Tag: fall

  • Zachary Levi Starring in New Thriller ‘Free Fall’

    'Shazam! Fury Of The Gods' star Zachary Levi attends Canadian red carpet screening proudly co-hosted by Audi Canada.
    ‘Shazam! Fury Of The Gods’ star Zachary Levi attends Canadian red carpet screening proudly co-hosted by Audi Canada. Photo: George Pimentel/Shutterstock for Warner Bros.

    Preview:

    • Zachary Levi will star in a new thriller called ‘Free Fall’.
    • Stunt coordinator Zöe Bell is directing.
    • The movie will see a father and daughter trapped after an accident.

    While Zachary Levi has spent the last few years flying around as the titular comical DC hero ‘Shazam!’, he’ll be worried about gravity in a different way for a new thriller.

    He’s now attached to the lead role in ‘Free Fall’, which will focus on a rock climber who gets into trouble many feet in the air.

    It’s just the latest movie to focus on daring climbers who end up trapped, following 2002 thriller ‘Fall’, which saw two young women trapped on a radio tower. We doubt there will be quite as many strange/dangerous interactions with vultures in this one, though we’d like to see the birds cross over to this new movie.

    Related Article: Zachary Levi Talks ‘Teddy’s Christmas’ and the Future of Superhero Movies

    Who is making ‘Free Fall’?

    Zoë Bell and Brad Pitt on the set of 'Once Upon a Time in Hollywood'.
    (L to R) Zoë Bell and Brad Pitt on the set of ‘Once Upon a Time in Hollywood’. Photo: Sony Pictures.

    The new film will mark the directorial debut of Zöe Bell, a stunt performer and coordinator who got her start on the likes of ‘Xena: Warrior Princess’.

    She spun an extensive TV stunt and acting resume into movie work, including a long stint on Quentin Tarantino’s output such as ‘The Hateful Eight,’ ‘Django Unchained,’ ‘Kill Bill,’ ‘Inglourious Basterds’, ‘Death Proof’ and ‘Once Upon a Time in Hollywood.’

    ‘Free Fall’ would mark her directorial debut after acting as Second Unit Director on some of her movies.

    What’s the story of ‘Free Fall’?

    Zachary Levi stars in 'Shazam! Fury of the Gods.'
    Zachary Levi stars in ‘Shazam! Fury of the Gods.’

    The movie, written by Sean Finegan and Gregg Maxwell Parker, tells the story of a father’s attempt to reconcile with his estranged daughter on a rock-climbing trip that turns deadly as an accident leaves them stranded hundreds of feet in the air.

    Bell aims to have the movie shooting later this year in New Zealand.

    ‘Free Fall’: the filmmakers speak

    Rosario Dawson, Tracie Thoms, Zoë Bell and Mary Elizabeth Winstead in 'Death Proof.'
    (L to R) Rosario Dawson, Tracie Thoms, Zoë Bell and Mary Elizabeth Winstead in ‘Death Proof.’ Photo: Dimension Films.

    Here’s what Bell said about the new movie in a statement:

    “This script is the perfect combo of heartfelt and heart-stopping. Between the producing team, the cast and the New Zealand crews, words don’t do justice to how thrilled I am to be bringing this film home.”

    And here’s executive producers Navid McIlhargey and Erik Olsen:

    “We’re very excited to embark on this film with so many longtime friends. Sean wrote the script after working with us as an executive on the Warner Bros. lot. And that’s where we met Zac while he was shooting ‘Chuck’ on Stage 4 and befriended Zoë after seeing her brilliant stunt work in ‘Kill Bill.’”

    When will ‘Free Fall’ be in theaters?

    ‘Free Fall’, as in indie production, hasn’t kicked off shooting yet and doesn’t have a confirmed release date.

    Zoë Bell in 'Angel of Death'.
    Zoë Bell in ‘Angel of Death’. Photo: Crackle.

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  • Survival Thriller ‘Fall’ Spawning Two Sequels

    Grace Caroline Currey in 'Fall.'
    Grace Caroline Currey in ‘Fall.’

    Preview

    • The team behind 2022’s ‘Fall’ is planning two sequels.
    • Co-writer/director Scott Mann will produce the second and make the third.
    • The first sequel will shoot next June.

