Tag: ice-cube

  • ‘Boyz N the Hood’: 10 Things You (Probably) Didn’t Know About the John Singleton Classic

    Boyz N The Hood, made by John Singleton in 1991, was the story of three friends -- played by(from left) Morris Chestnut, Cuba Gooding, Jr. and Ice Cube – growing up in South Central Los Angeles.Upon its release 25 years ago, on July 12, 1991, “Boyz N the Hood” was recognized as an instant landmark film.

    The coming-of-age drama about three young African-American men in South Central Los Angeles launched a decade’s worth of similar films. Plus, “Boyz” made a film star of veteran character actor Pee-wee’s Playhouse.” There, he met Fishburne, who played Cowboy Curtis on the show. Singleton promised the actor he’d write him a role where he didn’t have to wear a Jheri Curl. It would be another three years before he made good on the promise.

    2. It was on another backstage job, this time on Arsenio Hall‘s talk show, where Singleton first met Cube. He promised the N.W.A. rapper he’d write a movie role for him, too. They’d meet again several times over the next three years before Singleton finally got to cast Cube as Doughboy.
    3. Working as a script reader at Columbia Pictures, Singleton got his own script passed all the way to studio chief Frank Price. He was offered $100,000 for it on the condition that he let someone with more experience direct it, but he refused to sell “Boyz” unless he could direct his own screenplay.

    4. Cast as Furious Styles, the movie’s lone father figure, when he was just 29, Fishburne was already a seasoned movie vet, having been cast as a sailor in Francis Ford Coppola‘s Vietnam epic “Apocalypse Now” when he was just 14. Singleton took “Coppola lessons” from Fishburne, learning second-hand everything the actor knew about the legendary director’s technique.
    5. Coppola’s influence on “Boyz” is clear, from the “Godfather“-style cross-cut editing to the “Apocalypse”-like sound design behind the omnipresent police helicopters patrolling the neighborhood. Singleton never actually shows the choppers, he merely suggests them through rotor noise and sweeping spotlights. In fact, he pitched this helicopter hack to studio chief Price as a way of keeping the budget modest.

    6. The sense of danger from the South Central filming locations was real. “The set was about 10 blocks from my house. I could have walked, except that probably wouldn’t have been the safest thing to do,” recalled the movie’s female lead, Nia Long.

    Dialogue had to be re-recorded in the studio because of ambient noise — real-life helicopters and gunshots. A Bloods spokesman, who called himself Bone, warned producers that if they filmed the climactic scene of Doughboy killing two Bloods on Blood turf, he couldn’t guarantee that some angry Blood wouldn’t retaliate and shoot Cube for real. Singleton shot the scene elsewhere.
    7. Long was nervous about shooting her sex scene with Gooding, never having shot one before. He tried to calm her by picking his toenails and acting silly, but the tactic backfired. “Do you honestly think that is helping?” Long told her co-star. “It’s making me want to throw up.”

    8. “Boyz” cost just $6.5 million to produce. It earned back $57.5 million in North America.
    9. Violence broke out at screenings of “Boyz” around the country, with one fatality and 33 moviegoers injured. Some observers blamed the movie’s gang content for the gunplay, even though “Boyz” was explicitly anti-violence. Singleton blamed the strife on the same social pathologies that the movie condemned — street codes of vengeance and the scarcity of strong paternal role models in the community.

    10. “Boyz” was nominated for two Oscars, for Singleton’s original screenplay and his directing. At 24, he was the youngest person ever nominated for Best Director and the first African-American.

  • Best of Late Night TV: Adele Raps in Epic Carpool Karaoke, Norman Reedus Plays Charades

    The Late Late Show

    Here it is: “The Late Late Show” was so excited about this one, they teased it several days in advance. Here’s the British queen driving and singing around London, with James Corden behind the wheel. (It’s weird to see him on the other side.) We get a view of England, like a little travelogue, while listening to both of them sing and chat and chug tea. It is a nearly 15-minute video, so you need to carve out some time for it, but it feels like a fun drive with two friends. It’s hard not to wish you were there. Adele sings some Spice Girls and even raps Nicki Minaj’s “Monster,” so don’t miss that.

