Tag: insidious

  • Universal Orlando’s Halloween Horror Nights 2024

    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.
    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.

    Another Halloween is upon us and with it brings another season of Universal Orlando’s Halloween Horror Nights, which takes place at Universal Studios Orlando August 30th – November 3rd.

    Beginning in 1991, Universal Orlando’s Halloween Horror Nights has become the world’s premier Halloween event. This year’s event will include 10 terrifying haunted houses based on popular films like ‘A Quiet Place’, ‘Ghostbusters: Frozen Empire’, and ‘Insidious’. The event will also include houses based on original ideas like ‘Major Sweets Candy Factory’, ‘Triplets of Terror’ and ‘Goblin’s Feast’.

    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.
    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.

    This year’s event will also introduce two new hosts of horror, Sinist3r and Surr3al, who are reigning the streets of Universal Studios Florida and unleashing horror within five scare zones including ‘Duality of Fear’, ‘Torture Faire’ and ‘Enter the Blumhouse’, which features characters from Blumhouse movies like ‘The Black Phone’ and ‘M3gan’. The massive event also includes new themed food and beverages and an energetic live show called ‘Nightmare Fuel: Nocturnal Circus’.

    Moviefone recently had the pleasure of traveling to Universal Studios Orlando to enjoy the opening night of Halloween Horror Nights 2024 firsthand and experience all the scares and spookiness they have prepared for visitors this year.

    Related Article: Ernie Hudson Talks ‘Ghostbusters: Frozen Empire’ and the Franchise’s Legacy

    Haunted Houses

    ‘A Quiet Place’

    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.
    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.

    Be prepared to silence your screams in the new ‘A Quiet Place’ house, which is based on director John Krasinski’s ‘A Quiet Place’ and ‘A Quiet Place Part II’.

    Here is the official synopsis:

    Fans will relive the tension that will come to life in iconic scenes from the first two films, from traveling through the farmhouse that serves as the Abbott family’s shelter and stepping into the root cellar where Evelyn Abbott (Emily Blunt) escapes to give birth as one of the creatures closes in. Mirroring the silence in the films, the haunted house will embrace unique sound design, special effects and will incorporate the use of American Sign Language (ASL) for the first time ever at Halloween Horror Nights.

    While the attraction does not incorporate elements of the recent box office hit ‘A Quiet Place: Day One’, it does follow the characters from the original film and includes lots of alien scares.

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    ‘Ghostbusters: Frozen Empire’

    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.
    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.

    Based on the events of the most recent installment of the franchise, the ‘Ghostbusters: Frozen Empire’ house follows an ancient artifact that unleashes an evil force that threatens to destroy the world.

    Here is the official synopsis:

    ‘Ghostbusters: Frozen Empire’ will transport fans of the film franchise to New York City where the Spengler family teams up with the original Ghostbusters who are now at the helm of a top-secret research lab for their ghost-busting enterprise. With the daunting discovery of an old relic that has set free the vengeful spirit of Garraka, who threatens to freeze everyone to death, Ghostbusters new and old must join forces to protect their city and save the world from a second Ice Age.

    While the haunted house follows the story of ‘Frozen Empire’ very closely, it also includes Easter eggs from other ‘Ghostbuster’ movies including Slimer from the original and Vigo the Carpathian (Wilhelm von Homburg) from ‘Ghostbusters II’.

    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.
    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.
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    ‘Insidious: The Further’

    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.
    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.

    Produced by Blumhouse Productions in association with Sony Pictures, ‘Insidious’ tells the disturbing story of the Lamberts, a family haunted by evil supernatural forces after their son slips into an inexplicable comatose state after becoming possessed by a demonic entity.

    In the all-new Halloween Horror Nights haunted house, guests will follow in the footsteps of the Lamberts, encountering familiar settings and scares as they are transported directly into “The Further” – the ethereal place where ghosts and demons lurk.

    Here is the official synopsis:

    Guests’ journey into ‘Insidious: The Further’ begins as they step through the iconic red door, where many of the tormented spirits and demons from the franchise await – determined to ensnare humans and steal their souls. Fans will come face-to-face with The Red-Faced Demon, who will attempt to lure them into his lair; the grim KeyFace, hoping to lock his victims in this dark dimension; the ghastly and dangerous Bride in Black; and the vengeful spirit of the Man Who Can’t Breathe. As guests make their way through the haunted house, they’ll go from red door to red door – traveling deeper into a dark and timeless astral world where they must evade this collection of sinister creatures at every spine-chilling turn, or their souls will be trapped here…forever.

