Tag: hong-chau

  • Movie Review: ‘Wuthering Heights’

    (L to R) Jacob Elordi as Heathcliff and Actor, Producer Margot Robbie as Catherine Earnshaw in 'Wuthering Heights', a Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures.
    (L to R) Jacob Elordi as Heathcliff and Actor, Producer Margot Robbie as Catherine Earnshaw in ‘Wuthering Heights’, a Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures.

    Opening in theaters on February 13 is ‘Wuthering Heights,’ written and directed by Emerald Fennell and starring Margot Robbie, Jacob Elordi, Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes, and Owen Cooper.

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    Related Article: 20 Best Margot Robbie Movies Ranked Including ‘Wuthering Heights’

    Initial Thoughts

    Actor, Producer Margot Robbie as Catherine Earnshaw in 'Wuthering Heights,' a Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures. Copyright: © 2026 Warner Bros. Ent. All Rights Reserved.
    Actor, Producer Margot Robbie as Catherine Earnshaw in ‘Wuthering Heights,’ a Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures. Copyright: © 2026 Warner Bros. Ent. All Rights Reserved.

    Inspired by Emily Brontë’s classic 1847 novel (thus the quotation marks around the title in the credits and marketing), Emerald Fennell’s ‘Wuthering Heights’ is not your mother’s well-read copy of the book. It’s not Laurence Olivier and William Wyler’s relatively faithful 1939 ‘Wuthering Heights’ either. Instead, it’s what you might call a remix of the Brontë tale, streamlined to focus almost exclusively on the relationship between Catherine ‘Cathy’ Earnshaw (Margot Robbie) and the enigmatic Heathcliff (Jacob Elordi), while stripping out much of the novel’s later narrative and ramping up the eroticism.

    Maybe surprisingly, it works. Fennell (‘Promising Young Woman,’ ‘Saltburn’) has concocted a rich, full-bodied, almost classic film with gorgeous, windswept settings, an immersive atmosphere, and a chemistry between its two leads that practically fogs up the screen. No, it’s not particularly slavish to the text, but it’s a sweeping, epic tale of love, lust, vengeance, and forgiveness that crackles with passion and sexual energy.

    Story and Direction

    (L to R) Director, Writer, Producer Emerald Fennell and Actor, Producer Margot Robbie on the set of 'Wuthering Heights', a Warner Bros. Pictures Release. Photo Credit: Photo by Jaap Buitendijk. Copyright: © 2026 Warner Bros. Ent. All Rights Reserved.
    (L to R) Director, Writer, Producer Emerald Fennell and Actor, Producer Margot Robbie on the set of ‘Wuthering Heights’, a Warner Bros. Pictures Release. Photo Credit: Photo by Jaap Buitendijk. Copyright: © 2026 Warner Bros. Ent. All Rights Reserved.

    When Catherine ‘Cathy’ Earnshaw is a little girl, her father – who fancies himself a generous man but is actually a gambling and alcohol addict with an abusive temper — takes in a street urchin named Heathcliff who becomes Cathy’s best friend and, in time, hopelessly devoted to her. Cathy and Heathcliff are seemingly bonded for life, much to the consternation of serving girl Nelly, who may have her own repressed feelings for Cathy.

    As they grow older, Mr. Earnshaw becomes more dissolute and their estate – Wuthering Heights – falls further into disrepair. But while Heathcliff remains steadfastly true to Cathy, she has her eye on marrying the wealthy new neighbor, Edgar Linton, at the estate next door. When Heathcliff overhears her saying that she would ‘degrade’ herself by marrying her poor friend – despite the fact that she loves him dearly – he departs Wuthering Heights and doesn’t return for five years, during which time he makes his own fortune – and Cathy, although still desperately in love with Heathcliff, does in fact marry Linton.

    Thus begins an escalating series of events as Cathy and Heathcliff first deny then ultimately give into their true passion, until their affair threatens to smash their lives and that of those around them to pieces. That’s when love and desire curdle into cruelty and psychological abuse, even as the illicit couple’s romance takes on epic, tragic proportions.

    (L to R) Actor, Producer Margot Robbie, Jacob Elordi and Director, Writer, Producer Emerald Fennell on the set of 'Wuthering Heights', a Warner Bros. Pictures Release. Photo Credit: Photo by Jaap Buitendijk. Copyright: © 2026 Warner Bros. Ent. All Rights Reserved.
    (L to R) Actor, Producer Margot Robbie, Jacob Elordi and Director, Writer, Producer Emerald Fennell on the set of ‘Wuthering Heights’, a Warner Bros. Pictures Release. Photo Credit: Photo by Jaap Buitendijk. Copyright: © 2026 Warner Bros. Ent. All Rights Reserved.

    In adapting the novel, Fennell combines or discards characters, and leaves an entire generation of Lintons and Earnshaws off the playing field. In doing so, she shifts the focus from generational trauma squarely onto Cathy, Heathcliff, and their feelings for each other that are painfully romantic, bursting with unrestrained ardor, yet also torturously destructive. Through her exceptional lead actors and Fennell’s own grasp of how yearning can be physically and emotionally consuming, Cathy and Heathcliff’s desire practically oozes off the screen.

    This probably wouldn’t be an Emerald Fennell film if she didn’t also make a little more explicit what could only be implicit in 1847. While there’s barely a glimpse of naked skin to be seen – which somehow makes it more erotic – multiple characters in the film indulge in the pleasures of the flesh and a bit more. In a relationship that blooms (if that’s the word) between two characters later in the film (fans of the book will know who we mean), some BDSM comes into play that adds a bit of unbridled perversity to the proceedings.

    Cast and Performances

    (L to R) Jacob Elordi as Heathcliff and Margot Robbie as Catherine Earnshaw in 'Wuthering Heights,' a Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures. Copyright: © 2026 Warner Bros. Ent. All Rights Reserved.
    (L to R) Jacob Elordi as Heathcliff and Margot Robbie as Catherine Earnshaw in ‘Wuthering Heights,’ a Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures. Copyright: © 2026 Warner Bros. Ent. All Rights Reserved.

    After following ‘Barbie’ with the misbegotten ‘A Big Bold Beautiful Journey,’ Margot Robbie bounces back here with the kind of screen-filling, brave performance that she became known for early on. Her Cathy is irritating, self-pitying, calculating, and class-obsessed, yet also passionate, kind, loving, lustful, and heartbreaking – with Robbie delivering it all in a masterful balance of conflicting emotions and characteristics that make us feel every inch of Cathy’s titanic regret and desire.

    Jacob Elordi’s Heathcliff comes hard on the heels of his magnificent portrayal of the creature in ‘Frankenstein’ and is another triumph for this quickly developing actor. As with Robbie’s Cathy, Heathcliff is a man who contains multitudes: he’s feral, brutish, cunning, and capable of great cruelty, yet also charming, vulnerable, and aching with love, loss, and untold suffering. Elordi gives him not just an imposing physical presence, but a powerful emotional one as well, making this enigmatic character both alluring and frightening.

    As for the rest of the main cast, Hong Chau is her usual magnificent self as Nelly, although the character’s often obscured motivations come across as murkier on the screen. But her own pain and sadness are evident throughout. Alison Oliver is an eerie Isabella, but Shazad Latif gets a bit of the short end of the stick as Linton, who never quite becomes much more than an emotional punching bag for the leads.

    Final Thoughts

    Jacob Elordi as Heathcliff in 'Wuthering Heights,' a Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures. Copyright: © 2026 Warner Bros. Ent. All Rights Reserved.
    Jacob Elordi as Heathcliff in ‘Wuthering Heights,’ a Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures. Copyright: © 2026 Warner Bros. Ent. All Rights Reserved.

    With Linus Sandgren’s breathtaking cinematography – which soars, climbs, and gallops through beautifully desolate, foggy, and craggy locations in Yorkshire — Anthony Willis’ haunting score, and even the needle drops from Charli XcX (which sound anachronistic on paper but work here) all adding texture and immersion to the proceedings, Emerald Fennell and her cast have devised a truly towering romance in ‘Wuthering Heights.’

    Purists may grumble about certain aspects, but this is an adaptation based on a particular vision – a vision that adds a modern edge to a book that, while still universal in its themes, is now nearly two centuries old. Even if you don’t care personally for this extravagant, extraordinary film, it may introduce new generations to the source text – making Cathy and Heathcliff immortal all over again.

    ‘Wuthering Heights’ receives a score of 90 out of 100.

    'Wuthering Heights' opens in theaters on February 13th.
    ‘Wuthering Heights’ opens in theaters on February 13th.

    What is the plot of ‘Wuthering Heights’?

    In a crumbling estate on the West Yorkshire Moors, status-minded Catherine ‘Cathy’ Earnshaw and the mysterious Heathcliff pursue their tormented, passionate love for each other across the years, while wreaking havoc on both the Earnshaw family and their neighbors, the Lintons.

    Who is in the cast of ‘Wuthering Heights’?

    • Margot Robbie as Catherine ‘Cathy’ Earnshaw
    • Jacob Elordi as Heathcliff
    • Hong Chau as Nelly Dean
    • Shazad Latif as Edgar Linton
    • Alison Oliver as Isabella Linton
    • Martin Clunes as Mr. Earnshaw
    • Ewan Mitchell as Joseph
    • Charlotte Mellington as young Catherine
    • Owen Cooper as young Heathcliff
    • Vy Nguyen as young Nelly Dean
    Actor, Producer Margot Robbie as Catherine Earnshaw in 'Wuthering Heights,' a Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures. Copyright: © 2026 Warner Bros. Ent. All Rights Reserved.
    Actor, Producer Margot Robbie as Catherine Earnshaw in ‘Wuthering Heights,’ a Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures. Copyright: © 2026 Warner Bros. Ent. All Rights Reserved.

