Tag: elizabeth-olsen

  • Movie Review: ‘Eternity’

    (L to R) Elizabeth Olsen, Miles Teller and Callum Turner in 'Eternity'. Photo: A24.
    (L to R) Elizabeth Olsen, Miles Teller and Callum Turner in ‘Eternity’. Photo: A24.

    Opening in theaters November 26 is ‘Eternity,’ directed by David Freyne and starring Miles Teller, Elizabeth Olsen, Callum Turner, Da’Vine Joy Randolph, John Early, and Olga Merediz.

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    Related Article: Hailee Steinfeld to Star Opposite Miles Teller in Drama ‘Winter Games’

    Initial Thoughts

    (L to R) Miles Teller and Elizabeth Olsen in 'Eternity'. Photo: A24.
    (L to R) Miles Teller and Elizabeth Olsen in ‘Eternity’. Photo: A24.

    Classic films like ‘Defending Your Life’ and ‘Heaven Can Wait’ have found rich material to mine for both comedy and romance in fantastical, often whimsical depictions of the afterlife – or, more specifically, the way stations we stop at on our journey before moving to whatever permanent form of existence that afterlife takes.

    ‘Eternity,’ from director and co-writer David Freyne, traverses the same mystical territory, channeling Albert Brooks’ ‘Defending Your Life’ in particular. But while Freyne’s feature is amusing and fairly entertaining, its rather static direction and lightweight treatment of its emotional core never make it feel as transcendent as it could.

    Story and Direction

    (L to R) Elizabeth Olsen and Olga Merediz in 'Eternity'. Photo: A24.
    (L to R) Elizabeth Olsen and Olga Merediz in ‘Eternity’. Photo: A24.

    Elderly couple Larry and Joan Cutler (Barry Primus and Betty Buckley) are visiting their family when Larry abruptly chokes to death on a pretzel. He wakes up to find himself in the first stage of the afterlife, known as the Junction, where not only do you look like you did when you were at your happiest (in this case the form of Miles Teller) but where you stay in a moderately luxurious hotel while having a week to choose where you want to spend eternity, in whatever manner you decide.

    The options are all available in a funny kind of marketplace outside the hotel, where final destinations like Smoking World (‘cancer can’t kill you twice’) and No Men World (‘sold out’) jostle for business with more mundane locales like mountain cabins and tropical beaches. But once you decide on where to spend eternity, the decision is final. And if you decide you want to wait for a loved one to join you, you can stay at the Junction, which is what Larry decides to do so he can wait for Joan.

    He doesn’t have to wait long, as Joan succumbs to illness not long after and materializes looking like Elizabeth Olsen. But there’s a hitch: Joan’s first husband, Luke (Callum Turner), who was killed in the Korean War not long after they were married, has been waiting for her to show up as well. And now she must determine which of the two she wants to spend eternity with, and where – although the rules get a little cloudy at this point.

    (L to R) Callum Turner and Elizabeth Olsen in 'Eternity'. Photo: A24.
    (L to R) Callum Turner and Elizabeth Olsen in ‘Eternity’. Photo: A24.

    All this information is relayed through heavy exposition by beings known as ‘afterlife coordinators,’ who are assigned to each new arrival. Larry’s is played by Da’Vine Joy Randolph, while John Early portrays Joan’s, and it’s a credit to both performers that they more or less steal the movie with their own amusing rapport and bits of business while explaining how this version of the afterlife works.

    Freyne’s direction is not especially stylish, often resulting in long, enervated shots that don’t leap off the screen but are fortunately bolstered by his game cast. The movie itself is entertaining enough in a low-key, low-stakes kind of way, and the superficial treatment of the concept, the emotions at play, and the decisions at the heart of the film render it a lot less poignant or thought-provoking than it could be.

    Cast and Performances

    (L to R) John Early and Da'Vine Joy Randolph in 'Eternity'. Photo: A24.
    (L to R) John Early and Da’Vine Joy Randolph in ‘Eternity’. Photo: A24.

    Neither Miles Teller nor Elizabeth Olsen, while fine actors, are known for their comedic chops, and ‘Eternity’ is not going to change that, really. Both are good, and Teller does play against his usual type – either super-tense or swaggering – while Olsen’s natural appeal powers her through the film. One thing both actors do well is use their body language to remind you that they are playing characters who, in their minds, are well into old age even if they look like their younger selves.

    Less impressive is Callum Turner, although his character is perhaps the most poorly written of the three leads – a shining knight one moment and a surly man-child the next. But the movie’s scene-stealers are easily Da’Vine Joy Randolph and John Early as the afterlife coordinators. Both have a rapport and dynamic that provides both the biggest laugh lines and many of the film’s funniest moments.

    Final Thoughts

    (L to R) Callum Turner and Elizabeth Olsen in 'Eternity'. Photo: A24.
    (L to R) Callum Turner and Elizabeth Olsen in ‘Eternity’. Photo: A24.

    ‘Eternity’ is an odd film. It’s not particularly cinematic, yet its premise – at least initially – is kind of clever and well-suited to a big screen comedy. Yet neither the direction nor the screenplay ever quite make it hit home emotionally, despite a few stirring moments. The end result is an amiable attempt at a rom-com crowd-pleaser that may pass the time relatively pleasantly but doesn’t make its insights as profound as they could be.

    ‘Eternity’ receives a score of 65 out of 100.

    (L to R) Elizabeth Olsen and Miles Teller in 'Eternity'. Photo: A24.
    (L to R) Elizabeth Olsen and Miles Teller in ‘Eternity’. Photo: A24.

    What is the plot of ‘Eternity’?

    In an afterlife where souls have one week to decide where to spend eternity, Joan (Elizabeth Olsen) is faced with the impossible choice between the man she spent her life with (Miles Teller) and her first love (Callum Turner), who died young and has waited decades for her to arrive.

    Who is in the cast of ‘Eternity’?

    • Miles Teller as Larry Cutler
    • Elizabeth Olsen as Joan Cutler
    • Callum Turner as Luke
    • Da’Vine Joy Randolph as Anna
    • John Early as Ryan
    • Olga Merediz as Karen
    • Barry Primus as Old Larry
    • Betty Buckley as Old Joan
    'Eternity' opens in theaters on November 14th.
    ‘Eternity’ opens in theaters on November 14th.

    Miles Teller Movies and TV Shows:

    Buy Tickets: ‘Eternity’ Movie Showtimes

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  • Movie Review: ‘The Assessment’

    (L to R) Alicia Vikander and Elizabeth Olsen in 'The Assessment', a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.
    (L to R) Alicia Vikander and Elizabeth Olsen in ‘The Assessment’, a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.

    ‘The Assessment’ receives 7.5 out of 10 stars.

