Tag: ethan-hawke

  • Movie Review: ‘Black Phone 2’

    Ethan Hawke as the Grabber in 'Black Phone 2', directed by Scott Derrickson. Photo: Universal Pictures.
    Ethan Hawke as the Grabber in ‘Black Phone 2’, directed by Scott Derrickson. Photo: Universal Pictures.

    Opening in theaters October 17 is ‘Black Phone 2,’ directed by Scott Derrickson and starring Ethan Hawke, Mason Thames, Madeleine McGraw, Jeremy Davies, Demián Bichir, Miguel Mora, and Arianna Rivas.

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    Related Article: ‘The Black Phone’s Scott Derrickson to Make New ‘Night of the Hunter’ Movie

    Initial Thoughts

    (L to R) Finn (Mason Thames) and The Grabber (Ethan Hawke) in 'Black Phone 2', written and directed by Scott Derrickson. Photo: Universal Pictures.
    (L to R) Finn (Mason Thames) and The Grabber (Ethan Hawke) in ‘Black Phone 2’, written and directed by Scott Derrickson. Photo: Universal Pictures.

    2022’s ‘The Black Phone,’ directed by Scott Derrickson from a script by him and C. Robert Cargill (based on a short story by Joe Hill), was a fresh, supernaturally-slanted take on the serial killer trope, told through the lens of Derrickson’s own childhood memories of growing up in a working-class Denver, Colorado neighborhood in the 1970s. It featured Derrickson’s uncanny ability to craft scenes filled with menace, as well as genuinely harrowing work from Ethan Hawke as the child killer known as the Grabber and Mason Thames as his latest victim.

    Although ‘The Black Phone’ was a self-contained story, Derrickson and Cargill have found a way to extend the narrative with ‘Black Phone 2,’ which also brings back Hawke, Thames and Madeleine McGraw as the sister of Thames’ character. Leaning more heavily into the supernatural, and wearing influences like the ‘Nightmare on Elm Street’ films and ‘The Shining’ more outwardly, the slow-burning ‘Black Phone 2’ strains at times to force its narrative forward but still delivers an often-frightening and gorier new chapter of the story.

    Story and Direction

    (L to R) Ethan Hawke and director Scott Derrickson on the set of 'Black Phone 2'. Photo: Universal Pictures.
    (L to R) Ethan Hawke and director Scott Derrickson on the set of ‘Black Phone 2’. Photo: Universal Pictures.

    It’s four years since Finney ‘Finn’ Blake (Thames) was held captive by the Grabber (Hawke), finally killing him and escaping with the help of calls from the murderer’s previous, dead victims on a disconnected rotary phone in the Grabber’s basement lair. Still plagued by trauma from his encounter, Finn at first does not want to hear that his younger sister Gwen (McGraw) is having psychic dreams – just like their mother, who ended her own life – in which she sees three dead, mutilated boys at a Christian youth camp called Alpine Lake.

    After learning from their father (Jeremy Davies, more dazed this time around) that their mother worked at the camp years ago, Gwen insists that she and Finn – along with their friend Ernesto (Miguel Mora, returning from the first film but this time as his doomed character’s brother) — head up there to find out what happened to the boys before the dreams drive her mad. Snowed in with the camp’s manager (Bichir), his niece (Rivas) and a pair of administrators, the group are besieged not just by Gwen’s ever more vivid dreams but physical manifestations as well – and increasing signs that the Grabber himself is reaching out from beyond the grave to take revenge on Finn and Gwen.

    The lonely, windswept, snowbound camp, its buildings’ big picture windows looking out on absolute darkness at night, is a highly effective setting for ‘Black Phone 2.’ Derrickson wrings the most atmosphere out of that, but saves his most unnerving moments for Gwen’s dreams, which are filmed in Super 8 (another Derrickson trademark that goes back to ‘Sinister’). The grainy, faded look adds a layer of unreality to the dreams that is hard to shake, especially as the movie’s spirits begin to appear. As in the first film, the director also knows how to get maximum terror out of a ringing phone and a static-filled line – two things that are often more unsettling than most of us want to admit.

    (L to R) Director Scott Derrickson and Madeleine McGraw on the set of 'Black Phone 2'. © 2025 Universal Studios. All Rights Reserved.
    (L to R) Director Scott Derrickson and Madeleine McGraw on the set of ‘Black Phone 2’. © 2025 Universal Studios. All Rights Reserved.

    Some of the characters – like Finn, Gwen, and Bichir’s Armando, are well-drawn and given more depth, while others, like the Blakes’ now-sober but dazed dad, get the short end of the stick. Perhaps more controversially, Derrickson and Cargill’s script provides the Grabber with more of an origin story this time, while also explicitly making him into a supernatural being. The story also labors to tie the Blakes and the Grabber together in a more unified way. Whether that makes the universe of the film smaller and less mysterious is a matter of debate, but it makes the script more contrived this time around.

    The film also bends the grounded vibe of its predecessor to allow for events in dreams to affect the physical world, which brings this narrative closer to that of ‘A Nightmare on Elm Street’ and its well-loved ‘Dream Warriors’ threequel. It’s not an entirely successful gambit, but it doesn’t detract from the still-heartfelt and genuinely terrifying story at hand.

    Cast and Performances

    (L to R) Finn (Mason Thames), Ernesto (Miguel Mora) and Gwen (Madeleine McGraw) in 'Black Phone 2', directed by Scott Derrickson. © 2025 Universal Studios. All Rights Reserved.
    (L to R) Finn (Mason Thames), Ernesto (Miguel Mora) and Gwen (Madeleine McGraw) in ‘Black Phone 2’, directed by Scott Derrickson. © 2025 Universal Studios. All Rights Reserved.

    Although he arguably has less screen time here, Ethan Hawke is still skin-freezing as the Grabber, bringing an intensity to the role that makes him one of the more striking horror creations of the past decade.

    But the movie belongs to Mason Thames and especially Madeleine McGraw, both older and wiser – and a masterstroke for Derrickson to get them both back. Finn and Gwen are suffering from PTSD in their own way, and both actors offer up a raw portrait of two kids deeply suffering from trauma. In the end, it’s McGraw’s emotional, complex performance that stands out the most, marking her as an actor to watch.

    The supporting cast is capable in all respects, but Demián Bichir also deserves mention: his customary warmth, earthiness, and humanity bring depth and empathy into a character that could have easily been one-dimensional.

    Final Thoughts

    (L to R) The Grabber (Ethan Hawke) and Gwen (Madeleine McGraw) in 'Black Phone 2', directed by Scott Derrickson. Photo: Universal Pictures.
    (L to R) The Grabber (Ethan Hawke) and Gwen (Madeleine McGraw) in ‘Black Phone 2’, directed by Scott Derrickson. Photo: Universal Pictures.

