Tag: disney-pixar

  • Movie Review: ‘Hoppers’

    A scene still from Disney and Pixar’s 'Hoppers', releasing in U.S. theaters March 6, 2026. ©2026 Disney/Pixar. All Rights Reserved.
    A scene still from Disney and Pixar’s ‘Hoppers’, releasing in U.S. theaters March 6, 2026. ©2026 Disney/Pixar. All Rights Reserved.

    Opening in theaters on March 6 is ‘Hoppers,’ directed by Daniel Chong and starring Piper Curda, Bobby Moynihan, Jon Hamm, Dave Franco, Kathy Najimy, Eduardo Franco, Vanessa Bayer, and Meryl Streep.

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    Related Article: Every Pixar Animated Movie Ranked From Worst to Best including ‘Elio’

    Initial Thoughts

    (L to R) Mabel and Loaf in Pixar's 'Hoppers'. Photo courtesy of Pixar. © 2025 Disney/Pixar. All Rights Reserved.
    (L to R) Mabel and Loaf in Pixar’s ‘Hoppers’. Photo courtesy of Pixar. © 2025 Disney/Pixar. All Rights Reserved.

    Pixar has had a rough go of it for a few years, with the legendary Disney-owned animation studio not only still suffering from the box office aftermath of COVID but also dealing with some quality control issues. Yet the new Pixar original feature, ‘Hoppers,’ feels like the most fun the studio has had in a long time.

    Dizzyingly paced (sometimes too much so), full of heart and warmth, often laugh-out-loud funny, and gorgeous to look at, ‘Hoppers’ doesn’t always work and is a little too long and frenetic, but it’s still a joyful entry from this fabled company and a visual treat. It feels in a way like Pixar getting a little weirder and crazier, but still retaining its signature style.

    Story and Direction

    (L to R) Mabel and Grandma Tanaka in Disney and Pixar's 'Hoppers'. Photo courtesy of Pixar. © 2026 Disney/Pixar. All Rights Reserved.
    (L to R) Mabel and Grandma Tanaka in Disney and Pixar’s ‘Hoppers’. Photo courtesy of Pixar. © 2026 Disney/Pixar. All Rights Reserved.

    Mabel Tanaka (Piper Curda) is a 19-year-old animal lover who is constantly getting in trouble for freeing animals from her college, Beaverton University. She’s also trying to get signatures on a petition to stop the construction of a new freeway spearheaded by Beaverton mayor Jerry Generazzo. The final portion of the beltway is slated to plow right through a serene, peaceful, wildlife-filled glade and pond where Mabel has gone for years – until recently with her late grandmother – to find calm and tranquility as the world fills her with rage and despair.

    When Mabel learns that her college professor (Kathy Najimy) has created a technology that allows human minds to ‘hop’ into robotic animals, she seizes the opportunity by hopping into a robot beaver and heading for the glade, where she is able to communicate with the other animals – including the well-meaning but naïve beaver ruler, King George (Bobby Moynihan) and rally them to fight back against the mayor and his plan. But even as Mabel and George learn to trust each other, other species of animals are plotting a far more ruthless way to deal with the human threat to their habitat.

    ‘Hoppers’ packs a lot into its 105-minute runtime – almost too much at some points. Its moments of quiet reflection and beauty (most of them in flashbacks to Mabel and her grandmother sitting in the glade) are often left in the dust by the frenetic, busy-busy style of modern animation that seemingly dominates even a stylistic giant like Pixar. But much of it is also quite hilarious as well – particularly in Mabel’s interactions with the other animals and the dynamics between the various species – and that hectic pace also helps the film move along at a steady clip that rarely drags.

    Jerry from Disney and Pixar's 'Hoppers'. Photo courtesy of Pixar. © 2026 Disney/Pixar. All Rights Reserved.
    Jerry from Disney and Pixar’s ‘Hoppers’. Photo courtesy of Pixar. © 2026 Disney/Pixar. All Rights Reserved.

    It’s also, in the end, quite poignant. There is an obvious environmental message here, but more importantly, there is a running theme of intelligent, empathetic beings of all kinds – whether they’re humans or animals – learning to have faith in and cooperate with each other, even if their goals are vastly different at first. Mayor Jerry is not necessarily the bad guy here (although to be sure, there is also a megalomaniacal villain who amounts to little more than a brat throwing a major tantrum), anymore than Mabel is a perfect heroine. Seeing things through other’s eyes, suggests ‘Hoppers,’ allows us to better understand each other and find ways to work together.

    All this is set amidst top-shelf Pixar designs and animation, which bring the animals (real and robotic), the humans, and the setting to three-dimensional, textured, wonderfully detailed life. Yes, the film can be overstuffed (particularly during the third act, which throws a lot at the viewer), but this is a world that viewers of all ages will enjoy spending time in.

    Cast and Performances

    A scene from Disney and Pixar's 'Hoppers'. Photo courtesy of Pixar. © 2026 Disney/Pixar. All Rights Reserved.
    A scene from Disney and Pixar’s ‘Hoppers’. Photo courtesy of Pixar. © 2026 Disney/Pixar. All Rights Reserved.

    Director Daniel Chong balances lesser-known voices and comedic actors here with the presence of luminaries like Meryl Streep and Jon Hamm. Streep’s work amounts to not much more than an extended cameo, while Hamm does his slick best as the ambitious yet not entirely heartless mayor of Beaverton. Also notable are Dave Franco as Titus, the future (and bad-tempered) Insect King, and Kathy Najimy as the kindly Dr. Sam.

    Yet it’s Piper Curda and Bobby Moynihan who carry most of the film as Mabel and King George, respectively, and their voices display charisma, comic timing, and plenty of warmth. As a character, Mabel is perhaps unevenly drawn (no pun intended), not quite negotiating her traits of compassion and anger, but Curda still gives her personality, energy and empathy. Moynihan does the same with George, as the beaver evolves from somewhat of a guileless figurehead into a staunch, courageous defender of his world.

