Tag: divorce

  • ‘Divorce’ Season 3 to End the HBO Series

    ‘Divorce’ Season 3 to End the HBO Series

    Divorce Season 3
    Craig Blankenhorn/HBO

    “Divorce” is coming to the end of its run.

    Season 3 of the HBO series will be the final one, Deadline reports. There are only six episodes, and the first will air Monday, July 1. The comedy-drama will continue to follow the journey of exes Frances and Robert, who are played by Sarah Jessica Parker and Thomas Haden Church.

    Parker, one of the show’s producers told Deadline that she was “satisfied and pleased” with Season 3. She also explained that they made just six episodes because of “a confluence of things,” including “scheduling and complicated lives and actors.” Although it makes the third season the shortest yet, she indicated they were confident that six episodes would be enough to do the story justice.

    “Divorce” may be ending, but the relationship Parker and her production company, Pretty Matches, and HBO is certainly not. They have a longstanding first-look deal, and HBO’s executive vice president of programming, Amy Gravitt, said she and the network “look forward to [their] next endeavor” with Parker and Pretty Matches.

    The final season of “Divorce” kicks off at Monday, July 1.

    [via: Deadline]

  • Thomas Haden Church Defends ‘Spider-Man 3’ and Topher Grace’s Venom

    Eleven years after “Spider-Man 3” disappointed nearly everyone who saw it, Thomas Haden Church shared what went right and wrong behind-the-scenes.

    Sam Raimi’s “Spider-Man” series “derailed” after the third movie, which came out in 2007 starring Tobey Maguire as Spider-Man, Kirsten Dunst as Mary Jane Watson, James Franco as Harry Osborn/Goblin, Topher Grace as Eddie Brock/Venom, and Thomas Haden Church as villain Flint Marko/Sandman.

    Church is now starring in the HBO series “Divorce,” and he recently filmed a role in another upcoming superhero movie. (His role hasn’t been announced yet, but he said it’s not Marvel, so it’s probably in the DCEU. Maybe “Aquaman.”)

    Church talked to JoBlo about his role as Sandman in “Spider-Man 3,” starting with his casting process after the success of “Sideways,” and going through the many script changes to the compromised finished product.

    “I was not that familiar with that world, but when they started talking about The Sandman and his story, I told them that’s appealing to me. That’s a guy that’s completely misunderstood and while the world regards him as villainous he’s actually on a mission that’s the purest of humanity. And that of course is a character that is immensely appealing to me. And they all just kind of looked at each other and said, “We feel the same way.”

    I kinda backed into it. And, yeah, we were in the early stages of putting together Spider-Man 3 and we feel that The Sandman, we want him to be the principal villain. Although, it didn’t really turn out that way later on.

    Because, when they first pitched me the movie, Sandman and, of course, [James] Franco’s transformation to the Goblin, we were who he [Spider-Man] had to deal with in the picture and Venom wasn’t even in it. They introduced at the very beginning the character of Vulture, but he was only in it briefly and then at the very end of that picture they were gonna bring The Vulture back just to sorta set the stage that he was probably going to be the main villain in Spider-Man 4. But then, obviously all of that stuff sort of derailed. Well, not so much derailed, but took a different railway.

    The studio felt like they had me, they had Franco’s story continuing, and they were like, we need one more that’s more of a millennial. And that’s how Venom and Topher Grace came into the picture. And by the way, I thought Topher was great in the movie and Venom is a pretty scary animal. And that was the evolution of that.

    I was thrilled, man. I’m a big admirer of Sam Raimi’s, I love Tobey [Maguire] as an actor and it was right on the heels of getting so much attention for Sideways and then these people step up and offer me the villain in the next Spider-Man. And, I just liked everybody involved, I liked the script. Again, I didn’t know how it was going to change, but c’mon, I would’ve done the movie anyway. I liked the character a lot….”

    The JoBlo reporter said the movie gets a bad rap, but it has a lot going for it. Church agreed, although he acknowledged the flaws:

    “I’m very proud of it. Even Sam [Raimi] has gone on record as saying, ‘Hey we tried to shove ten pounds of story into a five-pound bag.’ Even he thought it was just too much. And, to some extent it led to Sam and Sony to part ways. Sam’s production company is still set up there and he’ll always have a home at Sony, but on that particular franchise they parted ways. I think that Sam could come back to it if he was really interested if it doesn’t so far past him, y’know. Sam is only like a year or two older than me. Sam’s got plenty of energy and creative fuel and if they ever invited Sam to come back and do another one, I think he’d consider it, I do.”