    Opening in theaters on March 21st, ‘The Assessment’ is the sort of thoughtful, low-key but sometimes too dense science fiction movie that largely stays in the indie space since it’s unlikely to attract a giant blockbuster crowd.

    Yet it’s somehow reassuring that in an age where IP is king and originality can be scarce at your local cinema, something like this can still hit screens.

    Related Article: Alicia Vikander and Director Fleur Fortuné Talk ‘The Assessment’

    Does ‘The Assessment’ pass the test?

    Alicia Vikander in 'The Assessment', a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.
    Alicia Vikander in ‘The Assessment’, a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.

    ‘The Assessment’ probably works best if you like your science fiction with some brain matter behind it; but there is also a deep well of emotion running here.

    In the mold of Aldous Huxley in particular, its story of a climate-ravaged world that is struggling to survive in the wake of enormous damage done by mankind, it also posits a society that has adapted to dwindling resources by development of a miracle drug that can ward off disease and slow down aging.

    But it’s also a tightly-controlled authoritarian regime where dissent is punishable by exile to the savage wastes outside the habitable domes where those who have the resources and are willing to both contribute and obey dwell.

    In reality, though, the movie’s focus is much tighter –– it’s the tale of a couple who wish to have a child (reproduction through any method than some asexual fertilization process following a strict assessment period is forbidden) struggling with the unusual demands of the woman sent to test their suitability to be parents at all.

    What transpires is a chaotic, testing battle of wills between the two prospective parents and the assessor, who tests them in ways they probably weren’t expecting; this is more than just checking to see if they’ve baby-proofed the wall sockets.

    Script and Direction

    Fleur Fortuné, director of 'The Assessment', a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.
    Fleur Fortuné, director of ‘The Assessment’, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.

    Written by Nell Garfath Cox, Dave Thomas (who collectively work as filmmaking team Mr. and Mrs. Thomas) along with John Donnelly, this is a cold, thoughtful movie that tells its story with enough human emotion to keep it from feeling like a film school test case. We’re introduced to the central pair through their daily lives as scientists and lovers, but the plot proper doesn’t kick in until the Assessor, played by Alicia Vikander arrives.

    As director, music video helmer Fleur Fortune, who has also worked on short films, brings a careful touch to the film, which walks the line of being too intellectual with some skill. She has a keen eye for a visual and also gets great work out of some very good actors. There’s a real melancholy to the movie, even as the color palette is warm and inviting.

    Cast and Performances

    Elizabeth Olsen in 'The Assessment', a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.
    Elizabeth Olsen in ‘The Assessment’, a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.

    Elizabeth Olsen brings quiet grace to Mia, one half of the couple looking to reproduce, yet when scenes call for her to explode with anger, frustration or sadness, she’s more than up to those tasks also.

    It’s Mia’s journey we’re truly on, from meeting her as a young girl abandoned by her mother to the grown woman who is willing to go to whatever lengths to both help society prosper and achieve her own aims, but comes up against some very tough home truths.

    As Aaryan, Himesh Patel is dedicated and subtle, a man who will do anything for his wife, but who finds himself conflicted when the challenge of having the assessor in their home becomes all too strange.

    Himesh Patel in 'The Assessment', a Magnolia Pictures release. Photo credit: Cristina Rios. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.
    Himesh Patel in ‘The Assessment’, a Magnolia Pictures release. Photo credit: Cristina Rios. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.

    Yet beyond the main pair, this is really Alicia Vikander’s film on a pure performance level. Playing Virginia, the state-appointed assessor whose task it is to decide across seven days whether Mia and Aaryan should get to have a child, she gives a tour-de-force acting class.

    Switching from bureaucratically efficient to childishly wild in just a few scenes, Vikander here throws herself into the role and brings a truly complicated person to life.

    Stealing the one scene in which she appears is Minnie Driver as Evie, who is old enough to remember the time before the world was ravaged and is soundly cynical about humanity’s chances now, not to mention scathingly critical of those who wish to bring more people into it.

    It’s a superb turn from the actor, who spins a vision of a world so bleak that you both recoil from it but sometimes find yourself wishing the movie could expand to show it.

    Final Thoughts

    Elizabeth Olsen in 'The Assessment', a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.
    Elizabeth Olsen in ‘The Assessment’, a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.

    ‘The Assessment’ will certainly be a tough watch for some; not just because of what happens in the movie, but also because of the subjects it addresses, including the control of women, the battle for resources and the challenges that parents of any type face.

    Yet if you allow yourself to sink into its world, you’ll be rewarded.

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    What is the plot of ‘The Assessment’?

    In the near future, prospective parents must pass an initial test to prove their suitability for parenthood, and then endure a seven-day live-in visit from a facilitator known as the assessor who will put them through the wringer in all kinds of imaginable and unimaginable situations where, at the end, they will either get a passing grade — or not. Mia (Elizabeth Olsen) and Aaryan (Himesh Patel) are assigned an assessor named Virginia (Alicia Vikander), and as they begin the uncomfortable tests, their relationship begins to crumble.

    Who is in the cast of ‘The Assessment’?

    Alicia Vikander in 'The Assessment', a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.
    Alicia Vikander in ‘The Assessment’, a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.

    List of Alicia Vikander Movies and TV Shows:

    Buy Tickets: ‘The Assessment’ Movie Showtimes

    Buy Alicia Vikander Movies On Amazon

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  • ‘The Assessment’ Interview: Alicia Vikander and Fleur Fortuné

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    Opening in theaters on March 21st is the new science fiction thriller ‘The Assessment’, which was directed by Fleur Fortuné and stars Oscar winner Alicia Vikander (‘The Danish Girl’ and ‘Tomb Raider’), Elizabeth Olsen (‘Doctor Strange in the Multiverse of Madness’), and Himesh Patel (‘Yesterday’).

    Related Article: Natasha Lyonne, Carrie Coon and Elizabeth Olsen Talk ‘His Three Daughters’

    (Left) Alicia Vikander in 'The Assessment', a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures. (Right) Fleur Fortuné, director of 'The Assessment', a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.
    (Left) Alicia Vikander in ‘The Assessment’, a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures. (Right) Fleur Fortuné, director of ‘The Assessment’, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.

    Moviefone recently had the pleasure of speaking with Alicia Vikander and director Fleur Fortuné about their work on ‘The Assessment’, the themes Fortuné wanted to explore, Vikander’s approach to her character, the challenges of performing her child like qualities, and how Fortuné created a visually unique world on screen.

    You can read the full interview below or click on the video player above to watch our interview.

    (L to R) Alicia Vikander and Elizabeth Olsen in 'The Assessment', a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.
    (L to R) Alicia Vikander and Elizabeth Olsen in ‘The Assessment’, a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.

    Moviefone: To begin with, Fleur, can you talk about your first reaction to this screenplay and the themes that you wanted to explore as a director?