    Final Thoughts

    (L to R) King George, Mabel Beaver, and Ellen Bear in Disney and Pixar's 'Hoppers'. Photo courtesy of Pixar. © 2026 Disney/Pixar. All Rights Reserved.
    (L to R) King George, Mabel Beaver, and Ellen Bear in Disney and Pixar’s ‘Hoppers’. Photo courtesy of Pixar. © 2026 Disney/Pixar. All Rights Reserved.

    As ‘Hoppers’ races toward its conclusion, there’s that sense we mentioned that the filmmakers are throwing everything they can think of into the story – almost losing control of it in the process. But luckily it all comes together in an ending that’s sweet, relevant, and important. And what comes in the previous 95 minutes or so offers a lot to relish as well.

    Most importantly, ‘Hoppers’ shows that Pixar itself is still capable of generating new, original animated stories – especially in an era where corporations like Disney are more and more reliant on revisiting proven IP (Pixar’s next release, after all, is ‘Toy Story 5’). Whatever its flaws, ‘Hoppers’ is wildly imaginative, emotionally rich, and thematically powerful – and we’re glad that Pixar can still deliver that.

    ‘Hoppers’ receives a score of 80 out of 100.

    King George from Disney and Pixar's 'Hoppers'. Photo courtesy of Pixar. © 2026 Disney/Pixar. All Rights Reserved.
    King George from Disney and Pixar’s ‘Hoppers’. Photo courtesy of Pixar. © 2026 Disney/Pixar. All Rights Reserved.

    What is the plot of ‘Hoppers’?

    Animal lover Mabel uses a new technology to ‘hop’ her consciousness into a life-like robotic beaver and communicate directly with animals. Once in the animal world, Mabel rallies species of all kinds to face smooth-talking local mayor Jerry Generazzo, whose planned freeway may destroy their habitat.

    Who is in the cast of ‘Hoppers’?

    • Piper Curda as Mabel Tanaka
    • Bobby Moynihan as King George
    • Jon Hamm as Mayor Jerry Generazzo
    • Kathy Najimy as Dr. Sam
    • Dave Franco as Titus the Insect King
    • Eduardo Franco as Loaf
    • Aparna Nancherla as Nisha
    • Sam Richardson as Conner
    • Melissa Villaseñor as Ellen
    • Meryl Streep as Insect Queen
    • Karen Huie as Grandma Tanaka
    • Vanessa Bayer as Diane
    'Hoppers' opens in theaters on March 6th.
    ‘Hoppers’ opens in theaters on March 6th.

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    Buy Tickets: ‘Hoppers’ Movie Showtimes

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  • ‘Inside Out 2’ Brings Joy at the Box Office

    Pixar's 'Inside Out 2'.
    Pixar’s ‘Inside Out 2’. © 2022 Disney/Pixar. All Rights Reserved.

    Preview:

    • ‘Inside Out 2’ has become the second-highest animated launch at the domestic box office.
    • It’s also a hit internationally.
    • The movie continues the story of anthropomorphic emotions in a girl’s head.

    After a few months boasting little in the way of happiness at the box office (‘Dune: Part Two’ and ‘Godzilla x Kong: The New Empire’ have been bright spots, but milder ones), and some big disappointments (‘Furiosa: A Mad Max Saga’ led a shockingly low Memorial Day weekend, the summer movie season kicking off with a whimper), we finally have something to properly celebrate.

    Inside Out 2’, the latest release from Disney/Pixar, has finally hit with both critics and audiences, launching to impressive figures.

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    How has ‘Inside Out 2’ performed at the box office?

    In Disney and Pixar’s “Inside Out 2,” Joy (voice of Amy Poehler), Sadness (voice of Phyllis Smith), Anger (voice of Lewis Black), Fear (voice of Tony Hale) and Disgust (voice of Liza Lapira) are awakened to an alarming reality: everything is changing now that Riley is 13. Directed by Kelsey Mann and produced by Mark Nielsen, 'Inside Out 2' releases only in theaters Summer 2024. © 2023 Disney/Pixar. All Rights Reserved.
    In Disney and Pixar’s “Inside Out 2,” Joy (voice of Amy Poehler), Sadness (voice of Phyllis Smith), Anger (voice of Lewis Black), Fear (voice of Tony Hale) and Disgust (voice of Liza Lapira) are awakened to an alarming reality: everything is changing now that Riley is 13. Directed by Kelsey Mann and produced by Mark Nielsen, ‘Inside Out 2’ releases only in theaters Summer 2024. © 2023 Disney/Pixar. All Rights Reserved.

    The new Pixar sequel smashed expectations (Disney was projecting closer to $90 million), with $155 million in its first weekend, the highest opening since ‘Barbie’ last summer (Greta Gerwig’s movie opened to $162 million).

    Without adjusting for inflation, that marks the second-highest domestic opening for an animated movie (behind the company’s ‘Incredibles 2’ in 2018) and put it far beyond the first ‘Inside Out’, which opened to $90 million.

    Garnering good scores from critics and audiences, the new movie also did well overseas, taking in $140 million, enough to surpass ‘Frozen II’ ($135 million and yes, another Disney effort) as the biggest overseas animated opening of all time.

    Globally, the movie has kicked off its run with $295 million.

    What’s the story of ‘Inside Out 2’?

