Tag: heath-ledger

  • New ‘10 Things I Hate About You’ Movies Planned

    (L to R) Heath Ledger and Julia Stiles in '10 Things I Hate About You'. Photo: Touchstone Pictures.
    (L to R) Heath Ledger and Julia Stiles in ’10 Things I Hate About You’. Photo: Touchstone Pictures.

    Preview

    • A new trilogy of movies spun off from ‘10 Things I Hate About You’ is planned.
    • Director Gil Junger is behind the new development.
    • The 1999 original starred Julia Stiles and Heath Ledger.

    It might not have run with the popular crowd at the box office, but fizzy, witty comedy ‘10 Things I Hate About You’ certainly made an impact in the popular culture, riding a wave of Shakespeare-to-modern times adaptations (see also: ‘Clueless’) and helping to boost the careers of stars Julia Stiles and Heath Ledger, who both brought considerable charisma to the roles of unlikely high school sweethearts.

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    There have been some minor developments since the original (more on that lower down the page), but if original director Gil Junger has his way, there could be much bigger ideas on the horizon. He’s working with original producer Andrew Lazar to develop a new movie called ’10 Things I Hate About Dating’ based on the original that could launch a potential trilogy.

    Junger had this to say to People about the new film:

    “‘ 10 Things I Hate About Dating’ is definitively in the works as a feature film. We’re developing it right now. We have some pretty good ideas.”

    If all goes to plan, Junger, Junger — who is currently co-writing the script with Naya Elle James — plans to make it the first in a trilogy, with two more subsequent installments titled ‘10 Things I Hate About Marriage’ and ‘10 Things I Hate About Kids.’

    There’s no specific word yet on how closely the movie would link to the original, but it appears Junger has plans for cast cameos from the first film:

    “If it resonates with the original cast and I can have some cameos or even real parts, I’d love that. I’d love Larry Miller to come back because he’s so great.”

    And while the original had Shakespearian DNA, the new movie is inspired by Molière’s 1666 play ‘The Misanthrope.’

    Related Article: 50 Best Romantic Comedy Movies of All Time

    What’s the story of ‘ 10 Things I Hate About You?

    Julia Stiles in '10 Things I Hate About You'. Photo: Touchstone Pictures.
    Julia Stiles in ’10 Things I Hate About You’. Photo: Touchstone Pictures.

    The 1999 teen comedy, based on William Shakespeare’s spiky romantic comedy play ‘The Taming of the Shrew,’ follows teen Kat Stratford (Stiles), a high-achieving, sharp-tongued loner who is constantly compared to her perky, popular younger sister Bianca (Larisa Oleynik) by their overprotective single dad, Walter (Miller).

    But Kat’s world is soon turned upside down by Patrick Verona (Ledger), an edgy new student who changes her life.

    Karen McCullah and Kirsten Smith wrote the script, with plenty of nods to the Bard, and the cast also included Joseph Gordon-Levitt, Allison Janney, Andrew Keegan, Gabrielle Union, David Krumholtz and more, with Gordon-Levitt playing Cameron, who longs to date Bianca, but can’t get past the parental rule.

    Until, that is, he hatches a plan with Patrick to sweep Kat off her feet –– no easy task.

    While the movie, made for $30 million, only ended up with $53 million at the worldwide box office, it still sparked a healthy fanbase.

    Here’s what Junger told People about appreciating the movie following a 25th anniversary screening:

    “I thought, ‘God, I was so on my game.’ I remembered exactly where I was standing, what notes I gave there and what I did. And then I look out to the audience during my Q&A, and my 22-year-old and my 19-year-old were sitting in the front row with their dates. And they weren’t born when the movie came out. They weren’t even a thought.”

    What else has spun off from ’10 Things I Hate About You’?

    (L to R) Heath Ledger and Julia Stiles in '10 Things I Hate About You'. Photo: Touchstone Pictures.
    (L to R) Heath Ledger and Julia Stiles in ’10 Things I Hate About You’. Photo: Touchstone Pictures.

    There have been follow-ups since the original movie. A ’10 Things’ TV series landed on ABC Family in 2009, featuring little of the original cast save Larry Miller, and seeing Kat and Bianca navigating other high school challenges. It only lasted one season.

    Even now, as has been the case for a variety of movies, a Broadway musical is in development with musician Carly Rae Jepsen co-writing the score with Ethan Gruska, and filmmaker/ ‘Girls’ creator/star Lena Dunham working on the book with playwright Jessica Huang.

    Jepson took to Instagram recently to enthuse about working on the stage show:

     

    View this post on Instagram

     

    A post shared by Carly Rae Jepsen (@carlyraejepsen)

     

    Junger himself has had sequel ideas before now, admitting that he offered Ledger a role in a follow-up he was developing shortly after the original movie called ‘10 Things I Hate About Me.’

    He’s confident that any new movie would feature a nod to the star, who died in 2008 aged 28:

    “I think that’s a beautiful idea, and the answer is now going to be yes. He deserves to be loved.”

    When might we see the first new ‘10 Things I Hate About You’ movie?

    There’s the rub right now –– since the movies are only in development, we’ll have to wait and see if it makes it to the greenlight stage.

    But given rights holders Disney’s love for classic IP it can exploit (see: the TV version, the musical, etc.), we’d say this could be more than love’s labour’s lost.

    Heath Ledger in '10 Things I Hate About You'. Photo: Touchstone Pictures.
    Heath Ledger in ’10 Things I Hate About You’. Photo: Touchstone Pictures.

    Julia Stiles Movies and TV Shows:

    Buy ’10 Things I Hate About You’ On Amazon

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  • Every Live-Action Joker Film and TV Appearance, Ranked

    Joaquin Phoenix in Director Todd Phillips' ‘Joker: Folie à Deux.'
    Joaquin Phoenix in Director Todd Phillips’ ‘Joker: Folie à Deux.’ Photo courtesy of Todd Phillips’ Instagram account.

    While the sequel to 2019’s Oscar-winning ‘Joker‘, ‘Joker: Folie à Deux‘ failed to score with audiences at the box office, there is no denying that the DC Comics character is one of the most popular villains in pop culture history.

    The character’s first live-action appearance was in the 1966 TV series ‘The Batman‘, played by Cesar Romero, who would go on to reprise the role in the 1966 movie based on the series. Legendary actor Jack Nicholson would take over the role for a new generation in Tim Burton‘s ‘Batman‘, eventually followed by Heath Ledger in ‘The Dark Knight‘, Jared Leto in the DCEU movies, Cameron Monaghan on the TV series ‘Gotham‘, and Joaquin Phoenix in ‘Joker’ and its follow up.