    Fleur Fortuné: I think my first reaction, I was like, “Whoa.” Because I felt like I was on the edge of my seat, and even though there was a lot of work, I could see how far I could bring it, and there were so many topics that I found interesting. I think the chamber piece, I love that some of my favorite movies are chamber pieces, even though some are very different. The idea to create an absurd test to decide if people could have kids or not, I didn’t think I had read that idea before. Then the sci-fi element, I could see how I could bring it into a place that was different. So, I think if I read the script and suddenly a lot of ideas come up, I think it’s a good sign.

    MF: Alicia, when you first read the script, what was your initial reaction to Virginia, and did you approach playing her?

    Alicia Vikander: You’re trying to figure out what this woman’s intentions are and what she might be coming from and if there’s any hidden agenda you don’t know about. I think that was a joy taking on a character like that. But then it’s almost roles within a role. I knew I was able to have this character step into many different versions of herself. Within that, I knew I was going to be able to stretch my acting abilities and do something quite different from anything I’ve done before. So, it was a daunting project, but one that I very much enjoyed.

    Alicia Vikander in 'The Assessment', a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.
    Alicia Vikander in ‘The Assessment’, a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.

    MF: As an actor, was it challenging to tap into the character’s childlike qualities, or did you find it freeing to be able to go to those places?

    AV: I think one of my joys that I love is that It’s like child play. I’ve always loved stepping into characters, trying to get to understand certain behavior, people, emotions, actions, even though you know, they’re questionable. I think when you come to the end of the story, too, I had enough of getting to the core of this character to really know where it all kind of comes from. So, it’s not that it’s anything just plastered on top. Even though it might not look like it at first, it really is kind of grounded from somewhere so that I could begin a journey from there and then do as players on like high-end loud notes as I was able to do in this film. It was work I enjoyed.

    MF: Finally, Fleur, can you talk about the challenges of creating this visually unique world on screen?

    FF: Very early on when I was reading the script, I always try to think on how I can do it in a different way in something that you haven’t seen before. Because it’s three characters in a room, I didn’t want it to be too cold and too blank and too minimal. I was talking to the production designer and when we were scouting Tenerife, which is a volcanic, very windy, and kind of threatening at the same time. So, you start to think from the story and the universe, the fact that there’s no forest, so you don’t have wood. We were building that, little by little, that. Then I wanted Mia’s universe, each one of them, Virginia, Aaryan, to have to feel the character within the place. They live in a certain way. So Aaryan, I think he’s scared of everything that is real. So, he creates things in the world that feels like completely virtual when there’s like nothing. Mia, she’s the opposite. She has access to a technology that is very advanced, but she chooses to repair and fix stuff and touch things in a very raw and real way. I think the place where Virginia lives that you discover later, you understand a lot there. I wanted to have a lot of her own history and her character and who she is behind the state employee and all that. So, I think it comes from the story, and then you create it visually.

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    What is the plot of ‘The Assessment’?

    In the near future, prospective parents must pass an initial test to prove their suitability for parenthood, and then endure a seven-day live-in visit from a facilitator known as the assessor who will put them through the wringer in all kinds of imaginable and unimaginable situations where, at the end, they will either get a passing grade — or not. Mia (Elizabeth Olsen) and Aaryan (Himesh Patel) are assigned an assessor named Virginia (Alicia Vikander), and as they begin the uncomfortable tests, their relationship begins to crumble.

    Who is in the cast of ‘The Assessment’?

    Alicia Vikander in 'The Assessment', a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.
    Alicia Vikander in ‘The Assessment’, a Magnolia Pictures release. Photo credit: Magnus Jønck. © 2024 Number 9 Films Assessment Limited, TA Co-Production GmbH, ShivHans Productions, LLC, TA2022 Investors, LLC, Tiki Tāne Pictures, LLC. Photo courtesy of Magnolia Pictures.

    List of Alicia Vikander Movies and TV Shows:

    Buy Tickets: ‘The Assessment’ Movie Showtimes

    Buy Alicia Vikander Movies On Amazon

  • ‘His Three Daughters’ Exclusive Cast Interviews

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    Opening in theaters on September 6th before premiering on Netflix September 20th is the new drama ‘His Three Daughters’, which was written and directed by Azazel Jacobs (‘French Exit’) and stars Natasha Lyonne (‘Poker Face’), Carrie Coon (‘Ghostbusters: Frozen Empire’) and Elizabeth Olsen (‘Doctor Strange in the Multiverse of Madness’).

    Related Article: Giancarlo Esposito, Kumail Nanjiani Lead Season 2 Cast of ‘Poker Face’

    (L to R) Natasha Lyonne, Carrie Coon and Elizabeth Olsen star in Netflix's 'His Three Daughters'.
    (L to R) Natasha Lyonne, Carrie Coon and Elizabeth Olsen star in Netflix’s ‘His Three Daughters’.

    Moviefone recently had the pleasure of speaking with Natasha Lyonne, Carrie Coon and Elizabeth Olsen about their work on ‘His Three Daughters’, their first reaction to the screenplay, how they approached their characters, and the estranged relationship between the three siblings that they portray.

    You can read the full interview below or click on the video player above to watch our interviews with Lyonne, Coon and Olsen, as well as writer and director Azazel Jacobs.

    Natasha Lyonne as Rachel in 'His Three Daughters'. Photo: Netflix ©2024.
    Natasha Lyonne as Rachel in ‘His Three Daughters’. Photo: Netflix ©2024.

    Moviefone: To begin with, Natasha, what was your first reaction to the screenplay and what were some of the aspects of your character that you were excited to explore on screen?

    Natasha Lyonne: Gosh, I read it. It starts with Carrie speaking. So, like any natural person, I was like, “Oh, I should probably play that part”. Then I was like, “Oh, the stoner, what a stretch”. I was like, “God, I can’t believe Aza thinks I can do this at the top.” But really, the joy, and there’s a real humbleness that comes with that of discovering that somebody has thought of us, the specificity of us three, and now having been through the experience, the alchemy of that vision that he had being realized and the beauty of how it’s being received. It’s extraordinary. So anyway, I think that’s why we said yes.

    (L to R) Natasha Lyonne as Rachel and Elizabeth Olsen as Christina in 'His Three Daughters'. Photo: Netflix ©2024.
    (L to R) Natasha Lyonne as Rachel and Elizabeth Olsen as Christina in ‘His Three Daughters’. Photo: Netflix ©2024.

    MF: Elizabeth, can you talk about the dynamics between these three sisters and working that out together on set?