    List of Margot Robbie Movies

    Buy Tickets: ‘Wuthering Heights’ Movie Showtimes

    Buy Margot Robbie Movies on Amazon

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  • Movie Review: ‘The Instigators’

    Matt Damon and Casey Affleck in 'The Instigators'.
    (L to R) Matt Damon and Casey Affleck in ‘The Instigators’. Photo: Apple TV+.

    In theaters now and streaming on Apple TV+ on August 9 is ‘The Instigators,’ directed by Doug Liman and starring Matt Damon, Casey Affleck, Hong Chau, Michael Stuhlbarg, Alfred Molina, Ving Rhames, Paul Walter Hauser, Toby Jones, and Ron Perlman.

    Related Article: First look at Matt Damon and Casey Affleck in ‘The Instigators’ Pictures

    Initial Thoughts

    Matt Damon and Casey Affleck promoting 'The Instigators'.
    (L to R) Matt Damon and Casey Affleck promoting ‘The Instigators’. Photo: Apple TV+.

    Doug Liman hasn’t had a good time with his chosen profession in recent years. The director’s last three efforts, ‘Chaos Walking,’ ‘Locked Down,’ and ‘Road House,’ have all ranged somewhere between mediocre and unwatchable, a steep fall for the filmmaker who once brought us ‘Edge of Tomorrow’ and ‘The Bourne Identity.’ His latest outing, the crime caper comedy ‘The Instigators,’ isn’t a great piece of work, but it’s considerably more entertaining that his previous few films even if it runs into its own problems.

    Much of the entertainment value comes from stars Matt Damon and Casey Affleck (the latter of whom also co-wrote the screenplay with fellow Bostonian Chuck Maclean), whose longtime real-life friendship translates easily into an onscreen chemistry even as their characters are mostly at odds with each other. The two leads are backed up by a generously stacked cast, including the likes of Hong Chau, Ron Perlman, Alfred Molina, Michael Stuhlbarg, and others, all of whom are terrific to watch even if some of them get short-changed by the shaggy script. Like Affleck’s character, a cynical ex-con who’s smarter and has a bigger mouth than everyone else in the room, ‘The Instigators’ is fun until it becomes irritating.

    Story and Direction

    Casey Affleck, director Doug Liman and Matt Damon on the set of 'The Instigators'.
    (L to R) Casey Affleck, director Doug Liman and Matt Damon on the set of ‘The Instigators’. Photo: Apple TV+.

    Damon plays Rory, a divorced ex-Marine who has fallen on hard times and is hinting enough at suicide to alarm his therapist, Dr. Rivera (Chau). But before Rory can “cash in his ticket,” as he says, he has one thing left to do: he wants to see his son, but in order to make that happen he needs to settle exactly $32,480 in child support and other payments. And the only way for him to do that is to participate in a heist being orchestrated by lower-tier mob boss Mr. Besegai (Stuhlbarg) and his right-hand man Richie (Molina), who operate out of a local bakery.

    Besegai’s plan is for a small group of thieves to infiltrate the election headquarters of the corrupt Mayor Miccelli (Perlman), whose re-election is all but reassured and who collects a staggering amount of cash “gifts” every election night from stakeholders who want to curry favor with him. The idea is to go in after the election night party is over and stick the place up, grabbing the cash from the mayor and escaping by boat behind the building. In addition to Rory, the crew will consist of Cobby (Affleck) and Scalvo (Jack Harlow), the latter a hot-headed hood who Mr. Besegai puts in charge of the operation.

    Aside from Scalvo being trigger-happy and Rory being utterly inexperienced at crime (plus depressed and none-too-bright), a series of other variables – such as Miccelli losing the election in an upset – turns the plan completely upside-down. This is the best part of ‘The Instigators’: normally a film like this leads up to the big heist in the third act, and even if things go wrong, the crew improvises their way through it. Here the caper goes sideways in the first half-hour, with every carefully laid-out aspect of the plan going completely in the opposite direction.

    Matt Damon, Casey Affleck, Hong Chau and director Doug Liman from Apple Original Films’ “The Instigators” make an appearance at View Boston.
    (L to R) Matt Damon, Casey Affleck, Hong Chau and director Doug Liman from Apple Original Films’ “The Instigators” make an appearance at View Boston. Photo: Marion Curtis / Starpix for Apple Original Films.

    That leaves Rory and an injured Cobby as unlikely partners and fugitives, fleeing the scene with little cash but with a piece of personal property that’s extremely valuable to the bellowing mayor. After its offbeat first third, ‘The Instigators’ becomes more episodic and unbelievable as Rory and Cobby go on the run, evading hitmen and corrupt cops (including one menacing Special Ops officer played by Ving Rhames) through a series of chases, explosions, and narrow escapes — with Dr. Rivera somehow hitching along as a fake hostage.

    The contrivances necessary to get Rivera into and out of the situation, then back in it again later, also lead to some of the most tonally off moments in the movie. One extended, destructive chase sequence finds Rivera dispensing cliched therapeutic bromides to Rory (“Think about the person you want to be,” she offers improbably) as they careen through the streets of Beantown with a dozen police cars in pursuit. Because this is essentially a comedy, the stakes never feel as real as they could – even with compromised cops, seedy lowlife thugs, and political corruption rampant throughout the story, the script and Liman’s freewheeling direction keep this light and all on a surface level, leading to a somewhat tiresome finale.

    The Cast

    Hong Chau, Casey Affleck and Matt Damon in 'The Instigators'.
    (L to R) Hong Chau, Casey Affleck and Matt Damon in ‘The Instigators’. Photo: Apple TV+.

    Even as the air starts to seep out of the script, ‘The Instigators’ (an odd title, since Rory and Cobby don’t instigate anything, but merely react to their changing circumstances) is kept buoyant through its ensemble of sturdy, always reliable players. As mentioned earlier, Damon and Affleck provide most of the appeal here: the way that Damon’s morose straight man and Affleck’s jaded, seen-it-all crook bounce off each other provides most of the movie’s fun. Damon’s Rory has a wounded working-class decency, a guy who’s been pushed to the edge both by his own mistakes and things not in his control who only gradually retakes command of his own destiny as best he can.

    Affleck’s Cobby is the source of most of the movie’s humor, as his disaffected demeanor, rogue-ish charm, and constant barrage of jokes, pokes, and non-sequiturs hide a street-level, quick-on-his-feet intelligence that gets him and Rory both into and out of every scrape. He becomes irritating not just to his targets but to us as well, and we’re kind of onboard when some of those targets tell him to shut the f**k up.

    Hong Chau is always superb even though she has the least plausible material to work with and a character who verges in the edge of “therapist stereotype.” The rest, especially Stuhlbarg, Molina, Toby Jones (as Miccelli’s mild-mannered accountant), and Perlman as his Trumpy, self-serving boss, are all a pleasure to watch even if their characters are paper-thin.

    Final Thoughts

    Casey Affleck and Matt Damon promoting 'The Instigators'.
    (L to R) Casey Affleck and Matt Damon promoting ‘The Instigators’. Photo: Apple TV+.

    “Paper-thin” is a good way to describe ‘The Instigators’: it all operates on a surface level, never resonating emotionally too much and not quite settling on the right balance of comedy, action, and crime thriller. It will make you laugh – or perhaps chuckle quietly – without building to a real comic crescendo.

    Yet Liman keeps it all moving (only the extended finale drags out a bit), gets us in and out of the story in 90 minutes, and provides ample opportunity to watch Damon and Affleck have some fun. There are far worse ways to spend an hour-and-a-half – including a few that Doug Liman has provided before this.

    ‘The Instigators’ receives 6.5 out of 10 stars.

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    What is the plot of ‘The Instigators’?

    A desperate, depressed dad (Matt Damon) and a cynical, wisecracking ex-con (Casey Affleck) find themselves roped into a brazen robbery that quickly goes sideways, with the unlikely duo soon hunted by hitmen, the police, the corrupt mayor of Boston, and the dad’s very concerned therapist (Hong Chau).

    Who is in the cast of ‘The Instigators’?

    • Matt Damon as Rory
    • Casey Affleck as Cobby
    • Hong Chau as Dr. Donna Rivera
    • Paul Walter Hauser as Booch
    • Michael Stuhlbarg as Mr. Besegai
    • Ving Rhames as Frank Toomey
    • Alfred Molina as Richie Dechico
    • Toby Jones as Alan Flynn
    • Jack Harlow as Scalvo
    • Ron Perlman as Mayor Miccelli
    Matt Damon and Casey Affleck in 'The Instigators'.
    (L to R) Matt Damon and Casey Affleck in ‘The Instigators’. Photo: Apple TV+.

    Other Movies Similar to ‘The Instigators’:

    Buy Matt Damon Movies on Amazon

    Buy Casey Affleck Movies on Amazon

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  • ‘Kinds of Kindness’ Interview: Joe Alwyn and Mamoudou Athie

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    Opening in theaters in limited release on June 21st before opening wide on June 28th is the new anthology film from Oscar-nominated writer and director Yorgos Lanthimos (‘The Favourite’ and ‘Poor Things’) entitled ‘Kinds of Kindness’.

