(L to R) Valerie Perrine and Gene Hackman in ‘Superman II’. Photo: Warner Bros.
Preview:
Valerie Perrine has died at the age of 82.
She was best known for her roles in ‘Superman’ and ‘Lenny.’
In later years, she became an advocate for Parkinson’s disease awareness after her diagnosis.
Valerie Perrine, the actress who captivated audiences with her bold performances in films like ‘Superman’ and ‘Lenny,’ has died at the age of 82.
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Her death was announced by friend Stacey Souther, who has set up a GoFundMe page to help defray funeral costs.
Here’s Souther’s statement:
“Valerie Perrine gave everything she had to her craft, her fans, and her life — with grace, humor, and an indomitable spirit that Parkinson’s itself could never fully extinguish. Let’s make sure her final chapter is written with the same dignity and love that she gave to all of us.”
(L to R) Dustin Hoffman and Valerie Perrine in ‘Lenny’. Photo: United Artists.
Born September 3, 1943, in Galveston, Texas, Valerie Perrine grew up with a passion for performance and entertainment. She began her career as a dancer and showgirl in Las Vegas before transitioning into acting.
Her breakthrough came in 1974 when she starred as Honey Bruce in ‘Lenny,’ opposite Dustin Hoffman. Her fearless and emotionally layered performance earned her an Academy Award nomination and established her as one of the most compelling actresses of her time.
Valerie Perrine: A Life in Film and Television
(L to R) Valerie Perrine and Jeff Bridges in the documentary ‘Valerie’.
Following ‘Lenny,’ Perrine gained widespread recognition for her role as Eve Teschmacher in the 1978 blockbuster ‘Superman,’ starring alongside Christopher Reeve and Gene Hackman. She reprised the role in ‘Superman II,’ further cementing her place in pop culture history.
Throughout her career, Perrine appeared in a range of films and television projects, showcasing her versatility in both dramatic and comedic roles. While she never fully courted the spotlight in later years, her performances remained beloved by fans and critics alike.
Valerie Perrine: Offscreen
Valerie Perrine in the documentary ‘Valerie’.
In her personal life, Perrine faced significant health challenges, including a diagnosis of Parkinson’s disease, which she publicly discussed in later years. She became an advocate for awareness, speaking candidly about her condition and inspiring others with her resilience.
She will be remembered for her daring performances, her vibrant personality, and the lasting impact she made on Hollywood and audiences around the world.
(L to R) Valerie Perrine and Gene Hackman in ‘Superman II’. Photo: Warner Bros.
Selected Movies and TV Shows Featuring Valerie Perrine:
Skyler Gisondo is joining the new ‘Meet the Parents’ movie.
He’s playing Ben Stiller’s character’s son.
The film is titled ‘Focker-in-Law’.
And so, we have another Focker.
Yes, while technically, we met the kids of Ben Stiller’s Gaylord “Greg” Focker and Teri Polo’s Pam in ‘Little Fockers’, with the fourth movie –– now officially titled ‘Focker-in-Law’–– in pre-production, the team has found someone to play the grown version of Henry, their son.
(L to R) Robert De Niro and Ben Stiller in ‘Meet the Parents’. Photo: Universal Pictures.
Much of the new movie’s exact narrative remains under wraps, but we do know it’ll focus on a potential new addition to the family –– Ariana Grande has the role of Henry’s fiancée, an alpha type who would likely mesh well with Greg Focker’s imposing father-in-law, Jack Byrnes (Robert De Niro).
Confirmed as returning so far for this one are Stiller, Polo, De Niro, Blythe Danner (as Pam’s mother, Dina) and Owen Wilson as Kevin Rawley, Greg’s former rival for Pam’s affections.
Apart from being part of one of the biggest movie currently in theaters (‘Superman’, in case you forgot us mentioning it in the intro), Gisondo has been seen in a few movies of late, including ‘Licorice Pizza’, ‘The Starling’ and ‘The Binge’.
But perhaps most pertinent to this new potential job is that he has form playing the son of a Ben Stiller character –– he’s Nick Daley, Larry’s (Stiller) kid in 2014’s ‘Night at the Museum: Secret of the Tomb’.
We predict far fewer exhibits will come to life in this new comedy, though De Niro’s character does act like an angry dinosaur from time to time…
When will ‘Focker-in-Law’ hit theaters?
Universal previously announced that the movie will be out for Thanksgiving next year, planting a flag in November 25th, 2026.
(L to R) Robert De Niro and Ben Stiller in ‘Little Fockers’. Photo: Universal Pictures.
List of Movies in the ‘Meet the Parents’ Franchise:
John Hamburg, who co-wrote all three prior films, wrote the screenplay for the new feature and is set to direct.
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Wilson plays Kevin Rawley, the laidback rival of Stiller’s character (who becomes less so as the story goes on).
We don’t know much about the new movie’s plotline so far, but it’ll reportedly see the son of Stiller’s Greg getting engaged to a headstrong woman (with Ariana Grande) playing the fiancée.
What’s the story of the ‘Meet the Parents’ movies?
(L to R) Robert De Niro and Ben Stiller in ‘Meet the Parents’. Photo: Universal Pictures.
The idea for the ‘Parents’ franchise actually originated years before Ben Stiller accidentally knocked an urn full of ashes from a mantle or milking a cat was ever discussed.
Greg Glienna and Mary Ruth Clarke created and co-wrote an independent film, also titled ‘Meet the Parents,’ back in 1992.
Glienna directed, wrote two original songs, and starred as protagonist Greg: a Chicago advertising agent who travels with his fiancée Pam Burns to meet her parents, Irv and Kay, over a weekend but sets off a series of accidents and causes the family to fall apart.
After Pam’s sister Fay commits suicide, framing Greg in the process, Irv attempts to shoot him but accidentally kills Kay and Pam before dying of a heart attack. So… yes, a little darker even than what followed.
Sensing some potential (albeit with less murder/suicide), Universal bought the rights to the indie movie. The studio hired screenwriter Jim Herzfeld to expand the script and tone down some of the sharper edges, which led to what we all now know as ‘Meet the Parents’ in 2000.
Jay Roach directed that film, with Hamburg re-writing the script. It stars Stiller as Gaylord “Greg” Focker, a male nurse who is looking to propose to his girlfriend, Pam (Polo). Upon learning that Pam’s sister’s fiancé sought her father’s permission to marry, Greg sees an opportunity when they travel to her parents for the wedding.