    (L to R) Envy (voice of Ayo Edebiri), Anxiety (voice of Maya Hawke), Disgust (voice of Liza Lapira), Anger (voice of Lewis Black), Fear (voice of Tony Hale) and Sadness (voice of Phyllis Smith). Directed by Kelsey Mann and produced by Mark Nielsen, 'Inside Out 2' releases only in theaters June 14, 2024. © 2024 Disney/Pixar. All Rights Reserved.
    (L to R) Envy (voice of Ayo Edebiri), Anxiety (voice of Maya Hawke), Disgust (voice of Liza Lapira), Anger (voice of Lewis Black), Fear (voice of Tony Hale) and Sadness (voice of Phyllis Smith). Directed by Kelsey Mann and produced by Mark Nielsen, ‘Inside Out 2’ releases only in theaters June 14, 2024. © 2024 Disney/Pixar. All Rights Reserved.

    The movie follows up from the original by revisiting the emotions in Riley’s (Kensington Tallman) head. We’re back with Joy (Amy Poehler), Sadness (Phyllis Smith), Fear (Tony Hale, replacing Bill Hader), Anger (Lewis Black) and Disgust (Liza Lapira, replacing Mindy Kaling), who have gotten into a good groove guiding and reacting to the life of their tween charge.

    But they’re rudely awakened one night by the Puberty alarm, and even more disturbed by a work crew arriving to demolish the control center, preparing to rebuild it to accommodate some new emotions, including Anxiety (Maya Hawke), Embarrassment (Paul Walter Hauser), Envy (Ayo Edebiri) and Ennui (Adèle Exarchopoulos).

    Soon, the new emotions are taking over running Riley’s life as she deals with new challenges and concerns, while the original crew are left bottled up in the back of her mind. Can they make their way back to figure out how to balance things out?

    Related Article: Movie Review: ‘Inside Out 2’

    Will there be an ‘Inside Out 3’?

    Pixar's 'Inside Out 2'.
    Pixar’s ‘Inside Out 2’. © 2022 Disney/Pixar. All Rights Reserved.

    Unlike the end of ‘Inside Out’, which teased the possibility of a further story –– the idea of the Riley character hitting puberty, which indeed was picked up here –– ‘Inside Out 2’ post-credit sequence is largely dedicated to revisiting a joke from midway in the movie.

    There is, of course, plenty of material to tackle with other life stages for Riley, but few of them would seem to be particularly family friendly. Still, with the huge success of this new movie, expect Disney bosses to at least ask Team Pixar to explore options.

    Where next for the summer movie season?

    Hugh Jackman as Wolverine/Logan and Ryan Reynolds as Deadpool/Wade Wilson in 20th Century Studios/Marvel Studios' 'Deadpool & Wolverine'.
    (L to R) Hugh Jackman as Wolverine/Logan and Ryan Reynolds as Deadpool/Wade Wilson in 20th Century Studios/Marvel Studios’ ‘Deadpool & Wolverine’. Photo courtesy of 20th Century Studios/Marvel Studios. © 2024 20th Century Studios / © and ™ 2024 MARVEL.

    This is obviously a reason to hope that audiences are finally embracing theatrical moviegoing again and with any luck, the likes of ‘Deadpool & Wolverine’ and the new ‘Despicable Me 4’ will keep the cash truck rolling.

    Pixar's 'Inside Out 2'.
    Pixar’s ‘Inside Out 2’. © 2022 Disney/Pixar. All Rights Reserved.

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  • ‘Inside Out 2’ Press Conference with Director Kelsey Mann

    Pixar's 'Inside Out 2'.
    Pixar’s ‘Inside Out 2’. © 2022 Disney/Pixar. All Rights Reserved.

    Preview:

    • There were a total of nine emotions in the original pitch.
    • The sequel will explore the minds and emotions of a teenager.
    • Finding the new voices for ‘Inside Out 2’.

    Pixar Animation’s upcoming sequel ‘Inside Out 2’ will see the journey of Riley in her teenage years. Joy, Sadness, Disgust, Anger, and Fear are gearing up for brand new adventures for the next chapter in Riley’s life, but unbeknownst to them, everything they know is about to change.

    During the long lead day presentation at the Pixar Animation Studio in Emeryville, California, director Kelsey Mann (‘Good Dinosaur’) and producer Mark Nielson held a press conference to discuss the sequel.

    Related Article: Director Kelsey Mann Presents Footage from Pixar’s ‘Inside Out 2’

    When it comes to crafting the next chapter, Mann has some big shoes to fill. 2015’s ‘Inside Out’ was directed by Pete Docter, who is now the Chief Creative Officer for Pixar. The film won an Oscar for Best Animated Feature at the 88th Academy Award. Mann talks about the pressure of needing to make something great, but he was up for the challenge, “There’s nobody’s feet I’d rather follow than that man.”

    Kelsey Mann is photographed on September 25, 2013 at Pixar Animation Studios in Emeryville, Calif.
    Kelsey Mann is photographed on September 25, 2013 at Pixar Animation Studios in Emeryville, Calif. Photo by Deborah Coleman / Pixar.

    On taking over for the sequel and following in Docter’s footsteps:

    Kelsey Mann: I’ve really been following Pete’s footsteps for a long time. But I feel nothing but, you know, excitement. Joy is at my console and, of course, you’re like you wanna make sure you’re doing right to everyone that loves the original film. I wanna do Pete proud. I wanna do everybody who loved the original proud. I’m just more excited than I am scared.

    The New Emotions

    Pixar's 'Inside Out 2'.
    Pixar’s ‘Inside Out 2’. © 2022 Disney/Pixar. All Rights Reserved.

    Anxiety, Envy, Embarrassment, and Ennui join the original five emotions for ‘Inside Out 2’. Mann reveals that more emotions were originally planned – nine, to be exact.

    Kelsey Mann: Nine new emotions showed up. I really wanted Joy to feel overwhelmed by all of these new emotions that showed up. I was like well, let’s have a lot show up. Then you couldn’t keep track. There were so many emotions and they all canceled each other out because you couldn’t keep up with everybody. My first note from the first screening was simplify.

