fiorentino in ‘Dogma’. Photo: Lionsgate Films.
With its unusual central sleuth, a lot of frustrated potential suspects and a (mostly) one-location setting, this new series still manages to avoid coming across like a bad copy of the ‘Only Murders’ format.
Here, creator/showrunner Paul William Davies (no stranger to White House affairs after working on Rhimes-birthed crisis management thriller series ‘Scandal’) mixes a crafty, funny mix of his own personal favorite mystery writers (the episode titles all nod to classic mystery books or movies) with the intriguing inner workings of the most famous address in America, since he also drew from Kate Andersen Brower’s book ‘The Residence: Inside the Private World of the White House.’
It’s a combo that works really well –– the scurrilous world of behind-the-scenes drama during a State dinner for Australia is a fantastic backdrop for a teasing conundrum.
The key to any good mystery –– whether it’s supposed to be funny or not –– is a carefully constructed script with enough red herrings to throw you off the scent of the final truth at the heart of the matter.
Here, Williams and his writing staff concocted the twisted story of White House chief usher A.B. Wynter (Giancarlo Esposito), who rules efficiently and smoothly, but can’t abide personal drama. When he shows up dead on an upper floor of the residence at the White House, some within the building want it written off as a suicide, while others are convinced it was murder.
Naturally, that calls for a detective to be brought in, and ‘The Residence’s creative team have made one for the ages in Uzo Aduba’s Cordelia Cupp, a dedicated ornithologist who just so happens to have a genius brain for ferretting out the answers to mysteries.
But it’s not just the Cordelia Cupp show, the scripts weave and wander around the residence, replaying moments in time from different angles and creating a solid group of characters to tell the story. And while a lot of the series takes place within the title location, there is also a hearing happening to break things up.
Directorially, Liza Johnson and her team bring an interesting style to the show, which sweeps through a version of the White House, and perfectly complements the story.
Uzo Aduba is delightful as Cordelia Cupp, a consulting detective in the Sherlock Holmes mold, who is brought in by befuddled authorities to crack the case.
Aduba is a natural at this sort of quirky comedy, and the character she brings to life is effortlessly entertaining, whether she’s interrogating suspects, confounding those who perceive themselves superior to her or tracking down a rare bird she wants to cross off her spotting list.
Her mismatched buddy comedy chemistry with Randall Park’s FBI agent Edwin Park is one of the best elements of the series –– they’re on the same mission, but they rarely agree on how to go about it, and Park’s deadpan energy syncs well with Aduba’s.
Giancarlo Esposito faced his own challenge coming into the show, as he inherited the role of chief usher Wynter from Andre Braugher. While Braugher had briefly played the part before the 2023 WGA strike shut down production, he died before filming could resume, leading to Esposito (who, coincidentally, replaced him years ago on ‘Homicide: Life on the Street’ before they co-starred in the follow-up TV movie to the show) stepping in.
Wynter might seem like a character Esposito has become very known for playing –– icy, analytical and quietly arrogant, but he proves to be a refreshing change from that mode, with some more layers (even if his death kicks off the central mystery).
Of the considerable supporting cast, highlights include Al Franken, playing the senator leading the hearing into the investigation, the ever-reliable Eliza Coupe who steals scenes as Senator Bix, who is eager to get to the truth of the matter, and Mel Rodriguez, playing Bruce Geller, the chief engineer who had no great love for Wynter, but does fall for another member of the household staff.
Jason Lee is good value as Tripp Morgan, the President’s scruffy, lazy, salt-obsessed and light-fingered brother, bringing just the right level of sibling rivalry to the show, while Jane Curtin makes a meal of the role as the President’s mother-in-law who loves a drink, but hates noise.
Oh, and kudos to pop legend Kylie Minogue for being so game to make fun of herself in a couple of episodes.
With its quirky score and offbeat central figure, you could effectively call this ‘Only Murders in the Eisenhower Executive Office Building’ (yes, yes, we know… the residence is part of the White House proper, just go with it.)
