(Left) Joseph Zada to star as Haymitch Abernathy in ‘The Hunger Games: Sunrise on the Reaping’. Photo credit: Hugh Stewart. (Right) Whitney Peak to star as Lenore Dove Bard in ‘The Hunger Games: Sunrise on the Reaping’. Photo: Kate Whyte.
Preview:
Joseph Zada and Whitney Peak are playing Haymitch and Lenore in the new ‘Hunger Games’ prequel.
Francis Lawrence will direct the movie.
‘The Hunger Games: Sunrise on the Reaping’ will be out in November next year.
We recently learned that Elle Fanning has been linked with the role of a younger Effie Trinket; the effusive stylist as portrayed by Elizabeth Banks in the original ‘Hunger Games’ movies. But that has yet to be confirmed.
We do know, however, who has won the lead roles: Joseph Zada and Whitney Peak will play Haymitch Abernathy and Lenore Dove Baird.
Here’s Lionsgate Motion Picture Group co-president Erin Westerman on the casting:
“ ‘The Hunger Games’ franchise has long been a launching pad for remarkable young actors, and Jo and Whitney carry that legacy forward with incredible heart, depth, and fire. After auditioning hundreds of gifted performers from around the world, these two stood out — not just for their talent, but for the emotional truth they brought to these iconic roles. Haymitch has always been a fan favorite, and his origin story is one of the most anticipated in the franchise. His relationship with Lenore Dove is deeply woven into the emotional history of Panem. We can’t wait for fans to experience the story that shaped one of the most compelling characters in the series.”
Mckenna Grace is set join the cast of ‘The Hunger Games: Sunrise on the Reaping’ as Maysilee Donner. Photo credit: Gus Black.
In addition to the two leads, we also now know that McKenna Grace, who has appeared in the recent ‘Ghostbusters’ movies, will be in the movie as Maysilee Donner, Haymitch’s fellow District 12 Tribute.
What’s the story of ‘The Hunger Games: Sunrise on the Reaping’?
‘The Hunger Games: Sunrise on the Reaping’ is scheduled for release on November 20, 2026. Photo: Lionsgate.
While the previous prequel took place 64 years before the events of the original trilogy, ‘The Hunger Games: Sunrise on the Reaping’ is set 24 years before that trio of Jennifer Lawrence films in the world of Panem, commencing on the morning of the reaping of the 50th Hunger Games, also known as the Second Quarter Quell.
Those games are an important event in the canon as the victor was Haymitch Abernathy, the only winner from District 12 before Lawrence’ Katniss Everdeen and Josh Hutcherson’s Peeta Mellark’s tie win. Haymitch continues on to become a mentor, a character in the original movies played by Woody Harrelson.
While Lenore is only briefly mentioned in the book ‘The Hunger Games: Mockingjay,’ she’s a full character in ‘Sunrise on the Reaping.’
Who else has been rumored for ‘The Hunger Games: Sunrise on the Reaping’?
Zada’s casting puts paid to the rumors that Charlie Plummer, who appears in Lawrence’s Stephen King adaptation ‘The Long Walk,’ due in theaters on September 12th, would take Haymitch role.
That might end up throwing doubt on the idea that Ralph Fiennes will also end up in the movie, to play Coriolanus Snow, as brought to screens by Donald Sutherland in the original films and Tom Blyth in previous prequel effort ‘Songbirds and Snakes.’
And then there was word that Kieran Culkin is mulling an offer to play Caesar Flickerman (the eccentric host character played in the first film series by Stanley Tucci.) We’ll wait and see if there is an official announcement about any of them.
Zada will next be seen starring in the highly anticipated Prime Video series ‘We Were Liars,’ which premieres this June.
He also just completed work on Netflix‘s ‘East of Eden,’ a seven-episode limited series based on the 1952 John Steinbeck novel, written and produced by Zoe Kazan.
‘The Hunger Games: Sunrise on the Reaping’: Collins and the filmmakers talk
Director Francis Lawrence in ‘The Hunger Games: The Ballad of Songbirds and Snakes.’ Photo Credit: Murray Close.
Here’s Suzanne Collins’ statement on the new book and movie:
“With ‘Sunrise on the Reaping’, I was inspired by David Hume’s idea of implicit submission and, in his words, ‘the easiness with which the many are governed by the few… The story also lent itself to a deeper dive into the use of propaganda and the power of those who control the narrative. The question ‘Real or not real?’ seems more pressing to me every day. From the beginning, Lionsgate has been a wonderful home and partner for the ‘Hunger Games’ franchise, and I’m very excited to be collaborating with Adam and the team as we bring this next story to theaters in 2026.”
And here’s Lionsgate Motion Picture Group Chair Adam Fogelson:
“Suzanne Collins is a master storyteller and our creative north star. We couldn’t be more fortunate than to be guided and trusted by a collaborator whose talent and imagination are so consistently brilliant. We know ‘Hunger Games’ fans worldwide will be spellbound by where Suzanne has focused this next extraordinary story. The Second Quarter Quell is legendary and looms large over the history of the Games, even into the time of Katniss Everdeen a quarter-century later. Like fans around the globe, we are eagerly anticipating this exciting return to Panem.”
When will ‘The Hunger Games: Sunrise on the Reaping’ be in theaters?
Lionsgate already has a release date in place for this one: the studio wants the new movie in theaters on November 20th, 2026.
‘The Hunger Games: Sunrise on the Reaping’ opens in theaters on November 20, 2026.
(Left) Elle Fanning at the Disney presentation at CinemaCon 2025 in Las Vegas.Photo: Disney. (Right) ‘The Hunger Games: Sunrise on the Reaping’ is scheduled for release on November 20, 2026. Photo: Lionsgate.
Preview:
Elle Fanning is among the rumored cast for ‘The Hunger Games: Sunshine on the Reaping.’
‘The Ballad of Songbirds & Snakes’ director Francis Lawrence is aboard the movie.
It’s set 24 years before Katniss enters the arena.
In the time since the book and movie were announced, things have moved on considerably –– Billy Ray has written the adaptation and regular ‘Hunger Games’ director Francis Lawrence (who also made the previous prequel, ‘The Ballad of Songbirds and Snakes’) confirmed he will handle this next outing.
With production gearing up for this July in Germany, we’ve reached the casting stage and the rumors have begun to swirl.
Nexus Point News, which has been on top of a couple of scoops about possible actors, brings word that Elle Fanning has been offered the role of a younger Effie Trinket.
Effie, of course, is the effusive stylist as portrayed by Elizabeth Banks in the original ‘Hunger Games’ movies.
What’s the story of ‘The Hunger Games: Sunrise on the Reaping’?
‘The Hunger Games: Sunrise on the Reaping’ opens in theaters on November 20, 2026.
While the previous prequel took place 64 years before the events of the original trilogy, ‘The Hunger Games: Sunrise on the Reaping’ is set 24 years before that trio of Jennifer Lawrence films in the world of Panem, commencing on the morning of the reaping of the 50th Hunger Games, also known as the Second Quarter Quell.