    ‘Black Phone 2’ doesn’t just recycle the first film, like many horror sequels, and while not every new direction it takes works, the film is still a mostly gripping and unsettling affair. Scott Derrickson remains a master of sustaining a mood of dread throughout, and gets the most out of those truly eerie dream sequences.

    If the story twists itself to get to where the filmmakers want it to go, and the logic of the movie wobbles from time to time, it makes up for those flaws with some truly great performances, the director’s use of space, shadow, and texture, and the ominous netherworld in which it’s set. If the ‘Elm Street’ movies had kept playing it straight, they might have ended up here.

    ‘Black Phone 2’ receives a score of 80 out of 100.

    (from left) Finn (Mason Thames) and The Grabber (Ethan Hawke) in 'Black Phone 2', directed by Scott Derrickson. © 2025 Universal Studios. All Rights Reserved.
    (from left) Finn (Mason Thames) and The Grabber (Ethan Hawke) in ‘Black Phone 2’, directed by Scott Derrickson. © 2025 Universal Studios. All Rights Reserved.

    What is the plot of ‘Black Phone 2’?

    In 1982, four years after the events of ‘The Black Phone,’ Finney Blake is trying to deal with the trauma of his experience with the now-dead Grabber. Meanwhile, his sister Gwen starts having terrifying visions of mutilated children and nightmares that include a ringing phone.

    Who is in the cast of ‘Black Phone 2’?

    • Mason Thames as Finney Blake
    • Madeleine McGraw as Gwen Blake
    • Ethan Hawke as the Grabber
    • Demián Bichir as Armando
    • Miguel Mora as Ernesto Arellano
    • Jeremy Davies as Terrence Blake
    • Arianna Rivas as Mustang
    • Anna Lore as Hope
    • Graham Abbey as Kenneth
    • Maev Beaty as Barbara
    The Grabber (Ethan Hawke) in 'Black Phone 2', directed by Scott Derrickson. Photo: Universal Pictures.
    The Grabber (Ethan Hawke) in ‘Black Phone 2’, directed by Scott Derrickson. Photo: Universal Pictures.

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  • Ethan Hawke to Write Remake of ‘The Gunfighter’

    Oscar®-nominated writer Ethan Hawke arrives for the live ABC Telecast of The 86th Oscars® at the Dolby® Theatre on March 2, 2014 in Hollywood, CA. Credit/Provider: Matt Petit / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.
    Oscar®-nominated writer Ethan Hawke arrives for the live ABC Telecast of The 86th Oscars® at the Dolby® Theatre on March 2, 2014 in Hollywood, CA. Credit/Provider: Matt Petit / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.

    Preview:

    • Ethan Hawke is aboard to co-write a new version of ‘The Gunfighter.’
    • He’ll work on the script with writing partner Shelby Gaines.
    • There’s a chance Hawke could direct the movie.

    In a time when the Western as a genre seems largely to be succeeding more on TV that it does in movies (see the success of ‘Yellowstone,’ which especially in its period prequel outings is very much of that type, compared to the floptastic big screen likes of Kevin Costner’s ‘Horizon: An American Saga’), it might seem risky to contemplate a new one.

    Yet that isn’t deterring with 20th Century Studios or actor/writer/director Ethan Hawke who, per Deadline, are coming together to explore the idea of a new take on a classic of the genre. And what’s more, an underappreciated one at that.

    Their target is one from the studio’s vaults –– or at least from when it was still known as 20th Century Fox: ‘The Gunfighter,’ which starred Gregory Peck.

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    Right now, according to the trade site, Hawke’s deal is just to write and produce the movie, but the hope is that if he and co-writer Shelby Gaines are happy with the screenplay, he may choose to call the shots.

    Related Article: Ethan Hawke Talks Marvel’s ‘Moon Knight’

    What’s the story of ‘The Gunfighter’?

    Gregory Peck in 'The Gunfighter'. Photo: 20th Century Fox.
    Gregory Peck in ‘The Gunfighter’. Photo: 20th Century Fox.

    Directed by Henry King from a script by William Bowers and William Sellers, itself based on a story from André De Toth, ‘The Gunfighter’ focuses on reformed gunfighter Jimmy Ringo (Peck), on his way to a sleepy town in the hope of a reunion with his estranged sweetheart (Helen Westcott) and their young son (B.G. Morgan) who he has never seen.

    On arrival, a chance meeting with some old friends including the town’s Marshal (Millard Mitchell) gives the repentant Jimmy some respite. But as always, Jimmy’s reputation has already cast its shadow, this time in the form of three vengeful cowboys hot on his trail and a local gunslinger hoping to use Jimmy to make a name for himself.

    With a showdown looming, the town is soon in a frenzy as news of Jimmy’s arrival spreads. His movements are restricted to the saloon while a secret meeting with his son can be arranged giving him ideas of a long-term reunion with his family far removed from his wild past.

    The film, released in 1950, was nominated at the 1951 Academy Awards for its story (those were the days when stories were rewarded as well as scripts).

    What has Ethan Hawke said about the movie?

    Ethan Hawke plays Arthur Harrow in Marvel's 'Moon Knight' on Disney+.
    Ethan Hawke plays Arthur Harrow in Marvel’s ‘Moon Knight’ on Disney+.

    Hawke is a big fan of the original, having discovered it partly between the Bob Dylan song ‘Brownsville Girl’ and through his friendship with director Richard Linklater.

    And while he wouldn’t ordinarily rush to work on a remake, he does realize a good reason for revisiting ‘The Gunfighter,’ partly based on his experiences acting in the remake of ‘The Magnificent Seven.’

    Talking on an episode of Turner Classic Movie channel’s ‘Two for One’ series, this is what Hawke had to say:

    “One of the things that’s so hard about trying to remake a movie that means a lot to other people, they’re just never going to think your version’s better than the one they grew up on. They’re never going to think that, and you’d be way better off picking, you know, some totally forgotten Western that didn’t really work, but had a great idea to it.”

    We would argue that ‘Gunfighter’s Oscar nomination suggests it did work to some degree, but it’s not like it’s spoken about in the same way as, perhaps, ‘The Good, The Bad and The Ugly.’

    What else does Ethan Hawke have coming out?

    Ethan Hawke as The Grabber in 'The Black Phone,' directed by Scott Derrickson.
    Ethan Hawke as The Grabber in ‘The Black Phone,’ directed by Scott Derrickson.

    As a filmmaker, Hawke most recently brought us 2023’s ‘Wildcat,’ which stars his daughter, Maya Hawke and was co-written by Gaines.

    Since then he’s acted in the likes of ‘Leave the World Behind,’ and has ‘Blue Moon’ set for release this year.

