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(L to R) Phoebe Dynevor, Whitney Peak and Djimon Hounsou star in ‘Thrash’.
Moviefone recently had the pleasure of speaking with Phoebe Dynevor, Djimon Hounsou and Whitney Peak about their work on ‘Thrash’, Hounsou’s first reaction to the screenplay, the relationship between Dynevor and Peak’s characters, and the challenges of filming in water.
You can read the full interview below or click on the video player above to watch our interviews.
Moviefone: To begin with, Djimon, what was your first reaction to the screenplay and your character, and did you understand his motivations and how you wanted to play him immediately?
Djimon Hounsou: Yes. My first reaction was a yes. My first reaction was, hopefully, we can bring some awareness about how we’re affecting climate change. That mixed with a bit of a fictional story and a dynamic that plays with these two young ladies. It made it a potentially fun movie and realistic in so many ways as well.
MF: Phoebe, can you talk about the urgency of the situation your character finds herself in at the beginning of the movie, and what she’s willing to do to protect herself and her unborn baby?
Phoebe Dynevor: I think that was the magic of the character and the script for me was this idea of a mother’s instinct and doing whatever they can to save their child. We pictured that (famous) image of the woman holding up the car to save her child. Lisa has no choice but to go. But you can’t control labor, you can’t control when your child is going to be born. It happens and she must face it. So, it’s really about survival and her baby, their survival together. There’s a lot of challenges she must face. It’s like one thing after the next and then balancing the levels of childbirth and how the contractions get more intense, and her surroundings get more intense too. So that was fun to play.
MF: Whitney, can you talk about the friendship that forms between Lisa and Dakota, and what it was like creating that on screen with Phoebe?
Whitney Peak: I think, in a weird way, yes, Dakota does bond with Lisa, but I think a big part of it is how much she relates to Lisa’s baby, in a weird way. Because there’s that scene where Lisa’s talking to her baby, and she’s saying, “It’s not safe yet. It’s not time to come out yet so stay inside.” I think that’s been Dakota’s internal monologue the entire time. I think that relationship really does help her heal herself in a lot of ways.
MF: Finally, Phoebe, what was it like for you to constantly film in water and how challenging was the production?
PD: I was once told by an actor to never shoot in water and now I know why. It was a challenging experience, but it was in a great way. We shot in Melbourne in the middle of winter, so it was cold, but it was fun. The rain and the wind, that was all real, that was all happening. Those were machines that would pump that into our face, so we were acting against those challenges too. But for most of the shoot, we were in a tank with the whole crew. So, everyone was in their wetsuits. We were all in it together. It wasn’t like the actors were going through it and everyone else was just watching. It was very much a team effort.
Henry Cavill in ‘Highlander’. Photo: Henry Cavill’s Instagram Account.
Preview:
Henry Cavill has posted the first look at the new ‘Highlander’ movie.
He’s playing sword-swinging immortal McLeod.
Chad Stahelski has started directing the film.
After a long development process, and plenty of casting news drops, the new take on 1986 action pic ‘Highlander’ is officially in production with Chad Stahelski directing and Henry Cavill starring as an immortal warrior who must battle others of his kind.
Cavill’s caption includes the phrase, “this has been quite the journey for me, which I’ll tell you all about when the time is right,” which might be a reference to an injury he sustained while training, which pushed the schedule of the movie back.
Henry Cavill in ‘Highlander’. Photo: Henry Cavill’s Instagram Account.
The 1988 original revolves around Connor MacLeod (Christopher Lambert), a Scottish Highlander born in the 16th Century who is somehow immortal. He has survived through the centuries, and learns from Juan Sanchez Villa-Lobos Ramirez (Sean Connery), that he is part of a race of many who can only die when beheaded.
We don’t exactly know what elements the new movie (written by Michael Finch) will utilize, but Stahelski has said the focus will be on modern-day New York and Hong Kong.
When will the new ‘Highlander’ be in cinemas?
(L to R) Sean Connery as Juan Sánchez-Villalobos Ramírez and Christopher Lambert as Connor MacLeod in 1986’s ‘Highlander.’ Photo: 20th Century Fox.
Amazon MGM Studios has yet to announce a release date for the movie, but a 2027 date is not out of the question given that cameras are rolling.
List of Movies and TV Shows in the ‘Highlander’ Franchise:
Though the cameras may not have started rolling last month as originally planned thanks to star Henry Cavill injuring himself during training, the ‘Highlander’ reboot is still moving forward, aiming to begin production early next year.
(L to R) Christopher Lambert as Connor MacLeod and Clancy Brown as The Kurgan in ‘Highlander’. Photo: 20th Century Fox.
The 1988 original revolves around Connor MacLeod (Christopher Lambert), a Scottish Highlander born in the 16th Century who is somehow immortal. He has survived through the centuries, and learns from Juan Sanchez Villa-Lobos Ramirez (Sean Connery), that he is part of a race of many who can only die when beheaded.
The power of the slain immortal is absorbed into the victor, and they are all competing for “The Prize” –– enough power to rule Earth forever. Connor’s biggest threat is the Kurgan, a murderous brute of an immortal who wants that power for himself and Connor must face him at an event known as The Gathering.
There can, as the tagline famously reads, only be one.
Stahelski on the story for the new movie
Chad Stahelski attends ‘Wick Is Pain’ Screening At Beyond Fest at Aero Theatre on May 08, 2025 in Santa Monica, California. Photo: Jon Kopaloff/Getty Images for Lionsgate.
Here’s what Stahelski had to say about the plot and changes:
“We’re bringing it forward from the early 1500s in the Highlands to the beyond present-day New York and Hong Kong. There’s big opportunity for action… and it’s a bit of a love story — but not how you think.”
Finch’s script is the most recent draft, and it is taking some diversions from the original as it builds out a more complex and deeper world.
Cavill is MacLeod, with Crowe as a version of Ramirez. Bautista is playing the Kurgan, the movie’s top villain, while Gillan is MacLeod’s Scottish and very mortal wife. Djimon Hounsou is an immortal warrior from Africa, while Abela is MacLeod’s modern romantic interest. Max Zhang and Drew McIntyre are also in the cast, with McIntyre taking the role of Cavill’s brother.
Irons will be the movie’s other antagonist, the leader of a secret order called The Watchers, who are keeping an eye on the immortals and see them as a threat to humanity.
When will the new ‘Highlander’ be on screens?
Amazon MGM Studios has yet to confirm a release date for the movie, and it may yet appear later given the production delay.
