Tag: hulu

  • ‘Hold Your Breath’ Exclusive Interview: Sarah Paulson

    Sarah Paulson in 'Hold Your Breath'. Photo: Searchlight Pictures.
    Sarah Paulson in ‘Hold Your Breath’. Photo: Searchlight Pictures.

    Available on Hulu beginning October 3rd is the new psychological thriller ‘Hold Your Breath,’ which was directed by Karrie Crouse (‘Westworld’) and Will Joines.

    The film stars Sarah Paulson (‘Ocean’s 8’, ‘Glass’), Amiah Miller (‘War for the Planet of the Apes’), Annaleigh Ashford (‘Bad Education’), and Ebon Moss-Bachrach (‘The Bear’).

    Moviefone recently had the pleasure of speaking with acclaimed actress Sarah Paulson about her work on ‘Hold Your Breath’, her first reaction to the screenplay, why she wanted to make the film, her character and her relationship with her daughter, preforming in sandstorms, working with two directors, and how acting opposite Ebon Moss-Bachrach on this movie made her appearance on ‘The Bear’ easier.

    Related Article: ‘Glass’ Star Sarah Paulson Was “Obsessed” with ‘Unbreakable’

    Sarah Paulson in 'Hold Your Breath'. Photo: Searchlight Pictures.
    Sarah Paulson in ‘Hold Your Breath’. Photo: Searchlight Pictures.

    Moviefone: To begin with, can you talk about your first reaction to the screenplay and why you wanted to be part of this project?

    Sarah Paulson: Well, my first reaction when I read the screenplay was, yes, I would like to do this. It was partly because I was really excited about playing a woman living in this time-period. I hadn’t read a lot about the Dust Bowl. Of course, I knew about it in terms of our country’s history and what was happening during that time and why it happened. But I was really interested in portraying a woman in that time-period and playing a mother. What hit me the most significantly about it was this idea of, yes, it is a psychological horror film, but it was the psychological component that was more interesting to me. The monster as it were, is the air itself and of course, created by our own over-harvesting of the land. It created this terrible situation for so many people in that part of our country at that time that it just seemed to me like a very potent space to create a movie like this. Also, just very clearly as it was written on the page, the juxtaposition of the stark beauty of the landscape of the film was very evident and present on the page. I thought that that would be a kind of wonderful world to inhabit as well.

    MF: Can you talk about the hard life that Margaret lives and the difficult choices she makes to protect her family?

    SP: I think one of the things that was interesting too about it was just that this is a woman who was essentially on her own, and this happened to a lot of women at this time during the Dust Bowl. Their husbands had to go off and try to find some way of making money, and the women were left home alone to fend for themselves. It was really challenging. I don’t know, I felt like I couldn’t imagine how I would fare in that same environment. So, there was heroism to her real commitment that was connected to her desire to take care of her children. It was not about her own survival, but it was about making sure that her family was safe and taking on a role traditionally reserved for the man of the house, that she had to do this on her own. That was very interesting to me as well.

    Sarah Paulson in 'Hold Your Breath'. Photo: Searchlight Pictures.
    Sarah Paulson in ‘Hold Your Breath’. Photo: Searchlight Pictures.

    MF: Was it difficult shooting the sandstorm sequences?

    SP: Well, that was what was so fun about it to me. A lot of them are practical and that made it exciting to play because I wasn’t having to simulate responding to dust in my eyes, my mouth and my nose. I would come home at night, and I would find things in my ears you can’t even imagine, in terms of dirt and dust in my nose, my eyes, my scalp, and under my fingernails. I kind of loved it because it meant I wasn’t having to pretend or simulate the difficulty of that. I was inside it. There were a couple of times where I asked the prop department to put more dust in the air and to make the fans blow faster and harder and to hit me more directly with them so that I would have more to work against it. I have to say it was an enormous amount of fun. Listen, as actors, we are all encouraged and need desperately to use our imaginations, but anytime you can be looking at an actual blazing fire versus an imagined one is going to be, for me anyway, much more potent than imagining a fire they’re going to put in later with visual effects. The same thing with the dust. It’s like looking up into a big, bright blue sky and imagining there’s a dust storm. That is not the same as looking up and the special effects department has got so much swirling in the air that it is scary. I just think it enhances something from an acting standpoint because anytime something can feel more real to me, I would argue and hope that therefore it would encourage a more real response from me and a more truthful performance.

    MF: Can you talk about Margaret’s relationship with her daughter and working with actress Amiah Miller?

    SP: Well, I loved Amiah so much immediately. Amiah and I share an agent, so I got slipped her audition before I think it even made its way to our directors. I wrote to them immediately and said, “I think there’s just no question that this is our girl.” They had the same reaction when they saw her audition. It was just so self-possessed, emotional, full and real. She was just a joy to work with. I’m sure she’s going to be a big fat superstar, and I hope she’ll still take my call. It’s always exciting. I mean, Amiah hasn’t had a ton of work experience. So, it was a lovely thing. Yet she’s at the precipice of becoming a grown woman. So, it was wonderful to be able to watch her navigate what it was like to be on a set and how she was able to navigate probing these emotional places in herself. She was just such a consummate professional and an incredible scene partner who was always just right there with me, emotionally, always, and never afraid to meet me right where I was and encouraged me to be just that much more truthful. I just can’t say enough about her. I loved being her mother, even if it was only for a moment.

    Amiah Miller in 'Hold Your Breath'. Photo: Searchlight Pictures.
    Amiah Miller in ‘Hold Your Breath’. Photo: Searchlight Pictures.

    MF: Have you ever worked with two directors at the same time before and what was your experience like working with Karrie Crouse and Will Joines?

    SP: Gosh, have I had that experience before? I don’t know that I have. I really loved it because it was also very fascinating for me to watch them try to figure it out. It was always interesting who would tend to come up and give me a note versus who would give Annaleigh Ashford a note. It was different, and it was so interesting how they chose to divvy up their responsibilities. I think also what I really loved was Karrie wrote the script and Will has so much admiration for her, respect and love for her, but real admiration and reverence for what she created. He always wanted her to have what she wanted and what she had imagined or dreamt of when she was writing it. So, it was a very beautiful thing to watch them work together so cohesively and with such support of one another, and they’re each other’s biggest fans and champions. They were absolutely a unit the entire time. I never felt that thing of, “Someone’s going to have a big fight when they get home tonight”. It was never like that. They were really like one. It was like being directed by one person.

    Ebon Moss-Bachrach in 'Hold Your Breath'. Photo: Searchlight Pictures.
    Ebon Moss-Bachrach in ‘Hold Your Breath’. Photo: Searchlight Pictures.

    MF: Finally, can you talk about working with Ebon Moss-Bachrach, and did you shoot ‘Hold Your Breath’ before you appeared on ‘The Bear’?

    SP: This movie was first, and it was wonderful that it was first because we get to do a lot of harrowing, dark, fraught things together. Then I got to go be on the set of ‘The Bear’, which is an incredibly intimidating set to walk onto because I was such a rabid fan of the show. I’d seen every episode more than once. We got to do all that stuff that was intense together and then it was wonderful to me that I had that time with him because we got to know each other a little bit, even though we knew each other in New York as young actors in a real cursory way. But then because I shot that first and then we did ‘The Bear’ afterwards, I was just saying how it was a very intimidating set to walk onto because I had watched ‘The Bear’ with such fervor and I was so obsessed and possessed by it and had watched each episode multiple times. I was really walking onto that set as an enormous fan. So, it was very comforting to me to look across the room at Ebon because I knew him so intimately because of the way we worked together, it really mitigated some of my terror being around all those superstars on that show.

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    What is the plot of ‘Hold Your Breath’?

    In 1930s Oklahoma, a young mother (Sarah Paulson ) haunted by the past becomes convinced that a mysterious presence in dust storms is threatening her family and takes extraordinary measures to protect them.

    Who is in the cast of ‘Hold Your Breath’?