    Right now, the Marvel Cinematic Universe has Tom Holland as Peter Parker/Spider-Man, with Michael Keaton as Vulture in “Spider-Man: Homecoming.” They haven’t introduced Venom yet, but Sony has separately made a “Venom” movie starring Tom Hardy in the lead role of Eddie Brock/Venom. Based on the first teaser trailer, we have to expect he’ll go in a very different direction from young Topher Grace.

    Tom Hardy’s “Venom” opens in theaters October 5. Tom Holland’s “Spider-Man: Homecoming 2” is scheduled to open July 5th, 2019. Thomas Haden Church’s “Divorce” airs on HBO.

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  • Fergie and Josh Duhamel Announce Decision to Separate

    ENTERTAINMENT-US-FILM-PREMIERE-SPACEMANAnother celebrity couple is uncoupling.

    Actor Josh Duhamel and singer Fergie celebrated their eighth wedding anniversary in January, but alas, it looks like it was their last one. The couple announced in a joint statement Thursday that they made the decision to separate earlier this year.

    “With absolute love and respect we decided to separate as a couple earlier this year,” they said, according to EW. “To give our family the best opportunity to adjust, we wanted to keep this a private matter before sharing it with the public. We are and will always be united in our support of each other and our family.”

    The two first met in 2004 when Fergie and the Black-Eyed Peas had a cameo appearance in Duhamel’s show “Las Vegas.” It was a bit of an awkward start, as the actor said in a 2007 interview with People magazine, because his first words were simply, “You’re hot,” in what he described as “a desperate voice.” Still, they began dating, got engaged in 2007, and then married in 2009. They have one son together.

    News of their separation comes just before the release of Fergie’s upcoming album, “Double Dutchess.” Due out Sept. 22, it is her first solo album in 11 years. Who knows — maybe it will offer some insight into what happened.

    [via: EW]

  • Summer Phoenix Files for Divorce From Casey Affleck

    Summer Phoenix and Casey Affleck Another Affleck is getting divorced: Summer Phoenix has filed for divorce from Casey Affleck, ET reports. The two announced their separation last year after 10 years of marriage, but now Phoenix is making the split official.

    The pair met in 1995 through her brother, Joaquin Phoenix, when Joaquin and Affleck were working on “To Die For.” They started dating in 2000 and tied the knot in 2006.

    The reason for the divorce is the usual “irreconcilable differences,” according to ET. Phoenix is seeking spousal support, as well as joint legal and physical custody of their sons, 12-year-old Indiana and 9-year-old Atticus.

    They legally separated in November 2015, although they didn’t announce their split until March 2016. (The photo above is from 2013.)

    Phoenix did not accompany Affleck to the Oscars earlier this year, where he won Best Actor for “Manchester by the Sea.” As you recall, old allegations of sexual misconduct dogged Affleck throughout awards season.

    Summer is the youngest sibling of the Phoenix family — River, Joaquin, and Liberty. As a child, she guest starred on TV shows including “Airwolf,” “Murder, She Wrote” and “Growing Pains.” Her films include “Dinner Rush,” “The Believer” and “The Laramie Project.”

  • Brad Pitt and Angelina Jolie Release Joint Statement About Divorce Proceedings

    AFI FEST 2015 Presented By Audi Opening Night Gala Premiere Of Universal Pictures' 'By the Sea' - ArrivalsBrad Pitt and Angelina Jolie may be divorcing, but they’re presenting a united front when it comes to their upcoming court proceedings, releasing a joint statement outlining their agreement to keep the details confidential by using a private judge.

    In a statement released on Monday night to The Associated Press, the first joint statement the couple has made since Jolie filed for divorce back in September, the former couple said:

    “The parties and their counsel have signed agreements to preserve the privacy rights of their children and family by keeping all court documents confidential and engaging a private judge to make any necessary legal decisions and to facilitate the expeditious resolution of any remaining issues. The parents are committed to act as a united front to effectuate recovery and reunification.”

    Jolie’s decision to file for divorce from Pitt, her husband of two years and partner of more than 12 years, sent shockwaves throughout Hollywood and made international headlines. At the time, Jolie’s attorney released a statement saying the actress filed the petition “for the health of the family.” The couple share six children together, and Jolie had initially sought full custody.