(L to R) Sean Connery as Juan Sánchez-Villalobos Ramírez and Christopher Lambert as Connor MacLeod in 1986’s ‘Highlander.’ Photo: 20th Century Fox.
List of Movies and TV Shows in the ‘Highlander’ Franchise:
It’s fair to say that the Marvel movies, specifically the Marvel Cinematic Universe releases, have reached “cultural event” status. And there’s a strong case to be made that the MCU is a currently a pop culture juggernaut, the likes of which we haven’t since the original ‘Star Wars‘ trilogy hit theaters for the first time.
It is a great time to watch the Marvel movies in order now and you can watch them all on Disney Plus in 4K format. You can even plan virtual Marvel movie nights with your friends using Disney+ GroupWatch feature.
(L to R) Chris Evans and Sebastian Stan in ‘Captain America: The First Avenger’. Photo: Marvel Studios.
During World War II, Steve Rogers (Chris Evans) is a sickly man from Brooklyn who’s transformed into super-soldier Captain America to aid in the war effort. Rogers must stop the Red Skull (Hugo Weaving) – Adolf Hitler’s ruthless head of weaponry, and the leader of an organization that intends to use a mysterious device of untold powers for world domination.
The story follows Carol Danvers (Brie Larson) as she becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races. Set in the 1990s, Captain Marvel is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe.
After being held captive in an Afghan cave, billionaire engineer Tony Stark (Robert Downey Jr.) creates a unique weaponized suit of armor to fight evil.
Scientist Bruce Banner (Edward Norton) scours the planet for an antidote to the unbridled force of rage within him: the Hulk. But when the military masterminds who dream of exploiting his powers force him back to civilization, he finds himself coming face to face with a new, deadly foe.
With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark (Robert Downey Jr.) faces pressure from the government, the press and the public to share his technology with the military. Unwilling to let go of his invention, Stark, with Pepper Potts (Gwyneth Paltrow) and James ‘Rhodey’ Rhodes (Don Cheadle) at his side, must forge new alliances – and confront powerful enemies.
Against his father Odin’s (Anthony Hopkins) will, The Mighty Thor (Chris Hemsworth) – a powerful but arrogant warrior god – recklessly reignites an ancient war. Thor is cast down to Earth and forced to live among humans as punishment. Once here, Thor learns what it takes to be a true hero when the most dangerous villain of his world sends the darkest forces of Asgard to invade Earth.
When an unexpected enemy emerges and threatens global safety and security, Nick Fury (Samuel L. Jackson), director of the international peacekeeping agency known as S.H.I.E.L.D., finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins!
When Tony Stark’s (Robert Downey Jr.) world is torn apart by a formidable terrorist called the Mandarin, he starts an odyssey of rebuilding and retribution.
Thor fights to restore order across the cosmos… but an ancient race led by the vengeful Malekith (Christopher Eccleston) returns to plunge the universe back into darkness. Faced with an enemy that even Odin (Anthony Hopkins) and Asgard cannot withstand, Thor (Chris Hemsworth) must embark on his most perilous and personal journey yet, one that will reunite him with Jane Foster (Natalie Portman) and force him to sacrifice everything to save us all.
(L to R) Chris Evans and Scarlett Johansson in ‘Captain America: The Winter Soldier’. Photo: Marvel Studios.
After the cataclysmic events in New York with ‘The Avengers’, Steve Rogers (Chris Evans), aka Captain America is living quietly in Washington, D.C. and trying to adjust to the modern world. But when a S.H.I.E.L.D. colleague comes under attack, Steve becomes embroiled in a web of intrigue that threatens to put the world at risk. Joining forces with the Black Widow (Scarlett Johansson), Captain America struggles to expose the ever-widening conspiracy while fighting off professional assassins sent to silence him at every turn. When the full scope of the villainous plot is revealed, Captain America and the Black Widow enlist the help of a new ally, the Falcon (Anthony Mackie). However, they soon find themselves up against an unexpected and formidable enemy—the Winter Soldier.
Light years from Earth, 26 years after being abducted, Peter Quill (Chris Pratt) finds himself the prime target of a manhunt after discovering an orb wanted by Ronan the Accuser.
When Tony Stark (Robert Downey Jr.) tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron (James Spader) emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure.
Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang (Paul Rudd) must embrace his inner-hero and help his mentor, Doctor Hank Pym (Michael Douglas), protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.
Following the events of ‘Age of Ultron’, the collective governments of the world pass an act designed to regulate all superhuman activity. This polarizes opinion amongst the Avengers, causing two factions to side with Iron Man (Robert Downey Jr.) or Captain America (Chris Evans), which causes an epic battle between former allies.
Natasha Romanoff (Scarlett Johansson) aka Black Widow confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger.
Following the events of ‘Captain America: Civil War’, Peter Parker (Tom Holland), with the help of his mentor Tony Stark (Robert Downey Jr.), tries to balance his life as an ordinary high school student in Queens, New York City, with fighting crime as his superhero alter ego Spider-Man as a new threat, the Vulture (Michael Keaton), emerges.
Chadwick Boseman as T’Challa / Black Panther in 2018’s ‘Black Panther.’
King T’Challa (Chadwick Boseman) returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country’s new leader. However, T’Challa soon finds that he is challenged for the throne by factions within his own country as well as without. Using powers reserved to Wakandan kings, T’Challa assumes the Black Panther mantle to join with ex-girlfriend Nakia (Lupita Nyong’o), the queen-mother, his princess-kid sister, members of the Dora Milaje (the Wakandan ‘special forces’) and an American secret agent, to prevent Wakanda from being dragged into a world war.
After his career is destroyed, a brilliant but arrogant surgeon (Benedict Cumberbatch) gets a new lease on life when a sorcerer takes him under her wing and trains him to defend the world against evil.
Thor (Chris Hemsworth) is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarok, the destruction of his home-world and the end of Asgardian civilization, at the hands of a powerful new threat, the ruthless Hela (Cate Blanchett).
Just when his time under house arrest is about to end, Scott Lang (Paul Rudd) once again puts his freedom at risk to help Hope van Dyne (Evangeline Lilly) and Dr. Hank Pym (Michael Douglas) dive into the quantum realm and try to accomplish, against time and any chance of success, a very dangerous rescue mission.
As the Avengers and their allies have continued to protect the world from threats too large for any one hero to handle, a new danger has emerged from the cosmic shadows: Thanos (Josh Brolin). A despot of intergalactic infamy, his goal is to collect all six Infinity Stones, artifacts of unimaginable power, and use them to inflict his twisted will on all of reality. Everything the Avengers have fought for has led up to this moment – the fate of Earth and existence itself has never been more uncertain.
