Having pummeled the competition at the box office this past weekend, with a $58 million opening weekend and $110 million globally after less than a week on release, ‘Creed III’ has certainly confirmed that the sports franchise that grew from the ‘Rocky’ movies is alive, well and punching above its weight (the third movie, in fact, earned more in three days than its two predecessors did across five-day holiday launches).
So when Michael B. Jordan told Deadline last week that he’s “excited” about building a universe around boxer Adonis Creed, his family, friends and colleagues, it certainly sounds like we’re getting closer to that becoming a reality.
It’s still early days on all of this, and neither Jordan, MGM nor Amazon (which owns MGM) are officially commenting, but word is that we could see an anime series based on the ‘Creed’ movies that would allow the team to tell more stories set in his world.
And, following on from ‘Creed III’, there is also talk of a show based around Adonis and Bianca (Tessa Thompson)’s daughter Amara, as played by deaf actress Mila Davis-Kent in the movie. What exactly that might be remains to be seen –– whether it follows her now or perhaps even in her adult life.
There’s also mention of a live-action series, but again, that’s still nebulous at this point.
There hasn’t been much word of it for now, though we’re sure Amazon would want Lundgren back on screens.
(L to R) Sylvester Stallone and Michael B. Jordan in ‘Creed II.’
Will Sylvester Stallone be involved in the spin-offs?
Any new ‘Creed’ Development appears unlikely to feature involvement from Sylvester Stallone, who let’s not forget, is the progenitor and star of the entire ‘Rocky’ film franchise, without which there would be no ‘Creed’ in the first place.
Sly has been outspoken in his dissatisfaction with the lack of reciprocity when it comes to rights between himself and producer Irwin Winkler. The producer refused to hand the rights back to Stallone and the actor/writer has cut ties with the franchise.
And Sly’s issues extend to not even watching ‘Creed III’, in which he does not appear as Rocky. “You can’t make peace with someone who’s been so, so nefarious, in my opinion,” he told Jessica Shaw on Sirius XM.
Which means we’re unlikely to see ‘Rocky & Friends’ as one of the big new offerings from the Creed-verse. Though if the success of the latest movie has proved, Adonis Creed’s world has moved on from Rocky.
‘Creed III’ is produced by Metro-Goldwyn-Mayer, Chartoff-Winkler Productions, Outlier Society Productions, Proximity Media, and Balboa Productions, and is scheduled for release on March 3rd.
‘Creed III‘ will open in theaters on March 3rd and is the third film in the ‘Creed’ series, the ninth movie set in the ‘Rocky’ universe, and the first film directed by actor Michael B. Jordan.
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What is ‘Creed III’ about?
‘Creed III’ follows the events of 2018’s ‘Creed II,‘ and features Adonis “Donnie” Creed (Michael B. Jordan) ready to retire from professional boxing as the undisputed Heavy Weight Champion of the World. But when Donnie’s childhood friend and former boxing prodigy, Damian “Dame” Anderson (Jonathan Majors), resurfaces after serving a long prison sentence, he asks Donnie for help returning to the ring and winning the championship. But once Anderson is champion, he turns on Donnie personally and publicly, forcing Creed back into the ring to fight his former friend, facing an opponent he’s never fought before – a fighter who has nothing to lose!
Moviefone recently had the pleasure of speaking with actor and director Michael B. Jordan and actor Jonathan Majors about their work on ‘Creed III,’ what viewers need to know to prepare for this film, the deep relationship between Donnie and Dame, and Jordan’s work behind the camera.
You can read our full interview below or click on the video player above to watch our interviews with Jordan, Majors, and actress Tessa Thompson.
Moviefone: To begin with, what would each of you say to viewers sitting down to watch this movie to prepare them for the film experience they are about to have?
Michael B. Jordan: I mean, just have an open mind and an open heart, and buckle up because it’s a ride. Once we get started, I’ll see you in two hours and I’ll check in on you on how you feel.
Jonathan Majors: There’s no way to prepare yourself for ‘Creed III.’ You got to come in with your dukes up. Doesn’t matter, it’s a knockout. Bob and weave, come with an open heart, and come with an open mind. These are familiar characters being looked at in a very different way. You’re going to see Adonis Creed in a very unique way that’s going to give you even more insight to the hero, primarily because of the introduction of Damian Anderson, his long lost friend. You’re in for a wild fight. Flex them up!
Michael B. Jordan directs and stars as Adonis Creed in ‘Creed III.’
MF: Michael, can you talk about your vision for this film, particularly the fight sequences, and as a director, what it was like working with your cast and crew to execute that?
MBJ: I mean, as far as the boxing sequences for me, it’s probably the part of the story that I’ve daydreamed and thought about the most over the past eight years. When you’re involved in a process and you think about boxing and fights, there’s certain things that you’re curious about wanting to try, and obviously they don’t make it to every movie. So I’ve been kind of compiling a list of things that I’ve always wanted to kind of try, and then also trying to make this one feel fresh and different.