    He has also worked on horror sequel ‘The Black Phone 2’ (where he’ll return as The Grabber) and drama ‘Tonight at Noon.’ Hawke is currently filming TV series ‘The Sensitive Kind.’

    When would this new version of ‘The Gunfighter’ mosey into theaters?

    Before you saddle up your steel horse and ride to your local movie palace, hold on. This new take on the Western doesn’t even have a script in place yet, so it won’t be going anywhere for quite a while.

    That all said, who isn’t excited by the prospect of Hawke working on a new Western, current movie climate notwithstanding?

    Ethan Hawke in Ti West's 'In a Valley of Violence'.
    Ethan Hawke in Ti West’s ‘In a Valley of Violence’. Photo: Blumhouse Productions.

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  • Demián Bichir Joins ‘The Black Phone 2’

    Oscar®-nominated actor Demian Bichir prior to the 41st Annual Student Academy Awards® on Saturday, June 7, in Hollywood. Credit/Provider
    Oscar®-nominated actor Demian Bichir prior to the 41st Annual Student Academy Awards® on Saturday, June 7, in Hollywood. Credit/Provider
    Todd Wawrychuk /©A.M.P.A.S. Copyright: ©A.M.P.A.S.

    Preview:

    • Demián Bichir has been cast in ‘The Black Phone 2.’
    • Scott Derrickson is returning to direct.
    • The horror sequel will be in theaters in October 2025.

    Given how successful the original ‘The Black Phone’ was back in 2021 (it made $161 worldwide, which might not seem huge, but the budget was a thrifty $18 million), it’s not surprising that Universal and Blumhouse made a deal with co-writer/director Scott Derrickson to scare up another instalment.

    Derrickson is in pre-production now on ‘The Black Phone 2’, which will somehow see the return of Ethan Hawke’s terrifying masked child-snatcher The Grabber.

    And now, according to Deadline, Demián Bichir has joined the cast for the horror sequel.

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    What’s the story of ‘The Black Phone 2’?

    (L to R) Vance Hopper (Brady Hepner) and Finney Shaw (Mason Thames) in 'The Black Phone,' directed by Scott Derrickson.
    (L to R) Vance Hopper (Brady Hepner) and Finney Shaw (Mason Thames) in ‘The Black Phone,’ directed by Scott Derrickson.

    In case you need a refresher, or don’t know the story of the original, here’s the basic synopsis:

    Set in 1978 Colorado, ‘The Black Phone’ is adapted from a short story by Joe Hill and sees the shy 13-year-old Finney Shaw (Mason Thames) abducted by a sadistic killer known as “The Grabber” (Hawke).

    Thereafter, Finney is held captive in a soundproof basement, where he discovers a disconnected black rotary phone. Mysteriously, the phone begins to ring, and Finney hears the voices of The Grabber’s previous victims, who offer him advice and clues to escape. Meanwhile, Finney’s younger sister, Gwen (Madeleine McGraw), experiences psychic visions that might help locate him.

    Zero plot details have been released for the sequel, though we do know that Hawke, Thomas and McGraw will all be back alongside co-stars Jeremy Davies and Miguel Mora.

    As for what the story could conceivably be? We’ll have to wait and see what Derrickson and regular co-writer C. Robert Cargill have cooked up, but there are different ideas to speculate about –– we could be looking at a narrative partly set in the past, exploring the Grabber’s crimes before he took Finney and was ultimately defeated.

    Or perhaps the pair could be looking to go down an even more supernatural route, setting the character up to become more of a Freddy Kruger figure who can haunt the people who stopped him.

    Related Article: Ethan Hawke Talks Horror Film ‘The Black Phone’

    Who will Demián Bichir play in ‘The Black Phone 2’?

    (L to R) Demián Bichir, Oscar®-nominee for Performance by an Actor in a Leading Role, and Stefanie Sherk arrive for the 84th Annual Academy Awards® from Hollywood, CA February 26, 2012. Credit/Provider: Heather Ikei / ©A.M.P.A.S.Copyright: ©A.M.P.A.S.
    (L to R) Demián Bichir, Oscar®-nominee for Performance by an Actor in a Leading Role, and Stefanie Sherk arrive for the 84th Annual Academy Awards® from Hollywood, CA February 26, 2012. Credit/Provider: Heather Ikei / ©A.M.P.A.S.Copyright: ©A.M.P.A.S.

    Universal and Blumhouse are staying quiet thus far about Bichir’s character.

    Bichir most recently worked on Angelina Jolie’s ‘Without Blood,’ an adaptation of Alessandro Baricco’s book, in which he stars opposite Salma Hayek.

    Other recent credits include ‘Godzilla vs. Kong,’ Robin Wright’s ‘Land,’ George Clooney’s ‘The Midnight Sky,’ and Warner Bros’ horror movie ‘The Nun.’

    When will ‘The Black Phone 2’ be in theaters?

    While Universal and Blumhouse originally scheduled the movie for June 2025, it has since shifted to a surely more appropriate slot of October 17th, 2025.

    Oscar®-nominated actor Demian Bichir during the 41st Annual Student Academy Awards® on Saturday, June 7, in Hollywood. Credit/Provider: Richard Harbaugh / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.
    Oscar®-nominated actor Demian Bichir during the 41st Annual Student Academy Awards® on Saturday, June 7, in Hollywood. Credit/Provider: Richard Harbaugh / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.

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  • Ethan Hawke and Margaret Qualley Starring in ‘Blue Moon’

    (Left) Ethan Hawke plays Arthur Harrow in Marvel's 'Moon Knight' on Disney+. (Right) Margaret Qualley in 'Kinds of Kindness.' Photo by Yorgos Lanthimos. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.
    (Left) Ethan Hawke plays Arthur Harrow in Marvel’s ‘Moon Knight’ on Disney+. (Right) Margaret Qualley in ‘Kinds of Kindness.’ Photo by Yorgos Lanthimos. Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

    Preview:

    • Richard Linklater has cast his next film, ‘Blue Moon’.
    • Ethan Hawke, Margaret Qualley and Andrew Scott are all aboard.
    • Linklater will film in Dublin, Ireland this summer.

    While some directors would be content to rest on their laurels after a successful recent release (the Glen Powell-starring Netflix smash ‘Hit Man’), that really isn’t Richard Linklater’s style.

    He already has ‘Nouvelle Vague’, about the production of Jean-Luc Godard’s ‘Breathless’ in the editing stage and is also still shooting footage for his decades-in-the-making film version of musical ‘Merrily We Roll Along’).

    Deadline reports that the busy filmmaker has secured backing for his next movie, ‘Blue Moon’, which follows the highs and lows of a real-life songwriting partnership and has locked in an interesting cast.