    The new movie tells three separate and different short stories, all performed by the same cast of actors which includes Oscar-winner Emma Stone (‘La La Land’), Jesse Plemons (‘Civil War’), Willem Dafoe (‘Spider-Man: No Way Home’), Margaret Qualley (‘Drive-Away Dolls’), Hong Chau (‘The Whale’), Joe Alwyn (‘Catherine Called Birdy’), Mamoudou Athie (‘Elemental’) and Hunter Schafer (‘The Hunger Games: The Ballad of Songbirds & Snakes’).

    Joe Alwyn and Mamoudou Athie talk 'Kinds of Kindness'.
    (L to R) Joe Alwyn and Mamoudou Athie talk ‘Kinds of Kindness’.

    Related Article: Movie Review: ‘Kinds of Kindness’

    Moviefone recently had the pleasure of speaking with Joe Alwyn and Mamoudou Athie about their work on ‘Kinds of Kindness’, their first reaction to the unusual screenplay, the challenges of playing three different characters in three separate stories, working with Emma Stone and Jesse Plemons, and collaborating with director Yorgos Lanthimos on set.

    You can read the full interview below or click on the video player above to watch our interviews.

    Joe Alwyn in 'Kinds of Kindness.'
    Joe Alwyn in ‘Kinds of Kindness.’ Photo by Yorgos Lanthimos. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    Moviefone: To begin with, Joe, can you talk about your first reaction to reading this screenplay and what did you think of the idea of telling three different stories all with the same cast?

    Joe Alwyn: When I first read it, it’s unlike anything I’ve read. I was so intrigued, so baffled, and so excited. The fact that it was split into these three stories as an anthology, I really liked it. It almost felt like an experiment. I don’t know if I completely got it or if I have yet completely got it. But I also really liked his idea of having, as you say, the same cast playing different roles in each one. It felt like a theater troop and there was something playful about that. I was just excited to be invited back into Yorgos’s world. I knew I’d say yes before I’d even read it.

    Mamoudou Athie in 'Kinds of Kindness.'
    Mamoudou Athie in ‘Kinds of Kindness.’ Photo by Atsushi Nishijima. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    MF: Mamoudou, was it challenging playing three different characters in the same movie?

    Mamoudou Athie: Honestly, that was the least challenging thing about it. I mean, that’s just kind of part of the job. It just happened to be protracted in a period where you’re doing it back-to-back to back. But it didn’t feel like any special task. It was just three different characters that I had to work on, which I feel like we’d all done. I mean, in drama school numerous times we were working on three different things at once, and it just so happened that these all somehow tied together in the same universe. But other than that, it was creative situation for the environment and that’s it.

    Mamoudou Athie in 'Kinds of Kindness.'
    Mamoudou Athie in ‘Kinds of Kindness.’ Photo by Yorgos Lanthimos. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    MF: Do you have a favorite character or segment that you worked on?

    MA: Well, obviously I have the most to do on the second, so that gave me a lot of opportunity to explore and work with Yorgos and Jesse. So, I guess it’d been the second.

    Yorgos Lanthimos on the set of 'Kinds of Kindness.'
    Yorgos Lanthimos on the set of ‘Kinds of Kindness.’ Photo by Atsushi Nishijima. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    MF: Joe, what is it like being an actor on a Yorgos Lanthimos set?

    JA: I mean, he’s brilliant. He doesn’t, in my experience, try and tackle things the way that you might conventionally think he would, or a director would. So, there isn’t really conversation about character or themes or intention or the things that you might expect. But he’s quite blunt and quite direct in a way of getting what he wants in quite a simple, instructive way, which is useful. I think he really encourages a sense of play. He keeps things very light. So even though the stories and characters are often going into dark corners, there’s a real lightness and you feel safe, you might not know exactly what it is that’s going to come out the other end, but you feel safe and willing and wanting to jump in and give it a go.

    Yorgos Lanthimos and Mamoudou Athie on the set of 'Kinds of Kindness.'
    (L to R) Yorgos Lanthimos and Mamoudou Athie on the set of ‘Kinds of Kindness.’ Photo by Atsushi Nishijima. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    MF: Mamoudou, what was your experience like collaborating with Yorgos on set?

    MA: Oh, he’s the man. I mean, I remember being very intimidated. He’s one of my favorite directors, period. I came in with a lot of reverence. I remember leaving the project like, “Oh, I should have been a lot more irreverent” because it was just so much fun, and it didn’t have to be anything. I imagine the script as kind of like a tome or a bible, but there’s a lot of leeway and there’s a lot of play, and it was just a very fun set. There was a lot of laughs, and I was surprised by how many times we were just cracking up on set.

    Emma Stone and Jesse Plemons in 'Kinds of Kindness.'
    (L to R) Emma Stone and Jesse Plemons in ‘Kinds of Kindness.’ Photo by Atsushi Nishijima. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    MF: Finally, Mamoudou, what was it like working with Emma Stone and Jesse Plemons on this project?

    MA: I’ve had such respect for them, and it’s always nice when people live up to what you hope. Jesse is a real actor, a real actor’s actor, he’s committed and same for Emma. Just the commitment to the work itself. Everything else is secondary. But also, it was fun and easy, and we had just chill conversations. It was just the best working environment with two actors that I could hope for.

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    What is the plot of ‘Kinds of Kindness’?

    ‘Kinds of Kindness’ is an anthology film, with three separate stories that are only loosely connected. The first tells of a man (Jesse Plemons) whose life is dominated by his boss (Willem Dafoe) in extreme ways; the second follows a cop (Jesse Plemons) who is convinced that his wife (Emma Stone), who returns home after being missing and presumed dead, is not who she says she is; and in the third, two people (Emma Stone and Jesse Plemons) hit the road on behalf of a strange cult to find a woman (Margaret Qualley) who’s prophesized to have incredible powers.

    Who is in the cast of ‘Kinds of Kindness’?

    • Emma Stone as Rita / Liz / Emily
    • Jesse Plemons as Robert / Daniel / Andrew
    • Willem Dafoe as Raymond / George / Omi
    • Margaret Qualley as Vivian / Martha / Ruth and Rebecca
    • Hong Chau as Sarah / Sharon / Aka
    • Joe Alwyn as Appraiser / Jerry / Joseph
    • Mamoudou Athie as Will / Neil / Morgue Nurse
    • Hunter Schafer as Anna
    • Yorgos Stefanakos as R.M.F.
    Emma Stone and Joe Alwyn in 'Kinds of Kindness.'
    (L to R) Emma Stone and Joe Alwyn in ‘Kinds of Kindness.’ Photo by Atsushi Nishijima. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    Other Yorgos Lanthimos Movies:

    Buy Tickets: ‘Kinds of Kindness’ Movie Showtimes

    Buy Yorgos Lanthimos Movies on Amazon

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  • Movie Review: ‘Kinds of Kindness’

    Emma Stone in 'Kinds of Kindness.'
    Emma Stone in ‘Kinds of Kindness.’ Photo by Yorgos Lanthimos. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    Opening in theaters June 21 is ‘Kinds of Kindness,’ directed by Yorgos Lanthimos and starring Jesse Plemons, Emma Stone, Willem Dafoe, Margaret Qualley, Mamoudou Athie, Hong Chau, and Hunter Schafer.

    Related Article: 20 Best Emma Stone Movies

    Initial Thoughts

    Jesse Plemons in 'Kinds of Kindness.'
    Jesse Plemons in ‘Kinds of Kindness.’ Photo by Atsushi Nishijima. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    For his ninth feature film, ‘Kinds of Kindness,’ Greek director and co-writer Yorgos Lanthimos (working again with his frequent writing partner, Efthimis Filippou) returns to the surreal horror/comedy of earlier works like ‘Dogtooth,’ ‘Alps,’ and ‘The Lobster.’ Not that you could call his recent, Oscar-winning films like ‘The Favourite’ and ‘Poor Things’ conventional, exactly: both still incorporate Lanthimos’ sense of the absurd, his visceral approach to sex and physical violence, and a heightened reality into more linear, accessible narratives.

    For ‘Kinds of Kindness,’ however, he’s gone back to the more enigmatic storytelling of his earlier films, skirting the line between dark comedy and outright horror (although more on the comedic side than, say, ‘The Killing of a Sacred Deer’). Perhaps in a sly wink to the format that spawned cult horror favorites like ‘Dead of Night’ (1945), ‘The House That Dripped Blood’ (1971), ‘Creepshow’ (1982) and more recent entries like ‘Ghost Stories’ (2017) and the ‘V/H/S’ series, ‘Kinds of Kindness’ is an anthology film, telling three loosely connected stories starring the same troupe of actors in different roles.

    The result is a long (nearly three hours) yet continuously entertaining cinematic hall of mirrors, at times frightening, revolting, and hilarious, with Lanthimos’ ensemble of actors – led, for their third feature together, by Emma Stone – clearly enjoying the exercise. Some viewers may find Lanthimos’ style here too much of a slow burn, while others may be frustrated by the unreality that intrudes in each story and his often cold view of the characters. But this is a rewarding, eerie, and unpredictable look at human behavior and the dark lengths to which people will go to win approval or acceptance.

    Story and Direction

    Emma Stone and Yorgos Lanthimos on the set of 'Kinds of Kindness.'
    (L to R) Emma Stone and Yorgos Lanthimos on the set of ‘Kinds of Kindness.’ Photo by Atsushi Nishijima. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    The single thread that connects the three tales is a character named R.M.F. (Yorgos Stefanakos), who appears at key points in all three narratives yet whose presence is never fully explained. The character also provides the title for each segment. In the first, “The Death of R.M.F.,” Jesse Plemons plays Robert, a man who seems to have it all: a beautiful house, a loving wife (Hong Chau), and a successful career with a boss, Raymond (Willem Dafoe), who seemingly loves him like a son. But early on it’s made clear that Robert’s life is actually controlled by Raymond, down to what he eats, what he reads, and even when he has sex with his wife.