As it turns out, Pam’s father is the stern, authoritative Jack Byrnes (De Niro), who claims to have been a florist in his career but is in fact a retired CIA counterintelligence officer. And not quite as retired as he claims. Chaos ensues, including the aforementioned urn destruction, injuries and bad behavior from Jack’s beloved cat Mr. Jinx.
(L to R) Blythe Danner and Robert De Niro in ‘Little Fockers’. Photo: Universal Pictures.
Danner played Dina, Jack’s wife who is much less stress-inducing than him, but still less easygoing than Greg’s family. Yet despite all the madness, Greg does manage to convince Jack he’s worthy of Pam and ends up engaged.
That film was a critical and commercial success, grossing $166.2 million domestically and a total of $330.4 million worldwide.
A sequel was greenlit, with Roach returning to direct and Herzfeld and Hamburg once more writing. In 2004’s ‘Meet the Fockers,’ Greg and Pam decide to have Jack and Dina meet his parents.
The eccentric, fun-loving and free-spirited couple are, Bernie Focker (Dustin Hoffman), a lawyer-turned-stay-at-home-dad, and Roz (Barbra Streisand), a sex therapist for elderly couples. While Dina bonds with the Fockers, cracks form between Jack and the Fockers due to their contrasting personalities and backgrounds.
There’s also the small matter of Greg potentially having fathered a child as a teenager with the Focker family house-keeping and renewed tension with Jack. Yet it all works out happily and Greg and Pam marry at the end.
‘Meet the Fockers’ was an even bigger hit, earning more than $279 million domestically and more than $522 million worldwide.
The world had to wait until 2010 for the third entry, ‘Little Fockers,’ which saw Hamburg back writing, this time alongside Larry Stuckey. Paul Weitz took over directing chores.
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‘Little Fockers,’ which finds Greg and Pam preparing to celebrate the fifth birthday of their twins Samantha and Henry.
However, things seem to go awry for Greg when his in-laws, Jack and Dina Byrnes, visit them, and Jack announces he is looking for his successor as the head of the Byrnes family. Jack’s family has been hit by his daughter’s (Pam’s sister) divorce and more disruption, plus some health issues.
Yet more madness follows, though it ends well for both men, even if Greg’s parents announce they’re moving to Chicago to be closer to him and Pam.
This third film was critically panned and not as successful as the previous two entries, ending up with a worldwide total of $310.7 million.
Where else can we see Owen Wilson?
Owen Wilson in ‘Stick,’ premiering June 4, 2025 on Apple TV+. Photo: Apple TV+.
Wilson hasn’t been seen on the big screen since 2023’s ‘Haunted Mansion’, but he’s had work on TV, appearing as Morbius in Marvel’s ‘Loki’ and is currently to be found playing a former golf champion mentoring a talented new young player on Apple TV+ series ‘Stick’.
Upcoming movie work includes medical transport thriller ‘Runner’ and Jeremy Garelick’s new comedy ‘Rolling Loud’, about a father who takes his son to a wild hip-hop festival.
When will the new ‘Meet the Parents’ movie hit theaters?
(L to R) Robert De Niro and Ben Stiller in ‘Meet the Parents’. Photo: Universal Pictures.
Since the details are now starting to come together, Universal is confident enough to plant a flag for this one: the new movie will be out on November 25th, 2026.
And Paramount Pictures has announced it will co-produce the movie and distribute it outside the U.S.
(L to R) Ben Stiller and Robert De Niro in ‘Little Fockers’. Photo: Universal Pictures.
List of Movies in the ‘Meet the Parents’ Franchise:
If you’re not sure what you’re on about, you might want to cast your mind back to last December, when the news broke that Universal had started the gears turning on a new instalment of the ‘Meet the Parents’ franchise.
That’s not all: John Hamburg, who wrote all three previous movies not only came back to tackle the screenplay again, but will direct the new entry, the title of which remains under wraps.
What’s the story of the ‘Meet the Parents’ movies?
(L to R) Robert De Niro and Ben Stiller in ‘Meet the Parents’. Photo: Universal Pictures.
The idea for the ‘Parents’ franchise actually originated years before Ben Stiller accidentally knocked an urn full of ashes from a mantle or milking a cat was ever discussed.
Greg Glienna and Mary Ruth Clarke created and co-wrote an independent film, also titled ‘Meet the Parents,’ back in 1992.
Glienna directed, wrote two original songs, and starred as protagonist Greg: a Chicago advertising agent who travels with his fiancée Pam Burns to meet her parents, Irv and Kay, over a weekend but sets off a series of accidents and causes the family to fall apart.
After Pam’s sister Fay commits suicide, framing Greg in the process, Irv attempts to shoot him but accidentally kills Kay and Pam before dying of a heart attack. So… yes, a little darker even than what followed.
Sensing some potential (albeit with less murder/suicide), Universal bought the rights to the indie movie. The studio hired screenwriter Jim Herzfeld to expand the script and tone down some of the sharper edges, which led to what we all now know as ‘Meet the Parents’ in 2000.
Jay Roach directed that film, with John Hamburg re-writing the script. It stars Stiller as Gaylord “Greg” Focker, a male nurse who is looking to propose to his girlfriend, Pam (Polo). Upon learning that Pam’s sister’s fiancé sought her father’s permission to marry, Greg sees an opportunity when they travel to her parents for the wedding.
As it turns out, Pam’s father is the stern, authoritative Jack Byrnes (De Niro), who claims to have been a florist in his career but is in fact a retired CIA counterintelligence officer. And not quite as retired as he claims. Chaos ensues, including the aforementioned urn destruction, injuries and bad behavior from Jack’s beloved cat Mr. Jinx.
(L to R) Blythe Danner and Robert De Niro in ‘Little Fockers’. Photo: Universal Pictures.
Danner played Dina, Jack’s wife who is much less stress-inducing than him, but still less easygoing than Greg’s family. Yet despite all the madness, Greg does manage to convince Jack he’s worthy of Pam and ends up engaged.
That film was a critical and commercial success, grossing $166.2 million domestically and a total of $330.4 million worldwide.
A sequel was greenlit, with Roach returning to direct and Herzfeld and Hamburg once more writing. In 2004’s ‘Meet the Fockers,’ Greg and Pam decide to have Jack and Dina meet his parents.