    Related Article: 10 Things We Learned at the ‘Hit Man’ Press Conference with Cast and Crew

    What’s the story of ‘Blue Moon’?

    Andrew Scott as Tom Ripley in 'Ripley.'
    Andrew Scott as Tom Ripley in ‘Ripley.’ Photo: Philippe Antonello/Netflix © 2023.

    Written by Robert Kaplow, author of the novel ‘Me and Orson Welles’ (which inspired the Linklater film of the same name), ‘Blue Moon’ profiles the final days of Lorenz Hart, part of the hit songwriting team Rodgers & Hart –– who wrote ‘Blue Moon’ itself.

    The movie is set primarily in New York’s Sardi’s Restaurant on March 31, 1943, the opening night of ‘Oklahoma!’, which marked Richard Rodgers’ first collaboration with Oscar Hammerstein II as Hart’s replacement.

    Who will appear in ‘Blue Moon’?

    Ethan Hawke stars in 'The Black Phone,' directed by Scott Derrickson and opening in theaters on June 24th.
    Ethan Hawke stars in ‘The Black Phone,’ directed by Scott Derrickson and opening in theaters on June 24th.

    Linklater has rounded up quite the cast for this one, which will be anchored by his ninth collaboration with Ethan Hawke.

    Margaret Qualley, who is in Yorgos Lanthimos’ ‘Kinds of Kindness’, Bobby Cannavale (‘Ezra’) and Andrew Scott (star of recent Netflix drama, ‘Ripley’) are also all on for the new movie, with Linklater planning a Dublin, Ireland shoot this summer.

    Who is backing ‘Blue Moon’?

    Adria Arjona as Madison, director and co-writer Richard Linkletter, co-writer Glen Powell as Gary Johnson, and director of photography Shane F. Kelly.
    (L to R) Adria Arjona as Madison, director and co-writer Richard Linkletter, co-writer Glen Powell as Gary Johnson, and director of photography Shane F. Kelly. Photo: Brian Rondel / Courtesy of Netflix.Cr. Brian Rondel / Courtesy of Netflix.

    Sony Pictures Classics will be financing the film after developing it for the past few months, with parent company Sony distributing it around the world. Linklater is aboard to produce alongside Mike Blizzard and longtime manager John Sloss.

    This was the official statement from Sony Pictures Classics:

    “Almost a year ago, Rick, Ethan, and John reached out to us with Robert Kaplow’s amazing script ‘Blue Moon’. Helping them over the following months to bring it together has been incredibly exciting and now, on the verge of production, with this fantastic cast and crew in place and Rick at the helm, we are thrilled to finally announce it and bring the film to audiences everywhere in the world.”

    Here’s what Linklater had to say:

    “Robert, Ethan, and I have been developing this story for over a decade and are excited and grateful that the time has come to bring this to life.”

    There is no release date for ‘Blue Moon’ just yet.

    Glen Powell, Adria Arjona, director Richard Linklater and Sanjay Rao for 'Hit Man'.
    (L to R) Glen Powell, Adria Arjona, director Richard Linklater and Sanjay Rao for ‘Hit Man’. Photo: Netflix.

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  • Scott Derrickson to Direct New ‘Night of the Hunter’ Movie

    (Left) 'The Black Phone' director Scott Derrickson. (RIght) Robert Mitchum in 1955's 'The Night of the Hunter.' Photo: United Artists.
    (Left) ‘The Black Phone’ director Scott Derrickson. (RIght) Robert Mitchum in 1955’s ‘The Night of the Hunter.’ Photo: United Artists.

    Preview:

    • Scott Derrickson is directing a new version of ‘Night of the Hunter’.
    • He’s writing a new adaptation of the 1953 crime novel.
    • Universal is releasing the new movie.

    There is always something of an outcry, particularly online when filmmakers dare to revisit movies that are considered classics.

    But there seems to be less of a reaction to Scott Derrickson, who most recently made horror hit ‘The Black Phone’, setting up a new take on 1955 movie ‘Night of the Hunter’.

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    In this case, it feels less like a cynical IP cash grab and more like a director with a real love for movie history identifying a fresh take on a classic tale.

    What’s the story of ‘Night of the Hunter’?

    Robert Mitchum in 1955's 'The Night of the Hunter.'
    Robert Mitchum in 1955’s ‘The Night of the Hunter.’ Photo: United Artists.

    While the story is best known because of the 1955 Robert Mitchum-starring movie, it originates with a 1953 crime novel written by Davis Grubb.

    Grubb’s book, and the novel, is the story of Harry Powell, a murderous ex-con who takes up the identity of a preacher in order to do his misdeeds. While in prison, a cellmate slated for execution tells Powell that he hid stolen cash with his kids. Upon his release, Powell finds the widow, woos her and marries her, all in a bid to find the loot. Things only gets worse for the kids from there….

    The movie is considered a film noir classic and certainly sets a high bar. The movie, directed by Charles Laughton and also starring Shelley Winters and Lillian Gish, was selected for preservation into the United States National Registry in 1992. It is regularly cited as an influential title by many people working in the industry.

    Who else is working on the new ‘Night of the Hunter’?

    The Grabber (Ethan Hawke) and Finney Shaw (Mason Thames) in 'The Black Phone.'
    (L to R) The Grabber (Ethan Hawke) and Finney Shaw (Mason Thames) in ‘The Black Phone,’ directed by Scott Derrickson.

    Derrickson will, as usual, work with his regular creative partner, C. Robert Cargill, who co-wrote the likes of ‘Doctor Strange’, ‘The Black Phone’ and the ‘Sinister’ movies. Together, the pair has become a reliable team of filmmakers across different genres.

    Right now, the duo is deep in preparing to make the sequel to ‘The Black Phone’, which will reunite much of the first movie’s cast, including Ethan Hawke and Mason Thames, and is scheduled to hit screens on June 27th next year.

    Related Article: Director Scott Derrickson Says There’s ‘No Bad Blood’ With Marvel After Leaving ‘Doctor Strange’ Sequel

    When will this new ‘Night of the Hunter’ hit theaters?

    There is no release date for the movie yet, mostly because it’s at a very early stage of development and Derrickson and Cargill will be busy on the ‘Black Phone’ sequel for the foreseeable future.

    Robert Mitchum in 1955's 'The Night of the Hunter.'
    (Right) Robert Mitchum in 1955’s ‘The Night of the Hunter.’ Photo: United Artists.

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  • Movie Review: ‘Leave the World Behind’

    Mahershala Ali as G.H., Myha’la as Ruth, Julia Roberts as Amanda and Ethan Hawke as Clay in 'Leave the World Behind.'
    (L to R) Mahershala Ali as G.H., Myha’la as Ruth, Julia Roberts as Amanda and Ethan Hawke as Clay in ‘Leave the World Behind.’ Photo: Courtesy Netflix.