    Last year, survival thriller ‘Fall’ became something of a cult hit, its vertiginous thrills entertaining audiences here and globally in theaters. And in some countries, it also arrived on Netflix (with little fanfare) but ended up still drawing in plenty of viewers.

    Co-writer/director Scott Mann’s film was a surprise critical and box office success –– made for $3 million, it ended up with more than $17 million. It also became known for the use of an AI technology called TrueSync that changed expletives from the main characters into more family-friendly language for release.

    What’s the story of ‘Fall’?

    Grace Caroline Currey and Virginia Gardner in 'Fall.'
    (L to R) Grace Caroline Currey and Virginia Gardner in ‘Fall.’

    The film follows two best friends — played by ‘Shazam!’s Grace Caroline Currey and ‘Halloween’s Virginia Gardner — who climb 2,000 feet to the top of an abandoned radio tower and find themselves stranded with no way down. Their expert climbing skills are put to the test as they desperately fight to survive the elements, vultures, a lack of supplies, and vertigo-inducing heights.

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    Who else was in ‘Fall’?

    Even though the story mostly focused on the two women, the cast also featured the likes of Mason Gooding, Jeffrey Dean Morgan, Jasper Cole, Darrell Dennis and Bamm Ericsen.

    Related Article: Movie Review: ‘Fall’ 

    What do the producers say about the ‘Fall’ sequels?

    Grace Caroline Currey and Virginia Gardner in 'Fall.'
    (L to R) Grace Caroline Currey and Virginia Gardner in ‘Fall.’

    Here’s what Christian Mercuri, CEO of financial backers Capstone Studios, had to say:

    “These two new sequels are wonderful opportunities to expand on the original. We want to now take the franchise even further as we assemble the very best team and ideas to ensure the next hair-raising, death defying and pulse pounding film to global audiences.”

    And Mann, who will be closely involved going forward, said this:

    “I am thrilled to be continuing the Fall journey and taking it to the next level. We’ve got a really special cinematic experience planned and I’m immensely grateful to my fellow producers for backing the vision. I’m also excited to be working with new collaborators as well as reuniting with the original gang, and obviously can’t wait to be back filming thousands of feet up.”

    The plan, according to The Hollywood Reporter, is to have some of the original characters return for the sequels, while adding new ones. And Mann is going to produce the second and return to co-write and direct the third as he did with the first.

    How can I watch ‘Fall’ and the sequels?

    ‘Fall’ is currently available to rent and buy on all major digital platforms. It can be streamed via Starz and Spectrum.

    Fall 2’ is scheduled to start shooting in June next year. Neither it nor ‘Fall 3’ have a release date set yet.

    Grace Caroline Currey and Virginia Gardner in 'Fall.'
    (L to R) Grace Caroline Currey and Virginia Gardner in ‘Fall.’

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  • Movie Review: ‘Fall’

    Grace Caroline Currey and Virginia Gardner in 'Fall.'
    (L to R) Grace Caroline Currey and Virginia Gardner in ‘Fall.’

    Fall’ is now in theaters and it might just have you re-thinking plans to climb abandoned, rusty, remote towers that stretch 2,000 feet high above the desert sky.

    Actually, if you were already considering planning to climb abandoned, rusty, remote towers that stretch 2,000 feet high above the desert sky, you might already want to re-think your life choices as a whole.

    Still, stranding a pair of thrill-seekers thousands of feet in the sky certainly makes for a pulse-pounding drama, which gets a lot out of a little. And that’s not a criticism – ‘Fall’ offers stripped-down thrills and eschews excess for an effective story, at least until close to the end.

    The movie kicks off with a throwback to Sylvester Stallone classic ‘Cliffhanger’, in which Becky (Grace Caroline Currey), husband Dan (Mason Gooding) and daredevil Hunter (Virginia Gardner) are climbing an impressive cliff face when Dan falls and is killed (this is hardly a spoiler, as it literally kicks off the movie).

    Grace Caroline Currey and Virginia Gardner in 'Fall.'
    (L to R) Grace Caroline Currey and Virginia Gardner in ‘Fall.’