    The director mentions the many emotions that didn’t make the cut for both films, including the emotion Schadenfreude, which means joy or satisfaction felt at someone else’s expense. Pete Doctor originally had the idea of having Schadenfreude in the first film, so Mann wanted to try again but it was ultimately cut from the film.

    To help narrow down the number of new emotions, Mann and Nielson enlist the help of Dacher Keltner, a professor at Berkeley who also served as the emotional expert on the first movie.

    The Mind of a Teenager

    Pixar's 'Inside Out 2'.
    Pixar’s ‘Inside Out 2’. © 2022 Disney/Pixar. All Rights Reserved.

    Mann knew he wanted to pitch the idea of exploring Riley’s mind as a teenager for the sequel. He speaks about the drama that would go on, as well as hilarious moments to highlight in the film:

    Kelsey Mann: I looked into what happens in our brains at that age, and it’s a lot. There’s a lot that goes on. It gave us everything that we kinda need for a Pixar movie. There’s a lot of drama that goes on. But also it’s really funny. Like, I could come up with a lot of really good gags about Riley being inside the mind of a teenager.

    When it came to deciding which of the new emotions would take control at the console inside Riley’s mind, Mann knew it had to be Anxiety. Conferring with emotions expert Dacher Keltner, they focused on the self-conscious emotions, “at this age, you start, we’re hard wired at this age to start to become really self-conscious.”

    Kelsey Mann: In part, we’re doing it because when you’re a kid, you’ve got your parents and your caregivers taking care of you. Eventually, you’re gonna have to take care of yourself. That’s why we’re hard wired to like, push our parents and our caregivers away is so that we can become independent people that can take care of ourselves.

    Mann also touches on a teenager’s need to fit in and feel accepted.

    Kelsey Mann: How do I fit in? Do you like me? It’s all about fitting in at that age. It’s part of our design of who we are because if you don’t like me, you’re gonna banish me and I’m gonna go out into the woods and die alone. So, that’s why we kind of worry so much about what others think about us at that age. It kinda turns on and it kinda never goes away. You kinda have to manage it, which is a big reason why I’m making this movie. So, that’s why we ended up going towards the emotions that we have in the film now.

    As a father, Mann speaks to how important and personal this story is to him.

    Kelsey Mann: A big reason why I’m making this movie is I want to make it for everyone but I’m also making it for my little girl. I’m making it for my daughter. I wish I had a movie like this when I was a teenager.

    Finding the Voices for ‘Inside Out 2’

    Pixar's 'Inside Out 2'.
    Pixar’s ‘Inside Out 2’. © 2022 Disney/Pixar. All Rights Reserved.

    The film sees the return of Amy Poehler as Joy, Phyllis Smith as Sadness, and Lewis Black as Anger. Tony Hale as Fear and Liza Lapira as Disgust (taking over for Bill Hader and Mindy Kaling) join the cast. Maya Hawke, Ayo Edebiri, Adèle Exarchopoulos, and Paul Walter Hauser voice the new emotions.

    When cast for the new emotions, Mann and Nielson looked for actors who embodied the characters they were building.

    Mark Nielsen: The process, we kinda take it emotion by emotion and what we’re looking for is for actors out there that purely embody the character that we are building. So, you know, going back to the first film, Lewis Black, when you think about Anger, and if you’ve seen any of his comedy, there was no question that there wasn’t anybody else that could play that character.

    When it came to casting Maya Hawke for Anxiety, the creative team had a very funny and unexpected story, where Mann auditioned the actress from Disney World.

    Kelsey Mann: So, we went out to do an audition with Maya, and Mark [Nielsen] was like, “Good news is she said, yes, she would love to audition and meet with you. Bad news is it’s during your vacation.” So, me and my kids, we were all at Disney World. I’m like, “I’m at Disney World.” He’s like “Don’t worry, we’ll figure something out.” So, I went to Disney World, and I was at EPCOT.

    The casting team for Pixar took Mann through the backlots of EPCOT, through the Mexico Pavilion, and auditioned Hawke via Zoom. Mann was so happy with her audition he burst into tears.

    Kelsey Mann: She absolutely crushed it. My favorite part was, at the end of it, I talked about what I wanted the movie to be about and she just immediately connected with it. I think I even cried as she was talking. I walked away and called you and were like “oh my God, she’s perfect.” Then I went back into EPCOT and continued my vacation. It was hilarious.

    ‘Inside Out 2’ Is Also A Parental Movie

    Pixar's 'Inside Out 2'.
    Pixar’s ‘Inside Out 2’. © 2022 Disney/Pixar. All Rights Reserved.

    While the story takes place inside Riley’s mind, the sequel also serves as a parental movie, inspired by Mann and Nielsen’s own lives as parents to teenagers. The film also highlights Joy’s protective nature when it comes to Riley.

    Kelsey Mann: When I started, my daughter was 13 and my son was 14. I’m like this is the exact age I want her to be in the movie. So they’re immediately right there. You’re always pulling from your lives in every movie I’ve done here. We’re always talking about what it’s like to be alive and be a person, a father, a husband, you know, whatever it may be. So, you’re always kind of putting that into the movie.

    Pixar's 'Inside Out 2'.
    Pixar’s ‘Inside Out 2’. © 2022 Disney/Pixar. All Rights Reserved.

    Mark Nielsen: Yeah. This really is a parental story, and even though it takes place in Riley’s mind, she is kind of the set piece and there’s something incredibly universal about this story and these emotions that we all have. Even Joy who’s the protagonist of this story, has a very parental view of Riley and all the emotions do, right? They’re there to serve her. They’re there to do their very best to do whatever they need to protect their girl and to kind of steer her in the right way. So, even the original film was based on Pete Docter’s observations of his daughter as she was growing up and going through change and becoming a young teen. So, having the parental lens on this film has been incredibly helpful.

    What Else Is There To Know About ‘Inside Out 2?’