    • Sarah Paulson as Margaret Bellum
    • Amiah Miller as Rose Bellum
    • Annaleigh Ashford as Esther Smith
    • Alona Jane Robbins as Ollie Bellum
    • Ebon Moss-Bachrach as Wallace Grady
    Sarah Paulson in 'Hold Your Breath'. Photo: Searchlight Pictures.
    Sarah Paulson in ‘Hold Your Breath’. Photo: Searchlight Pictures.

    Other Sarah Paulson Movies and TV Shows:

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  • Kate Winslet Returns to TV for New Drama ‘The Spot’

    Kate Winslet in 'The Regime.' Photograph by Miya Mizuno/HBO.
    Kate Winslet in ‘The Regime.’ Photograph by Miya Mizuno/HBO.

    Preview:

    • Kate Winslet will star in and produce a new drama called ‘The Spot’.
    • The show was created by ‘Men in Black’ writer Ed Solomon.
    • It’ll follow a successful surgeon who may have been involved in a hit-and-run death.

    Kate Winslet continues to keep the TV side of her career bubbling along even as she stars in movies. And she’s once more taking a leading role both in front of and behind the camera, signing on to star in and executive produce a new drama for Hulu called ‘The Spot.’

    It’s Winslet’s latest small screen endeavor, following the likes of ‘Mildred Pearce’, ‘Mare of Easttown’ and this year’s ‘The Regime.’

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    What’s the story of ‘The Spot’?

    Kate Winslet in 'Mare of Easttown'.
    Kate Winslet in ‘Mare of Easttown’. Photo: HBO.

    According to Deadline, ‘The Spot’ follows a successful surgeon (Winslet) and her school teacher husband who suspect she might be responsible for a child’s hit-and-run death.

    While looking into the matter, dark secrets are revealed that will test their relationship as they confront the possibility of hidden guilt and betrayal.

    Who is working on ‘The Spot’?

    (L to R) Isla Fisher, Jesse Eisenberg, Woody Harrelson and Dave Franco in 2013's 'Now You See Me.' Photo: Lionsgate.
    (L to R) Isla Fisher, Jesse Eisenberg, Woody Harrelson and Dave Franco in 2013’s ‘Now You See Me.’ Photo: Lionsgate.

    While Winslet has that executive producer credit and will no doubt be involved creatively, actual showrunning duties are falling to Ed Solomon, who created and will write what is likely to be a limited series (since stars such as Winslet don’t normally want the commitment of a full season of TV).

    Solomon might be best known for co-writing the three ‘Bill & Ted’ movies, but his scripting career also includes work on ‘Men in Black’, the first two ‘Now You See Me’ movies and ‘No Sudden Move.’

    That latter title was one of his collaborations with director Steven Soderbergh, and the pair has worked together on several projects, including ‘Mosaic’ and ‘Full Circle’.

    ‘The Spot’ was developed by A24, which has seen some big success in the TV field of late with shows including Netflix awards-grabber ‘Beef’ and ‘The Sympathizer’, which co-starred Robert Downey Jr. The show will be co-produced by A24 and 20th Television, which like Hulu, falls under the giant umbrella of Disney.

    What else has Kate Winslet appeared in recently?

    Kate Winslet stars in director James Cameron's 'Avatar: The Way of Water.'
    Kate Winslet stars in director James Cameron’s ‘Avatar: The Way of Water.’

    Winslet has her latest film, ‘Lee’, a biopic about war photographer Lee Miller, due in theaters on September 27th. She’s attached to another true-life tale, ‘Fake!’ about Jen McAdam and her involvement with the One Coin Ponzi scheme.

    And it’s expected she’ll be showing up again in Na’vi form for James Cameron’s next ‘Avatar’ movie, which we know is subtitled ‘Fire and Ash,’ and will be out on December 19, 2025.

    Related Article: Kate Winslet and Director Todd Haynes Developing New HBO Series ‘Trust’

    When will ‘The Spot’ head to screens?

    With the show not yet in production, it’s too early to speculate on when it might land on Hulu. But our guess would be sometime in 2025.

    Kate Winslet in 'The Regime.' Photograph by Miya Mizuno/HBO.
    Kate Winslet in ‘The Regime.’ Photograph by Miya Mizuno/HBO.

    Kate Winslet Movies and TV Shows:

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  • First Look at Steven Knight’s New Series ‘A Thousand Blows’

    Stephen Graham in 'A Thousand Blows'. Photo: Disney+.
    Stephen Graham in ‘A Thousand Blows’. Photo: Disney+.

    Preview:

    • ‘Peaky Blinders’ creator Steven Knight has unveiled new period drama ‘A Thousand Blows’
    • The Disney/Hulu backed show is set in the violent world of boxing in 1880s London.
    • Two seasons have already been shot, with the first due next year.

    Steven Knight is not a man to wait around. Even as the big screen follow-up to long-running period drama ‘Peaky Blinders’ is in the works, the prolific writer/producer has a number of irons in the proverbial fire.

    And Hulu/Disney+ have now provided the first images of one of those irons –– another trip back in time to historical England, this time the melting pot of London’s East End and the unscrupulous world of illegal boxing in ‘A Thousand Blows‘.

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    What’s the story of ‘A Thousand Blows’?

    'A Thousand Blows'. Photo: Disney+.
    ‘A Thousand Blows’. Photo: Disney+.

    The new show stars Malachi Kirby as Hezekiah Moscow, who finds himself thrust into the vibrant and violent melting pot of post-industrial revolution London’s East End from Jamaica.

    Drawn into the criminal underbelly of the thriving boxing scene, he meets Mary Carr (Erin Doherty), leader of The Forty Elephants –– the notorious all-female London gang –– as they battle for survival on the streets.

    As Hezekiah sharpens his new skills, he comes up against Sugar Goodson, played by Stephen Graham, a seasoned and dangerous boxer and the two are soon locked into an intense rivalry that spills out way beyond the ring.

    Here’s what Knight says about the show:

    “The love and care that went into this thrilling production is evident on screen from the first moment. What makes the story we tell all the more compelling is that it is based on the lives of real people who lived extraordinary lives in extraordinary times.”

    Who else is in ‘A Thousand Blows’?

    'A Thousand Blows'. Photo: Disney+.
    ‘A Thousand Blows’. Photo: Disney+.

    The cast for the show also includes Alec Munroe, Jason Tobin as Mr. Lao and James Nelson-Joyce as Edward “Treacle” Goodson.

    The Forty Elephants includes Hannah Walters as Eliza Moody, Darci Shaw as Alice Diamond, Nadia Albina as Verity Ross, Morgan Hilaire as Esme Long, Jemma Carlton as Belle Downer and Caoilfhionn Dunne as Anne Glover.

    And then we have Susan Lynch as Jane Carr, Daniel Mays as William ‘Punch’ Lewis, Adam Nagaitis as the Earl of Lonsdale, Gary Lewis as Jack Mac, Tom Davis as Charlie Mitchell and Robert Glenister as Indigo Jeremy.

    A murderer’s row of British and other talent, then (and you can bet at least one of their characters will be an actual murderer).

    On the directing side of the camera, meanwhile, we have Tinge Krishnan, Nick Murphy, Ashley Walters and Coky Giedroyc.

    Related Article: Shawn Levy and Steven Knight Talk ‘All the Light We Cannot See’

    When will ‘A Thousand Blows’ be on screen?

    Disney clear has confidence in this one, as two seasons –– though viewers in Britain will naturally refer to them as series –– have already been in the ring for the new boxing drama.

    The first batch of six will land on Hulu domestically and Disney+ next year, with the second season/series hitting at a later date.

    Steven Knight attends the 'All The Light We Cannot See' New York special screening at Paris Theater on October 30, 2023 in New York City. Photo by Bryan Bedder/Getty Images for Netflix.
    Steven Knight attends the ‘All The Light We Cannot See’ New York special screening at Paris Theater on October 30, 2023 in New York City. Photo by Bryan Bedder/Getty Images for Netflix.

    Other Steven Knight Movies and TV Shows:

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  • Matt Damon Says He’s Pushing for a ‘Rounders’ Sequel

    Matt Damon in 'Rounders'.
    Matt Damon in ‘Rounders’. Photo: Miramax Films.