After the devastating events of Avengers: Infinity War, the universe is in ruins due to the efforts of the Mad Titan, Thanos (Josh Brolin). With the help of remaining allies, the Avengers must assemble once more in order to undo Thanos’ actions and restore order to the universe once and for all, no matter what consequences may be in store.
Shang-Chi (Simu Liu) must confront the past he thought he left behind when he is drawn into the web of the mysterious Ten Rings organization and his father, Xu Wenwu (Tony Leung).
Peter Parker (Tom Holland) and his friends go on a summer trip to Europe. However, they will hardly be able to rest – Peter will have to agree to help Nick Fury (Samuel L. Jackson) uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.
Tom Holland in ‘Spider-Man: No Way Home.’ Photo: Marvel Studios.
Peter Parker (Tom Holland) is unmasked and no longer able to separate his normal life from the high-stakes of being a super-hero. When he asks for help from Doctor Strange (Benedict Cumberbatch) the stakes become even more dangerous, forcing him to discover what it truly means to be Spider-Man. Teaming with other Multiverse Spider-Men (Tobey Maguire and Andrew Garfield), they must now work together to take out the Green Goblin (Willem Dafoe), Doctor Octopus (Alfred Molina), Electro (Jamie Foxx) and other Spider-Man villains from around the multiverse.
The Eternals are a team of ancient aliens who have been living on Earth in secret for thousands of years. When an unexpected tragedy forces them out of the shadows, they are forced to reunite against mankind’s most ancient enemy, the Deviants.
Doctor Strange (Benedict Cumberbatch), with the help of mystical allies both old and new, traverses the mind-bending and dangerous alternate realities of the Multiverse to confront a mysterious new adversary.
After his retirement is interrupted by Gorr the God Butcher (Christian Bale), a galactic killer who seeks the extinction of the gods, Thor Odinson (Chris Hemsworth) enlists the help of King Valkyrie (Tessa Thompson), Korg, and ex-girlfriend Jane Foster (Natalie Portman), who now wields Mjolnir as the Mighty Thor. Together they embark upon a harrowing cosmic adventure to uncover the mystery of the God Butcher’s vengeance and stop him before it’s too late.
On a dark and somber night, a secret cabal of monster hunters emerge from the shadows and gather at the foreboding Bloodstone Temple following the death of their leader. In a strange and macabre memorial to the leader’s life, the attendees are thrust into a mysterious and deadly competition for a powerful relic—a hunt that will ultimately bring them face to face with a dangerous monster.
Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), M’Baku (Winston Duke), Okoye (Danai Gurira) and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T’Challa’s (Chadwick Boseman) death. As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia (Lupita Nyong’o) and Everett Ross (Martin Freeman) and forge a new path for the kingdom of Wakanda.
On a mission to make Christmas unforgettable for Peter Quill (Chris Pratt), the Guardians head to Earth in search of the perfect present. The special follows Drax the Destroyer (Dave Bautista) and Mantis (Pom Klementieff) as they set out to give Quill the best Christmas ever, after discovering that Yondu (Michael Rooker) ruined the holiday for him as a child.
Peter Quill (Chris Pratt), still reeling from the loss of Gamora (Zoe Saldaña), must rally his team around him to defend the universe along with protecting one of their own. A mission that, if not completed successfully, could quite possibly lead to the end of the Guardians as we know them.
Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly), along with with Hope’s parents Janet van Dyne (Michelle Pfeiffer) and Hank Pym (Michael Douglas) , and Scott’s daughter Cassie Lang (Kathryn Newton), find themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible and pits them against Kang the Conqueror (Jonathan Majors).
Carol Danvers (Brie Larson), aka Captain Marvel, has reclaimed her identity from the tyrannical Kree and taken revenge on the Supreme Intelligence. But unintended consequences see Carol shouldering the burden of a destabilized universe. When her duties send her to an anomalous wormhole linked to a Kree revolutionary, her powers become entangled with that of Jersey City super-fan Kamala Khan (Iman Vellani), aka Ms. Marvel, and Carol’s estranged niece, now S.A.B.E.R. astronaut Captain Monica Rambeau (Teyonah Parris). Together, this unlikely trio must team up and learn to work in concert to save the universe.
After meeting with newly elected U.S. President Thaddeus Ross (Harrison Ford), Sam (Anthony Mackie) finds himself in the middle of an international incident. He must discover the reason behind a nefarious global plot before the true mastermind has the entire world seeing red.
After finding themselves ensnared in a death trap, seven disillusioned castoffs must embark on a dangerous mission that will force them to confront the darkest corners of their pasts.
Against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, Marvel’s First Family is forced to balance their roles as heroes with the strength of their family bond, while defending Earth from a ravenous space god called Galactus (Ralph Ineson) and his enigmatic Herald, Silver Surfer (Julia Garner).
Available to purchase on digital June 30th and on 4K Ultra HD, Blu-ray, DVD, and in a collectible 4K Ultra HD SteelBook on October 8th is the box office hit ‘A Quiet Place: Day One,’ which is a prequel to John Krasinski’s ‘A Quiet Place’ and was directed by Michael Sarnoski (‘Pig’).
Moviefone recently had the pleasure of speaking with writer and director Michael Sarnoski about his work on ‘A Quiet Place: Day One’, taking on the franchise, the challenge of directing a movie with little to no dialogue, showing the aliens, Lupita Nyong’o’s performance, Sam and Eric’s friendship, Djimon Hounsou’s return, recreating and destroying New York City, and what it’s like to direct a cat.
You can read the full interview below or click on the video player above to watch our interview.
(L to R) Joseph Quinn as “Eric” and Director Michael Sarnoski in ‘A Quiet Place: Day One’ from Paramount Pictures.
Moviefone: To begin with, coming off the success of ‘Pig’, can you talk about taking on a big franchise like this and developing the screenplay based on a story you created with John Krasinski?
Michael Sarnoski: Initially, ‘Pig’ was well received. That was very exciting. It was a very small movie, it very much felt like a piece of my soul, and I think there was a part of me that was like, I don’t want to do the whole jump into a franchise studio project. I want to be very cautious about that. But then this came along. John had loved ‘Pig’ and he really was asking, “Hey, can you bring some of that ‘Pig’ feeling to the ‘Quiet Place’ universe?” He gave me just a lot of freedom to be like, “All we need is New York on day one. What characters do you want? What story do you want? Make this your own.” So, it just felt like a unique opportunity to play in this big sandbox but do it with my own voice. It was kind of scary to jump into something like that, but it seemed like a unique opportunity and something that I would really love. Thankfully, it really worked out and I count myself very lucky. But it was intimidating and exciting and all those things.