    Pitt made a rare public appearance at the Golden Globe Awards this past weekend, where he introduced Best Drama winner “Moonlight,” which he produced.

    [via: The Associated Press]

  • Why Sarah Jessica Parker Said ‘I Do’ to HBO’s ‘Divorce’

    "Divorce" New York PremiereIf HBO’s “Sex and the City” was all about the search for love, sex, and enduring relationships, Divorce,” is about walking away from it all.

    “I was always interested in the story of marriage,” says Parker, noting the darker, rawer, and more emotionally brutal elements of her new series, a dramedy the follows the nasty gamesmanship that ensues when Parker’s character Frances asks her longtime stolid but no longer exciting husband Robert (Thomas Haden Church) for a divorce — and then immediately regrets it, though it may be too late. “By virtue of just that interest alone, it was automatically different” from her previous series, she notes.

    “Frances was so much her own person, from the moment I read the pilot,” Parker adds. “She was so distinct from, not only Carrie, but any other character I have ever played, somebody who was so weary in ways that I had not seen or had a chance to play, and used language in a way I hadn’t ever and had a relationship with a man and children in a way I’d never had a chance to do.”

    On the other hand, there were some subtle but strong reminders of her previous experience in series television, Parker notes. “I think that the day‑to‑day, actually, was really familiar,” she says. “I think just the first season of a television show, just figuring out the language that we all wanted to use to communicate and figuring out the tone — those kinds of challenges were new, but expected.”

    “It just reminded me, frankly, of how much I love television, she adds. “I love the process, the schedule, the speed, the urgency, how important every detail is, how little time you have to sort it out and try to get it right. So it didn’t take long to feel natural again and very much where I wanted to be.”

    Parker joined Moviefone and a small gathering of press to expand on why she became so married to “Divorce.”

    What were the ways in which you could identify with Frances?

    Sarah Jessica Parker: I think anybody who wants very much to save their life and figure it out is somebody that you can relate to. It’s not so much that I have been in her position, but I certainly understand somebody who feels that they want to find fulfillment. They need to kind of rescue themselves and their lives.

    And I think, also, just being a mother who is concerned about making the right choices for her children and handling something that’s potentially so painful, how do you talk about it in a way that’s not patronizing, but that is careful? I think that mattered a lot to me in how we talked about it.

    But it’s not necessary to relate to a character you play at all. I mean, I don’t think Jimmy Gandolfini related to Tony Soprano. I think that’s always a question I’m always like — I don’t know. Do you relate to every subject that you write about? No. But you throw yourself towards something because you’re curious about it.

    I don’t really relate to Frances. Her life is different. She’s a much more withholding, chilly person than I am. She’s not very buoyant, as you can see. She can be mean and angry, but I love playing somebody like that. I don’t need to relate to somebody. In fact, what I want very much is to not relate to somebody.

    But, at the end of the day, can you learn anything from her experiences?

    Is it necessary to always learn? I don’t know. I think there’s a really amazing thing if you get to do television long enough where you’re basically in an alternate universe. It’s the weirdest thing. You’re actually living a completely different life for a long time.

    And I don’t know that you’re in a position, when you’re in the midst of it, to recognize what you’re learning. I think you’re in the day‑to‑day of living a life, and you’re just having these experiences. And what have I learned from Frances? I don’t know. I only played her for a season on television.

    When you spend a whole day fighting with your fake husband and then go home to your real family, do you say, “Oh, maybe let’s not fight over the toilet paper roll?”

    No, because the things that make me not want to fight about things are things that are happening in the world. What happens on the set doesn’t typically [affect me] — although I will say, like, on “Sex in the City,” having played friendships for so long, the thing that really just sort of were fingerprints that were all over me were this devotion to friendships.

    I can tell you that, right now, I’ve only spent a year producing this show and playing this part, which means four months, which means there’s all this work, it’s a thoughtful process right now. I’m not trying to elude the question at all, but right now, I’m just trying to sort of it out.

    A lot of people turned on Carrie Bradshaw —

    You mean when she had an affair.

    Yeah. This character isn’t introduced as entirely sympathetic. Is that something you were looking for — not necessarily like you?

    I think I just wanted to tell the story of marriage. I’d been working on this idea for four years prior to meeting [showrunner] Sharon [Horgan]. We’d gone through another writer. I didn’t care about people responding well to choices Frances made. I think marriages are incredibly complicated, and smart, thoughtful, evolved people make choices that are not necessarily smart, actually. And she’s committed 17 years to this marriage that she says they’ve been through counseling. She’s really sort of devoted herself to making it work, and she’s weary. And she makes some choices that some of us might not.