    ‘Insidious: The Further’ is one of the scariest new houses at the attraction and incorporates elements from the entire franchise including the recent movie, ‘The Red Door’.

    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.
    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.
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    Universal Monsters: Eternal Bloodlines

    Based on classic Universal Monsters like Dracula and Frankenstein, this new house is based on an original story including female Monster characters like Saskia Van Helsing, She-Wolf, the Bride of Frankenstein and Dracula’s Daughter.

    Here is the official synopsis:

    Fans will encounter Saskia Van Helsing, a new fearless huntress. She faces off with Dracula’s daughter, Countess Marya, who arose from the dead to seek revenge for her father and destroy the Van Helsing bloodline. With a mission to kill, Dracula’s daughter, from 1936’s ‘Dracula’s Daughter’, forms a deadly alliance with the She-Wolf, inspired by the 1946 film ‘She-Wolf of London’, and Anck- Su-Namun, from the 1932 film ‘The Mummy’ – only to be intercepted by Saskia and an unlikely ally, ‘The Bride of Frankenstein’. The terrifying adventure will take guests on a journey between the hunted and the hunters in a life and death battle with only one bloodline left to survive.

    Emmy-nominated composer Sara Barone created an original score for this all-new haunted house, which also features a performer on a zipline.

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    Other Haunted Houses

    The event also includes several original haunted houses such as ‘Slaughter Sinema 2’, which takes place at a Drive-in, and ‘Goblin’s Feast’, which simulates a Goblin’s Thanksgiving dinner where the human visitors are the main course.

    ‘Major Sweets Candy Factory’ finds its candy transforming kids into candy-coated killers and is like a demonic version of ‘Willy Wonka and the Chocolate Factory’, while ‘The Museum: Deadly Exhibits’ features a rotten stone that possesses the museum and all the artifacts inside it.

    Finally, ‘Monstrous: The Monsters of Latin America’ features creatures like Tlahuelpuchi, La Lechuza and El Silbón, while ‘Triplets of Terror’ tells an original story of the Barmy triplets, who murdered their parents on their birthday and kill a new family every year to celebrate.

    Scare Zones

    This year’s event will introduce two new hosts of horror, SINIST3R and SURR3AL, who are reigning the streets of Universal Studios Florida and unleashing all the horror that awaits within five scare zones, which are interactive areas within the park.

    ‘Enter the Blumhouse’

    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.
    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.

    The only Scare Zone based off an IP, ‘Enter the Blumhouse’ includes characters from ‘The Purge’, ‘The Black Phone’, ‘Freaky’ and ‘M3gan’. The area also has a “dance party” vibe and was one of the most populated zones during our opening night visit.

    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.
    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.
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    Other Scare Zones

    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.
    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.

    ‘Duality of Fear’ allows visitors to choose a path to follow either Sinist3r or Surr3al, with the former taking you to Sinist3r’s ‘Torture Faire’ or the latter bringing you to Surr3al’s ‘Demon Queens’ zone, where four merciless queens rule the otherworldly hellscape. Finally, we have ‘Swamp of the Undead’, which allows guests to wander onto private property where they are surrounded by zombies born from the bodies of former trespassers.

    Live Shows and Food

    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.
    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.

    This year’s new live show, which runs nightly, is entitled ‘Nightmare Fuel: Nocturnal Circus’. The experience is set inside a dark circus and is full of pyrotechnics and aerialists flying to the beat of rock rhythms.

    Finally, Universal Studios Orlando is offering several Halloween Horror Nights themed food and beverage’s including Pork Carniceria (‘Monstrous: The Monsters of Latin America’), Mini Stay-Puft S’mores (‘Ghostbusters: Frozen Empire’), Abbott’s Farm Corn Chowder (‘A Quiet Place’) and returning fan- favorites like Twisted Taters.

    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.
    Universal Orlando’s Halloween Horror Nights runs August 30th – November 3rd 2024.

    Movies that inspired 2024’s Universal Orlando’s Halloween Horror Nights:

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  • Movie Review: ‘Insidious: The Red Door’

    Patrick Wilson in Screen Gems 'Insidious: The Red Door.'
    Patrick Wilson in Screen Gems ‘Insidious: The Red Door.’ Photo: Boris Martin. © 2023 CTMG, All Rights Reserved.