Those games are an important event in the canon as the victor was Haymitch Abernathy, the only winner from District 12 before Lawrence’ Katniss Everdeen and Josh Hutcherson’s Peeta Mellark’s tie win. Haymitch continues on to become a mentor, a character in the original movies played by Woody Harrelson.
For ‘Sunshine on the Reaping,’ Effie serves as a stylist for the District 12 tributes in order to assist her sister, Proserpina. Although she supports the Hunger Games in principle, Effie shows genuine compassion for the tributes and treats them with kindness and care.
Who else has been rumored for ‘The Hunger Games: Sunrise on the Reaping’?
Kieran Culkin accepts the Oscar® for Actor in a Supporting Role during the live ABC Telecast of the 97th Oscars® at the Dolby® Theatre at Ovation Hollywood on Sunday, March 2, 2025.
Nexus Point news was also behind the story that Charlie Plummer is the filmmaker’s likely top candidate to play the younger Haymitch.
Plummer, who has appeared in the likes of 2019 miniseries ‘Looking for Alaska,’ has also been seen in last year’s ‘The Return’ and 2022’s ‘Moonfall.’
Perhaps most tellingly, he’s one of the leads of Francis Lawrence’s next film to be released, the Stephen King adaptation ‘The Long Walk,’ due in theaters on September 12th and hyped at the company’s recent CinemaCon presentation.
And talking of ‘The Return,’ regular scooper Daniel Richtman has reported that that film’s star, Ralph Fiennes, is also being courted for the movie, this time to play Coriolanus Snow, as brought to screens by Donald Sutherland in the original films and Tom Blyth in ‘Songbirds and Snakes.’
It would mark the latest big book-based franchise that Fiennes could be joining after a slightly successful series of movies about a certain boy wizard.
And he’s not all –– Richtman also brings word that recent Oscar winner Kieran Culkin is mulling an offer to play Caesar Flickerman (the eccentric host character played in the first film series by Stanley Tucci.)
‘Hunger Games’ doesn’t scream the sort of movie that Culkin usually appears in, but Oscar wins sometimes lead to interesting choices.
‘The Hunger Games: Sunrise on the Reaping’: Collins and the Filmmakers Talk
Director Francis Lawrence in ‘The Hunger Games: The Ballad of Songbirds and Snakes.’ Photo Credit: Murray Close.
Here’s Suzanne Collins’ statement on the new book and movie:
“With ‘Sunrise on the Reaping’, I was inspired by David Hume’s idea of implicit submission and, in his words, ‘the easiness with which the many are governed by the few… The story also lent itself to a deeper dive into the use of propaganda and the power of those who control the narrative. The question ‘Real or not real?’ seems more pressing to me every day. From the beginning, Lionsgate has been a wonderful home and partner for the ‘Hunger Games’ franchise, and I’m very excited to be collaborating with Adam and the team as we bring this next story to theaters in 2026.”
And here’s Lionsgate Motion Picture Group Chair Adam Fogelson:
“Suzanne Collins is a master storyteller and our creative north star. We couldn’t be more fortunate than to be guided and trusted by a collaborator whose talent and imagination are so consistently brilliant. We know ‘Hunger Games’ fans worldwide will be spellbound by where Suzanne has focused this next extraordinary story. The Second Quarter Quell is legendary and looms large over the history of the Games, even into the time of Katniss Everdeen a quarter-century later. Like fans around the globe, we are eagerly anticipating this exciting return to Panem.”
When will ‘The Hunger Games: Sunrise on the Reaping’ be in theaters?
Lionsgate already has a release date in place for this one: the studio wants the new movie in theaters on November 20th, 2026.
‘The Hunger Games: Sunrise on the Reaping’ is scheduled for release on November 20, 2026. Photo: Lionsgate.
Disney presentation at CinemaCon 2025 in Las Vegas. Photo: Disney.
Preview:
Disney brought several movies to its CinemaCon 2025 presentation.
The likes of ‘Tron: Ares,’ ‘The Fantastic Four: First Steps’ and more were showcased.
‘Avatar: Fire and Ash’ also showed footage, alongside Pixar’s Elio, Freakier Friday and the new, live-action/CG ‘Lilo & Stitch
While it is still looking to rebuild its fortunes, Disney can at least look back on 2024 as one with several big hits, especially ‘Inside Out 2’ and ‘Deadpool & Wolverine.’
But it will have to prove that this year’s slate can match past successes. Luckily, the Mouse House has more strings to its bow than even the likes of Universal or Warner Bros., and heavy hitters including Pixar, Marvel and James Cameron’s ‘Avatar’ series primed and ready with new entries, plus the return of ‘Tron’ to the grid… er, cinemas.
Following the usual stuff about sponsors and theater owners (got to play to the crowd!), the Disney presentation signaled the end of CinemaCon’s studio events and began with the traditional sizzle reel of upcoming movies, framed in amusing fashion by having ‘Lilo & Stitch’s titular blue troublemaker wander through the rest of the slate.
Getting the presentation off to its formal stage start was Alan Bergman, co-chairman of Disney Entertainment.
He was joined by Andrew Cripps, head of theatrical distribution at the studio to unveil the typically packed schedule of movies the studio will have across the rest of the year, and to extol the fact that Disney movies are Disney movies are typically in theaters an average of three weeks longer than any other studio.
2025’s live-action ‘Lilo & Stitch’. Photo: Walt Disney Pictures.
The latest animated-to-live-action conversion project faces additional pressure following ‘Snow White’s poor showing at the box office this past month. With Disney bosses pushing pause on a planned ‘Tangled’ live-action movie, ‘Lilo’ will need to perform in order to keep that particular strand of the company’s strategy alive beyond ‘Moana,’ due next year.
Some fresh, sneak peek footage from the new movie was screened for the crowd, featuring Stitch on a trip with Lilo and family; they go to a restaurant where the little blue alien causes the requisite chaos even as Lilo tries to teach him to behave. Some of what was shown has already popped up in the trailer, including Stitch squirting her with a soda gun.
(L to R) Lindsay Lohan and Jamie Lee Curtis at the Disney presentation at CinemaCon 2025 in Las Vegas. Photo: Disney.
Jamie Lee Curtis and Lindsay Lohan were ushered on stage to promote this sequel to the 2003 original, which moves the story forward and features even more body-switching chaos than last time as Curtis’ Tess and Lindsay’s Anna Coleman switch places with their teenage daughter/granddaughter.
Curtis and Lohan cued up a look at some brand new footage from the movie, which according to the duo has been playing well with test audiences.
Curtis says that the film was…
“Made to be seen on a big screen.”
The scene played showed Tess and Anna trying to win back Anna’s boyfriend –– but in different bodies.
‘Freakier Friday’ brings body swap chaos to theaters on August 8th.
(L to R) Jared Leto and Jeff Bridges at the Disney presentation at CinemaCon 2025 in Las Vegas. Photo: Disney.