    Opening in select theaters on November 22nd before premiering December 8th on Netflix, ‘Leave the World Behind’ represents ‘Euphoria’ creator Sam Esmail putting his own stamp on the sort of the mystery box thriller that M. Night Shyamalan has been cranking out for years.

    Featuring a starry lead cast that includes Julia Roberts, Mahershala Ali, Ethan Hawke and, in a small but impactful role, Kevin Bacon, the movie cranks up the tension as it throws ever more problems at the main characters, causing them to grow increasingly paranoid, desperate and swear like sailors (or the cast of ‘Succession‘).

    Does ‘Leave the World Behind’ Prepare You for the Worst, or the Best?

    Ethan Hawke as Clay, Julia Roberts as Amanda and Mahershala Ali as G.H in 'Leave the World Behind.'
    (L to R) Ethan Hawke as Clay, Julia Roberts as Amanda and Mahershala Ali as G.H in ‘Leave the World Behind.’ Photo: JoJo Whilden/Courtesy Netflix.

    Starting in unexpected fashion –– with Julia Roberts’ stressed ad exec proclaiming that she has rented an isolated luxury house outside of New York to spirit her family away on an impromptu vacation because she “f*****g hates people”. Esmail’s latest film starts to ratchet the tension slowly –– of course cell service might be spotty in a place like the woody spot that Amanda picks to stay. The story pushes ‘Leave the World Behind’ in directions that are both understandable and, in a few places, ridiculous, reaching for a dark seam of comedy it can’t quite make work, which somewhat lessens the impact.

    Clearly Netflix has stumped up for a decent budget on this one (witness an early scene where an oil tanker runs aground at the beach where Amanda and co. have been sunning themselves, or a plane crash later on), but in some ways it could function as a play, the main characters spending most of their time in the spacious, luxurious main house spitting out truths about suspicion in particular and the world in general.

    ‘Leave the World Behind’: Script and Direction

    Mahershala Ali as G.H. and Julia Roberts as Amanda in 'Leave the World Behind.'
    (L to R) Mahershala Ali as G.H. and Julia Roberts as Amanda in ‘Leave the World Behind.’ Photo: JoJo Whilden/Courtesy Netflix.

    Esmail is known for his slightly stylized dialogue (no one accuses ‘Euphoria’, for all of its searing portrait of teen life, of being completely naturalistic), and here he’s free to let loose, even though he’s adapting the novel by Rumaan Alam.

    As mentioned above, the script can seriously start to sound, well scripted. Though Roberts and Ali’s characters in particular are accomplished with backgrounds in reading people (she works with advertising clients, he manages money for wealthy types), which offers some extra leeway, but when almost everyone has a hyper-literate way of talking, it verges into unbelievability.

    How many 13-year-old daughters (Rose, played by Farrah Mackenzie), for example, are bingeing ‘The West Wing’ enough to remember a particular quote that lends itself to the situation? And given that Esmail’s current big job airs on HBO and streams on Max, you wonder at raised eyebrows from Netflix at endless references to a competing company’s series.

    Which bring us to the ‘Friends’ thing. Rose is obsessed with the sitcom about the Manhattan pals and is desperate to find out how the show’s final season ends; no easy feat in a world where phones, the internet and TV aren’t working. It’s resolved in a way that is likely to divide audiences, though we found it somewhat laughable, and not perhaps in the way Esmail intended.

    The look of the movie is part Hitchcockian, part David Fincher in his ‘Fight Club’/’Panic Room’ era. You’ll wonder how many times Esmail and his team can send the camera flowing through holes in windows or rise up through rooves, and the answer is: many. He’s looking to keep you off-kilter (the frame goes that way from time to time), but at times it’s more likely to make you roll your eyes rather than keep them glued to the screen.

    Related Article: Actor Ethan Hawke Talks Marvel’s ‘Moon Knight’

    ‘Leave the World Behind’: Performances

    Ethan Hawke as Clay and Julia Roberts as Amanda in 'Leave the World Behind.'
    (L to R) Ethan Hawke as Clay and Julia Roberts as Amanda in ‘Leave the World Behind.’ Photo: JoJo Whilden/Courtesy Netflix.

    If you hire Julia Roberts, you know you’re going to get good work –– Esmail, in fact, has worked with her before on Amazon’s ‘Homecoming’ series. She’s more than up to the challenge of playing Amanda, who is by turns paranoid and flinty.

    You’ll absolutely buy her increasing distrust of everyone around her, and the slight thawing that happens later on.

    Ali is right there on her level, his G.H. initially somewhat mysterious (though the screenplay does rather bend over backwards to keep him that way in his initial moments, since he really doesn’t bother to immediately explain why he’s at the house –– and that he’s the owner. But in Ali’s hands, it’s still a convincing, well-rounded performance.

    Hawke has less to do, his initially easy-breeze Clay curdling into desperation as more and more problems present themselves, and he has a great moment between Ali and Kevin Bacon on the porch of a house.

    Oh yes –– Bacon. He makes a meal of the smaller role of Danny, having him believably walk the line of crazed prepper and sense-talking human.

    Myha’la, keeps Ruth sensibly snarky and mistrusting given the situation. It’s perhaps not surprising to learn that she auditioned for the role of Rue in ‘Euphoria’ that went to Zendaya, and that Esmail kept her in mind.

    ‘Leave the World Behind’: Final Thoughts

    Julia Roberts as Amanda in 'Leave the World Behind.'
    (L to R) Julia Roberts as Amanda in ‘Leave the World Behind.’ Photo: Courtesy Netflix.

    ‘Leave the World Behind’ can at times feel like a knock-off Shyamalan or Esmail’s attempt to crossbreed his ‘Euphoria’ style with ‘The Twilight Zone’. There are chunks that don’t really work (a recurring motif with deer is overegged and suffers from occasionally less-than-convincing VFX) but on the whole, it’s an effectively creepy and paranoia-inducing movie.

    Just don’t blame us if you start stocking up on water and nonperishable food after watching it.

    ‘Leave the World Behind’ receives 7 out of 10 stars.

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    What’s the story of ‘Leave the World Behind’?

    Amanda (Julia Roberts) and Clay’s (Ethan Hawke) aspirational vacation with their teenage children is interrupted by the arrival of a middle aged couple who own the holiday home and who have fled an unprecedented blackout in the city.

    When the internet, television and radio stop working, as does the landline, they have no way of finding out what is happening. As strange sonic booms shatter the peace of the countryside, and animals start to migrate in strange ways, the physical and mental health of the families –– because the renters are joined by G. H. (Mahershala Ali) and his daughter Ruth (Myha’la Herrold), spooked by the unfolding chaos –– begins to disintegrate.