    Elizabeth Olsen: We luckily had some time before shooting that we were able to allot to a rehearsal place for actually running through dialogue, finding a rhythm, and finding the pacing that Aza had in his brain that was on the page that we could all get in the same world of. But then we also got to take the time to do basic homework stuff together, getting on the same page of when major events happened in these characters’ lives, who was there for what, and what maybe is being held on to that we didn’t want to move on from. I think what was beautiful along the way is anytime we had questions, Aza had such a specific answer to quite literally anything and everything because these women were so clear in his mind that as we inched towards the inside of his mind, we were all able to make this amazing alchemy of something from all four of us, and from the entire company really.

    (L to R) Natasha Lyonne as Rachel and Carrie Coon as Katie in 'His Three Daughters'. Photo: Netflix ©2024.
    (L to R) Natasha Lyonne as Rachel and Carrie Coon as Katie in ‘His Three Daughters’. Photo: Netflix ©2024.

    MF: Finally, Carrie, can you talk about how Katie is dealing with both her sisters and her father’s situation?

    Carrie Coon: Oh, poorly, I would say. Well, she’s very controlling, that’s obvious. We also, I think, get the feeling that she’s got a touch of the alcoholism, which I suspect might be a family disease as it tends to be, and may be the source of some of the limitations on the sisters growing up probably in a household that had some of that going on. She’s clearly somebody who feels like she has control, or she has the illusion of control that gives her comfort. But I think you see for Katie, what gets revealed is that in fact, that’s an illusion and she can’t control her sisters. But the one thing she can control is how she sees them, and that’s what gets to shift inside of Katie a little bit, is starting to maybe drop the facade and start to see the people who are right in front of her. That’s the moving journey that she’s on. I think Aza writes so specifically, and so there is something that people find so familiar in Katie.

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    What is the plot of ‘His Three Daughters’?

    Emotions run high when three estranged sisters (Natasha Lyonne, Carrie Coon and Elizabeth Olsen) reunite in a cramped New York City apartment to watch over their ailing father during his final days.

    Who is in the cast of ‘His Three Daughters’?

    (L to R) Natasha Lyonne as Rachel, Elizabeth Olsen as Christina and Carrie Coon as Katie in 'His Three Daughters'. Photo: Sam Levy/Netflix ©2024.
    (L to R) Natasha Lyonne as Rachel, Elizabeth Olsen as Christina and Carrie Coon as Katie in ‘His Three Daughters’. Photo: Sam Levy/Netflix ©2024.

    Other Azazel Jacobs Movies:

    Buy Azazel Jacobs Movies on Amazon

     

  • Todd Stashwick join Marvel’s ‘Vision’ Series

    Todd Stashwick as Captain Liam Shaw in 'Star Trek: Picard' on Paramount+. Photo Credit: Trae Patton/Paramount+. ©2021 Viacom, International Inc. All Rights Reserved.
    Todd Stashwick as Captain Liam Shaw in ‘Star Trek: Picard’ on Paramount+. Photo Credit: Trae Patton/Paramount+. ©2021 Viacom, International Inc. All Rights Reserved.

    Preview:

    • Todd Stashwick is joining the cast of Marvel’s ‘Vision’ series.
    • It marks a reunion for him with ‘Picard’ showrunner Terry Matalas.
    • Paul Bettany returns as the title character.

    Looks like Terry Matalas, the showrunner for Marvel’s next spin-off from ‘WandaVision,’ is looking to work once more with one of his veteran actors.

    Todd Stashwick, who was first cast by Matalas in the ‘12 Monkeys’ TV series, recently reunited with the writer/producer for ‘Star Trek: Picard’.

    And now he’s landed a key role in the still-to-be-officially-titled series built around Paul Bettany’s Vision character, which we recently learned will also feature the return of James Spader as villainous AI Ultron.

    It’ll mark the second spinoff, following ‘Agatha All Along,’ which arrives on Disney+ on September 18th.

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    What’s the story of the ‘Vision’ series?

    Paul Bettany as The Vision in Marvel Studios' 'Wandavision' exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.
    Paul Bettany as The Vision in Marvel Studios’ ‘Wandavision’ exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.

    There are no concrete plot details about the new show yet, but back when it was first mooted, there was talk of the “White” Vision looking to reclaim his memories, in a continuation of his storyline.

    After Vision died at the hands of Thanos in 2018’s ‘Avengers: Infinity War,’ he returned twice over in 2021’s ‘WandaVision,’ first as a spectral creation by his beloved, Wanda Maximoff (Elizabeth Olsen), through magic powered by grief; then as a rebuilt, nuts-and-bolts android with a ghost white appearance and zero memory of his past life.

    When the two Visions battled in the ‘WandaVision’ finale, Wanda’s Vision restored the “ghost” Vision’s memories, then Wanda allowed her Vision to fade from existence. The new show will take place after those events, as ghost Vision presumably explores his new purpose in life.

    Related Article: James Spader’s Marauding Ultron Will be Back in Marvel’s Vision-focused series

    Who is making the ‘Vision’ series?

    Paul Bettany as The Vision in Marvel Studios' 'Wandavision' exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.
    Paul Bettany as The Vision in Marvel Studios’ ‘Wandavision’ exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.

    Unlike ‘Agatha All Along’ (which will be on Disney+ with its first two episodes on September 18th), the new show is being handled by someone other than ‘WandaVision’ creator Jac Schaeffer.

    Marvel has hired Terry Matalas, who has worked on shows such as ’12 Monkeys’, ‘Terra Nova’, but rose to acclaim thanks to his efforts overseeing ‘Star Trek: Picard’ Season 3, which definitely pleased fans more than earlier seasons, to run the new ‘Vision’ series.

    His work on ‘Picard’ certainly caught the attention of avowed ‘Trek’ fan Kevin Feige, and so Matalas now has the job. The only people who might be upset are those eagerly awaiting the much-talked-about ‘Star Trek: Legacy’ show seemingly set up by the finale of ‘Picard’.

    Who will Stashwick play in the Vision series?

    Todd Stashwick as Captain Liam Shaw in 'Star Trek: Picard' on Paramount+. Photo Credit: Trae Patton/Paramount+. ©2021 Viacom, International Inc. All Rights Reserved.
    Todd Stashwick as Captain Liam Shaw in ‘Star Trek: Picard’ on Paramount+. Photo Credit: Trae Patton/Paramount+. ©2021 Viacom, International Inc. All Rights Reserved.

    Known for playing stern authoritarian types and generally grouchy personalities (witness his superbly sarcastic –– but ultimately heroic –– Captain Liam Shaw in ‘Picard’), Stashwick here will be an assassin who is on the trail of the android and the technology he possesses.

    When will the ‘Vision’ series land on our screens?

    Disney/Marvel is aiming to have the show arrive on Disney+ in 2026, with shooting penciled in for early next year in the U.K.

    (L to R) Paul Bettany and Elizabeth Olsen in Marvel Studios' 'Wandavision' exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.
    (L to R) Paul Bettany and Elizabeth Olsen in Marvel Studios’ ‘Wandavision’ exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.

