Tag: emerald fennell

  • Mother’s Day Directors: How Pregnancy Inspired These Ten Filmmakers

    Mother’s Day Directors: How Pregnancy Inspired These Ten Filmmakers

    As women make strides in the industry, the normalization of parenthood – and particularly motherhood – as a positive part of the process, rather than a derailment continues. In that spirit, here are ten women who found creative inspiration from their pregnancies, and how they channeled it into their work.

    Amy Heckerling – National Lampoon’s European Vacation (1985) and Look Who’s Talking (1989)

    Director Amy Heckerling on the set of 'Look Who's Talking'
    Director Amy Heckerling on the set of ‘Look Who’s Talking’

    Coming off of her hit film ‘Fast Times At Ridgemont High,’, Heckerling became one of the first female filmmakers to work regularly in the studio system. Her third film was the second film in the Vacation series: ‘National Lampoon’s European Vacation’. Heckerling was pregnant during the post-production phase of the film. Her experiences with balancing motherhood and working on Hollywood inspired her next film ‘Look Who’s Talking’. A surprise hit, the film starring John Travolta and Kirstie Alley became the 4th highest grossing film of 1989. Featuring Bruce Willis as the voice of baby Mikey, ‘Look Who’s Talking’ was a frank look at modern motherhood, spawning multiple sequels.
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    Kasi Lemmons – Eve’s Bayou (1997) and The Caveman’s Valentine (2001)

    Director Kasi Lemmons on the set of 'The Caveman's Valentine' just after the birth of her second child.
    Director Kasi Lemmons on the set of ‘The Caveman’s Valentine’ just after the birth of her second child.

    While in pre-production for her debut ‘Eve’s Bayou’, Kasi Lemmons says she had lucid dreams due to her pregnancy. One dream where she was flying and drowning at the same time became a monologue in the film, which was named the best film of 1997 by film critic Roger Ebert. Although she found inspiration in her pregnancy, there was also hardship. She recalls working a 13-hour day on set caused her milk to dry up. She then had her second child during the pre-production of her second film, 2001’s ‘The Caveman’s Valentine’. Lemmons made three more films, including the Oscar-nominated ‘Harriet’.
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    Kris Swanberg – Unexpected (2015)

    Cobie Smulders and Gail Bean in 'Unexpected,' based on director Kris Swanberg's own pregnancy.
    Cobie Smulders and Gail Bean in ‘Unexpected,’ based on director Kris Swanberg’s own pregnancy.

    ‘Unexpected’ (2015) star Cobie Smulders was actually pregnant during the production of the film, in which she plays a pregnant teacher who connects with her student also dealing with an unexpected pregnancy. The film was based on Swanberg’s experience during her first pregnancy, when at six months pregnant a student shared she was also expecting. Swanberg was expecting her second child a few weeks after the film debuted in summer of 2015.
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    Marielle Heller – The Diary of a Teenage Girl (2015)

    Bel Powley and Alexander Skarsgård in 'The Diary of a Teenage Girl.'  Director Marielle Heller became pregnant as the film wrapped production.
    Bel Powley and Alexander Skarsgård in ‘The Diary of a Teenage Girl.’ Director Marielle Heller became pregnant as the film wrapped production.

    Heller told Vogue that before having her first child she spoke with several other women in the industry who said having a child during the post-production process was an easier feat. Although these things can’t really be planned, Heller indeed became pregnant as the filming on ‘The Diary of a Teenage Girl’ wrapped. It debuted at the Sundance Film Festival and went on to win the best first feature award at the Independent Spirit Awards. Heller has since directed two more features and a documentary.
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    Reed Morano – Meadowland (2015)

    Olivia Wilde in 'Meadowland.'  Director/cinematographer Reed Morano was pregnant during production.
    Olivia Wilde in ‘Meadowland.’ Director/cinematographer Reed Morano was pregnant during production.

