Moviefone Editorial

Tag: game-night

  • ‘Dungeons & Dragons’ Duo Directing new ‘Star Trek’ Movie

    1979's 'Star Trek: The Motion Picture.' Photo: Paramount Pictures.
    1979’s ‘Star Trek: The Motion Picture.’ Photo: Paramount Pictures.

    Preview:

    • John Francis Daley and Jonathan Goldstein are developing a new ‘Star Trek’ Movie.
    • They’ve come up with a new idea not connected to previous movies or shows.
    • They’re also writing the script.

    While the TV side of the franchise has been ticking along nicely, big-screen ‘Star Trek’ fell into something of a black hole, with little progress towards theaters.

    But that hasn’t stopped Paramount from trying to shove it back into warp speed and now Deadline brings word that John Francis Daley and Jonathan Goldstein, who developed a fresh, funny and heartfelt take on fantasy with ‘Dungeons & Dragons: Honor Among Thieves’ for the studio, have been handed the keys to the film franchise.

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    At least, they’re aboard to develop a new movie (more on that below), with the hopes of kickstarting the franchise back to life. Will they succeed? Others have tried and failed (again, see below), but we’re certainly hoping to see them give it a shot.

    Related Article: Simon Kinberg Reportedly to Oversee Future ‘Star Trek’ Movies for Paramount

    What has been happening with big-screen ‘Star Trek’?

    (L to R) Karl Urban and Zachary Quinto in 'Star Trek Beyond'. Photo: Paramount Pictures.
    (L to R) Karl Urban and Zachary Quinto in ‘Star Trek Beyond’. Photo: Paramount Pictures.

    The movies have been mired in development limbo since ‘Star Trek Beyond’ opened to less-than-thrilling box office in 2016.

    There have been various films announced or reported upon, including a return for Chris Pine’s Kirk and co. from J.J. Abrams’ “Kelvin” timeline movies, a one-off by Quentin Tarantino (which always seemed less likely to happen) and the more recent word of a prequel/origin story to be directed by ‘Andor’s Toby Haynes with a script by Seth Grahame-Smith.

    The latter may still happen (with Paramount going on a “try anything” spree), but there was more recent word of ‘X-Men’ veteran Simon Kinberg being hired as the producer overseeing the whole thing. There’s no mention of him in Deadline’s story about Daley and Goldstein’s deal, but perhaps he will be around to help out?

    What’s the story for this latest ‘Trek’ development?

    Chris Pine in 2009's 'Star Trek'. Photo: Paramount Pictures.
    Chris Pine in 2009’s ‘Star Trek’. Photo: Paramount Pictures.

    Little is known about what Daley and Goldstein have planned for ‘Star Trek’, though new Paramount overseer David Ellison said on a recent earnings call that it would not be a sequel in the Pine-led series but something different with new actors.

    Which is almost a shame, since Pine clearly enjoyed working with the directors on ‘Dungeons & Dragons’…

    When will this new ‘Star Trek’ movie head to screens?

    If you’ll pardon us, given recent history we won’t hold our breath just yet until this thing actually has a trailer.

    (L to R) Directors Jonathan Goldstein and John Francis Daley and Chris Pine on the set of 'Dungeons & Dragons: Honor Among Thieves' from Paramount Pictures and eOne.
    (L to R) Directors Jonathan Goldstein and John Francis Daley and Chris Pine on the set of ‘Dungeons & Dragons: Honor Among Thieves’ from Paramount Pictures and eOne.

    Other ‘Star Trek’ Movies and TV Series:

    Buy ‘Star Trek’ Movies On Amazon

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  • Ryan Reynolds and Kenneth Branagh Starring in ‘Mayday’

    (Left) Ryan Reynolds in 'The Adam Project.' (Right) Kenneth Branagh in 'Death on the Nile.'
    (Left) Ryan Reynolds in ‘The Adam Project.’ (Right) Kenneth Branagh in ‘Death on the Nile.’

    Apple is looking to continue its connection with big-name actors, landing a deal that includes Ryan Reynolds and Kenneth Branagh to star in ‘Mayday’, a new action-adventure movie being produced by Skydance Media.

    According to Deadline, the new movie was born from original pitch by ‘Dungeons & Dragons: Honor Among Thieves’ writer/directors John Francis Daley and Jonathan Goldstein, with the advantage that the script from the duo is complete to the point where the ongoing writers’ strike shouldn’t have too much of an impact on when it could shoot.