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  • James Spader to Return as Ultron for Marvel’s Vision Series

    James Spader as voice of Ultron in 'Avengers: Age of Ultron'. Photo: Marvel Studios.
    James Spader as voice of Ultron in ‘Avengers: Age of Ultron’. Photo: Marvel Studios.

    Preview:

    • James Spader will be back in performance capture gear as Ultron.
    • The ‘Age of Ultron’ villain will reappear for Marvel’s series focused on Vision.
    • Paul Bettany returns as the title character.

    If we’re honest, while ‘Avengers: Age of Ultron’ didn’t quite match up to ‘The Avengers’, there’s no denying that James Spader’s wholehearted and often kooky performance as the rogue artificial intelligence Ultron was certainly an entertaining reason to watch it.

    And despite his seeming destruction at the end of the movie (more on that below), Marvel is looking to bring him back for the new ‘Vision’ series spun-off from ‘WandaVision’ that will see Paul Bettany retuning as the android hero.

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    What’s the story of the ‘Vision’ series?

    Paul Bettany as The Vision in Marvel Studios' 'Wandavision' exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.
    Paul Bettany as The Vision in Marvel Studios’ ‘Wandavision’ exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.

    There are no concrete plot details about the new show yet, but back when it was first mooted, there was talk of the “White” Vision looking to reclaim his memories, in a continuation of his storyline.

    After Vision died at the hands of Thanos in 2018’s ‘Avengers: Infinity War,’ he returned twice over in 2021’s ‘WandaVision,’ first as a spectral creation by his beloved, Wanda Maximoff (Elizabeth Olsen), through magic powered by grief; then as a rebuilt, nuts-and-bolts android with a ghost white appearance and zero memory of his past life.

    When the two Visions battled in the ‘WandaVision’ finale, Wanda’s Vision restored the “ghost” Vision’s memories, then Wanda allowed her Vision to fade from existence. The new show will take place after those events, as ghost Vision presumably explores his new purpose in life.

    Who is making the ‘Vision’ series?

    (L to R) Paul Bettany and Elizabeth Olsen in Marvel Studios' 'Wandavision' exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.
    (L to R) Paul Bettany and Elizabeth Olsen in Marvel Studios’ ‘Wandavision’ exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.

    Unlike ‘Agatha All Along’ (which will be on Disney+ with its first two episodes on September 18th), the new show is being handled by someone other than ‘WandaVision’ creator Jac Schaeffer.

    Marvel has hired Terry Matalas, who has worked on shows such as ’12 Monkeys’, ‘Terra Nova’, but rose to acclaim thanks to his efforts overseeing ‘Star Trek: Picard’ Season 3, which definitely pleased fans more than earlier seasons, to run the new ‘Vision’ series.

    His work on ‘Picard’ certainly caught the attention of avowed ‘Trek’ fan Kevin Feige, and so Matalas now has the job. The only people who might be upset are those eagerly awaiting the much-talked-about ‘Star Trek: Legacy’ show seemingly set up by the finale of ‘Picard’.

    Related Article: Marvel Officially Orders ‘WandaVision’ Spin-Off Led by Paul Bettany

    How will Ultron factor in?

    James Spader as voice of Ultron in 'Avengers: Age of Ultron'. Photo: Marvel Studios.
    James Spader as voice of Ultron in ‘Avengers: Age of Ultron’. Photo: Marvel Studios.

    With zero plot getting loose from Marvel’s security field, the exact nature of Ultron’s appearance in the show is unknown for now.

    But they certainly have history.

    Ultron created Vision’s original synthetic body as the permanent home for his AI, but the Avengers intercepted it and instead placed Tony Stark’s AI assistant J.A.R.V.I.S. inside, creating Vision. At the end of ‘Age of Ultron,’ Vision confronts and, seemingly, destroys the final robot that contains Ultron’s consciousness.

    Whether the casting suggests some fragment of Ultron survived in the world or is somehow locked inside of Vision’s mind given their connection, we’ll have to wait and see.

    When will the ‘Vision’ series land on our screens?

    Disney/Marvel is aiming to have the show arrive on Disney+ in 2026.

    Paul Bettany as The Vision in Marvel Studios' 'Wandavision' exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.
    Paul Bettany as The Vision in Marvel Studios’ ‘Wandavision’ exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.

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  • Marvel Orders Vision Series Starring Paul Bettany

    Paul Bettany as The Vision in Marvel Studios' 'Wandavision' exclusively on Disney+.
    Paul Bettany as The Vision in Marvel Studios’ ‘Wandavision’ exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.

    Preview:

    • Marvel is moving forward with its ‘Vision’ series.
    • Paul Bettany will return to star.
    • ‘Star Trek: Picard’ S3 showrunner Terry Matalas is in charge.

    Though the company has certainly committed to slowing down its output of both shows and movies, there continues to be forward movement from Marvel when it comes to new creations, or in this case, spin-offs.

    In terms of follow-ups to the successful ‘WandaVision’, we already have the Kathryn Hahn-starring ‘Agatha All Along’ on the way, and now, following initial chatter in 2022, there is official word via Variety on the series focused on Paul Bettany’s synthezoid, Vision.

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    What’s the story of the ‘Vision’ series?

    Paul Bettany and Elizabeth Olsen in Marvel Studios' 'Wandavision' exclusively on Disney+.
    (L to R) Paul Bettany and Elizabeth Olsen in Marvel Studios’ ‘Wandavision’ exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.

    There are no concrete plot details about the new show yet, but back when it was first mooted, there was talk of the “White” Vision looking to reclaim his memories, in a continuation of his storyline.

    After Vision died at the hands of Thanos in 2018’s ‘Avengers: Infinity War,’ he returned twice over in 2021’s ‘WandaVision,’ first as a spectral creation by his beloved, Wanda Maximoff (Elizabeth Olsen), through magic powered by grief; then as a rebuilt, nuts-and-bolts android with a ghost white appearance and zero memory of his past life.

    When the two Visions battled in the ‘WandaVision’ finale, Wanda’s Vision restored the “ghost” Vision’s memories, then Wanda allowed her Vision to fade from existence. The new show will take place after those events, as ghost Vision presumably explores his new purpose in life.

    Related Article: Aubrey Plaza, Joe Locke and More Join ‘Agatha: Coven of Chaos’

    Who is making the ‘Vision’ series?

    Jonathan Frakes as Riker and Patrick Stewart as Picard on the Paramount+ original series 'Star Trek: Picard.'
    (L to R) Jonathan Frakes as Riker and Patrick Stewart as Picard on the Paramount+ original series ‘Star Trek: Picard.’ Photo: Trae Paatton/Paramount+ © 2022 CBS Studios Inc. All Rights Reserved.