    After Raymond gives Robert a task that Robert is simply unable to do, Robert is fired – and his life spirals downward from there. His wife leaves him, he has to sell off prized possessions, and he becomes increasingly desperate in his efforts to win back Raymond’s affection. Things are only complicated when he begins a relationship with a woman (Emma Stone) who also seems to have come under Raymond’s sinister wing.

    The control that our employers have over our lives – aren’t we all on call all the time? – is very much taken to an extreme in ‘The Death of R.M.F.,’ but a theme here that recurs mainly in the third segment is our seemingly inescapable need to be accepted. Robert goes to terrible lengths to get back into Raymond’s good graces, and his spiral into near-madness is as disquieting as it is darkly humorous.

    Yorgos Lanthimos and Mamoudou Athie on the set of 'Kinds of Kindness.'
    (L to R) Yorgos Lanthimos and Mamoudou Athie on the set of ‘Kinds of Kindness.’ Photo by Atsushi Nishijima. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    There’s a different kind of rejection afoot in ‘R.M.F. is Flying,’ the second and probably least effective of the three stories. Plemons again takes center stage as Daniel, a cop whose wife Liz (Stone) has gone missing on some sort of scientific ocean expedition. He watches videos of get-togethers with their best friends (played by Mamoudou Athie and Margaret Qualley), although the videos are not exactly of backyard barbecues. And then Liz is found and returns home – but Daniel soon begins to suspect that the woman in his house is not his wife.

    There is plenty of atmosphere and the same dark humor in this segment, but even for a movie that does not rely on normal logic, its story doesn’t cohere as well as ‘The Death of R.M.F.’ or the third segment, ‘R.M.F. Eats a Sandwich.’ Yet Daniel’s psychological descent, combined with Liz’s apparently odd behavior, is a metaphor for the dynamics in any human relationship: how well do we truly know the person next to us, that we are spending our life with?

    Emma Stone steps up to the lead role in ‘R.M.F. Eats a Sandwich,’ playing a woman named Emily who has abandoned her husband and daughter and joined a bizarre cult led by Omi (Dafoe) and his wife Aka (Chau). She and fellow cult member Andrew (Plemons) are tasked with searching for a person prophesized to have miraculous powers, who will become a leader of great importance to the cult.

    Willem Dafoe in 'Kinds of Kindness.'
    Willem Dafoe in ‘Kinds of Kindness.’ Photo by Atsushi Nishijima. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    ‘R.M.F. Eats a Sandwich’ sort of comes full circle, focusing on the lengths that people will go to in order to feel like they’re part of something greater than themselves. It’s heavily implied that the women in the cult are allowed only to have sex with Omi, and must undergo purification rituals and face exile if they have sex with others, debasing themselves to stay within Omi’s good graces. There are contrivances along the way (Emily’s need to drive recklessly seems to exist only to serve the plot later on) and, unlike the first two segments, ‘Sandwich’ ends with an abrupt twist ending straight out of O. Henry.

    Cumulatively, the stories suggest a world where reality can fray at the edges and unnatural forces can creep in, especially in the second and third tales. Unlike the lush period details of ‘The Favourite’ or the colorful fantasia of ‘Poor Things,’ ‘Kinds of Kindness’ is set in a modern-day milieu, splitting its time between bastions of wealth (Raymond’s offices and home in the first segment) and lackluster, depressing settings (Daniel’s wood-paneled home in the second story, the outside of a hospital late at night).

    As in his previous work, Lanthimos is matter-of-fact in his portrayal of violence and sex: the former is abrupt, unpleasant, and inevitable (including one hard-to-watch scene where someone chops off their finger), while the latter isn’t erotic in the usual sense, but primal, urgent, and messy. Lanthimos and DP Robbie Ryan frame it and light it all simply and functionally, often going from wide shots straight to immersive close-ups involving a face or body part.

    Kudos also to Jerskin Fendrix for his minimalist, ominous score, which alternates between single plinks on the piano (a la ‘Eyes Wide Shut’) more thunderous, doom-laden chords, and apocalyptic choral bursts. The music both heightens the atmosphere and comments on the action, the latter often to subtly hilarious effect.

    The Cast

    Margaret Qualley, Jesse Plemons and Willem Dafoe in 'Kinds of Kindness.'
    (L to R) Margaret Qualley, Jesse Plemons and Willem Dafoe in ‘Kinds of Kindness.’ Photo by Atsushi Nishijima. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    ‘Kinds of Kindness’ is clearly a film made for actors to stretch themselves as much as possible, with all the main actors (with the exception of Hunter Schafer) playing different roles in each segment. The MVP in this case is Plemons, who plays two different needy, insecure men in the first two stories yet manages to create two complete, wholly distinctive performances (also very different from his frightening cameo in ‘Civil War’ earlier this year). He changes himself again in the third story, where he’s more of a supporting player, and his work throughout is nothing less than a tour de force.

    Emma Stone, of course, is outstanding as always, with a supporting role in the first segment, a larger one in the second, and the lead in the third. Her character is more enigmatic and less fleshed out in the second story, but she is riveting in the final tale as a deeply damaged woman who has withdrawn so much from the world that she cannot even find any spare warmth for her daughter.

    Willem Dafoe is excellent as a malevolent father figure in all three stories (especially in the first and last), while Hong Chau, Margaret Qualley (who does her meatiest work in segment three), Mamoudou Athie, and the rest weave seamlessly in and out of each section of the film like the members of a seasoned stage company able to take on any role in the repertory.

    Final Thoughts

    Emma Stone and Jesse Plemons in 'Kinds of Kindness.'
    (L to R) Emma Stone and Jesse Plemons in ‘Kinds of Kindness.’ Photo by Atsushi Nishijima. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    If you have found Yorgos Lanthimos’ work troublesome or even harrowing to sit through in the past, you might have a tough time watching ‘Kinds of Kindness’: there is cruelty (mostly to humans, but also briefly to an animal), callousness, sexual assault, and sadistic behavior. It steps in and out of reality, sometimes jarringly, and it can be frustrating in the way it doesn’t lay out the meaning of everything you see.

    Yet the film is also bracing, mind-bending, and utterly unpredictable from start to finish, with the film not feeling its length at all as one gets caught up in the nightmarish surreality that Lanthimos constructs and maintains. Ironically, kindness is found only sparingly in these stories, but that may be more like the real world than anything else.

    ‘Kinds of Kindness’ receives 8 out of 10 stars.

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    What is the plot of ‘Kinds of Kindness’?

    ‘Kinds of Kindness’ is an anthology film, with three separate stories that are only loosely connected. The first tells of a man whose life is dominated by his boss in extreme ways; the second follows a cop who is convinced that his wife, who returns home after being missing and presumed dead, is not who she says she is; and in the third, two people hit the road on behalf of a strange cult to find a woman who’s prophesized to have incredible powers.

    Who is in the cast of ‘Kinds of Kindness’?

    • Emma Stone as Rita / Liz / Emily
    • Jesse Plemons as Robert / Daniel / Andrew
    • Willem Dafoe as Raymond / George / Omi
    • Margaret Qualley as Vivian / Martha / Ruth and Rebecca
    • Hong Chau as Sarah / Sharon / Aka
    • Joe Alwyn as Appraiser / Jerry / Joseph
    • Mamoudou Athie as Will / Neil / Morgue Nurse
    • Hunter Schafer as Anna
    • Yorgos Stefanakos as R.M.F.
    Emma Stone in 'Kinds of Kindness.'
    Emma Stone in ‘Kinds of Kindness.’ Photo by Atsushi Nishijima. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    Other Yorgos Lanthimos Movies:

    Buy Tickets: ‘Kinds of Kindness’ Movie Showtimes

    Buy Yorgos Lanthimos Movies on Amazon

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  • Hugh Jackman Starring in ‘Three Bags Full: A Sheep Detective Movie’

    (Left) Hugh Jackman attends 'The Adam Project' World Premiere at Alice Tully Hall on February 28, 2022 in New York City. Photo by Noam Galai/Getty Images for Netflix. (Center Left) Emma Thompson in Prime Video's 'Late Night.' (Center Right) Hong Chau attends the 'The Night Agent' Los Angeles special screening at Netflix Tudum Theater on March 20, 2023 in Los Angeles, California. Photo by Rodin Eckenroth/Getty Images for Netflix. (Right) Nicholas Braun on season 4 of HBO's 'Succession.' Photograph by Macall B. Polay/HBO.
    (Left) Hugh Jackman attends ‘The Adam Project’ World Premiere at Alice Tully Hall on February 28, 2022 in New York City. Photo by Noam Galai/Getty Images for Netflix. (Center Left) Emma Thompson in Prime Video’s ‘Late Night.’ (Center Right) Hong Chau attends the ‘The Night Agent’ Los Angeles special screening at Netflix Tudum Theater on March 20, 2023 in Los Angeles, California. Photo by Rodin Eckenroth/Getty Images for Netflix. (Right) Nicholas Braun on season 4 of HBO’s ‘Succession.’ Photograph by Macall B. Polay/HBO.

    Preview:

    • Hugh Jackson will play a farmer in ‘Three Bags Full: A Sheep Detective Movie’
    • Emma Thompson, Nicholas Braun and more are also in the cast.
    • Animation veteran Kyle Balda is directing the live-action mystery comedy.

    Here’s an unusual project, which almost sounds more like a project for Britain’s Aardman Animation (given their success with ‘Shaun the Sheep’) but is in fact a new live-action comedy.

