Universal Pictures’ live-action ‘How to Train Your Dragon’, written and directed by Dean DeBlois. Photo: Universal Pictures.
Preview:
The new ‘How to Train Your Dragon’ is a roaring success so far.
Dean DeBlois’ film has earned more than $197 million globally.
Disney’s own live-action conversion of ‘Lilo & Stitch’ fell to second place.
Looks like audiences were very ready to visit the island of Berk again.
Or perhaps the term should truly be re-visit, since the new ‘How to Train Your Dragon,’ a live-action re-imagining of the 2010 animated adventure, is essentially that movie told over again.
Still, audiences embraced it to the tune of $83 million at the domestic box office.
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The new movie, written and directed by Dean DeBlois (who co-wrote and directed the animated original before taking on its two follow-ups), has been a big success for DreamWorks and Universal, which dipped a toe (a claw, perhaps?) into the animated-to-live-action conversion following years of Disney doing the same.
How did the ‘How to Train Your Dragon’ live-action movie do elsewhere at the box office?
(from left) Hiccup (Mason Thames) and Astrid (Nico Parker) in Universal Pictures’ live-action ‘How to Train Your Dragon’, written and directed by Dean DeBlois. Photo: Universal Pictures.
‘How to Train Your Dragon’ wasn’t just successful here.
It collected $114 million while landing in 81 overseas markets, ranking as the No. 1 movie at the international box office, and $197.8 million globally. Top territories include Mexico with $14 million, the UK and Ireland with $11.2 million and China with $11.2 million.
Here’s Universal’s domestic distribution chief Jim Orr on the success of the movie:
“Our filmmaker Dean DeBlois created an incredible tale with heart, action and emotion. Multiple generations are in love with it. With our audience scores, I can only believe we are going to have a long run throughout the summer.”
And this was ComScore analyst Paul Dergarabedian on one reason for it:
“PG has become the goldilocks of ratings, one that indicates a film is appropriate for kids but still has enough edge to appeal to young adults, teens and more mature moviegoers. This is certainly a trend that should carry over to ‘Elio,’‘Smurfs’ and ‘The Bad Guys 2,’ which are yet to come on the summer movie slate.”
It’s a success story, since the movie cost $150 million to make and an additional $100 million to market, but assuming it has legs at the box office, it’ll easily make some profit.
What else happened at the box office this weekend?
This weekend’s new arrival deposed the previous box office champ, Disney’s ‘Lilo & Stitch’, another example of a movie that was re-imagined in live-action from an animated original.
In a distant second place, the other remake has collected $15.5 million in its fourth weekend of release.
The company won’t be too worried, though, as the movie is already a blockbuster with $366 million domestically and $858 million globally. It’s on track to be the year’s first billion dollar release.
The weekend’s other major wide release, A24’s ‘Materialists,’ launched at No. 3 with a promising $12 million from 2,844 venues.
Though it was met with a mixed audience reception, the film launched above projections that had been sitting around $8 million to $10 million.
Directed by Celine Song in her follow-up to the Oscar-nominated ‘Past Lives,’ the movie follows a New York City matchmaker (Dakota Johnson) who finds herself in a love triangle with a wealthy suitor (Pedro Pascal) and an imperfect ex (Chris Evans).
A24 spent $20 million on the film, not including marketing fees.
(L to R) Dakota Johnson and Pedro Pascal in ‘Materialists’. Credit: Atsushi Nishijima.
The eighth entry in the Tom Cruise-starring action franchise has amassed $166.3 million in North America and $506 million worldwide to date.
Against its massive $400 million budget (partly the impact of covid and other delays), though, ‘The Final Reckoning’ doesn’t have the strength to climb out of the red in its initial theatrical run.
The film earned $9.4 million from 3,409 theaters in its second weekend of release, a 62% decline from its debut. So far, the movie has generated $41.8 million domestically and $91.5 million globally, hardly punching above its weight for the franchise.
What’s the future for the ‘How to Train Your Dragon’ live-action franchise?
Even before this movie was released, DreamWorks and Universal were clearly enthused, as a sequel has already been ordered, with a date set for June 11th, 2027.
Given the response to this one, it certainly looks like cinemagoers will be back for it.
Mason Thames (right) as Hiccup with his Night Fury dragon, Toothless, in Universal Pictures’ live-action ‘How to Train Your Dragon’, written and directed by Dean DeBlois. Photo: Universal Pictures.
Other Movies Similar to ‘How to Train Your Dragon:’
(L to R) Ana de Armas as Eve and Keanu Reeves as John Wick in ‘Ballerina’. Photo: Courtesy of Lionsgate.
The ‘John Wick‘ franchise has become one of the most popular action franchises of all time!
Starring Keanu Reeves, ‘John Wick’ and its three sequels have made more than $1 billion at the box office and has spawned a TV series, a documentary, and a new spinoff called ‘From the World of John Wick: Ballerina‘, which stars Ana de Armas, as well as Reeves reprising his iconic role.
In honor of the new movie, which opens in theaters on June 6th, Moviefone is counting down every ‘John Wick’ movie and TV show ever made, from non-lethal to most deadly.
Ana de Armas as Eve in ‘Ballerina’. Photo: Larry D. Horricks.
Taking place during the events of ‘John Wick: Chapter 3 – Parabellum’, the film follows Eve Macarro (Ana de Armas) who is beginning her training in the assassin traditions of the Ruska Roma.
(L to R) Keanu Reeves and Halle Berry in ‘John Wick: Chapter 3 – Parabellum’. Photo: Lionsgate.
Super-assassin John Wick (Keanu Reeves) returns with a $14 million price tag on his head and an army of bounty-hunting killers on his trail. After killing a member of the shadowy international assassin’s guild, the High Table, John Wick is excommunicado, but the world’s most ruthless hit men and women await his every turn.
Keanu Reeves in ‘John Wick: Chapter 2’. Photo: Lionsgate.
John Wick (Keanu Reeves) is forced out of retirement by a former associate looking to seize control of a shadowy international assassins’ guild. Bound by a blood oath to aid him, Wick travels to Rome and does battle against some of the world’s most dangerous killers.
Keanu Reeves as John Wick in ‘John Wick: Chapter 4’. Photo Credit: Murray Close.
John Wick (Keanu Reeves) uncovers a path to defeating The High Table. But before he can earn his freedom, Wick must face off against a new enemy with powerful alliances across the globe and forces that turn old friends into foes.
Ana de Armas as Eve in ‘Ballerina’. Photo: Larry D. Horricks.
‘From the World of John Wick: Ballerina’ has shades of what made the previous ‘John Wick’ films great, especially in the second half, but suffers from a boring first half and tonal issues throughout. The first half meanders through exposition and trying too hard to fit into the ‘John Wick’ universe, while the second half succeeds in delivering the type of action sequences we expect from the franchise. Director Len Wiseman fails to inject the first half of the film with any urgency, and instead relies on the second half’s action sequences to sell the movie.
Not surprisingly, Ana de Armas shines in the action sequences, but her character’s backstory is muddled by the slow tone of the first half. We also are meant to follow her as she learns to become an assassin, but this becomes tedious as we want our hero in a ‘John Wick’ movie to be kicking butt and not getting her own butt kicked. The returning ‘Wick’ actors are all welcomed but not given much to do, except for Keanu Reeves in the second half, but even his character seems wasted in a way and brings into question how this movie fits into the larger ‘John Wick’ franchise timeline.
Story and Direction
(L to R) Ana de Armas as Eve and Director Len Wiseman in ‘Ballerina’. Photo: Larry D. Horricks.
The film begins with a flashback revealing how a young Eve Macarro (Victoria Comte) watched as the Chancellor (Gabriel Byrne), a member of the High Table, murdered her father before she escaped, and was taken to the Director (Huston) by Winston Scott (McShane). Through an opening credits montage, we learn that Eve was trained by the Ruska Roma crime syndicate as both a ballet dancer and an assassin.
The story then picks up at the beginning of ‘John Wick: Chapter 3 – Parabellum’, with de Armas now portraying Eve, as she watches the notorious John Wick (Reeves), a former member, now on the run, seek refuge from the Director. After a brief encounter between the two, Wick leaves and the story then jumps ahead several months. Eve is now working as an assassin but struggles with her first assignment. She soon discovers that her target has the same mark on his hand as the man who killed her father.