    Unlike ‘Agatha All Along’ (which will be on Disney+ with its first two episodes on September 18th), the new show is being handled by someone other than ‘WandaVision’ creator Jac Schaeffer.

    Marvel has hired Terry Matalas, who has worked on shows such as ’12 Monkeys’, ‘Terra Nova’, but rose to acclaim thanks to his efforts overseeing ‘Star Trek: Picard’ Season 3, which definitely pleased fans more than earlier seasons, to run the new ‘Vision’ series.

    His work on ‘Picard’ certainly caught the attention of avowed ‘Trek’ fan Kevin Feige, and so Matalas now has the job. The only people who might be upset are those eagerly awaiting the much-talked-about ‘Star Trek: Legacy’ show seemingly set up by the finale of ‘Picard’.

    It’s another sign that Marvel is switching tracks in terms of who controls its shows. Having launched its Disney+ shows with a system where head writers worked with directors (the latter of which had more control), it is seemingly changing to a model more like traditional TV where showrunners make the majority of decisions.

    Who else will be in the ‘Vision’s series?

    Elizabeth Olsen and Paul Bettany in Marvel Studios' 'Wandavision' exclusively on Disney+.
    (L to R) Elizabeth Olsen and Paul Bettany in Marvel Studios’ ‘Wandavision’ exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.

    Besides Bettany, who will be back as the main character (no word yet on whether it’ll simply be called ‘Vision’ or the previously mentioned ‘Vision Quest’), there are zero details on the rest of the cast.

    We might see Elizabeth Olsen back, at least in flashback, but that remains to be seen.

    When will the ‘Vision’ series land on our screens?

    Disney/Marvel is aiming to have the show arrive on Disney+ in 2026.

    Paul Bettany as The Vision in Marvel Studios' 'Wandavision' exclusively on Disney+.
    Paul Bettany as The Vision in Marvel Studios’ ‘Wandavision’ exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.

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  • TV Review: ‘What If…?’ Season 2

    Dr. Wendy Lawson/Mar-vell, Bill Foster/Goliath, Black Panther/King T’Chaka, and Hank Pym/Ant-Man in Marvel Studios' 'What If…?,' Season 2 exclusively on Disney+.
    (L to R) Dr. Wendy Lawson/Mar-vell, Bill Foster/Goliath, Black Panther/King T’Chaka, and Hank Pym/Ant-Man in Marvel Studios’ ‘What If…?,’ Season 2 exclusively on Disney+. © 2023 Marvel.

    Landing on Disney+ daily across the next nine days, the second season of Marvel’s Disney+ animated series ‘What If…?’ has plenty of treats to deliver, including a smart, clever festive episode that is the highlight of the early run.

    At a time when Marvel and Disney are feeling the pinch of superhero fatigue (witness the box office collapse of ‘The Marvels’ and complaints about the sheer amount of movies and shows one must have seen to keep up with the storyline), the return of ‘What If…?’ is a pleasant one, by design untethered from the complicated continuity (albeit often rewarding fans of the various movies).

    Does ‘What If…?’ Season 2 work to keep expanding the MCU?

    Black Panther/King T’Chaka, Howard Stark, Bill Foster/Goliath, Peggy Carter, Dr. Wendy Lawson/Mar-vell, and Hank Pym/Ant-Man in Marvel Studios' 'What If…?,' Season 2 exclusively on Disney+.
    (L to R) Black Panther/King T’Chaka, Howard Stark, Bill Foster/Goliath, Peggy Carter, Dr. Wendy Lawson/Mar-vell, and Hank Pym/Ant-Man in Marvel Studios’ ‘What If…?,’ Season 2 exclusively on Disney+. © 2023 Marvel.

    Whether the implications of this season will tie directly into any future live-action stories is not really worth worrying at this point (and not something we could talk about anyway given the embargoes in place): ‘What If…?’s second run is more about enjoying the parallel universe take on some familiar stories.

    Once more, the peek at different versions of characters and encounters works well as wish-fulfilment entertainment, including a chance for supporting characters to get the spotlight.

    And Marvel/Disney+ are certainly experimenting with the release schedule for this one, dropping one episode a day across the festive season between December 22 and 30. The best example? Putting the ‘Die Hard’-spoofing ‘What If… Happy Hogan Saved Christmas?’ on Christmas Eve.

    ‘What If…?’ Season 2: Script and Direction

    Hawkeye/Clint Barton, Iron Man/Tony Stark, Captain America/Steve Rogers, and Black Widow/Natasha Romanoff in Marvel Studios' 'What If…?,' Season 2 exclusively on Disney+.
    (L to R) Hawkeye/Clint Barton, Iron Man/Tony Stark, Captain America/Steve Rogers, and Black Widow/Natasha Romanoff in Marvel Studios’ ‘What If…?,’ Season 2 exclusively on Disney+. © 2023 Marvel.

    With direction and writing from Bryan Andrews, Stephan Franck (directors), AC Bradley, Matthew Chauncey and Ryan Little (writer/producers), ‘What If…?’s new run will feel familiar to those who watched the first season. It’s a similar mix of different looks at characters and situations.

    Disney provided press with all the episodes, but there are strict embargoes in place. What can we tell you? There is some stylish, witty writing to be found here –– if you ever wanted to see Karen Gillan’s Nebula as a member of the Nova Corps investigating a situation on Xandar that comes across as a Clint Eastwood cop story meets a hard-bitten private eye future noir that has some serious ‘Blade Runner’ overtones, you’ve come to the right place.

    Is every story a winner? They’re not all to the quality of, say, the Happy Hogan festive episode, but there is a high watermark for Marvel fun here. And the various little references and touches (a cuddly raccoon toy here, a nod to Hawkeye there) are welcome color rather than overloaded easter eggs.

    The animation style of the show will still get mixed responses from those who believe it’s not up to the levels of big-screen output, but it works well for the stories and has seen a slight upgrade from the first season, which itself was a perfectly solid style.

    Related Article: Director Nia DaCosta and Producer Mary Livonas Talk ‘The Marvels’

    ‘What If…?’ Season 2: Performances

    Xu Wenwu and Hela in Marvel Studios' 'What If…?,' Season 2 exclusively on Disney+.
    (L to R) Xu Wenwu and Hela in Marvel Studios’ ‘What If…?,’ Season 2 exclusively on Disney+. © 2023 Marvel.

    Employing the same mix of original MCU voice actors (it’s fun to hear the likes of Jon Favreau, Kat Dennings, Karen Gillan, Chris Hemsworth, Michael Douglas and more lend their vocal skills to versions of their characters) and replacements for those who chose not to return (or were perhaps too pricey), the show keeps the feel of Marvel’s sprawling universe intact.