    Preview:

    • Matt Damon says the ‘Rounders’ team want to make a sequel to the 1998 cult classic.
    • He mentions having discussed it recently with co-star Edward Norton.
    • Rob Lowe, meanwhile, reports there’s new smoke where a St. Elmo’s Fire sequel might be.

    Matt Damon will be back on our screens next week in ‘The Instigators’, a new Apple TV+ movie about two unlikely partners in a heist.

    But he’s also been thinking about his movie past, and which of them he might re-visit. Turns out, the 1998 cult classic poker drama ‘Rounders’ is ever on his mind. And, if he and the rest of the team behind the movie –– especially writers David Levien and Brian Koppelman –– have their way, we could actually see one.

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    What was the story of ‘Rounders’?

    Matt Damon and Edward Norton in 'Rounders'.
    (L to R) Matt Damon and Edward Norton in ‘Rounders’. Photo: Miramax Films.

    The original movie, which starred Damon, Edward Norton and John Malkovich, explores the underground world of high-stakes poker.

    It follows two friends who need to win at high-stakes poker to quickly pay off a large debt –– and for those who don’t know their poker terminology, a rounder is a person seeking high-stakes card games.

    Matt Damon on the chances of a ‘Rounders’ sequel

    Matt Damon in 'Rounders'.
    Matt Damon in ‘Rounders’. Photo: Miramax Films.

    This is what Damon told the Rich Eisen Show about his hopes for a new movie:

    “The one we’ve been talking about for years, and we’re trying to, and I just saw Edward Norton a few weeks ago, like all of us want to do it is a second ‘Rounders’ movie. So much has happened in the poker world in the last 25 years, it would be fun to catch up with those guys. They had a whole movie ready to go then, but now there’s been a whole another change in the poker world since then, so I haven’t talked to them about what it would be, but I know what they had 10 years ago was fantastic, and I’m sure they could augment and roll with the times and update it to where we are today and make something great.”

    No official word yet, of course, so don’t bet on anything happening immediately, or you hopes could fold.

    Related Article: 40 Best Underrated Movies Worth Another Watch!

    Rob Lowe on a potential ‘St. Elmo’s Fire’ sequel

    Ally Sheedy, Judd Nelson, Emilio Estevez, Demi Moore, Rob Lowe, Mare Winningham and Andrew McCarthy in 'St. Elmo's Fire'.
    (L to R) Ally Sheedy, Judd Nelson, Emilio Estevez, Demi Moore, Rob Lowe, Mare Winningham and Andrew McCarthy in ‘St. Elmo’s Fire’. Photo: Columbia Pictures.

    While we’re all in a sequel state of mind, there is some news –– albeit very tentative at this point as he admits –– from Rob Lowe about a potential sequel to 1985’s ‘St. Elmo’s Fire‘.

    The original film, co-written and directed by Joel Schumacher, also starred Emilio Estevez, Andrew McCarthy, Demi Moore, Judd Nelson, Ally Sheedy, Andie MacDowell and Mare Winningham in the story of recent graduates from Washington, D.C.’s Georgetown University and how they adjusted to adulthood.

    It was one of the classic “Brat Pack” films, and while there have been attempts by Sony in the past to re-visit the story on TV, interest has spiked with the release of McCarthy’s Hulu documentary ‘Brats’ about the titular pack. Sony has reportedly been more actively developing a cinematic return for the characters.

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    Here’s what Lowe told Entertainment Tonight in an interview:

    “We’ve met with the studio, and I have been talking about doing it for about four months. “But it’s very, very, very, very, very early stages. So we will see.”

    So, yes… there is development, but don’t break out the suit jackets, knit sweaters and saxophone just yet.

    Andrew McCarthy, Mare Winningham, Rob Lowe, Judd Nelson, Ally Sheedy, Demi Moore and Emilio Estevez in 'St. Elmo's Fire'.
    (L to R) Andrew McCarthy, Mare Winningham, Rob Lowe, Judd Nelson, Ally Sheedy, Demi Moore and Emilio Estevez in ‘St. Elmo’s Fire’. Photo: Columbia Pictures.

    List of “Brat Pack” Movies:

    Buy ‘St. Elmo’s Fire’ Movie On Amazon

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  • TV Review: ‘The Bear Season 3

    Jeremy Allen White in 'The Bear.'
    Jeremy Allen White in ‘The Bear.’ Photo: Courtesy of FX.

    Arriving on FX with its entire third season of 10 episodes on June 26th, ‘The Bear’ marks the return of one of the most highly acclaimed (and awarded) shows in recent history. But that praise appears to have gone to the heads of the series’ showrunners, as the new season is an exercise in overworked stylistic flourishes and undercooked plotting.

    Related Article: Popular Chef Drama ‘The Bear’ Renewed at FX for a Third Season

    Does ‘The Bear’ Deliver a Satisfying Season 3?

    Liza Colon-Zayas in 'The Bear.'
    Liza Colon-Zayas in ‘The Bear.’ Photo: Courtesy of FX.

    Cooking at the level portrayed –– endlessly –– in ‘The Bear’ requires careful development, endless tweaking and the ideal mix of ingredients, fire and time. Yet while the first two seasons of the show exhibited plenty of all three, the new run of episodes finds itself in a repetitive, style-over-substance loop.

    One or two episodes break free of the spiral and feel fresher than the others (particularly this year’s flashback to how Liza Colón-Zayas’ Tina came to work at The Original Beef, the sandwich joint that main character chef Jeremy Allen White’s Carmen ‘Carmy’ Berzatto replaced with his fine-dining effort), but overall the feeling is of a team taking the wrong lessons from all that success.

    Script and Direction

    Ayo Edebiri in 'The Bear.'
    Ayo Edebiri in ‘The Bear.’ Photo: Courtesy of FX.

    Co-showrunners Christopher Storer and Joanna Calo lean into their worst impulses on the writing front, often sacrificing an engaging ongoing story for long sequences of characters preparing food set to music. The true pressure and tension only really comes out here and there, and episodes such as “Next” (which chronicles a month of tricky nights at the restaurant) do help that.

    When the show takes its foot off the pedal and allows the emotion to seep back in, it also works to some level, though the whole is most certainly less than the sum of its parts.

    Jeremy Allen White in 'The Bear.'
    Jeremy Allen White in ‘The Bear.’ Photo: Courtesy of FX.

    Storer also directs the lion’s share of the episodes, and his sensibility is turned up to honestly annoyingly indulgent levels, like a chef spinning a grill’s controls to its highest setting. The first episode in particular is a moody dive into Carmy’s head, but it rarely illuminates anything new about the character, simply re-treading well-walked emotional paths. We already know he had revelatory moments in his past work with some of the best chefs, and that he was endlessly bullied by most recent boss Chef David (Joel McHale). While those moments do at least set up a clash with the taunting tyrant in the season finale, it remains more frustrating than entertaining.

    One true highlight from both a writing and directing front is “Napkins” the episode as mentioned above focused on Tina’s past. Show co-star Ayo Edebiri steps up for that one, and delivers a relatable, nuanced outing that hinges on superb work from both Colón-Zayas and Jon Bernthal as Carmy’s brother Michael.

    Performances

    Lionel Boyce in 'The Bear.'
    Lionel Boyce in ‘The Bear.’ Photo: Courtesy of FX.

    It’s in the cast where the show remains redoubtable. Even when the creators are going off on flights of fancy, you can rely on the actors to do their best in keeping things grounded.

    Jeremy Allen White as Carmen ‘Carmy’ Berzatto

    Jeremy Allen White in 'The Bear.'
    Jeremy Allen White in ‘The Bear.’ Photo: Courtesy of FX.

    When the show ventures inside Carmy’s head, it suffers, yet White is still able to find real emotion, even as he’s often left with scenes where he’s pouting like a fish on the plate while more interesting things happen elsewhere.

    Ayo Edebiri as Sydney Adamu

    Ayo Edebiri in 'The Bear.'
    Ayo Edebiri in ‘The Bear.’ Photo: Courtesy of FX.