    Ledger and Phoenix would both go on to receive Academy Awards for their performances, making both of them the only actors in history to win Oscars for playing a comic book character, and Joker the only character to ever receive that an honor.

    With ‘Joker: Folie à Deux’ currently in theaters, Moviefone is counting down every live-action Joker appearance ever, on both TV and film, including the latest.

    Let’s begin!


    11. ‘Suicide Squad‘ (2016)

    (L to R) Margot Robbie as Harley Quinn and Jared Leto as The Joker in 'Suicide Squad'. Photo: Warner Bros.
    (L to R) Margot Robbie as Harley Quinn and Jared Leto as The Joker in ‘Suicide Squad’. Photo: Warner Bros.

    From DC Comics comes the ‘Suicide Squad’, an antihero team of incarcerated supervillains who act as deniable assets for the United States government, undertaking high-risk black ops missions in exchange for commuted prison sentences.

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    10. ‘Joker: Folie à Deux‘ (2024)

    (L to R) Brendan Gleeson as Jackie Sullivan and Joaquin Phoenix as Arthur Fleck in Warner Bros. Pictures’ 'Joker: Folie à Deux,' a Warner Bros. Pictures release. Photo Credit: Scott Garfield/™ & © DC Comics. Copyright: © 2024 Warner Bros. Ent. All Rights Reserved. TM & © DC.
    (L to R) Brendan Gleeson as Jackie Sullivan and Joaquin Phoenix as Arthur Fleck in Warner Bros. Pictures’ ‘Joker: Folie à Deux,’ a Warner Bros. Pictures release. Photo Credit: Scott Garfield/™ & © DC Comics. Copyright: © 2024 Warner Bros. Ent. All Rights Reserved. TM & © DC.

    While struggling with his dual identity, Arthur Fleck (Joaquin Phoenix) not only stumbles upon true love, but also finds the music that’s always been inside him.

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    9. ‘The Batman‘ (2022)

    Barry Keoghan as the Joker in 'The Batman'. Photo: Warner Bros.
    Barry Keoghan as the Joker in ‘The Batman’. Photo: Warner Bros.

    From Warner Bros. Pictures comes Matt Reeves‘ ‘The Batman’, starring Robert Pattinson in the dual role of Gotham City’s vigilante detective and his alter ego, reclusive billionaire Bruce Wayne.

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    8. ‘Batman‘ (1966)

    (L to R) Lee Meriwether as The Catwoman, Frank Gorshin as The Riddler, Burgess Meredith as The Penguin and Cesar Romero as the Joker in the 1966 movie 'Batman'. Photo: 20th Century-Fox.
    (L to R) Lee Meriwether as The Catwoman, Frank Gorshin as The Riddler, Burgess Meredith as The Penguin and Cesar Romero as the Joker in the 1966 movie ‘Batman’. Photo: 20th Century-Fox.

    The Dynamic Duo (Adam West and Burt Ward) faces four super-villains (Cesar Romero, Burgess Meredith, Frank Gorshin and Lee Meriwether) who plan to hold the world for ransom with the help of a secret invention that instantly dehydrates people.

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    7. ‘The People’s Joker‘ (2024)

    Vera Drew in 'The People's Joker'. Photo: Altered Innocence.
    Vera Drew in ‘The People’s Joker’. Photo: Altered Innocence.

    An aspiring clown (Vera Drew) grappling with her gender identity combats a fascistic caped crusader.

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    6. ‘Gotham‘ (2014 – 2019)

    Cameron Monaghan as "J" in 'Gotham'. Photo: Warner Bros. Television.
    Cameron Monaghan as “J” in ‘Gotham’. Photo: Warner Bros. Television.

    Everyone knows the name Commissioner Gordon (Ben McKenzie). He is one of the crime world’s greatest foes, a man whose reputation is synonymous with law and order. But what is known of Gordon’s story and his rise from rookie detective to Police Commissioner? What did it take to navigate the multiple layers of corruption that secretly ruled Gotham City, the spawning ground of the world’s most iconic villains? And what circumstances created them – the larger-than-life personas who would become Catwoman (Camren Bicondova), The Penguin (Robin Lord Taylor), The Riddler (Cory Michael Smith), Two-Face (Nicholas D’Agosta) and The Joker (Cameron Monaghan)?

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    5. ‘Zack Snyder’s Justice League‘ (2021)

    Jared Leto as Joker in 'Zack Snyder's Justice League'. Photo: Max.
    Jared Leto as Joker in ‘Zack Snyder’s Justice League’. Photo: Max.

    Determined to ensure Superman’s (Henry Cavill) ultimate sacrifice was not in vain, Bruce Wayne (Ben Affleck) aligns forces with Diana Prince (Gal Gadot) with plans to recruit a team of metahumans to protect the world from an approaching threat of catastrophic proportions. The task proves more difficult than Bruce imagined, as each of the recruits must face the demons of their own pasts to transcend that which has held them back, allowing them to come together, finally forming an unprecedented league of heroes. Now united, Batman (Affleck), Wonder Woman (Gadot), Aquaman (Jason Momoa), Cyborg (Ray Fisher), and The Flash (Ezra Miller) may be too late to save the planet from Steppenwolf (Ciarán Hinds), DeSaad (Peter Guinness), and Darkseid (Ray Porter) and their dreadful intentions.

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    4. ‘Batman‘ (1966 – 1968)

    Cesar Romero as the Joker on the 1966 TV series 'Batman'. Photo: 20th Century-Fox Television.
    Cesar Romero as the Joker on the 1966 TV series ‘Batman’. Photo: 20th Century-Fox Television.

    Wealthy entrepreneur Bruce Wayne (Adam West) and his ward Dick Grayson (Burt Ward) lead a double life: they are actually crime fighting duo Batman and Robin. A secret Batpole in the Wayne mansion leads to the Batcave, where Police Commissioner Gordon (Neil Hamilton) often calls with the latest emergency threatening Gotham City. Racing to the scene of the crime in the Batmobile, Batman and Robin must (with the help of their trusty Bat-utility-belt) thwart the efforts of a variety of master criminals, including The Riddler (Frank Gorshin), The Joker (Cesar Romero), Catwoman (Julie Newmar), and The Penguin (Burgess Meredith).

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    3. ‘Joker‘ (2019)

    Joaquin Phoenix as Arthur Fleck/Joker in 'Joker'. Photo: Warner Bros.
    Joaquin Phoenix as Arthur Fleck/Joker in ‘Joker’. Photo: Warner Bros.

    During the 1980s, a failed stand-up comedian (Joaquin Phoenix) is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure.

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    2. ‘Batman‘ (1989)

    Jack Nicolson as the Joker in 1989's 'Batman'. Photo: Warner Bros.
    Jack Nicolson as the Joker in 1989’s ‘Batman’. Photo: Warner Bros.