The studio went all out with a light show to promote the third ‘Tron’ movie, and also brought Jeff Bridges and new franchise face Jared Leto to the stage.
Bridges said,
“To be back on the grid was incredible, and working with Jared… It was a great time.”
For his part, Leto said he was obsessed and this was everything he wanted from a movie. It took him to a world he had never seen before.
Leto described his character, Ares:
“An advanced program that crosses over to real world to fulfill his directive.”
After confirmation of Nine Inch Nails doing the music for the new movie, we got a look at some new footage.
What was screened was a look at Ares riding his bike in the real world, with Bridges’ Kevin Flynn narrating. We also see him ask Ares, “Are you ready? Because there is no coming back…”
‘Tron: Ares’ departs the grid for our world on October 10th.
With ‘The Amateur’ due on screens next week, its chunk of the presentation was minimal, limited to a full version of the scene in the pool we glimpse in the trailer, but show full-length here. It was followed by the trailer.
‘The Amateur,’ as mentioned, will find a way into theaters on April 11th.
Elle Fanning at the Disney presentation at CinemaCon 2025 in Las Vegas.Photo: Disney.
The new ‘Predator’ movie from ‘Prey’s Dan Trachtenberg immediately looked interesting, since the Predator creature is more of a protagonist in this one, and it takes place on a new planet where he’s been exiled and must fight his way back.
Star (no, not as the Predator!) Elle Fanning arrived on stage to confirm that this movie breaks new ground in the ‘Predator’ universe. She also said something unprecedented happens. Her character is not being chased, she teams up with Predator and you see him in new light.
She cued up the first trailer for the new movie, which sees the Predator battling a giant, nearly invincible beast with Fanning’s help.
‘Predator: Badlands’ stalks into cinemas on November 7th.
Strong, for the record, plays Jon Landau, Springsteen’s manager and producer. He said he sees the role as Lewis to Springsteen’s Clark.
White, meanwhile, explains that the movie charts Springsteen’s teenage years to around 1982.
Jeremy Allen White as Bruce Springsteen in ‘Deliver Me From Nowhere.’ Photo: 20th Century Studios.
We got a first look at the trailer for the new movie, which is directed by Scott Cooper. The footage wraps up showing Springsteen in concert performing ‘Born to Run.’
‘Deliver Me from Nowhere’ has yet to announce when it’ll be delivered to theaters.
(L to R) Emma Mackey and Jamie Lee Curtis at the Disney presentation at CinemaCon 2025 in Las Vegas. Photo: Disney.
James L. Brooks’ new comedy drama stars Emma Mackey as an idealistic young politician who juggles familial issues and a challenging work life while preparing to take over the job of her mentor, the state’s longtime incumbent governor (Albert Brooks).
She co-stars with Jamie Lee Curtis, and the latter returned to the stage alongside Mackey for the presentation.
Brooks, meanwhile, received the Cinema Vérité Award on stage and called for more movies to have a 35-day window in theaters.
Director James L. Brooks receives the Cinema Vérité Award at the Disney presentation at CinemaCon 2025 in Las Vegas. Photo: Disney.
He also had a great quote about previewing movies with audiences:
“A woman came up to me and said the loveliest words: ‘they’re crying in the ladies toilet.’ Compare that to data.”
After Brooks’ emotional speech, we got a first look at the movie itself. The scene that played took place in a bar, where Curtis’ character takes Ella to meet her father, Woody Harrelson. They haven’t spoken in years after he dated her friend.
That was followed the trailer.
‘Ella McCay’ will be in cinemas on September 19th.
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From there, it was time to look at team Searchlight’s output, following a victory lap for the awards success of ‘A Real Pain’ and ‘A Complete Unknown.’ The studio arm’s new offering is…
Unlike the 1989 version, this Jay Roach-directed sees Cumberbatch and Colman as a successful chef and her businessman husband whose lives start to fall apart when he’s fired.
Things go from bad to worse, and as we saw in the trailer that played, it gets to the point where she has him at gunpoint.
‘The Roses’ fights for its place in theaters on August 29th.
Talking of guns, we moved on to one of the studio’s biggest… Marvel!
First up was the next movie from the prolific superhero franchise.
(L To R) David Harbour, Hannah John-Kamen, Wyatt Russell, Florence Pugh, David Harbour, and Julia Louis-Dreyfus at the Disney presentation at CinemaCon 2025 in Las Vegas. Photo: Disney.
The ‘Thunderbolts*’ portion of the show kicked off with a funny bit about the cast being MIA –– Wyatt Russell appeared to have lost a lot of cash in the casino with co-star Julia Louis-Dreyfus hoping the movie makes money so they can pay his debts!
The scene featured the Thunderbolts driving through New York as Harbour’s Red Guardian tries to bond with Bucky Barnes (Sebastian Stan). The team has to fight their way through bad guys to Avengers tower.
(L To R) Hannah John-Kamen, Sebastian Stan, Florence Pugh, David Harbour, and Wyatt Russell in ‘Thunderbolts*’. Photo: Marvel Studios.
We got an extended look at the Avengers Tower scene where Louis-Dreyfus gathers the gang –– after having sent them to kill each other and being frustrated that they teamed up.
There was also a very brief look at the introduction of Sentry (Lewis Pullman). And following that? A sizzle reel of scenes from the movie, which appears to be full of chaotic fun.
‘Thunderbolts*’ heads to cinemas on May 2nd. Less than a month for this one, folks!
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That was followed by Marvel boss Kevin Feige, currently in the UK on the set of ‘Avengers: Doomsday,’ (which is “days away from the start of production”) confirming the appearance of the original X-Men team in the new movie.
We also got our first look at Julia Garner as the Silver Surfer, who cautions that planet Earth is “marked for death.” Kirby’s Sue Storm says they’ll “fight the threat as a family”.
‘The Fantastic Four: First Steps’ flies into theaters on July 25th.
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To switch tracks (but still be galactic rather than Galactus), it was the turn of the animation arm(s).
Zoe Saldaña at the Disney presentation at CinemaCon 2025 in Las Vegas. Photo: Disney.
Pixar’s latest finds a young lad dreaming of being abducted by aliens.
Zoe Saldaña, who plays the title character’s Aunt Olga, arrived on stage to talk about the new ‘toon.
A scene from the movie was shown in 3D, showing Elio brought on board an alien spaceship that is more like a living planet via a tractor beam, where he meets the vessel’s AI. He’s been recruited to join the universe’s smartest creatures to work together as a collective… But have they made a mistake? Elio meets and bonds with a young alien creature.
‘Elio’ heads into space (and theaters) on June 20th.
Ke Huy Quan introduces ‘Zootopia 2’ at the Disney presentation at CinemaCon 2025 in Las Vegas. Photo: Disney.