    Syd overtakes Carmy in the compelling stakes this season, and Edebiri is more than up to the challenge. While her business partner wallows, she’s making moves, considering whether to accept a chunk of the restaurant or head to potentially greener pastures.

    Ebon Moss-Bachrach as Richard ‘Richie’ Jerimovich

    Ebon Moss-Bachrach in 'The Bear.'
    Ebon Moss-Bachrach in ‘The Bear.’ Photo: Courtesy of FX.

    “Cousin” as he’s always known –– though he’s really just a family friend of Carmy’s late brother who is so close to the clan he’s considered part of it –– is, like, Syd, a highlight of the show. Yet even Ebon Moss-Bachrach gets less to do this year, his storyline rarely as compelling as his arc from last season. Still, when he’s handed emotionally deep work such as scenes with ex-wife Tiffany (Gillian Jacobs), he shines.

    Other Notable Cast and Cameos

    Abby Elliott in 'The Bear.'
    Abby Elliott in ‘The Bear.’ Photo: Courtesy of FX.

    Around Carmy, Syd and Richie, there are great performances on display from the likes of Colón-Zayas, Abby Elliott (as Carmy’s sister Nat, who gives birth in one of the other standout episodes) and Lionel Boyce as pastry chef Marcus, who channels his grief at losing his mother into his work. If we’re honest, we’d rather spend more time with their entertaining stories than endless rehashes of Carmy’s issues.

    On the actor cameo front, we won’t spoil some of the more delightful surprises, but they all make impacts with relatively small roles. The likes of Bernthal, Olivia Coleman and Jamie Lee Curtis all make welcome returns. Yet the real issue comes via the parade of famous culinary types who are sprinkled across several episodes. The finale in particular leans so much on them that they become less a welcome ingredient and more filler for an episode that looks to fill a 10-gallon pot with a single gallon of story.

    Final Thoughts

    Ebon Moss-Bachrach in 'The Bear.'
    Ebon Moss-Bachrach in ‘The Bear.’ Photo: Courtesy of FX.

    It is a little ironic that a show which has received such good reviews, and which partially bases its driving narrative on the potential for a negative one to be handed down to the titular restaurant dives into the overly experimental side of its presentation, often at the expense of the more fulfilling emotional story beats.

    There are only so many artfully crafted montages one can sit through while waiting for something nourishing on a narrative level. A great soundtrack can’t distract from the feeling that you’re watching re-heated emotional themes.

    ‘The Bear’ Season 3 receives 6 out of 10 stars.

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    What’s the story of ‘The Bear’ Season 3?

    ‘The Bear’s third season picks up shortly after the events of the Season 2 finale, in which friends and family night, one of the soft launches of the eponymous restaurant, turns into a fraught nightmare for the staff, as obsessed head chef Carmen ‘Carmy’ Berzatto (Jeremy Allen White) has an emotional meltdown while trapped in the kitchen’s walk-in freezer, leaving others to pick up his slack.

    In the aftermath of that, several characters are either deciding what the future truly holds for them (such as Ayo Edebiri’s Sydney Adamu, who mulls Carmy’s offer to become a full partner in the business at the same time she receives an attractive alternative option) or deal with their own dysfunctional family issues.

    Carmy, meanwhile, remains as exhaustingly focused as ever, looking to set impossibly high standards for himself and those around him, while fretting the first review of his fledgling venture.

    Who else is in ‘The Bear’ Season 3?

    The cast of ‘The Bear’ also includes Matty Matheson and Edwin Lee Gibson, with a sprinkling of cameos including the returning likes of Will Poulter.

    Matty Matheson in 'The Bear.'
    Matty Matheson in ‘The Bear.’ Photo: Courtesy of FX.

    Other Jeremy Allen White Movies and TV Shows:

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  • Elle Fanning in Talks for New ‘Predator’ Movie ‘Badlands’

    Elle Fanning in 'The Neon Demon'.
    Elle Fanning in ‘The Neon Demon’. Photo: Amazon Studios.

    Preview:

    • Elle Fanning is in talks for the new ‘Predator’ Stand-Alone Movie ‘Badlands’.
    • Dan Trachtenberg is once more directing.
    • A ‘Prey’ sequel is also in development.

    2022’s ‘Prey’, even though it debuted on streaming service Hulu, has been a huge success, breaking viewing records for the Disney-owned company and introducing new fans to the ‘Predator’ story.

    We learned back in February that Dan Trachtenberg, who directed ‘Prey’, is headed back into ‘Predator’ territory with new stand-alone movie ‘Badlands’. And there has been an update –– Elle Fanning, most recently seen in Hulu series ‘The Great’, is now in negotiations to take a lead role. As to what role she’ll play, that has yet to be revealed.

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    What’s the story of the new ‘Predator’ movie?

    Dane DiLiegro as the Predator in 20th Century Studios' 'Prey,' exclusively on Hulu.
    Dane DiLiegro as the Predator in 20th Century Studios’ ‘Prey,’ exclusively on Hulu. Photo by David Bukach. © 2022 20th Century Studios. All Rights Reserved.

    The plot for the new film is being kept hidden for now. We do know that it is not planned as a direct sequel to ‘Prey’, which you might recall was set in 1719 and saw a Comanche woman (Amber Midthunder) dealing with the dismissive attitudes of the men around her, encroaching human threats and, oh yes, a skilled extraterrestrial hunter on the planet for sport.

    But given Trachtenberg’s return (and that of writer Patrick Aison, who has crafted the new script from a story he worked on with the director), there’s every chance it could have some link to the 2022 movie.

    All that is concrete about the new movie is that it’s set at some point in the future and will once more focus on a female human lead character.

    All being well, Trachtenberg is aiming to have the movie shooting in July, and Fanning’s casting means that is looking more likely.

    What else is happening with the ‘Predator’ franchise?

    Dakota Beavers as Taabe, Director Dan Trachtenberg, and Amber Midthunder as Naru behind the scenes of 20th Century Studios' 'Prey,' exclusively on Hulu.
    (L to R) Dakota Beavers as Taabe, Director Dan Trachtenberg, and Amber Midthunder as Naru behind the scenes of 20th Century Studios’ ‘Prey,’ exclusively on Hulu. Photo by John P. Johnson. © 2022 20th Century Studios. All Rights Reserved.

    While ‘Badlands’ is the one confirmed project to move from development into pre-production, Trachtenberg is reportedly also overseeing other potential ‘Predator’ concepts that could be handed off to different creative teams. This is Disney, after all, which rarely likes to let a chance for a new (or in this case, renewed) franchise to slip through its fingers.

    Deadline’s story on Fanning entering negotiations also mentions that a ‘Prey’ sequel is in very early development, which would mean Midthunder’s Naru would be the first character to reoccur across more than one ‘Predator’ movie.

    If ‘Badlands’ is a success, expect plenty more ‘Predator’ projects to switch off their cloak of invisibility and start stalking our screens.

    Related Article: Dan Trachtenberg Talks ‘Prey’ Blu-ray and the ‘Predator’ Franchise

    When will ‘Badlands’ be released?

    Disney and 20th Century Studios have yet to announce a release date, nor confirm if it’ll be in theaters (but we figure it’s a good bet given the companies’ refreshed commitment to theatrical releases). With shooting set for this year, a 2025 slot seems likely.

    Director Dan Trachtenberg behind the scenes of 20th Century Studios' 'Prey,' exclusively on Hulu.
    Director Dan Trachtenberg behind the scenes of 20th Century Studios’ ‘Prey,’ exclusively on Hulu. Photo by John P. Johnson. © 2022 20th Century Studios. All Rights Reserved.

    Other Movies in the ‘Predator’ Franchise:

    Buy ‘Predator’ Movies on Amazon

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  • ‘The Bear’ Filming Additional Episodes Ahead of Season 3

    Jeremy Allen White in 'The Bear.'
    Jeremy Allen White in ‘The Bear.’ Photo: Courtesy of FX.