This latest Shondaland offering has a solid cast, a great mystery and a watchable story that keeps you guessing.
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What’s the plot of ‘The Residence’?
Set in “upstairs, downstairs, and backstairs” of the White House, Cordelia Cupp (Uzo Aduba), an eccentric detective, arrives on the premises in order to solve a murder which happened during a state dinner. During the investigation, interpersonal conflicts between 157 personnel of the residence start to unfold.
Director/Writer Kevin Smith behind the scenes of the Romantic Comedy, ‘The 4:30 Movie’, a Saban Films release. Photo courtesy of Ralph Bavaro.
Moviefone recently had the pleasure of speaking over Zoom with ‘Clerks‘ and ‘Chasing Amy‘ writer and director Kevin Smith about his new film “The 4:30 Movie,” a semi-autobiographical, warmly nostalgic look at a teen romance that blossoms in the seats of a local movie theater in the summer of 1986.
You can read the full interview below or click on the video player above to watch our interview with Kevin Smith.
Director/Writer Kevin Smith behind the scenes of the Romantic Comedy, ‘The 4:30 Movie’, a Saban Films release. Photo courtesy of Ralph Bavaro.
Moviefone: To begin with, how are you feeling about the response to the movie so far?
Kevin Smith: So good, man, no complaints. It’s a nice byproduct when people like the movie. Never the aim but never not the aim. It’s never like, “I want to make something people hate.” But it’s nice when you make something and people are like, “Yeah, good on you.”
(L to R) Reed Northrup, Nicholas Cirillo and Austin Zajur in director Kevin Smith’s ‘The 4:30 Movie’. Photo: Saban Films.
Moviefone: Are the events of this film sort of ripped right from the pages of the Kevin Smith biography?
Kevin Smith: Yeah. I mean, look, the events of every movie I’ve ever made are pretty much ripped from the pages of the Kevin Smith biography with the exception of ‘Dogma.’ Even parts of that are pretty autobiographical. I’m not a very inventive storyteller or filmmaker. I crib from real life all the time, and this movie is absolutely no exception. The first scene [in which the teen lead calls the Chinese restaurant where his crush works], that long phone conversation, that literally happened and that’s almost verbatim the things that I said in terms of making a big order and then saying “Six and a half almond cookies and your hand in marriage.” Stuff like that came right out of real life. There are moments where Brian David, our main character, is riding around talking into his tape recorder — I lifted that from recordings of me doing the exact same thing. I cribbed liberally from my real life to make this flick. But to be fair, I do that with all the flicks.
(L to R) Reed Northrup as Belly, Austin Zajur as Brian David and Nicholas Cirillo as Burny in the Romantic Comedy, ‘The 4:30 Movie’, a Saban Films release. Photo courtesy of Ralph Bavaro.
Moviefone: You filmed this in the theater that was your local cineplex as a kid — which you ended up buying and turning into Smodcastle Cinemas. Was the theater in danger of closing before you jumped in?
Kevin Smith: In fact, the other day was the two-year anniversary of us taking over officially and it becoming Smodcastle Cinemas. This was a movie theater I grew up going to in my childhood. My father would take me there, I’d go there with my family, I’d go there with my friends on the weekend. It’s in the neighboring town, Atlantic Highlands [New Jersey], right next to where I grew up. Post-COVID, like many movie theaters, they fell on pretty hard times. There are multiplexes all around us with better seating and bigger, better quality but this was our local community theater. Me and my friends got together and bought it to keep it going. It’s over 100 years old so we were like “Let’s try it for another 100.” But when we bought it, one of the first things I realized is I got a free set. I can make a whole-ass movie here. This is a location for heaven’s sakes. Naturally being the guy who made ‘Clerks,’ it’s like “Do I make a movie about what it’s like to work in a movie theater?” I never did that myself so that would be like pretending or stolen valor. So I was like “You know what I can do? Tell a story about all the times that I hopped theaters as a kid.” Our parents would drop us off for the matinee and then come pick us up at 10:00 at night, and only give us two bucks to go to the movies, man. You pay for one movie and then you snuck into another and then you snuck into another and you kept going. So I figured with this location I can tell that story. There’s something cheeky about making a movie in a movie theater about movies and stuff. It’s not so much cheeky as affectionate. Obviously, movies have been a big part of my life. So much so they shaped my adulthood. Where I saw them, where I ingested those movies, that gets the shout-out this time around. I’ve been shouting out movies my whole life and it’s time to shout out where I saw those movies. At the same time, it could be a free commercial for Smodcastle Cinemas — two birds, one stone, or two birds, one seed as my kid said.