Looking for revenge, and against the orders of the Director, Eve searches to find Daniel Pine (Reedus), who is trying to protect his own daughter and is also being hunted by the group that killed Eve’s father. Eventually she discovers that the Chancellor is behind her father’s death, and she travels to the remote town of assassins that the Chancellor leads. However, to protect an alliance the Director has with the Chancellor, she hires John Wick to stop Eve from killing him, even if that means John must kill her himself.
Ana de Armas as Eve in ‘Ballerina’. Photo: Larry D. Horricks.
I consider Len Wiseman a serviceable director having made decent films like the ‘Underworld’ franchise and ‘Live Free or Die Hard’, but he is by no means a great director, and hardly my first choice to take over the franchise from Chad Stahelski, who’s brilliant work with the action sequences set the tone for the entire franchise. Wiseman was clearly out of his depths working on a ‘John Wick’ spinoff, and the pacing, tone, and the uninspiring action sequences in the first half of the movie prove it.
But the second half of the film does deliver the fast-paced tone and vibrant action of the previous films, so how did that happen? Well, if rumors are true, Wiseman was replaced during production by producer and ‘John Wick’ director Chad Stahelski, who re-shot most of the movie, particularly the second half’s action sequences and the scenes with Reeves. If this is true, it would explain why the movie feels like two different films. It’s not as bad of a “Frankenstein assembled movie” as say, ‘Justice League’, but it is still quite glaring and I’m not sure why the studio didn’t just hire Stahelski in the first place?
While the tone and pacing are all over the place, and the story itself contradicts the timeline established in the previous movies, if Stahelski did reshoot half the film, it was well worth it and saved the movie from being a complete disaster to a decent action film that gets exceedingly better in the second half.
Cast and Performances
Ana de Armas as Eve in ‘Ballerina’. Photo: Murray Close.
Taking over for real life ballerina Unity Phelan, who played Eve in a cameo in ‘John Wick: Chapter 3 – Parabellum’, Ana de Armas brings a lot to the role. She is captivating on screen and brings true emotion to her character but is also fantastic in the action sequences. However, the poor pacing and confusing tone of the first half of the film does the actress no favors.
The concept of a ‘Ballerina’ movie, so I thought, was to establish a “Female John Wick” in this cinematic universe, but the first half of the film feels more like “Female John Wick Begins”, with the character still finding her way as an assassin. That might have worked in any other film, but this is a ‘John Wick’ movie, and if Eve is going to go up against “Baba Yaga” himself, I would have wanted the character to be a match in experience and fighting skills to Wick.
Once she does face off with Wick towards the film’s finale, she is able to go toe to toe with him, but that doesn’t exactly align with the character that was established earlier in the movie. But regardless, de Armas is a very strong actress, and despite the film’s shortcomings, carries the movie well, especially in the later action sequences. The character is a great addition to the franchise but will perhaps be better used in a supporting role in a possible ‘John Wick: Chapter 5’, rather than in her own series.
(L to R) Ana de Armas as Eve and Keanu Reeves as John Wick in ‘Ballerina’. Photo: Courtesy of Lionsgate.
It’s always great to see Keanu Reeves playing this character, but except for a cameo appearance in the beginning, he is not given much to do until the end. While the inclusion of his character was meant to bridge the gap between this film and the original series, it does take the audience’s attention away from Eve, and this really should be her story.
Reeves inclusion at the end also feels like a desperate move to link the films, and the timeline of how this happens might be confusing for some. My guess is that the end of ‘Ballerina’ takes place between the end of ‘Parabellum’ and the beginning of ‘Chapter 4’, but it’s hard to really know. Having previously worked together on ‘Knock Knock’ and ‘Exposed’, Reeves and de Armas do have strong chemistry together, which shows in their scenes.
As for the rest of the returning ‘Wick’ characters, none of them are given much to do. Anjelica Huston is good as the Director, but after the beginning of the movie, is relegated to “phone acting” in most of her subsequent scenes and the history of the character is never really explored.
(L to R) Ian McShane as Winston Scott and Ana de Armas as Eve in ‘Ballerina’. Photo: Courtesy of Lionsgate.
The same could be said for Ian McShane’s Winston Scott, who is de-aged for his opening scene with a young Eve, and then not really revisited till the end of the movie. I would have liked the film to explore his connection to Eve more and have that play a bigger role in the story. But it was a treat to see the late great Lance Reddick return one more time as Winston’s right hand man Charon, even if his role is a glorified cameo.
Gabriel Byrne’s Chancellor fits well into the seedy world of ‘John Wick’ and is a strong advisory to Eve. The actor walks the thin line between generic bad guy and a real emotional and physical threat and does his best to overcome the script’s shortcomings. ‘The Walking Dead’s Norman Reedus is also a good addition to the franchise, but his role was cut short, and I really would have liked it if the film had explored his character, relationship to his daughter, and encounter with Eve more. As it is, Reedus only has one scene but does the best he can with it.
Final Thoughts
Ana de Armas as Eve in ‘Ballerina’. Photo: Murray Close.
In short, ‘From the World of John Wick: Ballerina’ was not as bad as I feared, but not as good as I had hoped. While the first half is slow and does not feel like a ‘John Wick’ movie, the second half is more of what I expected, and is worth watching. But despite some great action sequences and strong performances from both de Armas and Reeves, the movie fails to truly resonate for ‘Wick’ fans and non-fans alike.
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What is the plot of ‘From the World of John Wick: Ballerina’?
Taking place between the events of ‘John Wick: Chapter 3 – Parabellum’ and ‘Chapter 4’, Eve Macarro (Ana de Armas), a ballerina-assassin, begins to train in the assassin traditions of the Ruska Roma and sets out to exact revenge for her father’s death.
Who is in the cast of ‘From the World of John Wick: Ballerina’?
Ana de Armas as Eve Macarro
Anjelica Huston as the Director
Gabriel Byrne as the Chancellor
Ian McShane as Winston Scott
Lance Reddick as Charon
Norman Reedus as Daniel Pine
Keanu Reeves as John Wick
(L to R) Lance Reddick as Charon, Ian McShane as Winston Scott and Ana de Armas as Eve Macarro in ‘Ballerina’. Photo: Larry D. Horricks.
List of Movies and TV Shows in the ‘John Wick’ Franchise:
Ana de Armas stars in ‘From the World of John Wick: Ballerina’.
Moviefone recently had the pleasure of speaking with Ana de Armas about her work on ‘From the World of John Wick: Ballerina’, what ‘John Wick’ fans can expect from the movie, shooting the action sequences, reuniting on screen with Keanu Reeves, and joining the iconic franchise.
You can read the full interview below or click on the video player above to watch our interviews with de Armas, Ian McShane, Norman Reedus, and director Len Wiseman.
Ana de Armas as Eve in ‘Ballerina’. Photo Credit: Courtesy of Lionsgate.
Moviefone: To begin with, what would you say to ‘John Wick’ fans sitting down right now to watch this movie in a theater to prepare them for the action-packed experience they are about to have?
Ana de Armas: Just get a lot of popcorn and get ready for a wild ride. I mean, if they like the ‘John Wick’ (movies), this is right down their alley. It’s a perfect addition and extension of the franchise and I think they’re going to be really surprised and they’re going to have a blast.
Ana de Armas as Eve in ‘Ballerina’. Photo: Larry D. Horricks.
MF: Can you talk about preparing physically for the action sequences and working with the incredible stunt team at 87eleven Productions?
ADA: It was wonderful. I enjoyed every second of it. I also was in a lot of pain at times, but it was part of the process, and it just transformed me. It pushed me to my limits, it changed my body, it changed my endurance, my discipline, and the way I just approached my everyday life during filming. It was just great to feel like you’re getting good at something, like you’re learning new stuff. I love that, learning new skills and that you’re capable of doing these things. It was fun.
(L to R) Ana de Armas as Eve and Keanu Reeves as John Wick in ‘Ballerina’. Photo: Courtesy of Lionsgate.
MF: What was it like reuniting with actor Keanu Reeves on screen after making ‘Knock Knock’ and ‘Exposed’, and having his blessing for joining the franchise?