    The Tonight ShowWhat an odd group. Danny DeVito, Khloe Kardashian, Norman Reedus, and Jimmy Fallon played charades together on “The Tonight Show” Wednesday night. Danny and Khloe were partners and Jimmy partnered with “The Walking Dead” star. Props to Norman for being game to get on all fours with little fingers waggling off his head to portray an ant for “Ant-Man.” Not sure Daryl Dixon would’ve pulled that off. Also, general charades tip: Familiarize yourself with the Electric Slide, in case it comes up.

    Still on “The Tonight Show,” Fallon broke out his Bob Dylan impression to sing “Hotline Bling.” It’s so good there are still people in the YouTube video comments who think it’s the real Dylan.

    Patton Oswalt was on “Conan” and shared a really insightful assessment of the three sets of “Star Wars” films. See if you agree with his take on the evolotion of the franchise from the originals to the prequels to the modern set. Basically, he thinks watching “The Force Awakens” is like doing drugs again with an old ’70s party friend who fell off the wagon. “Let’s do a line of coke off the lightsaber.”

    Did you know Ice Cube invented the terms “Bye, Felicia” and “It’s on Like Donkey Kong”? He talked to Seth Meyers about adding a “Bye, Felicia” line into “Straight Outta Compton” (it was his son’s idea) and Seth said the audience he saw the movie with reacted more to that moment than anything in “Star Wars.” “People just lost their minds.” Ice Cube said the donkey kong line was really his cousin’s quote, but he gets credit.

    Chloe Grace Moretz was on “Jimmy Kimmel Live” to explain “The 5th Wave” and talk about filming “The Little Mermaid.” She’s just getting started on that one, but she has to learn how to swim with a tail … and she’s not that strong a swimmer. Could be interesting!

    Here’s a video with Paul Giamatti discussing manspreading and bondage. It’s good, and gets better as it goes along — the end is so strong. Paul is co-starring in the new showtime series “Billions,” opposite the ginger perfection of Damien Lewis, so he talked that new role. Stephen, unfortunately, watched the first episode with his wife and kids and it is NOT kid-friendly. The opening scene is S&M with Paul tied up by a dominatrix. So Stephen quickly turned it off, and Paul was disappointed. “You missed a teachable moment with your family.” Fact. Watch the full video for Paul’s excitement about the bondage.

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  • Best of Late Night TV: Kristen Stewart’s Whisper Challenge

    The Tonight Show

    It’s kind of refreshing to see how Kristen Stewart is always slightly nervous and thrown off, and she even admitted at one point that she was not having fun. At least she’s not fake!

    Samuel L. Jackson didn’t realize he was feuding with Donald Trump, or at least that’s what he told Seth Meyers. They went through Sam’s story of saying he’s a better golfer than Donald, and Donald giving him a bill for a club he didn’t join. Sam also challenged Donald Trump’s assertion that he didn’t know him. “I’ve met him a lot. I’ve played golf with him.” They played golf with Anthony Anderson one time. “The Don” also called him — always calling him “Samuel L.” — to play golf with his friend, and that friend turned out to be Bill Clinton. All the useful information! Since Seth is also feuding with Trump, he hopes this intel on Trump lying brings down the campaign. Guessing it won’t have any effect at all.

    Driving videos always win, and this one is gold. James Corden has done well with Carpool Karaoke but Conan O’Brien upped the game with this hilarious ride with a super-sweet student driver. (“You’re my b-tch!”) The beginning is fun but the real party starts when they pick up Ice Cube and Kevin Hart for support. Can they do this every week?

    Jimmy Kimmel mentioned how the men’s rights group Return of Kings boycotted “Star Wars: The Force Awakens” for making a woman and a non-white male lead characters (the horror!), so Kimmel altered the start of the movie for the men’s group so they’ll enjoy it more:

    Natalie Dormer was on “Jimmy Kimmel Live” to promote her new movie “The Forest,” but she also discussed “Game of Thrones” Season 6 and the longterm plan for the series now that it’s official that the next book won’t be out anytime soon. She said she doesn’t have any spoilers for characters like Jon Snow because she never reads the storylines of other characters, she only reads what happens to Margaery. She let slip that she only reads Margaery’s story at Highgarden, then changed it to King’s Landing, but that’s probably a spoiler that Margaery goes to Highgarden. That might be why Natalie added filming in Spain instead of just Belfast.