    Preview:

    • ‘The Bear’ team is reportedly shooting additional episodes.
    • Sources are pointing to an early Season 4 renewal.
    • Yet there is also thought that this could mean the show will end with that fourth season.

    The Bear’ has been one of TV’s recent unalloyed successes, enjoying huge viewing figures on FX/Hulu (and Disney+ outside the US) and a wealth of awards (including a number of Emmys).

    It’s not surprising then, that FX would be looking to have the creative team make more episodes when the cast and crew are still available.

    But there could be a good news/bad news situation as Chicago news outlets such as Reel Chicago are reporting that the additional episodes could signal that a fourth season has been quietly ordered to be shot back to back with the third (and potentially launched next year) –– with the aim of wrapping up the show.

    It would be sad to say goodbye to such a good show, but worth it to have the series end while it is still wildly successful and creatively on fire.

    Related Article: Popular Chef Drama ‘The Bear’ Renewed at FX for a Third Season

    What’s the story of ‘The Bear’?

    Jeremy Allen White in 'The Bear.'
    Jeremy Allen White in ‘The Bear.’ Photo: Courtesy of FX.

    ‘The Bear’ is the story of Carmen ‘Carmy’ Berzatto (Jeremy Allen White), an ambitious young chef working in the world of fine dining. But when his brother dies and leaves him in charge of the family sandwich joint in Chicago, Carmy is forced to pivot, looking to make a success of the chaotic local favorite.

    In Season 2, Carmy, Richie (Ebon Moss-Bachrach), Sydney (Ayo Edebiri) and the gang launch an ambitious attempt to transform the venue into the sort of high-end restaurant where Carmy had been working.

    FX has yet to reveal any story details for Season 3.

    What’s happening with ‘The Bear’s cast and crew?

    Ebon Moss-Bachrach as Rochard "Richie" Jerimovich in 'The Bear.'
    Ebon Moss-Bachrach as Rochard “Richie” Jerimovich in ‘The Bear.’ Photo: Courtesy of FX.

    Thanks to the show’s success and their own awards haul, the cast are very much in demand these days.

    Jeremy Allen White scored plenty of kudos for his role in wrestling movie ‘The Iron Claw’ and has plenty of interest in him making other film work.

    Co-star Edebiri has become a huge rising star in the time since she started on the series. She lent her voice to ‘Teenage Mutant Ninja Turtles: Mutant Mayhem’ last year and this year alone has movies such as ‘Inside Out 2’, ‘Omni Loop’ due out. She’s filming James L. Brooks’ ‘Ella McCay’ and even had to drop out of a role in Marvel’s ‘Thunderbolts’ because of her packed schedule.

    And series creator/showrunner/frequent director Christopher Storer is in almost as much demand as his actors –– he recently signed on to write and direct a signed on to do write and direct a feature adaptation of Amor Towles’ ‘The Lincoln Highway’, about two kids who go in search of their mother but find themselves waylaid when one brother’s friends escape from juvenile detention and show up with plans of them own.

    When will ‘The Bear’ be back on TV?

    The third season of ‘The Bear’ will launch in June.

    Alo Edebiri in 'The Bear.'
    Alo Edebiri in ‘The Bear.’ Photo: Courtesy of FX.

    Movies Currently on Hulu:

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  • ‘Prey’ Director Dan Trachtenberg to Make New ‘Predator’ Movie

    Director Dan Trachtenberg behind the scenes of 20th Century Studios' 'Prey,' exclusively on Hulu.
    Director Dan Trachtenberg behind the scenes of 20th Century Studios’ ‘Prey,’ exclusively on Hulu. Photo by John P. Johnson. © 2022 20th Century Studios. All Rights Reserved.

    Preview:

    • Dan Trachtenberg is making a new ‘Predator’ movie.
    • It won’t be a direct sequel to his hit ‘Prey’.
    • Patrick Aison is writing the script.

    Back in 2022, director Dan Trachtenberg brought the ‘Predator’ franchise roaring back to life with ‘Prey’, a bold, fresh take on the idea of the aliens visiting Earth to hunt.

    ‘Prey’, though it was originally targeted for a theatrical release, found itself moved to streaming once 20th Century Fox was bought by Disney and the company decided not to let it go to HBO (where there was a deal for Fox releases after their cinematic run).

    The result was record viewing figures for streaming service Hulu and a renewed interest in all things ‘Predator’.

    Now Trachtenberg is back and has a new movie in the works called ‘Badlands’.

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    What’s the story of the new ‘Predator’ movie?

    Dane DiLiegro as the Predator in 20th Century Studios' 'Prey,' exclusively on Hulu.
    Dane DiLiegro as the Predator in 20th Century Studios’ ‘Prey,’ exclusively on Hulu. Photo by David Bukach. © 2022 20th Century Studios. All Rights Reserved.

    According to The Hollywood Reporter, the plot for the new film is being kept hidden for now. We do know that it is not planned as a direct sequel to ‘Prey’, which you might recall was set in 1719 and saw a Comanche woman (Amber Midthunder) dealing with the dismissive attitudes of the men around her, encroaching human threats and, oh yes, a skilled extraterrestrial hunter on the planet for sport.

    But given Trachtenberg’s return (and that of writer Patrick Aison, who has crafted the new script from a story he worked on with the director), there’s every chance it could have some link to the 2022 movie.

    All that is concrete about the new movie is that it’s set at some point in the future and will once more focus on a female human lead character.

    All being well, Trachtenberg is aiming to have the movie shooting in July.

    Related Article: Dan Trachtenberg Talks ‘Prey’ Blu-ray and the ‘Predator’ Franchise

    What else is happening with the ‘Predator’ franchise?

    Dane DiLiegro as the Predator in 20th Century Studios' 'Prey,' exclusively on Hulu.
    Dane DiLiegro as the Predator in 20th Century Studios’ ‘Prey,’ exclusively on Hulu. Photo by David Bukach. © 2022 20th Century Studios. All Rights Reserved.

    While ‘Badlands’ is the one confirmed project to move from development into pre-production, Trachtenberg is reportedly also overseeing other potential ‘Predator’ concepts that could be handed off to other creative teams. This is Disney, after all, which rarely likes to let a chance for a new (or in this case, renewed) franchise to slip through its fingers.

    If ‘Badlands’ is a success, expect plenty more ‘Predator’ projects to switch off their cloak of invisibility and start stalking our screens.

    When will ‘Badlands’ be released?

    Disney and 20th Century Studios have yet to announce a release date, nor confirm if it’ll be in theaters (but we figure it’s a good bet). With shooting set for this year, a 2025 slot seems likely.

    Dane DiLiegro as the Predator in 20th Century Studios' 'Prey,' exclusively on Hulu.
    Dane DiLiegro as the Predator in 20th Century Studios’ ‘Prey,’ exclusively on Hulu. Photo by David Bukach. © 2022 20th Century Studios. All Rights Reserved.

    Other Movies Similar to ‘Prey:’

    Buy ‘Predator’ Movies on Amazon

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  • Movie Review: ‘Suncoast’

    Nico Parker in 'Suncoast.' Photo by Eric Zachanowich.
    Nico Parker in ‘Suncoast.’ Photo by Eric Zachanowich. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    On limited release in theaters on Friday February 2nd before landing on Hulu February 9th, ‘Suncoast’ is the feature directorial debut of Laura Chinn, who has largely worked as an actor and writer/showrunner before.

    Her film is partly based on a painful real-life experience, wherein her brother Max, was moved into the same hospice as controversial patient Terri Schiavo in 2005. Chinn uses the religious and ethical storm around Schiavo’s treatment, which forms one branch of the story here, though the focus is on the turbulent emotions of the main characters.

    Does ‘Suncoast’ Shine?

    Nico Parker in 'Suncoast.'
    Nico Parker in ‘Suncoast.’ Photo by Eric Zachanowich. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    Unfortunately, despite its deeply personal roots, ‘Suncoast’ somewhat has the feel of an after school special (or, at times, one of those “issues” plays put on by amateur troupes to teach kids about drugs or bullying).