ADA: It was great. It was special. Ten years after we met, we’re here working together again. ‘John Wick’ and the franchise is what it is because of him and what he’s done. I have so much respect for him as an actor and the work they’ve done with the movies. Just to have him on set on my film now supporting me and like you said, giving his blessing to this extension of the franchise, it was a dream come true. Have him walking, wearing the John Wick suit again and in such a cool scene between the two characters, was just amazing.
(L to R) Lance Reddick as Charon, Ian McShane as Winston Scott and Ana de Armas as Eve Macarro in ‘Ballerina’. Photo: Larry D. Horricks.
MF: Finally, you are now officially a member of the ‘John Wick’ cinematic universe. What does it mean to you personally to join this franchise and be part of its legacy?
ADA: It’s amazing. It’s something I never thought was going to come my way and it just means a lot. I love just being a part of it. Whatever happens with ‘Ballerina’, whatever we go from now, I just know that I am a part of something special.
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What is the plot of ‘From the World of John Wick: Ballerina’?
Taking place between the events of ‘John Wick: Chapter 3 – Parabellum’ and ‘Chapter 4’, Eve Macarro (Ana de Armas), a ballerina-assassin, begins to train in the assassin traditions of the Ruska Roma and sets out to exact revenge for her father’s death.
Who is in the cast of ‘From the World of John Wick: Ballerina’?
Ana de Armas as Eve Macarro
Anjelica Huston as the Director
Gabriel Byrne as the Chancellor
Ian McShane as Winston Scott
Lance Reddick as Charon
Norman Reedus as Daniel Pine
Keanu Reeves as John Wick
Ana de Armas as Eve in ‘Ballerina’. Photo: Larry D. Horricks.
List of Movies and TV Shows in the ‘John Wick’ Franchise:
(L to R) Josh Oreck and Chad Stahelski attend ‘Wick Is Pain’ Screening At Beyond Fest at Aero Theatre on May 08, 2025 in Santa Monica, California. Photo: Jon Kopaloff/Getty Images for Lionsgate.
Moviefone recently had the pleasure of speaking with ‘John Wick’ franchise director Chad Stahelski and ‘Wick Is Pain’ producer Josh Oreck about their work on the new documentary, revisiting the origins of the franchise and Stahelski’s career, utilizing existing behind-the-scenes footage from all four films, Stahelski’s long friendship with Keanu Reeves, how the ‘John Wick’ fighting style changed the industry, making a painfully truthful documentary, and the legacy of the popular franchise.
You can read the full interview below or click on the video player above to watch our interview.
(L to R) Keanu Reeves and Chad Stahelski attend ‘Wick Is Pain’ Screening At Beyond Fest at Aero Theatre on May 08, 2025 in Santa Monica, California. Photo: Jon Kopaloff/Getty Images for Lionsgate.
Moviefone: To begin with, Chad, I was surprised to learn from the documentary that you had a really hard time making the first ‘John Wick’. Was it difficult for you to revisit those moments for this documentary?
Chad Stahelski: I think the first time Josh showed me all the footage again, but you have a very different experience when you’re watching it alone. When you watch it alone, it makes your palms sweat and it makes you have a psychosomatic response of, “Boy, I made a lot of mistakes.” But watching it with a few people that were there, like Josh, we all watched it together and it’s okay, it’s kind of comedy. You just watch and realize many mistakes, and it brings back all the good nostalgia. It’s always like anything, right? After college, you don’t remember all the stressful tests and all the things. You remember the good times and it’s like that. Now that it’s over and we were somewhat successful, there’s no stress, so it’s very fun to watch. At the time, no, it was not very enjoyable to live through.
(L to R) Keanu Reeves and Chad Stahelski on the set of ‘John Wick: Chapter 4’. Photo: Niko Tavernise for Lionsgate.
MF: Was it cathartic in a way to revisit that time in your life now after all the success you’ve had with the franchise?
CS: In a way, a little bit cathartic. Success builds confidence a little bit, right? So, the only thing I really had, and my parents were like this, my brothers, we have a strong sense of that gut instinct of, “Hey, if I really believe in this, good.” If you have an argument with someone, you can sleep at night, you are in the right. If you had an argument with someone and you couldn’t sleep at night, you were probably in the wrong. You learn to trust your gut a little bit. As a competitor and as a performer, I always kind of trusted my gut more than anything. So, when you’re dealing with all these creative talks and you’re pitching, “Well, we’re going to kill a puppy and we’re going to make it like Odysseus. It’s going to be a Greek mythology, and we’re going to have him fight a female assassin, and then he’s going to go ride a horse and kill 1,000 people.” There’s a lot of people that are going to tell you that may not be the best way to take your career. “Those aren’t the best ideas, those are silly, those are stupid, that isn’t going to work. People aren’t going to watch it. That’s too much, that’s not enough.” Even people on your team are telling you twenty different directions, and it’s so easy to get lost in a creative process that’s as much collaborative as it is making a film. If I was a painter, I would paint what I see in my head. My brush stroke controls it. In a movie, I must go through a minimal of 200 to 300 people to make even the most basic of decisions. To get a movie greenlit, make the movie, do the stunts, get it finished and sell it, it’s 1,000 people, to be generous, right? Now, each one of those has their own version of the movie in their head, and each one of those is going to tell you, some have influenced, some don’t. So, how do you know? That’s where the phrase ‘Death by a thousand cuts” comes in. If I do a little of what you think and a little of what he thinks and a little of what they think and a little of this, I start to lose what I think. So, what I’m saying is, I’ve kind of always followed my instinct on ‘John Wick’. A thousand people are telling me what I should do, do I think about it? Yeah, you should think about it. But then again, the decision’s still mine. You must know when to say, “I’m doing it this way.” Or “Maybe I should try this.” Look, it’s cathartic in the way that I’ve learned to process. I’ve learned to try everything, listen to everybody, but make the decision based on what I feel. Looking back over ten years and four films, there’s two or three things in each movie I regret, and I now know, thanks to Josh and his documentary, those are the three or four things where I listened to somebody else. I’ve learned that all the moments when people cheer, cry and yell, it’s because they felt good. So, if nothing else, I’ve learned. If anything, I’ve gained confidence to trust my gut.
Josh Oreck attends ‘Wick Is Pain’ Screening At Beyond Fest at Aero Theatre on May 08, 2025 in Santa Monica, California. Photo: Jon Kopaloff/Getty Images for Lionsgate.
MF: Josh, having access to the behind-the-scenes footage from all four ‘John Wick’ movies, did you sort of use that as a blueprint for making this documentary?
Josh Oreck: Part of it was having this enormous trove of footage. Another part of it is just having had known Chad and Keanu since before that, since their ‘Matrix’ days where they had a different relationship that evolved into what we see in this documentary. Knowing that there was a bigger story to be told than what we had already done with the footage in the DVD extras and in the press materials for the movies. So, just knowing that there was both a more complicated backstory, for lack of a better term. Then also just stuff in our footage that we didn’t need to talk about, like the struggle to get financing, when the movie came out. We just needed to sell the movie and get people’s butts in seats. So, being able to come back to it and say there was so much of this journey that hadn’t been put to the screen was a good guiding factor there. Then, on top of it all, just there was so much good stuff that we wanted to still show. Finally, to be able to get Chad and Keanu to come in and having them be able to come back in and give some perspective to things was a really nice way of being able to relive ten years in an unusual fashion.
Chad Stahelski attends ‘Wick Is Pain’ Screening At Beyond Fest at Aero Theatre on May 08, 2025 in Santa Monica, California. Photo: Jon Kopaloff/Getty Images for Lionsgate.
MF: As much as this is a documentary about the making of ‘John Wick’, it’s also a documentary about Chad’s life and career. Josh, can you talk about that?
JO: I mean, I would probably just add a tiny bit to it. I would add the immense force of nature that is Keanu Reeves into that. I don’t think that it’s not trying to delve into his inner psychology, but he’s an immense presence here. The relationship between those two is front and center in this film and obviously goes back 25 years. But, I feel enormously privileged and I feel amazed by what I’ve seen in watching Chad go from someone who was a performer when I first met him, to being a director who’s firing at the highest level, making films that he wants to make, that people go to see, that, to me, are really pieces of great cinematic art. That’s an amazing journey that I’ve been able to document the entire bit of thus far, and it’s been a real privilege.