    Batman (Michael Keaton) must face his most ruthless nemesis when a deformed madman calling himself “The Joker” (Jack Nicholson) seizes control of Gotham’s criminal underworld.

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    1. ‘The Dark Knight‘ (2008)

    Heath Ledger as the Joker in 'The Dark Knight'. Photo: Warner Bros.
    Heath Ledger as the Joker in ‘The Dark Knight’. Photo: Warner Bros.

    Batman (Christian Bale) raises the stakes in his war on crime. With the help of Lt. Jim Gordon (Gary Oldman) and District Attorney Harvey Dent (Aaron Eckhart), Batman sets out to dismantle the remaining criminal organizations that plague the streets. The partnership proves to be effective, but they soon find themselves prey to a reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as the Joker (Heath Ledger).

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  • Movie References in The Weeknd’s After Hours You Never Noticed

    Movie References in The Weeknd’s After Hours You Never Noticed

    Since the November 2019 release of the music video “Heartless,” The Weeknd, real name Abel Tesfaye a noted cinephile who has cited David Lynch, David Cronenberg, Stanley Kubrick and Martin Scorsese as inspirations in the past, has crafted a deep cinematic narrative throughout the video elements of his fourth album After Hours. Along with the lyrical and visual narratives of the album itself, which tracks a man dubbed The Weeknd through a bad break-up, a hard look at his hedonistic lifestyle, and in the end some wistful wisdom as he starts to maybe group up a bit, the videos and live appearances to promote the album are also chock full of cinematic references. Take the title itself: After Hours evokes late night clubs, but from a cinematic point of view it immediately brings up visions of Martin Scorsese’s 1985 cult classic of the same name about a word processor named Paul who takes a late night trip to SoHo in New York City and can’t seem to ever get himself back home.

    "Blinding Lights" (left) and 'After Hours' (right)
    “Blinding Lights” (left) and ‘After Hours’ (right)

    Much like Paul, the videos find a man dubbed The Character (played of course by The Weeknd) in an endless journey through the darker parts of himself – and through a myriad of film references.

    “HEARTLESS”

    "Heartless" (left) and 'Casino' (right)
    “Heartless” (left) and ‘Casino’ (right)

    The Weeknd debuted his now signature red suit in the video for “Heartless,” directed by Anton Tammi, which itself is a reference to a suit worn by Robert De Niro in Scorsese’s 1995 film ‘Casino’. The video, shot in Las Vegas, features The Character and a friend (played by Metro Boomin) as they gallivant around Sin City, stumbling in a drug-induced haze like Johnny Depp and Benicio del Toro in Terry Gilliam’s 1998 adaptation of Hunter S. Thompson’s 1971 novel Fear and Loathing in Las Vegas. He even worked this stumble into his performance at the Super Bowl LV Halftime Show.

    “BLINDING LIGHTS”

    "Blinding Lights" (left) and 'Blade Runner' (right)
    “Blinding Lights” (left) and ‘Blade Runner’ (right)

    The video for his next single “Blinding Lights,” also directed by Tammi, there are even more film references. We see The Character steal a car and head back to Los Angeles, where, among other things, he dances in the 2nd Street Tunnel. This landmark of Los Angeles has been featured in countless films, including Ridley Scott’s 1982 film ‘Blade Runner.’ An adaptation of the novel Do Androids Dream of Electric Sheep? by Philip K. Dick (side note: the author is also referenced in the lyrics of “Snow Child,” with the line “give her Phillip K Dick”), the film is set in Los Angeles in November 2019 – the same month the video was released – and references to it will show up in a later video.

    "Blinding Lights" (left) and 'The Dark Knight' (right)
    “Blinding Lights” (left) and ‘The Dark Knight’ (right)

    Much has been made of The Weeknd’s dancing throughout the promotion of After Hours being reminiscent of Joaquin Phoenix in ‘Joker,’ but in fact these videos are peppered with references to many cinematic Jokers, including the moment in Christopher Nolan’s ‘The Dark Knight,’ where Heath Ledger gleefully hangs his head outside a stolen police car he’s driving.

    "Blinding Lights" (left) and 'Blue Velvet' (right)
    “Blinding Lights” (left) and ‘Blue Velvet’ (right)

    Much of the vibe throughout the music videos and live performances for After Hours have a Lynchian feel to them and in “Blinding Lights,” there is a direct reference to David Lynch’s ‘Blue Velvet,’ where Dennis Hopper’s psychopath Frank Booth watches tormented torch singer Dorothy Vallens (Isabella Rossellini) croon the titular song. In “Blinding Lights,” The Character is mesmerized by the musical stylings of an unnamed singer played by Miki Hamano, whose voice literally lifts him off the ground.

    "Blinding Lights" (left) and 'Twin Peaks' (right)
    “Blinding Lights” (left) and ‘Twin Peaks’ (right)

    We even get another hint of the Red Room from ‘Twin Peaks;’ in fact much of the eerie instrumental music that accompanies The Weeknd in the moments between videos and throughout the ‘After Hours’ short film have an Angelo Badalamenti vibe to them.

    "Blinding Lights" (left) and 'Joker' (right)
    “Blinding Lights” (left) and ‘Joker’ (right)

    Perhaps the most obvious reference in the video is his dancing, sometimes in the 2nd Street Tunnel, sometimes elsewhere throughout downtown Los Angeles, appears to be directly lifted from Joaquin Phoenix’s Joker as he dances to Gary Glitter’s “Rock and Roll Part 2” as he makes his way to make his late night debut in Todd Phillips’ ‘Joker.’

    AFTER HOURS short film

    'After Hours' (left) and 'The King of Comedy' (right)
    ‘After Hours’ (left) and ‘The King of Comedy’ (right)

    The After Hours short film, again directed by Tammi, takes place shortly after The Weeknd’s performance of “Blinding Lights” on Jimmy Kimmel Live!. The video begins as his set ends, The Character grinning like Rupert Pupkin at the end of Martin Scorese’s ‘The King of Comedy’ – itself a huge influence of Todd Phillips’s ‘Joker.’

    'After Hours' (left) and 'Jacob's Ladder' (right)
    ‘After Hours’ (left) and ‘Jacob’s Ladder’ (right)

    Tesfaye has stated influences on the short film also include Adrian Lyne’s psychological horror film ‘Jacob’s Ladder,’ which includes a scene where Tim Robbins is menaced by unknown forces in an empty subway station, Roman Polanki’s ‘Chinatown’ (the bandage on his nose), Claire Deni’s ‘Trouble Every Day,’ Andrzej Żuławski’s Possession, and Brian De Palma’s ‘Dressed to Kill.’