    Reed Morano broke out after shooting the Oscar-nominated film ‘Frozen River’ in 2008. After taking calls with agents while pregnant with her first child and not hearing back, Morano was determined not to let this descrimination get to her. Then a photograph of her eight-months pregnant wearing a 50-pound camera on the set of the Sundance darling ‘Little Birds’ in 2011 sent shockwaves through the industry. Female cinematographers are rare, and the photograph showed that pregnancy was no barrier to work. Her eldest son Casey had a small role in her directorial debut ‘Meadowland,’ and she has since directed two more features and dozens of episodes of television including the pilot for Hulu’s ‘The Handmaid’s Tale’.
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    Deniz Gamze Ergüven – Mustang (2015)

    A scene from 'Mustang.' Director Deniz Gamze Ergüven was pregnant during production.
    A scene from ‘Mustang.’ Director Deniz Gamze Ergüven was pregnant during production.

    Deniz Gamze Ergüven discovered she was pregnant just a week before securing financing for her debut film ‘Mustang’. Then her producer dropped out three weeks before production was set to start in her native Turkey. She scrambled to find a new producer and line production company that would work with her despite her pregnancy. In the end, the film was made and garnered an Oscar nomination in the Best International Film category.
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    Alice Lowe – Prevenge (2016)

    Director and star Alice Lowe's pregnancy directly inspired 'Prevenge.'
    Director and star Alice Lowe’s pregnancy directly inspired ‘Prevenge.’

    Alice Lowe told Moviemaker Mag that once she became pregnant she knew she might never get to direct. Friends told her to keep her pregnancy a secret so she wouldn’t lose work as an actress. All this pressure led to the idea for ‘Prevenge,’ in which a woman is convinced her foetus is compelling her to commit murder. She was in her second trimester while directing and starring in the film, completing the post-production after giving birth. The black comedy went on to premiere at the 2016 Cannes Film Festival.
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    Clare Scanlon – Set It Up (2017)

    Director Clare Scanlon and Zoey Deutch on the set of 'Set it Up.'
    Director Clare Scanlon and Zoey Deutch on the set of ‘Set it Up.’

    Clare Scanlon was seven months pregnant in the spring of 2015 when she directed an episode of ‘The Last Man On Earth’ – the first woman to helm an episode of the hit comedy show. A few years later she was eight months pregnant with her second child while directing her feature film debut ‘Set It Up’. That film, along with another female-directed film ‘To All The Boys I’ve Loved Before’, was cited as the beginning of Netflix’s romantic comedy renaissance.
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    Greta Gerwig – Little Women (2019)

    Saoirse Ronan & Greta Gerwig on the set of 'Little Women.'
    Saoirse Ronan & Greta Gerwig on the set of ‘Little Women.’

    Gerwig became only the 5th woman ever nominated for best director at the Academy Awards for her debut film ‘Lady Bird’ (2017). She followed that up with an adaptation of Louisa May Alcott’s beloved classic novel ‘Little Women’. She was six months pregnant during the shoot, but didn’t tell anyone on set. She gave birth 24 hours after delivering her rough cut to the studio. Although the film received a Best Picture nomination, Gerwig was pointedly snubbed for a second Best Director nomination.
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    Emerald Fennell – Promising Young Woman (2020)

    Carey Mulligan, Emerald Fennell, and Laverne Cox on the set of 'Promising Young Woman.'
    Carey Mulligan, Emerald Fennell, and Laverne Cox on the set of ‘Promising Young Woman.’