(L to R) Chad Stahelski and Keanu Reeves in ‘Wick is Pain’. Photo: Courtesy of Lionsgate.
MF: Chad, can you talk about your long friendship with Keanu and how has that relationship grown and changed since making the ‘John Wick’ movies?
CS: I think any good relationship comes from a lot of shared interest, and I guess, respect for the other person. Having known Keanu for twenty years beforehand, seeing his work ethic. Remember, I’m younger and I met him when he was at the top of his career. I didn’t meet him till ‘The Matrix’. I was only 24 at the time, and I was just medium way through stunts, a medium level performer, kind of getting in. There wasn’t a lot yet for martial art guys to get in. It was a different time before ‘The Matrix’. Now, it’s like everybody’s a martial arts guy. But there were times that I looked at him going, “Oh my God, I’m going to have to train way harder. This guy’s good.” I was used to doubling people on different shows and the cast members hadn’t had a lot of experience in the fight world or wire work. I meet Keanu who works so hard. I was like, “Well, if he’s in the gym at 7:00am, I better be here at 6:30am. If he leaves at 4:00pm, I’m leaving at 5:00pm”. You just make a commitment that I’m going to work my ass off because he’s working his off. I just figured that’s the way you do it. This is the actor. If he’s trying this hard, I got to try that hard. Imagine that for 10 years of doubling this guy and always having that work ethic, trying to keep up with him. You see that and then you see the way he relates to people. You’ve heard the stories and what he gave for wrap gifts on ‘The Matrix’, all the stunt guys, and he’s legendary for being humble, having humility and having this gentleman-like persona. It’s all true. So now, you’ve got that, so you’re learning to be a good human at the same time. In those quiet moments when we’re not working, we’re all on location. So, you go see movies and you realize that Keanu Reeves is a true audience member. He’s not going there for a professional study. He’s going to a movie theater because he loves movies. He loves it in the theater. So now, I’m laughing, and he’s laughing. You realize you’re not at work, this is just who this guy is. He wants to work hard, but he loves movies, and we both love movies. So, when it came time to do a movie, he’s like, “I want to make an action movie with a guy that loves movies. I don’t want to work with a director that says he loves movies but doesn’t really love action movies.” We all have the same pitches. We’re not idiots. We know why action movies don’t work. We know why some things are cheesy. We know the studios or different entities; we know their games on how they screw things up. We’ve been in it. We’ve been part of those movies, and you can see it getting screwed up. You can see it not servicing the crowd. So now, we’ve got a few people together that all love the same things, that all want to avoid the same trappings, and that know avoiding those trappings is going to take a lot of extra work, a lot of extra time for a lot less money. So, how do we do it? I think that’s the bonding thing that everybody talks about and is that mutual respect, that force of sheer will that you have a common goal and whatever that goal costs, you’re going to pay it. Now you have that, you’re looking across the line at each other going, “Okay, you in? I’m in. Okay.” Once you have that connection, you can do anything, and that’s the team we tried to build over 10 years.
Keanu Reeves as John Wick in ‘John Wick: Chapter 4’. Photo Credit: Murray Close for Lionsgate.
MF: Chad, can you talk about creating the ‘John Wick’ fighting style and incorporating “Gun-Fu” into the franchise, and the way that it has changed the industry?
CS: I don’t know if we changed anything. I look at action design, or let’s just say fight choreography, just like fashion. Hey man, bell-bottoms were cool. They kind of made a comeback and will come back again. Cutoffs, the tank top. Who knows? I’m not a big fashion guy, but it’s all around. Look, Gun-Fu was around way before me. Maybe the name is new, Jackie Chan and Jet Li, they were doing. It’s like Aikido, Aiki-jitsu, Jiu Jitsu, it’s been around since cinema’s been around. Right? It’s just, we kind of, we were coming off the success of all the ‘Bourne’ movies and what they had done with that. Then ‘Taken’, the shaky cam and it was a very cool time. Look, we just wanted to do something different. We wanted to stand out, so we wanted longer takes and we couldn’t really do what we wanted to do with just punching, kicking and fast editing. We needed the slow editing style, longer takes, we needed the grappling and the close quarter gun stuff, so I didn’t have to edit back and forth. The technology had changed where we had what they either call plug guns or non-guns now that don’t fire blanks the way they used to. So, they’re very, very, very safe. We managed to do close quarter stuff like that. So, we took advantage of the time, the changing fashion sense of things, and kind of put that together with what we thought was a great character trait. John Wick is this husky, Sombo-esque Jiu Jitsu guy. He wants to get close and talk to you in it. We thought that was a cool way because Keanu had done all ‘The Matrix’s, and we just wanted to have a little bit of differentiation between us and Neo. So, rather than all the wire work, we went with really grounded hardcore stuff, and it gave us a way to shoot things and it gave us a way to characterize John Wick that he hadn’t seen Keanu do before. The most I can take credit for is trying to be clever of being different and utilizing techniques which hadn’t been seen in recent times. Did we invent it? No. Did we classicalize it? Maybe. But did we just bring it to the forefront of the fashion movement in action design? Yes, we’ll take a little credit for that. We were kind of clever in that way. But it was nothing more than a reinvention or a rediscovering of stuff that had been around.
Keanu Reeves in ‘John Wick’. Photo: David Lee for Lionsgate.
MF: Josh, the documentary is incredible truthful and doesn’t sugarcoat anything. Was there any subject that felt too personal, or that you decided not to include for any reason?
JO: Well, I appreciate that. I think Chad really wanted to put it all out there at the service of what we’re trying to do, which is show how complicated it is to make a movie, and that involves a lot of personal sacrifices that people make. Chad talks about his own personal life being thrown into disarray because of working on these films. The core relationship between him and David Leitch was something that has been fraught, and we talk about it in the movie. I just think that we were lucky in that Chad was willing to allow us to tell these stories. I think it’s a cool thing, and it’s something that over time we’ll be happy that we didn’t avoid Chad talking about that his marriage broke up or things like that. But these things are things that happen because of this business that we’re in that’s really so consuming. So, we’re just trying to make something that’s true to the form.
Chad Stahelski attends ‘Wick Is Pain’ Screening At Beyond Fest at Aero Theatre on May 08, 2025 in Santa Monica, California. Photo: Jon Kopaloff/Getty Images for Lionsgate.
MF: Chad, was there any subject that you did not feel comfortable talking about or wanted to avoid?
CS: No. Look, there’s always a fine line to walk and that’s where Josh is great. You don’t want to be too much the a**hole, but you don’t want to be coated with sprinkles and rainbows. The whole thing, the goal of the documentary, at least from my point of view, is to show people there’s nothing glamorous about making a movie. The glamour happens after. That’s another day. That’s way down the road. It’s work. Is it satisfying work? Yeah, but it’s work. Now, do you consider it a job, or do you consider it your life? That’s up to you. I consider it my life. It’s my career, it’s where I choose to be. I like hard work. Movies are hard work. To make a great movie is hard work. Like in anything, if you devoted 18 hours of your day to your job right now, how do you think your relationship’s going to work out? Now, is that because of the job or is that because of you? That’s because of you. So, on one side, I don’t think doing ‘John Wick’ cost me a relationship. I don’t think it cost me friendships, so I don’t think that was the motivating thing. I can be a bit of an a**hole when I work, but you can’t separate them. So, you got to walk that line of, no, you don’t blame the work, you don’t blame the job. You blame how you are in the job or how you react to the work. The thing is, we can’t stop doing it. You can’t stop trying to be good. I can’t stop trying to be good. Because you’re having a bad day, you must work through it. Does it influence you? Is there a cost of it? Yes, but you chose that cost. I don’t blame anything. I was an a**hole. I made my mistakes. Name me a relationship where there isn’t antagonism or controversy or debate. Dave (Leitch) and I fight like cats and dogs. We had so many arguments. At the same time, I have a personal thing I’m going through. That’s not his problem, he has his career too. So, we had arguments. One of us has got to cover for the other one. There’s no one job or career that doesn’t have all this stuff. So, you don’t want that to be the focus of the film. It’s not about being dramatic like that, but you also don’t want to exclude it. So, I would say the bar for Wick’s pain is, what’s staying on brand for what we’re trying to say? Is it entertaining? Is it telling a bit of the truth? Is it trying to skew one thing or another? No, it’s just part of it. It’s life. It’s every other job. Making movies are tough. But it’s your choice. No one’s sending an invitation going, “You got to make a movie for us. We’re dying to have you.” You chose to do it and that’s a sacrifice you make. Now, you talk about looking back, is there anything I would’ve changed making the movie? Nope. I would take every mistake all over again because without making the mistakes, I wouldn’t be here. Now, if you asked me if there were a few life things I would’ve changed, yes, because I don’t think it would’ve affected my filmmaking. I think there are better ways to handle myself as a human being. That I would like another go at, but I can’t do that. So, yeah, live and learn.