    Though the cast do what they can with the material (and at least one needs the full force of his charisma to power through an underwritten role) but the whole feels like a disappointment.

    Related Article: Woody Harrelson and Kaitlin Olson Talk Basketball Comedy ‘Champions’

    ‘Suncoast’: Script and Direction

    Director Laura Chinn and Nico Parker on the set of 'Suncoast.'
    (L to R) Director Laura Chinn and Nico Parker on the set of ‘Suncoast.’ Photo by Eric Zachanowich. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    While Chinn is bringing obvious personal power to the screenplay, the result is somewhat less than the sum of its parts. Characters are largely pressured into easy archetypes, with main character Doris a fairly standard, sullen teen who longs to have a normal life. Though there is a rich seam of material to explore in her frustration at her mother’s negligence when it comes to anything but her comatose brother.

    The character of her mother, meanwhile, is a bundle of raw nerves, grieving a loss that has yet to happen while firmly denying the concept and putting all of her energy into making her son’s last days as comfortable as possible. It’s a noble effort for sure, but it does make the character uncomfortably unsympathetic at times, in a way that the movie doesn’t always recover from.

    Outside of the central pair, we have the character of Paul, one of the protestors at the hospice who is on a Christian pro-life crusade for the effectively braindead Terry Schiavo. On a purely script front, he’s less a person than a walking expression of believes and a debate point for the writer/director.

    Nico Parker, Ella Anderson, Ariel Martin and Daniella Taylor in 'Suncoast.'
    (L to R) Nico Parker, Ella Anderson, Ariel Martin and Daniella Taylor in ‘Suncoast.’ Photo by Eric Zachanowich. Courtesy of Searchlight Pictures. © 2023 Searchlight Pictures All Rights Reserved.

    And then we have the teenage friends that the withdrawn Doris finally starts to make, but for all their basic realism, they could also come out of teen rebellion drama 101, a collection of lust/party obsessed kids who really only start hanging out with Doris when she offers the empty family home when her mother starts sleeping at the hospice.

    Chinn as a director also keeps things fairly basic. It’s not surprising to learn that the movie premiered at this year’s Sundance Film Festival, as this is the epitome of 1990s Sundance drama in its composition and straightforward shooting. Though eschewing flashy visuals works to keep the story at the forefront, it can truly come across as a parody of an indie movie.

    ‘Suncoast’: Performances

    Laura Linney and Nico Parker in 'Suncoast.'
    (L to R) Laura Linney and Nico Parker in ‘Suncoast.’ Photo by Eric Zachanowich. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    With the script only doing so much work, it’s up to the cast to carry the load, and it is to Chinn’s advantage that she has cast some excellent performers who know how to handle this kind of story.

    Laura Linney plays Christine, the mother of Doris and her ailing brother Max, and she brings the expected level of depth and anguish to the character of someone facing the death of one child while effectively treating the other as a nursing assistant more than a daughter. Linney makes Christine’s emotional trauma function, though even she can’t always get out of the narrative corners the script puts her in. At least until the usual emotional revelations arrive, which have less power because you see them coming for a while.

    As Doris, her daughter, Nico Parker (who made her debut in Tim Burton’s live-action ‘Dumbo’ before appearing in ‘Reminiscence’ and TV’s ‘The Last of Us’) is also charged with wriggling her way out of the strictures of her character. She’s appropriately withdrawn, and never less than real (especially when seen beside the other teens in the movie) but the role sometimes defeats even her ability to carry it.

    Nico Parker and Woody Harrelson in 'Suncoast.'
    (L to R) Nico Parker and Woody Harrelson in ‘Suncoast.’ Photo by Eric Zachanowich. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    Woody Harrelson has a much smaller role as Paul, the protestor who strikes up a friendship with Doris. He’s burdened with a somewhat predictable grief backstory and despite his role effectively being a walking polemic at times, Harrelson does finds moments of charm, such as when he teaches Doris to drive (an ongoing subplot is Christine refusing to let the learner’s-permitted teen take the wheel, but we bet you can guess what forms part of the family rapprochement at the end.

    Paul has little to do besides befriending Doris and occasionally being seen at the protest marches, and for all of his warmth in the part, it feels beneath Harrelson.

    Finally, we have the likes of Daniella Taylor, Ella Anderson and Amarr as three of the school friends that Doris latches on to when they actually take notice of her. They do their best, but the trio is such a collection of cliches, they’re more likely to annoy than entertain.

    ‘Suncoast’: Final Thoughts

    Nico Parker and Laura Linney in 'Suncoast.'
    (L to R) Nico Parker and Laura Linney in ‘Suncoast.’ Photo by Eric Zachanowich. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    At one hour and 49 minutes, ‘Suncoast’ sometimes feels like a slog, and not just because of the heavy emotions that weigh it down. There are ways to carry such burdens, but the movie never quite figures out how to do it, despite a talented cast.

    It’s a real shame since Chinn was clearly working from a heartfelt place. But as we’ve seen before, not every impactful life event can land successfully as a movie.

    ‘Suncoast’ receives 5 out of 10 stars.

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    What’s the story of ‘Suncoast’?

    ‘Suncoast’ is inspired by the semi-autobiographical story of a teenager named Doris (Nico Parker), who, while caring for her brother along with her audacious mother (Laura Linney), strikes up an unlikely friendship with an eccentric activist (Woody Harrelson) who is protesting one of the most landmark medical cases of all time.

    Who else is in ‘Suncoast’?

    The new drama’s cast also includes Ella Anderson, Daniella Taylor, Amarr and Ariel Martin.

    Woody Harrelson and Laura Linney in 'Suncoast.'
    (L to R) Woody Harrelson and Laura Linney in ‘Suncoast.’ Photo by Eric Zachanowich. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    Other Movies Similar to ‘Suncoast’:

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  • ‘Feud: Capote vs. The Swans’ Virtual Press Conference

    Jon Robin Baitz, Diane Lane, Chloë Sevigny, Ryan Murphy, Naomi Watts, Tom Hollander, Molly Ringwald, Demi Moore, and Calista Flockhart attend the red carpet premiere of FX’s “Feud: Capote vs. The Swans' at MOMA on January 23, 2024 in New York City.
    (L to R) Jon Robin Baitz, Diane Lane, Chloë Sevigny, Ryan Murphy, Naomi Watts, Tom Hollander, Molly Ringwald, Demi Moore, and Calista Flockhart attend the red carpet premiere of FX’s “Feud: Capote vs. The Swans’ at MOMA on January 23, 2024 in New York City. FX’s ‘Feud: Capote vs. The Swans’ premieres with two episodes on Wednesday, January 31 at 10pm on FX, next day on Hulu. Photo by Kristina Bumphrey/PictureGroup for FX.

    ‘Feud: Capote vs The Swans’ is a limited series based on Laurence Leamer’s best-selling book, ‘Capote’s Women: A True Story of Love, Betray, and a Swan Song for an Era.’ The series focuses on writer Truman Capote and a group of elite socialites, how he became their confidant, and how their friendship ended with his ultimate betrayal in a fiery excerpt of his book. The women, or as Capote called them, “Swans,” band together to exile him from the high society that he loved, sending him spiraling into self-destruction.

    The eight-episode series stars Naomi Watts as Babe Paley, Tom Hollander as Truman Capote, Diane Lane as Slim Keith, Chloë Sevigny as C.Z. Guest, Calista Flockhart as Lee Radziwill, Demi Moore as Ann Woodard, and Molly Ringwald as Joanne Carson. ‘Feud: Capote Vs. The Swans’ premieres on FX on January 31 with two episodes and will be on Hulu the following day.

    Moviefone recently had the pleasure of attending the virtual press conference for ‘Capote Vs. The Swans.’ In attendance were show creator/executive producer Ryan Murphy, writer Jon Robin Baits, director Gus Van Sant, and actors Naomi Watts (who also serves as Executive Producer), Tom Hollander, Diane Lane, Chloë Sevigny, Calista Flockhart, Demi Moore, and Molly Ringwald

    Related Article: Jessica Lange, Susan Sarandon Starring in Ryan Murphy’s ‘Feud’ Series

    Here are 10 things we learned from the ‘Capote vs The Swans’ virtual press conference:

    1. Naomi Watts Had To Invent And Recreate the Likeness of Babe Paley’s Voice and Movement Through Only Photographs

    Naomi Watts as Babe Paley in 'Feud: Capote vs. The Swans.'
    Naomi Watts as Babe Paley in ‘Feud: Capote vs. The Swans.’ Photo: FX.