    Making history as one of only seven women ever nominated for Best Director – and in the first year when multiple women were nominated in the category – Emerald Fennell shot her divisive film ‘Promising Young Woman’ in 23 days while she was seven months pregnant. Of the shoot she told RogerEbert.com, “women do much harder things—much harder things—than direct films when they’re seven months’ pregnant.” The film debuted at the 2020 Sundance Film Festival, but due to the pandemic was pushed from a spring release to a Christmas release. The film ultimately received five Oscar nominations – three for Fennell herself as director, producer, and Best Original Screenplay. She won in the latter category – and accepted her award visibly pregnant with her second child. You love to see it.
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  • 2021 Oscar Nominations

    2021 Oscar Nominations

    Best Picture nominees 'Judas and the Black Messiah,' 'Nomadland,' 'Promising Young Woman,' 'Sound of Metal,' 'Mank,' 'Minari,' 'Trial of the Chicago 7,' & 'The Father'
    Best Picture nominees ‘Judas and the Black Messiah,’ ‘Nomadland,’ ‘Promising Young Woman,’ ‘Sound of Metal,’ ‘Mank,’ ‘Minari,’ ‘Trial of the Chicago 7,’ & ‘The Father’

    Early in the morning on March 15th, Nick Jonas and Prianka Chopra-Jonas announced the nominations for the 93rd Academy Awards. Here are the nominees for this years’ awards:

    BEST PICTURE

    ‘The Father’
    ‘Judas and the Black Messiah’
    ‘Mank’
    ‘Minari’
    ‘Nomadland’
    ‘Promising Young Woman’
    ‘Sound of Metal’
    ‘The Trial of the Chicago 7’


    DIRECTOR

    Thomas Vinterberg, ‘Another Round’
    David Fincher, ‘Mank’
    Lee Isaac Chung, ‘Minari’
    Chloe Zhao, ‘Nomadland’
    Emerald Fennell, ‘Promising Young Woman’


ACTOR IN A LEADING ROLE

Riz Ahmed, ‘Sound of Metal’
Chadwick Boseman, ‘Ma Rainey’s Black Bottom’
Anthony Hopkins, ‘The Father’
Gary Oldman, ‘Mank’
Steven Yeun, ‘Minari’


ACTRESS IN A LEADING ROLE

Viola Davis, ‘Ma Rainey’s Black Bottom’
Andra Day, ‘The United States vs. Billie Holiday’
Vanessa Kirby, ‘Pieces of a Woman’
Frances McDormand, ‘Nomadland’
Carey Mulligan, ‘Promising Young Woman’


ACTRESS IN A SUPPORTING ROLE

Maria Bakalova, ‘Borat Subsequent Moviefilm’
Glenn Close, ‘Hillbilly Elegy’
Olivia Colman, ‘The Father’
Amanda Seyfried, ‘Mank’
Youn Yuh-jung, ‘Minari’


ACTOR IN A SUPPORTING ROLE

Sacha Baron Cohen, ‘The Trial of the Chicago 7’
Daniel Kaluuya, ‘Judas and the Black Messiah’
Leslie Odom Jr., ‘One Night in Miami’
Paul Raci, ‘Sound of Metal’
Lakeith Stanfield, ‘Judas and the Black Messiah’


ANIMATED FEATURE FILM

‘Onward’
‘Over the Moon’
‘A Shaun the Sheep Movie: Farmageddon’
‘Soul’
‘Wolfwalkers’


ADAPTED SCREENPLAY

‘Borat Subsequent MovieFilm’
‘The Father’
‘Nomadland’
‘One Night in Miami’
‘The White Tiger’


ORIGINAL SCREENPLAY

‘Judas and the Black Messiah’
‘Minari’
‘Promising Young Woman’
‘Sound of Metal’
‘The Trial of the Chicago 7’


FOREIGN LANGUAGE FILM

‘Another Round’ – Denmark
‘Better Days’ – Hong Kong
‘Collective’ – Romania
‘The Man Who Sold His Skin’ – Tunisia
‘Quo Vadis, Aida?’ – Bosnia and Herzegovina


DOCUMENTARY FEATURE

‘Collective’
‘Crip Camp’
‘The Mole Agent’
‘My Octopus Teacher’
‘Time’


PRODUCTION DESIGN

‘The Father’
‘Ma Rainey’s Black Bottom’
‘Mank’
‘News of the World’
‘Tenet’