Thanksgiving sees the return of Judy Hopps (Ginnifer Goodwin) and Nick Wilde (Jason Bateman), the mismatched buddy duo of rabbit police officer and crafty fox. This time around, they’re on an undercover mission to stop a murderous reptile (Ke Huy Quan’s Gary).
In a video introduction, we got Bateman changing the show’s title to “ZinemaCon” and there are animal jokes about theaters –– AMZ, Pandango, Fur D X, followed by giving other Disney movies critter-like makeovers (‘Thundercolts,’ ‘Sealio,’ ‘The Fantastic Fur.’)
‘Zootopia 2’. Photo: Disney.
Quan arrived on stage to discuss the sequel and his role as Gary the snake. And that Judy and Nick go to a therapy animal (played by ‘Abbot Elementary’s Quinta Brunson) to sort their strained friendship –– which we saw in a scene from the movie. That was followed by a scene of Nick and Judy at Marsh resort trying to track down Gary.
‘Zootopia 2’ goes wild in theaters on November 26th.
Zoe Saldaña at the Disney presentation at CinemaCon 2025 in Las Vegas. Photo: Disney.
James Cameron appeared via video from New Zealand, where he’s still at work on the latest ‘Avatar’ outing. He was sorry he isn’t there in person, but he did tell the crowd he’d sent some footage.
He promised “increased emotional heart and soul,” and that the Sully family will be put through the wringer (again) as they face the Ash People. We’ll also meet the Wind Traders.
Saldaña (who has been part of the franchise since the 2009 original) returned to the stage to introduce the footage.
Zoe Saldaña at the Disney presentation at CinemaCon 2025 in Las Vegas. Photo: Disney.
We saw Jake and wife Neytiri (Saldaña) flying a dragon creature to Wind Traders’ ship where Miles “Spider” Socorro (Jack Champion), the son of Miles Quaritch, lives now.
That preceded a reel of other scenes, including Jake telling Neytiri they can’t live in hate, humans attacked the Na’vi, a shot of the whale-like creatures we met in ‘The Way of Water,’ the return of Stephen Lang’s Quaritch and Varang, the Na’vi leader of the volcano-dwelling Ash People threatening Kiri (Sigourney Weaver), the daughter of Dr. Grace Augustine’s Na’vi avatar who was adopted by the Sully family.
‘Avatar: Fire and Ash’ welcomes us back to Pandora on December 19th.
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And that’s all, folks!
(L To R) Julia Louis-Dreyfus, Wyatt Russell, and Hannah John-Kamen at the Disney presentation at CinemaCon 2025 in Las Vegas. Photo: Disney.
(L to R) Edward Norton and Monica Barbaro star in ‘A Complete Unknown’.
Moviefone recently had the pleasure of sitting down in-person with Edward Norton and Monica Barbaro to talk about their work on ‘A Complete Unknown’, playing Pete Seeger and Joan Baez respectively, learning to sing and play instruments like their characters, Seeger and Baez’s relationships with Dylan, working with Timothée Chalamet, and what audiences will learn about Dylan’s legacy.
You can read the full interviews below or click on the video player above to watch our interviews.
Moviefone: To begin with, Edward, can you talk about your approach to playing Pete Seeger and how challenging was it to learn how to play his instruments the same way he played them?
Edward Norton: The music, and fortunately this enormous body of recorded music and a lot of what Pete Seeger did, he did live, and so you get to hear his music, but you also get to hear, he talked to the crowd a lot and his vocal demeanor, his kind of odd formalism, and it was a great access point and there is an amazing amount of footage of him. That was a good place to start, there’s an abundant, recorded visual and auditory library of Pete. I think until you start trying to unpack what he’s doing musically; you don’t realize how much virtuosity he had as a banjo and a guitar player. He’s a monster of a musician, and I’ve played guitar a long time, but I realized in many ways that it was going to be very difficult on the banjo because there’s a lot of modern professional banjo players who don’t even play in the style that Pete Seeger played in. He had this special long-necked, you wouldn’t call it a baritone banjo, but it was a long neck banjo, and he played a picking style that’s very old-fashioned and not a lot of people do anymore. It was an interesting process to navigate the music with our great music supervisor, and James (Mangold) and teachers that I had. It was a challenge is the short answer. That was probably the thing I felt the most. Not anxious, but you really want to get that right. You don’t want to not do justice to what amazing musicians these people were.
Monica Barbaro attends Searchlight Pictures’ ‘A Complete Unknown’ World Premiere on Dec 10, 2024 in Los Angeles.
MF: Monica, I understand you had an opportunity to talk to Joan Baez before you began shooting. How did that help inform your performance and did it put you at ease about portraying her on screen?
Monica Barbaro: Well, I was at a place, we had already started filming, and I just kept having dreams about her. It’d be specifically dreams where we were hanging out, and we kept having a great time. I’d wake up in a good mood, and so I was like, “I think subconsciously something’s telling me that it’s going to be okay, and you should reach out.” I knew at that point that Ed had spoken to her, he knows her, and all I’ve heard is that she’s a very creatively generous person, and so I felt emboldened to reach out. I felt like, if it were Joan, she would reach out. So, I was like, “Okay, this is an exercise also in preparing for the bit of confidence that I think she has.” We just had a beautiful conversation, and she was very generous with her time, and she answered my questions, and I can safely say her memoirs and her documentaries are all very honest. There was nothing that I felt like she was withholding. So that was just wonderful to confirm that the research I had been doing was on the right path, and what she had offered up was true to her experience.
MF: Monica, can you talk about the challenges of learning and preparing for all the musical sequences and really matching the sound of your voice to hers?
MB: I think I’ve studied her so intensely that all I hear are the differences. I got to work with a lovely vocal coach and what we talked about was really trying to capture some of the more iconic qualities of her voice, the things that everyone says when they describe her voice, like she has this beautiful, tight vibrato, this sort of angelic sound, which I think comes also from singing in high keys, that I at the time couldn’t sing in. So just getting to the point of having comfortability with those qualities was the thing that I felt like would at least sell that believability early on. I didn’t play guitar either, so I had a great guitar teacher who just doubled down on teaching me her finger picking style. We just tried to formulate some version of Joan with tons of hours of training.
MF: Monica, can you talk about how Baez and Dylan’s relationship is depicted in the film and what it was like working on that with Timothée Chalamet?
MB: I mean, I’m such a fan of his work. I am an even bigger fan now. He’s an incredible actor, and knowing he was a part of this project was a part of what made me want to do it. Also, James Mangold, of course, and the subject matter. But I had complete trust in him. I mean, I had heard some of his recordings as we were preparing, and so I had even duetted with his voice as Bob. But when we met up and had a music rehearsal, I just was completely blown away. He’s an incredible actor, he worked so hard, and to me, he really got a lot of that Bob Dylan essence, and we could just, I think, kind of trust each other’s work, and we could show up as our characters and sort of let the scene unfold. We didn’t spend a lot of time sitting down and figuring out who we thought they were or what we thought this meant. We took our sort of siloed processes and bridged them in the moment in the scenes that you see. James was an incredible advocate for us and leader in that process, and it was just a beautiful, very present experience.