    Becky is shattered by the event – though probably not as much as Dan – and, mired in grief for nearly a year, shies away from any dangerous activities beyond getting drunk in bars. Her father James (Jeffrey Dean Morgan in a small, but emotional role) tries to pull her out of it to little effect.

    Yet it’s Hunter who finally convinces Becky to get back out there, proposing a new challenge – the women will climb the 2,000-foot-high B67 TV Tower that sits abandoned in the sweltering, dusty California desert. Becky is naturally nervous to attempt it, but Hunter’s energy and cajoling helps her come back out of her shell and clambering on to the ladder.

    Climbing up the tower is scary yet exciting for the pair, but when a rusted external ladder breaks and falls away, they’re left stranded high above the ground. And that’s where the drama really begins.

    Director/co-writer Scott Mann and co-writer Jonathan Frank originally conceived the idea as a short for a program that didn’t go ahead and have since re-tooled it into this feature. Its roots as a short piece are still evident – a lot of the kinks have been worked out, and the movie uses its sparse premise to figure out some fresh dramatic opportunities.

    Grace Caroline Currey in 'Fall.'
    Grace Caroline Currey in ‘Fall.’

    Currey, who you might know from ‘Annabelle: Creation,’ ‘Shazam!’ and TV’s ‘Revenge’ shares the lion’s share of the screen time with Gardner (2018’s ‘Halloween’, ‘Project Almanac’). Both actors make their characters work as the story unfolds and the pair tries to let someone that they’re stuck.

    You buy into the idea that these women have known each other for years and, as the mood shifts slightly on the windswept top of the platform, they both ensure that characters (particularly Hunter) who could be annoying, never go fully that way.

    With the main throughline, it’s Currey who makes the biggest impression, carrying the weight of a character searching for a way out of her crushing grief and sadness. She finds it in the thrill of accomplishment, though that soon turns back into nerve-shredding fear. Gardner does good work as Hunter, too, though.

    You’ll want both of them to survive, even if you do wonder what the hell they were thinking in the first place. Being brave is one thing, but stupidly failing to bring tools that could help in the event of different scenarios is quite another.

    Virginia Gardner in 'Fall.'
    Virginia Gardner in ‘Fall.’

    Outside of our dynamic duo, the cast is mostly limited to Morgan’s brief moment and the few people on the ground who come anywhere near the tower – suffice to say, it doesn’t usually go well.

    A smart move here was deciding against the original plan to shoot on an LED “volume” (as seen on ‘Star Wars’ series ‘The Mandalorian’), the budget instead necessitating using platforms of different heights, including one 60 feet up. The reality plays into the tension, and you actually feel the danger that the characters are in.

    If you’ve ever had issues with vertigo or a huge fear of heights, we’d caution that you’ll be in for a visceral, scary experience that could test the limits of watching something like this in the theater. And that’s to Mann’s credit – he, cinematographer MacGregor and editor Robert Hall craft something that works on different levels, many of which are likely to raise your blood pressure.

    Shots of screws slowly wriggling free from their warped holes, jiggling cables and impressive sound work with groaning structures and whistling wind and it whips our protagonists’ hair around their faces.

    There is some overreliance on fake-outs in the early going – handles suddenly breaking free from ladders, for example. There’s foreshadowing and then there’s fore-slapping you in the face with the idea of what could happen.

    And, as the story moves along and the drama deepens, one or two of the turns stretch credibility. Though it’s an ambitious way to go, there’s something about it that doesn’t quite ring true.

    That said, it doesn’t detract too much from the vicarious thrills that ‘Fall’ has to offer. It will keep you guessing as to how the situation will resolve, and there are some smart visuals on display, not the least of which is the use of a drone that the two women initially use to document their achievement and then attempt to fly to a nearby town to alert the authorities to their predicament.

    Provided you don’t mind a cold chill pooling in your stomach if you have any issues with height while watching, ‘Fall’ offers an entertaining ride at the movies and offers proof that it’s not just Tom Cruise that can entertain while clinging to very high things.

    You may just end up at the edge of your seat… but do try to hold on, even if it’s only a two-foot fall to the floor.

    ‘Fall’ receives 3.5 out of 5 stars.