CINEMATOGRAPHY

Sean Bobbitt, ‘Judas and the Black Messiah’
Erik Messerschmidt, ‘Mank’
Dariusz Wolski, ‘News of the World’
Joshua James Richards, ‘Nomadland’
Phedon Papamichael , ‘The Trial of the Chicago 7’


COSTUME DESIGN

‘Emma’
‘Ma Rainey’s Blackbottom’
‘Mank’
‘Mulan’
‘Pinocchio’


MAKEUP AND HAIRSTYLING

‘Emma’
‘Hillbilly Elegy’
‘Ma Rainey’s Black Bottom’
‘Mank’
‘Pinocchio’


FILM EDITING

‘The Father’
‘Nomadland’
‘Promising Young Woman’
‘Sound of Metal’
‘The Trial of the Chicago 7’


ACHIEVEMENT IN SOUND

‘Greyhound’
‘Mank’
‘News of the World’
‘Soul’
‘Sound of Metal’


VISUAL EFFECTS

‘Love and Monsters’
‘The Midnight Sky’
‘Mulan’
‘The One and Only Ivan’
‘Tenet’


LIVE ACTION SHORT FILM

‘Feeling Through’
‘The Letter Room’
‘The Present’
‘Two Distant Strangers’
‘White Eye’


ANIMATED SHORT FILM

‘Burrow’
‘Genius Loci’
‘If Anything Happens I Love You’
‘Opera’
‘Yes-People’


DOCUMENTARY (SHORT)

‘Colette’
‘A Concerto Is a Conversation’
‘Do Not Split’
‘Hunger Ward’
‘A Love Song For Latasha’


ORIGINAL SONG

‘Fight For You’ from ‘Judas and the Black Messiah’
‘Hear My Voice’ from ‘The Trial of the Chicago 7’
‘Husavik’ from ‘Eurovision Song Contest: The Story of Fire Saga’
‘lo Sì (Seen)’ from ‘The Life Ahead (La Vita Davanti a Se)’
‘Speak Now’ from ‘One Night in Miami…’


ORIGINAL SCORE

‘Da 5 Bloods’
‘Mank’
‘Minari’
‘News of the World’
‘Soul’


Delayed by the pandemic, the Oscars ceremony will be on Sunday, April 25 on ABC.

  • 10 Women Who Deserve Best Director Nominations at the Oscars

    10 Women Who Deserve Best Director Nominations at the Oscars

    On March 15th the nominations for the 93rd annual Academy Awards will be announced. In the near-century long history of the Oscars, only five women have been nominated for Best Director: Lina Wertmüller for ‘Seven Beauties,’ Jane Campion for ‘The Piano,’ Sofia Coppola for ‘Lost in Translation,’ Kathryn Bigelow for ‘The Hurt Locker,’ and Greta Gerwig for ‘Lady Bird.’ Of those five women, the only winner was Kathryn Bigelow – and that was a decade ago! This year, the Golden Globes made history by nominating three women for Best Director, bringing the total nominated at that ceremony to a whopping eight. With Chloé Zhao being the first woman to win since Barbra Streisand took home the award for 1983’s ‘Yentl.’ These stats are not low because there haven’t been deserving women that directed movies. These stats are a symptom of a systematic bias that has been under investigation by the ACLU and U.S. Equal Employment Opportunity Commission, and studied by scholars like The Center for the Study of Women in Television and Film. But you don’t need data and lawsuits to know women are equally as deserving of these accolades as their male peers. You just need to watch their films.

    This year three women have seen their films nominated by numerous awards bodies: Chloé Zhao, Emerald Fennell, and Regina King. But their films are not the only films worthy of being feted this year. In fact, the Academy could fill both their five Best Director slots and ten Best Picture slots completely with films directed by women this year. Let’s take a look at the contenders, shall we?