Keanu Reeves in ‘John Wick’. Photo: David Lee for Lionsgate.
MF: Finally, Chad, what do you think is the legacy of the ‘John Wick’ franchise?
CS: I think Keanu says it on the documentary. He defines what it is. My favorite part of the documentary is the last two minutes with Keanu. I used to do a lot of climbing and that’s the big metaphor we always use. No one climbs for the view. You can’t just climb for the view. You climb because you love the climb. Talk to any climber in the world that loves to climb, ask them if it hurts. They look at you funny. “What are you talking about? Of course, it hurts.” You’re pulling yourself up in sub-zero weather. It hurts. What does that have to do with it? What does pain have to do with the result? Why else would you climb a mountain? Because you love it. It’s not about the pain or loving pain. It’s about the achievement. It’s about the satisfaction. It’s about the love that you put into the pain while you get to the top. So, when Keanu defines what pain is, pain is love. Tell me friendship without pain. Tell me love without pain. Tell me success without pain. Where is this rule that greatness and success don’t cost anything? The difference between us and everybody else out there is I wake up expecting the day to be absolutely filled with shit and obstacles and pain, and that you don’t stay in bed. Maybe it’s the people that wake up expecting the day to go smoothly that look at every little thing as painful because it’s an obstacle. You’re trying to achieve things. You’re trying to get the audience, hundreds of millions of people to see stuff that you’ve come up with. I mean, did you think that was going to be easy? We just wake up knowing it’s going to be painful and not letting that get in the way. So, when Keanu says all this stuff is pain, of course it is, but we don’t see pain as a negative. Pain is the necessary step you must take to get through it. It’s the veil of success that you want to go through.
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What is ‘Wick Is Pain’ about?
Witness the never-before-seen footage and true story behind the ‘John Wick’ phenomenon – from independent film to billion-dollar franchise.
Who appears in ‘Wick Is Pain’?
Chad Stahelski as Himself
Keanu Reeves as Himself
David Leitch as Himself
Basil Iwanyk as Himself
‘Wick is Pain’ will be available on digital May 9th.
List of Movies and TV Shows in the ‘John Wick’ Franchise:
Summer 2025 is almost here and with it comes the sun, the beach and summer movies!
The summer movie season will officially begin on May 2nd when Marvel’s highly anticipated ‘Thunderbolts*‘, which stars Florence Pugh and Sebastian Stan, opens in theaters.
Anna Kendrick stars as Stephanie Smothers in ‘Another Simple Favor’. Photo: Amazon MGM Studios.
Stephanie (Anna Kendrick) and Emily (Blake Lively) reunite on the beautiful island of Capri, Italy for Emily’s extravagant wedding to a rich Italian businessman. Along with the glamorous guests, expect murder and betrayal to RSVP for a wedding with more twists and turns than the road from the Marina Grande to the Capri town square.
Nicolas Cage stars in ‘The Surfer’. Photo: Saturn Films.
A man (Nicolas Cage) returns to the idyllic beach of his childhood to surf with his son. When he is humiliated by a group of locals, the man is drawn into a conflict that keeps rising and pushes him to his breaking point.
David Dastmalchian in ‘Rosario’. Photo: Mucho Mas Releasing.
Wall Street stockbroker, Rosario Fuentes (Emerald Toubia), returns to her grandmother’s apartment after her sudden death. While sorting through her Grandmother’s belongings, Rosario uncovers a horrifying secret—a hidden chamber filled with occult artifacts tied to dark generational rituals. As supernatural occurrences plague her, Rosario must confront her family’s buried secrets and face the truth about the sacrifices and choices they made.
Rainey Qualley as “Astor” in the music drama ‘Off The Record’. Photo courtesy of Quiver Distribution, a True Foe production.
Rainey Qualley stars as Astor Grey, a rising singer-songwriter whose life takes a dark turn when she enters a turbulent romance with washed-up rock star Brandyn Verge (Ryan Hansen). What begins as a whirlwind love story unravels into a gripping tale of manipulation and resilience as Astor fights to reclaim her autonomy and music.
Shia LaBeouf and Toby Kebbell star in an emotional, action-packed film about a prize fighter’s battles both inside and outside the ring. When a battered boxer past his prime finds his dreams and his relationships on the ropes, he falls back in with a dangerous crowd and has to take the biggest swing of his life to reclaim his hope and his family.
Swamp Dogg in ‘Swamp Dogg Gets His Pool Painted’. Photo: Magnolia Pictures.
Legendary musician Swamp Dogg, alongside housemates Moogstar and Guitar Shorty, has transformed his home into an artistic playground. Together they navigate the tumultuous music industry, and forge a unique and inspiring path across time and space.
Wyatt Russell in ‘Broke’. Photo: Sony Pictures Home Entertainment.
A bronc rider (Wyatt Russell) in denial about his fading rodeo career battles against brain injury and a sudden blizzard while reflecting on how it became so difficult to achieve his dreams.
(L to R) Omar Sy as Isaac and Kerry Washington as Kyrah in ‘Shadow Force’. Photo: Courtesy of Lionsgate.
Kyrah (Kerry Washington) and Isaac (Omar Sy) were once the leaders of a multinational special forces group called Shadow Force. They broke the rules by falling in love, and in order to protect their son (Jahleel Kamara), they go underground. With a large bounty on their heads, and the vengeful Shadow Force hot on their trail, one family’s fight becomes all-out war.
‘Clown in a Cornfield’ opens in theaters on May 9th. Photo: RLJE Films & Shudder.
Quinn (Katie Douglas) and her father have just moved to the quiet town of Kettle Springs hoping for a fresh start. Instead, she discovers a fractured community that has fallen on hard times after the treasured Baypen Corn Syrup Factory burned down. As the locals bicker amongst themselves and tensions boil over, a sinister, grinning figure emerges from the cornfields to cleanse the town of its burdens, one bloody victim at a time.
(L to R) Tim Robinson and Paul Rudd in ‘Friendship’. Photo: A24.
Suburban dad Craig (Tim Robinson) falls hard for his charismatic new neighbor, as Craig’s attempts to make an adult male friend threaten to ruin both of their lives.
Don Johnson in ‘Unit 234’. Photo: Brainstorm Media.
While working the night shift alone, Laurie Saltair (Isabella Fuhrman) discovers a comatose man, Clayton (Jack Huston), in Unit 234 of her family’s storage facility. What transpires is a thrill ride of a cat-and-mouse game for Laurie and Clayton to survive the night.
‘Watch The Skies’ opens in theaters on May 9, 2025. Photo: XYZ Films & Flawless.
When a foster home placed teenage rebel suspects that her father is not dead but kidnapped by UFOs, she takes help from a UFO association to find out the truth. Together, they embark on a risky adventure that takes them far beyond the laws borders and into a world filled with UFO expeditions, conspiracies and inexplicable phenomena.
(L to R) Shia LaBeouf and Evan Jonigkeit in ‘Henry Johnson’. Photo: 1993.
Henry Johnson (Evan Jonigkeit) navigates his search for a moral center, after an act of compassion upends his life. Looking to authority figures he encounters along the way, Henry’s journey leads him down a road of manipulation and ethical uncertainty.
Plagued by a violent recurring nightmare, college student Stefanie (Kaitlyn Santa Juana) heads home to track down the one person who might be able to break the cycle and save her family from the grisly demise that inevitably awaits them all.