    Grace Caroline Currey in 'Fall.'
    Grace Caroline Currey in ‘Fall.’
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  • ‘Halloween’ Star Jamie Lee Curtis on Shooting Scary Scenes and ‘Verse Vs. Versus’ in Latest ‘Unscripted Overtime’

    ‘Halloween’ Star Jamie Lee Curtis on Shooting Scary Scenes and ‘Verse Vs. Versus’ in Latest ‘Unscripted Overtime’

     

    Blumhouse

    Jamie Lee Curtis has a storied history in show business (or as she likes to call it “show off business”), so it’s safe to say that when she has an opinion on something, it’s best to listen.

    And while these takes didn’t make it into the final cut of our episode of “Unscripted: Halloween,” they’re still worthy of “Unscripted Overtime,” quick videos that highlight the best clips (unfortunately) cut for time.

    In our first OT for “Halloween,” Curtis — along with director David Gordon Green and producer Jason Blum — break down the generational difference in the pronunciation of the abbreviated “versus.”

    And in our second OT, the Original Scream Queen explains the ins and outs of shooting a scary scene, and why she has no time for abusive directors who try to scare their actors on purpose.

    “Halloween” also stars Judy GreerAndi Matichak, and Will Patton, with Nick Castle returning as Michael Myers. Make sure to check it out when it hits theaters October 19!

  • What Those ‘Final Four Words’ Really Mean for ‘Gilmore Girls’

    gilmore girls, a year in the life, final four words, last four words, netflix, ending, fallWARNING: This post contains MAJOR SPOILERS for “Gilmore Girls: A Year in the Life,” and reveals the infamous “final four words.” Do not read on if you have not watched and do not want to be spoiled.

    If you’re a “Gilmore Girls” obsessive, you probably spent the day after Thanksgiving enjoying your leftovers with a hefty helping of binge-watching, too, devouring the four installments of Netflix revival series “Gilmore Girls: A Year in the Life.” It was wonderful and a bit surreal to suddenly be back in Stars Hollow, picking up with Lorelai, Rory, and Emily nine years after the original show signed off, and finding out just where life had taken them in the time since we last saw them on our television screens.

    With any revival of a long-dormant, much-beloved series, there are bound to be things that both delight and disappoint viewers in equal measure, and “A Year in the Life” was chock full of that dichotomy. Seeing Rory and Lorelai banter about coffee and pop culture again was great; seeing Rory cheat on her boyfriend with an engaged Logan, not so much. Discovering that Emily was born to be a museum docent (and swear up a storm in front of her buttoned-up DAR pals) may have been the best thing about the revival; finding out that Paris and Doyle are getting divorced, or that Lane had almost no lines at all, made us pretty sad.

    But the biggest — and most divisive — plot line was saved for the very end of the series, with the last scene in “Fall” finally delivering the long-anticipated, much-hyped, now-legendary “final four words,” with which “Gilmore” creator Amy Sherman-Palladino intended to end the original series before departing amid a contract dispute ahead of season seven. Here they are, as delivered by Rory (Alexis Bledel) and Lorelai (Lauren Graham):

    Rory: Mom?

    Lorelai: Yeah?

    Rory: I’m pregnant.

    That shocking mother-daughter exchange raises some major questions not only for the characters themselves, but the future of “Gilmore Girls” going forward. Let’s break down the biggest talking points:

    Who’s the father?

    The answer to this one seems pretty straightforward, since Rory was consistently sleeping with Logan (Matt Czuchry) throughout “Winter,” “Spring,” “Summer,” and “Fall,” and only finally broke up with him for good a few weeks before making her big announcement at the end of “Fall.” And her pregnancy sheds some new light on an earlier scene with her father, Christopher (David Sutcliffe), in which Rory asks if he regretted letting Lorelai raise Rory on her own, indicating she’s debating whether or not she wants to involve Logan at all in her pregnancy and the baby’s life.