(L to R) Alex Wolff as “Reuben”, Lupita Nyong’o as “Samira”, Producer John Krasinski, and Director Michael Sarnoski in ‘A Quiet Place: Day One’ from Paramount Pictures.
MF: This is of course a prequel to the first two movies, but in release order is the third in the franchise. In the first movie, Krasinski was careful to not show the aliens too early in the film, but you show them in full very early in ‘Day One’. Did you feel like you had the freedom to do that because as an audience we already know what they look like from the other two movies?
MS: It was a balance that we were always talking about, because even with things like the rules and all of that, everyone knows all the rules already, so you need to show them a little bit, but if you suddenly make that a huge part of the story, it’s just going to be like, “We’ve seen all of this twice before.” So, finding that right balance of feeling like you’re seeing fresh stuff and your expanding things was important. We still tried to space out the aliens properly so that initially, you’re not seeing too much, and then it gradually as it builds and builds, you’re seeing more and more, and part of that comes with this scope of this New York invasion. This isn’t in the farmland with a couple of creatures wandering around. This is a hotbed of where the aliens landed, so you need to carry a heft of that. But we still tried to do it in ways that wasn’t too in your face. I liked this idea of these creature stampedes that just made the ground shake and you’re not as focused on specific things, it’s just these passing shadows. So, we tried to find ways to keep it exciting and keep it feeling like there was a progression to the reveals of these creatures, but you do still have to give a little more because of the scale and because of it being the third movie in the franchise. But it was just always something we were talking about and playing with.
Lupita Nyong’o as “Samira” in ‘A Quiet Place: Day One’ from Paramount Pictures.
MF: As a filmmaker, can you talk about the challenges of making a movie with little to no dialogue? Was it restraining or freeing in a sense?
MS: It’s a little bit of both. I love dialogue. I love a long dialogue scene where you really get to understand these characters and their nuances, but then at the same time, I think you rely on having really good actors like Joe and Lupita, but just watching these two people navigate silently together and their expressions also brings out a ton of stuff that in some ways, you wouldn’t be focused on as much in a more dialogue heavy movie. So, you’re just trading one tool for another. You do have to lean on your actors a lot more to be able to convey these characters and convey these moments, but I was lucky to have amazing actors.
(L to R) Lupita Nyong’o as “Samira” and Director Michael Sarnoski in ‘A Quiet Place: Day One’ from Paramount Pictures.
MF: Can you talk about centering the movie on the character of Sam, and what Lupita Nyong’o brought to the role?
MS: I think Lupita brings a lot to every role she does. She’s incredible. She’s extremely intelligent, she’s very thoughtful and is willing to dive in and talk about these characters and figure out what’s driving them, what their history is. All of the nuances of these characters, she spends a lot of time on, and I think Sam, on paper, she’s kind of prickly and standoffish and has separated herself from her past life, and to be able to play that character in a way that doesn’t alienate the audience but actually makes the audience lean in is really difficult, and she did an amazing job with that. You get that she’s got a chip on her shoulder, but it makes you care about her more, and you want to know more how this story is going to play out for her and how she’s going to develop. I think that just comes from creating a very full, realized character that she does so beautifully.
(L to R) Joseph Quinn as “Eric” and Lupita Nyong’o as “Samira” in ‘A Quiet Place: Day One’ from Paramount Pictures.
MF: Can you also talk about Sam and Eric’s unusual friendship, and Lupita and Joseph Quinn’s onscreen chemistry?
MS: I think we really lucked out with both together because Joe’s wonderful, and I think there was something about it being such a silent film with not a lot of dialogue, that the two of them really had to lean in and engage with each other. So, they’re watching each other’s performances a lot. They really connected on a silent but beautiful level, and I think it made a dynamic that you just felt like these two people were really seeing each other and really trying to understand each other because that’s what they were doing on set every day. I think it came across on screen better than I could have hoped.
Djimon Hounsou as “Henri” in ‘A Quiet Place: Day One’ from Paramount Pictures.
MF: Can you talk about the decision to bring back Djimon Hounsou’s Henri from ‘A Quiet Place Part II’ and flesh out that character’s backstory?
MS: He’s an incredible actor and he’s so easy and fun to work with, and so, A, I’m just happy I did that, but B, I liked the idea of in the second one, we see a glimpse into his stable society that he’s helped create, and I wanted to explore the difficult decisions that were made in order to get to that place and hint at this wasn’t all happy living on an island stuff. He must have made some really hard decisions to protect his family and to lead this group of people. So, I wanted to glimpse that, but then I also wanted to use that as a, okay, this is his story and he’s going to go off and live that story, and this is where Sam diverges from that. So, it’s also used as a foil to her personal journey, going to get pizza story, and he’s going to escape the island and try and survive in this apocalyptic world. So, I use it as something to just compare her story, so we understand, that’s not what she’s engaged with. He was wonderful.
Lupita Nyong’o as “Samira” in ‘A Quiet Place: Day One’ from Paramount Pictures.
MF: Can you talk about New York City as a character in the film?
MS: When I first got this project and when I was working on the script, I rented an apartment in New York for a month, just to steep myself in this place because I knew that that needed to be a part of it. This was a New York day one invasion movie, which we’ve seen a lot of, and I felt like if I was going to do it, I wanted to do it right with New York City. I think the thing I ended up landing on was exploring the different meanings of New York City to different characters, and for Sam, she’s someone that was raised here but then had to leave it behind. For Eric, he’s someone that came here with dreams. He’s the classic immigrant story to New York, and they all mean different things, but we all have this common understanding and cultural meaning of New York. So, I wanted that to just be felt so that we could all relate to that, but then also understand the kind of nuanced differences between each character’s relationship with the city. I just spent a lot of time wandering around New York, reading books about New York, and just thinking about what it meant to these characters. I think as a society, we have a very charged relationship with this city, and especially the idea of the destruction of this city. Without putting too fine a point on it, I wanted to tap into that so that people could feel like they were there with these characters, and they recognize these images and these ideas and these feelings.
Lupita Nyong’o as “Samira” in ‘A Quiet Place: Day One’ from Paramount Pictures.
MF: Finally, how difficult is it directing a cat?