    But she’s very real. She’s a very real person, and I think the more you spend time with her, the more you’ll learn about who she is. Like we always do in a friendship where we know somebody. The more time we spend with them, the more they reveal of who they are. And you might still not care for that decision-making, but you will certainly have a better sense of why they might have arrived at that decision.

    The comedy in this show is very different than the style and tone used in “Sex in the City.” Tell me about adapting to that new format.

    I mean, I’ve done that kind of comedy in theater or on film, and it doesn’t feel that radically different to me. It’s just telling a story. You’re in a scene, and you’re responding to somebody. And whether the joke by the person who is giving or receiving is dialed up or dialed down doesn’t change the way the way you’re responding or delivering.

    For me, there’s a tone, and I think the entire tone is something we talk a lot about, but the delivery, the on set — I think if you talk too much about “Is it different than [co-star Church’s previous sitcom] ‘Wings’?” You can’t spend your time starting to pick things apart. I think you have to sit in a room and play opposite of Thomas or Molly Shannon or Talia [Balsam] or Tracy Letts and be a good listener and a good responder.

    Did you learn anything about divorce?

    I did. What I learned is that it is rife with all sorts of people that relish it and enjoy it. And I always sort of had this sense of lawyers — well, I think there’s things about it that friends enjoy because it allows them to voice feelings and share thoughts about spouses that they were harboring.

    I think it can bring out some selfish qualities in people. I think really smart people do ridiculously awful things. I think people are hurtful when they never thought they would be. I don’t think Frances ever intended, in this marriage or in this attempted divorce, to be unkind or malicious or be violent in any way. But I think it becomes very battle-like. And I see it. I’ve had family members go through divorces. I have close friends or people that have considered it, and it can be a very emotionally charged experience.

    What have you learned about making a marriage work?

    Not anything from this! [Laughs]

    “Divorce” premieres Sunday, October 9th, on HBO.

  • Sarah Jessica Parker Wants a ‘Divorce’ in HBO Trailer

    "It's Only A Play" Broadway Re-Opening NightSarah Jessica Parker wants a divorce.

    Not in real life, to husband Matthew Broderick, but on HBO’s new dramedy, “Divorce.”

    The actress posted the first teaser trailer for the series on Instagram. She plays Frances, a woman who wants to split from her husband (Thomas Haden Church) after he has an emotional affair.

    Church doesn’t think he did anything wrong, and doesn’t want to separate, but Parker thinks it’s for the best. “Now we can go back to just liking each other again,” she says.


    The pilot was written by Sharon Horgan, the co-creator and star of Amazon’s “Catastrophe.” The series also stars Molly Shannon, Talia Balsam, and Tracy Letts, and is slated to premiere on HBO this fall.

    HBO is looking to reboot itself after the failure of “Vinyl,” which was canceled earlier today, and the loss of dramedies “Togetherness” and “Looking.” Bringing in one of its biggest early stars from one of its biggest early hits could do the trick.

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  • First Look at Sarah Jessica Parker’s ‘Divorce’ Has Us Carrie-d Away

    2015 New York City Ballet Fall GalaGrab a Post-It and make yourself a note to see Sarah Jessica Parker’s return to HBO — and New York City — when “Divorce” premieres in 2016.

    The first official photo was just revealed and it seems like they are openly courting comparisons to HBO’s “Sex and the City.” Yawn if you want, but we’re fine with that!

    SJP’s “Divorce” character, Frances, is a stylish New Yorker struggling in her love life, like Carrie Bradshaw. Here’s Frances:


    She looks pretty familiar, doesn’t she? Frances is described as “a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought.” It’s like Carrie after a few years with Big.

    The show recently started production in NYC, with SJP as an executive producer in her first major TV role since SATC ended in 2004.”Divorce” was created by Sharon Horgan of the British sitcom “Catastrophe,” which is another good sign. Thomas Haden Church will play Frances’s husband Robert, with Molly Shannon, Talia Balsam, and Tracy Letts as co-stars. No premiere date has been announced yet, but it’s joining the 2016 lineup. Do you think HBO should have it follow “Game of Thrones” Season 6? It’s a strange transition from King’s Landing to NYC (actually, no it isn’t) but GoT to “Veep” is already a dramatic tone shift, so it’s possible.