MF: Finally, Edward, can you talk about how Pete Seeger and Bob Dylan’s friendship is depicted in the film and what you hope audiences learn about both of their legacies?
EN: I think in a funny way, I never want to impose an idea. I think an audience should get to have their own relationship with it. Here’s my point. A great filmmaker will leave people with a lot to resolve for themselves and not instruct emotionally, morally or anything. I think James’ done something quite beautiful in this, in that he lets Dylan be Dylan and Pete be Pete, and they have different kinds of integrity. Joan Baez has her own. I think he gives you this portrait of the different types of integrity that a person can have, and he lets them collide with each other. Different people are going to feel very different ways about it all and then go through the prism of their own experiences and their own mentors and their own people they think they did something for. If you get that right, it transcends the fact that these people were musicians. It can be about teachers or anyone who had a mentor or anyone who had an ally who they went sideways with. I think it’s the paradox of people being able to love each other and admire each other and get into cross-purposes with each other that makes it kind of interesting. I think that there was a moment that the film depicts that a lot of people who have great talent and great passion kind of collided with each other. This thing came up and out in the Zeitgeist through Dylan, and then it changed. You know what I mean? I love the way the film sort of almost, it’s like the Beatles breaking up. Everything can’t last. Maybe if anything, it’s like, it’s just the observation of that fact that is poignant.
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What is the plot of ‘A Complete Unknown’?
Set in the influential New York music scene of the early 60s, ‘A Complete Unknown follows 19-year-old Minnesota musician Bob Dylan’s (Timothée Chalamet) meteoric rise as a folk singer to concert halls and the top of the charts – his songs and mystique becoming a worldwide sensation – culminating in his groundbreaking electric rock and roll performance at the Newport Folk Festival in 1965.
(L to R) Boyd Holbrook, Ed Norton, Timothée Chalamet, Monica Barbaro, and Elle Fanning attend Searchlight Pictures’ ‘A Complete Unknown’ World Premiere on Dec 10, 2024 in Los Angeles.
‘A Complete Unknown,’ which stars Timothée Chalamet as Bob Dylan, chronicles the music icons early days, from his initial arrival in New York to his taking the folk scene by storm with his powerful lyrics and catchy tunes.
Directed by James Mangold, who previously brought the world the likes of ‘Walk the Line’ (about fellow music sensation Johnny Cash) and ‘Ford Vs. Ferrari’ (the true life tale of the clash between the car companies around the famed Le Mans race), the new movie sees Dylan shaking up his act by going electric and siring rock as the voice of a generation –– defining one of the most transformative moments in 20th century music.
The movie has already made a strong entry into the awards race, and Searchlight Pictures held a virtual press conference with Mangold, Chalamet, Fanning, Barbaro, Holbrook and Norton.
Here are 10 things we learned at that press conference, edited for clarity and length. ‘A Complete Unknown’ will be in theaters on December 25th.
1. Mangold was Transfixed by the Real Story the Film is Based On
Director James Mangold attends Searchlight Pictures’ ‘A Complete Unknown’ World Premiere on Dec 10, 2024 in Los Angeles.
Mangold and Jay Cocks adapted the script from Elijah Wald’s book ‘Dylan Goes Electric! Newport, Seeger, Dylan and the Night that Split the Sixties.’
James Mangold: It came about because there was a wonderful book by Elijah Wald that covered this period and did a really beautiful job of bracketing this moment, this convulsion that happened in Newport 65 and what led up to it. Then as Jay Cocks and I were developing the script, it occurred to me that this fable really should begin with Bob’s arrival in New York. I found it almost like a fairy tale. This idea of a young man, almost a man with no name or changing his name upon arrival with a few bucks in his pocket, carrying a guitar case and a Moleskine notebook with some scrawling in it, landing at the bedside of his hero in a VA hospital in New Jersey to sing him his song. He’s traveled all this way to sing. I mean, that this is a true story blows my mind.
With a few years between landing the role and starting work on the film, the actor had time to prepare to play Dylan.
Timothée Chalamet: It was daunting because it is Bob Dylan. At the beginning of the process, I wasn’t in the Church of Bob the way I am now, the way I’m a humble disciple now. The years I got to prepare for this role is unlike the time I’ve had for any other role. So at some point it stopped becoming work and it just became a process of osmosis and just living in the material, living in the world of the sixties. When it came time to shoot with Edward and Monica and Elle and Boyd, we were constantly throwing around little facts or tidbits or video clips or letters we were finding about these characters from the period.
3. Monica Barbaro Also Threw Herself into Preparing to Play Joan Baez
As with Chalamet, the ‘Top Gun: Maverick’ actor had a lot of work to get ready to be Baez.
Monica Barbaro: When Jim cast me in the film, I had five months to learn to sing and play guitar, and that did not feel like a long time. So, I was very anxious. Yet during the strike, we weren’t allowed to work with our coaches necessarily, but it was this cool time to take the training and process the work and be a little bit more solo with it, stretch and try things on my own. I think that was around the time when I started working on singing and playing at the same time, which was just a whole other level of musical proficiency that I just did not have and did not understand. Sometimes it’s like patting your head and rubbing your stomach.
4. Edward Norton Was a Big Fan of Dylan, Seeger and co. Before Taking on the Film
Norton’s familiarity with the main players was a big plus in his own preparation.
Edward Norton: I’ve marinated in the Church of Bob for my whole adult life. If you’re someone who came up in New York City in the theatre with even a passing interest in human affairs, Pete Seeger was a paragon. He was a folk singer who cleaned up the Hudson River. You knew about Pete Seeger. My first job as a waiter was right next to a restaurant that was in Pete Seeger’s house, and I used to go there all the time. I’ve played guitar for many years, and I know this music. So there’s the preparation that wasn’t… I didn’t walk into it happily naive to the ethos of it or the essence of it. Banjo was a new animal for me. They say dying is easy, comedy is hard. Well, I think guitar is easy and banjo is hard. So that was fun. That was a lot of fun.
5. Elle Fanning Had to Get Creative Given Her More Fictionalized Role
Elle Fanning attends Searchlight Pictures’ ‘A Complete Unknown’ World Premiere on Dec 10, 2024 in Los Angeles.
With Sylvie based on a real-life figure, but with more flexibility, Fanning had different challenges.
Elle Fanning: You can do the facts and the searching, but really your bible is the script, and working with your actors and talking to Jim and carving out a story and a cinematic experience that people are going to care about. I felt like I cared so much for her on the page, and her emotion just jumped out at me. So I wanted to do justice of honoring know Suze and Bob’s relationship, but also making sure that that emotional weight was there in the part that I had.
6. Boyd Holbrook Was Intimidated Playing Johnny Cash For a Big Reason
Boyd Holbrook attends Searchlight Pictures’ ‘A Complete Unknown’ World Premiere on Dec 10, 2024 in Los Angeles.