    Reynolds, of course, is currently busy making the ‘Deadpool 3’, but he showed interest in the new movie back in April and if all schedules and other details line up, this could be next on his To Do list, once his latest turn as motormouthed mutant Wade Wilson is complete.

    Reynolds as Deadpool
    Ryan Reynolds in 20th Century Fox’s ‘Deadpool.’

    Related Article: Reynolds and Jackman Answer ‘Deadpool 3’ Wolverine Questions

    What do we know about ‘Mayday’?

    So far, in keeping with a project like this that is still at an early stage, the actual story of ‘Mayday’ is being kept under wraps for now, beyond the fact that it’s an action-adventure.

    We’re hopeful that in Goldstein and Daley’s hands, it’ll prove to be something more than the genre standard, and potentially funny, since the pair has proved they know what they’re doing when it comes to blended movies. ‘Game Night’ drew laughs out of a mix of mystery and comedy, while ‘Honor Among Thieves’ worked as both a faithful fantasy adventure and a knowing wink at its conventions.

    The title could well be a nod to a rescue of some kind, though we’re going to have to wait and see on that front.

    ‘Mayday’ marks the latest collaboration between Apple and Skydance, with the companies engaged in a first-look deal that has so far yielded the likes of ‘Ghosted’, ‘The Greatest Beer Run Ever’ and the animated movie ‘Luck’.

    This new project returns Reynolds to the Apple fold, since he previously starred alongside Will Ferrell in festive-themed musical comedy ‘Spirited’, which was a new spin on ‘A Christmas Carol’. Alongside ‘Deadpool 3’, which is due in theaters on November 8th, 2024, he also has John Krasinski’s latest directorial outing, ‘Imaginary Friends’, itself headed to screens on May 24th the same year. And he’ll likely also be seen in the sequel to Netflix hit action comedy ‘Red Notice’.

    Branagh, meanwhile, will next show up in Christopher Nolan’s ‘Oppenheimer’, in theaters on July 21st this year, followed by his latest directing/starring turn in an Agatha Christie adaptation, ‘A Haunting in Venice’, where he’ll once again play detective Hercule Poirot. That movie will arrive on September 15th and promises to be more of a horror-inflected story for the master detective.

    With no start date in place yet we’ll have to wait to learn when ‘Mayday’ might make it to screens.

    Kenneth Branagh as Hercule Poirot in 20th Century Studios' 'A Haunting in Venice.'
    Kenneth Branagh as Hercule Poirot in 20th Century Studios’ ‘A Haunting in Venice.’ Photo courtesy of 20th Century Studios. © 2023 20th Century Studios. All Rights Reserved.

    Other Movies Starring Ryan Reynolds or Kenneth Branagh:

    Buy Ryan Reynolds Movies On Amazon

    Buy Kenneth Branagh Movies On Amazon

     

  • 12 Movies That Deserved Oscar Nominations

    12 Movies That Deserved Oscar Nominations

  • The 13 Best Movie Posters of 2018 (So Far)

    The 13 Best Movie Posters of 2018 (So Far)

  • Box Office: ‘Black Panther’ Tops ‘A Wrinkle in Time’ in Disney-Dominant Weekend

    LOS ANGELES, March 11, (Variety.com) – “Black Panther” remained super-heroic in its fourth weekend at the North American box office with $41.1 million at 3,942 locations, easily topping the opening weekend of fantasy-adventure “A Wrinkle in Time” with $33.5 million at 3,980 sites, estimates showed Sunday.

    What had been pegged as a close contest among Disney titles for first place turned into a relatively easy victory for “Black Panther.” The Marvel title generated the third-highest fourth weekend of all time, trailing only “Avatar” and “Star Wars: The Force Awakens.”

    With $562 million in 24 days, “Black Panther” is now the seventh-highest domestic grosser of all time. It’s the first film since “Star Wars: The Force Awakens” to lead the North American box office for four straight weekends.

    “A Wrinkle in Time” opened in line with Disney’s projections, which were slightly lower than the industry consensus. Critics were mostly unimpressed with a 42 percent rating on Rotten Tomatoes, and audiences gave “Wrinkle” a B CinemaScore. The $100 million-plus budgeted film is depending on family audiences to support the film in the coming weeks to push it into profitability.