    Pixar's 'Inside Out 2'.
    Pixar’s ‘Inside Out 2’. © 2022 Disney/Pixar. All Rights Reserved.
    • There is a 4*Town easter egg in the movie
    • There was a land called Procrastination Land inside Riley’s brain – a land that would always be under construction and never finished. Ultimately, Procrastinating Land did not make the final cut of the film.
    • The baggage Anxiety carries during her first appearance in the film originally belonged to Guilt, one of the nine emotions that didn’t make the cut.
    • This is the first Pixar animated feature film to have a female composer – Andrea Datzman

    ‘Inside Out 2’ arrives in theaters on July 14, 2024.

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    What Is the Plot of ‘Inside Out 2’?

    Following the 2015 movie, ‘Inside Out 2’ will return to the mind of Riley (Kensington Tallman) as she enters her teenage years. Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Disgust (Liza Lapira), and Fear (Tony Hale) have their hands full as Riley experiences life-changing moments, along with Headquarters going under a sudden demolition to make room for something completely unexpected – brand new Emotions. Experience an emotional rollercoaster as the sequel introduces Anxiety (Maya Hawke), Embarrassment (Paul Walter Hauser), Envy (Ayo Edebiri), and Ennui (Adèle Exarchopoulos), who will share Headquarters with the original 5 Emotions.

    Who Is the Voice Cast of ‘Inside Out 2’?

    • Amy Poehler as Joy
    • Phyllis Smith as Sadness
    • Lewis Black as Anger
    • Tony Hale as Fear
    • Liza Lapira as Disgust
    • Maya Hawke as Anxiety
    • Ayo Edebiri as Envy
    • Adèle Exarchopoulos as Ennui
    • Paul Walter Hauser as Embarrassment
    • Kensington Tallman as Riley Andersen
    Inside Out 2 logo
    Pixar’s Inside Out 2 logo. © 2022 Disney/Pixar. All Rights Reserved.

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  • Movie Review: ‘Elemental’

    Disney and Pixar’s 'Elemental' directed by Peter Sohn and produced by Denise Ream, releases on June 16, 2023.
    Disney and Pixar’s ‘Elemental’ directed by Peter Sohn and produced by Denise Ream, releases on June 16, 2023. © 2023 Disney/Pixar. All Rights Reserved.

    In theaters on June 16th, ‘Elemental’ is the 27th feature film produced by the Disney-owned Pixar Animation Studios, and while it has its charms, it comes across more as a technically accomplished animated effort than a truly satisfying all-round night at the movies.

    Pixar could really use a big theatrical hit. After Disney shoved the otherwise excellent ‘Soul’ and ‘Turning Red’ either entirely on to Disney+ or in the case of the latter, on limited cinematic release where it lost money despite positive reviews before going to streaming, the company’s much-vaunted return to big screens was last year’s ‘Lightyear’.

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    Yet Despite the connection to the ‘Toy Story’ movies, it flopped badly enough that some of the people involved have recently been let go as part of overarching Disney cost-cutting maneuvers.

    Which naturally puts a lot of pressure on ‘Elemental’, the latest film to emerge from the company and directed by Peter Sohn, who knows a little bit about problematic Pixar movies having last made ‘The Good Dinosaur’, which earned decent reviews but didn’t connect with cinemagoers on a scale that the company might have preferred.

    Elemental
    Pixar’s ‘Elemental.’ © 2022 Disney/Pixar. All Rights Reserved.

    What’s the story for ‘Elemental’?

    ‘Elemental’ introduces us to Element City, a sprawling, fantastical metropolis where different elements –– Land, Air, Water and, more, recently Fire –– have settled in relative harmony. It’s to this world that Bernie (Ronnie Del Carmen) and Cinder (Shila Ommi) Lumen arrive from the land of Fire to start a new life with their unborn daughter.

    Years later, that child, Ember (Leah Lewis) has grown into an impulsive young woman, one that her father hopes will one day soon inherit the shop he runs in the fire quarter. But Ember runs hot –– she has a burning temper than gets her into trouble with customers, and while she’s trying to be a loyal daughter, she’s not even totally convinced she wants to take over the family business.

    Disney and Pixar’s 'Elemental' directed by Peter Sohn and produced by Denise Ream, releases on June 16, 2023.
    Disney and Pixar’s ‘Elemental’ directed by Peter Sohn and produced by Denise Ream, releases on June 16, 2023. © 2023 Disney/Pixar. All Rights Reserved.

    When Ember accidentally meets city inspector Wade Ripple (Mamoudou Athie) she initially takes against the nervy, curious and kind water element, but circumstances keep pushing them together and they soon realize they could have serious chemistry.

    Yet with the fire quarter under threat from water leaks and the pressure of family getting in the way, will these two unlikely friends –– and potentially more –– be able to let off some steam?

    Disney and Pixar’s 'Elemental' directed by Peter Sohn and produced by Denise Ream, releases on June 16, 2023.
    Disney and Pixar’s ‘Elemental’ directed by Peter Sohn and produced by Denise Ream, releases on June 16, 2023. © 2023 Disney/Pixar. All Rights Reserved.

    Who else voices characters in ‘Elemental’?

    ‘Elemental’s voice cast also includes Catherine O’Hara as Brook Ripple, Wade’s mother, Wendi McLendon-Covey as his boss, Gale and Mason Wertheimer as Clod, a youthful land element with a crush on Ember.

    While ‘Elemental’ doesn’t channel the same level of emotional storytelling power as some of Pixar’s biggest hits (the team mining buddy comedies in particular for some fantastically entertaining and relatable narratives), it does feature two compelling lead characters.

    Ember’s background –– or more specifically her parents’ –– is rooted in the immigrant story, hitting the beats of disappointed elders from different generations well and even featuring a knowing nod to language barriers (Ember’s mother and father are given their names when their original monikers prove too tough for a land element immigration officer to pronounce).