The eccentric, fun-loving and free-spirited couple are, Bernie Focker (Dustin Hoffman), a lawyer-turned-stay-at-home-dad, and Roz (Barbra Streisand), a sex therapist for elderly couples. While Dina bonds with the Fockers, cracks form between Jack and the Fockers due to their contrasting personalities and backgrounds.
There’s also the small matter of Greg potentially having fathered a child as a teenager with the Focker family house-keeping and renewed tension with Jack. Yet it all works out happily and Greg and Pam marry at the end.
‘Meet the Fockers’ was an even bigger hit, earning more than $279 million domestically and more than $522 million worldwide.
The world had to wait until 2010 for the third entry, ‘Little Fockers,’ which saw Hamburg back writing, this time alongside Larry Stuckey. Paul Weitz took over directing chores.
10012981
‘Little Fockers,’ which finds Greg and Pam preparing to celebrate the fifth birthday of their twins Samantha and Henry.
However, things seem to go awry for Greg when his in-laws, Jack and Dina Byrnes, visit them, and Jack announces he is looking for his successor as the head of the Byrnes family. Jack’s family has been hit by his daughter’s (Pam’s sister) divorce and more disruption, plus some health issues.
Yet more madness follows, though it ends well for both men, even if Greg’s parents announce they’re moving to Chicago to be closer to him and Pam.
This third film was critically panned and not as successful as the previous two entries, ending up with a worldwide total of $310.7 million.
As for what might happen in a future entry? We predict tension, slapstick and chances for family bonding. There’s a chance that Hoffman and Streisand could return as Greg’s parents.
Could Grande be playing one of Greg and Pam Focker’s kids in the new ‘Parents’ movie? The timing is a little skewed, but she did, after all, play a college student in ‘Wicked’…
Unless you have somehow been trapped under a wayward Kansas farmhouse dropped by a tornado, you’ll know that Grande is a music superstar with seven studio albums, a soundtrack album, a live album, a remix album, a compilation album, and two EPs to her name, plus 61 singles, including 17 as a featured artist, and 15 promotional singles.
She has won Grammys and a host of other awards, but these days appears to be leaning more towards her acting career.
That’s largely thanks to the success of ‘Wicked,’ which shattered box office records, becoming the most successful Broadway musical film adaptation of all time, earning almost $800 million worldwide. The film was nominated for 10 Oscars including Best Picture, winning for Costume Design and Production Design (Grande was nominated for Best Supporting Actress).
Grande will be back as Glinda the Good in the second half of the ‘Wicked’ story, ‘Wicked: For Good,’ which will be in theaters on November 21st.
When will the new ‘Meet the Parents’ movie hit theaters?
Since the details are now starting to come together, Universal is confident enough to plant a flag for this one: the new movie will be out on November 25th, 2026.
(L to R) Ben Stiller and Robert De Niro in ‘Little Fockers’. Photo: Universal Pictures.
List of Movies in the ‘Meet the Parents’ Franchise:
(L to R) Ben Stiller and Robert De Niro in ‘Little Fockers’. Photo: Universal Pictures.
Preview:
A new entry in the ‘Meet the Parents’ franchise is in the works.
Ben Stiller, Robert De Niro, Teri Polo and Blythe Danner are in talks to return.
John Hamburg is writing the script.
Of all the film franchises that have made a return of late, we’re not sure that we had ‘Meet the Parents’ on our bingo card.
Yet here we go… Deadline brings word that Universal Pictures is putting the pieces together for a fourth movie based on the reliable comedy concept of awkward encounters between future in-laws.
What’s the story of the ‘Meet the Parents’ movies?
(L to R) Robert De Niro and Ben Stiller in ‘Meet the Parents’. Photo: Universal Pictures.
The idea for the ‘Parents’ franchise actually originated years before Ben Stiller accidentally knocked an urn full of ashes from a mantle or milking a cat was ever discussed.
Greg Glienna and Mary Ruth Clarke created and co-wrote an independent film, also titled ‘Meet the Parents,’ back in 1992.
Glienna directed, wrote two original songs, and starred as protagonist Greg: a Chicago advertising agent who travels with his fiancée Pam Burns to meet her parents, Irv and Kay, over a weekend but sets off a series of accidents and causes the family to fall apart.
After Pam’s sister Fay commits suicide, framing Greg in the process, Irv attempts to shoot him but accidentally kills Kay and Pam before dying of a heart attack. So… yes, a little darker even than what followed.
Sensing some potential (albeit with less murder/suicide), Universal bought the rights to the indie movie. The studio hired screenwriter Jim Herzfeld to expand the script and tone down some of the sharper edges, which led to what we all now know as ‘Meet the Parents’ in 2000.
Jay Roach directed that film, with John Hamburg re-writing the script. It stars Stiller as Gaylord “Greg” Focker, a male nurse who is looking to propose to his girlfriend, Pam (Polo). Upon learning that Pam’s sister’s fiancé sought her father’s permission to marry, Greg sees an opportunity when they travel to her parents for the wedding.
As it turns out, Pam’s father is the stern, authoritative Jack Byrnes (De Niro), who claims to have been a florist in his career but is in fact a retired CIA counterintelligence officer. And not quite as retired as he claims. Chaos ensues, including the aforementioned urn destruction, injuries and bad behavior from Jack’s beloved cat Mr. Jinx.
(L to R) Blythe Danner and Robert De Niro in ‘Little Fockers’. Photo: Universal Pictures.
Danner played Dina, Jack’s wife who is much less stress-inducing than him, but still less easygoing than Greg’s family. Yet despite all the madness, Greg does manage to convince Jack he’s worthy of Pam and ends up engaged.
That film was a critical and commercial success, grossing $166.2 million domestically and a total of $330.4 million worldwide.
A sequel was greenlit, with Roach returning to direct and Herzfeld and Hamburg once more writing. In 2004’s ‘Meet the Fockers,’ Greg and Pam decide to have Jack and Dina meet his parents.
The eccentric, fun-loving and free-spirited couple are, Bernie Focker (Dustin Hoffman), a lawyer-turned-stay-at-home-dad, and Roz (Barbra Streisand), a sex therapist for elderly couples. While Dina bonds with the Fockers, cracks form between Jack and the Fockers due to their contrasting personalities and backgrounds.