MS: It is impossible. You’re not directing a cat, you just are casting your wishes to the winds and hoping for the best. Once you get the hang of it, after a couple of weeks of shooting, then you know, okay, this is what the cat can do. This is what the animal trainers can help us with, and these are the things that we can aim for, and you adjust certain actions based on that. So, it’s like once you have an understanding with the cat and the trainers, then it becomes a lot easier. But I think that initial sniffing out period of like, okay, so he’s not going to want to do this action, and if we want him to do this, there’s going to have to be food involved or something like that, and then you just start figuring out creative compromises and solutions to all that stuff. So it wasn’t that hard. I think it’s telling that by the end of the movie, the cast and crew all adored Nico and Schnitzel who played Frodo, whereas if it had been a real pain, everyone would’ve been like, “Thank God Nico and Schnitzel aren’t on set anymore.” I think it really worked out wonderfully.
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What is the plot of ‘A Quiet Place: Day One’?
On the first day of an invasion by aliens that hunt living things by sound, a woman dying of cancer (Lupita Nyong’o ) tries to make her way uptown in Manhattan while befriending a fellow survivor (Joseph Quinn) who’s lost and alone as the world crashes down around them.
Lupita Nyong’o as “Samira” in ‘A Quiet Place: Day One’ from Paramount Pictures.
Although ‘A Quiet Place Part II’ already documented the arrival of the first movie’s vicious aliens via opening flashbacks, this prequel makes the choice to tell more or less the same story again, only on a bigger canvas. ‘A Quiet Place: Day One’ is set in New York City, as opposed to the quiet rural town of John Krasinski’s first two films, giving new director and writer Michael Sarnoski a much wider field to play on.
Sarnoski made a bracing debut in 2021 with ‘Pig,’ an affecting study of loss and love hiding within a crime thriller, anchored by a brilliant Nicolas Cage performance. Although he’s thrust into blockbuster territory with ‘Day One,’ the movie’s quieter moments are what work best, providing brief moments of human empathy amidst the otherwise familiar mechanics of the alien invasion we’ve seen in the two previous ‘A Quiet Place’ entries.
Story and Direction
(L to R) Lupita Nyong’o as “Samira” and Director Michael Sarnoski in ‘A Quiet Place: Day One’ from Paramount Pictures.
Opening on a bird’s-eye view of New York City (with a title card telling us that the city constantly generates 90 decibels of noise), Sarnoski zeroes in on Samira (Lupita Nyong’o), a bitter young woman ravaged by cancer and living out her last days in a hospice. Her caregiver, Reuben (Alex Wolff), encourages her to come with him and the other patients into Manhattan to see a show – but boy did they pick the wrong day, even if Samira is enticed by the promise of pizza and being allowed to bring her faithful cat, Frodo (get it, Sam and Frodo?) along with her.
Not long after the show – and in case the jet fighters that buzzed the city earlier and the helicopters whizzing overhead at this point didn’t tip it off enough — the sky is suddenly full of meteorites streaking down to Earth, carrying our hideous extraterrestrial pals from the first two films, who can’t see for beans but track everything – including the scores of hapless humans they pick off within minutes of landing – by sound.
As everything on the streets goes to hell, the group bus is caught in an explosion. Samira stumbles out, covered in chalk-white dust – filmmakers are still reaching back for that 9/11 imagery, some 23 years later – and watching in horror as people around her are picked off one by one. Another explosion sends her through a storefront and knocks her out. She wakes up sometime later, back in the theater with other survivors that include Frodo, Reuben, and a man named Henri – played by Djimon Hounsou in what is essentially an origin story for the character he played in ‘A Quiet Place Part II.’
Sam and Frodo eventually leave the theater, with Sam still determined to get to Harlem for pizza at a place called Patsy’s. Why she thinks that Patsy’s will be open and serving as New York City crumbles into smoking ruins is one of the more inexplicable aspects of the narrative here. Along the way, she comes across a young Englishman named Eric (Joseph Quinn, soon to be seen as the Human Torch in ‘The Fantastic Four’), who’s prone to panic attacks and doesn’t want to be alone, so Sam grudgingly lets him accompany her.
(L to R) Joseph Quinn as “Eric” and Lupita Nyong’o as “Samira” in ‘A Quiet Place: Day One’ from Paramount Pictures.
The burgeoning friendship between Sam and Eric is probably the best part of ‘A Quiet Place: Day One,’ with Nyong’o and Quinn doing a lot of the heavy lifting to make one feel something for two otherwise thinly written characters. All we know about Nyong’o is that she has cancer, is a poet, and wants pizza; we know even less about her companion, but the longish second act does allow their relationship to breathe a bit.
That’s where this movie works: in developing a relationship where there was none before. After all, the first two movies were about a family; the dynamics and love were already there. If ‘A Quiet Place: Day One’ is good at one thing, it’s showing us that unimaginable tragedy and horror can bring total strangers together to help each other as well.
The rest of the movie – that is, the action sequences between the Sam/Eric stuff – is on rinse/repeat cycle: monsters attack, everyone gets quiet, someone accidentally makes a noise, monsters attack again. Refreshingly, we’re not given a whole lot of exposition again about how the creatures operate via sound alone; on the other hand, everyone seems to learn this rather quickly. Also, where exactly do eight million people in New York City go in the space of a day? What is the government response other than a few helicopters flying overhead and knocking out the bridges? And why does Frodo the cat – who arguably steals the movie – never meow or hiss once?
The Cast
(L to R) Joseph Quinn as “Eric” and Lupita Nyong’o as “Samira” in ‘A Quiet Place: Day One’ from Paramount Pictures.
Lupita Nyong’o is a transformational actor. She looks totally different here from her turn in the ‘Black Panther’ movies, which look just as different from her work in ’12 Years a Slave.’ As mentioned above, Sam is not a particularly well-fleshed-out character when we meet her, but Nyong’o has a way of bringing out pain, warmth, and humanity all at the same time.
Joseph Quinn is not quite on her level, but he’s equally empathetic and often humorous – a young man who’s totally lost and alone in a different way than Sam. He’s afraid, and he almost gives into panic, but he is able to muster himself up and even make good decisions along the way. We haven’t seen his work as Eddie Munson on ‘Stranger Things,’ but we’re convinced Quinn will be a terrific Johnny Storm (as long as he gets the American accent down).
That’s pretty much it – Alex Wolff and Djimon Hounsou get very little to do (Hounsou setting up a movie that’s already three years old aside), so this is largely a two-hander for most of its running time. Thankfully, Nyong’o and Quinn are up to the task.
Final Thoughts
Lupita Nyong’o as “Samira” in ‘A Quiet Place: Day One’ from Paramount Pictures.
