Tag: george mackay

  • CinemaCon 2026: Universal Presentation

    (L to R) Greg Focker (Ben Stiller) and Jack Byrnes (Robert De Niro) in 'Focker In-Law', written and directed by John Hamburg. Photo: Universal Pictures.
    (L to R) Greg Focker (Ben Stiller) and Jack Byrnes (Robert De Niro) in ‘Focker In-Law’, written and directed by John Hamburg. Photo: Universal Pictures.

    Preview:

    • Universal made its big presentation to the 2026 CinemaCon crowd.
    • Among the movies promoted were ‘Disclosure Day’ and ‘The Odyssey’.
    • There was also a look at ‘Minions & Monsters’ and ‘Other Mommy’.

    Universal had a more muted and mixed 2025 than some other studios –– the latest ‘Jurassic World’ outing was a hit, but other titles, including thriller sequel ‘M3GAN 2.0’ stumbled.

    Can it regain its mojo? ‘The Super Mario Galaxy Movie’s success as certainly helped, and it does at least have some heavy hitters on deck, including Steven Spielberg with sci-fi pic ‘Disclosure Day’ and Christopher Nolan’s much-anticipated epic ‘The Odyssey’.

    8vO699bpC3I0pFVGBV5i61

    Beyond those two biggies, we can expect the usual blend of family fare (including ‘Minions & Monsters’, the latest extension of the ‘Despicable Me’ franchise) and comedies such as ‘Focker In-Law’.

    Related Article: Chris Nolan’s Starry New Movie Revealed to be an Adaptation of ‘The Odyssey’

    Before the full presentation kicked off, Snoop Dogg took the stage to confirm that the biopic based on his career will start filming this summer, directed by Craig Brewer and starring Jonathan Daviss.

    Here’s what was revealed…

    The Odyssey

    Matt Damon is Odysseus in 'The Odyssey', written, produced, and directed by Christopher Nolan. Photo: Universal Pictures.
    Matt Damon is Odysseus in ‘The Odyssey’, written, produced, and directed by Christopher Nolan. Photo: Universal Pictures.

    Christopher Nolan’s epic, based on Homer’s story, was somewhat naturally the first big movie featured. Starring half of Hollywood, it promises to be massive in scale and ambitious in scope.

    The filmmaker himself took the stage to talk up his latest, joking that he’s glad he doesn’t have to follow Steven Spielberg. ‘The Odyssey’ is not, he says a story. It’s THE story, one he knew he had to shoot entirely in IMAX.

    He praised his ensemble, especially Matt Damon, Anne Hathaway and Tom Holland, who he called the heart of the film. Oh, and it was a “nightmare to make in the best way possible,” but he’s nearly finished.

    More than five minutes of new footage from the movie was shown, including a shipwrecked Odysseus (Damon) washing up on a shore, where he’s greeted by the goddess Calypso, played by Charlize Theron, asking her about his past life which he cannot remember, and a battle from the Trojan war and the iconic Trojan Horse.

    GMFxtsAnOuHq3zrIA41A62

    Minions & Monsters

    (L to R): Ed, James and Henry in Illumination’s 'Minions & Monsters'. Photo: © Universal Studios. All Rights Reserved.
    (L to R): Ed, James and Henry in Illumination’s ‘Minions & Monsters’. Photo: © Universal Studios. All Rights Reserved.

    Illumination has been a consistent performer for Universal, its animated output boosting studio coffers. So of course the team were present to pimp the next ‘Minions’ movie featuring the little yellow troublemakers.

    It’s set in the 1920s and features the Minions trying to find a new master to serve. Pierre Coffin, who co-writes, directs and voices the creatures, told the crowd that he put everything into the new one, before introducing some fresh footage.

    M5u2kVQiny8XQ9PShvDtB4

    One Night Only

    Monica Barbaro arrives on the red carpet of the 97th Oscars® at the Dolby® Theatre at Ovation Hollywood on Sunday, March 2, 2025. Credit/Provider: Etienne Laurent / The Academy. Copyright: ©A.M.P.A.S.
    Monica Barbaro arrives on the red carpet of the 97th Oscars® at the Dolby® Theatre at Ovation Hollywood on Sunday, March 2, 2025. Credit/Provider: Etienne Laurent / The Academy. Copyright: ©A.M.P.A.S.