    A total of 37 percent of audiences gave “Wrinkle” an “excellent” rating with another 38 percent rating it “very good,” according to comScore/Screen Engine PostTrak. Paul Dergarabedian, senior media analyst with comScore, noted that the key 13-17 year-old demographic gave it an 83 percent combined score in those two categories. “That is very strong and makes sense with the PG rating, the subject matter and young people’s love for the book,” he added.

    Based on Madeleine L’Engle’s 1962 classic fantasy novel, “A Wrinkle in Time” stars Storm Reid, Oprah Winfrey, Reese Witherspoon, Zach Galifianakis, Chris Pine, Mindy Kaling and Gugu Mbatha-Raw. The film follows a young girl (Reid), her step-brother (Deric McCabe), and a friend (Levi Miller) as they embark on a journey that spans time and space in search of her missing father.

    The weekend marks the first time in recent memory that films both led and directed by African-Americans have nabbed the first and second place spots at the box office. Jordan Peele‘s “Get Out,” starring Daniel Kaluuya, led the box office its opening weekend in February 2017, with $33.3 million. The wide release of “Hidden Figures,” starring Taraji P. Henson, Octavia Spencer, and Janelle Monae, opened at no. 1 in January of the same year with $22.8 million.

    Dave Hollis, president of worldwide distribution for Disney, told Variety that “Black Panther” and “A Wrinkle in Time” accounted for inclusion through their portrayals of strong female and minority characters.

    “Audiences respond to seeing themselves on the big screen and it’s good business for us,” he added. “Representation and inclusion matter.”

    Hollis also predicted that “A Wrinkle in Time” has the next four weekends during spring vacations from schools. He noted that Disney has traditionally opened a family film in early March to take advantage of the family demographic, as it did last year with “Beauty and the Beast” and in 2016 with “Zootopia.”

    Overall domestic box office was $137 million, down 17 percent from the same weekend a year ago when “Kong: Skull Island” opened with $61 million. But year-to-date box office is up 7.4 percent to $2.31 billion, according to comScore. That gain comes largely from “Black Panther” and “Jumanji: Welcome to the Jungle.”

    The opening of Aviron Pictures’ “The Strangers: Prey at Night” led the rest of the pack in third with $10.5 million at 2,464 venues. Directed by Johannes Roberts, the horror sequel to 2008’s “The Strangers” stars Christina Hendricks, Martin Henderson, Bailee Madison, and Lewis Pullman.

    Fox’s second weekend of Jennifer Lawrence‘s spy thriller “Red Sparrow” followed in fourth with $8.2 million at 3,064 sites with a 52 percent decline. “Sparrow” has topped $31 million in its first 10 days.

    Warner Bros.’ third weekend of R-rated comedy “Game Night” finished fifth with $7.9 million at 3,061 locations, declining only 24 percent to lift its 17-day total to $45 million. Sony’s fifth weekend of “Peter Rabbit” came in sixth with $6.8 million at 3,112 venues to push the family comedy past $93 million domestically. MGM’s second weekend of “Death Wish” followed in seventh with $6.6 million at 2,882 sites to give the Bruce Willis reboot nearly $24 million in 10 days.

    Entertainment Studios’ action-thriller “The Hurricane Heist” opened softly with $3.2 million at 2,402 locations was tied for eighth place with Paramount’s third weekend of sci-fi horror movie “Annihilation” at 1,709 screens.

    Sony’s 12th weekend of “Jumanji: Welcome to the Jungle” rounded out the top 10 with $2.8 million at 2,157 sites. its 82-day total has hit a remarkable $397.3 million, good enough for the 30th spot on the all-time domestic list.

    Nash Edgerton‘s “Gringo” grossed a pallid $2.6 million at 2,402 locations to finish 11th. The Amazon Studios and STX Films’ action comedy stars David Oyelowo as a business man who works for a company that had developed the “weed pill” and is sent to Mexico to handle the manufacturing of the product, but ends up getting kidnapped by a drug cartel. The cast also includes Charlize Theron, Joel Edgerton, Amanda Seyfried, and Thandie Newton.

    Fox Searchlight’s 15th weekend of “The Shape of Water” followed in 12th with $2.4 million at 1,552 venues, up 63 percent as the studio added 720 screens of Guillermo del Toro‘s fantasy drama winning Best Picture and Best Director at the Academy Awards. “Shape” has grossed $61 million in 101 days.