So leaning on my love of Japanese anime and the spirit of that, and how I can make things feel different, and pitching that to my cast and my crew. Getting everybody on the same visual reference point of what kind of film we’re making, and what type of creative swings that we would be taking and just going out and just doing it. It’s like you got to go for it. So I think my love of anime definitely helped me creatively and artistically take some creative swings.
Jonathan Majors stars as Damian Anderson in ‘Creed III.’
MF: Jonathan, what was it like working with Michael, both as a scene partner and as a director?
JM: It was incredible. It was an experience as an actor, I’ve not had, and I don’t see it coming down the pipeline again. Where you have an actor that’s going to lead his own franchise as an actor and then also direct it. That’s just not something that people are driven to do. I mean, that seems quite difficult. It is difficult. I watched him deal with that difficulty with grace, elegance, confidence and conviction.
Because of that, we have the picture we have, and he gave a hell of a performance. So I got to witness it and it was a team effort, the building of Dame and the making of this film. But he was a leader throughout and he really orchestrated every day, even in the chaos, he was there and present, boots on the ground, gloves on to help us craft a story. So I can’t imagine, I don’t think anybody else could have directed the film, even if Mike was in it, and have the same outcome. I think this outcome is quite beneficial to cinema and to audiences.
MF: Finally, one of the taglines of the film is, “How do you fight a fighter with nothing to lose?” But I think it really should be, “How do you fight a fighter who knows you better than you know yourself?” Can you talk about the personal history between Dame and Donnie, and why that makes Anderson such a dangerous opponent for Creed?
MBJ: Well, I feel like the people that know you the most could hurt you the worst. So I think it’s one of those things where I really wanted to go back to Adonis’s childhood and make this an origin story of sorts, and a sequel and a trilogy all in one. And it’s also a origin story for Dame as well.
So I think to be able to go back there and go through that childhood trauma, and really understand Adonis’s first relationship, his first friendship, his first heartbreak, his first betrayal, just when he first get inspired, who taught him how to fight, who protected him, and all those things that make up the man that he is today, that we know him as. Then we pick up in present day and we have a little bit more context of who he is.
But then also you have to address your past in order to really move forward and become the best version of yourself. So we wanted to see Adonis struggle with that, and struggle to talk about his past, and struggle to talk about how he feels about certain things, and see what that does to the people that are around him, his loved ones. How does that affect them? How does that affect him? Then to see him pull it out and actually rise to the mountaintop, I thought was truly inspiring.
JM: Yeah, it’s a familiar trope, isn’t it? But it’s probably the most real and the most dangerous. When you fight someone that knows you better than you know yourself, the only way to win is to grow and to engender something new in yourself. That’s very interesting.
Dame is literally the fellow who taught Adonis how to fight, and how to throw those punches. Yes, he is from the Creed stock, he is the son of a champion, but that champion was not there to teach him how to use the tools that he was given, endowed with by birth. Dame is the one who teaches him how to exercise his birth right. So there’s a social and an emotional debt that someone has to overcome.
So it transcends this idea of, “Oh, I know you physically. I know you socially and emotionally.” So I mean, that’s why we have our picture. Dame represents that in such a strong way that it really is a David vs. Goliath story on multiple levels. Adonis has to overcome that. And in the overcoming of it, he grows.
‘Creed III’ is produced by Metro-Goldwyn-Mayer, Chartoff-Winkler Productions, Outlier Society Productions, Proximity Media, and Balboa Productions, and is scheduled for release on March 3rd.
There has been some disturbed chatter in the last couple of days about video game adaptation ‘Borderlands’, which ‘Hostel’ and ‘Cabin Fever’ director Eli Roth shot way back in 2021 (it was long enough ago that star Cate Blanchett has had time to shoot ‘Tár’, which has just hit theaters).
But with word that Roth has stepped away from the film ahead of some re-shoots, there was naturally concern that it’s all gone a little wrong and that the director has somehow been fired.
Lionsgate is stepping up to do a little damage control and now comes word via Deadline that it’s more to do with a schedule clash.
Roth, you see, is finally ready to make the full-length movie ‘Thanksgiving’, spawned from a fake trailer he made to contribute to Quentin Tarantino and Robert Rodriguez’ ‘Grindhouse’.
It was popular enough that there was talk of a full movie based on the trailer, but while Roth has sometimes mentioned it, he’s finally ready to make it a reality.
‘Thanksgiving’––in fake trailer form at least––features a slasher who makes his own carving board out of the inhabitants of a Massachusetts town during the annual turkey day. One of the pivotal scenes involved Roth himself, separated from his head while in the throes of passion with a date in a convertible.
(L to R) Director and actor Eli Roth and Brad Pitt in ‘Inglourious Basterds.’