    The next film to get a brief spotlight was romantic comedy drama ‘One Night Only’, which stars Callum Turner and Monica Barbaro as two New Yorkers searching for love on the one night of the year when sex is legal.

    yolzELyOgOdE0hDKrO2aJ7

    Other Mommy

    Jessica Chastain attends the Governors Ball following the 84th Annual Academy Awards® from Hollywood, CA February 26, 2012. Photo: Heather Ikei / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.
    Jessica Chastain attends the Governors Ball following the 84th Annual Academy Awards® from Hollywood, CA February 26, 2012. Photo: Heather Ikei / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.

    The initial teaser for the horror movie, starring Jessica Chastain, was shown. It features Bela (Arabella Olivia Clark), an 8-year-old girl living in a home with marital problems, confronts a sinister entity that comes out of her closet. The presence, whom she calls “Other Mommy,” becomes increasingly threatening to her and her family.

    HsIh0WqnRMmRvpPZ5KG0R6

    Violent Night 2

    (L to R) Alexis Louder, and David Harbour in 'Violent Night.' © Universal Studios.
    (L to R) Alexis Louder, and David Harbour in ‘Violent Night.’ © Universal Studios.

    Next up was a quick look at ‘Violent Night 2’, the sequel to the 2022 action comedy with David Harbour as a grumpy Santa who takes down armed thieves. The 2026 follow-up adds Kristen Bell as Mrs. Claus in a story where Santa somehow ends up on the Naughty List.

    6I2fhBfyEn2gUvL1X9irK5

    Focker In-Law

    (L to R) Jack Byrnes (Robert De Niro) and Olivia Jones (Ariana Grande) in 'Focker In-Law', written and directed by John Hamburg. Photo: Universal Pictures.
    (L to R) Jack Byrnes (Robert De Niro) and Olivia Jones (Ariana Grande) in ‘Focker In-Law’, written and directed by John Hamburg. Photo: Universal Pictures.

    Getting more of a spotlight was the new ‘Meet the Parents’ outing, which sees Ariana Grande as a young woman looking to marry into Ben Stiller‘s family (and Stiller’s Greg Focker is suspicious of her).

    Stiller and Robert De Niro took the stage to introduce a first look, with De Niro commenting that Grande is the funniest scene partner he’s ever had. Ouch!

    q1NCF5il heVOdmus5NkMurm6C6Pkv2

    Sense and Sensibility

    Focus Features was next up, with a quick look at the latest Jane Austen adaptation. Daisy Edgar-JonesCaitríona Balfe, Fiona Shaw and George MacKay are among the cast.

    9RGgLTIdgJj3TyrGpQENq4

    Werwulf

    Director Robert Eggers on the set of his film 'Nosferatu', a Focus Features release.
    Director Robert Eggers on the set of his film ‘Nosferatu’, a Focus Features release.
    Credit: Aidan Monaghan / © 2024 Focus Features LLC.

    Also featured? A look at ‘Nosferatu’ director Robert Eggers‘ next chiller, ‘Werwulf’, which follows a gothic world where townsfolk are investigating a brutal werewolf terrifying their town.

    dasqEsQYpd59rWTzNkZoV3

    Disclosure Day

    Emily Blunt in 'Disclosure Day', directed by Steven Spielberg. Photo: Universal Pictures.
    Emily Blunt in ‘Disclosure Day’, directed by Steven Spielberg. Photo: Universal Pictures.

    ‘Disclosure Day’s Colman Domingo arrived on stage to introduce his director, Steven Spielberg, who is getting a special award from CinemaCon (along with a sizzle reel of past work and a standing ovation from the audience).

    His latest, an alien-inflected sci-fi thriller starring Emily Blunt, Josh O’Connor and Domingo.

    The iconic filmmaker took the chance to argue for longer release windows, which naturally plays well with this crowd.

    He also sat down with Domingo to discuss his own movie-watching history, his father’s belief in life beyond our world, his own thoughts on aliens and his time making this latest effort.

    New footage was shown (though Spielberg said he was keeping every frame of the third act withheld until the movie itself is released), with plenty of tense action.

    “It is an experience, this movie,” Spielberg promised. “All you need to get from the beginning to the end is a seat belt.”

    8vO699bpC3I0pFVGBV5i61

    And with that, it’s a wrap on Universal!