    Hugh Jackman is on board to lead the cast for new movie ‘Three Bags Full: A Sheep Detective Movie’ (we just checked the date to be sure, and it’s not April 1st), which will follow some ovine crime solvers raised on murder mysteries who have to figure out who killed their shepherd.

    Related Article: Next on Netflix Animation Preview Announces Upcoming Movies and TV Shows

    What’s the story of ‘Three Bags Full: A Sheep Detective Movie’?

    Aardman Animations' 'Shaun the Sheep'.
    Aardman Animations’ ‘Shaun the Sheep’. Photo: Netflix.

    The film follows George Hardy (Jackman), a shepherd who loves his sheep and raises them only for their wool. Every night he reads aloud a murder mystery, pretending his sheep can understand, never suspecting that not only can they understand but they argue for hours afterwards about whodunnit.

    When George is found dead under mysterious circumstances, the sheep realize at once that it was a murder and think they know everything about how to go about solving it. The local cop Tim Derry (Nicholas Braun), on the other hand, has never solved a serious crime in his life, so the sheep conclude they will have to solve it themselves, even if it means leaving their meadow for the first time and facing the fact that the human world isn’t as simple as it appears in books.

    Who will be in the cast for ‘Three Bags Full: A Sheep Detective Movie’?

    Hugh Jackman as Wolverine/Logan in 20th Century Studios/Marvel Studios' 'Deadpool and Wolverine.
    Hugh Jackman as Wolverine/Logan in 20th Century Studios/Marvel Studios’ ‘Deadpool and Wolverine. Photo courtesy of 20th Century Studios/Marvel Studios. © 2024 20th Century Studios / © and ™ 2024 MARVEL.

    Alongside Jackman and Braun, the cast is an eclectic mix of big names and rising actors including Emma Thompson, Nicholas Galitzine (‘The Idea of You’), Molly Gordon (‘Theater Camp’), Hong Chau (‘The Whale’), Tosin Cole (‘Bob Marley: One Love’), Kobna Holdbrook-Smith (‘Wonka’), Conleth Hill (‘Game of Thrones’) and Mandeep Dhillon (‘Star Wars: The Rise of Skywalker’).

    Who is making ‘Three Bags Full: A Sheep Detective Movie’?

    2017's 'Despicable Me 3.'
    2017’s ‘Despicable Me 3.’ Photo: Universal Pictures.

    Behind the camera for this one is Kyla Balda, who has largely spent his career in animation, and has directed the likes of ‘Minions’ and ‘Despicable Me 3’.

    The script comes from Craig Mazin, who these days is more known as the executive producer behind dark dramas ‘Chernobyl’ and ‘The Last of Us’, but before that wrote the comedic likes of the ‘Scary Movie’ franchise and ‘The Hangover’ movies.

    He’s adapting Leonie Swann’s novel, which was published in Germany in 2005 under its original title ‘Glennkill’. The book became an instant hit, leading the German bestseller charts for months and winning Swann the prestigious Glauser Prize for crime fiction in the debut category, as well as a PETA Award.

    When will ‘Three Bags Full: A Sheep Detective Movie’ be in theaters?

    Amazon MGM is backing the new movie, and has penciled in a February 20th, 2026 theatrical release for the new movie. If that changes, we will keep ewe… sorry, you, informed.

    Aardman Animations' 'Shaun the Sheep'.
    Aardman Animations’ ‘Shaun the Sheep’. Photo: Netflix.

    Other Movies from Aardman Animations:

    Buy Aardman Animations Movies On Amazon

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  • Matt Damon and Casey Affleck in First ‘The Instigators’ Images

    Hong Chau, Casey Affleck and Matt Damon in 'The Instigators'.
    (L to R) Hong Chau, Casey Affleck and Matt Damon in ‘The Instigators’. Photo: Apple TV+.

    Preview:

    • Matt Damon and Casey Affleck are thieves in the first images from ‘The Instigators’.
    • Doug Liam directed the crime thriller.
    • The movie will land on Apple TV+ on August 9th.

    We might most famously think of ‘Good Will Hunting’ in terms of Matt Damon and Casey Affleck sharing the screen (then alongside the latter’s brother Ben), but they were also both in ‘Oppenheimer’ last year.

    But later in 2024, we’ll see them in meatier roles for a new crime thriller called ‘The Instigators’, in which they play two thieves pulling off a desperate robbery.

    Apple TV+ was quick to snap this one up and has the first images from the movie online.

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    What’s the story of ‘The Instigators’?

    Rory (Damon) and Cobby (Affleck) are reluctant partners: a desperate father and an ex-con thrown together to pull off a robbery of the ill-gained earnings of a corrupt politician. But when the heist goes wrong, the two find themselves engulfed in a whirlwind of chaos, pursued not only by police, but also backwards bureaucrats and vengeful crime bosses.

    Completely out of their depth, they convince Rory’s therapist (Hong Chau) to join their riotous getaway through the city, where they must put aside their differences and work together to evade capture –– or worse.

    Related Article: 10 Things We Learned at the ’Air’ Press Conference with Cast and Crew

    Who is making ‘The Instigators’?

    Casey Affleck, director Doug Liman and Matt Damon on the set of 'The Instigators'.
    (L to R) Casey Affleck, director Doug Liman and Matt Damon on the set of ‘The Instigators’. Photo: Apple TV+.

    Affleck co-wrote the script with Chuck MacLean, and Doug Liman is in the director’s chair.

    Here’s what Affleck told Entertainment Weekly about his inspirations:

    “The inspiration for this was definitely ‘Midnight Run’ and ‘Butch Cassidy and the Sundance Kid’. I’ve always wanted to do a buddy action comedy.”

    And for Damon, this was a chance to reunite with his ‘Bourne Identity’ director. This is what he said:

    “I absolutely love working with Doug. I can’t believe it took us 20 years to find something else to do together. Doug is one of the most creatively tenacious people I’ve ever met. He just won’t stop until the movie is as good as it can be, and that is the best possible thing you can feel from a director. I trust him completely.”

    Who else is in ‘The Instigators’?

    The movie also stars Michael Stuhlbarg, Paul Walter Hauser, Ving Rhames, Alfred Molina, Toby Jones, Jack Harlow and Ron Perlman.

    Here’s Affleck on how some of the cast fit in:

    “‘The Instigators’ is about two strangers who are hired for a heist. They become frenemies and then become friends while Jack Harlow yells at us, Paul Walter Hauser insults us, Ving Rhames hunts us, and Hong Chau keeps us alive.”

    When will ‘The Instigators’ land on Apple TV+

    Apple TV+ will start streaming the new movie on August 9th. Hopefully Liman is already aware it’ll be going directly there; we don’t need another ‘Road House’ protest.

    Matt Damon and Casey Affleck in 'The Instigators'.
    (L to R) Matt Damon and Casey Affleck in ‘The Instigators’. Photo: Apple TV+.

    Other Movies Similar to ‘The Instigators’:

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  • ‘Asteroid City’s Scarlett Johansson and Jason Schwartzman

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    Opening in theaters in limited release on June 16th and in wide release on June 23rd is the latest movie from acclaimed filmmaker Wes Anderson (‘The Royal Tenenbaums,’ ‘The French Dispatch’) entitled ‘Asteroid City.’

    What is the plot of ‘Asteroid City’?

    ‘Asteroid City’ takes place in a fictional American desert town circa 1955. The itinerary of a Junior Stargazer/Space Cadet convention (organized to bring together students and parents from across the country for fellowship and scholarly competition) is spectacularly disrupted by world-changing events.

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    Who is in the cast of ‘Asteroid City?’

    ‘Asteroid City’ stars Jason Schwartzman (‘Spider-Man: Across the Spider-verse‘) as Augie Steenbeck, Scarlett Johansson (‘Black Widow‘) as Midge Campbell, Tom Hanks (‘A Man Called Otto‘) as Stanley Zak, Jeffrey Wright (‘The Batman‘) as General Grif Gibson, Tilda Swinton (‘Doctor Strange‘) as Dr. Hickenlooper, Bryan Cranston (‘Jerry & Marge Go Large‘) as the narrator, Edward Norton (‘Glass Onion: A Knives Out Mystery‘) as Conrad Earp, Adrien Brody (‘Predators‘) as Schubert Green, Liev Schreiber (‘Spotlight‘) as J.J. Kellogg, Hope Davis (‘Real Steel‘) as Sandy Borden, Stephen Park (‘Fargo‘) as Roger Cho, Rupert Friend (‘Hitman: Agent 47‘) as Montana, Maya Hawke (‘Once Upon a Time in Hollywood‘) as June Douglas, Steve Carell (‘Vice‘) as a motel manager, Matt Dillon (‘There’s Something About Mary‘) as Hank, Hong Chau (‘The Whale‘) as Polly Green, Willem Dafoe (‘Inside‘) as Saltzburg Keitel, Margot Robbie (‘Babylon‘) as a TV actress, and Jeff Goldblum (‘Jurassic World Dominion‘) as an Alien.

    Moviefone recently had the pleasure of speaking with Scarlett Johansson and Jason Schwartzman about their work on ‘Asteroid City,’ what fans can expect from the film and working with filmmaker Wes Anderson.

    Jason Schwartzman and Scarlett Johansson in writer/director Wes Anderson's 'Asteroid City,' a Focus Features release.
    (L to R) Jason Schwartzman and Scarlett Johansson in writer/director Wes Anderson’s ‘Asteroid City,’ a Focus Features release.