    Disney and Pixar’s 'Elemental' directed by Peter Sohn and produced by Denise Ream, releases on June 16, 2023.
    Disney and Pixar’s ‘Elemental’ directed by Peter Sohn and produced by Denise Ream, releases on June 16, 2023. © 2023 Disney/Pixar. All Rights Reserved.

    Despite its seemingly utopian feel, Element City also faces issues between elements (the fire people in particular are seen as dangerous, while Ember’s father has an understandable beef with water).

    The opposites attracting aspect has powered Pixar movies since the start, though here the love story nature of the main pairing gives an extra layer to it. Lewis, and particularly Athie, bring real personality to their characters, yet the actual tale around them often comes across as less bespoke and more straight from the rack. Despite its immigration colors, the clash of cultures and emotional journey is a lot more basic than some previous films. And before you argue “it’s a kids’ movie”, Pixar has never aimed for just one audience. The likes of ‘Inside Out’ have tackled huge topics in interesting ways while also providing knockabout fun.

    And yes, it’s also technically impressive, which is something we’ve all come to expect from the studio, here pushing the limits of characters made out of different elements. Element City is typically bursting with fun ideas, versions of real-world architecture, signage, transportation and other. It’s just unfortunate that the film should arrive two weeks after ‘Spider-Man: Across the Spider-Verse’ which manages to cram in dazzling, dynamic and different animation styles while also not neglecting the emotional core of its adventure.

    There are logic bumps here and there too –– it’s a common idea in animated movies to have the city named after characters, and a relatable concept, but human cities don’t tend to work that way –– no one lives in Homo Sapienburg.

    Disney and Pixar’s 'Elemental' directed by Peter Sohn and produced by Denise Ream, releases on June 16, 2023.
    Disney and Pixar’s ‘Elemental’ directed by Peter Sohn and produced by Denise Ream, releases on June 16, 2023. © 2023 Disney/Pixar. All Rights Reserved.

    This is far from a bad film, though –– just a little more generic in places than some of its stablemates and it may suffer in terms of rewatchability for that.

    Finally, ‘Elemental’ arrives in theaters with a new short set in the world of ‘Up’. ‘Carl’s Date’ is bursting with gentle humor and reminds us exactly why audiences fell in love with cranky pensioner Carl (Ed Asner) and chatty, excitable dog Dug (Bob Peterson, who also writes and directs the piece). Following the widower as he nervously tries to figure out what to do on his first date in decades, it’s a lovely chance to check-in with the characters and boasts more warm laughs from Dug.

    It’s almost a mistake to run this before the feature, since it harkens back to a time when Pixar could break our hearts with one four-minute, dialogue-free montage. While nothing in ‘Carl’s Date’ carries that sort of power, neither does ‘Elemental’.

    Disney and Pixar's all-new theatrical short 'Carl's Date' to release in front of 'Elemental' on June 16, 2023.
    Disney and Pixar’s all-new theatrical short ‘Carl’s Date’ to release in front of ‘Elemental’ on June 16, 2023.

    Final Thoughts

    Yet the latest Pixar film at least carries more invention and originality than ‘Lightyear’ and is worthy of engaging audiences, even if its surface is more polished than its heart is full.

    ‘Elemental’ receives 6.5 out of 10 stars.

    Disney and Pixar’s 'Elemental' directed by Peter Sohn and produced by Denise Ream, releases on June 16, 2023.
    Disney and Pixar’s ‘Elemental’ directed by Peter Sohn and produced by Denise Ream, releases on June 16, 2023. © 2023 Disney/Pixar. All Rights Reserved.

    Other Movies Similar to ‘Elemental:’

    Buy Tickets: ‘Elemental’ Movie Showtimes

    Buy Pixar Movies on Amazon

    ‘Elemental’ is produced by Walt Disney Pictures and Pixar. It is set to release in theaters on June 16th, 2023.

  • ‘Frozen’ ‘Toy Story,’ and ‘Zootopia’ Sequels Are In The Works

    Anna (Kristen Bell) and Elsa (Idina Menzel) in Walt Disney Pictures' 'Frozen.'
    (L to R) Anna (Kristen Bell) and Elsa (Idina Menzel) in Walt Disney Pictures’ ‘Frozen.’

    Get ready to head back into the unknown. Disney animated films ‘Frozen,’ ‘Toy Story,’ and ‘Zootopia‘ have been greenlit for sequels. The news was announced during Wednesday’s Q1 earnings call by Disney CEO Bob Iger, his first since returning to the company.

    “Today I’m so pleased to announce that we have sequels in the works from our animation studios to some of our most popular franchises, ‘Toy Story,’ ‘Frozen’ and ‘Zootopia,’” says Iger. “We’ll have more to share about these productions soon, but this is a great example of how we’re leaning into our unrivaled brands and franchises.”

    ‘Frozen’ quickly became a household favorite when it premiered in 2013. With Kristen Bell and Idina Menzel as its leads, the sequel ‘Frozen 2’ garnered just as much attention in 2019. It got so popular that the musical version made its way to Disneyland’s Hyperion Theater and later to Broadway. ‘Toy Story’ stars the voices Tom Hanks and Tim Allen as Woody and Buzz Lightyear, becoming a beloved franchise since its debut in 1995. It even expanded its own universe with the release of ‘Lightyear’ in 2022 with Chris Evans as the lead.

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    Related Articles: D23 Expo 2022: Disney Studios Presentation

    The Box Office Success Of ‘Frozen’, ‘Toy Story’, and ‘Zootopia’

    This should come as no surprise as all three films have had major success at the box office worldwide. ‘Frozen’ (2013) earned 1.2 billion with its sequel ‘Frozen 2’ (2019) earning 1.4 billion, and both ‘Toy Story 4’ (2019) and ‘Zootopia’ (2016) grossed over one billion.