Ken Jeong as Manager Mike in the Romantic Comedy, ‘The 4:30 Movie’, a Saban Films release. Photo courtesy of Ralph Bavaro.
Moviefone: Finally, is it your policy as the owner now to look the other way if people sneak in and out of the auditoriums?
Kevin Smith: 100%. In the end credits of ‘4:30 Movie’ I tell people, “Smodcastle Cinemas, go visit. Pay for one movie, hop around, go see as many movies you want. If you get caught tell Ernie I said it was okay.” As a film exhibitor I know how tough it is to get asses in seats, man. We had ‘Beetlejuice Beetlejuice’ open a couple of weeks ago, I asked Smodcastle keeper Ernie O’Donnell, the guy that runs the place, “How’d we do with ‘Beetlejuice’?” He goes, “Friday we had 50 tickets, Saturday we had 100.” That’s the whole day. That’s good for a brand-new movie for us. Really the stuff that tends to do well at our theaters is retro screenings. So like “Hey man, I’m going to show ‘Tusk’ and Justin Long’s here. Hey, we’re going to show ‘Mallrats’ and Jason Lee’s here.” I could sell out those screenings and stuff. But when it comes to just selling real movies on the daily they’ll prefer to go to other movie theaters that have the better seating and s**t like that. So anything to get people to head to our theater is a good thing. Hopefully, them going, “What, there was a movie shot here?” is just one more reason for them to come visit. This is a temple that taught me my craft. The thing that I would eventually spend my life doing, my vocation, was born by sitting in those seats. I sat in those seats with people that I dearly love, some of whom are not even around anymore, like my father. Keeping it alive, man. It started as like, “Hey, I’m a filmmaker, this makes sense having a movie theater.” Quentin [Tarantino]‘s got one. It’s a little harder to run a movie theater in suburban New Jersey in terms of getting talent to come out. When you’re in Hollywood people just live here. But I’ve been able to bring Hollywood to the theater over the course of the last two years. No more so than when we brought cameras in and started rolling. Now for the rest of my life, or as long as we own that movie theater, I’ll always be able to play ‘The 4:30 Movie’ there on a Sunday at 4:30 from now until the end of time. It’ll never stay in other movie theaters. Maybe they’ll do retro or rep house screenings of it one day. But in our theater it will always live. Very rarely does a movie theater get to be like, “The whole movie was shot here.” We’ll showcase that forever.
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What is the plot of ‘The 4:30 Movie’?
Three teenage friends (Austin Zajur, Nicholas Cirillo and Reed Northrup) map out an afternoon outing to the local cineplex in the summer of 1986, but their plans to sneak into a new R-rated movie could be disrupted by the irritating theater owner and a host of other characters — not to mention one of the boys bringing his dream girl to the cinema as well.
Who is in the cast of ‘The 4:30 Movie’?
Austin Zajur as Brian David
Nicholas Cirillo as Burny
Reed Northrup as Belly
Siena Agudong as Melody Barnegat
Justin Long as Stank
Jason Lee as Brian’s dad
Kate Micucci as Melody’s mom
Genesis Rodriguez as Usher
Ken Jeong as Manager Mike
(L to R) Siena Agudong as Melody Barnegat and Austin Zajur as Brian David in the Romantic Comedy, ‘The 4:30 Movie’, a Saban Films release. Photo courtesy of Ralph Bavaro.