    Killer Mike — called so because every time he steps up to the mic he kills — was on “Late Show” and while he spoke for black people, Stephen Colbert spoke for white people to try to find common ground. Mike suggested people Google the blue eyes/brown eyes experiment to get a background on prejudice. Mike supports Bernie Sanders for president and gave a good speech for him.

    It’s awards season, with the Golden Globes airing this Sunday, so Sarah Hyland, Jack McBrayer, and Rami Malek practiced their red carpet poses on “The Late Late Show”:

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  • Ice Cube and Friends Are Back in ‘Barbershop 3’ Trailer to Cut Hair and Fight Violence

    Barbershop 3The boys are back for “Barbershop 3: The Next Cut” — and this time, they’re joined by the ladies.

    Global Grind debuted the first trailer for the follow-up to the 2002 original “Barbershop” and its 2004 sequel, “Barbershop 2: Back in Business.” Calvin (Ice Cube) has joined forces with beauty shop owner Angie (Regina Hall) to save both of their businesses. That introduces a whole new level of banter and jokes in this third movie, and sparks fly between the men and women.
    There are new players on the scene, too — Nicki Minaj as a flirtatious hair stylist and Common a barber married to Terri (Eve), and they get involved in a bit of a love triangle. But while there’s a lot of light-hearted fun, the movie also ventures into more serious territory as the staff and patrons of the shops band together to fight rising gang violence in Chicago.

    “Barbershop 3” opens in theaters April 15, 2016.

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  • Tracy Morgan Cast in ‘Fist Fight’ as First Project Announced Since Injury

    Tracy Morgan
    Tracy Morgan

    After making a surprise appearance onstage at the Primetime Emmy Awards on Sunday since suffering an injury last year, Tracy Morgan’s first project has been announced – the forthcoming comedy “Fist Fight.”

    According to Deadline, the former “30 Rock” star will be featured alongside Charlie Day and Ice Cube in a role that has not yet been revealed. Dennis Haysbert and JoAnna Garcia Swisher are also expected to join the cast.

    The comedy follows Day as a mild-mannered English teacher who brawls with a fellow teacher (Cube) one day after school.

    “Fist Fight” is a return to acting for Morgan, who was critically injured in June 2014 after a Walmart semi struck his limousine in New Jersey. Comedian James “Jimmy Mack” McNair, a friend, died in the crash. Morgan received an undisclosed settlement in the matter.

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  • Ice Cube to Play Scrooge in ‘Christmas Carol’ Retelling ‘Humbug’

    An Alternative View Of The Premiere Of Universal Pictures And Legendary Pictures' "Straight Outta Compton"Ice Cube is ready to say “Humbug.”

    Deadline reports that the rapper-turned-actor is set to play a rich, miserly real estate mogul (no, this is not a biopic of Donald Trump) in a new adaptation of “A Christmas Carol.”

    Tim Story, who worked with Cube on “Barbershop” and the “Ride Along” movies, will direct. “Humbug” is being eyed for a possible release during the 2017 holiday season.

    Cube’s Scrooge will be visited by the Ghosts of Christmas Past, Present, and Future, who show him how awful his life has turned out — and how to change it for the better. “A Christmas Carol” has been adapted into dozens of films; the last major one was directed by Robert Zemeckis in 2009 and featured Jim Carrey in motion-capture.

    Cube can next be seen on the big screen in “Ride Along 2,” slated for release on January 15. And of course, he’s still raking in money as an executive producer of “Straight Outta Compton,” which starred his son as himself.

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  • Ice Cube to Play Scrooge in Christmas Film ‘Humbug’

    icecube

    Straight outta Charles Dickens?

    Ice Cube will star as a Scrooge in the Christmas film “Humbug,” an updated retelling of “A Christmas Carol,” Deadline reports.

    “Ride Along” director Tim Story will reunite with the actor to tell the story of the holiday grump reimagined as a real estate mogul who redeems himself with the help of the ghosts of Christmas Past, Present and Future.

    Ice Cube, the former N.W.A. rapper whose musical journey was depicted in the summer hit “Straight Outta Compton,” is expected to reach eight figures in salary for the “Humbug” role, according to Deadline.