    Still, there are some who wonder if perhaps Rory’s sad sack boyfriend Paul is the father (a possibility we’re ruling out, since Rory never had time to see him, let alone sleep with — or break up with — him throughout the revival), or maybe that Wookiee she slept with while reporting her lines story (a timeline that just doesn’t work out, based on the season of her pregnancy announcement). The most popular dueling theory is that Rory could be serving as a surrogate for Lorelai and Luke, using Paris’s services to give her mom and new step-dad a baby. Judging by the surprise on Lorelai’s face, though, and the urgency in Rory’s voice when she broke the news to her mother, it certainly doesn’t seem like a likely scenario (or that this pregnancy was planned). Logan is almost definitely the daddy.

    What would have happened if the words were actually used when Amy Sherman-Palladino intended?

    As noted above, much has been made about Sherman-Palladino having intended to use these words to end the show’s original run. But if she had stayed on through season seven (the show’s last before getting canceled by The CW), would it have made sense for Rory to get pregnant then? After all, she would have just graduated from Yale and been only 22 at the time. Would Logan have been the father? And would they have still been together, rather than breaking up after a rejected marriage proposal? A pregnancy would have made things a bit tricky for the aspiring journalist, fresh out of college and just beginning her career. Then again, at 22, and with a prestigious degree under her belt, Rory had many more options (and a lot more emotional and financial support) available to her than her mom did when she got pregnant at 16.

    As part of her contract dispute that prompted her exit, Sherman-Palladino had wanted an eighth season to wrap up the story; perhaps she would have used those extra episodes to skip ahead into the future a bit, setting Rory up for a slightly easier time as a single mom. We’ll never know, but it’s certainly an intriguing aspect of the reveal to ponder.

    Does this mean the show will continue? And should it?

    Not even Sherman-Palladino knows yet whether or not we’ll get another season of “A Year in the Life,” and honestly, we’re not sure whether or not we want one. On the one hand, of course, seeing more from Stars Hollow — and getting some more resolution to Rory’s story line — is certainly a welcome prospect. On the other, Rory’s revelation is truly a full-circle moment, a Gilmore girl potentially giving life to another Gilmore girl, and following in her mother’s footsteps. (Not to mention the finality of Lorelai and Emily’s story lines, with each of them seeming to come to terms with where they are in life, and finding personal peace.) And not for nothing, but it was always ASP’s intention to have things end this way, finally and definitively.

    But excitement for the revival was ridiculously high, and while the notoriously secretive Netflix probably won’t be divulging viewing numbers, we feel confident that rabid “Gilmore” fans watched the new episodes in droves. It would be a no-brainer, then, for the streaming service to order up another installment of “A Year in the Life.” Sherman-Palladino has hedged her bets a bit, telling The Hollywood Reporter that she wants to see how the revival performs before thinking about making more.

    “We really had a very specific journey in our minds and we fulfilled the journey. So to us, this is the piece that we wanted to do. And the whole thought about, is there more, is there more, is there more — this has to go out into the universe now,” she told THR. “And then whatever happens, happens.”

    Actress Kelly Bishop, who plays Emily, told the trade that wherever Sherman-Palladino led, she would follow (meaning she’d definitely do more episodes), while Scott Patterson, who plays Luke, said that he’d be willing to sign up to do additional installments every year or two. But even Patterson admitted that there was some finality to the end of “Fall.”

    “It was really rewarding and people got a sense that if this was going to be the last thing, that we now have some closure,” the actor told THR.

    Setting the final four words aside, there are still plenty of questions and plot holes that we’d like to see addressed should “A Year in the Life” get another order. A.V. Club critic Myles McNutt has suggested that there be more focus put on the supporting “Gilmore” characters (we’re most interested in actually catching up with Lane, and perhaps seeing Paris and Doyle reunite). And that final look that Jess (Milo Ventimiglia) gave Rory in “Fall” indicates that he’s still carrying a torch for her, setting up a future season in which they finally give their relationship another try as adults. (A popular fan theory is that Logan is Rory’s Christopher, while Jess is her Luke.)

    The jury is still out, though your personal opinion on the matter may depend most heavily on your answer to the next question.

    Was the ending even good?