    'Focker In-Law' opens in theaters on November 25th.
    ‘Focker In-Law’ opens in theaters on November 25th.
  • ‘The End’ Exclusive Interview: Michael Shannon

    gn2DDIgE

    Opening in theaters on December 6th in limited release is ‘The End,’ directed by Joshua Oppenheimer (‘The Act of Killing’), and starring Michael Shannon, Tilda Swinton, George MacKay, and Moses Ingram.

    Moviefone recently had the pleasure of speaking with Michael Shannon about his work in the film, in which he plays the patriarch of a well-off family who have retreated to a luxurious underground bunker after climate change has brought about the end of human civilization.

    Michael Shannon in 'The End'. Photo: Mubi.
    Michael Shannon in ‘The End’. Photo: Mubi.

    Related Article: Filmmaker Jeff Nichols Talks ‘The Bikeriders’ Digital Release

    Shannon’s character, simply known as ‘Father,’ may have contributed to the collapse of the Earth’s ecosystem as head of a fossil fuel conglomerate. Despite its bleak subject matter, ‘The End’ is a full-blown musical featuring 13 original songs all performed by the members of the cast.

    You can read the full interview below or click on the video player above to watch our interview with Michael Shannon.

    Michael Shannon talks 'The End'. Photo: Mubi.
    Michael Shannon talks ‘The End’. Photo: Mubi.

    Moviefone: Had you seen Joshua’s two documentaries [‘The Act of Killing’ and ‘The Look of Silence,’ both about the mass murder of Indonesian citizens by a brutal far-right regime in the mid-1960s] and having seen those, was finding out what he wanted to do with this kind of a curveball in a way?

    Michael Shannon: When I first met with Josh, I had not seen the documentaries. I had heard about them, they’re rather legendary, but I hadn’t actually seen them. So I had a pretty fresh palette going into it. All I had to go on was our conversation and then reading the script. But after I signed on, I watched both of the films, and found them exquisite and painful and all the things that everybody else probably has, and I didn’t really find it to be a curveball. Josh talks about these three films, ‘The Act of Killing,’ ‘Look of Silence,’ and ‘The End’ as being a triptych. He actually got the idea to make ‘The End’ based on the time that he spent in Southeast Asia and meeting a wealthy entrepreneur who was building an underground bunker. So I guess he could have made a documentary about that guy, I don’t know. But he decided instead to make his first narrative film.

    MF: What was your reaction reading the script and learning that it was a musical combined with a post-apocalyptic drama?

    MS: I was thrilled. I am really disinterested in doing something that’s been done before. I think there’s probably too many movies and TV shows in general, and that people spend too much time watching them. But if you’re going to go through the trouble of making something — and it is trouble, trust me, because he devoted years of his life to making this movie. It wasn’t easy, and it took a small village to get the thing financed. But if you’re going to go through all that, then you better make something that’s unique, and I definitely feel like he’s accomplished that.

    Tilda Swinton in 'The End'. Photo: Mubi.
    Tilda Swinton in ‘The End’. Photo: Mubi.

    MF: When you do look at a script, do you have an immediate reaction? Do you have to keep turning the pages, and become aware that you want to be involved in it, or on the other hand, do you read 10 pages and are like, “No, this is not for me”?

    MS: Yeah, it’s pretty quick. I don’t like reading screenplays anyway. I don’t know when that happened — it used to be that when anybody thought to send me a screenplay, I was overwhelmingly excited to see it. But I guess just through the years as you read stacks and stacks of them, they become less and less appealing. But yeah, you usually know pretty quick. But this film is about things that are really important to me, and I could tell that basically from the get-go. So this was a very easy script for me to get through.

    MF: Do you see a parallel with the story in ‘The End’ to the political moment that we’re in now?

    MS: A parallel? Well, it’s interesting, because I guess that’s where your mind is inclined to head, but it’s important to remember that this problem existed before Trump was elected. Even if Kamala Harris got elected or Jill Stein or whoever, it’s been a problem. It’s been a problem since the ‘60s, we’ve known about this for decades and we haven’t done enough to fix it or solve it because, frankly, we’re delusional. Not everybody on an individual basis is delusional. There are a lot of people that are aware of the problem and want to do something about it as individuals, but as a society, I feel like within the United States, there are all different kinds of people obviously, but the United States of America as a country, as a collective country, is mentally ill. It’s like a crazy person that needs treatment, and I don’t know who’s going to give us this treatment. I’m pretty sure it won’t be Donald Trump, but we need some serious time away in a clinic somewhere with a bunch of people saying, “Let’s get to the bottom of this, because you’re clearly very dysfunctional.”