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  • Ice Cube Invites American Hero Anthony Sadler to ‘Straight Outta Compton’ French Premiere

    Ice Cube; Inset: Anthony Sadler
    Ice Cube; Inset: Anthony Sadler

    Meeting the president of France and rubbing shoulders with Ice Cube wasn’t a part of college student Anthony Sadler’s holiday plans.

    “I feel like I’m in a dream,” the 23-year-old says Monday on the red carpet at the French premiere of “Straight Outta Compton.” “I have school next week so I’m trying to settle down.”

    Sadler is one of the American passengers who took part in circumventing an attack by an AK-47-toting gunman on a Paris-bound train. He was on vacation with childhood friends.

    Ice Cube invited Sadler after recognizing him in a Paris restaurant. “Straight Outta Compton” is a biopic based on the rapper-actor’s ’80s-’90s gangster rap group N.W.A.

    For Sadler’s part in subduing the gunman, he was honored with France’s highest award, the Legion d’Honneur medal, by French President Francois Hollande on Monday. He was praised alongside his longtime friends Alek Skarlatos and Spencer Stone, and British businessman Chris Norman, for their team effort in stopping the terror suspect, Ayoub El-Khazzani, a 26-year-old Moroccan.

    “It was a great honor to meet the French president, I never thought that I would be in that position,” Sadler says. “He’s a really nice man and I appreciate everything he did for us. It’s a great honor bestowed upon us and I appreciate that.”

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  • Ice Cube, Son O’Shea Jackson Jr. Have ‘No Plans’ for L.A. Riots Movie

    STRAIGHT OUTTA COMPTON VIP Screening With Director/ Producer F. Gary Gray, Producer Ice Cube, Executive Producer Will Packer, And Cast Members
    Ice Cube and son O’Shea Jackson Jr

    Ice Cube and his son O’Shea Jackson Jr are saying reports they have joined a film based on the L.A. riots are straight outta the rumor mill.

    The pair insist that they are not participating in the forthcoming drama “April 29, 1992” after some premature announcements began circulating they had signed on to the project, according to a statement to Deadline.

    “Ice Cube and O’Shea Jackson Jr. have no plans to commit to this project at this time. Any speculations or rumors that suggest that they are confirmed are simply untrue,” a rep for the actors says.

    Deadline adds that a source revealed to the website that they had been approached months ago, but “talks never progressed as the two sides were far apart on money and script.”

    Cube and Jackson collaborated on the hit “Straight Outta Compton,” of which Cube served as producer and Jackson portrayed his father onscreen. In the NWA biopic, the 1992 Los Angeles riots was featured.

    On April 29, 1992 a six-day riot began in L.A.’s South Central and spread throughout the metropolitan area, causing more than $1 billion in damage after looting, arson and other civil disturbances. The outrage was sparked by the acquittal of police officers in the brutal beating of Rodney King, which was recorded on videotape and highlighted the racial tension between minority communities and the Los Angeles Police Department.

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  • 7 Reasons Why ‘Straight Outta Compton’ Surprised Hollywood at the Box Office

    During N.W.A.’s brief existence, the group and its members made a career out of being underestimated. A quarter century later, the underdog rappers have been underestimated again, even by the studio releasing their victory-lap biopic.

    Going into the weekend, Universal’s predictions for “Straight Outta Compton” were modest, projecting a debut of about $25 to $30 million. Granted, studios routinely lowball such estimates so that everyone can be pleasantly surprised if the movie surpasses them, or at least not disappointed if it doesn’t. But even the more optimistic industry insiders who predicted an opening weekend of $40 million turned out to be way off, since “Compton” actually opened with an estimated $56.1 million.

    That’s an impressive number for a release with no movie stars, in the depths of August, with a hard R-rating, a running time of two-and-a-half hours, and a theater count below 2,800 venues. (“The Man From UNCLE” opened on nearly 900 more screens, its 3,638 theater count standard for a summer action blockbuster-hopeful, and yet it did less than a fourth as much business as “Compton.”) All of those should have counted as strikes against “Compton,” so how did the film become a smash well beyond the most optimistic projections? Here are some of the ingredients of the film’s success.

    1. Very Strong Reviews
    Critics have been mostly kind to “Compton” (its Rotten Tomatoes score stands at 88 percent, while its Metacritic reviews are 72 percent favorable). Word-of-mouth has been even stronger, with the film earning an A grade at CinemaScore. To the extent that the movie needed to win over older viewers — particularly those old enough to remember N.W.A. from its heyday more than a quarter-century ago — those positive notices matter.