    While it feels a little odd to be calling a horror franchise that kicked off in 2010 ‘venerable’ perhaps the most terrifying element is remembering that that was 13 years ago. ‘Insidious’, with its tale of the creepy nether realm known as “The Further” is back to haunt the living after four previous entries.

    This time around, Patrick Wilson –– who has played patriarch Josh Lambert since the original –– also steps behind the camera, working from a script by Scott Teems (‘Halloween Kills’), who collaborated on the story with original ‘Insidious’ writer Leigh Whannell. The new film is called ‘Insidious: The Red Door‘ and it opens in theaters on July 7th.

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    What’s the story of ‘Insidious: The Red Door’?

    Patrick Wilson in Screen Gems 'Insidious: The Red Door.'
    Patrick Wilson in Screen Gems ‘Insidious: The Red Door.’ Photo: Nicole Rivelli. © 2023 CTMG, All Rights Reserved.

    Picking up ten years after the events of the second film, the Lamberts are a fractured family in mourning. Patrick Wilson returns as Josh Lambert, a father struggling with the loss of his mother, Lorraine, and keen to mend the relationship with his oldest son, Dalton (a returning Ty Simpkins).

    He agrees to drive the talented artist to his Ivy League university, hoping the road trip and settling him in will help them reconnect. Things, as you might suspect, don’t go to plan.

    At the same time, a psychological trigger revives a past Dalton didn’t even realize he’d forgotten (or, more accurately, had used hypnotized to suppress), and it gradually begins to sneak its dark fingers into his reality, opening a gateway to the nightmarish realm we know so well from past movies in the series.

    The gateway is a red door that haunts his Dalton’s art and his dreams, a portal in The Further that Josh and Dalton must unite to close for the sake of their family, past and present…

    Who else is in ‘Insidious: The Red Door’?

    The cast for the movie also includes Rose Byrne returning as matriarch Renai Lambert, Andrew Astor as son Foster Lambert, and Lin Shaye once more playing parapsychologist Dr. Elise Rainier (alongside a quick cameo from Whannell and Angus Sampson as her regular tech sidekicks Specs and Tucker).

    Outside the veteran cast, we have Sinclair Daniel as Dalton’s college friend Chris and Hiam Abbass as cranky art teacher Professor Armagan.

    Related Article: Actor and Director Patrick Wilson Talks ‘Insidious: The Red Door’

    The direction

    Director/Actor Patrick Wilson and Ty Simpkins on the set of Screen Gems 'Insidious: The Red Door.'
    (L to R) Director/Actor Patrick Wilson and Ty Simpkins on the set of Screen Gems ‘Insidious: The Red Door.’ Photo: Boris Martin. © 2023 CTMG, Inc. All Rights Reserved.

    ‘The Red Door’ marks Wilson’s directorial debut, and it’s a solid start for the actor-turned-shot-caller. Aside from a few early moments that stretch a little too far into wannabe arty, he maintains a solid visual aesthetic that lets the characters do the work, but also wrangles his team to create some effective scary moments.

    True, there are the obligatory jump scares, sudden noises thrown on to the soundtrack to evince reactions from the audience, but those are never overused. And Wilson also finds a way to make silence just as effectual when it comes to generating terror.

    And coming from a performing background, he’s also able to draw some genuine performances from the cast. Simpkins is initially in sullen teen mode, though it’s an understandable phase given that Dalton’s grandmother has just died, and he still feels the impact from what he and the family went through when he was younger (turns out the hypnosis he and his father underwent didn’t solve all their problems).

    Director/Actor Patrick Wilson and Ty Simpkins on the set of Screen Gems 'Insidious: The Red Door.'
    (L to R) Director/Actor Patrick Wilson and Ty Simpkins on the set of Screen Gems ‘Insidious: The Red Door.’ Photo: Boris Martin. © 2023 CTMG, Inc. All Rights Reserved.

    And once he starts to dig into the scary visions he’s happening, Dalton comes out of his shell even if he does spend most of the movie looking upset (again, understandably).

    Yet while Wilson does good work as Josh, who goes on his own journey to figure out his issues and his connection to The Further, the film is almost stolen in certain scenes by Daniel as Chris Winslow, who meets Dalton when she’s mistakenly assigned as his roommate on the first day of college.