(L to R) Reed Northrup as Belly, Nicholas Cirillo as Burny and Austin Zajur as Brian David in the Romantic Comedy, ‘The 4:30 Movie’, a Saban Films release. Photo courtesy of Ralph Bavaro.
(L to R) Siena Agudong as Melody Barnegat and Austin Zajur as Brian David in the Romantic Comedy, ‘The 4:30 Movie’, a Saban Films release. Photo courtesy of Ralph Bavaro.
Moving away from the deconstructed horror and near-nihilistic meta comedy of his past few films (including the pure despair of his last one, ‘Clerks III’), Kevin Smith seems to be in a much better mood with ‘The 4:30 Movie,’ a semi-autobiographical teen comedy that draws heavily from his own early life and finds just enough of a sweet spot between his usual tasteless humor and some genuinely earnest coming-of-age romance to keep the film interesting and perhaps even attract a few new viewers to his walled cinematic garden.
Smith’s latest joint benefits from nice performances by his young cast as well, which partially counteracts his usual tendency to park the camera and let scenes roll on for too long. At the same time, he can’t help but include a bunch of his trademark raunchy humor, and the list of guest stars from the vast canon of his View Askewniverse can be equal parts distracting, irritating, and funny.
Story and Direction
Director/Writer Kevin Smith behind the scenes of the Romantic Comedy, ‘The 4:30 Movie’, a Saban Films release. Photo courtesy of Ralph Bavaro.
For those of us of a certain age who grew up in the New York/New Jersey area – as Kevin Smith did – “The 4:30 Movie” was a holy after-school ritual every day. Broadcast on the local ABC-TV affiliate (Channel 7, back in the prehistoric days when cable was something you towed a car with and streaming was what rain did down your windows), the program fit both theatrical and made-for-TV films into a daily 90-minute timeslot. The show’s themed weeks, in which it would show all five ‘Planet of the Apes’ films or a string of Godzilla features, were an essential part of many grade-schoolers’ film education.
We suspect Smith was a fan of that ‘4:30 Movie’ too, but that’s not the nostalgia that his new film ‘The 4:30 Movie’ harvests, sadly. Instead, the title refers to the showtime of a new R-rated film playing at the local multiplex in the New Jersey town of Atlantic Highlands (near where Smith grew up) that three friends – film-obsessed Brian (Austin Zajur), ladies’ man Burny (Nicholas Cirillo), and seemingly dim yet observant Belly (Reed Northrup) – plan on sneaking into after paying to see an earlier PG movie they’ve watched before. But there’s a new wrinkle to the plan: Brian has also invited his crush Melody (Siena Agudong) along. After failing to go to second base (with her encouragement and permission) in her pool last summer, Brian has remained infatuated with Melody and wants to take her on a proper date…with his two best friends along for the trip.
‘The 4:30 Movie’ takes place in the summer of 1986, right in the midst of Smith’s teen years and clearly inspired by events from his own life (the film was shot at the cineplex in which it takes place, which Smith now owns). As with all Smith films, the plot is only a loose framework on which to hang a bunch of character interactions and random incidents, most of which feature walk-ons from Smith regulars like Rosario Dawson, Jason Lee, Justin Long, Harley Quinn Smith, and of course ‘Clerks’ stalwarts Jeff Anderson, Brian O’Halloran, and Jason Mewes (spoiler alert: they don’t play their regular characters here, but the movie is very much set in the View Askewniverse).
Ken Jeong as Manager Mike in the Romantic Comedy, ‘The 4:30 Movie’, a Saban Films release. Photo courtesy of Ralph Bavaro.
There are plenty of moments, characterizations, and jokes in ‘The 4:30 Movie’ that fall flat, just as there are others that are crude or, in the case of the overbearing, self-important multiplex owner Manager Mike (Ken Jeong), borderline offensive. But there is a sweetness at the heart of the movie, exemplified by the relationship between Brian and Melody. He is shy, horny, and immature, but respectful where it counts, while she is self-possessed, confident, wise beyond her years, and direct in her eagerness to be Brian’s girlfriend. Their blooming romance comes into direct collision with Brian’s relationship to his two bros, Burny and Belly, with Burny in particular having a dim view of the female species that one hopes he’ll eventually grow out of. The situation brings the friendship between the three to a head, changing their dynamic in ways they don’t see coming.