    “IN YOUR EYES”

    "In Your Eyes" (left) and 'Dial M for Murder' (right)
    “In Your Eyes” (left) and ‘Dial M for Murder’ (right)

    The video with possibly the most film references is “In Your Eyes,” in which The Character wordlessly stalks a young blonde woman à la Michael Myers in John Carpenter’s ‘Halloween.’ The horror movie infused video has nods to everything from Wes Craven’s ‘Scream’ to Dario Argento’s Suspiria to Alfred Hitchcock. At one point the woman takes refuge in a phone booth – à la ‘The Birds’ – and dials for help. Tammi, uses an ultra close-up of the keys, an homage to ‘Dial M For Murder,’ in which Hitchcock blonde Grace Kelly’s husband Ray Milland has hired someone to murder her.

    "In Your Eyes" (left) and 'The Terminator' (right)
    “In Your Eyes” (left) and ‘The Terminator’ (right)

    The woman then flees to a club titled After Hours – which uses the exact same lightbulb font as the Tech Noir club in James Cameron’s ‘Terminator,’ an idea that came early in the creative ideation for the video.

    “TOO LATE”

    "Too Late" (left) and 'The Neon Demon' (right)
    “Too Late” (left) and ‘The Neon Demon’ (right)

    The horror vibes continue in the video for “Too Late”, directed by Cliqua. After being decapitated at the end of the previous video, The Character’s head is found by two models on the side of the road. The world they inhabit feels akin to Nicholas Winding Refn’s psychological horror film ‘The Neon Demon,’ where the Los Angeles modeling scene is depicted as so bleak the models are literally eating each other alive. Tesfaye is a noted friend of director Refn.

    "Too Late" (left) and 'American Psycho' (right)
    “Too Late” (left) and ‘American Psycho’ (right)

    When the two discover that the head belongs to The Weeknd, they concoct a nefarious plan to bring him back to life. Laying newspapers on their floor and donning clear plastic rain gear à la Mary Harron’s adaption of Bret Easton Ellis’s yuppie black comedy American Psycho, the girls lure an unsuspecting male stripper (Ken XY) to their home in order to murder him and place The Character’s head on his body. Spooky.

    “SAVE YOUR TEARS”

    "Save Your Tears" (left) and 'Eyes Wide Shut' (right)
    “Save Your Tears” (left) and ‘Eyes Wide Shut’ (right)

    In the most recent video, “Save Your Tears” again directed by Cliqua, The Character is now performing for a masked crowd straight out of Stanley Kubrick’s ‘Eyes Wide Shut.’ After appearing at the American Music Awards with a fully bandaged face like the models, his face has now clearly been marred by plastic surgery (looking quite a bit like Jocelyn Wildenstein aka the Tiger Woman of NYC).

    "Save Your Tears" (left) and 'Batman' (right)
    “Save Your Tears” (left) and ‘Batman’ (right)

    As the video ends, there is one last Joker reference – this time with Jack Nicholson’s iteration. In the climax of Tim Burton’s ‘Batman,’ he pulls a gun on himself after forcing Vicki Vale (Kim Basigner) to dance with him. Like Nicholson’s Joker, when he pulls the trigger there’s no bullet; The Character’s gun shoots confetti, just like the Joker’s gun pops out a flag.

    Since these are just a few of the many references found throughout the music videos for After Hours (and in fact most of his music videos going back a decade), it’s only a matter of time before The Weeknd makes a feature film himself, or at least drops a link to his Letterboxd profile.

  • 12 Things You Never Knew About ’10 Things I Hate About You’ on its 20th Anniversary

    12 Things You Never Knew About ’10 Things I Hate About You’ on its 20th Anniversary

    Buena Vista

    Apparently the easiest way to make Shakespeare accessible to modern teens is to re-imagine his iconic stories as movies about high school romance. That’s the takeaway from “10 Things I Hate About You,” a rom-com that’s stayed fresh and relevant even after 20 years. Celebrate that anniversary with a few interesting factoids you might not have known.

    1. “10 Things I Hate About You” is a modernized retelling of Shakespeare’s “The Taming of the Shrew,” a play that follows the difficult courtship between main characters Petruchio and Katherina.

    2. Joseph Gordon-Levitt‘s character Cameron actually quotes a line from “The Taming of the Shrew” when he says “I burn, I pine, I perish!”

    Buena Vista

    3. The film was shot entirely on location in Tacoma and Seattle, Washington, with the real-life Stadium High School in Tacoma being transformed into Padua High School.

    4. Heath Ledger‘s fellow teen heartthrobs Josh Hartnett and Ashton Kutcher also tried out for the role of Patrick.

    Casey-Werner Distribution

    5. There’s a strange trend of actors who sing “Can’t Take My Eyes Off of You” on screen later going on to play Batman villains. Ledger became the third actor to manage that feat after Christopher Walken and Michelle Pfeiffer.

    6. Apparently Julia Stiles‘ character Kat has a thing for Batman’s nemesis, the Joker. Not only did Ledger go on to play Joker in 2008’s “The Dark Knight,” but Kat also keeps a picture of actor Jared Leto hidden in her bedroom. Leto played Joker in 2016’s “Suicide Squad.”

    Warner Bros.

    7. Larisa Oleynik and Joseph Gordon-Levitt also played characters who date on the sitcom “Third Rock From the Sun.”

    8. Julia Stiles and Andrew Keegan would go on to star in another modernized, high school-oriented Shakespeare film in 2001’s “O.”

    Buena Vista

    9. Director Gil Junger also played a small role as a teacher at Padua High, but his scenes were cut from the final version.

    10. The final cut of the film also jettisoned a subplot involving Susan May Pratt‘s character Mandella contemplating suicide as a way of getting closer to Shakespeare.

    11. Despite playing a high schooler in the movie, Gabrielle Union was 26 at the time of filming.

    Buena Vista

    12. The movie was remade as a TV sitcom for ABC Family in 2009. While Junger returned to direct several episodes, Larry Miller was the only actor to reprise his role from the film.

  • Does ‘The Dark Knight’ Still Hold Up In a Marvel Cinematic Universe World?

    Does ‘The Dark Knight’ Still Hold Up In a Marvel Cinematic Universe World?

    WB/Marvel

    “You’ve changed things. Forever.”

    What the Joker said to Batman in regards to the vigilante normalizing “pancaking cars” on the nightly news for Gotham City also applies to the movie he said it in. “The Dark Knight” is one of two big culprits from 2008 that we can blame for our current multiplex landscape being flooded with one comic book movie after another.