We went into this with low expectations: first, because it’s a prequel and they are always problematic from a narrative point of view, and second, because we weren’t big fans of the two popular previous ‘A Quiet Place’ entries to begin with. But we liked ‘Day One’ a hell of a lot more than ‘Part II,’ if only because our main characters here don’t make as many dumb mistakes, and we may even like it best of the three.
But familiarity also breeds contempt, and ‘Day One’ certainly does nothing to advance the mythology of the entire franchise, especially with regards to the aliens. Aside from one brief, puzzling scene in what looks like an alien garden, we learn nothing new about these creatures or their purpose here. Even with a few tense set pieces, the attacks and chases take on a numbing sameness.
Sarnoski benefits from excellent sound, and gets some decent mileage out of his sets (England’s Leavesden Studios, home of ‘Harry Potter,’ stands in for the streets of New York), but even the post-apocalyptic urban milieu seems commonplace now. ‘A Quiet Place: Day One’ does succeed in putting some heart into what could have been a fully generic cash grab, and Sarnoski again shows that he knows how to work with major actors while also displaying the confidence to make a film on a larger scale. But the quietly poignant half-movie that Lupita Nyong’o and Joseph Quinn star in is much more interesting that the monster movie noisily wrapped around it.
‘A Quiet Place: Day One’ receives 6.5 out of 10 stars.
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What is the plot of ‘A Quiet Place: Day One’?
On the first day of an invasion by aliens that hunt living things by sound, a woman dying of cancer (Lupita Nyong’o ) tries to make her way uptown in Manhattan while befriending a fellow survivor (Joseph Quinn) who’s lost and alone as the world crashes down around them.
On Netflix on Friday, April 19th, ‘Rebel Moon: Part Two –– The Scargiver’ sees director Zack Snyder offering up the second chapter of his expansive, war-happy space adventure, this time with a narrowed focus and slightly more coherent storyline.
Yet, like the first part, it doesn’t work, falling into the feeling of a lower-rent ‘Star Wars’ movie that disappoints on many levels.
If you watched the first part of ‘Rebel Moon’ and had your socks knocked off at its audacious, sweeping scale and intense science fiction action… Then good for you. But we wonder if we watched a different movie.
For those who found that outing an unoriginal slog filled with cliches and tropes and wondered if a follow-up could do the impossible and actually come off worse, then… Zack Snyder is here to unfortunately confirm that suspicion.
Because ‘The Scargiver’ somehow manages to be full of battles and stakes and yet completely devoid of authentic emotion or reaction. True, some of the heroes here don’t make it out alive, but you honestly will not care. And the rest? Pure noise and bolted-together nonsense.
The script for ‘The Scargiver’ simply and obviously continues what ‘A Child of Fire’ began –– Sofia Boutella’s Kora has returned to the pastoral moon of Veldt with the warriors she thinks could defend the place. But bafflingly (due to some poorly explained Motherworld policy), she seems to believe that all will be well since she managed to slay Admiral Noble (Ed Skrein). Alas! Not only is Noble not dead thanks to some slightly Darth Vader-like medical treatment, but he’s also boiling with vengeance towards Kora and is only too happy to take it out on Veldt.
Yet the new movie somehow manages to waste even the vaguest spark of an idea, any potential value buried in a mire of off-the-peg motivational speeches that would make someone giving out advice at a Holiday Inn conference room cringe. Even seasoned performers such as Anthony Hopkins cannot make this stuff work.
The pacing is also way off, the first third of the movie stilted and awkward, grinding to a halt as various characters fill the people of Veldt (and, by extension, whoever is watching and not already asleep by that point) in on their backstories. There are zero surprises to be found here, except perhaps from Staz Nair’s Tarak, who it turns out is these days often shirtless but used to be a buttoned-up prince whose people used giant warbirds in the hope that they can battle spaceships –– it did not go well for them! Yet even that seemingly impressive sequence feels like Snyder borrowing, in this case from himself, as it has echoes of the opening scenes of ‘Man of Steel’.
Snyder also still indulges himself on the visual front –– for every impressive location shot or beautiful looking sequence of a ship against a giant ringed moon, there are a hundred generic moments of laser blast fire and such an overload of slow-motion that you could watch the movie on fast forward and large chunks of it would appear to be playing at normal speed. A director having a stamped-on style is one thing. A filmmaker lazily going to the well so many times that it quickly runs dry is quite another.
‘Rebel Moon’s returning cast don’t manage to spin the material into gold any more than they did the original. In many ways, they’re even more stranded among their director’s indulgences.
As we mentioned above, the initial chunk of the film splits its time between Ed Skrein’s Darth V… Sorry, Admiral Noble being angry (Skrein still at least seems to be having fun swallowing scenery) and either the warrior characters spinning their wheels talking about their background, or long, dull sequences of farming that make it all look like a Budweiser commercial.
Sofia Boutella carries the lion’s share of the character work, her own backstory an entirely unsurprising tale of betrayal, but even she’s stranded in a character who appears to have two modes: violent fighter or mopey love interest.
The likes of Bae Doona, Djimon Hounsou and E. Duffy likewise remain entirely wasted in their supporting roles, whose character development is relegated to fighting or worrying.
Everyone else is an archetype in search of a character, less active participants than human props.
An utterly disappointing follow-up to the first ‘Rebel Moon’ that we didn’t think was possible, this easily limbos under the low bar set by that movie. A waste of time, money and actors, it is reduced to embarrassingly cringeworthy moments such as a quartet still playing dramatic music in the same room as a king is being portrayed or long, battering sequences of war machines shooting at people.
This so wants to aim for the quality and majesty of movies such as the recent ‘Dune: Part Two’ but ends up hitting ‘Dumb: Part Two’. Snyder has already talked about, and leaves us with, hints of further stories to come, but that’s not something to anticipate after this.
‘Rebel Moon: Part Two –– The Scargiver’ receives 5.5 out of 10 stars.
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What is the plot of ‘Rebel Moon – Part Two: The Scargiver’?
Kora (Sofia Boutella) and the surviving warriors prepare to fight and defend their new homeworld Veldt against the Motherworld.
Who is in the cast of ‘Rebel Moon – Part Two: The Scargiver’?
Director Zack Snyder Talks ‘Rebel Moon – Part Two: The Scargiver.’
Moviefone recently had the pleasure of speaking with director and cinematographer Zack Snyder about his work on ‘Rebel Moon – Part Two: The Scargiver,’ creating the overall story, knowing where to split ‘A Child of Fire’ and ‘Scargiver’ into two different films, Kora’s journey, working with Sofia Boutella, shooting the battle sequences, and the future of the franchise.