Now, of course, there could be more to it than anyone is willing to admit––given the long post-production process of ‘Borderlands’, surely there has been time for Roth to schedule making ‘Thanksgiving’ so that it doesn’t clash with ‘Borderlands’. But movie shooting schedules can be tough to figure out with so much that needs to happen, so perhaps it really is just timing.
Still, the addition of Tim Miller––who last made ‘Terminator: Dark Fate’––is an interesting one. He’s got plenty of experience with the sort of effects load that might be involved in even re-shoots of something along the lines of the game adaptation.
‘Borderlands’ adapts the popular game title and stars Blanchett as Lilith, an infamous outlaw with a mysterious past, reluctantly returns to her home planet of Pandora to find the missing daughter of the universe’s most powerful man Atlas (Edgar Ramirez).
Lilith forms an alliance with an unexpected team – Roland (Kevin Hart), a former elite mercenary, now desperate for redemption; Tiny Tina (Ariana Greenblatt), a feral pre-teen demolitionist; Krieg (Florian Munteanu), Tina’s musclebound, rhetorically challenged protector; Tannis (Jamie Lee Curtis), the scientist with a tenuous grip on sanity; and Claptrap (Jack Black), a persistently wiseass robot.
These unlikely heroes must battle alien monsters and dangerous bandits to find and protect the missing girl, who may hold the key to unimaginable power. The fate of the universe could be in their hands – but they’ll be fighting for something more: each other.
Naturally, ‘Borderlands’ has yet to announce a release date, but it’ll certainly need to impress to keep up with the current trend of successful movies and shows based on games.
Cate Blanchett as treasure hunter Lilith in Lionsgate’s ‘Borderlands.’
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This is less breaking news and more “I must break you” news.
Given how successful the two ‘Creed’ movies – which continue the story of the ‘Rocky’ films while focusing on Adonis Johnson (Michael B. Jordan), the son of Apollo Creed, as so memorably played by Carl Weathers in the 1970s and ‘80s – it’s not surprising that studio MGM might be considering spin-offs.
Word arrives today that just such an idea, a movie based around Dolph Lundgren’s Ivan Drago, is moving to the script stage.
Drago, of course, was the hulking Russian antagonist in 1985’s ‘Rocky IV,’ (who kills Apollo Creed, the fiend). Continuing the family theme, his son Viktor Drago (Florian Munteanu) was the threat to Adonis in 2018’s ‘Creed II’.
Lundgren himself acted as hype man for a Drago movie back in November last year when talking to The Hollywood Reporter. After admitting his disappointment that a fan-pleasing fight with Sylvester Stallone’s Rocky Balboa hit the cutting room floor from ‘Creed II’, he teased seeing more of Drago: “I think there’s some talk about doing a whole spinoff on Drago with MGM. So you may get more of that.”
According to The Wrap, Robert Lawton is now on board to write the script for the new movie. He reportedly impressed executives with his spec screenplay ‘Becoming Rocky’ which chronicled the behind-the-scenes efforts to make the 1976 original.
(L to R) Michael B. Jordan and Florian Munteanu in 2018’s ‘Creed II.’
And he had an idea for a Drago-centric movie that excited MGM’s team enough to score him the job. No details have emerged about what that story might be, but there is plenty of scope for more of Drago and potentially Viktor’s story to be told.
Now we wait to see whether the bell rings on this one and if a director steps aboard to guide it out of the development dressing room.
There is related, and not so good news about the next iteration of the main ‘Creed’ franchise, though chances are it’s more to give the movie time to be finished.
Star Jordan – who once again leads the cast as Adonis – stepped up to direct this latest movie, but while it was targeting a November 23rd release date until recently, it is now on the move to March 3rd next year.
And this ‘Creed’ will be without possibly its heaviest hitter besides Jordan, as this is the first in the new series not to include Stallone.
Still, ‘Creed III’ still boasts Tessa Thompson reprising her role as Donnie’s girlfriend Bianca and Phylicia Rashad is returning as his stepmother Mary Anne in its corner.
(L to R) Sylvester Stallone and Dolph Lundgren in 1985’s ‘Rocky IV.’
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MGM has released a “Creed II” featurette, and it showcases the man who will challenge Adonis “Donnie” Creed (Michael B. Jordan). Based on what we’ve seen, he’s a beast, but that should come as no surprise. Donnie’s new rival is none other than Viktor Drago (Florian Munteanu), the son of the man who killed his father in “Rocky IV.”
Munteanu, a real-life boxer, certainly looks like the real deal. The video shares some facts that would intimidate most opponents, like how he’s 6-foot-4, 245 lbs, and has a 79-inch reach. Plus, he makes training look like it’s nothing.
As you can see, Viktor is a very lean, mean fighting machine. He’s not messing around, and obviously Donnie won’t be, either. Jordan has opened up about what the storyline means for the movie and how “really, it’s about life,” as he told the Toronto Sun in September.
We’ll see how it all goes down when “Creed II” hits theaters on Nov. 21.