    The renters are upscale and White; the owners are upscale and Black. The issues of race clash and become distractions to the more alarming things are happening all around them.

    Who else is in ‘Leave the World Behind’?

    The cast for the thriller also includes Farrah Mackenzie as Clay and Amanda’s daughter Rose, Charlie Evans as son Archie, and Kevin Bacon as G.H.’s neighbor/contractor/doomsday prepper Danny.

    Myha’la as Ruth, Mahershala Ali as G.H., Ethan Hawke as Clay and Julia Roberts as Amanda in 'Leave the World Behind.'
    (L to R) Myha’la as Ruth, Mahershala Ali as G.H., Ethan Hawke as Clay and Julia Roberts as Amanda in ‘Leave the World Behind.’ Photo: Courtesy Netflix.

    Other Movies Similar to ‘Leave the World Behind:’

    Buy Tickets: ‘Leave the World Behind’ Movie Showtimes

    Buy Julia Roberts Movies On Amazon

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  • Nicolas Cage and Bill Skarsgård Starring in ‘Lords of War’

    (Left) Nicolas Cage in 'The Unbearable Weight of Massive Talent.' (Right) Bill Skarsgård in 'John Wick: Chapter 4.'
    (Left) Nicolas Cage in ‘The Unbearable Weight of Massive Talent.’ (Right) Bill Skarsgård in ‘John Wick: Chapter 4.’

    There was a time when Andrew Niccol –– as a writer, and then a director –– was king of the high concept. He broke through with the likes of genetic experimentation sci-fi drama ‘Gattaca’ and won acclaim for the script for ‘The Truman Show’.

    He followed that with artificial intelligence romantic drama ‘S1m0ne’ and worked on Steven Spielberg’s ‘The Terminal’, starring Tom Hanks.

    Then came ‘Lord of War’, in which Nicolas Cage starred as Yuri Orlov, from his early days in the early 1980s in Little Odessa, selling guns to mobsters in his local neighborhood, through to his ascension through the decade of excess and indulgence into the early 1990s, where he forms a business partnership with an African warlord and his psychotic son.

    Then there’s his relationship through the years with his younger brother (Jared Leto), his marriage to a famous model (Bridget Moynahan), his relentless pursuit by a determined INTERPOL Agent (Ethan Hawke) and his inner demons that sway between his drive for success and the immorality of what he does.

    It was fun, and dark in places, but didn’t exactly set the box office alight, earning $72.6 million on a budget of $50 million.

    Now, though, Niccol has not only convinced someone to make a sequel but has tempted Cage back to reprise his role as Yuri.

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    Related Article: ‘John Wick: Chapter 4’ Interview: Bill Skarsgård

    What’s the story of the sequel?

    In the new film, known as ‘Lords of War’, Yuri discovers he has a son, Anton (Bill Skarsgård), who isn’t trying to right his father’s wrongs — he’s trying to top them. Not only selling guns but the “trigger pullers” too, Anton is amassing a mercenary army to fight America’s Middle East conflicts. This is the story of Yuri and Anton’s bitter rivalry — even at odds over the same woman. Who will prevail when father and son go to war?

    We’re guessing this makes Anton distinct from the Yuri and Moynahan’s Ava had in the original.

    Says Niccol of the new movie in a statement,

    “ There is so much more to explore with these characters. Plato said it best –– ‘Only the dead have seen the end of war.’ I’m looking forward to spending more time in the company of the charming devil that is Yuri Orlov and now his illegitimate son –– who turns out to not be legitimate in any way.”

    Neither Cage nor his director have had the best of luck in recent years in box office terms: Cage’s fortunes swing between straight-to-home-entertainment stuff, well-received comedy (‘The Unbearable Weight of Massive Talent’) and drama (‘Pig’), while his last movie, ‘Renfield,’ flopped. Niccol, meanwhile, last made low key thriller ‘Anon’.

    Vendôme Pictures is on board to produce the new movie, which has international distribution rights up for sale at the current Cannes market. Cameras should be rolling this fall.

    Cage on boat
    Nicolas Cage (“Nick Cage”) contemplates his career while poolside in Mallorca, Spain in ‘The Unbearable Weight of Massive Talent.’ Photo credit: Katalin Vermes/Lionsgate.

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    Buy Nicolas Cage Movies on Amazon

  • Movie Review: ‘The Black Phone’

    Ethan Hawke as The Grabber in 'The Black Phone.'
    Ethan Hawke as The Grabber in ‘The Black Phone,’ directed by Scott Derrickson.

    Opening in theaters on June 24th is the new supernatural horror film ‘The Black Phone,’ from producer Jason Blum (‘Us’) and director Scott Derrickson (‘Doctor Strange’).

    Based on a short story by Joe Hill, Ethan Hawke stars as The Grabber, a child killer that abducts a 13-year-old boy named Finney (Mason Thames), who begins to receive calls on a disconnected phone from the killer’s previous victims.

    The result is a thrilling story about growing up in the 1970s, that is more interested in exploring the emotions of the kidnapped kids than the flashy villain and features superb performances from young actors Mason Thames and Madeleine McGraw.

    In 1978, we are introduced to Finney (Thames) and Gwen (McGraw), who are brother and sister and living in the Denver area. Their father, Terrence (Jeremy Davies) is an abusive alcoholic raising the kids alone after his wife’s death. Like her mother, Gwen is showing signs of having psychic abilities, which angers her father. The town is on edge because a kidnapper called The Grabber (Hawke) has been abducting children, leaving only black balloons behind after the kids disappear, never to be seen again. After his best friend goes missing, Finney quickly becomes the next victim of The Grabber.

    The Grabber (Ethan Hawke) and Finney Shaw (Mason Thames) in 'The Black Phone.'
    (L to R) The Grabber (Ethan Hawke) and Finney Shaw (Mason Thames) in ‘The Black Phone,’ directed by Scott Derrickson.

    Finney is taken to a soundproof room, where he finds a disconnected phone on the wall. He begins to receive calls from The Grabber’s former victims, instructing him on how to escape. Meanwhile, Gwen is determined to find Finney, and against her father’s wishes, begins to help the police by using her powers. Now, Finney will have to summon strength that he didn’t know he had to face his fears and escape The Grabber’s hideout before it’s too late.

    Full disclosure, I’m not a fan of horror movies. But, I am a fan of good filmmaking and storytelling, which is why I liked ‘The Black Phone’ so much. While Scott Derrickson began his career as a horror director with ‘Sinister,’ much like Sam Raimi and James Wan, he has been able to transition to other genres within the horror world like the police drama ‘Deliver Us from Evil’ or the superhero movie ‘Doctor Strange.’ Both films had clear horror elements, even though they were basically a different genre. Derrickson does something similar here, with a horror movie that is really a coming-of-age story for the young lead characters.