    Will you check out “Divorce” or are you just not that into it?

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  • Ben Affleck and Jennifer Garner Are Getting Divorced

    2014 Vanity Fair Oscar Party Hosted By Graydon Carter - ArrivalsRumors have swirled about the state of Ben Affleck and Jennifer Garner‘s marriage for years, and now, sadly, the couple is officially calling it quits.

    People reports that Affleck and Garner are getting divorced, following 10 years of marriage. They celebrated their anniversary on June 29.

    In a joint statement to People, the couple said, “After much thought and careful consideration, we have made the difficult decision to divorce. We go forward with love and friendship for one another and a commitment to co-parenting our children whose privacy we ask to be respected during this difficult time. This will be our only comment on this private, family matter. Thank you for understanding.”

    According to TMZ, the official filing of divorce papers is still a ways off. The couple are still working out custody terms — they’re seeking joint custody of their three children, Violet, 9, Seraphina, 6, and Samuel, 3 — and division of property, though the talks are reportedly “amicable.”

    Persistent rumors of an unhappy union have dogged the pair over the past few years (remember Affleck’s infamous “Argo” acceptance speech in 2013?), and according to a recent report from Us Weekly, the split was a long time coming. Still, it’s sad to see a longtime couple break up, especially when there are kids involved.

    This was the first marriage for Affleck. Garner had previously wed actor Scott Foley; the pair divorced in 2003 after three years of marriage.

    [via: People, TMZ]

    Photo credit: Getty Images

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  • 13 Reasons Why Elizabeth Taylor Is Still the Queen of Hollywood

    Elizabeth Taylor and Richard Burton Arrive in New York CityIt’s time to raise your glass and rattle your jewelry for a birthday toast to Elizabeth Taylor, who’d have turned 83 on Feb. 27. Though memories of her begin to fade, the legacy of the woman who was perhaps the most beautiful, most popular, most everything movie star of all time remains as vivid as ever.

    Younger moviegoers may wonder what all the fuss was about. Here, then, are 13 reasons why Taylor remains, decades after her prime and four years after her death, the queen of Hollywood.

    1. In a way, she never left.
    Even though she died in 2011, they’re still showing her in commercials for her perfume, White Diamonds.

    2. She’s the original diva.
    Long before Beyonce, the Kardashians, Jennifer Lopez, and other current divas, Taylor pretty much invented the concept that a celebrity’s offscreen life was just as much a performance as onscreen, and just as much part of the job description. The eight marriages, the health scares, the world-class collection of jewels given to her by various suitors, the money, the philanthropy, the scandals, and the seven decades’ worth of paparazzi photos — all informed her day job of creating larger-than-life characters on stage and screen, but they also burnished her legend. In the end, it became impossible to separate her drama on-screen from her drama off-screen. But separating them would have been beside the point. Over the last three decades of her life, she hardly acted at all, and yet she never stopped entertaining fans and endearing herself to them with the outsized performance that was her life.

    3. She had the talent to back it up.
    The phrase “famous for being famous” may describe some of the personalities mentioned above, maybe even Taylor herself in her later years. But the reason people were fascinated by her in the first place was that she had the talent to back up her lifelong fame. She was delivering acclaimed performances from the time she was 12, and she eventually had two Oscars to prove she was more than just a pretty face

    4. She was an original beauty.
    But oh, what a face! Taylor was considered one of the most beautiful women who ever lived, from her adolescent years to her cougarhood 50 years later (she was in her sixties during her marriage to Husband No 8, Larry Fortensky, 20 years her junior). Even in her later years, as time finally began to take its toll, she still had those fiery violet eyes.

    5. Her work is iconic.
    Taylor’s earliest great performance was in “National Velvet,” made when she was 11. Released 71 years ago, it remains the definitive girl-and-her-horse movie.

    6. She and Eddie Fisher were the original Brangelina…
    Sixty years ago, “Singin’ in the Rain” star Reynolds was America’s sweetheart, and heartthrob crooner Fisher was her husband. They were best friends with the Todds — that is producer Mike Todd and Taylor (Todd was her third husband). When Todd died in a plane crash, Liz found consolation in the arms of Fisher; soon he was leaving Reynolds to become Taylor’s fourth husband. As you can imagine, in the 1950s, this was an especially lurid scandal, but one that only added to the star power of all three principals.