    Chloé Zhao – Nomadland

    Director/writer/editor Chloé Zhao on the set of 'Nomadland'
    Director/writer/editor Chloé Zhao on the set of ‘Nomadland’

    The most awarded film of the year, Chloé Zhao’s ‘Nomadland’ is this year’s frontrunner for both best director and best picture, especially after Zhao’s historic win at the Golden Globes. The film is led by a powerful, yet understated performance from Frances McDormand, but also features spirited turns from non professional actors as well. Over the past decade Zhao films have captured the spirit of the contemporary American West like few filmmakers before her. With ‘Nomadland’ she also taps into our country’s current economic disparities with a deft and compassionate hand.
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    Emerald Fennell – Promising Young Woman

    Carey Mulligan, writer/director Emerald Fennell, & Laverne Cox on the set of 'Promising Young Woman'
    Carey Mulligan, writer/director Emerald Fennell, & Laverne Cox on the set of ‘Promising Young Woman’

    One of the most divisive films of the year, Emerald Fennell’s ‘Promising Young Woman’ deconstructs the idea of ‘nice guys’ and the subtleties of rape culture. Fennell uses a bold candy-colored palette and pop-song infused soundtrack to create a stark contrast between the visuals of the film and its themes. Pointed casting of TV boyfriends of yore to as would-be rapists, and Carey Mulligan’s fierce performance as Cassie, a woman whose trauma manifests in extreme behavior, demonstrates Fennell’s skill as a director of actors.
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    Regina King – One Night In Miami…

    Aldis Hodge and director Regina King on the set of 'One Night in Miami...'
    Aldis Hodge and director Regina King on the set of ‘One Night in Miami…’

    An Oscar-winning actress herself, Regina King has directed episodes of television for almost a decade and with her feature film debut ‘One Night In Miami…’, proven herself to be one of the great multi-hyphenates in the business. Although based on a stage play by Kemp Powers, King crafts scenes that are anything but stagey. With her cast playing icons Malcolm X, Muhammad Ali, Jim Brown, and Sam Cooke, King brings out emotional depth from her actors Kingsley Ben-Adir, Eli Goree, Aldis Hodge, and Leslie Odom Jr., that bring their performances beyond mere impersonations. You feel as though everyone bared their soul making this film.
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    Eliza Hittman – Never Rarely Sometimes Always

    Director/writer Eliza Hittman on the set of 'Never Rarely Sometimes Always'
    Director/writer Eliza Hittman on the set of ‘Never Rarely Sometimes Always’

    Premiering at Sundance and playing at the Berlin Film Festival, Eliza Hittman’s third feature film ‘Never Rarely Sometimes Always’ was one of the last films to hit theaters before the pandemic shuttered many. The drama, which has become one of the years most awards films, follows teen cousins as Autumn (Sidney Flanigan) and Skylar (Talia Ryder) as they make the trek from rural Pennsylvania to New York City in order to receive an abortion. Shot in a neo-realistic style, Hittman throws one obstacle after another at her protagonists without the film ever feeling heavy headed or preachy. It’s tough the way life is tough, yet through it all she lets Autumn and Skylar feel little moments of joy in each other’s company.
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    Kitty Green – The Assistant

    Director/writer Kitty Green on the set of 'The Assistant'
    Director/writer Kitty Green on the set of ‘The Assistant’

    Debuting at the Telluride Film Festival in 2019 and landing in theaters last January, Kitty Green’s The Assistant tackles the #MeToo movement within the entertainment industry. Green presents an incisive take on the banality of the evil that lurks within its walls by following the titular assistant, played with impressive restraint by Julia Garner, through one terrible day at work. The abuse depicted within the film is found in microaggressions, in complacency, in bureaucracy. As the day ends, the viewer is left wondering how anyone can wade through all that muck just to make a film, yet it also leaves us as breathless as only a great film can. Green forces us to see the cost behind it all and question our own roles within this broken system.
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    Kelly Reichardt – First Cow

    Director/writer Kelly Reichardt on the set of 'First Cow'
    Director/writer Kelly Reichardt on the set of ‘First Cow’