    You can read the full interview below or click on the video player above to watch our interviews with Johansson, Schwartzman, Jeffrey Wright, Adrien Brody, Rupert Friend, and Maya Hawke.

    Moviefone: To begin with, Scarlett, what would you say to moviegoers sitting down to watch this film to prepare them for the cinematic experience they are about to have?

    Scarlett Johansson: What would I say, to prepare them? I don’t know. I don’t like knowing anything about a movie before I go. I just like to go in and be surprised. You just got to let the movie wash over you. I would say be prepared to see it more than once because it’s very dense and complex, and I’ve gotten a lot more out of seeing it a few times. There’s a few movies where I feel like I’ve had that experience. I remember seeing ‘Eyes Wide Shut’ and I remember I saw it and I really liked it. Then the second time I saw it, I really didn’t like it. Then the third time, and now that obviously I’ve seen it many times, I really love it, and I notice different things about it all the time. There’s just some movies that there’s something uncomfortable about them. I think this movie is, at least for me, it’s uncomfortable. So I feel like it’s good to kind of prepare to let it wash over you a few times.

    Grace Edwards as Dinah, Scarlett Johansson as Midge Campbell and Damien Bonnaro as Bodyguard/Driver in writer/director Wes Anderson's 'Asteroid City,' a Focus Features release.
    (L to R) Grace Edwards as Dinah, Scarlett Johansson as Midge Campbell and Damien Bonnaro as Bodyguard/Driver in writer/director Wes Anderson’s ‘Asteroid City,’ a Focus Features release. Credit: Courtesy of Pop. 87 Productions/Focus Features

    Related Article: Jason Schwartzman Talks ‘There There’ 

    MF: Jason, what would you tell viewers to get them ready for Wes Anderson’s latest movie?

    Jason Schwartzman: I would say that there’s no wrong way to react to it, which is, I think a fun thing. I’ve watched parts of it with, let’s say my wife and a different person. The reaction to a scene, one person could laugh and the other person could be just really taken aback, or confused, or sad. Both of those reactions are real. I think that’s a really hard place to write and to make things, and to exist in that space is really cool. So yeah, that’d be my only advice is I wouldn’t question whether or not if what you’re feeling or thinking is right. It just goes along with what Scarlett’s saying. It is right. Just go with it. Then it’s what the characters are saying in the movie, so just keep going. Don’t question it. Just live it.

    Writer/director Wes Anderson, actor Jason Schwartzman and actor Tom Hanks on the set of 'Asteroid City,' a Focus Features release.
    (L to R) Writer/director Wes Anderson, actor Jason Schwartzman and actor Tom Hanks on the set of ‘Asteroid City,’ a Focus Features release. Credit: Courtesy of Roger Do Minh/Pop. 87 Productions/Focus Features.

    MF: Scarlett, obviously you worked with Wes Anderson on the animated ‘Isle of Dogs,’ but what was it like for you to finally work with him on a live-action movie?

    Scarlett Johansson: Well, I got to prepare this with him. He sent me this script and I had many months to talk to him about it and share movies and books and stuff like that, and different vocal stuff. I knew Jason was doing some vocal work too, so I tried to just do some prep work on it and make sure that when we got there, that all the pieces were fitting together. I didn’t get that experience on ‘Isle of Dogs’, so that was fun. The character building part of it was exciting and new for me with Wes, and I loved it. I didn’t have any expectations, but I certainly was surprised I guess, that he was so open to collaborating like that and very open. He didn’t have any particular idea of what this person’s background is, or where they came from, but Wes had great suggestions and it was fun.

    Writer/director Wes Anderson on the set of 'Asteroid City,' a Focus Features release.
    Writer/director Wes Anderson on the set of ‘Asteroid City,’ a Focus Features release. Credit: Courtesy of Roger Do Minh/Pop. 87 Productions/Focus Features

    MF: Finally, Jason, what was it like for you working with Scarlett on this film?

    Jason Schwartzman: Just as the scheduling of it worked out, I was there from the very beginning to the very end. I was even there after Wes left. I have a photo of Wes’ empty hotel room. But I just will say that Scarlett came towards the end of the time there and we were doing these little scenes and I would say that Wes had so much excitement for Scarlett to come and to be there, and just looking forward to her arrival. It was a really great, brand new exciting experience. Then when she did arrive and we started to do these scenes, just the look on his face of being satiated, I guess. He was so truly happy and I could just see how much he’d been waiting and talking about it, and how excited and how much that meant to him.

    Scarlett Johansson in director Wes Anderson's Asteroid City,' a Focus Features release.
    Scarlett Johansson in director Wes Anderson’s Asteroid City,’ a Focus Features release. Credit: Courtesy of Pop. 87 Productions/Focus Features.

    Other Movies Similar to ‘Asteroid City:’

    Buy Tickets: ‘Asteroid City’ Movie Showtimes

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    ‘Asteroid City’ is produced by American Empirical Pictures and Indian Paintbrush. It is set to release in theaters on June 23rd, 2023.

  • Netflix’s ‘The Night Agent’ Interview: Hong Chau

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    Premiering on Netflix beginning March 23rd is the new action thriller series ‘The Night Agent,’ which was created by Shawn Ryan (‘The Shield’) and based on author Matthew Quirk’s novel of the same name.

    What is the plot of ‘The Night Agent?’

    ‘The Night Agent’ follows FBI Agent Peter Sutherland (Gabriel Basso) as he is thrown into a vast conspiracy regarding a mole at the highest levels of the United States government. To save the nation, Peter plunges into a desperate hunt for the traitor, while working with the terrorized ex-CEO Rose Larkin (Luciane Buchanan) and protecting her from the people who murdered her aunt and uncle.

    Who is in the cast of ‘The Night Agent?’

    ‘The Night Agent’ stars Gabriel Basso (‘Super 8’) as Peter Sutherland, Luciane Buchanan (‘Sweet Tooth’) as Rose Larkin, Fola Evans-Akingbola (‘Siren’) as Chelsea Arrington, Sarah Desjardins (‘Riverdale’) as Maddie Redfield, Eve Harlow (‘The Tomorrow Man’) as Ellen, Phoenix Raei (‘Clickbait’) as Dale, Enrique Muciano (‘Dawn of the Planet of the Apes’) as Ben Almora, D.B. Woodside (‘Romeo Must Die’) as Erik Monks, and Oscar nominee Hong Chau (‘The Whale,’ ‘The Menu’) as Diane Farr.

    Moviefone recently had the pleasure of speaking with Hong Chau about her work on ‘The Night Agent,’ the complex plot, her approach to her character, her research, surviving awards season, and how she chooses her projects.

    Hong Chau stars in Netflix's 'The Night Agent.'
    Hong Chau stars in Netflix’s ‘The Night Agent.’

    You can read the full interview below or click on the video player above to watch our interviews with Hong, Gabriel Basso and Luciane Buchanan.

    Moviefone: To begin with, congratulations on your Oscar nomination and surviving awards season.

    Hong Chau: Thank you. It was a really incredible ride. It’s kind of crazy that it’s come to an end and we’re just immediately jumping into something else. It has my head spinning right now.

    MF: At this point in your career, how do you choose the roles and projects that you are involved in?

    HC: I think it’s a combination of people, either directors or showrunners seeing me in something else and just thinking of me for the part in whatever project they have going on. I’ve been really lucky that the people who are interested in me, who approach me, I’m also interested in what they’re doing. It’s been really nice that I haven’t had anything that I thought was too strange or out of my wheelhouse.

    MF: What was it about ‘The Night Agent’ and playing Diane Farr specifically that interested you in this project?

    HC: Well, I had just never done anything in this genre. It’s a political thriller. It’s got a lot of action and I’ve never done anything like that. I’ve never played a figure of authority in the government and it was just a nice opportunity to get to play in that world.

    Hong Chau as Diane Farr in 'The Night Agent.'
    Hong Chau as Diane Farr in ‘The Night Agent.’ Photo: Dan Power/Netflix © 2023.

    Related Article: Full List of 95th Academy Awards Winners

    MF: What kind of research did you do for this series?

    HC: I read the book that the show is based off of. Whatever questions I had about how things would normally be handled and what the proper protocol and demeanor would be, I would just ask the writers who are also on set. Because Shawn Ryan really encourages the writers to also act like producers and to have that on set experience. Everybody that I needed was really there for me to use as a resource.

    MF: Can you talk about the physical transformation you made for this role? Was the character written that way or are those all specific choices that you made for your performance?

    HC: Yes, because I felt like I needed something to help me get into that character. I didn’t feel like I naturally have that sort of life experience and gravitas. I think the character’s written a little bit older than I am in real life. I just wanted to work towards that and have everything in terms of her appearance really back up and support who this woman is in her career and in her life. I did ask for the hair and some glasses just to give her that appearance of somebody who has been really working hard her entire life and who’s just completely devoted to this career. I really enjoyed it. It was a different look for me and I think the producers might have been a little bit scared at first, but we had a wonderful hair department and they were very well versed in wigs. They was able to create something really wonderful for us.

    MF: Finally, can you explain what a Night Agent is in the context of the series?

    HC: Well, there is a phone in the basement of the White House that is manned by a low level government employee. Usually, the phone never rings and the only time it rings is if there’s some trouble. One night, it does ring and it sets off a whole series of events, which hopefully audiences will find really entertaining.

    Hong Chau attends the 'The Night Agent' Los Angeles special screening at Netflix Tudum Theater on March 20, 2023 in Los Angeles, California.
    Hong Chau attends the ‘The Night Agent’ Los Angeles special screening at Netflix Tudum Theater on March 20, 2023 in Los Angeles, California. Photo by Rodin Eckenroth/Getty Images for Netflix.