    While the series is based on Laurence Leamer’s book, the cast of incredible actresses in the series did their research beyond written material – finding recordings, photographs, and more to bring them to life on screen.

    Naomi Watts, who plays Babe Paley, and is also an executive producer on the series, talks about her research process as there were no recordings of Paley.

    Naomi Watts: Laurence Leamer’s book was our source material, but then we had these wonderful writers as well, and so we really stuck to the scripts. But with Babe [Paley], there was no footage available that I could find, recordings or visuals, so trying to create a voice and her physicality was, you know, something that I had to invent through a multitude of wonderful photographs. You know, just how her hand was placed, perhaps, or how she held her cigarette; it was clear to me that there was never a hair out of place, never a wrong word spoken. So much effort put into her appearance and not just for her own vanity but how she designed a dinner table, who were the guests, what would the conversations be, what would the cutlery be, how it was placed. There was just so much time and thoughtfulness put into how each event would go, and yes, plenty to find on the internet, plenty of things to read. But there was this delicious writing that we could lean in on, so creating Babe was a complete joy for me.

    Watts also serves as an Executive Producer on the series. When asked how she became involved in such a role, she says:

    Naomi Watts: I had been working with Ryan [Murphy] on ‘The Watcher’ and really enjoyed that experience and established a nice rhythm and he’s very, very, very generous! So that is how I became an EP.

    2. Tom Hollander on Why The Swans Befriended Capote

    Tom Hollander attends the red carpet premiere of FX’s 'Feud: Capote vs. The Swans' at MOMA on January 23, 2024 in New York City.
    Tom Hollander attends the red carpet premiere of FX’s ‘Feud: Capote vs. The Swans’ at MOMA on January 23, 2024 in New York City. FX’s ‘Feud: Capote vs. The Swans’ premieres with two episodes on Wednesday, January 31 at 10pm on FX, next day on Hulu. Photo by Kristina Bumphrey/PictureGroup for FX.

    Truman Capote’s close friendship with The Swans allowed him a look into their private lives and secrets, which would later lead to him exposing their secrets in ‘Answered Prayers.’ Actor Tom Hollander expands on why he thinks Capote befriended the Swans to begin with.

    Tom Hollander: I think he was the greatest writer of his generation, so for a bunch of people that were very rich and fancy houses but kind of, at some level, disempowered by their marriages, to have the greatest writer of his generation in their salons made… he was an accouterment. He was a dazzling accouterment on their dinner table. Maybe he would celebrate them. So maybe at some level, their vanity was flattered by having him around and him understanding them and listening to them in a way that their husbands weren’t, didn’t have time for. He was filling a great gap in their emotional lives, and he was brilliant. He was an incredibly entertaining, perceptive, clever, interesting, singular man, so they were all- so I’d say that’s what they were getting out of it. Quite a lot. Until it went wrong.

    3. The series marks Calista Flockhart’s return to television since ‘Supergirl’ and reunites her with Jon Robin Baitz

    Calista Flockhart as Lee Radziwill in 'Feud: Capote vs. The Swans.'
    Calista Flockhart as Lee Radziwill in ‘Feud: Capote vs. The Swans.’ Photo: FX.

    Playing Lee Radziwill, Calista Flockhart reunites with writer Jon Robin Baitz for the series. The two worked together on ‘Brothers and Sisters’ in 2006. Flockhart elaborates on working again with Baitz.

    Calista Flockhart: I have been a fan of Robbie’s way, way, way back when we were doing New York theater together. I’ve done readings of so many of his plays. I remember in ‘Brothers and Sisters,’ we had a very collaborative relationship when we were discovering who Kitty was as a character, and so yes, I was excited to do this again with Robbie because I admire and love his talent, his intelligence, and also his sensitivity and humanity.

    4. Diane Lane Had Access To Slim Keith’s Memoir

    Diane Lane as Slim Keith in 'Feud: Capote vs. The Swans.'
    Diane Lane as Slim Keith in ‘Feud: Capote vs. The Swans.’ Photo: FX.

    In her research on Slim Keith, Diane Lane was able to have access to her memoir, which allowed her to have a better understanding of the amount of anger Slim had toward Capote.

    Diane Lane: The word that has been bandied about is ringleader, and I want to counter that with a little bit more nuance. I think that she saw from afar that Truman needed support and she was there for him in times—you know, he came to her to be an agent for the book, becoming a movie, ‘In Cold Blood,’ and until she could find him Swifty Lazar and help him to get a million-dollar deal, which at that time was pretty huge. I mean, historically there was a lot of loss in this betrayal that we don’t see on camera. I got the wonderful cheat of having access to her memoir, so I have an extra amount of compassion for the amount of anger that she is accountable for in this story because she did empower him and nurture his growth and was there for a lot of his formative time. They traveled the world together and she did seem to have a sixth sense about not trusting him with too much of her secrets, so when she was chosen to be the person quoted about other people’s indiscretions in the infamous ‘Answered Prayers’ article in Esquire, as though she were the one betraying the ladies who lunch and everyone else. I mean, he called her “Big Mama,” that was his nickname for her. So she was really baffled, and I’ll leave it there.

    5. Ryan Murphy thinks The Swans would have been as influential as the Kardashians if they were living in this era

    Calista Flockhart, Chloë Sevigny, Diane Lane, Molly Ringwald, Naomi Watts and Demi Moore in 'Feud: Capote vs. The Swans.'
    (L to R) Calista Flockhart, Chloë Sevigny, Diane Lane, Molly Ringwald, Naomi Watts and Demi Moore in ‘Feud: Capote vs. The Swans.’ Photo: FX.

    As a group of extremely smart and capable women, they were brilliant in putting together many business deals that they were not given credit for. If they were alive today, it would be a completely different story.

    Show creator Ryan Murphy elaborates on the topic of timing for these women.

    Ryan Murphy: That’s actually something Robbie and I talked a lot about when we were first thinking of doing it, and I think the tragedy of that generation, which I would include my mother in, is a generation of women sort of caught between ‘The Dick Van Dyke Show’ and the pill, who were, I think, very frustrated a lot of times with the misogyny of the society. I think all of those women in our show were so brilliant in their personal lives and so intelligent that I do think 10 years-post, they all would’ve had successful businesses or brands. You can just see that they were all so smart, particularly in the world of manners and society and beauty, and I think they all would’ve had skincare lines, I think they all would’ve had house care lines. I think they would’ve done a Kardashian thing, you know, which is a very brilliant business way of looking about selling an aspirational lifestyle. But some of them did have that—I mean, if you look at Slim, the tragedy of that is she was behind particularly, and so was Babe, so many incredible business deals that she helped put together professionally that she was not given credit for—both of them, I think. So I think the frustration and the sadness was baked into that time. I think, to answer another question, that’s one of the reasons they turned to Truman, because they were all in marriages or with men who constantly put them in their place and told them they weren’t enough. Truman was the one who said to them, “You’re actually smarter than your husbands, you control everything. All of these lives are because of what you’re doing.” There’s a baked-in sadness in that, that so many women of that generation, I think, that we wanted to write to. There’s nothing more depressing than lost potential, which I think they all really had.

    Demi Moore chimed in on the topic as well:

    Demi Moore: I don’t know if I can speak for all of the women, but I think that there was a great desire of beauty and, in an interesting way, I think that there was a great desire for connection with one another. While their life had certain limitations, I think that they were incredibly expansive in how they were living their lives.