    (L to R) Tilda Swinton and Michael Shannon in 'The End'. Photo: Mubi.
    (L to R) Tilda Swinton and Michael Shannon in ‘The End’. Photo: Mubi.

    MF: Father starts off as kind of empathetic and congenial, and then you learn more about him and his dark side starts to come out. What was your approach to playing him?

    MS: Of course he’s congenial, that’s how he got through life. I don’t think many people get to be CEOs or run corporate entities by being complete dickheads. Charm is the name of the game. Is he a sociopath? I don’t know. Sociopaths are very charming. I do believe that he does have a sense of morality ultimately, that he’s not a sociopath per se. But I thought about it, the potential or the possibility for it. But I think ultimately he’s just a man dealing with a profound amount of guilt, which I can relate to. I think guilt is a pretty universal feeling, I would hope. I don’t want people to be afflicted by it, but there are some things, like I mentioned earlier, that perhaps people should have a small amount of guilty feelings about. But I think what you see in the process of the film and the process of the story is a reawakening in him. It starts with Son inspiring him to really try and remember how he and Mother met, and it’s like a thawing of sorts. Like in order to cope with this experience that they’re having, he’s created this persona that he’s perpetuating just out of survival mode, but it’s not actually who he is if he really stops to think about it. But that’s the thing, in the aquarium that they’re all stuck in, self-examination can be a very dangerous thing. You would think, “Oh, I have all this time now, I am just going to get to know myself, and journal and all these things.” But that can lead you to some dark corners or some questions that you don’t know how to answer, and I feel like that’s what happens to Father in the movie.

    MF: You’ve sang onstage in a band, but this is the first time that you’ve sang on film, correct?

    MS: Well, I did a miniseries called ‘George and Tammy,’ where I played George Jones, and I sang quite a bit in that. But in terms of cinema, yeah, it’s been a long road, but yes, I don’t think I’ve sang in a movie before.

    (L to R) Michael Shannon, George MacKay and Tilda Swinton in 'The End'. Photo: Mubi.
    (L to R) Michael Shannon, George MacKay and Tilda Swinton in ‘The End’. Photo: Mubi.

    MF: The cast sang mostly live on set. Was that a challenge in any way?

    MS: Well, we rehearsed quite a bit before we started filming, we had three weeks of intensive singing rehearsals and a little bit of dancing rehearsals, and also table work with the script, blocking the scenes. The challenging part about a lot of the musical numbers that involved the whole group is that Josh had something very specific in mind about how he wanted it to move and flow and look. It’s always hard when you’ve got an ensemble of people all in frame at the same time and camera movement and all that. Some of those shots took a lot of takes to get them just the way that Josh saw them in his head.

    XEdErbckTMolICqrzleQs5

    What is the plot of ‘The End’?

    A wealthy family has lived in a vast underground bunker for 20 years while the world above has become uninhabitable and humankind has all but gone extinct. Their carefully controlled life and routines are disrupted by the arrival of a young woman from above who leads them to question everything.

    Who is in the cast of ‘The End’?

    'The End' opens in theaters on December 6th.
    ‘The End’ opens in theaters on December 6th.

    List of Michael Shannon Movies and TV Shows:

    Buy Tickets: ‘The End’ Movie Showtimes

    Buy Michael Shannon Movies On Amazon

     

  • ‘1917’ Trailer: Sam Mendes Plunges Into the Thick of World War I

    ‘1917’ Trailer: Sam Mendes Plunges Into the Thick of World War I

    Universal

    The brutality of war is on full display in the first trailer for “1917” from director Sam Mendes.

    The movie, which features a star-studded cast of just about every acclaimed British actor around, centers on on two young British soldiers on a single day at the height of WWI.

    The two soldiers, Schofield (George MacKay) and Blake (Dean-Charles Chapman), are given a seemingly impossible mission. In a race against time, they must cross enemy territory and deliver a message that will stop a deadly attack on hundreds of soldiers—Blake’s own brother among them.

    Benedict Cumberbatch, Colin Firth, Mark StrongRichard Madden and Andrew Scott round out the cast.

    This is Mendes’ first film since directing 2015’s James Bond movie “Spectre.” He is reuniting with legendary cinematographer Roger Deakins; the pair previously worked together on “Skyfall,” “Jarhead,” and “Revolutionary Road.”

    “1917” opens in limited release December 25 and in wide release January 10.