Those are the best parts of ‘The 4:30 Movie,’ where Smith hits at some genuine emotional truth among teenagers who are just starting to brush up against the feelings and experiences that mark their transition to adulthood. Smith’s empathy for that, as well as his genuine affection for the time, place, and cultural zeitgeist in which the film is set, makes this one of his better movies in recent years. The rest of it – the inert camerawork, staid compositions, jokes that just dangle helplessly in the air – in a weird way, they’re part of the charm too this time.
The Cast
(L to R) Reed Northrup, Nicholas Cirillo and Austin Zajur in director Kevin Smith’s ‘The 4:30 Movie’. Photo: Saban Films.
Whether it’s the aging semi-professional slackers of ‘Clerks III’ or the insipid leads of ‘Yoga Hosers,’ Kevin Smith has a knack for casting people it can sometimes be difficult to watch. With ‘The 4:30 Movie,’ however, his two leads – Austin Zajur as Brian and Siena Agudong as Melody – are two of his better choices. Agudong in particular is a potential star in the making, radiating intelligence, charisma, and warmth, while Zajur is quite effective himself as a teen pulled in several directions while trying to find his own.
Nick Cirillo and Reed Northrup both show their own flashes of wit and depth as Brian’s friends, with Northrup in particular having a standout scene late in the game. As for the rest of the cast – well, it’s a wonder than Ken Jeong manages to eke out some memorably funny lines and even a moment of humanity or two as the otherwise abrasive Manager Mike, while Genesis Rodriguez gets a brief spotlight as a box office cashier with a secret of her own. Everyone else – Smith’s usual coterie of pals and repertoire players – more or less walks through and waves.
Final Thoughts
(L to R) Reed Northrup as Belly, Austin Zajur as Brian David and Nicholas Cirillo as Burny in the Romantic Comedy, ‘The 4:30 Movie’, a Saban Films release. Photo courtesy of Ralph Bavaro.
As we said above, ‘The 4:30 Movie’ is not likely to be a game-changer for Kevin Smith – he might gain a few more viewers for this one, but his style of filmmaking is what it is, and his fanbase is pretty much entrenched. When you sit down for a Kevin Smith film, you know what you’re going to get, and you’re either open to navigating that or not.
Having said that, this movie does have a lot more warmth to it that his last few outings, and while Smith always pours his heart into his films, that heart comes through a little more clearly here. It’s an ode to what he himself describes in a long end-credits thank-you list as a “happy childhood,” and there are moments that many of us can relate to here (including sneaking from the PG movie into the R-rated one). Now we’d like to see a film about ABC’s “4:30 Movie” as well.
‘The 4:30 Movie’ receives 6.5 out of 10 stars.
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What is the plot of ‘The 4:30 Movie’?
Three teenage friends (Austin Zajur, Nicholas Cirillo and Reed Northrup) map out an afternoon outing to the local cineplex in the summer of 1986, but their plans to sneak into a new R-rated movie could be disrupted by the irritating theater owner and a host of other characters — not to mention one of the boys bringing his dream girl to the cinema as well.
Who is in the cast of ‘The 4:30 Movie’?
Austin Zajur as Brian David
Nicholas Cirillo as Burny
Reed Northrup as Belly
Siena Agudong as Melody Barnegat
Justin Long as Stank
Jason Lee as Brian’s dad
Kate Micucci as Melody’s mom
Genesis Rodriguez as Usher
Ken Jeong as Manager Mike
Director/Writer Kevin Smith behind the scenes of the Romantic Comedy, ‘The 4:30 Movie’, a Saban Films release. Photo courtesy of Ralph Bavaro.
(L to R) Reed Northrup, Nicholas Cirillo and Austin Zajur in director Kevin Smith’s ‘The 4:30 Movie’. Photo: Saban Films.