    Focus Features’ thriller “Thoroughbreds” opened with a quiet $1.2 million on 549 screens. Anya Taylor-Joy and Olivia Cooke portray childhood friends who reconnect in suburban Connecticut after years of growing apart. Cory Finley makes his directing debut with the film that features Anton Yelchin in his final on-screen role. The actor died at age 26 in a freak accident in 2016.

  • Here’s Why ‘Black Panther’ Can’t Be Stopped at the Box Office

    Thanks to “Black Panther,” Disney accountants are facing a new challenge — not that they’re complaining.

    Not only to they have to count the rapidly rising stacks of cash from the box office, but they also have to count the ways the new superhero smash is approaching several box office records.

    For instance, with the Wakanda saga’s estimated $108 million take this weekend, it’s become the second fastest movie ever to reach $400 million in domestic sales (it took just 10 days, tied with “Jurassic World,” and second only to the eight days it took “Star Wars: The Force Awakens“). It’s also the second most lucrative second weekend of any movie ever (again, “Force Awakens,” which earned $149 million its second weekend, is first). And it’s one of just four films to ever to earn $100 million or more on its second weekend. (The other two are “Jurassic World” and “The Avengers.”)

    Already, “Black Panther” is the fifth-highest grossing movie in the Marvel Cinematic Universe, and within a day or so, it’ll overtake “Captain America: Civil War” and “Iron Man 3” to claim third place. It’s the fastest Marvel film to reach $400 million, doing so four days quicker than “The Avengers.” Oh, and the film has already earned $300 million overseas, and it’s not even playing in such major markets as China and Japan yet.

    While last week’s column explored why “Black Panther” was so big so fast out of the gate, its second-weekend success comes from some additional factors. Such as:

    1. Repeat Viewings
    The desire to see “Black Panther” over and over has been strong, helping to keep the movie a top seller on Fandango (yes, people are still buying tickets way in advance, even during the week). This helped sales stay strong even on weekdays. Most distributors are thrilled if a movie earns $20 million or more during its first three-day weekend; “Black Panther” earned that much on a Tuesday.

    2. Mass Audience Appeal
    Before “Black Panther” debuted, some pundits wondered if moviegoers beyond African-Americans would go see it. They need not have worried.

    According to tracking service PostTrak, the audience make-up this weekend was 37 percent white, 33 percent black, 18 percent Hispanic, and 7 percent Asian. Love for the Marvel Cinematic Universe is, well, universal, and “Black Panther” is no exception.

    3. Social Media
    People can’t stop talking about “Black Panther,” especially to their online friends, giving Disney the type of promotion you can’t buy. Although Twitter activity has cooled since the movie’s premiere last weekend, according to social media tracking firm RelishMix, tweets with “Black Panther” hashtags are still averaging about 352,000 a day. Most movies would love to see daily Twitter activity in the 100,000 range, so the “Black Panther” online buzz continues to be exceptionally strong.

    4. The Kids Love It
    Last week, Disney Executive Vice President for Theatrical Distribution Dave Hollis acknowledged to Moviefone that the one demographic area where the PG-13-rated “Black Panther” could have done better was among younger viewers. But he also predicted that those viewers would come in time. This weekend, his prediction started to come true.

    According to PostTrak, 47 percent of this weekend’s audience was under 25, with guys under 25 making up the largest quadrant at 29 percent.

    5. No Competition
    There were three new wide releases this weekend, two of them well-reviewed, but none offered any real threat to Wakandan supremacy.

    Going into the weekend, new Jason Bateman dark comedy “Game Night” had several strikes against it. R-rated comedies haven’t done that well over the last year or so, Bateman was the only reliable comedy box office draw in the cast, and the film’s marketing campaign was weird (the poster showed no faces, just board-game tokens, one with a burglar’s ski mask and one toppled over in a pool of blood). Still, it did pretty well for a grown-up comedy, premiering in second place with an estimated $16.6 million for the weekend — or a little more than “Black Panther” earned on a modest Wednesday.

    “Annihilation” also had several strikes against it. It’s a cerebral, philosophical sci-fi drama, and while critics adored it (with an 87 percent fresh rating at Rotten Tomatoes), moviegoers seemed to find it slow and confusing (they gave it a poor C grade at CinemaScore). Its cast, led by Natalie Portman and Jennifer Jason Leigh, was light on box office drawing power.