    This will probably be the biggest debate among “Gilmore” fans, and we don’t see the discussion over it ending anytime soon. For some, it makes perfect sense (see the full circle argument above). For others, it seemed like a cheap (and some say predictable) twist. It’s hard to judge “A Year in the Life” on its own merits without factoring in the final four words — they really do color much of the revival differently once you know them — but we’d say that overall, we’re certainly happy that it exists. (Again, the greatness of Emily’s DAR rant can’t be understated.) And no matter what you think about that last bit of dialogue, it’s gotten us obsessing over “Gilmore Girls” all over again, after so many years without our beloved show. We’ll raise a steaming mug of coffee to that any day.

    Photo credit: Saeed Adyani/Netflix

  • New ‘Gilmore Girls: A Year in the Life’ Posters Are a Seasonal Delight

    We’re now just over a month away from the release of “Gilmore Girls: A Year in the Life,” and Netflix is rewarding fans for their patience by releasing four brand new posters for the revival series.

    The one-sheets celebrate the new episodes’ seasonal theme, with each one representing a specific season/episode: Winter, Spring, Summer, and Fall. Lorelai (Lauren Graham) and Rory (Alexis Bledel) appear on each poster, smiling and posing with season-appropriate props, including snowflakes, bouquets of flowers, sparklers and a flag, and falling leaves. (You can probably figure out which posted corresponds to which episode based on those items.)
    gilmore girls, a year in the life, netlfix, posters, seasons, rory, lorelaigilmore girls, a year in the life, netlfix, posters, seasons, rory, lorelaigilmore girls, a year in the life, netlfix, posters, seasons, rory, lorelaigilmore girls, a year in the life, netlfix, posters, seasons, rory, lorelai
    They’re striking, beautiful images that perfectly capture the excitement that this revival has generated, and the essence of the series overall. And they’re in keeping with what we’ve seen so far from “A Year in the Life,” staying true to the warm, witty tone that made the original series run such a beloved fan favorite (and made it such a no-brainer decision for Netflix to bring it back from the dead after a nearly decade-long absence).

    Of course, we know that it’s not all fun and games with the revival, with the death of Richard (the late Edward Herrmann) hanging over the series, and informing some big life decisions on the part of Lorelai, Rory, and Emily (Kelly Bishop). How our “Girls” handle that loss will no doubt be bittersweet, but then again, moments of poignancy are also a classic “Gilmore” trope, too.

    “Gilmore Girls: A Year in the Life” debuts on Netflix on November 25.

    Photo credit: All images courtesy of Netflix

  • There’s a Reason the ‘Gilmore Girls’ Revival Is 4 Episodes

    Gilmore Girls (WB) Season 1, 2000-2001Episode: Love and War and Snow  Airdate: December 14, 2000Shown from left: Alexis Bledel (as Rory Gilmore), Lauren Graham (as Lorelai Gilmore)It’s been Gilmore Girls” revival, and now, there’s word that the limited series may feature a cool narrative twist.

    TVLine reports that the entire season will take place over the course of one calendar year, with each of the four 90-minute mini-movies/episodes devoted to events that take place in one of the four seasons: winter, spring, summer, and fall. If that wasn’t intriguing enough, there’s also more good news happening behind the scenes, according to TVLine:

    AS-P [“GG” creator Amy Sherman-Palladino] and exec producer Daniel Palladino (AKA Team Palladino) will write and direct the entire revival, which will be set in the present day (or roughly eight years after the series ended). Negotiations with the show’s primary cast — Lauren Graham, Alexis Bledel, Kelly Bishop and Scott Patterson — are said to be underway.

    We like that they’re not going to pretend that the entire cast hasn’t aged almost a decade, and deal with life in the present. And one present-day moment the series clearly needs to address is the loss of beloved Grandpa Gilmore, to mark actor Edward Herrmann‘s real-life death in 2014. We have plenty more ideas where that came from, and we’re excited to see what the Palladinos have in store. We’re also excited that Lauren Graham’s non-denial of the news appears accurate.

    As for the season conceit, it definitely makes sense, considering how important winter/snow is to Lorelai (Graham) in particular. We’d love to see the series end with winter to reflect that significance. Maybe this revival will conclude with someone’s wedding in a snow-covered Stars Hallow? We can’t wait to find out.

    Now if only we could somehow find a way to convince Mother Nature to cook up a bunch of new, different seasons so this revival could be longer…

    [via: TVLine]

    Photo credit: The WB/Photofest

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