Holdbrook had good reason to be nervous, since Mangold had already shepherded Joaquin Phoenix to an Oscar nomination playing Cash in ‘Walk the Line.’
Boyd Holbrook: Yeah, it was kind of daunting in the beginning when Jim asked me to do it. But following Joaquin’s great performance, it was daunting in a way, but then as I understood what the part was about and its functionality in Bob’s life, it was a really exciting challenge. I didn’t play and sing at the same time. I think I lied to you, Jim. I think I told you I did! But there’s this extraordinary pressure that bottlenecks you down into the day of shooting where you have to figure this out. So for me it was really exciting to do it in a fresh way, and to see what this other version of Johnny Cash was, and a mentor to Bob. Maybe not a mentor, but a comrade.
7. Mangold Hopes Audiences Seek Out Big Screens to See the Movie
Though so many movies go to streaming these days and something such as ‘A Complete Unknown’ might not be on the scale, of, say ‘Gladiator II,’ the director feels it deserves to be seen on a big screen.
Mangold: I want all our movies to be seen on the big screen. That’s why we make them. I’ve been very lucky so far, particularly movies like this where it’s getting harder and harder to get them made and going out theatrically. But it is a singular experience, and I think that this movie has a kind of scale to it that really asks for that kind of experience. The enveloping sound of these concerts, whether intimate or gigantic, is just our sound team did awesome work on this movie, and it’s an anamorphic film, so it’s wide screen and just looks amazing on the big screen.
8. Part of Chalamet’s Road to Dylan Included Visiting the Musician’s Old Haunts
The actor didn’t just dig into Dylan’s musical side –– he also made pilgrimages to where he was born in Minnesota.
Chalamet: They were hugely informative. I don’t think they were informative in an academic sense. I wasn’t trying to excavate the exact places he walked or understand what homework was assigned on a specific day. I really just wanted to put myself in the environment, the weather, the roads, the iron ore of it all that gives him that grit in his voice, that to this day makes it so surprising and impressive that he wrote songs like “North Country Blues,” or “Rocks and Gravel” and stuff that was beyond a 19– or 20–year–old at the time. Again, it was a process of osmosis. It wasn’t anything prescriptive.
9. Chalamet Sung Most of the Songs Live in the Film
Though Mangold and his team had crafted the usual pre-recorded soundtrack for Dylan and co., Chalamet had his director’s confidence to perform on set.
Mangold: We laid down what’ll be a soundtrack album full of music in the studio. But then we started shooting and the first scene we did, you guys have seen the movie, the first scene with singing in it that we did was the one in which he sings a song for to Woody Guthrie in the hospital. Timmy came to me and said, “I just want to do it.” There was this whole moment on set where people behind the scenes are, “Well, the shots will never cut. He’ll be singing a different tempo from one shot to the next and we can’t get a good recording here.” I have my hats off to Timmy because he was the one who was like, “I just want to do it.” And he did. All I did was run interference for him in the sense of going, “Whatever happens, we can fix it later.” We didn’t have to fix a thing.
10. Fanning was Blown Away Hearing Chalamet Play for the First Time
Elle Fanning wasn’t sure what to expect when it came to Chalamet playing Dylan, but he really nailed the role.
Fanning: The first day on set for me was when he’s singing, “A Hard Rain’s Going to Fall.” I am an audience member in that scene. I don’t have any lines or anything, but I remember I had such an anticipation, like butterflies. You could feel like this bubbling anticipation. The audience knew what they were about to see, but I didn’t know what to expect. Obviously I know he’s a brilliant actor, and I was, ‘Of course he’s going to knock it out of the park.’ He gave us a full concert.
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What is the plot of ‘A Complete Unknown’?
Set in the influential New York music scene of the early 60s, ‘A Complete Unknown follows 19-year-old Minnesota musician Bob Dylan’s (Timothée Chalamet) meteoric rise as a folk singer to concert halls and the top of the charts – his songs and mystique becoming a worldwide sensation – culminating in his groundbreaking electric rock and roll performance at the Newport Folk Festival in 1965.
Opening in theaters on December 25th is the new biopic ‘A Complete Unknown’, which chronicles the early life and career of legendary musician Bob Dylan.
Director James Mangold delivers a brilliant and vibrant biopic about legendary musician Bob Dylan that completely captures his complex mystic and iconic music. Mangold wisely focuses on the early part of Dylan’s career, beginning with his arrival in New York, his rise in the folk music scene, and culminating with his controversial choice to “go electric” at the 1965 Newport Folk Festival.
Timothée Chalamet gives a career-defining performance as Dylan and is completely hypnotic in the role. The actor completely embodies the character with the awkward cool and determination of Dylan and is remarkable in the musical sequences, so much so that at times you forget you are not actually watching Dylan. Chalamet’s performance is supported by excellent turns from both Monica Barbaro as Joan Baez, and Ed Norton as folk musician Pete Seeger.
The movie begins in 1963 by introducing us to an awkward young song writer, who has just arrived in New York City and has already adopted the persona of Bob Dylan (Timothée Chalamet). Dylan’s first move is to visit his hero, Woody Guthrie (Scoot McNairy), who is dying in a local hospital. Dylan performs a song he has written for Woody and impresses folk legend Pete Seeger (Ed Norton).
Seeger soon introduces Dylan on the popular New York folk music scene, and while trying to get his first album produced, meets artist Sylvie Russo (Susan Rotolo in real life) played by Elle Fanning, and young musician Joan Baez (Monica Barbaro). Dylan soon begins having relationships with both women, while his musical career takes off.
Confused by his new success and being labeled “the voice of his generation” by the media, Dylan seeks support from fellow musician Johnny Cash (Boyd Holbrook). Dylan continues to struggle with his success and pushes to create new music that doesn’t fit into the mold of what Seeger and others want for him. It all culminates with the 1965 Newport Folk Festival, where Dylan is the headliner and famously causes a riot by using an electric guitar.
Based on author Elijah Wald’s ‘Dylan Goes Electric’, the script by Mangold and Jay Cocks is excellent and the choice to focus on the first three years of Dylan’s career rather than a life-spanning biopic was a smart one. Mangold, of course, is no stranger to rock n’ roll biopics having made the Johnny Cash film ‘Walk the Line,’ but in my opinion this is a far superior movie and putting ‘Logan’ aside, may be the best work of Mangold’s impressive career.
Focusing on this specific period allows the director to really examine how Robert Zimmerman became Bob Dylan, and his impact on music and society. 1960s New York comes alive in a vibrant way, and the images shown reflect what we’ve seen of Dylan in that time. Mangold is also able to spotlight the folk music movement of the early 60s, Dylan’s role in that, and how controversial it was in that community when Dylan “betrayed” them and went electric.