    The biggest strike, though, may have been distributor Paramount, in the midst of a cold streak that’s lasted more than a year. The studio tried to hedge its bets, by marketing the film as more of a female-driven action thriller than it is, and by selling off the foreign rights to Netflix — meaning that the movie will stream overseas just weeks after playing in theaters here. Nonetheless, “Annihilation” opened in fourth place, with an estimated $11.0 million. It actually earned more per screen than “Game Night” ($5,467 to $4,759), but “Game Night” was playing on nearly 1,500 more screens.

    “Annihilation” could have done better, then, if Paramount had booked it into more theaters, but with “Black Panther,” “Game Night,” “Peter Rabbit,” and “Fifty Shades Freed” all playing on more than 3,000 screens each, there wasn’t that much available.

    The final new wide release was young-adult fantasy-romance “Every Day.” It had weak reviews (50 percent fresh at RT), no recognizable stars, and a modest release pattern (1,667 screens) from the long-dormant independent distributor Orion. Also, the low-budget ($5 million) film spent only an additional $8 to $10 million on marketing. Still, the movie debuted in ninth place with an estimated $3.1 million, which may be enough, over the next few weeks, to put “Every Day” in the black.

    All told, then, “Black Panther” has been a phenomenon, one that profited from the movie’s own strengths, as well as good luck and timing. We’ll not see its like again anytime soon — or at least not until Marvel’s “Avengers: Infinity War” opens in May.

  • Box Office: ‘Black Panther’ Sets More Records With $108M Second Weekend

    LOS ANGELES, (Variety.com) – Disney-Marvel’s “Black Panther” is dominating the box office with an astounding $108 million at 4,020 North American locations — the second-highest second weekend ever behind “Star Wars: The Force Awakens.”

    “Black Panther,” starring Chadwick Boseman, has now grossed $400 million domestically in its first 10 days. Only “The Force Awakens” has reached that milestone faster. It’s also grossed $304 million internationally.

    The superhero film, the 18th in the Marvel Cinematic Universe, declined only 46 percent from its opening Friday-Sunday — underlining the film’s massive appeal among moviegoers. “Star Wars: The Force Awakens” set the second weekend record with $149 million in 2015, and “Black Panther” topped the second weekends of 2015’s “Jurassic World” at $106.6 million, and 2012’s “The Avengers” with $103 million.

    “Black Panther,” directed by Ryan Coogler, has caught on with moviegoers this month in a way that few other titles have in Hollywood’s recent history — blowing past last month’s tracking that showed it would open in the $100 million to $120 million range. It’s notched an A+ Cinemascore — becoming only the second Marvel film to do so — and has dazzled critics with a 97 percent “fresh” score on Rotten Tomatoes. The film also stars Michael B. Jordan, Lupita Nyong’o, Danai Gurira, Martin Freeman, Daniel Kaluuya and Letitia Wright.

    ComScore’s PostTrack scores of the audience for the second weekend show support among moviegoers far above average with 69 percent rating the film as “excellent” and another 23 percent as “very good.” And it’s done so outside the traditional summer and holiday season corridors for blockbusters, noted Paul Dergarabedian, senior media analyst with comScore.

    “‘Black Panther’ continues to elevate the month of February to summer-style blockbuster status with a second weekend that represents only the third time that a film has posted a $100 million plus weekend performance during the month (behind only its $202 million debut and ‘Deadpool’s‘ $132 million opening in 2016),” he said. “And with a North American cume through Sunday of $400 million, it is the highest grossing film ever released in the month after just 10 days in theaters beating the long-standing $370.3 million record held by 2004’s ‘The Passion of The Christ.’”

    Demographics of the second-weekend audience were 33 percent African-American, 37 percent Caucasian, 18 percent Hispanic, 7 percent Asian and 5 percent others. The opening weekend was 37 percent African-American, 35 percent Caucasian, 18 percent Hispanic, 5 percent Asian and 5 percent other.

    Thanks to “Black Panther” and Sony’s “Jumanji: Welcome to the Jungle,” 2018 domestic box office has increased by an eye-popping 12.5 percent to $1.91 billion as of Sunday, according to comScore.