    The film is based on a short story by Joe Hill, who is the son of Stephen King. I mentioned this only because I saw a lot of similarities between ‘The Black Phone’ and his father’s ‘The Shining.’ Both films are set in the horror genre, but neither is really a horror movie in the classic sense. ‘The Shining’ is really a haunted house story, that just happens to feature a character with psychic abilities, but that is not the movie’s main focus. The same could be said for this film, as Gwen’s powers are not the main focus but rather an extra attraction, as the real story is about how Finney will overcome his own fears to survive.

    Ethan Hawke is dazzling as The Grabber and is clearly having fun with the role in his limited screen time. Derrickson was wise to limit how much of The Grabber we see, keeping him a dark and mysterious character. Too much of the character would have taken away from Finney’s story of facing his fears and would not have had the same effect on the audience.

    Vance Hopper (Brady Hepner) and Finney Shaw (Mason Thames) in 'The Black Phone.'
    (L to R) Vance Hopper (Brady Hepner) and Finney Shaw (Mason Thames) in ‘The Black Phone,’ directed by Scott Derrickson.

    ‘Sinister’ actor James Ransone has a very funny role in the movie, which I won’t spoil but he is perfect in the part. However, Jeremy Davies’ performance as Finney and Gwen’s dad was too one-note for me. I know the character is an alcoholic, still grieving from his wife’s death, and his abuse is there to signal what Finney was too afraid to stand up to, giving him the strength to finally fight against The Grabber. But the character’s true feelings for his kids is never shown in the actor’s performance, and the child abuse scenes were just a bit too much.

    But for me, the true breakout stars of the film are young actors Mason Thames and Madeleine McGraw, who were both excellent as Finney and Gwen, respectively. McGraw is absolutely believable as a young girl confused by her supernatural abilities, and her love for her brother comes is very apparent. For his role, Thames had the challenge of creating a shy and timid kid at the beginning of the film and transcending to a young man who is brave and strong enough to stand up to The Grabber. It’s surprising to see such a layered performance from an actor who is that young, which makes it all the more impressive.

    In the end, ‘The Black Phone’ is a horror movie in the sense that it deals with some horrific themes, and certainly will scare you if that is what you are looking for. But it is really a movie about growing up, facing your fears, and taking control of your own life. Those are themes audiences can relate to, no matter what genre the movie is set in.

    Ethan Hawke as The Grabber in 'The Black Phone.'
    Ethan Hawke as The Grabber in ‘The Black Phone,’ directed by Scott Derrickson.

    ‘The Black Phone’ Receives 4 out of 5 stars.

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  • Ethan Hawke Talks ‘The Black Phone’

    Ethan Hawke as The Grabber in 'The Black Phone.'
    Ethan Hawke as The Grabber in ‘The Black Phone,’ directed by Scott Derrickson.

    Opening in theaters on June 24th is the new supernatural thriller from ‘Doctor Strange’ director Scott Derrickson entitled ‘The Black Phone.’ Produced by Jason Blum, and co-written by Derrickson and C. Robert Cargill, the movie is based on short story by Joe Hill.

    The film reunites Scott Derrickson with his ‘Sinister’ star Ethan Hawke, who plays The Grabber, a child killer that abducts a 13-year-old boy named Finney (Mason Thames). Locked in a soundproof basement, Finney begins to receive calls on a disconnected phone from the killer’s previous victims, instructing him on how to escape.

    In addition to Hawke and Thames, the cast also includes Madeleine McGraw (‘American Sniper’), Jeremy Davies (‘Saving Private Ryan’), E. Roger Mitchell (‘The Equalizer’), and James Ransone (‘Sinister 2’).

    Moviefone recently had the pleasure of speaking with Ethan Hawke about his work on ‘The Black Phone.’

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    You can read our full interview with Ethan Hawke below or click on the video player above to watch our interviews with Hawke, Mason Thames, Madeleine McGraw, and director Scott Derrickson.

    Moviefone: To begin with, can you talk about your approach to playing The Grabber?

    Ethan Hawke: Well, it’s hard with somebody who’s so malevolent, to try to understand them and try to find their motivations, but also just give in to a sense of play. One of the things that was absolutely essential to the character was the masks, and the fact that it wasn’t one mask, that he constantly changes his mask. Why does he do that? Why does he wear a mask and why would he change it? Why is he so damaged that he would do some of the things that he’s doing and what makes him laugh? What makes him happy and what scares him?

    All those essential questions, when you’re building a character, you have to figure out. But a lot of it’s, as soon as I would get the mask on and start moving around in it, it seemed to just reveal itself. And I think that’s just a sign of a very well-written script.

    MF: Is it difficult putting a character like this away when you finish shooting?

    EH: Not to be corny, but it takes a long time to be able to do that. It’s very difficult. I’ve said often that I didn’t want to play villains because of various reasons, but in truth, I really didn’t like playing them when I was younger, because it was hard to let go of the character and not feel them inside of you unlocking aspects of you that you’re not interested in knowing about.

    Who in the hell wants to know more about somebody who locks kids in their basement? You know what I mean? You don’t really want to play that guy. You have to want to be in the movie, and to help make the movie, because you think the movie will be valuable. As I’ve gotten older, it’s been easier and easier for me to invite this stuff in and let it get out.

    The Grabber (Ethan Hawke) and Finney Shaw (Mason Thames) in 'The Black Phone.'
    (L to R) The Grabber (Ethan Hawke) and Finney Shaw (Mason Thames) in ‘The Black Phone,’ directed by Scott Derrickson.

    MF: You have some really intense scenes with Mason Thames, were you concerned about doing those scenes with such a young actor?

    EH: Yeah, I was a child actor, and so I, of course, was concerned going to set. Like, how am I going to do this? Does this kid understand? The second I met him, all those fears disappeared. He was so playful and so into it, and that’s the nice thing about being around young people is they just love to play. It was clear to him that we were playing an elaborate game of pretend and that it was kind of thrilling to put ourselves in this situation.

    That’s the spirit of performance that you want to have. Just let your imagination go. It’s you in these new circumstances, with these words, go, be it, do it. He loved acting and when somebody loves it, well, then you’re not worried you’re going to negatively impact them because they understand we’re playing pretend.

    MF: Finally, what was your initial reaction to the screenplay when you first read it?

    EH: Couple things. I thought it was kind of brilliant mixing the genres of the classic serial killer movie, but also a ghost story. That it was both at one time, and simultaneously, a coming-of-age story. The movie at its core is really about these young people finding themselves in a world that is not helping them, and that’s what makes it unique. It has the makings of something that could be classic in a way because it takes these familiar genres, but just spins them just around in a circle, so it feels new.