(L to R) Troy Gentile as “Mason Kelly,” Riele Downs as “Killer Queen,” Page Kennedy as “Big Farmer Jay” and Grace Caroline Currey as “Violet” in the thriller horror comedy ‘A Breed Apart’, a Lionsgate release. Photo courtesy of Lionsgate.
When Violet (Grace Caroline Currey) accepts an invitation to a private island with some of the world’s most famous social influencers, she expects a weekend of unrivaled viral opportunity. She soon becomes part of her own horrific reality show when the guests are pitted against each other to capture the island’s legendary man-eating dogs before they become victims of the monstrous canines.
(L to R) Tom Cruise plays Ethan Hunt, Greg Tarzan Davis plays Degas, Simon Pegg plays Benji Dunn and Hayley Atwell plays Grace in ‘Mission: Impossible – The Final Reckoning’ from Paramount Pictures and Skydance. Photo: Paramount Pictures.
After escaping a calamitous train crash, Ethan (Tom Cruise) realizes The Entity is stashed aboard an old Russian submarine, but a foe from his past named Gabriel is also on the trail.
‘The Surrender’ opens in theaters on May 23rd. Photo: Shudder.
A fraught mother-daughter relationship that is put to a terrifying test when the family patriarch dies and the grieving mother hires a mysterious stranger to bring her husband back from the dead. As the bizarre and brutal resurrection ritual spirals out of control, both women must reconcile their differences as they fight for their lives, and for each other.
(L to R) Jackie Chan, Ben Wang and Ralph Macchio in Columbia Pictures ‘Karate Kid: Legends’. Photo: Sony Pictures.
After a family tragedy, kung fu prodigy Li Fong (Ben Wang) is uprooted from his home in Beijing and forced to move to New York City with his mother. Li struggles to let go of his past as he tries to fit in with his new classmates, and although he doesn’t want to fight, trouble seems to find him everywhere. When a new friend needs his help, Li enters a karate competition – but his skills alone aren’t enough. Li’s kung fu teacher Mr. Han (Jackie Chan) enlists original Karate Kid Daniel LaRusso (Ralph Macchio) for help, and Li learns a new way to fight, merging their two styles into one for the ultimate martial arts showdown.
Kōki, in John Maclean’s ‘Tornado’. Courtesy of Norman Wilcox- Geissen. An IFC Films release.
A Japanese puppeteer’s daughter (Kōki) gets caught up with criminals when their show crosses paths with a crime gang, led by Sugarman (Tim Roth) and his son Little Sugar (Jack Lowden).
Ana de Armas as Eve in ‘Ballerina’. Photo: Murray Close.
Taking place during the events of ‘John Wick: Chapter 3 – Parabellum‘, the film follows Eve Macarro (Ana de Armas) who is beginning her training in the assassin traditions of the Ruska Roma.
Nick Kroll in ‘I Don’t Understand You’. Photo: Vertical.
Stranded in rural Italy without transportation or language skills, an American couple on the verge of adopting tries to reconnect during a disastrous vacation, as their fears and relationship problems threaten to boil over.
(L to R) Christian Convery “Ethan” and Garrett Hedlund as “Caleb” in the Crime, Drama, Thriller ‘Barron’s Cove’, a Well Go USA release. Photo courtesy of Well Go USA.
Barron’s Cove follows a father with a violent past (Garrett Hedlund) as he grieves the sudden loss of his only child. Convinced of a cover-up and intent on obtaining answers about his son’s death, he kidnaps the troubled boy he holds responsible – the son of a prominent local politician – which ignites a media firestorm and frenzied manhunt. But as he grows ever closer to uncovering the truth, he is left to wonder whether his pursuers are really seeking to protect the boy, or merely the secrets he keeps.
Jai Courtney in ‘Dangerous Animals’. Photo: IFC Films.
A savvy and free-spirited surfer is abducted by a shark-obsessed serial killer. Held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below.
‘Best Wishes to All’ opens in theaters on June 6th. Photo: Shudder.
A young woman’s visit to her grandparents’ home leads to the discovery of what’s brought them happiness, a revelation that will lead her to question her choices, sanity and reality itself.
(L to R) Orlando Bloom as “Marlon,” Bryce Dallas-Howard as “Kat,” and Nick Mohammed as “Hugh” in the action comedy ‘Deep Cover’. Photo courtesy of Peter Mountain/ Metronome Film.
Three improv actors are hired by the police to help stage low-level stings. Their instinct to “always say yes” without breaking character leads them deep inside London’s criminal underworld.
Mason Thames (right) as Hiccup with his Night Fury dragon, Toothless, in Universal Pictures’ live-action ‘How to Train Your Dragon,’ written and directed by Dean DeBlois. Photo: Universal Pictures.
On the rugged isle of Berk, where Vikings and dragons have been bitter enemies for generations, Hiccup (Mason Thames) stands apart, defying centuries of tradition when he befriends Toothless, a feared Night Fury dragon. Their unlikely bond reveals the true nature of dragons, challenging the very foundations of Viking society.
It’s been almost three decades since the rage virus escaped a biological weapons laboratory, and now, still in a ruthlessly enforced quarantine, some have found ways to exist amidst the infected. One such group of survivors lives on a small island connected to the mainland by a single, heavily-defended causeway. When one of the group leaves the island on a mission into the dark heart of the mainland, he discovers secrets, wonders, and horrors that have mutated not only the infected but other survivors as well.
Elio (Yonas Kibreab), a space fanatic with an active imagination, finds himself on a cosmic misadventure where he must form new bonds with eccentric alien lifeforms, navigate a crisis of intergalactic proportions and somehow discover who he is truly meant to be.
Brad Pitt as Sonny Hayes in Apple Original Films’ ‘F1,’ a Warner Bros. Pictures release. Photo: Courtesy Warner Bros. Pictures / Apple Original Films.
Racing legend Sonny Hayes (Brad Pitt) is coaxed out of retirement to lead a struggling Formula 1 team—and mentor a young hotshot driver—while chasing one more chance at glory.
‘Hot Milk’ opens in theaters on June 27th. Photo: IFC Films.
Rose (Fiona Shaw) and her daughter Sofia (Emma Mackey) travel to the Spanish seaside town of Almería to consult with the shamanic Dr. Gomez, a physician who could possibly hold the cure to Rose’s mystery illness, which has left her bound to a wheelchair. But in the sultry atmosphere of this sun-bleached town Sofia, who has been trapped by her mother’s illness all her life, finally starts to shed her inhibitions, enticed by the persuasive charms of enigmatic traveller Ingrid (Vickey Krieps).
Something bad happened to Agnes (Eva Victor). But life goes on… for everyone around her, at least. When a beloved friend visits on the brink of a major milestone, Agnes starts to realize just how stuck she’s been, and begins to work through how to move forward.
Scarlett Johansson as skilled covert operations expert Zora Bennett in ‘Jurassic World Rebirth’, directed by Gareth Edwards. Photo: Universal Pictures.
Five years after the events of ‘Jurassic World Dominion‘, covert operations expert Zora Bennett (Scarlett Johansson) is contracted to lead a skilled team on a top-secret mission to secure genetic material from the world’s three most massive dinosaurs. When Zora’s operation intersects with a civilian family whose boating expedition was capsized, they all find themselves stranded on an island where they come face-to-face with a sinister, shocking discovery that’s been hidden from the world for decades.
Superman (David Corenswet), a cub reporter in Metropolis, embarks on a journey to reconcile his Kryptonian heritage with his human upbringing as Clark Kent.
Against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, Marvel’s First Family is forced to balance their roles as heroes with the strength of their family bond, while defending Earth from a ravenous space god called Galactus (Ralph Ineson) and his enigmatic Herald, Silver Surfer.
(from left) Mr. Snake (Marc Maron), Mr. Shark (Craig Robinson), Mr. Wolf (Sam Rockwell), Mr. Piranha (Anthony Ramos) and Ms. Tarantula (Awkwafina) in DreamWorks Animation’s ‘The Bad Guys 2’, directed by Pierre Perifel. Photo: Universal Pictures.
The now-reformed Bad Guys are trying (very, very hard) to be good, but instead find themselves hijacked into a high-stakes, globe-trotting heist, masterminded by a new team of criminals they never saw coming: The Bad Girls.