You can read the full interview below or click on the video player above to watch our interviews with Snyder, Sofia Boutella, Michiel Huisman, Djimon Hounsou, Staz Nair, Elise Duffy, Ed Skrein and Fra Fee.
Zack Snyder attends the Netflix’s Tudum: A Global Fan Event 2023 at Fundação Bienal de São Paulo on June 17, 2023 in Sao Paulo, Brazil. Photo by Alexandre Schneider/Getty Images for NETFLIX.
Moviefone: To begin with, can you talk about developing the overall story for these two films, when you realized it was too much story for one movie, and how you decided where to split the two films?
Zack Snyder: When Kurt (Johnstad) and Shay (Hatten) and I were working on the script, even as I was pitching it with Netflix in our early days, we knew we were over 220 pages for the script. We cut it down to the version that you see, and it was still a good solid two hours and the director’s cuts are a solid three hours each, so it’s a lot of material, obviously. So, I knew early on that we were going to have to cut it and we knew we had Gondival in the middle of the movie and that run-in with Noble, and so that was where we kind of thought, “Okay, that’s a good spot.” Kora has a small victory, but it’s a false victory and we felt like that would be a good place to break it. The truth is that I think once you see ‘Part Two,’ you’ll really understand that it’s one story.
MF: Can you talk about how Kora has changed from the first film, the importance of seeing this story through her eyes, and what it’s been like for you working with Sofia Boutella on these two movies?
ZS: First, I’ll just say Sofia’s an incredible partner and an incredible actress, and I trust her incredibly with the work and really rely on her physicality and her emotional strength. She’s just amazing. Also, I really feel like her story is an incredible story of redemption. You’ll find out in ‘Part Two” why she’s on the run, what she’s done and the importance that this kind of sacrifice has for her. How far she would be willing to go to be redeemed, I think is really an incredible and fun thing that she really personifies incredibly well.
MF: In addition to directing, you are also the cinematographer on ‘Rebel Moon – Part Two: The Scargiver.’ Can you talk about shooting the battle sequences and was it physically and emotionally challenging for you to do both?
ZS: Yeah, thankfully, I’m supported by this guy named John Clothier, who’s an incredible camera operator who I’ve been working with since ‘Watchmen,’ and he is an amazing resource. He’s the A camera operator, I’m the B camera operator, and so we work really in partnership. But during the battle sequences, all those explosions and stuff, we were just right in them, in the heart of them, getting plastered with dirt and debris every day. So yeah, it was really taxing and difficult for us to photograph, but super fun, rewarding and I wouldn’t do it any other way. It’s just like when you are in the trenches, literally with the guy’s filming, you really understand just what physically is happening and what emotionally needs to happen because you’re just right there and so it’s a kind of cool way to make a movie.
MF: Finally, are there more stories that you want to tell in the ‘Rebel Moon’ universe, and what is the future of the franchise?
ZS: Sure, absolutely. I would love to make some more ‘Rebel Moon’ movies. I mean, right now we’re trying to set up to make this little movie that I’ve been working on, so I might go do that, just as a palate cleanser. But in the end, I think the ‘Rebel Moon’ universe has some stories left in it, obviously based on the end of this movie.
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What is the plot of ‘Rebel Moon – Part Two: The Scargiver’?
Kora (Sofia Boutella) and the surviving warriors prepare to fight and defend their new homeworld Veldt against the Motherworld.
Who is in the cast of ‘Rebel Moon – Part Two: The Scargiver’?
It is in no way surprising that this began life as a pitch Snyder presented to Lucasfilm way back in the days before Disney snapped it up. That Kathleen Kennedy passed on his side story set in that galaxy far, far is both good and bad news, and particularly positive if you’re a fan of the director’s distinctive visuals and action sense, as it’s full of both.
How you react to the movie might depend on what you’re looking for going in –– if you’re after a sweeping sci-fi epic full of scrappy underdogs looking to battle a powerful empire that is cracking down on any hint of rebellion well… if you’ve also watched ‘Star Wars’ than this might be a solid second choice.
Perhaps the biggest issue with the movie might be that despite all the unfamiliar names for words and characters, it all feels very… done before. Opening on a giant, lurking space vessel and then panning down to a planet where someone is engaged in farm work feels less like crafting a homage to George Lucas (who, let’s not forget, borrowed liberally to create his own space opera) and more like cribbing from his homework. And not just Lucas –– there are elements that you’ll recognize from the likes of ‘Serenity’, ‘Blade Runner’, ‘Terminator’ and many, many more.
Yet with its own mythology to build and some compelling sequences, ‘Rebel Moon’ does find the confidence to stand on its own, even if what remains is not as memorable as some of the classics it is referencing.
Snyder, who has been letting this one cook in the back of his head for years, finally got cracking on it with regular collaborators Shay Hatten (‘Army of the Dead’, ‘Day Shift’, ‘John Wick: Chapter 3 – Parabellum’) and Kurt Johnstad, and they’ve whipped up a mostly entertaining romp through the stars. Using the ‘Seven Samurai’ mold of oppressed people looking to secure the services of warriors who will fight an oncoming enemy for them, they’ve built out the story of Kora in such a way that it feels like they were all considering other spin-offs and stories ahead of actually making this one tick over.
Still, in its defense, ‘Part One’ does at least tell a complete story before the inevitable cliffhanger setting up the next movie and does so in a less outwardly annoying fashion than some recent Marvel and DC entries.
The characters are decently drawn, even if none of them feel truly original –– a fighter with a troubled past, a rogue with his own agenda, a disgraced royal with some serious animal wrangling skills… they’re all versions of something that has gone before. Ditto the overarching mythology, which tells the story of a kingdom which loses its monarch and sees the power vacuum filled by a grasping, cunning Regent (played, albeit briefly so far, by Fra Fee).
Snyder as director indulges in every stylised trick for which he’s become known –– if you enjoy his ramped-up, slow-motion, quick-cut action sequences, there is plenty of it on display here, all shot in the cloudy/chome-y sepia-toned way he favors.
The movie assembles a solid cast but doesn’t always quite give them enough to do beyond basic archetypes. Sofia Boutella’s Kora is the focus in the early going, and she’s more than up to the task of playing this recognizable central figure who has some dark notes in her past.