There’s also the small matter of Greg potentially having fathered a child as a teenager with the Focker family house-keeping and renewed tension with Jack. Yet it all works out happily and Greg and Pam marry at the end.
‘Meet the Fockers’ was an even bigger hit, earning more than $279 million domestically and more than $522 million worldwide.
The world had to wait until 2010 for the third entry, ‘Little Fockers,’ which saw Hamburg back writing, this time alongside Larry Stuckey. Paul Weitz took over directing chores.
10012981
‘Little Fockers,’ which finds Greg and Pam preparing to celebrate the fifth birthday of their twins Samantha and Henry.
However, things seem to go awry for Greg when his in-laws, Jack and Dina Byrnes, visit them, and Jack announces he is looking for his successor as the head of the Byrnes family. Jack’s family has been hit by his daughter’s (Pam’s sister) divorce and more disruption, plus some health issues.
Yet more madness follows, though it ends well for both men, even if Greg’s parents announce they’re moving to Chicago to be closer to him and Pam.
This third film was critically panned and not as successful as the previous two entries, ending up with a worldwide total of $310.7 million.
As for what might happen in a future entry? We predict tension, slapstick and chances for family bonding. There’s a chance that Hoffman and Streisand could return as Greg’s parents.
But the big question on everyone’s lips is… will Mr. Jinx the cat also come back? We hear he has a fairly feral manager.
When will the new ‘Meet the Parents’ movie hit theaters?
With the movie still lacking a director and since the cast isn’t yet locked in, Universal hasn’t set a release date for the film. We can’t imagine it arriving much before 2026, though.
(L to R) Robert De Niro and Ben Stiller in ‘Little Fockers’. Photo: Universal Pictures.
List of Movies in the ‘Meet the Parents’ Franchise:
(L to R) Writer/Director Francis Ford Coppola and Adam Driver as Cesar Catilina on the set of ‘Megalopolis’. Photo Credit: Phil Caruso.
‘Megalopolis’ is the first film from Oscar-winning director Francis Ford Coppola in thirteen years and a project he has been developing since 1977. The result is an exhilarating and complex motion picture that pushes the boundaries of cinema while exploring class and the fragility of societies.
Anchored by a fantastic ensemble of actors including Adam Driver, Giancarlo Esposito, Laurence Fishburne and Aubrey Plaza, Coppola experiments with story, visual effects and even live-theatrical components. However, this movie is not for everyone, and will have its fair share of critics due to its experimental nature and a somewhat confusing script. But if you ignore that, and just go for the wild cinematic ride Coppola has created, you will be in awe of the director’s latest masterpiece.
Story and Direction
Writer/Director Francis Ford Coppola on the set of ‘Megalopolis’. Photo Credit: Phil Laruso.
Combining the Catilinarian conspiracy with modern day New York, ‘Megalopolis’ is set in a decaying metropolis called New Rome. An Idealistic architect named Cesar Catilina (Adam Driver), who has the power to control space and time, seeks to demolish and rebuild the city into a sustainable utopia using a new material called “megalon”. Standing in his way is Franklyn Cicero (Giancarlo Esposito), the Mayor of New Rome who is committed to a regressive status quo.
Things get complicated for Cesar when he falls in love with Julia Cicero (Nathalie Emmanuel), the mayor’s daughter. Also, lurking in the shadows is Cesar’s cousin, Clodio (Shia LaBeouf), who along with his uncle Hamilton Crassus III (Jon Voight) and his new wife former TV journalist Wow Platinum (Aubrey Plaza), is plotting to destroy Cesar before he can build his new utopia.
Aubrey Plaza as Wow Platinum in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.
Dense and complex, Coppola’s screenplay explores class warfare and how easily societies can fail. Mixing Roman mythology with what at times feels like a Shakespearian script, (Driver even recites the “To be, or not to be” speech from ‘Hamlet’ at one point), the story at times can seem convoluted but if that bothers you, then I think you are missing the point of Coppola’s film. And knowing how much of the script and story was found on the set by the actors through improvisation, to focus on the screenplay’s shortcomings is again, to miss the point of the movie entirely.
Arguably one of the greatest filmmakers in the history of cinema after making ‘The Godfather’, ‘The Godfather II’, and ‘Apocalypse Now’, just to name a few, the true joy of ‘’Megalopolis’ is watching the master filmmaker experiment with the medium and create something unexpected and quite beautiful in its own way. Not only is Coppola experimenting with the themes of the movie, but he is also experimenting with filmmaking technologies he hasn’t used before like digital cameras, digital effects, and a fascinating live-theatrical stunt, unlike anything I’ve seen before in a movie theater, but more on that below.
Live Theatrical Experience
Grace Vanderwaal as Vesta Sweetwater in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.
Towards the end of the second act, there is a moment when Driver’s Cesar is participating in a press conference. At that exact moment, the lights in the theater go on, and a person from the audience (obviously a plant) walks up to a microphone close to the screen. Then, in character, the “actor” asks the on-screen Cesar a question as if they are the reporter in the scene themselves. At least in my screening, the timing worked perfectly, and Cesar seemingly answered the member of the audience.
It’s obviously a constructed stunt, but I absolutely loved that Coppola decided to experiment in this way and it’s the moment when (faults and all) I really fell for this film. It’s a bold move, and one that I wish more filmmakers would take the risk to do. I’m not saying every movie should have a live component, but I would love to see more filmmakers play with the medium and experiment with techniques that are outside of the norm.
A Misunderstood Masterpiece?
Nathalie Emmanuel as Julia Cicero and Adam Driver as Cesar Catilina in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.
With the media seemingly wanting to see Coppola fail after rumors of production troubles, not to mention the experimental nature of the movie, reviews out of the film’s Cannes premiere have been mixed at best. But don’t listen to them, and don’t even listen to me, see the movie for yourself and make up your own mind! However, I would suggest seeing the film in IMAX, as it adds to Coppola’s vision and the overall experience of the movie.
While it’s unfair to compare ‘’Megalopolis’ to Coppola’s past work, it is important to remember (as the fake quotes in the film’s first trailer point out), films like ‘Apocalypse Now’, ‘Bram Stoker’s Dracula’ and yes, even ‘The Godfather’, received some mixed reviews upon release and of course have gone on to be considered cinematic classics. That may or may not eventually happen with ‘’Megalopolis’, but it is certainly a bold and intriguing movie, which is in stark contrast to the standard sequels and superhero films that litter our local cinema.