    On top of their financial success, these films have all taken home plenty of awards. ‘Toy Story 3,’ ‘Toy Story 4,’ ‘Frozen,’ and ‘Zootopia’ have all received Best Animated Feature at the Oscars. Frozen’s hit original song “Let It Go” (sung by Broadway superstar Idina Menzel) won Best Original Song at the 2020 Academy Awards.

    The animation giant has released plenty of amazing titles such as ‘Luca,’ ‘Raya and the Last Dragon‘ and ‘Encanto,’ which also won Best Animated Feature at the 2022 Academy Awards. However popular, none of these titles were able to achieve the financial success of the aforementioned films.

    Woody (Tom Hanks) and Buzz Lightyear (Tim Allen) in y Pixar Animation Studios' 'Toy Story.'
    (L to R) Woody (Tom Hanks) and Buzz Lightyear (Tim Allen) in y Pixar Animation Studios’ ‘Toy Story.’
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    But Do We Need More Sequels?

    Some may say there’s no need for a sequel to these films but I think, there are plenty of stories left to tell. What type of adventures (or misadventures) can the sisters get into now that Elsa is the Snow Queen and Anna rules as the Queen of Arendelle? How expansive has Zoopotia become since the last film? And while Woody and Buzz may have parted ways (for now), there’s always something that brings the duo back together, plus we all would love to see a post-college Andy.

    Those who are craving original stories can look forward to Pixar’s ‘Elemental’ this summer and ‘Wish’ from Walt Disney Animation in the fall.

    Judy Hopps (Ginnifer Goodwin) and Nicholas P. "Nick" Wilde (Jason Bateman) in Walt Disney Animation Studios' 'Zootopia.'
    (L to R) Judy Hopps (Ginnifer Goodwin) and Nicholas P. “Nick” Wilde (Jason Bateman) in Walt Disney Animation Studios’ ‘Zootopia.’
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    Other Movies Similar to ‘Frozen’ and ‘Toy Story:’

    Buy Disney Animated Movies On Amazon

  • Disney-Pixar’s ‘Onward’ Poster, Photos Unveiled Ahead of Trailer

    Disney-Pixar’s ‘Onward’ Poster, Photos Unveiled Ahead of Trailer

    Onward
    Walt Disney Pictures and Pixar Animation Studios

    Disney-Pixar has served up a treat before the release of the “Onward” trailer: a new poster and first-look photos.

    The photos were unveiled on Wednesday, and the poster followed Thursday. Both show the beautiful fantasy world where the elf protagonists live alongside trolls, sprites, unicorns, and other creatures. The story centers on the Lightfoot brothers, Barley (voiced by Chris Pratt) and Ian (voiced by Tom Holland), two teens whose father died when they were very young.

    We’ll see the brothers set out on a quest to see if there is still magic in the world. Their hope is to find it so that they can spend a day with their dad. It remains to be seen if they’ll be successful, but the journey will surely be memorable. The poster shows them enjoying a beautiful night and beautiful sights from the top of a van.

    Onward poster
    Walt Disney Pictures and Pixar Animation Studios

    Meanwhile, the photos show a bit more of their story. Their mother (voiced by Julia Louis-Dreyfus) makes an appearance in one, joined by Ian and a fire-breathing creature. In the other, the brothers are on the road, with Ian looking worried and Barley appearing unconcerned.

    We’ll get to see even more when the trailer drops Thursday evening during Game 1 of the NBA finals.

    “Onward” is scheduled to open March 6.

  • ‘Toy Story 4’ Might be the Most Beautiful Animated Film Ever Made

    ‘Toy Story 4’ Might be the Most Beautiful Animated Film Ever Made

    Disney•Pixar

    When the first “Toy Story” was released in November 1995, it was unlike anything anyone had ever seen before. It was, with its scant 81-minute-runtime, the first full-length computer-generated feature film. Watching the film was like seeing “Snow White and the Seven Dwarfs” for the first time or maybe watching “Steamboat Willie,” the first animated film with synchronized sound (and the moment that Mickey Mouse went atomic). Looking back on the original “Toy Story,” it occasionally feels stiff, the plasticine rigidity of the toy characters extending to the humans too, but there’s no denying how cutting-edge it seemed back in 1995 and how the narrative, largely overseen by a bunch of computer technicians with little experience in storytelling, is just as rich and affecting today as it was then. (The screenplay was nominated for an Academy Award.) And I bring up seeing “Toy Story” for the first time, because when I was up at Pixar recently and got to screen about a half-hour of footage from “Toy Story 4,” my mind was blown just like it was in 1995. “Toy Story 4,” out June 21, might be the most beautiful-looking animated film ever.

    Now, let me explain, and keep in mind I’ll be keeping it light with the plot specifics: “Toy Story 4” begins with a flashback. It’s a dark and stormy night and there’s a toy in trouble. Woody (Tom Hanks) needs help and gets that assistance from Bo Peep (Annie Potts, returning to the franchise for the first time since 1999’s “Toy Story 2”), and some things are established that had never really been established before, like how Bo is the leader of Molly’s room like Woody leads Andy’s room. Anyway, the shots in this sequence outside, in the rain, are truly astonishing. This is the first “Toy Story” installment presented in widescreen and the rain drops give the entire sequence a menacing, almost surreal atmosphere. The way the lighting is so aggressively amped up is also astonishing. It’s like the old “Toy Story” you know and love but more muscular and stylistically fearless.

    It will leave you absolutely gob smacked and it goes a long way in justifying why there should even be a fourth movie, given how perfectly the series seemingly wrapped up with “Toy Story 3” (one of only three animated features to be nominated for a Best Picture Oscar) and if you actively discount the three short films and two TV specials that followed (I will not; I love them all – and some are referenced in this movie!). You don’t need to grouse about the need for another “Toy Story” film; there’s another one and it’s here and it’s gorgeous.