    Daniel brings an affably askew energy to the role; Chris becoming a confidante and platonic best pal for Dalton and thankfully doesn’t simply disappear once the scary stuff truly kicks in. While she’s popped up in some TV guest spots, this is the sort of performance that should land Daniel on plenty of casting directors’ lists, such life does she bring to both the part and the movie itself.

    Elsewhere, fans of the ‘Insidious’ movies will appreciate nods to previous outings –– this is pretty much a legacy sequel despite only appearing a few years since the last one. Entertainingly taking the family to an even darker, more damaged place, it meditates on familial trauma, fathers and sons and the power of astral projection.

    Are there issues in the Further?

    Patrick Wilson in Screen Gems 'Insidious: The Red Door.'
    Patrick Wilson in Screen Gems ‘Insidious: The Red Door.’ Photo: Nicole Rivelli. © 2023 CTMG, All Rights Reserved.

    The main problems with the movie stem from the familiar beats that begin to kick in as Dalton and his father truly investigate the chunk of memories that has been obscured in their minds. While the writers and crew stage a few inventive variations on dead entities stalking and messing with the living, there are only so many ways this can play out and once we dive back into The Further, things become ridiculously over-stylized and honestly less creepy, not more.

    Plus, if you were shouting at the screen that a potential fix for all the problems is staring the characters in the face once Dalton makes one particular move in the story, you’ll likely be disappointed how long it takes them to figure it out.

    And while she is in the movie, Rose Byrne gets very little to do until the very end, but at least makes the most of Renai’s limited screen time.

    Likewise, Abbass’ Armagan does what she can with the small amount of scenes, one in particular, an abrasive first class with her new students, is a standout. Wilson and Teems might also have found a more effective way to bring those who have somehow chosen to make this the first ‘Insidious’ movie they see up to speed than halting the plot for an exposition dump (even if it is delivered by three familiar, entertaining characters).

    A more effective re-visit of a scary story than the more recent ‘Halloween’ movies, ‘The Red Door’ serves as a solid final chapter for this story. Though of course, it goes without saying (and we won’t spoil anything) that there are hints for the future after the end credits.

    ‘Insidious: The Red Door’ receives 7.5 out of 10 stars.

    Patrick Wilson in Screen Gems 'Insidious: The Red Door.'
    Patrick Wilson in Screen Gems ‘Insidious: The Red Door.’ Photo: Courtesy of Screen Gems. © 2023 CTMG, All Rights Reserved.

    Other Movies Similar to ‘Insidious: The Red Door’:

    Buy Tickets: ‘Insidious: The Red Door’ Movie Showtimes

    Buy ‘Insidious’ Movies On Amazon

    ‘Insidious: The Red Door’ is produced by Blumhouse Productions, Stage 6 Films, Screen Gems. The movie is scheduled to release in theaters on July 7th, 2023.

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  • ‘Insidious: The Red Door’ Interview: Patrick Wilson

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    Opening in theaters on July 7th is ‘Insidious: The Red Door,’ which is fifth installment of the ‘Insidious’ franchise, and is a direct sequel to ‘Insidious: Chapter 2.’ The movie was written by Scott Teems and based on a story by series creator Leigh Whannell, while it also marks actor Patrick Wilson’s directorial debut, and was produced by Blumhouse Productions.

    What is the plot of Talks ‘Insidious: The Red Door’?

    In ‘Insidious: The Red Door,’ the horror franchise’s original cast returns for the final chapter of the Lambert family’s terrifying saga. To put their demons to rest once and for all, Josh (Patrick Wilson) and a college-aged Dalton (Ty Simpkins) must go deeper into The Further than ever before, facing their family’s dark past and a host of new and more horrifying terrors that lurk behind the red door.

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    Who is in the cast of ‘Insidious: The Red Door’?

    ‘Insidious: The Red Door’ stars Patrick Wilson (‘Watchmen,’ ‘Aquaman’) as Dalton Lambert, Ty Simpkins (‘Iron Man 3’) as Josh Lambert, Rose Byrne (‘Bridesmaids’) as Renai Lambert, Andrew Astor (‘The Hangover’) as Foster Lambert, Sinclair Daniel (‘I Love Ana’), Hiam Abbass (‘Blade Runner 2049’), and Lin Shaye (‘There’s Something About Mary’) as Elise Rainier.