The Cast
Nathalie Emmanuel as Julia Cicero in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.
While the true star of ‘’Megalopolis’ in my opinion is Francis Ford Coppola, he has assembled a remarkable cast of actors, young and old, and the film is certainly anchored by Adam Driver’s strong performance. Driver embodies the character with an intelligence and an aloofness that only the former Kylo Ren actor could supply.
Veteran actor Giancarlo Esposito has finally become a household name thanks to his vast television work on hit shows like ‘Breaking Bad’, ‘The Mandalorian’ and ‘The Boys’. This is Esposito’s first major role in a movie since his recent success, and while he once again plays the antagonist, the actor gives a very good performance.
Shia LaBeouf as Clodio Pulcher in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.
While purposely over-the-top at times, Shia LaBeouf gives a commanding performance as the sinister Clodio, and Oscar-winner Jon Voight is at his best in years as Hamilton Crassus III. Also excellent in her role is Aubrey Plaza, perfectly cast as a Barbara Walters meets Megyn Kelly type journalist more concerned with moving up society’s later than reporting the truth. Other strong supporting performances come from Laurence Fishburne (the film’s narrator) and Grace VanderWaal as a Taylor Swift type entertainer.
However, coming off an excellent performance in director John Woo’s remake of ‘The Killer’ is Nathalie Emmanuel, who is adequate as Julia, but has a hard time overcoming the shadows of the other heavyweights in the cast. Talia Shire (Coppola’s sister), Jason Schwartzman (Shire’s son and Coppola’s nephew), ‘Saturday Night Live’s Chloe Fineman and Oscar-winner Dustin Hoffman are all welcomed additions to the cast, but unfortunately are not given enough to do.
Final Thoughts
Adam Driver as Cesar Catilina in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.
In the end, you may like ‘Megalopolis’ or you may not, but it is worth seeing in a theater, if for nothing else to experience a once in a lifetime theatrical experience from one of the greatest directors of all time.
‘Megalopolis’ receives 9 out of 10 stars.
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What is the plot of ‘’Megalopolis’?
In a decaying metropolis called New Rome, Cesar Catilina (Adam Driver) is an idealist architect who is granted a license by the federal government to demolish and rebuild the city as a sustainable utopia using a new material, “megalon”, which can give him the power to control space and time. His nemesis, Mayor Franklyn Cicero (Giancarlo Esposito), remains committed to a regressive status quo. Torn between them is Franklyn’s socialite daughter and Cesar’s love interest Julia (Nathalie Emmanuel), who, tired of the influence she inherited, searches for her life’s meaning.
Moviefone recently had the honor of speaking with legendary writer and director Francis Ford Coppola and Adam Driver about their work on ‘Megalopolis’, Coppola’s passion and dedication to get it made, the live theatrical aspect of the film, how he utilized new technology, Driver’s approach to his character, improvisation, and what he learned from working with Coppola.
You can read the full interview below or click on the video player above to watch our interview.
Writer/Director Francis Ford Coppola on the set of ‘Megalopolis’. Photo Credit: Phil Laruso.
Moviefone: To begin with, Mr. Coppola, can you talk about the spark of the idea for this film that excited you and what kept you passionate and determined over all these decades to finally get this movie made?
Francis Ford Coppola: When I started, I didn’t specifically start with this project. I just thought that since I had made so many films with different styles, I was curious what my style was. So, I just started to note down articles I read, or I had a collection I remember of political cartoons because cartoons tell a whole story in one image, and things I had read. After a while, I found that I was interested in the idea of doing a Roman epic because I had seen them as a kid, and I loved Roman epics. Then at one point, I read a particular Roman story about what was called the Catiline conspiracy. In that, it said that could happen in modern America because modern America has based itself on being Roman. That’s when it began to really take shape in this. Then I started to collect possibilities of what it might be like and how it might be done, and ultimately led to this incredible collaboration with my wonderful cast and with Adam and with the various people who supplied everything in the film, and we made ‘Megalopolis’ together.
(L to R) Writer/Director Francis Ford Coppola and Adam Driver as Cesar Catilina on the set of ‘Megalopolis’. Photo Credit: Phil Caruso.
MF: Adam, what was this experience like for you working with Mr. Coppola, and what did you learn about filmmaking from watching the specific way that he makes movies?
Adam Driver: I think there’s maybe a misconception or an assumption that people make about directors that are like Francis that the atmosphere when you get on set is going to be very dictatorial, that it’s going to be “Do what I tell you to do”, or at least that’s just what the feedback that I get from people is, “Do you just say everything that he tells you to do?” That’s not actually what it’s like at all. He’s very disarming, which I guess should be no surprise because his movies feel that way. They all feel like everyone is pretty invested in what they’re doing because he gives you an incredible amount of trust, which it could easily have been the opposite of, “Move here because I said so, and I have a resume of films that have changed filmmaking as evidence that I know what I’m talking about”. That would’ve been a very compelling argument, but it’s the exact opposite. He makes you part of it because you have some authorship of it, you get obsessed with it and excited, and are invested and want to bring ideas to the table. Because he has such a, this is the understatement of the century, but an incredible film vocabulary that he is very good at picking the things that are in line with what he’s trying to make in an incredibly diplomatic way and discarding the things that aren’t what he needs. So, the thing I took from it is also, it felt like experimental theater in a way, where you can’t make a mistake, and setting an environment for people to feel comfortable to do whatever they wanted within the parameters. It is an experience that I didn’t have in film before, and I don’t think I’ll have again. Trying to take that to other films will be difficult.
Adam Driver as Cesar Catilina in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.
MF: Mr. Coppola, there is a staged moment in the film where someone from the theater’s audience stands up and interacts with Adam’s character on-screen. Can you talk about the choice to include this unusual experimental theatrical experience and how you were able to execute it?