    For the last decade, superhero films have become big business, turning the dreams of Comic-Con Hall H attendees into cash-minting realities.  Some blockbusters have been must-see (2012’s “The Avengers“), some have been wish-we-never-saw (2017’s “Justice League.”) All, however, point to Hollywood’s decade-old feeding frenzy on any IP that can chase “The Dark Knight’s” tail and, hopefully, recreate its critical and box office (mostly box office) success. But Christopher Nolan‘s seminal film wasn’t alone in lighting the fuse on this explosion of bringing comics to the big screen. The other culprit we mentioned? Marvel’s “Iron Man.”

    Marvel

    Opening May 2008 — two months before “TDK” — “Iron Man” turned a B-lister on Marvel’s hero roster into, well, IRON MAN. You can’t think of the Avenger without also thinking of the actor who played him, Robert Downey, Jr. And you’d be hard-pressed to find a character and performance that fully formed so early on, right out of the gate.

    “Iron Man” was a hit that paved the way for the great experiment that was/is the Marvel Cinematic Universe. The MCU is a household name — many of its films are staring at me from my DVD shelf as I write this on my couch. The adventures of Captain America, Thor, a sentient tree with a limited vocabulary, and, yes, even a gun-toting, talking space raccoon have further evolved the landscape, forcing Hollywood to bend to both its will and ways of franchising by way of shared universe.

    “The Dark Knight,” on its tenth anniversary, stands out in sharp contrast to Marvel’s way of doing things. It is, by design, a standalone entry that functions within a larger tapestry beholden to the whims of one man: Nolan.

    As much as Warner Bros. tried to steer their slate of DC films toward a more Marvel-way of doing things in the early days — starting with a Wayne Enterprises logo appearing on a satellite in “Man of Steel” — they had to first contend with Nolan wrapping up his Batman arc the way he intended. That meant that the more fantastical DC heroes like Superman and Aquaman — heroes DC and WB have been trying to make happen with varying degrees of success — had no place in Nolan’s gritty and grounded take on the DCU. Nolan’s vision for DC’s most popular hero was impenetrable; a luxury the filmmaker could afford in a pre-“Avengers” world. (And one he would now, at the very least, receive some push back on.)

    WB

    Efforts to bring Nolan on to help “godfather” the next chapter of DC’s movie efforts — the DC Extended Universe (yawn) — resulted in some behind-the-scenes oversight in the making of 2013’s “Man of Steel.” Outside bringing in his brother, “Dark Knight” cowriter and “Westworld” co-creator Jonathan Nolan, Christopher basically served as an “in-name only” executive producer. (Much to the chagrin of DC fans.)

    The type of success (or lack thereof) that experiment yielded was a very public and pricey “cutting off their nose to spite their face” mess for both DC and Warner Bros. It’s horse-before-the-cart blockbuster filmmaking; WB announced a slate of several films between 2013 and 2020 that, now, are huge maybes or afterthoughts at best. They wanted Marvel’s success, but were unable or unwilling to follow the steps to get there — or risk being accused of copying if they did.

    As a result, Marvel’s continued success sent WB shareholders into a tizzy, resulting in too many executives helicopter mom-ing over “BvS,” which lead to the movie being the misfire that it became. (But at least we got a “Wonder Woman” out of it.) Fans have suffered through Warner and DC’s very public attempts to get their sh** together and their house in order — which, so far, seems to have resulted in less streamlining, more mess: How many Joker movies are in development? Is Ben Affleck out as Batman? Does anyone care about any DC movie other than “Wonder Woman 1984?”

    In the ten years since “TDK” changed how movies are made, it’s held up pretty well in the face of Marvel’s takeover of the genre. If anything, the MCU has impacted post-“Dark Knight” and “Dark Knight Rises” plans heavily, especially without a filmmaker powerhouse like Chris Nolan to provide the stories under scrutiny the air cover only an 800 lb. gorilla like that can.

    As a movie, as a pure cinematic experience, “The Dark Knight” is second-to-none compared to Marvel’s run of films. It has what even Marvel’s best movies seem to lack or not really care to have — weighty, thematic storylines to thread around and through all the action-y tentpoles and set pieces. And that’s more than okay, Marvel! You do you.

    What “Dark Knight” did is prove to Hollywood what most of us already took to be self-evident:  comic book movies can be about something. “Dark Knight” is a crime drama about heroes and villains and the increasingly blurred lines separating the two — and the cost of being the person who takes it upon himself to sort all that out. It just happens to star Batman and the Joker.

    WB

    Equal parts Michael Mann’s “Heat” and borderline Greek tragedy, “Dark Knight” feels relatively small-scale in terms of trailer-moment-friendly action scenes. The film’s biggest action-y set piece, outside of Bat-pod vs. semi truck, comes in the overlong third act, where Batman dangles some of GCPD’s finest — and Joker — from an under-construction building while using the bat sonar from “Batman Forever.” That’s all intercut in part with the ferry sequence, where one boat literally holds the fate of the other in the palm of their hand via bomb detonator. And that all leads to the mostly-verbal showdown between Batman, Two-Face, and Jim Gordon, which results in one of the most satisfying, fist-pumping, “eff yeah!” movie endings/last shots in the history of filmmaking.

    So no sky portals spewing alien armies. No Infinity Stones. Just two or three people in a room, talking.

    In Nolan’s movie, ideas are weapons. Words artillery. And the ensuing thematic barrage results in emotional tragedy that forever resonates for the human beings wearing capes or hiding behind war paint and scars. No Marvel movie, not even the ambitious and, from an early-MCU-days storytelling perspective, very evolved “Infinity War” has come halfway close to pulling off the complex and thematically-charged storytelling we witnessed here for the first time ten years ago.

    In a pop-culture where Marvel’s movie Phases and shared universes are king, “The Dark Knight” is an anomaly. A rebel. It is, to paraphrase Joker, “the immovable object” standing against “the unstoppable force.” Ironically, this movie now arguably represents the very chaos its titular character combats.

    “TDK’s” plot has some loose threads one may not want to pull on (Joker spent how many months setting up citywide “Saw”-like traps and ALL of them went according to plan? A plan made by an “agent of chaos” who rallies against having one? ). Despite logic issues like that, the movie still works. It’s a scary-good delivery system for serious-minded escapist fare.

    Marvel movies are a lot of fun, and can get you right in the feels (RIP, Phil Coulson, Loki, and Peggy). “The Dark Knight, ” though, it sticks with you. It changes you. Forever.

    Long after the final credits roll.

    WB
  • ‘The Dark Knight’ Returns to IMAX Theaters for Its 10th Anniversary

    ‘The Dark Knight’ Returns to IMAX Theaters for Its 10th Anniversary

    Warner Bros.

    The Dark Knight” is back where it belongs — in theaters.