    Warner Bros.-New Line’s opening of R-rated “Game Night,” starring Jason Bateman and Rachel McAdams, finished a distant second with $16.6 million from 3,488 locations. The film is directed by John Francis Daley and Jonathan Goldstein, and follows Bateman and McAdams as couple whose regular game night suddenly turns into a murder mystery. Critics have given “Game Night” strong support, helping draw an 82 percent “fresh” rating on Rotten Tomatoes.

    Sony’s third weekend of “Peter Rabbit” hopped into third place with $12.5 million at 3,707 sites, giving the family comedy $71.3 million after 17 days. That was enough to edge Paramount’s sci-fi thriller “Annihilation” with a respectable $11 million at 2,102 venues, in line with forecasts.

    Universal’s third weekend of “Fifty Shades Freed” followed in fifth with $6.9 million at 3,265 locations as the erotic romancer slid 60 percent. The finale of the trilogy has topped $89 million in 17 days.

    Sony’s 10th weekend of its comedy hit “Jumanji” took sixth place with $5.7 million at 2,519 venues, declining only 29 percent and lifting the 68-day total to $387.3 million.

  • Family Game Night Ideas That Show Off Your Movie Knowledge

    harry potter trivial pursuitTrivia is a movie lover’s best friend. Seriously, have you ever been to a dinner with other movie lovers chattering about everything from new releases to which movies Johnny Depp is in to how amazing the Marvel Phase 3 movies are going to be? As you might expect, when movie lovers decide to procreate, a whole new generation of movie know-it-alls is born. But they don’t get that way on their own.

    Oh, no. Family game night is how those little kids blossom from an obsession with “Zootopia” to growing up and watching nothing but Wes Anderson movies. What? You thought showing them movies all the time was enough of an education? No way. You’ve got to shovel as much movie trivia into their lives as possible. This is where family game night comes into the equation: to groom those kids to be future pub night movie trivia champs.

    Movie Trivial Pursuit

    Trivial Pursuit is an oldie but goody and totally worthwhile to play with your family. There are multiple movie-centric editions from the Lord of the Rings Trilogy to various Star Wars versions and even an all-encompassing silver screen classics subsidiary pack. By rotating through the different editions, you ensure that your kids will become mini Trivial Pursuit movie masters in all facets. Sure, you could play one version until everyone in the family knows all the answers by heart, but making sure you switch it up on a regular basis ensures that your kids — and you, for that matter — don’t get bored with the game.

    Movie Jeopardy!

    Remember those games you used to play in school to study for science or history tests? The teacher would create all these questions about the curriculum and you’d study your bum off so your team would win? Well, you can do the same thing with facts about movies. For the “Jeopardy!” format, frame questions in the form of statements, like “In the movie “Toy Story,” this character is Woody’s best friend.” Who is Andy? Correct! How about “In “Marvel’s The Avengers,” this is the place where our heroes eventually reunite to save the day.” What is Stark Tower? Ding-ding-ding! It’s like you’re back in Mr. D’s eighth grade history class learning about the Civil War, except the questions and answers are about Marvel’s “Civil War,” not the American one.

    Guess That Movie From the Still

    Here’s a different angle on movie trivia if your family gets tired of straight-up facts about movies. Choose different scenes from popular movies and let players use a bell to signal that they have the answer. For instance, in what movie can you see Judy Garland dancing down a yellow brick road? Ding-ding! “The Wizard of Oz” — obviously.

    Make It a Costumed Movie Theme Night

    Throw a movie trivia party with your parents, your friends, and your kids’ friends; then assign each person a different character from a film. When party night rolls around, everyone shows up in costume and in character and then has to guess which movie every other character is from. Imagine a little Holly Golightly (“Breakfast at Tiffany’s“) sharing a snack with a pint-size version of Neo (“The Matrix“) and fellow movie buffs trying to outdo each other’s outfits. Sounds like it could be an out-of-the-box movie night of delights.

    Name That Line

    Sure, there are always guess-the-movie-from-the-still games, and most movie trivia games include lines from movies, but isolating lines is its own brand of fun. Collect some of the best known lines from movies, such as “Say hello to my little friend” from “Scarface” or “Just keep swimming” from “Finding Nemo,” and have the players guess which character and movie the lines came from. Want to make it even more amusing? Require the player reading the lines to do so in the proper accent of the character. Like what would Austin Powers be if he said “yeah, baby” without the fake British accent? Nothing, that’s what.

    Sources

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