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  • ‘The Menu’ Blu-ray Event and Cast Interviews

    Arturo Castro, Aimee Carrero, and Mark St. Cyr at 'The Menu' Blu-ray release party at the Blockbuster Pop Up in Hollywood, CA.
    (L to R) Arturo Castro, Aimee Carrero, and Mark St. Cyr at ‘The Menu’ Blu-ray release party at the Blockbuster Pop Up in Hollywood, CA. Photo: Dan Steinberg Photography.

    Searchlight Pictures held an event in Hollywood on January 17th to celebrate the Blu-ray and DVD release of ‘The Menu,’ which features an all-star cast that includes Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, Hong Chau, Judith Light, Janet McTeer, and John Leguizamo.

    The acclaimed movie, which was directed by Mark Mylod, centers around a young couple (Taylor-Joy and Hoult) who travel to a coastal island to eat at an exclusive restaurant where the famed Chef Slowik (Fiennes) has prepared a lavish menu, with some shocking surprises.

    The event was held at a Blockbuster Video Pop Up on Melrose Avenue, and served cocktails inspired by the characters in the film, as well as Chef Slowik’s “To Die For” burger and fries, which were featured prominently at the end of the movie.

    'The Menu' Blu-ray release party at the Blockbuster Pop Up in Hollywood, CA.
    ‘The Menu’ Blu-ray release party at the Blockbuster Pop Up in Hollywood, CA. Photo: Dan Steinberg Photography.
    'The Menu' Blu-ray release party at the Blockbuster Pop Up in Hollywood, CA.
    ‘The Menu’ Blu-ray release party at the Blockbuster Pop Up in Hollywood, CA. Photo: Dan Steinberg Photography.

    In attendance were actors Arturo Castro and Mark St. Cyr, who along with Rob Yang as Bryce, play Soren and Dave, respectively, who are Slowik’s greedy business partners. Also appearing at the event was actress Aimee Carrero, who portrayed Felicity, the assistant to John Leguizamo’s movie star character.

    Moviefone had the pleasure of sitting down with Aimee Carrero, Mark St. Cyr and Arturo Castro at the event to talk about their work on ‘The Menu,’ their characters, the ensemble cast, director Mark Mylod, and if they are surprised by the success of the movie.

    Aimee Carrero at 'The Menu' Blu-ray release party at the Blockbuster Pop Up in Hollywood, CA.
    Aimee Carrero at ‘The Menu’ Blu-ray release party at the Blockbuster Pop Up in Hollywood, CA. Photo: Dan Steinberg Photography.

    Moviefone: To begin with, what was it like for you as actors to be a part of this incredible ensemble cast?

    Aimee Carrero: Well, it was like a play and we shot it in sequence, which is such a gift and so rare. What’s cool about the cast that Mark Mylod put together is all of us come from theater for the most part. So, we’re all used to being together, doing the same thing many times over, and just the stamina that it requires to do the same thing over and over again, not knowing where the camera is and still keeping the energy up, and still keeping it really fresh. So, I was really lucky to have a partner like John Leguizamo and have Judith Light, I mean a theater legend, Ralph Fiennes, another theater legend, and Janet McTeer. I mean, I could go on and on.

    So, it was amazing. The first day I was really intimidated, but then I remember being in my trailer and thinking, okay, the only way you can mess up this job is by feeling intimidated. You got to go in and know you belong here. You can have something to offer the story. So, I gave myself a little pep talk, but nobody made me feel that way. I mean, everybody was just wonderful and so nice. It honestly felt like doing summer stock theater camp or something. It was just so much fun.

    Arturo Castro: Even the days that you didn’t have lines, you had to be there. There was one scene where it’s John Leguizamo and Ralph Fiennes and they’re going at each other, and then the lines end and they start improving with each other. I remember being there. I’m like, I wouldn’t have believed you had you told me that one day I would have front row seats to watch these masters go at it. The movie had a few moments of such gratitude that I felt my chest was going to burst. So yes, it was like theater in that sense, but also just for an audience of twelve, it was wonderful.

    MF: Was Ralph Fiennes intimidating to work with?

    Mark St. Cyr: He takes his craft very seriously. So, when he’s there to work, he is there to work. In a way you end up being very grateful for it because he sets the tone for the whole set. Everybody’s like, “Hey, let’s treat this as a sacred opportunity while we’re here.” Then Ralph is great when he is not on set. He’s very relaxed, very generous and has a lot of fun. But when you’re there, man, he’s locked in.

    Arturo Castro: He’s intimidating in the sense that the man didn’t mess up a line once, not once! One time he went, “I’m going to take that back.” He hadn’t even messed it up. He just took it back one time. I’m like, you can’t set the bar that high Dude. You got pages and pages of dialogue, and we’re fumbling like three lines a piece every five minutes. That was the intimidating part. He just said the bar too high.

    Aimee Carrero: Ralph is an OBE, Order of the British Empire. He’s a theater actor. So, I was expecting someone very formal, and he’s not at all formal, which is really nice because we were all a little buttoned up when he walked in. I mean, we’d met him at a rehearsal and a lunch and stuff, but everybody’s like, there’s Ralph Fiennes.

    But he was so approachable. He was so funny. He just is a curious person and wants to know about your life. So, he’ll be like, “So tell me about your husband. How did you meet your husband?” I’m like, “Really? You want to know this? You’re Ralph Fiennes, don’t you have other things to talk about?” But I think that’s what makes him a great actor, he’s really interested in people and asks people things. So, he was just a joy.

    Arturo Castro and Mark St. Cyr at 'The Menu' Blu-ray release party at the Blockbuster Pop Up in Hollywood, CA.
    (L to R) Arturo Castro and Mark St. Cyr at ‘The Menu’ Blu-ray release party at the Blockbuster Pop Up in Hollywood, CA. Photo: Dan Steinberg Photography.

    MF: Arturo and Mark, once you were cast, how quickly did you guys get to meet Rob Yang and figure out the dynamics of your three characters?

    Arturo Castro: I didn’t meet these guys till I went down to Savannah. But the first day we met, we sat around discussing the script and me, Mark and Rob went out to drink. That was the dynamic, and then we started kicking it from there. We just rode the wave.

    Mark St. Cyr: I met Arturo, but I didn’t know who the third Tech bro was at that time. Rob wasn’t there, so we weren’t complete until we did the table read.

    MF: Can you talk about the challenge of humanizing these otherwise despicable characters?

    Arturo Castro: We all know people like this, and I think there’s more than the two-dimensional factor of it. I think for me it was about people that have made something of themselves, but they come at it from a resentment point of view. Like, “Now I’m on top, so I get to be the guy and you get to feel bad because I’m on top.” These are people that have felt belittled for one reason or another, or that they had imposter syndrome and they are overcompensating on the other end. That’s how I humanize them.

    Mark St. Cyr: I think that’s interesting, what you just said about how they feel like they’re on top now. Maybe they were on the bottom before because that table is all minorities, which I thought was interesting as they very easily could have cast all the tech bros as white. So in a way, you kind of get to watch the entitlement attitude that comes with having a ridiculous amount of money at your disposal. I think there are a lot of men that just prioritize money above all else. Money is important, but above all else can do some weird things to you.

    John Leguizamo in 'The Menu.'
    John Leguizamo in ‘The Menu.’ Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.

    MF: Aimee, John Leguizamo has publicly said that he based his “movie star” character on Steven Seagal, who he had an unpleasant experience working with on 1996’s ‘Executive Decision.’ Did you know that was where he was pulling his inspiration for the character from when you were filming?

    Aimee Carrero: No. In fact, I thought he was going for a Johnny Depp thing because of the scarf, because he had that little scarf on. But he actually said that during our press junket in November when the movie was going to come out. I remember him being coy about not saying who it was, and finally half way through the junket, he was like, “Honestly, it was based on Steven Seagal.” He just said it. I was like, oh my God.

    But no, in fact, I thought he played the movie star with a lot of heart. I actually felt bad for him at times. So, maybe that was his detached, delusions of grandeur kind of thing definitely coming through. But yeah, it’s funny because whenever actors are portrayed in film, it’s always so over the top and kooky. But he chose the route of, this could be an actor or it could just be a guy who’s really full of himself and no one’s ever said no to him.

    MF: Aimee, without giving anything away, I felt that both Felicity and Anne, played by Judith Light, did not deserve the outcomes they received. Do you agree with that, or do you think they got what they deserved?

    Aimee Carrero: Well, it’s funny because Judith and I talked about that. We talked about the idea of if you’re not making the problem better, then you’re making it worse. I think maybe out of all the people in the restaurant, they deserve to die the least. I don’t think that they were as bad as the other ones. But I think in Felicity’s case, because her mother ran a big studio, she got a job there, she was stealing money, she had no student loans.

    I think part of it too, from the writer’s perspective, there has to be a catharsis that the audience feels when they’re having to pay their student loan every month, to watch someone who didn’t have to suffer that meet their end, in a funny way, it has to be cathartic. But I don’t think she was as bad as the other ones. But it does spark a question in my mind, is it okay to just not be that bad or do we have to be good?

    Arturo Castro and Mark St. Cyr at 'The Menu' Blu-ray release party at the Blockbuster Pop Up in Hollywood, CA.
    (L to R) Arturo Castro and Mark St. Cyr at ‘The Menu’ Blu-ray release party at the Blockbuster Pop Up in Hollywood, CA. Photo: Dan Steinberg Photography.

    MF: Finally, what was your experience like working with director Mark Mylod on this project, and were you surprised by the success of the film?