    Moviefone recently had the pleasure of speaking with actor and director Patrick Wilson about his work on ‘Insidious: The Red Door,’ making his directorial debut with this franchise, revisiting the Lambert’s story, and Dalton and Josh’s relationship now.

    Patrick Wilson in Screen Gems 'Insidious: The Red Door.'
    Patrick Wilson in Screen Gems ‘Insidious: The Red Door.’ Photo: Nicole Rivelli. © 2023 CTMG, All Rights Reserved.

    You can read the full interview below or click on the video player above to watch our interviews with Wilson, and Ty Simpkins and Sinclair Daniel.

    Moviefone: To begin with, can you talk about making your directorial debut with this particular film, and was it helpful to you that you were working within a franchise that you helped to create?

    Patrick Wilson: Not only helpful but probably vital, because I needed to be surrounded by people that are very good at their job and have done this quite a bit. Nobody knows this space better than Blumhouse. Also, the track record that Blumhouse has working with first time directors that are from somewhere else in the business. I think of whether it’s Jordan Peele, or Joel Edgerton, there’s a lot of actors that have crossed over knowing the Blumhouse model and the creative freedom that they can give you, but surrounding yourself with a team of people who will help. Those people just happen to be good friends of mine that I’ve done many movies with. So I knew I was going to be protected.

    Director/Actor Patrick Wilson and Ty Simpkins on the set of Screen Gems 'Insidious: The Red Door.'
    (L to R) Director/Actor Patrick Wilson and Ty Simpkins on the set of Screen Gems ‘Insidious: The Red Door.’ Photo: Boris Martin. © 2023 CTMG, Inc. All Rights Reserved.

    Related Article: ‘The Conjuring 3’ Finds Director, and It’s Not James Wan

    MF: Can you talk about revisiting the Lamberts with this sequel and the themes that you wanted to explore as a director?

    PW: Well, there were so many things about this that were going to be the first time. So I wanted to make sure that the themes that I was dealing with were something that I was passionate about and that I could keep focused. I’m a dad. I got two boys, so I wanted to do a movie about father-son relationship. I made him go to an art school. I went to a theater school. I understand what that’s like, as an artist, to kind of rip away who you are to get to the core of who you are as an artist. So that was an easy one that I felt like I had some experience with for sure. I’ve always been fascinated by artwork and the balance of light and dark just in life. So that was something that I wanted to explore. I just picked themes that I felt like I not had an authority on, but I knew I could tell a truthful story too. Then I just put it through the meat grinder of a horror movie with a domestic trauma built in, and here we are.

    Director/Actor Patrick Wilson and Ty Simpkins on the set of Screen Gems 'Insidious: The Red Door.'
    (L to R) Director/Actor Patrick Wilson and Ty Simpkins on the set of Screen Gems ‘Insidious: The Red Door.’ Photo: Boris Martin. © 2023 CTMG, Inc. All Rights Reserved.

    MF: Finally, can you talk about Dalton and Josh’s father and son relationship, and with everything they’ve been through, where is that relationship at when this new film begins?

    PW: They’re broken and they don’t know why. I think that’s really the crux of it is you’re like, “Well, what happened? These guys were peas in a pod when he saved him in the first movie, and then Dalton went and saved him. So what happened?” Well, if you know the story, I really wanted to unpack the end of the second film, what that means for the trauma that that family went through. Even in a horror movie, you have to play this stuff real, like it’s real. The guy ran around the house trying (to kill them). We saw what he did. I don’t care who was possessed. It was me running around trying to harm these people. What does that do to a family? This is what it does. So you find these two that have been in their own fog for a certain amount of time, for years, and then they have to figure out why. Then as their relationship is really being fragmented, what brings them together? So that was really what I wanted to explore.

    Patrick Wilson directs and stars in 'Insidious: The Red Door.'
    Patrick Wilson directs and stars in ‘Insidious: The Red Door.’

    Other Movies Similar to ‘Insidious: The Red Door’:

    Buy Tickets: ‘Insidious: The Red Door’ Movie Showtimes

    Buy ‘Insidious’ Movies On Amazon

    ‘Insidious: The Red Door’ is produced by Blumhouse Productions, Stage 6 Films, Screen Gems. The movie is scheduled to release in theaters on July 7th, 2023.