    6. The series touches on the LGBTQA+ community during that time

    Gus Van Sant attends the red carpet premiere of FX’s 'Feud: Capote vs. The Swans' at MOMA on January 23, 2024 in New York City.
    Gus Van Sant attends the red carpet premiere of FX’s ‘Feud: Capote vs. The Swans’ at MOMA on January 23, 2024 in New York City. FX’s ‘Feud: Capote vs. The Swans’ premieres with two episodes on Wednesday, January 31 at 10pm on FX, next day on Hulu. Photo by Frank Micelotta/PictureGroup for FX.

    Truman Capote was openly gay, and the series leaned into homophobia during that time period. Ryan Murphy speaks on the including the use of the words “f*g” and “fa**ot” and how it was depicted in the show.

    Ryan Murphy: In terms of the sexuality and the homophobia of the time, I think the most fascinating thing about that is we talked a lot about the use of those words, particularly the use of the word “f*g” or “fa**ot” and how it was depicted in the show. In the scene where Demi confronts him, you know, obviously it’s a word none of us like, none of us use, and we had a lot of conversation about it, but it was so important to him. It was the thing that he claims that she did and also that Lee did to him that broke his heart and broke his soul because he thought that was such a betrayal. It was a thing that ultimately turned him—when he talks about Demi’s character, it is the thing that he references where he decided to go after her. In the case of Lee, it’s an offhand remark that she made about a lawsuit he was in, and he was so stunned and hurt. So for us, as difficult as it was to articulate, being true to the characters and the time and the power of words. So we researched that quite heavily and we had a lot of conversations about “Should we leave it in? Should we take it out?” But ultimately, we did [leave it in]. As a gay person who that word has been used about since I was three years old, I really understand the wound of it and the pain of it and how it really can turn your life upside down. So we decided to be honest.

    Director Gus Van Sant elaborates more on queer culture in that time period.

    Gus Van Sant: I think in the time period that we’re depicting, there is an emerging gay culture. People are out…ish. Chloë and I had an art teacher who was out in 1961, teaching in a homophobic town, Darien, Connecticut, and sharing his gay weekends by explaining things that he was involved in on the weekends in the Greenwich Village. But yeah, there was a long road to travel. I mean, Truman was out by virtue of his art and his novels, the dates of his novels coming out, he predated, like, many people, along with Gore Vidal and Tennessee Williams. They were very exposed compared to, like, the general culture, but it’s a fascinating sort of character within gay history. I’d often thought there’s this great story of him going with Norman Mailer to a working man’s bar, and Norman thinking they were gonna get attacked, and Truman just pulled it off perfectly because of his energy and his, I guess, peace of mind, you know, as an open gay man. So we didn’t get to that scene, but he’s sort of a representation of queer culture through the ’50s and ’60s and ’70s and ’80s.

    7. Molly Ringwald on her character Joanne Carson and why she remained friends with Capote

    Molly Ringwald as Joanne Carson in 'Feud: Capote vs. The Swans.'
    Molly Ringwald as Joanne Carson in ‘Feud: Capote vs. The Swans.’ Photo: FX.

    Joanne Carson, wife of famous TV host Johnny Carson, was Capote’s last remaining friend. Played by Molly Ringwald, the actress expands on the friendship between Capote and Carson.

    Molly Ringwald: She was really like his last friend. But I feel that it was such a betrayal because they adored him so much. I think even though they knew he was a writer, I feel like they didn’t- they were going to be immune to that, to what writers do, which is use material in their lives and fictionalize it. I think it was pretty self-destructive, what he did. I don’t think he wanted to lose their friendships either, but he is a writer, you know. Like Joanne Carson, I think one of the reasons why she stayed friends with him—because he wrote things about her too—but she was in love with his genius. I think she really thought that he was a genius. I do too—as a writer, I think he was a genius, and I think all writers need somebody in their lives there sort of saying, “You can do this, you’re great.” I don’t know, I feel like there was maybe a little bit of anger on his part from being a little bit of a court jester, like he was a court jester, but maybe there was some anger about that.

    8. How Did Tom Hollander Nail Down The Voice of Capote?

    Tom Hollander as Truman Capote in 'Feud: Capote vs. The Swans.'
    Tom Hollander as Truman Capote in ‘Feud: Capote vs. The Swans.’ Photo: FX.

    Capote had a specific way of speaking, in his intonation and pauses. Tom Hollande describes his process of getting into character before walking on set:

    Tom Hollander: Honestly, I just listened to it a lot, and I was helped enormously by the most brilliant voice coach called Jerome Butler, who was there with me every day. Then Truman himself was on my phone in my ear before every take, and so I could be with him whenever I wanted to and remind myself what he sounded like. So you just keep scratching away at it. It’s not something that you get and then you’ve got it and then you can hold on to it. You have to keep going, keep working at it.

    9. The Cast Did Not Interact With Each Other Outside Of Their Scenes Due To COVID

    Chloë Sevigny as C. Z. Guest in 'Feud: Capote vs. The Swans.'
    Chloë Sevigny as C. Z. Guest in ‘Feud: Capote vs. The Swans.’ Photo: FX.

    ‘Feud: Capote Vs. The Swans’ began filming in New York in Fall 2022, when productions had to adhere to strict COVID restrictions such as masking and distancing. Aside from their scenes together, the cast were not able to interact with each other during filming.

    Chloë Sevigny: We were still masked then. We were still in the throes of COVID. We had to eat alone. We couldn’t even all eat together in the cafeteria, so we were kept kind of separate from one another. Even in the hair and makeup trailer, we were like six feet apart, so the most intimate we were was when we were in La Côte Basque.

    Did this make it harder for the cast to bond? Naomi Watts anwsered:

    Naomi Watts: There was some high-level concentration going on because of this high-level writing, these delicious words that we wanted to savor and, you know, really honor, not to mention these beautiful characters to play. Oftentimes when you’re working on a film or a show, I mean, especially if you’re on the road somewhere and you’ve left your home territory, it’s nice to have a meal at the end of the day or, you know, a drink or a hangout and there just wasn’t time for this because we were always concentrating on the next day’s work ahead. But yes, to Chloë’s point, when we came together at the Côte Basque, those in-between moments, though they were short, they were bonding, and I think we were all just super-grateful for these wonderful group of people.

    10. The particular way Ryan Murphy titles his shows

    'Feud: Capote vs. The Swans.'
    ‘Feud: Capote vs. The Swans.’ Photo: FX.

    With a plethora of shows under his belt, how does creator Ryan Murphy decide what order to put place the colon and why? Murphy explains:

    Ryan Murphy: First of all, that is my- 100 percent my decision. People talk a lot about that, colon versus semicolon. I think I’m being correct. I think in the case of ‘Feud,’ it’s always about a versus—you know, we did that in Season 1, which was Bette vs. Joan or so that’s how that came about. Because, you know, ‘Feud’ is about a love turned to hate, and I think it is very much about a clash which the Vs. gives you.

    Demi Moore as Ann Woodward in 'Feud: Capote vs. The Swans.'
    Demi Moore as Ann Woodward in ‘Feud: Capote vs. The Swans.’ Photo: FX.

    What Is ‘Feud: Capote vs The Swans’ about?

    Acclaimed writer Truman Capote (Tom Hollander) surrounded himself with a coterie of society’s most elite women, rich, glamorous socialites whom he nicknamed the Swans. Beautiful and distinguished, the group included Babe Paley (Naomi Watts), Slim Keith (Diane Lane), C.Z. Guest (Chloê Sevigny), and Lee Radziwill (Calista Flockhart). Enchanted and captivated by his Swans, Capote ingratiated himself into their lives, befriending them and becoming their confidant, only to ultimately betray them by writing a thinly veiled fictionalization of their lives and exposing their most intimate secrets. When an excerpt from the book Answered Prayers was published in Esquire, it effectively destroyed his relationship with his Swans, banished him from the high society he so loved, and sent him into a spiral of self-destruction from which he would ultimately never recover.

    Who’s in the cast of ‘Feud: Capote vs The Swans’

    Treat Williams as Bill Paley in 'Feud: Capote vs. The Swans.'
    Treat Williams as Bill Paley in ‘Feud: Capote vs. The Swans.’ Photo: FX.

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