(L to R) Ana Sophia Heger and Taron Egerton in ‘She Rides Shotgun’. Photo: Lionsgate.
Newly released from prison and marked for death by unrelenting enemies, Nate (Taron Egerton) must now protect his estranged 11-year-old daughter, Polly (Ana Sphia Heger), at all costs. With scant resources and no one to trust, Nate and Polly form a bond forged under fire as he shows her how to fight and survive — and she teaches him what unconditional love truly means.
(L to R) Lindsay Lohan and Jamie Lee Curtis at the Disney presentation at CinemaCon 2025 in Las Vegas. Photo: Disney.
Years after Tess (Jamie Lee Curtis) and Anna (Lindsay Lohan) endured an identity crisis, Anna now has a daughter of her own and a soon-to-be stepdaughter. As they navigate the myriad challenges that come when two families merge, Tess and Anna discover lightning might indeed strike twice.
(L to R) Mel Jarnson as “Brooke,” Jamie Campbell Bower as “Alexander Babtiste,” Madison Iseman as “Emily,” and Aaron Dominguez as “Christian” in the Horror film ‘Witchboard’, a The Avenue release. Photo courtesy of The Avenue.
Emily (Madison Iseman) and her fiancé Christian (Aaron Dominguez) discover a mysterious Wiccan artifact as they prepare to open a bistro in New Orleans’ French Quarter. A darkness descends over Emily as she becomes obsessed with the board’s power of divination and ability to summon spirits, and Christian seeks the help of Alexander Babtiste (Jamie Campbell Bower), a mysterious occult expert who’s hiding secrets of his own.
Peter Dinklage as “Toxie” in the action, comedy, horror film, ‘The Toxic Avenger’, a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.
A horrible toxic accident transforms downtrodden janitor, Winston Gooze (Peter Dinklage) into a new evolution of hero: The Toxic Avenger.
Moviefone has compiled a list of the most anticipated movies opening in theaters and/or streaming in 2025, which not only includes major studio releases but also smaller independent films that you won’t want to miss.
Gerard Butler as ‘Big Nick’ O’Brien in ‘Den of Thieves 2: Pantera’. Photo Credit: Rico Torres for Lionsgate.
Big Nick (Gerard Butler) is back on the hunt in Europe and closing in on Donnie (O’Shea Jackson Jr.), who is embroiled in the treacherous and unpredictable world of diamond thieves and the infamous Panther mafia, as they plot a massive heist of the world’s largest diamond exchange.
Isabelle Fuhrman as Charlotte in the romance film ‘Wish You Were Here’, a Lionsgate release. Photo courtesy of Lionsgate.
When the perfect night with a perfect stranger ends suddenly the next morning, Charlotte (Isabelle Fuhrman) searches for answers and meaning in her disappointing life until she uncovers a secret that changes everything.
(L to R) Scott Eastwood as “Joe” and Sylvester Stallone as “Chester” in the action crime thriller ‘Alarum’, a Lionsgate release. Photo courtesy of Lionsgate.
After the CIA discovers the whereabouts of two rogue spies (Scott Eastwood and Willa Fitzgerald), who have not only gone off-grid but have become husband and wife, all hell is unleashed on their winter honeymoon cabin resort in the woods by a consortium of international spy organizations who are after a ‘flight pill’, aka a hard drive, and all of whom suspect the two may have joined a network of rogue spies known as the Alarum,” according to since removed post.
Lucy Liu in ‘Presence’ directed by Steven Soderbergh. Photo: Peter Andrews. Copyright: The Spectral Spirit Company.
A family moves into a suburban house and becomes convinced they’re not alone.
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‘Wolf Man’ (1/17)
Julia Garner in ‘Wolf Man’. Photo: Universal Pictures.
With his marriage fraying, Blake (Christopher Abbott) persuades his wife Charlotte (Julia Garner) to take a break from the city and visit his remote childhood home in rural Oregon. As they arrive at the farmhouse in the dead of night, they’re attacked by an unseen animal and barricade themselves inside the home as the creature prowls the perimeter. But as the night stretches on, Blake begins to behave strangely, transforming into something unrecognizable.
(L to R) Cameron Diaz and Jamie Foxx in ‘Back in Action’. Photo: Netflix.
Years after giving up life as CIA spies to start a family, Emily (Cameron Diaz) and Matt (Jamie Foxx) are pulled back into the world of espionage when their cover is blown.
A pilot transports (Mark Wahlberg) an Air Marshal (Michelle Dockery) accompanying a fugitive (Topher Grace) to trial. As they go across the Alaskan wilderness, tensions soar and trust is tested as not everyone on board is who they seem.
Michelle Yeoh as Georgiou in ‘Star Trek: Section 31’, streaming on Paramount+, 2024. Photo Credit: Jan Thijs/Paramount+.
Emperor Philippa Georgiou (Michelle Yeoh) joins a secret division of Starfleet tasked with protecting the United Federation of Planets and faces the sins of her past.
(L to R) Will Ferrell and Reese Witherspoon in ‘You’re Cordially Invited’. Photo: Amazon Prime Video.
When two weddings are accidentally booked on the same day at the same venue, each bridal party is challenged with preserving their family’s special moment.
Ariel Winter as Hayley in the thriller, ‘Like Father Like Son’, a Lionsgate release. Photo courtesy of Lionsgate.
Eli (Dylan Flashner) is a young man whose father waits on death row for the crime of murder in the first degree. As Eli’s life begins to fall apart, he discovers similar terrifying triggers in himself and takes extreme measures to ensure that the family’s string of savagery comes to an end.
Ke Huy Quan in ‘Love Hurts’. Photo: Universal Pictures.
A realtor (Ke Huy Quan) is pulled back into the life he left behind after his former partner-in-crime (Ariana DeBose) resurfaces with an ominous message. With his crime-lord brother (Daniel Wu) also on his trail, he must confront his past and the history he never fully buried.
After meeting with newly elected U.S. President Thaddeus Ross (Harrison Ford), Sam (Anthony Mackie) finds himself in the middle of an international incident. He must discover the reason behind a nefarious global plot before the true mastermind has the entire world seeing red.
Paddington in ‘Paddington in Peru’. Photo: Sony Pictures.
Paddington (Ben Whishaw) travels to Peru to visit his beloved Aunt Lucy (Imelda Staunton), who now resides at the Home for Retired Bears. With the Brown Family in tow, a thrilling adventure ensues when a mystery plunges them into an unexpected journey through the Amazon rainforest and up to the mountain peaks of Peru.
When twin brothers Hal (Theo James) and Bill (Theo James) discover their father’s old monkey toy in the attic, a series of gruesome deaths start occurring all around them.
Daisy Ridley as Joey the action film ‘Cleaner’, a Quiver Distribution release.
Set in present-day London, a group of radical activists take over an energy company’s annual gala, seizing 300 hostages in order to expose the corruption of the hosts. Their just cause is hijacked by an extremist within their ranks, who is ready to murder everyone in the building to send his anarchic message to the world. It falls to an ex-soldier turned window cleaner, played by Daisy Ridley, suspended 50 stories up on the outside of the building, to save those trapped inside, including her younger brother.
(L to R) Cooper Hoffman and Christoph Waltz in the Action/Comedy film ‘Old Guy’, a The Avenue release. Photo courtesy of The Avenue.
An aging hitman (Christoph Waltz) is forced to train a young prodigy (Cooper Hoffman) when his employer moves to replace the old guard. But when they learn they are being betrayed, the unlikely pair turns into a lethal team – with their double-crossing bosses in their sights.
Ving Rhames as Elliot in the thriller ‘Uppercut’, a Lionsgate release. Photo courtesy of Lionsgate.
When Elliott (Ving Rhames), a tough ex-boxing champion, accepts the challenge to train Toni (Luise Grossmann), the two mismatched characters form an unlikely alliance. Their sparring and Elliott’s keen insights show the resilient young fighter that real strength comes from the challenges you overcome when life throws its biggest punches your way.
Michael Fassbender in ‘Black Bag’. Photo: Focus Features.
From Director Steven Soderbergh, ‘Black Bag’ is a gripping spy drama about legendary intelligence agents George Woodhouse (Michael Fassbender) and his beloved wife Kathryn (Cate Blanchett). When she is suspected of betraying the nation, George faces the ultimate test – loyalty to his marriage or his country.