Obviously, if you are Dylan fan you will love the music as it is mostly his, with a few traditional songs and music from Pete Seeger and Johnny Cash thrown in. All the big Dylan hits of that time are included such as ‘Masters of War’, ‘Blowing in the Wind’, ‘Maggie’s Farm’, and of course, ‘Like a Rolling Stone’. The musical performances are fantastic, and the actors, who sang themselves, remarkably sound like the people they are portraying, especially Chalamet and Barbaro.
Full disclosure: I’m a self-proclaimed Bob Dylan expert. I’ve personally been studying his music as a fan for the last 30 years and have seen him live in concert easily over 20 times. So, I was ready to be quite critical of the movie, but to be honest, I fell so in love with the characters, the performances, the music and Mangold’s direction, that I really left the theater with very little to complain about.
However, if I had to be critical, at 2 hours and 21 minutes, the movie is a little long. It didn’t bother me much, but I think you could have a much tighter film if you cut 10 minutes or so from the run time. The easiest way to do this would be to cut one or two of the musical numbers. Look, I love ‘Masters of War’, but do we need to see Dylan perform it twice in the same movie?
Also, I understand having Norton perform one of Pete Seeger’s songs at the beginning of the movie to establish who that character is, but also watching him perform at the Newport Festival towards the finale seemed unnecessary. My guess would be that Mangold got a little too precious with the musical performances and didn’t want to “cut any of his babies”, and I totally get that, and in the long run doesn’t really hurt the movie much.
My other small critique would be that the film completely skips Dylan’s seminal 1965 tour of England, which is where he was first introduced to electric guitars. The movie makes mention of the trip before and after it happens, but never took the time to explore it and I have a theory as to why Mangold made that choice.
D.A. Pennebaker’s groundbreaking 1967 documentary ‘Don’t Look Back’ chronicles in real time Dylan’s tour of England, and my guess would be that Mangold did not want to retread that territory. If that is the case, then that was a smart choice, as one of my issues with director Michael Mann’s boxing biopic ‘Ali’ was that the third act was a shot for shot remake of the Oscar-winning documentary ‘When We Were Kings’.
Mangold has really assembled a wonderful ensemble cast but obviously the movie hinges on Timothée Chalamet’s performance. The young actor who has been excellent in films like ‘Call Me by Your Name’, ‘Wonka’ and the ‘Dune’ series gives his best work to date as Dylan. I would imagine this was a daunting character for Chalamet to play and he completely nails it from beginning to end.
The actor perfectly embodies Dylan, his awkward coolness, and his legendary mystic. His musical performances are astounding and the best compliment I can give him is to say that there were times I forgot I was watching an actor and thought I was really watching Dylan. It is easily one of the best male performances of this year and I would be shocked if he doesn’t at least get nominated for an Oscar, and depending on who else is in the competition, I would imagine he’ll be the frontrunner.
Also deserving of an Oscar nomination is Monica Barbaro who is incredible as Joan Baez. Not only does the actress look like Baez, but she also sounds exactly like her when she is singing and has excellent chemistry with Chalamet. Their love story, for me, was the heart of the movie. Elle Fanning, who plays Dylan’s other love interest Sylvie, has a bit of a thankless role, as I did feel her character was given short shrift by the script. Regardless, the actress is a ray of sunshine in all her scenes and has wonderful chemistry with Chalamet too.
Ed Norton could also end up earning an Oscar nomination for his work, as the actor gives a quiet yet strong performance as Dylan’s mentor and eventual rival, Pete Seeger. It’s also worth mentioning Boyd Holbrook’s fun performance as Johnny Cash, but with two short scenes, it is basically a glorified cameo. Finally, Scoot McNairy has the difficult job of playing an afflicted Woody Guthrie, and while his performance didn’t quite work for me, the actor made the most of the situation.
In the end, ‘A Complete Unknown’ is probably the best version of a Bob Dylan movie we could ever ask for. And it’s important to remember that Bob Dylan isn’t even a real person … he’s a mysterious character that a young Robert Zimmerman created in New York in the early 60s. Given that, director James Mangold has created a biopic that both honors the legend of Bob Dylan, while examining the real man behind the persona, without ruining the mystic that the artist has spent so many decades cultivating.
I expect the film will receive an Oscar nomination for Best Picture and Best Adapted Screenplay, and possibly a nomination for Best Director as well. In a year that saw disappointing biopics of both Bob Marley (‘Bob Marley: One Love‘) and Amy Winehouse (‘Back to Black‘), I can safely say that ‘A Complete Unknown’ is the best biopic about a popular musician we’ve seen in recent years and features a transcending and career-defining performance from Timothée Chalamet.
‘A Complete Unknown’ receives 9 out of 10 stars.
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What is the plot of ‘A Complete Unknown’?
Set in the influential New York music scene of the early 60s, ‘A Complete Unknown follows 19-year-old Minnesota musician Bob Dylan’s (Timothée Chalamet) meteoric rise as a folk singer to concert halls and the top of the charts – his songs and mystique becoming a worldwide sensation – culminating in his groundbreaking electric rock and roll performance at the Newport Folk Festival in 1965.
‘Prey’ director Dan Trachtenberg has shot both follow-up ‘Badlands’ and a new secret movie.
The other movie is likely to arrive via streaming.
20th Century boss Steve Asbell offered other updates in a new interview.
Ever since ‘10 Cloverfield Lane’ director Dan Trachtenberg brought the ‘Predator’ franchise roaring back to life with 2022’s ‘Prey’ (a prequel to the franchise entries that landed on Hulu to huge viewing figures), we’ve been waiting for more news about his follow-up.
Then, back in June this year, word arrived that Elle Fanning was in talks for the next movie to come from Trachtenberg, ‘Predator: Badlands.’ It’s a stand-alone that features no connective tissue to ‘Prey’ other than the appearance of at least one of the movies’ trademark toothy hunters.
According to Asbell, there will indeed be two ‘Predator’ movies headed our way next year.
One is ‘Badlands,’ which wrapped recently in New Zealand and, yes, features Fanning. The other? That’s more of a mystery for now.
This is what Asbell said:
“After ‘Prey’ became a success, Dan came back and said he didn’t want to do ‘Prey 2.’ And we’re like, ‘What do you want to do?’ And he rattled off a bunch of ideas that were really crazy but really cool. We’ve actually done two of them.”
He had no other real details on the second film, other than to say Trachtenberg directed it before heading out to make ‘Badlands’ and that it probably won’t be released theatrically, which is the destination for ‘Badlands.’
Little has been released about the plot for ‘Badlands,’ and indeed Asbell offers not much by way of detail, other than to say:
“It is an absolutely bonkers idea. It is a sci-fi thing, but it’s not what everybody thinks it is. And I mean, it’s awesome. It is so nuts. But in Dan, we trust.”
One of the other big 20th Century sci-fi franchises, ‘Alien,’ also saw love this year.
‘Alien: Romulus,’ directed by Fede Alvarez, was a success at the box office, and a sequel is in the works.