Preview:
Kevin Smith has shot new comedy ‘The 4:30 Movie’.
A new coming-of-age saga about three teen friends, it’s set in 1986.
Smith will tour the movie this summer ahead of a theatrical release.
Kevin Smith has made a career riffing on pop culture and channeling nostalgia, along with a steady stream of stoner gags.
With his time in the ‘Clerks’ universe apparently over for a while, Kevin Smith has turned his attention to an original movie. His latest, ‘The 4:30 Movie’, might sound like it’s headed back in a weed direction (but it’s not ‘The 4:20 Movie), but is instead founded upon his own teenage love of cinema.
And now the coming-of-age movie has a distribution deal, with Saban Films.
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What’s the story of ‘The 4:30 Movie’?
Set in the summer of 1986, the coming-of-age comedy follows three sixteen-year-old friends (played by Austin Zajur, Nicholas Cirillo and Reed Northrup) who spend their Saturdays sneaking into movies at the local multiplex. But when one of the guys also invites the girl of his dreams (Siena Agudong) to see the latest comedy, each of the teens will learn something serious about life and love before the credits roll.
Who else is in ‘The 4:30 Movie’?
Justin Long as Hap Jackson in the thriller, ‘House of Darkness,’ a Saban Films release. Photo courtesy of Saban Films.
As with the original ‘Clerks’, which was famously shot at night in the convenience store where Smith worked in his 20s, ‘The 4:30 Movie’ utilized the Smodcastle Cinema that the director owns. A cinema, in fact, in New Jersey where he used to visit as a teenager himself.
“The day we bought Smodcastle Cinemas, I not only reclaimed an integral piece of my childhood, I also suddenly had access to a visually interesting and cost-free movie location! So I started writing a personal paean to the past for us 70’s and 80’s kids –– the pre-information generation who grew up without the Internet, when romance and relationships required much more than a swipe to get started, and the idea of asking out someone you had a crush on was as terrifying as the looming threat of nuclear war.”
When will ‘The 4:30 Movie’ be in theaters?
Smith is returning to a release policy that has worked for him in the past –– he’s taking the new movie out on a roadshow tour this summer. Then, it’ll be released nationwide in theaters, but a date has yet to be announced.
Director/Writer Kevin Smith on the set of the comedy, ‘Clerks III,’ a Lionsgate release. Photo courtesy of John Bayer/Lionsgate.
Exactly one year ago, writer-director Kevin Smith suffered a massive heart attack that nearly claimed his life. The significance of that event continues to weigh heavily on the star, and on the first anniversary of his brush with death, Smith is celebrating his second shot at life — and the beginning of a new project.
In a post on Instagram, the filmmaker revealed that February 25 marked one year since his heart attack, and he specifically chose that date as the first day of filming on “Jay and Silent Bob Reboot,” the sequel/reboot/remake hybrid to 2001’s “Jay and Silent Bob Strike Back” that pokes fun at all three of those categories. Smith shared a selfie of himself in character as Silent Bob, along with costars Jason Mewes (Jay) and Jason Lee (Brodie), as well as some words of gratitude for both the chance to reprise his role, and continue living his life.
According to Smith, the trio easily slipped back into their onscreen alter egos, and “partied like it was 1995,” the year they collaborated on “Mallrats.” The director continued:
‘The Oscars were on in the background during our practice and I couldn’t help but feel relief when the “In Memoriam” montage ended and I wasn’t in it. We picked 2/25 as the Reboot start date *intentionally*, to celebrate the fact that I did not become Silent Bob forever 365 days ago. But after a blissful couple hours of making pretend with my friends on the set of my 14th film, I’m starting to think I *did* die in that operating room after all. Because what could be more Heavenly than this?’
Amen, Kev.
Here’s the film’s official logline:
“In ‘Jay & Silent Bob Reboot,’ our herbal heroes find out Hollywood is making a reboot of the old movie that was based on them, so they journey out to Hollywood to stop it again.”
We can’t wait to hear more from Smith as production continues. Stay tuned.