FFC: Well, it’s interesting because the film didn’t have that scene at all in it, and it was Adam who said to me, “Remember we shot a sequence where the people asked questions. I miss that. I wish that were back in.” I said, “Well, let’s go find it and put it back in and see what you think,” and we did. Then we put it in, and I agreed with him that it was missing, and it was better with it. It wasn’t in it. It was his idea and we put it in, and then the only thing that happened is I thought, “Well, wouldn’t it be interesting if a real person brought the microphone over and put it there?” We tried it and it seemed to be exciting. I’m a guy who in a way still has one foot in theater and one foot in cinema and I haven’t forgotten my theatrical training as a kid. I love to combine the two, and that’s where that came from. We only had it because of this idea about actors and directors, I’ve heard it said, “Oh, that director got this great performance out of the actor.” Directors don’t get great performances out of actors. The actor does the performance. The director’s like a coach. He’s there to be able to say something helpful, hopefully at the right time, when the actor is trying to achieve something, just like a coach in a sports team says, “Why don’t you try thinking this?” If it helps, great. But the actor does the hard part, let’s face it. The director is there to just say the right thing at the right moment if you are lucky enough to have the right thing to say.
(L to R) Adam Driver and Nathalie Emmanuel in ‘Megalopolis’. Photo: Lionsgate.
MF: Adam, I understand there was quite a bit of improvisation on the set. Can you talk about your approach to playing Cesar, and did the improv help you find the character on set?
AD: There’s the version and what we had talked about. Francis told me some inspirations, not directly, but like Walter Gropius was somebody that we talked about. Robert Moses was another person, just to kind of get a sense. But what Francis was saying, he’s being a little modest. I think sometimes people say that idea, which sounds romantic, and in practice, never practice it, or they reserve it for press. But Francis really acts on his principles and everything that he’s describing is very rare, I think, to get that experience as an actor and to get the freedom to kind of come up with an idea and surprise yourself, and hopefully Francis. But he still is the one that’s making that happen, so you wouldn’t get that movie obviously, if Francis wasn’t kind of conducting all these kinds of wild personalities. So, it all kind of was found by the other actors that I’m acting with, the props, how (Cinematographer) Mihai (Mălaimare Jr.) was shooting it with Francis and all Francis’ direction. He kind of set up the rules. The first day of shooting was something really and I remember at one point, Francis said, “We’re not being brave enough,” and that was like, “Oh, that’s probably the best piece of direction I’ve ever been given,” and that set the tone for the rest of the film.
Nathalie Emmanuel as Julia Cicero and Adam Driver as Cesar Catilina in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.
MF: Finally, Mr. Coppola, obviously the tools used to make films has changed a lot since you began making movies with advances in digital cameras, visual effects, and editing software. Can you talk about how you were able to implement those new tools into your style of filmmaking?
FFC: Well, I think Orson Wells once said that a lot of those aspects of movies, you can learn in a weekend. But fundamentally, the two main components of cinema are acting and writing. That’s not something you can learn over the weekend. I mean, you can’t have a great movie without wonderful acting. You need some kind of good writing. Everything else is you can take great liberties with and choose to use or not to use. Just because there’s some new development that is possibly revolutionary doesn’t mean you have to use it or must use it in the way they’re using it. We did use a technique that falls in that category, what’s known as the volume. It’s when they have this huge space and it’s a huge LED screen. But we used it a different way. We put the scene that we shot very high, and so if they’re walking along up there and fall, they’re going to fall 15 feet into a net, and so that the actors would be a little trepidatious about walking around too casually up there. He (Adam) wasn’t afraid of it, but Natalie (Emmanuel) was. When she walked, you could feel she didn’t want to fall. So, I mean, as I said, you can use things, but you don’t have to use them in the way that they were invented for.
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What is the plot of ‘’Megalopolis’?
In a decaying metropolis called New Rome, Cesar Catilina (Adam Driver) is an idealist architect who is granted a license by the federal government to demolish and rebuild the city as a sustainable utopia using a new material, “megalon”, which can give him the power to control space and time. His nemesis, Mayor Franklyn Cicero (Giancarlo Esposito), remains committed to a regressive status quo. Torn between them is Franklyn’s socialite daughter and Cesar’s love interest Julia (Nathalie Emmanuel), who, tired of the influence she inherited, searches for her life’s meaning.
Francis Ford Coppola’s ‘Megalopolis’ is scheduled for release on September 27, 2024.
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Francis Ford Coppola has made a deal with Lionsgate to release ‘Megalopolis’.
The filmmaker’s passion project stars Adam Driver, Giancarlo Esposito and Nathalie Emmanuel.
Coppola poured millions of his own money into making the movie.
Given how much time and money Francis Ford Coppola had poured into making his latest passion project, the epic known as ‘Megalopolis’, things were looking a little grim.
Coppola, the man behind movies such as ‘The Godfather’ trilogy and ‘Apocalypse Now’ had been looking to bring ‘Megalopolis’ to life for years but hadn’t found anyone to invest fully.
So the filmmaker went ahead and sold a chunk of his vineyard business to drum up the cash himself, tracking down a cast and getting under way.
Then came reports of trouble on set, with effects issues and even accusations of inappropriate behavior by the director (an issue which has yet to be settled either way).
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Finally, Coppola finished the film and screened it for potential distributors in Los Angeles, to reportedly zero interest. He scored a slot at Cannes and that has sparked wildly divisive reviews, many calling out its gonzo storytelling and performances.
Yet after the festival screening, there has been a big turnaround in the movie’s fortunes, Coppola securing a raft of international distribution deals across the world.
And today brings word that Lionsgate has scored a deal to distribute the movie here in the States, and to handle its home entertainment release.
What’s the story of ‘Megalopolis’?
(L to R) Adam Driver and Nathalie Emmanuel in ‘Megalopolis’. Photo: Lionsgate.
The fate of Rome haunts a modern world (and a city that’s essentially an alternate New York) unable to solve its own social problems in this epic story of political ambition, genius, and conflicting interests.
‘Megalopolis’ essential clash is between Cesar (Adam Driver), a genius artist who seeks to leap into a utopian, idealistic future, and his opposition, Mayor Franklyn Cicero (Giancarlo Esposito), who remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare.
Caught between the two? Franklyn’s socialite daughter and Cesar’s love interest, Julia (Nathalie Emmanuel), who, tired of the influence she inherited, searches for her life’s meaning.
Who else is in ‘Megalopolis’?
Jon Voight as Byrne in ‘The Painter.’ Photo: Republic Pictures.
Director Frances Ford Coppola at the 50th Anniversary of ‘The Godfather’ event and historic street naming ceremony the Paramount Theater in Hollywood, CA on February 22nd, 2022. Photo by Frazer Harrison/Getty Images for Paramount Pictures.