    7. She had no shortage of scandals.
    And yet, that scandal paled next to the one that arose when Taylor left Fisher for Richard Burton. They met on the set of “Cleopatra,” when he was playing Mark Antony to her Egyptian queen. Over the course of the film’s months-long shoot, while both stars were staying in Rome with their spouses, Taylor and Burton fell in love. Their affair was the worst-kept secret in show business, openly carried out in front of Europe’s paparazzi. Even the Vatican felt compelled to weigh in, condemning the Taylor for what it deemed her “erotic vagrancy.” (Burton apparently got a Papal pass for his erotic vagrancy.) Over the next 23 years (until Burton’s death in 1984), Liz and Dick would marry and divorce twice and capitalize on their notoriety in a dozen joint film appearances and (long after their second divorce) a Broadway play. More than half a century later, the “Cleopatra” coupling remains the most scandalous on-set romance of all-time;

    8. She commanded the screen — and demanded a big paycheck.
    By the way, “Cleopatra” is often remembered as the costliest flop of all time, which isn’t entirely fair. Yes, the cost of the 1963 epic spiraled out of control; budgeted at $2 million — half of which went to Taylor, who became the first actress to command a seven-figure salary — the film ultimately cost $33 million to shoot. It became the top grossing movie of 1963, but even that wasn’t enough to recoup the movie’s enormous production and marketing costs. Twentieth Century Fox nearly went bankrupt and sold off much of its Hollywood backlot to developers (today, it’s the Century City neighborhood). Still, all that glorious excess is visible in every grandiose frame of the film. Of course, no spectacle in the movie is as over-the-top as Taylor herself, her voluptuous frame nearly spilling out of each of her 65 costumes (a record for costume changes that stood until Madonna played Eva Peron in “Evita” 33 years later). Her Cleopatra was a regal femme fatale who manipulated the most powerful men in the world and demanded to be adored. No wonder Angelina Jolie wants to remake it.

    9. She had a hand in a Hollywood revolution.
    Taylor helped end 35 years of Hollywood censorship with her Oscar-winning “Who’s Afraid of Virginia Woolf” performance. The 1966 adaptation of Edward Albee’s play, starring the Burtons as a boozy, brawling couple (typecasting?), broke new ground in exploration of adult themes and in risqué language. The decision to release the film with those elements intact — and the commercial success and Oscars that resulted — effectively destroyed the Production Code that had sanitized Hollywood films since the early 1930s, leading to the adoption in 1968 of the ratings system we have now. The film also launched the movie career of Mike Nichols as an A-list director, a career that would include such landmarks over the next 40 years as “The Graduate,” “Silkwood,” “Working Girl,” and “The Birdcage.” Even today, “Woolf” retains its shocking power and remains Taylor’s finest performance.

    10. She was fearless.
    Back when no one else dared, she was the first person in Hollywood to start raising money to fight AIDS. Inspired by the predicament of her ailing friend and “Giant” co-star Rock Hudson, Taylor co-founded the American Foundation for AIDS Research (AmFar) and the Elizabeth Taylor AIDS Foundation. Today, AIDS activism is no big deal, but back in 1985, when AIDS and its patients were subject to routine homophobia and paranoid fear, Liz was out there on the line by her lonesome.

    11. We’re still fascinated by her.
    Proof that her life story was as compelling as her screen performances has come in a number of made-for-TV movies about her. Most recent is 2013’s “Burton and Taylor,” starring Helena Bonham Carter as Liz and Dominic West as Dick. No doubt there will be more; the fascination won’t end anytime soon.

    12. She has a lasting movie legacy.
    If it ever does, though, there will still be the movies. People will always be able to go back to “National Velvet,” “Father of the Bride,” “A Place in the Sun,” “Giant,” “Cat on a Hot Tin Roof,” “Cleopatra,” “Who’s Afraid of Virginia Woolf,” and many others, and they’ll be reminded of just how striking she was, as a woman, as an actress, as a camera subject.

    13. We’ll never stop talking about her.
    Through those performances as strong women yearning for affection and appreciation, through her tabloid life, and through her charitable efforts to de-stigmatize some of the most shunned people in the world, Taylor essentially sparked a worldwide conversation that’s gone on for decades, on the topic of what it means to love. Who today can unite people around the world and get them to ponder that question? There’s no one who can do that like she could, and that’s why Taylor will continue to loom large in our imaginations and Hollywood fantasies for years to come.
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