  • 5 Reasons Why ‘Insidious: The Last Key’ and ‘Jumanji’ Crushed ‘Star Wars’ at the Weekend Box Office

    January is typically a dead zone at the box office, which is one reason no one expected much from “Insidious: The Last Key.”

    After all, it’s a poorly-reviewed fourth installment of a horror franchise that seemed to be running out of gas with the third chapter three years ago, which debuted with the franchise’s weakest opening ($22.7 million) and limped out of theaters just ten weeks later, the shortest run of any movie in the series — with the lowest total gross of any “Insidious” movie ($52.2 million). It’s no wonder that almost no one thought “Last Key” would open any higher than $22 million, though some pundits predicted a premiere as low as $16 million.

    And yet, Sunday’s estimates have it opening in second place, with a robust $29.3 million, averaging a strong $9,392 per screen. That’s the second best opening of the series, behind only the $40.3 million debut of “Insidious Chapter 2” four years ago. It was enough to push “Star Wars: The Last Jedi” into third place, after the film spent three weeks atop the chart (it fell to an estimated $23.6 million in its fourth weekend). If not for the still strong “Jumanji: Welcome to the Jungle,” which estimates placed at a remarkable $36.0 million in its third weekend, the fourth “Insidious” would have premiered in first place.

    How did “Last Key” scare up so much money and shock the experts? Here are five ways.

    1. January Is a Good Month for Horror
    Studios have known this for some time, getting horror fans to open their wallets in January for such films as “Cloverfield” (opening with $40.0 million in 2008), “The Devil Inside” ($33.7 million in 2012), and “Mama” ($28.4 million in 2013).

    Last year, Hollywood really made January a terrifying month, with “Split” (a $40.0 million debut), “The Bye Bye Man,” and the underperforming horror-action thrillers “Underworld: Blood Wars” and “Resident Evil: The Final Chapter.” So audiences were primed for a scary movie this month, especially since there won’t be another for four more weeks, when we get “Winchester” on February 2.

    2. “The Last Jedi” Just Doesn’t Have the Legs of a Typical “Star Wars” Movie
    That seems odd, given that it took just two weeks for “Last Jedi” to become the top-grossing movie of 2017 and three weeks to earn more than “Rogue One” did over its five-month run. Still, two years ago, “The Force Awakens” held on to first place for four weeks, not three.

    Last year, “Rogue One” fell from first after three weeks, but at least it spent its fourth week at No. 2. “Last Jedi” started stronger than “Rogue One,” but its fall feels steeper (it’s lost 89 percent of its debut business, compared to 86 percent for “Rogue One” at this point in its release). That could be because fan fondness for this chapter hasn’t been as strong, with opinions much divided over the sequel’s plot and character choices. But it’s also because the last two movies didn’t face a mainstream competitor that stole much of their thunder…

    3. Audiences Wanted Something New This Weekend
    That would be “Last Key” and “Jumanji,” whose take this week is just $169,000 shy of its opening-weekend tally. Nothing else that has opened lately has captured that kind of fervor or enjoyed that kind of holding power.

    So again, escapism-seeking audiences, who had no other new options, were going to turn out in force for “Insidious,” regardless of how little critics thought of it. Sure, it drew just a 25 percent Fresh rating at Rotten Tomatoes and even a lackluster B- grade among paying customers at CinemaScore, but what else was there?

    4. There Are Few Movies Out There That Young Women Want to See
    Jessica Chastain and Idris Elba in MOLLY'S GAMEYeah, there’s “Pitch Perfect 3,” though that has failed to spark the kind of enthusiasm that the first two movies enjoyed. And there’s “The Last Jedi,” overflowing with role models.

    Still, nothing caters to younger female audiences like horror. Everything else out there seems aimed either at young men (“Jumanji”) or at older viewers — namely, all those Oscar-hopeful movies. With the Golden Globes kicking off the awards-show season in earnest this weekend, such films as “Molly’s Game” and “Darkest Hour” expanded into more than 1,000 theaters each and saw solid box office boosts. (“Molly” earned an estimated $7.0 million this weekend, while “Hour” picked up an estimated $6.4 million.)