Here’s the statement the director released about the new deal:
“One rule of business I’ve always followed and prioritized (to my benefit) is to continue working with companies and teams who over time have proven to be good friends as well as great collaborators. This is why I am thrilled to have Adam Fogelson and Lionsgate Studios release ‘Megalopolis’. I am confident they will apply the same tender love and care given to ‘Apocalypse Now’, which is currently in its 45th year of astounding revenue and appreciation.”
And here’s Lionsgate boss Adam Fogelson’s comment:
“Francis is a legend. For many of us, his gifts to cinema were one of the inspirations to devote our own careers to film. It is a true privilege to work with him, and to bring this incredible, audacious, and utterly unique movie to theatrical audiences. At Lionsgate, we strive to be a home for bold and daring artists, and ‘Megalopolis’ proves there is no one more bold or daring than the maestro, Francis Ford Coppola.”
When will ‘Megalopolis’ be in a theater near me?
Lionsgate has set a September 27th release date for the movie.
Al Pacino, Francis Ford Coppola and Robert De Niro onstage during the 50th anniversary tribute of “The Godfather” at the live ABC telecast of the 94th Oscars® at the Dolby Theatre at Ovation Hollywood in Los Angeles, CA, on Sunday, March 27, 2022.
Po (Jack Black) in DreamWorks Animation’s ‘Kung Fu Panda 4,’ directed by Mike Mitchell.
Arriving in theaters on Friday, March 8th, ‘Kung Fu Panda 4’ marks the return of the animated adventures for Jack Black’s martial arts panda. Revisiting the Valley of Peace after nearly a decade, the movie will need to prove itself even more than your average sequel.
Which has us asking, of course…
Is ‘Kung Fu Panda 4’ a Worthy Continuation of the Franchise?
There is good news to report for ‘Kung Fu Panda’ fans (Fandas?) –– the new outing, the first since ‘Kung Fu Panda 3’ in 2016 (not counting the TV spin-offs) is a frothy, diverting affair. While it suffers in not really having a great villain, the usual spirit of Kung Fu Panda lives on in this new offering.
Somewhat naturally that has a lot to do with the effervescent charm of Jack Black, who fully inherits and powers the role, but he’s backed up by an able assortment of returning and new performers.
Jack Black voices Po in DreamWorks Animation’s ‘Kung Fu Panda 4’, directed by Mike Mitchell.
The script, by Jonathan Aibel, Glenn Berger and Darren Lemke shows the hallmarks of writers who have plenty of experience with this world and its characters. Both Aibel and Berger have scripted the other ‘Panda’ films, while Lemke has worked on a few DreamWorks Animation movies, but also has experience on the likes of ‘Shazam!’ and ‘Goosebumps’ (the latter starring Black).
It is also helpful that while it certainly references the franchise’s past (the villain’s plot involves invoking old baddies to steal their powers and fighting styles to augment her own, and Po’s two dads receive their own subplot that eventually ties into the main story), it also has one eye on the future.
Having Po facing the dilemma of giving up being the Dragon Warrior –– a role and responsibility he has less grown into than more grown comfortable with –– while also being tasked with choosing a successor is a helpful, organic framework with which to plot new storylines. Because you just know if this one is a success, DreamWorks will want more.
Finally, it doesn’t hurt that the screenplay is light on its feet and features a number of solid gags, both one-off and runners that work well (one highlight is a guard at the big bad’s palace who points out the error in her plan until his colleagues demand he stops).
Po (Jack Black) in ‘Kung Fu Panda 4’ directed by Mike Mitchell.
On the directing front, the movie’s in good hands with Mike Mitchell, who has plenty of experience on both the animated and live-action front and has proved to deliver regularly for DreamWorks.
Here working with co-director Stephanie Ma Stine, he proves to be the right person to bring this latest film to life, working with the animation and tech teams to find creative ways to explore action set pieces and getting the best out of the voice cast. Particularly impressive is a sequence set in the Jade Palace, where Black’s Po confronts crafty, thieving fox Zhen (Awkwafina) and multiple priceless antiquities are put at risk.
Yes, older audiences will see where the story is going from the minute the two leads meet, but the journey in this case is an engaging one.
Performances
(from left) Shifu (Dustin Hoffman) and Po (Jack Black) in DreamWorks Animation’s ‘Kung Fu Panda 4,’ directed by Mike Mitchell.
With Black back in a role that he typically shines in, Po is his usual friendly, hungry self. There’s really not much to having the character work besides the actor’s energy and the occasional “Skidoosh!”, but Black makes it so that you’re happy following our hero along on his latest adventure.
Awkwafina, meanwhile, has been proving her voice-acting mettle in the last few years, working on projects for Disney and Illumination. If she finds her way into an English dub of a Miyazaki movie, she’ll have worked for most of the major animation companies releasing movies in the States.
Zhen (Awkwafina) in DreamWorks Animation’s ‘Kung Fu Panda 4,’ directed by Mike Mitchell.
Her Zhen is a lively, quick-witted type, the writers finding gags that work for her and the animators locking in on her offbeat energy.
Viola Davis fares less well as the villainous Chameleon. Her role is very much a standard scheming baddie with a magic plot to harness powers and rule… well, everything. Davis brings her usual gravitas to the part, but aside from some fun abilities once she goes through with her scheme, Chameleon is less memorable than, say, Ian McShane’s Tai Lung (the baddie from the first movie, here drawn back from the spirit world).
On the supporting front, the likes of Bryan Cranston, James Hong and Dustin Hoffman offer typically light-hearted spins on their characters’ schtick, while Ke Huy Quan makes an impression as Han, the king of thieves who factors into both Zhen’s backstory and the final act.
‘Kung Fu Panda 4’: Final Thoughts
(from left) Po (Jack Black) and Zhen (Awkwafina) in DreamWorks Animation’s ‘Kung Fu Panda 4,’ directed by Mike Mitchell.
Smartly focusing on just a few characters (some franchise faithful fans will be disappointed to learn that the Furious Five –– AKA the masters voiced by Seth Rogen, Jackie Chan, Angelina Jolie and Lucy Liu are conveniently busy off on their own missions, though they do show up for near wordless cameos right at the end), ‘Kung Fu Panda 4’ justifies this long-anticipated return to the venerable DreamWorks movie series, without too much of the cash-in effect.