This is what Asbell had to say about the future of the franchise:
“We’re working on a sequel idea now. We haven’t quite closed our deal with Fede, but we are going to, and he has an idea that we’re working on. The two survivors, Rain and Andy, played by Cailee Spaeny and David Jonsson, were real highlights of the film. And so I always think of it like, ‘Wow, where do people want to see them go next?’ We know there’s going to be aliens. We know there’s going to be great horror set pieces. But I fell in love with both of them and I want to see what their story is.”
That would also make people think about the times that the ‘Alien’ and ‘Predator’ franchises have crossed over –– but according to Asbell, while he and his team are thinking about it, don’t expect them to rush into the idea:
“It wouldn’t be in the way you think. That’s the thing. Not in the way that it will just be called ‘Alien vs. Predator’ or anything like the original movies. If we do this, they’ll be organically created out of these two franchises that we’ve continued with characters that we fall in love with, and those characters will combine… perhaps. But we haven’t gotten to that point.”
Elle Fanning in ‘The Neon Demon’. Photo: Amazon Studios.
Preview:
Elle Fanning is in talks for the new ‘Predator’ Stand-Alone Movie ‘Badlands’.
Dan Trachtenberg is once more directing.
A ‘Prey’ sequel is also in development.
2022’s ‘Prey’, even though it debuted on streaming service Hulu, has been a huge success, breaking viewing records for the Disney-owned company and introducing new fans to the ‘Predator’ story.
We learned back in February that Dan Trachtenberg, who directed ‘Prey’, is headed back into ‘Predator’ territory with new stand-alone movie ‘Badlands’. And there has been an update –– Elle Fanning, most recently seen in Hulu series ‘The Great’, is now in negotiations to take a lead role. As to what role she’ll play, that has yet to be revealed.
The plot for the new film is being kept hidden for now. We do know that it is not planned as a direct sequel to ‘Prey’, which you might recall was set in 1719 and saw a Comanche woman (Amber Midthunder) dealing with the dismissive attitudes of the men around her, encroaching human threats and, oh yes, a skilled extraterrestrial hunter on the planet for sport.
But given Trachtenberg’s return (and that of writer Patrick Aison, who has crafted the new script from a story he worked on with the director), there’s every chance it could have some link to the 2022 movie.
All that is concrete about the new movie is that it’s set at some point in the future and will once more focus on a female human lead character.
All being well, Trachtenberg is aiming to have the movie shooting in July, and Fanning’s casting means that is looking more likely.
What else is happening with the ‘Predator’ franchise?
While ‘Badlands’ is the one confirmed project to move from development into pre-production, Trachtenberg is reportedly also overseeing other potential ‘Predator’ concepts that could be handed off to different creative teams. This is Disney, after all, which rarely likes to let a chance for a new (or in this case, renewed) franchise to slip through its fingers.
Deadline’s story on Fanning entering negotiations also mentions that a ‘Prey’ sequel is in very early development, which would mean Midthunder’s Naru would be the first character to reoccur across more than one ‘Predator’ movie.
If ‘Badlands’ is a success, expect plenty more ‘Predator’ projects to switch off their cloak of invisibility and start stalking our screens.
Disney and 20th Century Studios have yet to announce a release date, nor confirm if it’ll be in theaters (but we figure it’s a good bet given the companies’ refreshed commitment to theatrical releases). With shooting set for this year, a 2025 slot seems likely.
Timothée Chalamet as Bob Dylan in director James Mangold’s ‘A Complete Unknown.’ Photo: James Mangold’s Twitter Account.
Preview:
The first official image of Timothée Chalamet in ‘A Complete Unknown’ has landed.
Director James Mangold posted the picture in response to a flood of paparazzi set images.
This new movie will chronicle a key early part of Bob Dylan’s career.
Thanks to the recent one-two punch of ‘Wonka’ and ‘Dune: Part Two’, Timothée Chalamet’s celeb-obsession-ometer is naturally high right now. So with him out and about in New York shooting the new film ‘A Complete Unknown’, there has been a paparazzi feeding frenzy for images of the young star playing a scruffy 1960s-era Bob Dylan.
To head off more, filmmaker James Mangold, who is directing the new movie, has released his own image of Chalamet, plus one of the clapper board from the movie, via social media.
(Left) Bob Dylan in director D. A. Pennebaker’s documentary ‘Don’t Look Back.’ Photo: Leacock-Pennebaker, Inc.
Co-written by Mangold and Jay Cocks, ‘A Complete Unknown’ is set in the influential New York music scene of the early ’60s.
It follows 19-year-old Minnesota musician Bob Dylan’s meteoric rise as a folk singer to concert halls and the top of the charts — his songs and mystique becoming a worldwide sensation — culminating in his groundbreaking electric rock and roll performance at the Newport Folk Festival in 1965.
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Who else is in ‘A Complete Unknown’?
Edward Norton as Miles in ‘Glass Onion: A Knives Out Mystery.’ Photo: Courtesy Netflix.
In the new movie, Edward Norton plays fellow folk musician Pete Seeger (a role that initially went to Benedict Cumberbatch before scheduling issues forced him to drop out), Elle Fanning is appearing as a character based on university student and artist Sylvie Russo, who was an early big love of Dylan’s, while Monica Barbaro is Joan Baez.
One person not in the movie? Chalamet’s ‘Dune’ co-star Austin Butler, who famously got his own big break playing another huge music icon in ‘Elvis’.
Here’s how Chalamet joked to Butler about him appearing, as reported by NME:
“I wish you were in it! There’s an Elvis character in the Johnny Cash biopic ‘Walk the Line’. It’s really brief, it’s very brief, but I was kind of wishing we could create a musical cinematic universe.”
While the actor doesn’t have any roles officially lined up after the Dylan pic, he’ll likely return for ‘Dune: Messiah’ as and when director Denis Villeneuve is ready to make the next chapter in the successful sci-fi saga.
But Warners, pleased with the box office hauls of both ‘Wonka’ and ‘Dune: Part Two’, has now signed a deal with the star, which will see the studio collaborating with him on movies he’ll lead and produce, much as it recently did with ‘Barbie’s Margot Robbie and her LuckyChap company.
What’s worse than having an overbearing helicopter mom, hovering over your every life choice? Having that mom being “Maleficent.”
Disney dropped a new trailer for “Maleficent: Mistress of Evil,” the sequel to the 2014 fairy tale hit. Angelina Jolie returns as the titular fairy, who has been raising Aurora (Elle Fanning) as her own daughter. But Maleficent disapproves when Aurora gets engaged to Prince Phillip (Harris Dickinson) and the situation gets even more tense when the fairy godmother meets Aurora’s future mother-in-law, Queen Queen Ingrith (Michelle Pfeiffer).
When Ingrith declares that Aurora will “finally get the love of a real mother,” Maleficent goes nuclear.
A deeper mystery seems to be afoot, as well, with Chiwetel Ejiofor appearing at the end of the trailer as a leader of a group of fairies. Has Maleficent finally found her family?
“Maleficent: Mistress of Evil” opens in theaters October 18.