    This will be something of a repeating motif in the review, but the Happy Hogan episode is certainly among the highlights, though there’s certainly something to be said for hearing Douglas, Annette Bening, Kurt Russell and Sebastian Stan playing earlier versions of their characters in a story that pits a powered Peter Quill (as a child, rather than the grown-up Chris Pratt we know) against a version of the Avengers that hews closer to the comics than movie screens.

    The vocal replacements are once again a mixed bag –– that’s certainly not Glenn Close in the Nebula episode –– but the likes of Mick Wingert and Lake Bell once again prove to be reasonable stand-ins for Robert Downey Jr. and Scarlett Johansson without causing too much whiplash when their voices share the air with Mark Ruffalo and more.

    ‘What If…?’ Season 2: Final Thoughts

    Strange-Supreme in Marvel Studios' 'What If…?,' Season 2 exclusively on Disney+.
    Strange-Supreme in Marvel Studios’ ‘What If…?,’ Season 2 exclusively on Disney+. © 2023 Marvel.

    ‘What If…?’s second run is certainly worth checking out even if you are starting to feel the creep of superhero fatigue. It’s a fun, enjoyable dip into the MCU that doesn’t worry too much about the tapestry of everything weaving together –– it’s more a diverting dive into some fresh takes.

    Comics fans will certainly appreciate the episodes that dive into versions of the characters more directly drawn from them as opposed to the adaptations (Douglas’ Hank Pym as Ant-Man, say), and of course the animated medium means that it can once more put on spectacles that even the healthily budgeted Marvel movies can only dream of.

    Yet it doesn’t sacrifice character moments simply to blow stuff up or show off superpowers. While not every story works, there are enough winners (such as the big ‘Die Hard’ spoof) to make this a worthwhile watch.

    ‘What If…?’ Season 2 receives 8.5 out of 10 stars.

    Tony Stark/Iron Man in Marvel Studios' 'What If…?,' Season 2 exclusively on Disney+.
    Tony Stark/Iron Man in Marvel Studios’ ‘What If…?,’ Season 2 exclusively on Disney+. © 2023 Marvel.

    What’s the story of ‘What If…?’ Season 2?

    Season 2 continues the journey as The Watcher (Jeffrey Wright) guides viewers through the vast Multiverse, introducing brand-new and familiar faces from the MCU.

    The series questions, revisits and twists classic Marvel Cinematic Universe moments with an incredible voice cast that includes a host of stars who reprise their iconic roles.

    This new season features fan-favorite characters this season like Nebula, Hela and Happy Hogan.

    Who is in ‘What If…?’ Season 2?

    Alongside Wright, the cast also includes the usual blend of returning MCU actors and some voice replacements. The likes of Karen Gillan, Kat Dennings, Jon Favreau, Sam Rockwell, Michael Douglas, Annette Bening, Laurence Fishburne, Jeff Goldblum, Taika Waititi, Hayley Atwell and Elizabeth Olsen all play their characters.

    A scene from Marvel Studios' 'What If…?,' Season 2 exclusively on Disney+.
    A scene from Marvel Studios’ ‘What If…?,’ Season 2 exclusively on Disney+. © 2023 Marvel.

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  • Thomas Haden Church Talks Sam Raimi’s ‘Spider-Man 4’ Rumors

    Thomas Haden Church in 'Spider-Man 3.'
    Thomas Haden Church in ‘Spider-Man 3.’ Photo Courtesy of Sony Pictures.

    Thomas Haden Church has “heard rumors” that director Sam Raimi may be directing another ‘Spider-man‘ movie with none other than original Spider-man actor Tobey Maguire.

    The actor, who played Flint Marko/The Sandman, has appeared in two Spider-man films – 2007’s ‘Spider-Man 3’ and 2021’s ‘Spider-Man: No Way Home.” When asked which Spider-Man he’d go toe-to-toe with during an interview with Comicbook.com for the Peacock series ‘Twisted Metal,’ Church named Maguire as that was the Spider-man [movie] he started out with and expressed his interest in appearing in a possible ‘Spider-Man 4’ movie.

    “There’s always been some kind of…I’ve heard rumors…that Sam Raimi was going to do another [Spider-Man movie] with Tobey [Maguire] and if that happens, I would probably campaign to maybe at least do a cameo,” Church said.

    18651

    Sam Raimi’s History With Spider-Man

    Director Sam Raimi at San Diego Comic-Con
    Director Sam Raimi at San Diego Comic-Con

    Sam Raimi directed the ‘Spider-man’ trilogy starring Tobey Maguire as the web-slinging superhero. The 2002 film also starred Kirsten Dunst as Mary Jane and Willem Dafoe as the Green Goblin. ‘Spider-man’ earned over $825 million worldwide and became the third highest grossing movie of 2002. Raimi continued to work with Maguire for the next two ‘Spider-man’ movies.

    After the ‘Spider-Man’ trilogy, Raimi returned to his horror roots with ‘Drag Me To Hell,’ then in 2022, the director teamed up with Marvel for ‘Doctor Strange in the Multiverse of Madness,’ starring Benedict Cumberbatch and Elizabeth Olsen. Last year, while speaking with Comicbook.com, the director expressed interest in directing a fourth ‘Spider-Man’ film as well as working with Maguire again.

    “I’ve come to realize after making ‘Doctor Strange’ that anything is possible, really anything in the Marvel universe, any team-ups,” Raimi said. “I love Tobey. I love Kirsten Dunst. I think all things are possible. I don’t really have a story or a plan. I don’t know if Marvel would be interested in that right now. I don’t know what their thoughts are about that. I haven’t really pursued that. But it sounds beautiful. Even if it wasn’t a Spider-Man movie, I’d love to work with Tobey again, in a different role.”

    Related Article: Thomas Haden Church Talks ‘Acidman’ and Working with Dianna Agron

    The Next Spider-Man Movie

    (L to R) Tom Holland, Andrew Garfield, and Tobey Maguire from 'Spider-Man: No Way Home.' Photo Courtesy of Marvel Entertainment's Instagram.
    (L to R) Tom Holland, Andrew Garfield, and Tobey Maguire from ‘Spider-Man: No Way Home.’ Photo Courtesy of Marvel Entertainment’s Instagram.

    Currently, Sony Pictures owns the right to make and distribute the current Spider-Man films starring Tom Holland. Disney shares the right, allowing the character to appear in the Marvel Cinematic Universe.

    In 2021’s ‘Spider-Man: No Way Home,’ fans finally got to see all three iterations of Spider-Man on the same screen. The film opens up the possibility for the trio to meet once again, as well as appear in other Marvel films or a standalone film. Marvel is diving fast into the realm of the multiverse, and we saw a cameo of Andrew Garfield’s Spider-Man in Sony’s latest hit ‘Spider-man: Across The Spider-Verse,’ which means the probability of seeing Maguire’s Spider-man on-screen again is quite likely.