    Also seeing boosts were Oscar-seeking movies that are still playing in just a handful of theaters — “I, Tonya,” “The Post,” “Hostiles,” and “Phantom Thread.” These will be movies for box office observers to keep an eye on in the coming weeks. But that also means that younger viewers will have to settle for the likes of “Insidious.”

    5. Not Even Snow Storms Could Keep Audiences Away
    The winter storm that buried much of the eastern United States in snow at midweek was expected to keep theaters shuttered and discourage moviegoing. But the cinemas are back open, and cabin-feverish fans are eager to get out and see something, anything.

    If they’ve already seen “Star Wars” and “Jumanji,” at least there’s another familiar franchise film, one that offers indoor chills that are worth braving the outdoor chills for.

  • Box Office: ‘Jumanji: Welcome to the Jungle’ Roars Past ‘Star Wars: The Last Jedi,’ ‘Insidious 4’

    LOS ANGELES, Jan 7 (Variety.com) – Sony’s “Jumanji: Welcome to the Jungle” handily won the first box office weekend of 2018 over the launch of “Insidious: The Last Key” and “Star Wars: The Last Jedi” with $36 million at 3,801 North American locations.

    The fourth installment of the “Insidious” horror franchise scared up a surprisingly strong $29.3 million at 3,116 sites for Universal. Disney-Lucasfilm’s “The Last Jedi” followed in third with a 55% decline to $23.6 million at 4,232 venues for a 24-day total of $572.5 million — the sixth-largest of all-time.

    Fox’s third weekend of “The Greatest Showman” held nicely in fourth, declining only 12% to $13.6 million at 3,342 theaters for a 19-day total of about $77 million. It was followed in fifth by Universal’s third session of “Pitch Perfect 3” with $10.2 million at 3,458 sites, lifting its 17-day take to a solid $86 million.

    Fox’s fourth weekend of animated comedy “Ferdinand” finished sixth with $7.7 million at 3,156 venues, followed by Jessica Chastain‘s “Molly’s Game” from STXfilms, which brought in $7 million after expanding to 1,608 sites from 271. Chastain received a Golden Globe nomination for best actress in a drama for her work in the film — whether or not she wins will be determined Sunday. The film also received a Producers Guild Award nomination on Friday for best film, a day after Aaron Sorkin’s script received a Writers Guild nom for adapted screenplay.

    The “Jumanji” sequel has taken in $244.4 million in its first 19 days domestically. It’s the first weekend box office win for “Jumanji” — which has gone past “Justice League” as the ninth-largest domestic grosser among 2017 titles. “Jumanji: Welcome to the Jungle” is also topping the $500 million mark worldwide.

    Dwayne Johnson, Kevin Hart, Jack Black, and Karen Gillan star in “Jumanji: Welcome to the Jungle,” a sequel to Robin Williams’ original, which was a 1995 hit with $262 million worldwide. “Welcome to the Jungle” follows four high schoolers in detention who wind up as video game characters facing an array of challenges.

    “Insidious: The Last Key” came in far above expectations, which had been in the $16 million to $19 million range. It’s the latest horror title from Blumhouse Productions, which delivered low-cost horror hits last year for Universal with “Split,” “Get Out,” and “Happy Death Day.” The franchise dates back to 2010 with “Insidious,” followed by “Insidious: Chapter 2” in 2013 and “Insidious: Chapter 3” in 2015 — which have grossed a collective $357 million worldwide.

    Lin Shaye, who has starred in all three films, returns in “Insidious: The Last Key” as a parapsychologist whose haunted childhood comes to threaten her family and home in a follow-up to the events in “Insidious: Chapter 3.” It’s produced by “Insidious” regulars Jason Blum, Oren Peli, and co-creator James Wan and by Sony Pictures (through Stage 6 Films) with Blumhouse. Universal is the U.S. theatrical distributor with Sony releasing in the rest of the world.

    Overall domestic business was up 18.1% to $165 million, according to comScore — a welcome sign after 2017 saw a 2.3% decline in total grosses.

    “2018 is off to a rollicking start with ‘Jumanji’s’ unexpected strength boosting the overall marketplace nearly 20% ahead of the comparable weekend a year ago as the box office new year gives the industry cause to celebrate with an incredibly diverse lineup of titles driving patrons to theaters and a red hot awards season in full swing,” noted Paul Dergarabedian, senior media analyst with comScore. “Two years ago was not even as strong with a ‘Force Awakens’ driven marketplace ringing up sales of $159.1 million for the same weekend in 2016.”