    2. Weak Competition
    “UNCLE” was the only other wide release this weekend, and it underperformed even its modest expectations (predictions ran near $19 million), opening in third place with an estimated $13.5 million. The three-week-old “Mission: Impossible: Rogue Nation” fared better, earning an estimated $17.0 million.

    In retrospect, it’s hard to imagine how Warner Bros. expected to score with a franchise-launcher based on a 50-year-old TV spy series that no one in the target demographic could be expected to remember with fondness — or at all. Director Guy Ritchie does excel at this sort of action picture, and reviews were good (not great), but anyone who wanted to watch an action thriller based on a half-century-old Cold War spy show could go see “Mission: Impossible,” which not only is better-known now as a well-established present-day franchise, but also stars Tom Cruise.

    “UNCLE” couldn’t boast that kind of star power. Sure, Henry Cavill played Superman in “Man of Steel,” and yet he’s still not a household name. And “Lone Ranger” star Armie Hammer is Hollywood’s equivalent of “fetch” — the industry keeps trying to make him happen. He’s not going to happen.

    3. Personal Branding
    “Compton” had even less star power than “UNCLE,” but even audiences too young to remember N.W.A. know the rap group’s co-founders, Ice Cube and Dr. Dre. They’re still dependable entertainment brand names, and their oversight of this project lends it credibility. (It doesn’t hurt that Cube is played in the film by his own son, O’Shea Jackson Jr., essentially a living extension of Cube’s personal brand.)

    Don’t forget about the brand-name filmmakers behind the camera, either. Director F. Gary Gray (pictured above) is a 20-year Hollywood veteran, whose association with Cube goes all the way back to Cube’s 1990s music videos and the beloved 1995 cult comedy “Friday,” which helped transform the rapper-actor’s screen persona from scowling menace into non-threatening comic straight man.

    And then there’s executive producer Will Packer, who’s shown a knack over the past five years for making crossover hits out of low-budget movies with predominantly black casts (often comedies starring Kevin Hart, though he also made the hit “Ride Along” with both Cube and Hart). At a reported $29 million, “Compton” has an unusually high budget for a Packer production (most cost less than $20 million; only action thriller “Takers,” cost more at $32 million), and yet it’s clear that Packer has managed to wring the maximum entertainment value from what is still, by Hollywood summer movie standards, a meager budget.

    Packer’s not a household name, but his name in the credits is also a stamp of reliability.

    4. Clever Marketing
    Universal’s marketing team is certainly on a roll, having helped make hits of four other huge movies this summer, from “Trainwreck” to “Jurassic World.” (Only “Ted 2” has been a misfire.) “Compton” had the benefit of an especially viral online campaign that included the meme generator that allowed all your Twitter friends to make their own “Straight Outta…” album cover. (Even Bette Midler got into the act.) So there was no escaping awareness of the film.

    5. Something for Everyone
    You might expect an R-rated movie about rappers known for their misogyny (both in its lyrics and offstage behavior) to have little appeal for younger ticketbuyers or women. But “Compton” proved to be a draw for almost everyone. In fact, exit polls showed that, while audiences were almost evenly split between men and women, and between viewers over and under 30, there was actually a slight edge for female moviegoers (52 percent) and under-30 audiences (51 percent). But how did that happen? Well…

    6. Smart Scheduling
    Opening the film in mid-August was wise; all the other major summer releases are out of the way. There’s also the notion that August is no longer a wasteland. Recent August releases “The Help” and “Lee Daniels’ The Butler” have proved that the dog days of summer are actually a good time to release serious movies (like, awards-contender serious) that appeal to both men and women, and to older and younger audiences. Not coincidentally, they’re also historical dramas about the struggles of black people in America. And that leads, in turn, to…

    7. Relevance
    Sadly, the #BlackLivesMatter movement has made “Compton” especially timely. It can’t be lost on viewers that the kind of police harassment the film’s characters faced and turned into songs three decades ago is still common enough today to be debated on cable news and to inspire protests and activism.

    In that sense, “Compton” isn’t a nostalgia piece at all. No wonder younger viewers have flocked to see it.
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