    Electro (Jamie Foxx), Sandman (Thomas Haden Church), and The Lizard (Rhys Ifans) in 'Spider-Man: No Way Home.'
    (L to R) Electro (Jamie Foxx), Sandman (Thomas Haden Church), and The Lizard (Rhys Ifans) in ‘Spider-Man: No Way Home.’

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  • ‘Doctor Strange in the Multiverse of Madness’ Spoilers Explained

    Elizabeth Olsen as Wanda Maximoff i
    Elizabeth Olsen as Wanda Maximoff in Marvel Studios’ ‘Doctor Strange in the Multiverse of Madness.’ Photo courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.

    Doctor Strange in the Multiverse of Madness’ is here and wow, do we have a lot to talk about.

    While the film follows Marvel’s trend of slowly moving away from crazy connections (save for a few references to both ‘WandaVision’ and ‘Avengers: Endgame’), we still have a lot to cover. So here we’ll get into the end-credits scene, the introduction of the Illuminati, and what it all means!

    So, let’s start off with the big one, the mid-credits scene. At the end of the movie, we witness Stephen Strange’s third eye revealing itself and an instant fear that would strike in anyone as who saw one of his multiverse counterparts with the same third eye. But in the scene following that, Stephen looks pretty okay! Also looking fancy in a new jacket and scarf.

    A portal opens in front of him and Charlize Theron, making her first appearance in the Marvel Cinematic Universe, steps out. She tells Strange he created an incursion in another universe and that he must help stop it, then Stephen changes into his robes and suddenly, the third eye appears on his forehead, and he follows her into the portal.

    Charlize Theron in 'Atomic Blonde.'
    Charlize Theron in 2017’s ‘Atomic Blonde.’

    Now we have a lot to talk about. Let’s start with the new character reveal, Clea, or as she’s known in the comics currently, the Sorceress Supreme. Introduced in 1964, Clea is the niece of Doramamu—yes, the one Strange very cleanly bargained with in the first ‘Doctor Strange’. In the comics, she meets Stephen when he’s sent to the Dark Dimension. Even going on to marry him later.

    This storyline would match up perfectly for the next film, as it is shown in ‘Multiverse of Madness’ that Stephen has come to terms with the fact he and Christine can never be together. And while he may not know the answer to the question “are you happy?”, it’s a great moment for Clea to come into his life.

    Next, that weird extra eye. The Eye of Agamotto is considered the amulet of knowledge and grants the wearer the ability to see something before it happens, which we saw in ‘Avengers Endgame’. This could also be a reference to actual real-world myth, which says that the ‘opening of one’s third eye’ means many things, but mainly a representation of one’s power of clairvoyance. Exactly what the Eye does in the MCU, is yet to be determined. This doesn’t exactly mean Stephen’s evil now, but we should keep “an eye on” how much power he actually does have.

    But the after-credits scene wasn’t the only major reveal that the film gave us. Halfway through, Strange and America Chavez get blasted into a Universe which is pretty much run by a superhero secret society called the Illuminati (first appearing in Marvel Comics in 2005.)

    Rachel McAdams as Dr. Christine Palmer, Benedict Cumberbatch as Dr. Stephen Strange, and Xochitl Gomez as America Chavez
    (L-R): Rachel McAdams as Dr. Christine Palmer, Benedict Cumberbatch as Dr. Stephen Strange, and Xochitl Gomez as America Chavez in Marvel Studios’ ‘Doctor Strange in the Multiverse of Madness.’ Photo courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.

    We find out that this universe’s Doctor Strange created it himself, which now consists of the Sorcerer Supreme Karl Mordo (Chiwetel Ejiofor) Charles Xavier (Patrick Stewart), Blackbolt (Anson Mount), Captain Carter (Hayley Atwell), Captain Marvel (Lashana Lynch) and Reed Richards (John Krasinski).

    Let’s start with the ones we do know and have seen in the MCU. Captain Carter, Maria Rambeau & Blackbolt.

    Peggy Carter’s multiverse counterpoint was first seen in the ‘What If…?,’ which aired on Disney+. For those who don’t know, she is basically Steve Rogers if she took the super soldier serum instead of him. Maria was last seen in ‘Captain Marvel’ in 2019, as Carol’s best friend from the air force. We can deduce in this universe that she obviously got the cosmic powers instead of Danvers.

    Now Blackbolt is a bit different. He’s the leader of the Inhumans on Earth and has the power to kill anyone with just a whisper. He is played by the same actor from the very short lived ‘Inhumans’ show that aired on ABC, coinciding with ‘Agents of S.H.I.E.L.D.’ While its reception wasn’t fantastic, it’s commendable to see Marvel and Disney bring back the same actor.

    Now for two characters we had yet to see until now, Charles Xavier & Reed Richards. While they both have appeared in different studio films, this is the first time we have seen them in the MCU. But what versions are we seeing?

    Many have theorized that this version of Professor X is not the one we have seen in Fox’s ‘X-Men’ films. Most point to his chair in the film, and the little sound cue that plays when he wheels out, both connecting to the 90s ‘X-Men’ cartoon. The one that Marvel just so happens to be reviving for Disney+, called ‘X-Men ‘97.’ While he does die in this universe, who’s to say he’s not still alive in others with the same chair? And could the new ‘X-Men’ cartoon connect to ‘Multiverse of Madness’ by being its own universe?

    Patrick Stewart as Professor Charles Xavier in 2000's 'X-Men.'
    Patrick Stewart as Professor Charles Xavier in 2000’s ‘X-Men.’

    Finally, we have Reed Richards, played by actual fan-casted John Krasinski. While we got Fox’s ‘Fantastic Four’ in the past, this is the first time we’ve seen a hero from that team in an MCU property. It’s hinted that the Illuminati is funded by the Baxter foundation, but what could his inclusion mean? It’s highly speculated that this could be both a little nod and hint by Marvel. One to his casting (photoshops aplenty before this reveal) and could be also a sign of what’s to come.

    We know Marvel is making a ‘Fantastic Four’ film and that it will be attached to the overall MCU. But we have no info on the story or the production other than director shakeups. While seeing fan-favorite casting come to life is a great time, this could just be another universe version of Reed Richards. When he does return in his own film, there’s a chance we’ll see a different actor playing him.

    I know all of this may sound confusing like all the multiverses shown in the film, so I hope this little breakdown helps a bit! ‘Doctor Strange in the Multiverse of Madness’ has brought the MCU into the new era—and has given us some exciting clues on where it could be going next.

    Let’s see if ‘Thor: Love and Thunder’ continues our journey through the Marvel Multiverse!

    John Krasinski as Dr. Jack Ryan
    John Krasinski as Dr. Jack Ryan in Prime Video’s ‘Jack Ryan.’
    Yn5kjVbedpQ4FE8rL2agE6