In a retro-futuristic past, orphaned teenager Michelle (Millie Bobby Brown) traverses the American West with an eccentric drifter and a sweet but mysterious robot in search of her younger brother.
(Center) Rachel Zegler as Snow White in ‘Snow White.’ Photo: Disney.
A live-action musical reimagining of the classic 1937 film, starring Rachel Zegler in the title role and Gal Gadot as her Stepmother, the Evil Queen, the magical music adventure journeys back to the timeless story with beloved characters Bashful, Doc, Dopey, Grumpy, Happy, Sleepy, and Sneezy.
Jack Black in ‘A Minecraft Movie’. Photo: Warner Bros. Pictures.
Four misfits (Jason Momoa, Sebastian Hansen, Emma Myers and Danielle Brooks) find themselves struggling with ordinary problems when they are suddenly pulled through a mysterious portal into the Overworld: a bizarre, cubic wonderland that thrives on imagination. To get back home, they’ll have to master this world while embarking on a magical quest with an unexpected, expert crafter, Steve.
Rami Malek in ‘The Amateur’. Photo: 20th Century Studios.
After his life is turned upside down when his wife (Rachel Brosnahan) is killed in a London terrorist attack, a brilliant but introverted CIA decoder (Rami Malek) takes matters into his own hands when his supervisors refuse to take action.
Robert Pattinson in ‘Mickey 17’. Photo: Warner Bros.
Mickey Barnes (Robert Pattinson) has found himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living.
Ben Affleck as Christian Wolff in ‘The Accountant.’ Photo: Warner Bros. Pictures.
When Medina’s (Cynthia Addai-Robinson) former boss (J.K. Simmons) is killed by unknown assassins, she’s forced to contact Christian (Ben Affleck) to solve the murder. With the help of his estranged but highly lethal brother Brax (Jon Bernthal), Chris applies his brilliant mind and less-than-legal methods to piece together the unsolved puzzle.
Tom Cruise in ‘Mission” Impossible – The Final Reckoning,’ which opens in theaters on May 23rd, 2025.
After escaping a calamitous train crash, Ethan (Tom Cruise) realizes The Entity is stashed aboard an old Russian submarine, but a foe from his past named Gabriel is also on the trail.
(L to R) Jackie Chan, Ben Wang and Ralph Macchio in Columbia Pictures ‘Karate Kid: Legends’. Photo: Sony Pictures.
After a family tragedy, kung fu prodigy Li Fong (Ben Wang) is uprooted from his home in Beijing and forced to move to New York City with his mother. Li struggles to let go of his past as he tries to fit in with his new classmates, and although he doesn’t want to fight, trouble seems to find him everywhere. When a new friend needs his help, Li enters a karate competition – but his skills alone aren’t enough. Li’s kung fu teacher Mr. Han (Jackie Chan) enlists original Karate Kid Daniel LaRusso (Ralph Macchio) for help, and Li learns a new way to fight, merging their two styles into one for the ultimate martial arts showdown.
Ana de Armas as Eve in ‘Ballerina’. Photo Credit: Courtesy of Lionsgate.
Taking place during the events of ‘John Wick: Chapter 3 – Parabellum‘, the film follows Eve Macarro (Ana de Armas) who is beginning her training in the assassin traditions of the Ruska Roma.
Gerard Butler in ‘How to Train Your Dragon’. Photo: Universal Pictures.
On the rugged isle of Berk, where Vikings and dragons have been bitter enemies for generations, Hiccup (Mason Thames) stands apart, defying centuries of tradition when he befriends Toothless, a feared Night Fury dragon. Their unlikely bond reveals the true nature of dragons, challenging the very foundations of Viking society.
Aaron Taylor-Johnson in ’28 Years Later’. Photo: Sony Pictures Releasing.
It’s been almost three decades since the rage virus escaped a biological weapons laboratory, and now, still in a ruthlessly enforced quarantine, some have found ways to exist amidst the infected. One such group of survivors lives on a small island connected to the mainland by a single, heavily-defended causeway. When one of the group leaves the island on a mission into the dark heart of the mainland, he discovers secrets, wonders, and horrors that have mutated not only the infected but other survivors as well.
Racing legend Sonny Hayes (Brad Pitt) is coaxed out of retirement to lead a struggling Formula 1 team—and mentor a young hotshot driver—while chasing one more chance at glory.
(L to R) Jonathan Bailey as paleontologist Dr. Henry Loomis and Scarlett Johansson as skilled covert operations expert Zora Bennett in ‘Jurassic World Rebirth’, directed by Gareth Edwards.
Five years after the events of ‘Jurassic World Dominion‘, covert operations expert Zora Bennett (Scarlett Johansson) is contracted to lead a skilled team on a top-secret mission to secure genetic material from the world’s three most massive dinosaurs. When Zora’s operation intersects with a civilian family whose boating expedition was capsized, they all find themselves stranded on an island where they come face-to-face with a sinister, shocking discovery that’s been hidden from the world for decades.
(L to R) David Corenswet and Krypto in ‘Superman.’ Photo: James Gunn’s Instagram account.
Superman (David Corenswet), a cub reporter in Metropolis, embarks on a journey to reconcile his Kryptonian heritage with his human upbringing as Clark Kent.
‘Fantastic Four: First Steps’. Photo: Marvel Studios Instagram Account.
Against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, Marvel’s First Family is forced to balance their roles as heroes with the strength of their family bond, while defending Earth from a ravenous space god called Galactus (Ralph Ineson) and his enigmatic Herald, Silver Surfer.
2025’s ‘The Bad Guys 2’. Photo: Universal Pictures.
The now-reformed Bad Guys are trying (very, very hard) to be good, but instead find themselves hijacked into a high-stakes, globe-trotting heist, masterminded by a new team of criminals they never saw coming: The Bad Girls.
(L to R) Jamie Lee Curtis and Lindsay Lohan presenting ‘Freakier Friday’ at D23 2024. Photo: Disney.
Years after Tess (Jamie Lee Curtis) and Anna (Lindsay Lohan) endured an identity crisis, Anna now has a daughter of her own and a soon-to-be stepdaughter. As they navigate the myriad challenges that come when two families merge, Tess and Anna discover lightning might indeed strike twice.
Christian Bale in ‘The Bride!’ Photo: Warner Bros. Pictures.
In the 1930s, a lonely Frankenstein travels to Chicago to seek the aid of a Dr. Euphronius in creating a companion for himself. The two reinvigorate a murdered young woman and the Bride is born. She is beyond what either of them intended, igniting a combustible romance, the attention of the police and a wild and radical social movement.
Jaafar Jackson as Michael Jackson in ‘Michael.’ Photo Credit: Kevin Mazur.
An in-depth portrayal of Michael Jackson (Jaafar Jackson), a complicated man, who became the King of Pop. The biopic will bring to life Jackson’s most iconic performances as it gives an informed insight into the entertainer’s artistic process and personal life.
A highly sophisticated Program called Ares (Jared Leto) is sent from the digital world into the real world on a dangerous mission, marking humankind’s first encounter with A.I. beings.
Cynthia Erivo is Elphaba in ‘Wicked’, directed by Jon M. Chu. Photo: Universal Pictures.
Follows Elphaba (Cynthia Erivo), the future Wicked Witch of the West and her relationship with Glinda (Ariana Grande), the Good Witch of the North. The second of a two-part feature film adaptation of the Broadway musical.
Detectives Judy Hopps (Ginnifer Goodwin) and Nick Wilde (Jason Bateman) find themselves on the twisting trail of a mysterious reptile who arrives in Zootopia and turns the mammal metropolis upside down.
(L to R) Director James Cameron, Zoe Saldaña and Sam Worthington at D23 2024 presenting ‘Avatar: Fire and Ash’. Photo: Disney.
In the wake of the devastating war against the RDA and the loss of their eldest son, Jake Sully (Sam Worthington) and Neytiri (Zoe Saldaña) face a new threat on Pandora: the Ash People, a violent and power-hungry Na’vi tribe led by the ruthless Varang. Jake’s family must fight for their survival and the future of Pandora in a conflict that pushes them to their emotional and physical limits.