  • Don’t Watch This ‘Insidious: The Last Key’ Trailer at Night

    Turn on all the lights and hang on to your blankie, because the new “Insidious: The Last Key” trailer is here to give us all nightmares.

    “The Last Key” is the fourth installment in the franchise (although the second in the chronology). It follows parapsychologist Dr. Elise Rainier (Lin Shaye) who investigates supernatural disturbances at the house she lived in as a child. There’s no place like home — for demons and ghosts from the Further Realm to terrify you day and night.

    The trailer is packed with jump scares and horrified expressions from Shaye, Tucker (Angus Sampson), and Specs (Leigh Whannell). Whannell also wrote the script, as he did the previous movies, with Adam Robitel directing.

    The tone and look of the movie seem about the same as the previous installments, which means you may want to sleep with a light on afterward.

    “Insidious: The Last Key” opens in theaters January 5.

  • ‘Insidious: The Last Key’ Trailer Will Leave You Screaming

    Home is where the ghosts are in the fourth chapter of the “Insidious” horror franchise.

    The trailer for “Insidious: The Last Key” is here. It’s actually a prequel to the first movie, and follows demonologist Elise Rainier (Lin Shaye) as a young woman in New Mexico. And her latest case is one very close to her heart — a haunting in her own family home. Sidekicks Specs (Leigh Whannell) and Tucker (Angus Sampson) join her in trying to rid the place of evil spirits.

    And while James Wan, who directed the first two movies and went on to create “The Conjuring” franchise, is still involved as a producer, “The Last Key” is directed by Adam Robitel, who brings a fresh perspective to this chapter.

    But judging by the trailer, Chapter 4 looks much in the vein of the previous film — with many jump scares, dark rooms, heavy breathing from characters, and creepy household objects.

    “Insidious: The Last Key” opens in theaters January 5, 2018.

  • Children ‘Terrified’ After Theater Plays ‘Insidious’ Instead of ‘Inside Out’

    Anger. Disgust. Fear. Maybe some Joy at the irony. The “Inside Out” team would actually have a lot to work with in this true story of a movie theater accidentally playing the horror film “Insidious: Chapter 3” instead of the new Pixar title. Oops!

    A woman in Middletown, Ohio, posted her story to the local news site’s Facebook, saying she took five kids to the theater to see “Inside Out” and instead the theater played “Insidious.” They both start with “Ins” so they’re basically the same, right? Guess not. Once this lady and the other adults in the theater figured out they were watching the wrong movie, they rushed out and complained. A manager for the Danbarry Cinema confirmed to the Journal-News that an employee in the projection both accidentally played the wrong reel. The manager on duty apologized and everyone got a pass and an upgrade to watch the Disney movie in 3-D.

    However, the complaining parent said, in her post, that “the damage is already done … my children are terrified and keep asking questions.” She took some heat for her complaints, once the story spread, and returned to Facebook to clarify that she wasn’t suing anyone or asking for money, and defended her right to be mad about the error.

    Here’s part of her latest post:

    All the previews were disney or kid friendly UNTIL right before the movie started which the preview for Sinister 2 (or 3) played. Which I immediately noticed was the wrong movie and as quickly as I could removed my kids and went to a Manager. … Other parents and children were very upset and some weren’t. …Unfortunately a lot of people have made assumptions about me, my children and my parenting. Also there has been a ridiculous amount of people insulting me over this. Please stop being nasty and focus on the point.. This could have been prevented there needs to be a policy set in place or something to stop it from ever happening again anywhere. It is your opinion and your choice if you allow your children to watch horrors movie or not but I don’t and guess what that’s okay.. but I bought tickets and paid a good amount for popcorn and candy etc.. to see a Disney movie with my kids.. and Sinister popping up caught me and most of all my kids off guard. I am perfectly aware that horror movies are fake but the content in them are real. Murder is real. When you are a child your worst fear is something happening to your parents. That movie amplified that fear for my kids. So yes I am mad about and I have every right to be… So if it takes a bunch of people being upset with me to have a policy put in place to protect other kids too then so be it.”

    Yeah, from afar the whole thing is kinda funny, but it’s understandable if she and her kids were upset by what happened and they don’t deserve further insults from Internet trolls. But still. It is kinda funny, no?

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