    Like Zhao, Kelly Reichardt has spent much of her filmmaking career telling stories of the American West. One character in the film states they can taste London in the oily cake he eats, just as the viewer can feel the Pacific Northwest in this film. Set in 1820, when the PNW was mostly populated by fur trappers and military men, ‘First Cow’ follows the close bond formed by a cook named Cookie (John Magaro) and a Chinese immigrant named King-Lu (Orion Lee). Like she’s done in many of her films, Reichardt uses this setting to explore the more tender sides of masculinity. As the two build their baking business – with milk stolen from the titular cow – their ambitions threaten to disrupt their domestic bliss. Reichardt’s deft critiques on capitalism and class, slowly dismantle the myth of the American Dream, even at its nascency.
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    Isabel Sandoval – Lingua Franca

    Director/writer/producer/editor/star Isabel Sandoval in 'Lingua Franca.'
    Director/writer/producer/editor/star Isabel Sandoval in ‘Lingua Franca.’

    Not only did Isabel Sandvoval write and direct ‘Lingua Franca,’ she also produced, edited, and played the lead role. The film takes a deeply empathetic look at immigration from the point of view of a trans woman who works as a care-giver for an eldery woman in Brooklyn. Sandvoval has a delicate touch to her storytelling, bringing out warm, subtle performances from her cast. Both intimate and understated, the viewer feels as though they’ve only glimpsed a small piece of a much larger picture, and as the film ends you wish you could linger in this world for just a little bit longer.
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    Autumn de Wilde – Emma.

    (L to R) Amber Anderson, Tanya Reynolds, Josh O'Connor, writer/director Autumn de Wilde, and Johnny Flynn on the set of 'Emma.'
    (L to R) Amber Anderson, Tanya Reynolds, Josh O’Connor, writer/director Autumn de Wilde, and Johnny Flynn on the set of ‘Emma.’

    There are many things to praise about Autumn de Wilde’s adaptation of ‘Emma.’ The director’s detailed historical research shines in the art direction and costume design. She gets delightful performances from up-and-comers Anya Taylor-Joy and Johnny Flynn (who have delectable chemistry), and a hilarious supporting turn from Bill Nighy. But what really sets de Wilde’s Jane Austen adaptation above the rest is the way in which she manages to capture the vicious humor of Austen’s prose. There is an acidity to this Emma, which makes her character’s arc all the more triumphant and the film itself so thrilling to watch.
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    Channing Godfrey Peoples – Miss Juneteenth

    Writer/director Channing Godfrey Peoples on the set of 'Miss Juneteenth'
    Writer/director Channing Godfrey Peoples on the set of ‘Miss Juneteenth’

    Inspired in part by writer-director Channing Godfrey Peoples’ own youth celebrating Juneteenth and attending Miss Juneteenth pageants, her feature film debut premiered to near universal acclaim last summer. Led by lived-in performances from Nicole Beharie, for which she received the Gotham Award for Best Actress, ‘Miss Juneteenth’ navigates well-worn mother-daughter story beats with freshness and vigour. Shooting the film on location in Fort Worth, Texas, Peoples creates a real sense of place and economic position for her characters, and her personal connection to the subject and setting adds a palpable warmth.
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    Radha Blank – The Forty-Year-Old Version

    Director/writer/star Radha Blank on the set of 'The Forty-Year-Old Version'
    Director/writer/star Radha Blank on the set of ‘The Forty-Year-Old Version’