As for the rest, they’re a mixed bag: Charlie Hunnam sports a perhaps ill-judged Irish (space-Irish?) accent as the roguish Kai, who initially helps her look for the others who will help fight back when the forces of the Motherworld (read: Empire) threaten the peaceful community she’s trying to make a new start in. Michiel Huisman has some charm as the naïve farmer who is in over his head, while mostly everyone else gets their action-packed introduction or moment to shine later when the baddies led by Ed Skrein’s Admiral finally track them down.
For both good and ill, ‘Rebel Moon’ is Zack Snyder on full blast. If this one leaves you craving more, don’t forget that Part Two, subtitled ‘The Scargiver’, will be on Netflix on April 19th.
While the writer/director is in genre magpie mode, borrowing a little from other (often better) movies and stories, the whole doesn’t completely equal the sum of its parts. It’s at least a visually interesting, rousing sci-fi adventure.
‘Rebel Moon – Part One: A Child of Fire’ receives 7 out of 10 stars.
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What’s the story of ‘Rebel Moon?
After crash landing on a moon in the furthest reaches of the universe, Kora (Sofia Boutella), a stranger with a mysterious past, begins a new life among a peaceful settlement of farmers. But she soon becomes their only hope for survival when the tyrannical Regent Balisarius (Fra Fee) and his cruel emissary, Admiral Noble (Ed Skrein), discover the farmers have unwittingly sold their crops to the Bloodaxes (Cleopatra Coleman and Ray Fisher) — leaders of a fierce group of insurgents hunted by the Motherworld.
Tasked with finding fighters who would risk their lives to defend the people of Veldt, Kora and Gunnar (Michiel Huisman), a tenderhearted farmer naive in the realities of war, journey to different worlds in search of the Bloodaxes, and assemble a small band of warriors who share a common need for redemption along the way: Kai (Charlie Hunnam), a pilot and gun for hire; General Titus (Djimon Hounsou), a legendary commander; Nemesis (Doona Bae), a master swordswoman; Tarak (Staz Nair), a captive with a regal past; and Milius (E. Duffy), a resistance fighter. Back on Veldt, Jimmy (voiced by Anthony Hopkins), an ancient, mechanized protector hiding in the wings, awakens with a new purpose.
But the newly formed revolutionaries must learn to trust each other and fight as one before the armies of the Motherworld come to destroy them all…
Based on the true story of Jann Mardenborough, a Gran Turismo player whose gaming skills won him a series of Nissan-sponsored video game competitions to become an actual professional race car driver.
Moviefone recently had the pleasure of speaking with director Neill Blomkamp about his work on ‘Gran Turismo,’ adapting the video game while telling Jann Mardenborough real life story, why Archie Madekwe was the right actor to play Mardenborough, the VFX he used to simulate the game, and shooting the race car driving scenes.
Neill Blomkamp director of ‘Gran Turismo.’
You can read our full interview below or click on the video player above to watch our interviews with Blomkamp, Archie Madekwe and Jann Mardenborough.
Moviefone: To begin with, can you talk about the idea of adapting the ‘Gran Turismo’ video game by telling Jan Mardenborough’s real life story. Was that the key for you in making this movie?
Neill Blomkamp: Yeah, totally. I mean, the thing about the movie that I thought was unique and a different way to approach video game films was this totally unusual approach of it being a biography. His life is very interesting and this combination of real world racing and the drama of the real world where we’re not in the narrative of a video game, but the video game is so integral to his journey and to the movie. I thought that was a really cool and unusual way of approaching a video game movie.
The real Jann Mardenborough on the set of Columbia Pictures ‘Gran Turismo: Based on a True Story.’ Photo: Gordon Timpen.
MF: Why was Archie Madekwe the right actor to play Jann Mardenborough and bring his real life story to the big screen?
NB: I mean, there’s a host of different factors that make Archie perfect. One of the things that we spoke about a lot was just that Jann is a very grounded and sort of warm person. He’s like a really good guy. There’s something in Archie that naturally seems grounded and similar to him. They’re very similar in terms of charisma, but they’re physically totally different. Archie’s 6’6, or some crazy height and he’s not optimal for being a race car jockey, that has to be squeezed into small, lightweight race cars. So physically, he’s cool in the movie, because he kind of lurches over everyone, but he’s very different to Jann in that respect. But I met so many actors for this role and even the first time that I had a Zoom with him, I could just tell that he was the right person. Then I went to London and I met him in person and I just totally loved him. I loved working with him as well. I loved his performance and I also loved the process of actually working with him.
Archie Madekwe as Jann Mardenborough in ‘Gran Turismo.’
MF: Can you talk about the VFX you used to simulate the game within the movie?
NB: Yeah, I mean that idea came from this concept that in the PlayStation or any video game computational device, that it’s running some kind of game engine. It’s calculating in 3D space everything correctly. So when you’re driving it, it’s projecting an approximation onto a screen of roughly what the track looks like. But in reality, it’s genuinely computing like an eight-kilometer long track where the size of the car is correct, all of the mathematics are in fact correct. I wanted to just project that in 3D space and let the audience see what the PlayStation is actually computing. Visually, I thought it was interesting, but the real thing about it that’s cool is, it’s kind of how a real professional sim driver experiences and sees Gran Turismo. So it felt very personal to Jann, even though it’s a cool visual motif, it’s actually how he sees the world. So any place that I could put it that didn’t feel gratuitous or too much of a gimmick, I wanted to include it.
A race from Columbia Pictures ‘Gran Turismo.’ Photo: Gordon Timpen.
MF: Finally, can you talk about the challenges of shooting the race car driving sequences and making those seem as authentic as possible?
NB: I mean the goal with the race sequences was to make it as much of an experiential thing as I could. I wanted to put the cameras in positions that really let you feel like you were on the track, feeling it in a visceral way, almost like you were there as much as I could. A huge portion of that was sound design and also how the sound design would change depending on where the camera’s placed. Then also showing the internal mechanics of the car and the idea with that was, if this is how all the mechanics work, then there’s sort of a G-force or physical stress that’s applied to the driver. It all came back to this idea of trying to feel it through the screen. Then the other thing was for everything to just be real as opposed to using tricks or visual effects. I don’t really want to say visual effects, because we used visual effects, but we used visual effects to amplify what was real. So the basis for everything was always real. Anytime you see one of the actors in the cockpit, they’re really on the track doing that. None of that is fake. It’s a hundred percent real.
Director Neill Blomkamp (center) and the real Jann Mardenborough (right) with additional crew on the set of Columbia Pictures ‘Gran Turismo. Photo: Gordon Timpen.
‘Gran Turismo’ is produced by PlayStation Productions, 2.0 Entertainment, and Columbia Pictures. The movie is scheduled to release in theaters on August 11th, 2023.