    In honor of Christopher Nolan‘s groundbreaking comic book movie celebrating its 10th anniversary on July 18, Warner Bros. announced that the blockbuster film will have a limited one-week engagement in select 70mm IMAX theaters starting Aug. 24.

    Tickets go on sale Friday, July 20 and fans can see the iconic movie at the following locations: AMC Universal Citywalk IMAX, Universal City, AMC Lincoln Square IMAX, New York City, AMC Metreon IMAX, San Francisco, and Ontario Place Cinesphere IMAX, Toronto.

    “The Dark Knight” hit theaters ten years ago today, with a then-record opening weekend of $158.4 million. It would go on to earn $1 billion at the worldwide box office.

    Heath Ledger‘s iconic performance as the Joker earned Oscar-buzz early on, leading to a posthumous Best Supporting Actor win. The film took home two Oscars, the other was for Best Sound Mixing, while scoring eight nominations in total. The face-palm that was “Dark Knight” failing to score a must-deserved Best Picture nomination lead to the Academy broadening the number of films that could be nominated in that category.

    Nolan shot select scenes in the IMAX format, pioneering the trend for other Hollywood blockbusters to follow. (Most recently, “Avengers: Infinity War” — and its sequel — were shot entirely with IMAX cameras.)

     

  • 15 Things You Never Knew About ‘The Dark Knight’

    Can you believe it’s been a decade since “The Dark Knight” hit theaters?

    Even ten years and a reboot or two later, this game-changing blockbuster is still widely regarded as the best Batman movie ever made. So let’s celebrate the film’s 10th anniversary by exploring some fun trivia about Christopher Nolan‘s Batman opus.
    1. “The Dark Knight” became the first superhero movie to reach the billion dollar mark at the box office (though certainly not the last). It made more money in its first week of release than “Batman Begins” did in its entire theatrical run.

    2. Heath Ledger specifically wanted to create an interpretation of Joker that didn’t replicate Jack Nicholson‘s performance in “Batman.” To do so, he modeled his performance mainly on rocker Sid Vicious and Malcolm McDowell‘s character from “A Clockwork Orange.”

    3. Katie Holmes declined to reprise her role as Rachel Dawes, forcing Nolan to seek out a replacement. Prior to Maggie Gyllenhaal‘s casting, other actresses considered included Rachel McAdams, Isla Fisher, and Sarah Michelle Gellar.

    4. An earlier draft of the script featured a reference to the fact that Rachel is related to Dick Grayson, the original Robin in the Batman comics. Nolan opted to cut that moment, not wanting to give fans the impression that Robin would appear in the next sequel.
    5. The shot of Batman standing precariously atop Chicago’s Sears Tower is real. Not only that, Christian Bale insisted that he be the one to appear in the shot, not a stunt double.

    6. Other actors considered for the part of Harvey Dent included Matt Damon, Hugh Jackman, and Mark Ruffalo.7. Cillian Murphy became the first actor to reprise the role of a Batman villain in a live-action film thanks to his cameo as Scarecrow.
    8. The iconic Batpod motorcycle proved extremely difficult to drive. It weighed around 600 pounds and only one stuntman managed to drive it properly during filming.

    9. “The Dark Knight” is thus far the only Batman movie where Batman doesn’t use a Batarang at all.10. Ledger’s distinctive face-licking tic came about for practical reasons. Ledger found that his silicone facial prosthetics came loose when he talked, and the licking helped keep them in place.

    11. Christopher Nolan rarely has deleted scenes available for his movies. This speaks to his efficiency in how tight he shapes his scripts and their final product. But there is a “TDK” deleted scene out there: After The Joker crashes Bruce’s fundraising shindig for Harvey Dent — and after Batman swan dives out the window to save Rachel from pancking onto a car — the villain gets into a getaway car, which can be seen in the below still.
    12. While Bale’s raspy Batman voice is often lampooned in pop culture, Bale didn’t actually alter his vocal approach compared to “Batman Begins.” Nolan made the decision to digitally alter Bale’s voice in post-production.

    13. The Italian dub of 1989’s “Batman” features Giancarlo Giannini as the voice of Joker. As a tribute to that film, his son Adriano was cast as the voice of Joker in “The Dark Knight’s” Italian dub.

    14. Ledger posthumously won the Oscar for Best Supporting Actor, the first time a comic book movie won an acting Oscar. The nomination was actually announced on the one-year anniversary of Ledger’s death.

    15. Director Sam Mendes admits that his first James Bond movie, “Skyfall,” was inspired by “The Dark Knight” and its tone. “It felt like a movie that was about our world post-9/11, and played on our fears, and discussed our fears and why they existed and I thought that was incredibly brave and interesting,” he said in an interview.

    Bottom line, a decade later, this is still the movie we need and deserve right now.

  • Spike TV’s ‘I Am Heath Ledger’ Trailer May Break Your Heart

    It still feels like just yesterday that we lost him. If you’re a Heath Ledger fan, you probably remember where you were when you heard that he died. The groundbreaking star of “Brokeback Mountain” and “The Dark Knight” passed away from what was deemed an accidental intoxication from prescription drugs in January 2008. He was 28.

    Spike TV is now promoting its 90-minute documentary on the actor’s life, with the official trailer for “I Am Heath Ledger” poised to rip your heart out all over again:The star-studded documentary will air Wednesday, May 17 at 10 p.m. ET/PT on Spike, after holding its world premiere April 23 at the Tribeca Film Festival. The film will also have a limited theatrical release on May 3 with Fathom Events. And you can also watch “I Am Heath Ledger” when it’s released on Digital HD and DVD on May 23.

    Here are more details from Spike:

    “I Am Heath Ledger” provides an intimate look at Heath through the lens of his own camera, with a treasure trove of never-before-seen footage, as he films and often performs in his own personal journey – extravagant in gesture and in action. Through these personal home movies, we get a rare glimpse into his true character – demonstrating his creative energy and unshakable willingness to take risks that instilled such an extraordinarily deep love and affection in the people that entered his life.

    The film features interviews from those who knew Heath best including close friends, family members, and industry peers, such as actors Naomi Watts, Ben Mendelsohn, Djimon Hounsou, and Emile Hirsch, directors Ang Lee and Catherine Hardwicke, musicians Ben Harper, Justin Vernon (Bon Iver), N’fa, and Grace Woodroofe, and the Ledger family. “I Am Heath Ledger” recounts his fabled rise to the pinnacle of the Hollywood dream and the indelible mark he left. Not only did he cut a path for himself, but Heath often championed other talents and artists whose voices he thought deserved to be heard. The documentary also showcases his most memorable moments on screen from his beginnings in Australia to the heights of his Hollywood achievements.