    Arturo Castro: We were just talking about it and we feel like it comes in waves. When it came out in theaters, then it came out on HBO Max, and now that it’s on Blu-ray and DVD, so we’re just incredibly grateful. If I may say about Mark Mylod, every morning he would get to set, he would have a team meeting and he would have such humor and grace to what we were going to do for the day. He just set the tone really early in the morning for what the day was going to be. It helped tremendously for morale. So, now that people actually like it, it’s just incredible.

    Mark St. Cyr: I would say about Mark, to me, he’s the most incredible director I’ve worked with, and I don’t say that to flatter him. But one of the things that really stood out for me was that he learned the name of every background artist we had and he called them by name. There were takes where they had an important storytelling moment, whether it was crossing or they had to do something. He would check in with them by name and be like, was that good for you as well?

    I’ve never seen that on any set that I’ve ever been on. He really invited creative collaboration and there were times when the background artist would let him know, “Hey, there was this thing that didn’t go according to the plan, just want you to be aware of it.” It made the project better because everybody felt like they had a sense of contribution and ownership.

    Aimee Carrero: He’s a dream come true. So, I knew his work. I’d never met him, but I watched all of ‘Succession,’ even before I knew I was auditioning for this. So, I’d seen that and lot of the ‘Game of Thrones’ he directed. What I didn’t know about Mark was that he started in comedy, so he did a lot of comedy before he moved into that prestige TV. That was really cool because I knew from jump that it was important to him to bring out the levity in the movie, which is a dark, black comedy. But he was amazing because I think he also was really honest. Being a TV director helps you just be like, “I’m not going to beat around the bush, this is what I need,” which is so helpful.

    But also aside from that, he’s a deeply talented person, and he kept the set super light and just really supportive. So we’d get the takes as written, and then he’d always give us a freebie take. So we’d improvise, and a lot of the improv made it in. That whole bit with John and I, when he was like, “I gave you a bad recommendation to Sony.” And I said, “I know, you CC’d me on it.” That was improv. So, they kept a lot of that, which is so cool. Sometimes you don’t have the space to do that, especially if you’re on a tight budget. This was not a huge movie as far as budget goes, so time is money and he would always take the time to make sure that everybody got to do what they felt good about.

    What I’m surprised by is how many people were interested in seeing it. We obviously knew we were in a dark comedy, but you’ve got to play it for real. For some reason I thought we were making this art house thing. But people were so excited to see this movie. What surprised me more than the theatrical release was when it hit the streamers. There were all these people that maybe didn’t feel comfortable going to the movie yet because of COVID, or maybe have young children. So, many people saw it on streaming, and I’ve seen more of that now than when it was in the theater. So, that was really cool.

    Listen, it’s always a surprise when anything you do, people like. I’ve done a lot of clunkers, so it’s amazing anytime you get it in a movie and then you like the movie, and then people like the movie and you have a good time, that’s lightning in a bottle.

    Arturo Castro, Mark St. Cyr and Aimee Carrero at 'The Menu' Blu-ray release party at the Blockbuster Pop Up in Hollywood, CA.
    (L to R) Arturo Castro, Mark St. Cyr and Aimee Carrero at ‘The Menu’ Blu-ray release party at the Blockbuster Pop Up in Hollywood, CA. Photo: Dan Steinberg Photography.
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  • Movie Review: ‘The Menu’

    The cast of 'The Menu.'
    The cast of ‘The Menu.’ Photo by Eric Zachanowich. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.

    The new dark comedy ‘The Menu,’ which was directed by Mark Mylod (‘What’s Your Number?’), opens in theaters on November 18th. Produced by Adam McKay (‘Vice’) and Will Ferrell (‘Spirited’), the film takes an exaggerated look at celebrity chefs and “Foodie culture” and in doing so, serves up one of the best movies of the year!

    The story follows Margot (Anya Taylor-Joy) and Tyler (Nicholas Hoult), a young couple that travels to a private island to experience celebrity chef Julian Slowik’s (Ralph Fiennes) acclaimed restaurant, Hawthorne. The restaurant specializes in molecular gastronomy, with everything grown on the island, and treating the food more like conceptual art.

    Other guests at the dinner include food critic Lillian Bloom (Janet McTeer), her editor Ted (Paul Adelstein), a wealthy couple (Reed Birney and Judith Light), a movie star (John Leguizamo) and his assistant (Amiee Carrero), and three “Wall Street-type” investors (Arturo Castro, Mark St. Cyr, and Rob Yang). But the dinner soon takes a terrible turn when the guests realize that they were all invited for a nefarious reason, and that Chef Slowik plans to take make an example out of all of them.

    Judith Light, Reed Birney, Paul Adelstein, Janet McTeer, Anya Taylor-Joy, Nicholas Hoult, John Leguizamo, Aimee Carrero, Rob Yang, Arturo Castro, and Mark St. Cyr in the film 'The Menu.'
    (L to R): Judith Light, Reed Birney, Paul Adelstein, Janet McTeer, Anya Taylor-Joy, Nicholas Hoult, John Leguizamo, Aimee Carrero, Rob Yang, Arturo Castro, and Mark St. Cyr in the film ‘The Menu.’ Photo by Eric Zachanowich. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.

    While not a mystery per se, ‘The Menu’ reminded me a lot of ‘Knives Out,’ which is ironic since that sequel is being released next month on Netflix. But instead of being a “Whodunit” it’s more of a “how will it be done” type of story since we know from the beginning that something is not right about this island restaurant and Chef Slowik’s intentions. The tone of the film is dark, but it is also quite funny, with the humor coming out of the awkwardness of the social situation the characters are in.

    The film also has a lot to say about class, wealth, and the social media enhanced celebrity worshiping world we all find ourselves now living in. While the lead characters have names, you will notice many of the other characters are only known by their titles like Leguizamo’s “Movie Star” character. I would imagine this was done on purpose by the writers to establish the idea that what they represent is more important than who they really are.

    Originally set to be directed by Alexander Payne (‘Sideways’), Mark Mylod ended up making the film and it’s by far the best of his career, making him a director that I would keep my eye on. He balances the different tones of the film masterfully, and moves the camera around the restaurant and kitchen with ease, as if we were actually there, adding to the mystic of the film. The set design is also impressive, with a fantastic modern tone and colors popping off the well shot and gorgeous looking food.

    However, it’s the characters and performances that really make the movie worth watching. The supporting cast is excellent, even in their somewhat limited roles. John Leguizamo perfectly captures the insecurities of a falling movie star, while Aimee Carrero pulls a lot of sympathy as his assistant, Felicity. Arturo Castro, Mark St. Cyr and Rob Yang also portray their “Wall Street Bros” characters well and add to the drama of the film. Veteran actress Judith Light (‘Who’s the Boss?’) also shines as a wealthy wife just realizing that her husband is a cheat.

    Janet McTeer, Nicholas Hoult, Anya Taylor-Joy, and Paul Adelstein in the film 'The Menu.'
    (L to R): Janet McTeer, Nicholas Hoult, Anya Taylor-Joy, and Paul Adelstein in the film ‘The Menu.’ Photo Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.

    But of the dinner guests, Janet McTeer is absolutely unforgettable as food critic Lilian Bloom, and deserves Oscar consideration for Best Supporting Actress. McTeer brings just the right mix of upper-class snootiness and superiority to the role. Veteran actor Paul Adelstein (‘Prison Break’) is very funny as Bloom’s editor and yes-man, Ted. Actress Hong Chau from ‘Downsizing’ also gives an Oscar-worthy performance as Slowik’s bossy assistant Elsa, who will do anything to please the Chef.

    Nicholas Hoult’s role as Tyler is the weakest spot for me, but I don’t think it was the actor’s fault. The character is not as well written as the others and struggles at times to stay as interesting as the other characters in the scene. But ultimately the character is revealed to be not as nice as he seems, and the actor does his best to layer that throughout his performance.

    In the end, it’s Anya Taylor-Joy and Ralph Fiennes performances that make the film work, and the exploration of their characters’ interesting relationship. Taylor-Joy gives one of her best performances to date as the over-her-head Margot, who’s only chance at survival is to show the Chef her authentic self.

    Fiennes is absolutely commanding in the role and carries the movie’s dark comedic tones and pacing with ease. While his actions could easily be labeled “crazy,” the actor is almost able to convince the audience that the Chef is in the right, which is quite impressive given his motivation and actions. Fiennes also has great chemistry with Taylor-Joy, and the connection between the two characters really resonates.

    Anya Taylor-Joy and Ralph Fiennes in the film 'The Menu.'
    (L to R) Anya Taylor-Joy and Ralph Fiennes in the film ‘The Menu.’ Photo by Eric Zachanowich. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.

    Without giving anything away, I did have an issue with how the film ended up treating a few characters that I felt didn’t completely deserve their outcome, namely Light and Carrero’s characters, who seemed more like ignorant accomplices than the actual “terrible” people Slowik wants to punish. Yet it seems like that was the point, that someone can be held responsible for someone else’s actions just by being complicit themselves.

    In the end, ‘The Menu’ is a fun and fascinating movie that explores class, wealth, and the strange social media and celebrity driven society that we all live in. With stunning directorial work from Mylod, and excellent performances from Fiennes, Taylor-Joy, and the supporting cast, ‘The Menu’ should have a good shot at several nominations this coming awards season.

    Ralph Fiennes in 'The Menu.'
    Ralph Fiennes in ‘The Menu.’ Photo by Eric Zachanowich. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.

    ‘The Menu’ receives 4.5 out of 5 stars.

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