    After debuting at Sundance and winning the U.S. Dramatic Competition Directing Award, The Forty-Year-Old Version was a labor of love for Radha Blank, who not only wrote and directed the film, but also stars in the lead role. Loosely based on her own life, the film follows Radha as she hits forty and comes to terms with not living up to the promise of once being featured on 30 under 30 list. Radha takes her frustrations out through her alter ego: a rapper called RadhaMUSprime. Blank mines her own life and artistic struggles with humour and wisdom. She also addresses racial bias in the industry both through scenes in the film, but also in her choice to make the film in luminous B&W – not for financial reasons, but to evoke the art films she as a filmmaker loves.
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    That’s just a small sampling of the great films directed by women from last year. Here’s a few more that could easily be swapped in: Alice Wu’s ‘The Half of It’, Agnieszka Holland’s ‘Charlatan’, Julia Hart’s ‘I’m Your Woman’, Miranda July’s ‘Kajillionaire’, Josephine Decker’s ‘Shirley’, Maite Alberdi’s ‘The Mole Agent,’ Gina Prince-Bythewood’s ‘The Old Guard,’ Shannon Murphy’s ‘Babyteeth’, Kirsten Johnson’s ‘Dick Johnson Is Dead’, Déa Kulumbegashvili’s ‘Beginning’, Garrett Bradley’s ‘Time’, Naomi Kawase’s ‘True Mothers’, Cathy Yan’s ‘Birds of Prey,’ and Lili Horvát’s ‘Preparations to Be Together for an Unknown Period of Time’.

    There really is no shortage of exceptional films directed by women and after 93 years of the Oscars mostly shutting them out, enough is enough.

  • Alison Brie, Adam Brody and More Join Carey Mulligan Thriller From ‘Killing Eve’ Writer

    Alison Brie, Adam Brody and More Join Carey Mulligan Thriller From ‘Killing Eve’ Writer

    Netflix/Crackle

    “Glow” star Alison Brie, “O.C.” alum Adam Brody and “Eighth Grade” director Bo Burnham are among those joining Carey Mulligan in the thriller “Promising Young Woman.”

    Also joining the cast: Connie Britton, Jennifer Coolidge, Laverne Cox, Max Greenfield, Christopher Mintz-Plasse, Sam Richardson (“Veep”), and Molly Shannon.

    Mulligan will play a young woman who takes revenge for her tragic past on all the predatory man who crosses her path.

    The movie has already started production in Los Angeles. It will mark the  feature directorial debut of Emerald Fennell, who will also write and produce the film.

    Fennell wrote three episodes of “Killing Eve.” Her acting credits include “Call the Midwife” and young Camilla Parker Bowles on the upcoming season of Netflix’s “The Crown.”

    Her short film, “Careful How You Go,” was nominated for the Grand Jury Prize at the 2018 Sundance Film Fest.

    “I am beyond excited to be working with so many impossibly talented and wonderful people on ‘Promising Young Woman,’” Fennell said. “Frankly, I feel lucky to be allowed anywhere in the vicinity of so many geniuses, and I can’t wait to bring this twisted tale to life.”

    [Via Variety]

     

  • ‘The Crown’ Season 3 Casts Camilla With ‘Call the Midwife’ Star Emerald Fennell

    BBC/PBS

    “The Crown” has found the love of Prince Charles’ life.

    Netflix’s royal drama is casting “Call the Midwife” star Emerald Fennell as the young Camilla Shand, later Camilla Parker Bowles, later Camilla, the Duchess of Cornwall (and eventually, Camilla the Princess Consort).

    Season 3 of “The Crown” makes a time jump to the 1970s, when Prince Charles (to be played by Josh O’Connor) first met and dated Camilla when they were in their early 20s. Their relationship ended after he went on a tour of duty with the Royal Navy. She then married Andrew Parker Bowles and he went on to marry Lady Diana Spencer — and we all know what followed.

    Fennell is also a screenwriter who will take over penning Season 2 of “Killing Eve” for creator Phoebe Waller-Bridge.

    “I’m absolutely over the moon, and completely terrified, to be joining so many hugely talented people on ‘The Crown,’” Fennell said in a statement. “I absolutely love Camilla, and am very grateful that my teenage years have well prepared me for playing a chain-smoking serial snogger with a pudding bowl haircut.”

    “The Crown” is undergoing a major makeover fo Season 3, with new actors playing all the principal roles. Olivia Colman takes over for Claire Foy as Queen Elizabeth II, Tobias Menzies replaces Matt Smith as Prince Philip, and Helena Bonham Carter will play Princess Margaret in place of Vanessa Kirby.