    Ethan Hawke as The Grabber in 'The Black Phone.'
    Ethan Hawke as The Grabber in ‘The Black Phone,’ directed by Scott Derrickson.
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  • ‘Moon Knight’ Episode 6 Recap

    Oscar Isaac and Ethan Hawke
    (L-R): Oscar Isaac as Moon Knight and Ethan Hawke as Arthur Harrow in Marvel Studios’ ‘Moon Knight.’ Photo courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.

    Last week’s episode ended with us in paradise, welcome to the season finale of ‘Moon Knight’.

    We open on Marc being dragged out of the pool by Arthur’s men, who place the scarab on his chest and leave. Only for it to be picked up by Layla. Arthur is stopped, and we witness Ammit’s power. Layla goes to kill him, only to be held back by Tawaret taking over her body to tell her she needs to break Khonshu’s statue to bring Marc back.

    Harrow breaks into the vault of the gods, getting into a fight with the other avatars and defeating them. He breaks the statue, releasing Ammit back into the world. The goddess asks who brought her back and mentions that Arthur’s scales “lack balance.” Layla also finds and destroys Khonshu’s prison, releasing him. She refuses to become his avatar, only agreeing to help if they can work together.

    We cut to Marc in the afterlife being told his scales are balanced. Tawaret explains to him that his afterlife is everything he wanted. Sensing it isn’t right, he tells the goddess they need to get Steven back. Marc runs the other direction and paradise instantly fades. Marc finds Steven buried in the sands, and finally admits he saved him. Apologizing that he couldn’t protect him, all as Marc slowly turns to stone.

    The golden door opens and the two of them come back. Tawaret helps Marc and Steven get back to the world of the living while Khonshu and Ammit fight in the Vault. Khonshu senses them returning and inhabits Marc’s body again. He now must talk to both Steven and Marc, and they strike up a deal. They will be his avatar, but once Ammit is gone, they will be freed.

    Khonshu (voiced by F. Murray Abraham)
    Khonshu (voiced by F. Murray Abraham) in Marvel Studios’ ‘Moon Knight,’ exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.

    Layla learns how to trap Ammit, but she needs more avatars. Without even words, it’s revealed she’s accepted Tawaret’s offer for help. Arthur makes it to the top of the great pyramid, now working as Ammit’s avatar, eating the souls of the unworthy.

    Marc & Steven make it in time, and their fight with Arthur shows how the two of them both have control over the Moon Knight power. Layla appears just as Arthur is about to get the upper hand, looking nearly as powerful as they are, and is the Marvel Cinematic Universe version of the Scarlet Scarab.

    Layla saves a car full of people from Arthur and is asked if she’s an Egyptian superhero. In a very moving, but quick scene, she hastily replies, “Yes.” Arthur gets the better of Marc, same as Ammit with Khonshu. It seems Marc’s about to lose before he blacks out, waking up to Arthur nearly dead beneath him. Once again, it wasn’t him or Steven who did it!

    They take Arthur back and return Ammit to his body as a prison. Khonshu tries to get Marc to kill the body and Layla tells him to stop. He sides with Layla, telling the moon god to release them.

    Oscar Isaac as Marc Spector and Ethan Hawke as Arthur Harrow
    (L-R): Oscar Isaac as Marc Spector and Ethan Hawke as Arthur Harrow in Marvel Studios’ ‘Moon Knight,’ exclusively on Disney+. Photo by Gabor Kotschy. ©Marvel Studios 2022. All Rights Reserved.

    Steven is shown back in the white room with the doctor. He asks the doctor if he believes gods are real, to which he responds, “No.” Marc returns to tell him “What if we disagree?” The doctor walks away bleeding, and Marc and Steven team-up  to escape their personal afterlife. Marc wakes up back in Steven’s apartment, with two of everything, including goldfish. And that’s the end!

    Now before we touch on anything else in the episode, let’s discuss that end-credit scene.

    We’re shown Arthur is now in a mental hospital, really, this isn’t a dream. He’s shown being led away by a man in black, and is taken out to a white car, passing the bodies of killed nurses. He gets thrown into the car and is shown Khonshu in a very fancy suit. He explains that Marc truly thought he left, and that the god needs an avatar strong enough to do his work and not be afraid to get their hands dirty. But that isn’t Marc or Steven.

    The god Knocks on the windows, and we’re introduce to Jake Lockley, another alter of Marc’s and the cause of the blackouts. He aims a gun at Arthur, and fires, presumably killing him, and drives off. So ‘Moon Knight’ finally gives us Jake Lockley, but only in the post-credit’s scene. And that, this whole time, it is implied Jake was Khonshu’s avatar. Almost like Marc and Steven were borrowing the powers for themselves.

    This version of Lockley is a bit different; we’re obviously shown him more brutal, almost gleefully killing Arthur at the end. In the comics, Lockley was a taxi driver, basically Moon Knight’s ears to the ground. He would gather info on targets, but he was never seen as a killer. So, it’s very interesting where they’re taking the character in the future!

    Oscar Isaac as Marc Spector
    Oscar Isaac as Marc Spector in Marvel Studios’ ‘Moon Knight,’ exclusively on Disney+. Photo by Gabor Kotschy. ©Marvel Studios 2022. All Rights Reserved.

    Now, for my verdict. How did Marvel do with ‘Moon Knight’? Well, in my opinion, there was way more highs than there were lows. While the show was plagued with Marvel’s telltale CGI fights and spectacles, especially in this last episode, there was plenty of heart and emotion.

    A lot of that praise can be placed on Oscar Isaac for absolutely killing it as Marc, Steven and now Jake. He gave a crazy different performance for each character and seeing him switch between two personalities near the end of this last episode blew me away. I would easily put him up there with the likes of Robert Downey Jr. and Chris Hemsworth as fantastic Marvel character casting.

    Ethan Hawke plays a very interesting villain, but he weirdly starts off incredibly scary in my opinion but then eventually…is less menacing? At least, he doesn’t stay as threatening as the show puts him up to be, which can be chocked up to Moon Knight himself being way deadlier. I guess I just wanted more of Harrow as a villain. On the outside, he’s a creepy cult leader that is reminiscent of real life evil, but as the show progresses, I just didn’t feel that at the end of the series.

    But, even with all the flaws ‘Moon Knight’ had, it’s still one of my favorite series set in the Marvel Cinematic Universe. I cannot wait to see where the hero goes in the future, and if Layla will ever return in her superhero form.

    Oscar Isaac as Moon Knight
    Oscar Isaac as Moon Knight in Marvel Studios’ ‘Moon Knight,’ exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.