    From his early hit films such as “10 Things I Hate About You,” to “The Patriot,” to “Monster’s Ball,” to his award-winning and critically-acclaimed role as Ennis in “Brokeback Mountain,” Heath was a remarkable talent whose work ethic, ambition, and integrity catapulted him to Hollywood’s elite. But his most iconic role, his Academy-Award® winning performance, The Joker in “The Dark Knight,” truly speaks to his profound talent as an actor. The documentary goes behind-the scenes of the shooting of “The Dark Knight,” as Heath morphed into the psychotic criminal-mastermind that will live in cinematic lore forever.

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  • Her Sights Set on Late-Night TV, Carrie Keagan Swears With Hollywood’s A-List

    The New Celebrity Apprentice - Season 15As if TV personality Carrie Keagan wasn’t already enough of a bombshell on her own, she’s been known to deploy many an f-bomb — and c-bomb, and every-other-profane-word-starting-letter-bomb — in many a celebrity interview.

    Hot off of her ended-too-soon stint on the latest edition of “Celebrity Apprentice,” Keagan’s brand-new book “Everybody Curses, I Swear” just hit the shelves, a deliriously expletive-laced and scatologically important tome chronicling her many encounters with equally enthusiastic foul-mouthed famous people during her tenure at her breakout gig hosting celeb chats for the YouTube sensation NoGoodTV.

    While the job led to even higher-profile opportunities — including hosting VH1’s “Big Morning Buzz Live,” G4’s “Attack of the Show!,” movie roles like “Sharknado: The 4th Awakens,” and even a momentary stint behind Craig Ferguson‘s late-night talk show desk — it’s clear that her fondness for swopping swear words with the stars has never dimmed, as she tells Moviefone.

    Moviefone: You’d been talking to me about this book for a while. When did the idea kind of pop into your head, like “Oh yeah, I’ve got years of great material I can turn into a book”?

    Carrie Keagan: I was doing the VH1 show, and I was with my business partner, Kourosh [Taj], and we just started reminiscing one day about, “Oh God, you remember that? Do you remember that time with Colin Farrell? Do you remember … whatever?” We started saying like, ‘Oh, that would make a funny chapter in a book,” and we titled the chapter. Then we just kept going.

    All of a sudden we were like, “You know what? We should go and pitch this book. We should go and try and sell this,” and then we did. It was brilliant, honestly. For me, it was a really great way of being able to put all of the things that I can’t remember all the time at the drop of a hat in one place.

    When you first started to do this, it must have been a little daunting to go out there and try to be as free-wheeling, and edgy, and anything goes, in the system where it’s all very polite and buttoned up. So tell me about those early days, trying to do interviews with this style that was so different back then.

    I didn’t come from a background of doing interviews or anything like that. So just me, myself, trying to get into the headspace of “OK, now I’m going to go in front of the biggest celebrities in the world and I’m going to ask them to do something they probably wouldn’t even do in front of their mother — Oh my God, the pressure!

    Once I got into the rooms, and I just started throwing out F bombs or whatever, I realized that the difference between what I was doing and what everybody else was doing is that I was allowing them to be themselves, and not be this media-treated version of themselves. All it took was me being myself. So the more comfortable I got doing the job, the more comfortable they were just letting their hair down and enjoying the ride. It became what you see now: this Hollywood swear-fest.

    Do you remember the first celebrity to really embrace the opportunity that you were giving them and really run with it?

    SNL,” so he obviously understood that what I was trying to do was not invasive to him, it was actually super-promoting him. And as soon as I told him we were uncensored, he was like, “All right, let’s f*cking do it.”

    And we have had a great relationship ever since. Every time I see him, he’s always been really, really, obviously really blue. And whenever he’s in the room with another co-star of his, he’ll always explain, “This is Keagan. Just wait, just let her do her thing, and you’ll understand in a second.” So he’s always been really supportive. He’s always fantastic.

    Who’s made you blush?

    Oh, that’s a really good question! Oh God, I don’t know — George Lucas! I got George Lucas to swear. He told me what his favorite curse word was, and it was from “Star Wars.” And being a huge “Star Wars” fan, just being able to hear George Lucas spout out profanity was like, “Oh my God, this is amazing!” I freaked out. He was the greatest thing.

    When did the success of your style really become a turning point for you? I remember we started out doing this about the same time. I know it was risky for you, but when did you start getting the returns on it?

    People embraced it pretty much right away. There were ups and downs, and there were always moments where I would have to explain, like “I promise, if you don’t like what I’m doing, I just won’t air it,” or whatever.

    But really, I think the success of what we were doing ended up happening when I got on the cover of “The Hollywood Reporter,” and I was sitting on Borat’s lap, and they sort of announced that NGTV is this new way of watching your favorite celebrities. I feel like that was probably that moment where all of a sudden people thought that I was legit. That what I was doing wasn’t just some weird online obscure thing, it was actually celebrities enjoying themselves, embracing the format, and going all out.

    Tell me about what it was like to build your brand off of that. Obviously, you’ve gone a long way starting there. You’ve got your octopus tendrils in a lot of stuff!

    [Laughs] I’ve always liked to stay busy. NGTV was very much a launching point for me. After I was doing NGTV, they offered me the morning show on VH1. What an amazing opportunity. So I was able to take all the things that I had learned over the years and finally do them on live TV every day. It was a fantastic opportunity for me. I was doing “Attack of the Show!” which was bringing out all my nerdy side.

    Now we’re talking about late night. So it’s been a stepping stone, but my God, what a great way to cut your teeth with all the biggest celebrities in the world.

    Was it hard to reverse course and start to censor yourself for broadcast television?

    Yeah, and it’s even harder now that I’m trying to promote a book about swearing on network TV that doesn’t let me swear. It’s very complicated. It’s probably more complicated now than it was before. But you know, I know my place, I have to keep my tongue tied sometimes, it’s okay. Yeah, I feel myself squirming in my chair more often now than ever before.

    You don’t have to censor yourself with me, so tell me, what is your all-purpose swear word? Your go-to, the one that you enjoy saying the most?

    There’s a few, but the one that I enjoy saying the most is “c*ck-juggling thunderc*nt.” And it can be used in many different forms. It was actually a phrase that I learned from “Blade: Trinity.” David S. Goyer actually wrote that. It wasn’t me who created it. So I’m going to give him credit where credit is due. It was pretty much one of the most creative swear words I’ve ever heard in my life, and I decided to make it my own.

    But as far as everyday use, I say “f*ck” all the time. I think it’s a great word. The thing for me, swearing has always been a thing of love. I don’t swear out of hate. I swear out of love and out of fun. I think that’s a really important distinction to make. People mostly put swearing into a context of bad things. But really, swear words are just words. It’s all about the intent, and I intend to make people happy.