It suffers from a less-than-fantastic villain, but if we’re honest, the bad guys are usually an excuse to give Po his latest mission. And between Black, Awkwafina and some of the other cast, it’s more crowd-pleaser than animated slog.
‘Kung Fu Panda 4’ receives 6.5 out of 10 stars.
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What’s the story of ‘Kung Fu Panda 4’?
After three death-defying adventures defeating world-class villains with his unmatched courage and mad martial arts skills, Po, the Dragon Warrior (Jack Black), is called upon by destiny to… give it a rest already. More specifically, he’s tapped to become the Spiritual Leader of the Valley of Peace.
That poses a couple of obvious problems. First, Po knows as much about spiritual leadership as he does about the paleo diet, and second, he needs to quickly find and train a new Dragon Warrior before he can assume his new lofty position.
Even worse, there’s been a recent sighting of a wicked, powerful sorceress, Chameleon (Viola Davis), a tiny lizard who can shapeshift into any creature, large or small. And Chameleon has her greedy, beady little eyes on Po’s Staff of Wisdom, which would give her the power to re-summon all the master villains whom Po has vanquished to the spirit realm.
So, Po’s going to need some help…
Who else is in ‘Kung Fu Panda 4’?
Alongside Black and Davis, the cast also includes Awkwafina, Dustin Hoffman, James Hong, Bryan Cranston, Ian McShane and Ke Huy Quan.
Po (Jack Black) in DreamWorks Animation’s ‘Kung Fu Panda 4,’ directed by Mike Mitchell.
Director Frances Ford Coppola at the 50th Anniversary of ‘The Godfather’ event and historic street naming ceremony the Paramount Theater in Hollywood, CA on February 22nd, 2022. Photo by Frazer Harrison/Getty Images for Paramount Pictures.
Francis Ford Coppola is taking a huge risk to make his latest giant movie, ‘Megalopolis’, one that he’s been trying to wrangle into production for two decades. He’s poured millions of his own money into the movie, and while he announced a cast and kicked off shooting late last year, it would appear that there are now big problems with the film.
The story is mostly a mystery, but reportedly focuses on an architect who seeks to rebuild New York City––or possibly a metropolis based on it––as a utopia after a disaster.
With Coppola stumping up the $120 million budget, the Hollywood Reporter has now heard from sources that it’s descending into costly chaos. As in, budget-inflating chaos.
A plan to shoot using ‘Mandalorian’-style volume techniques (virtual production, where backgrounds are projected onto giant LED screens) has apparently been abandoned in favor of less costly, more traditional greenscreen.
Several department heads, including the production designer and supervising art director, plus the entire effects team have left or been replaced. “It was absolute madness, being on set,” reports an agent for someone in the film who had visited the production.
‘Megalopolis’ is roughly halfway through an estimated 80-90-day shoot, and the director is reportedly pressing on, hiring new team members.
Sensing that the reports would negatively impact his film, Coppola has begun the damage control process, talking with rival trade site Deadline and seeking to assure that the production is continuing and that he’s confident in his work.
“I’ve never worked on a film where I was so happy with the cast,” Coppola said. “I am so happy with the look and that we are so on schedule. These reports never say who these sources are. To them, I say, ha, ha, just wait and see. Because this is a beautiful film and primarily so because the cast is so great. I’ve never enjoyed working with a cast who are so hardworking and so willing to go search for the unconventional, to come upon hidden solutions. It is a thrill to work with these actors and the photography is everything I could hope for. The dailies are great. So if we’re on schedule, and I love the actors and the look is great, I don’t know what anyone’s talking about here.”
“My cast is the most wonderful group of actors, who are doing beautiful work and there isn’t one case of where I wish I had cast another way,” Coppola added. “Every night I go see the dailies, and I understand why I am going through all of this. I love what I see, every night. The look of the film is exactly what I dreamed.”
Adam Driver in Sony’s ’65.’
Star Driver, meanwhile, was even more vehement that all was well.
“I’d like to briefly respond to The Hollywood Reporter article published Monday, January 9th,” he said. “All good here! Not sure what set you’re talking about! I don’t recognize that one! I’ve been on sets that were chaotic and this one is far from it. The environment that’s being created by Francis, is one of focus and inspiration. As of now, we’re on schedule, making our days, and honestly, it’s been one of the best shooting experiences I’ve had. Our crew is fast and inventive, our costume department is on point, the actors are incredible and willing, and Francis is one of the most insightful and caring people to work with. I’m very proud to be making this movie with him, and them, and though I haven’t interviewed everyone, I can confidently say that that’s the general attitude on set.”
But wait! There’s more…
“Yes, it is true that the art department resigned and VFX were let go,” Driver continues. “Not all departments find cohesion on films and rather than suffer through and making decisions that leave a lasting impression on the film, people quit, get fired, or part ways. It’s unfortunate when it happens, but this production is not out of pocket in comparison to other productions; especially to the point that it merits an article about us descending into chaos. That characterization is inaccurate. No one signed up for this movie expecting the process to be conventional. We were expecting the opposite in the pursuit of making something unique. The only madness I’ve observed is that more productions aren’t allowed to be as creatively wild and experimentally focused, precisely because someone else is paying for it. It’s an effort and risk by Francis that I feel should be applauded, not publicly mischaracterized as troubled.”
The answer, most likely, is somewhere in between, but Coppola has had a history of chaotic shoot that––a little like James Cameron’s experiences with ‘Titanic’––resulted in classic movies. ‘Apocalypse Now’ was infamous for its tribulations, and there is an entire documentary, ‘Hearts of Darkness’ that chronicles its rollercoaster shoot.
It remains to be seen whether ‘Megalopolis’ ends up with similar status or even among the director’s best movies. Let’s not forget that this is also the man who made ‘The Godfather’ movies and ‘The Conversation’. He’s a multiple Oscar winner and no one would doubt that he knows what he’s doing when it comes to making films. It’s just that his passion has a habit of leading him down conflicting paths.
Either way, we’re hoping that someone has been filming behind the scenes on this one––it has the makings of another classic documentary.
‘Megalopolis’ has yet to score a release date and may well not hit theaters until next year. But now we’re even more eager to see it.
Al Pacino, Francis Ford Coppola and Robert De Niro onstage during the 50th anniversary tribute of “The Godfather” at the live ABC telecast of the 94th Oscars® at the Dolby Theatre at Ovation Hollywood in Los Angeles, CA, on Sunday, March 27, 2022.
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