    Do you have a few favorite celebrity swearers? Like, Ian McShane — it’s just a delight to listen to him cursing. Did you have some interviews that were just like, “I just love hearing you say swear words”?

    Yeah. I love cussing it up with Emma Stone. She’s just a wonderful human being. I feel like we’re cut from the same cloth. So, whenever I walk into the room, she’s always like, Keagan! What the f*ck?! I love that.

    I got a real kick out of hearing some of the legends, like Robin Williams, when he goes off on a tangent. You know him, he can talk for days, and when he would go off on a swearing fest. I had an entire interview with him once where it was literally about the word f*ck, and he said it in every single language, in every context, in every form you could possibly think of. Guilty pleasure all over the place.

    Was it hard to do you style with somebody like Betty White?

    No. Betty White is wonderful. Actually, in that sort of genre, Shirley MacLaine is one of the best swearers I’ve ever met. That woman can throw down like nobody’s business. She’s a delight to talk to. She does not mess around. If she does not like the way an interview is going, she will tell you. She had a lot of fun with me.

    What’s it been like to have that transition from the interviewer to being a celebrity interviewee in your own right?

    It’s funny, I don’t really think about it like that. Even being on “Celebrity Apprentice,” I was just really excited to be there with everybody. I still think of myself as being on the other side. I’m still just a fan first. That’s why I maybe have had any success is that I still really like what I do. I love hosting, I love talking to people, I love meeting people, I loved writing the book. This whole thing has just been a really fun ride for me.

    Tell me about your fans, because there’s definitely this huge community that’s been following you from project to project, and the times that you get to interact with them and kind of see why they love what you do and the way you do it.

    I nicknamed my fans Keagles. Lady Gaga can have her Little Monsters, I have my Keagles. And they’ve been amazing, honestly. I’ve had such support from my fans on social media, and even just randomly. I don’t think of myself, like I said, as a celebrity. So when people stop me on the street and say, “Oh my God, I saw you on ‘Attack of the Show!’ I loved that show.” Or, “Oh my God, I used to watch ‘Big Morning Buzz’ all the time.” It warms my heart, and it gives me a reason to do this.

    Sometimes when you have a hard day, you forget why you’re going to work every day. But then I’ll get a really nice Tweet saying, “Oh my God, that interview you did with Heath Ledger, it just changed my entire vision of who I thought he was.” OK, that’s why I do this, because it’s not just about me. It’s about everybody being able to enjoy this moment that I’m having with a celebrity.

    How was that “Celebrity Apprentice” experience, as short-lived as it was? Did you have a good time?

    It’s reality TV, so it was a fun ride. I don’t know that I took it super seriously, because I knew it was reality TV. But I took raising money for my charity, the Humane Society of the United States, very seriously. So I was bummed that I wasn’t able to raise money for them. But other than that, it was cool hanging out with the celebrities. It was cool getting to be friends with them now.

    It was cool being able to get to know Arnold Schwarzenegger. He invited the whole cast up to his house while we were shooting, and he was like, listen, “I have to fire one of you every week. I want to get to know you as people before I have to do this thing as a boss on a show.” That was amazing. Who gets to do that?

    Had you interviewed Arnold a number of times before doing the show?

    I had interviewed him once or twice, not many times. He was always a cool dude, but he was the governor. So he was a bit media-treated with me, but he was always really fun.

    What’s on the next rung of the ladder for you? What are the things that are in immediate striking distance that you’re hoping to do?

    There’s a couple of things on the burner, so you’ll be hearing some announcements, I’m sure, soon, but right now I’m focused on the book. There’s a couple of movies that are still not released, so those are coming out. Hopefully some big announcements, actually.

    I would love to do late night. That’s been my goal since the beginning. I think it’s time that a woman is on late night TV. So perhaps you’ll hear about that soon.

    You’ve been vocal about that — and you’re not the only one who’s been vocal about that. How close do you think we are to seeing this shift and not the same-old, same-old anymore?

    That’s a really good question. I’m not sure. I’ve been in the rooms with networks, and they haven’t moved on it yet. In fact, the one time that they had the opportunity to move on was when Craig Ferguson left. I was on Craig’s show when he announced that he was going to be moving on. He said to me, “You’ve done this before, you want to be in late night. Do you want to audition right here, right now?” I said, “Absolutely!” And he put me behind the desk and it was the first time that’s ever happened.

    What did CBS do? They turned around and hired another white dude. So it’s disappointing. I feel like the world is ready. I feel like the networks maybe are still just living in the ’70s and they haven’t quite figured out that the rest of the world is ready for a female voice in that position. Maybe everybody just needs to keep telling them and we can change something.

    We’ll close out on a very serious subject: What’s the swear word that you need to use more in your life?

    Oh! There’s one that I learned. It’s a weird one, but it’s “d*ck of the cat.” And I plan on putting that into my regular rotation as quickly as I can. D*ck of the cat. It doesn’t sound like a very big swear word, but it’s pretty fabulous.

  • Michelle Williams: Raising Daughter Without Heath Ledger ‘Won’t Ever Be Right’

    We’re coming up on nine years since Heath Ledger died in January 2008. Can you believe it? The actor left behind a daughter, Matilda Rose, born in October 2005 while he and his “Brokeback Mountain” co-star Michelle Williams were still together. They had broken up before his death, but Williams always expected him to be there to co-parent Matilda.

    Now Matilda Ledger is 11 years old, and Williams — who co-stars in the Oscar favorite “Manchester by the Sea” — told Porter magazine she’s never going to be able to accept that her daughter is growing up without her father.

    “You know, that’s just something that doesn’t … I mean, it just won’t ever be right. In all honesty, for pretty much everything else, I feel like I’m a believer in not fighting circumstances, accepting where you are and where you’ve been. In pretty much all senses but one. I would be able to go totally down that line of thinking were it not for Matilda not having her dad.”

    It really is such a shame. Williams talked about knowing a handful of other women in the same position — “It’s a sh*tty club and we don’t want any new members” — and she’s grateful that she has their support. She’s pretty candid in the interview, admitting she “certainly did not expect to still be dating at 36 with an 11-year-old.”The actress called herself a “very domestic creature” like a cat, in that she just wants to stay home and take care of people. “But I’m also happy with myself and just because I might have a desire to be with someone … that won’t lead me to marry the wrong person.”

    Williams has yet to marry, after dating Ledger from 2004 to 2007, then Spike Jonze, Jason Segel, Jonathan Safran Foer, and whoever else she wants, since it’s her life. Read her full Porter interview on newsstands this Friday.

    [via: Page Six]

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