    The filmmakers, led by the wonderful Josh Cooley (he was a writer on “Inside Out” and directed the terrific “Riley’s First Date?” spin-off short), have taken the responsibility of contributing to the legacy of “Toy Story” by cranking up the visuals to 11 and going full on. The two other sequences we were shown, one which introduced the movie’s big bad, an antique doll named Gabby Gabby (Christina Hendricks) in the halls of a dusty antique store and another that took place inside a pinball machine (where they meet Keanu Reeves’ Canadian stuntman Duke Caboom along with Tinny, the titular “Tin Toy” from the Pixar short that helped inspire the first “Toy Story”) are equally ravishing on a visual level but also an idea one. There’s the sense of adventurousness here, about taking the audience places they’ve never been before, even though this world has been thoroughly explored many times before. You get the sense that the filmmakers are saying, “So you think you’ve seen it all? Well…”

    And the overwhelming beauty of “Toy Story 4” goes further when it comes to the design of the characters. Every time Pixar comes back to a property they’ve already engaged with, they do (mostly) subtle updates. Usually enough years have passed that an improved rigging system is required, stylistic refinements are more a matter of preference. (For an indication of how subconscious this can be, look at the characters from “Incredibles 2” versus the original.) But with “Toy Story 4” many of the characters look brand new. I don’t mean to say that you won’t recognize them because you will. These are the characters you know and love. But they are so much more expressive and lifelike and, particularly when it comes to Bo Peep, so radically altered as to give them fresh life and spirit. Again: the animators are giving you a reason to come back to this universe and soak up all the detail.

    Just look at this comparison:

    Disney•Pixar

    And trust me, that’s the tip of the iceberg. The two primary locations for this movie, the carnival and the antique store, are positively overflowing with detail. Not detail that takes you out of the movie and says, “wow, look at the amount of particulate dust floating in the background of this scene,” but one that just makes the movie feel more real and lived in.

    More than a few times during our press visit, various filmmakers said that they didn’t want things to be too realistic, perhaps reiterating a criticism that befell “The Good Dinosaur,” a movie in which the cartoon-y main characters clashed with the photo-real backdrops a little too aggressively.

    In the footage that we saw, any chance of “Good Dinosaur” syndrome is nowhere to be found. The toys themselves are heightened and expressive, the human characters have gotten a nice refresh (there’s a flashback to Andy where he no longer looks like a wax figurine come to horrifying life), and the backgrounds and environments have appropriately upped their game as well. Everything feels essential and new and gives you that excitement of jumping back into this world and with these characters. Whatever you’re expecting from “Toy Story 4,” just know that this might end up being the most beautiful animated movie you’ve ever seen.

    “Toy Story 4” opens on June 21st, everywhere.

  • ‘Toy Story 4’ Director and Producers on Tinny, Totoro and How Time Works in the Franchise

    ‘Toy Story 4’ Director and Producers on Tinny, Totoro and How Time Works in the Franchise

    Disney•Pixar

    There are few films this summer that are met with the kind of excitement that “Toy Story 4” is generating. Early previews have generated the kind of palpable enthusiasm that only comes from a franchise that has crossed generational boundaries (the first film was released in 1995) while maintaining a high level of quality and a consistent investment in the brand (if not through actual movies, then through various short films, TV specials, theme park attractions, and the like). Everyone is pumped about “Toy Story 4” because “Toy Story 4” is a movie for everyone.

    So we were, of course, thrilled to sit down and talk with director Josh Cooley and producers Jonas Rivera and Mark Nielsen, about how time works in the “Toy Story” universe, how Pixar legacy character Tinny finally came into the franchise, and whether or not the plush Totoro from the end of “Toy Story 3” came back. Plus, learn new details about the Polly Pocket-esque new character Giggle McDimples, a deceptively complicated character that utilizes a number of animation forms. 

    Moviefone: This is kind of a philosophical question, but how is time working in the “Toy Story” universe now? With first three movies, there was more time between movies but it kept on track in terms of following Andy’s life. But with “Toy Story 4,” it seems like no real time has passed since “3.” And you opened with a flashback.

    Josh Cooley: The interesting thing is that, we’ve done the, the TV specials in the shorts as well. They do fit in there. If you go from when it goes to on his boot and it fades out, it goes to black, there could be a couple of weeks in between there right before, before it picks up again. But in terms of why we start right there at the end of ”3,” is because that’s the moment. That’s the moment of Woody realizing he’s in a new place, new location, a new kid, new toys. And it’s like that’s the pivotal moment of, of stepping into something completely new. So you couldn’t start any later than that or it just wouldn’t work.

    Jonas Rivera: I think it had to be sort of close to that moment because you needed to have Woody in a little bit of denial. It couldn’t have been three years later. It’s so obvious. So it has to be new enough to be, this could work and long enough that the other toys are like, is it though? He’s holding it back a little bit. So that was to our advantage.

    For many people “Toy Story 3” felt like closing the book. Without giving anything away, does this feel like a grace note? Or is this an opening up of a new thread of this story?

    Rivera: We’ve debated that openly. When we looked at the first three again, which we did multiple times … One of the things we talked about and I remember Andrew [Stanton] saying … Because I was honest, I was saying, “I feel like that ending to the third one is so good, the trick is how do you start it back up again?” And he almost got mad and said, “No, it has never been the end. That was the end of Andy’s story and that’s the external plot. This is about and always has been Woody, so that sets up something new.” I remember talking about it and thinking each of the films ends with an applied future. The first one is sort of a joke. There’s a puppy, what are we going to do? Cut. You’re out. The second one, you know they’re okay. They persevered. You kind of implied they’re going to have a party. That could have been the end. The third one, they get the band back together, survive and get dropped off and you could be satisfied with the end of that or you could imply, well they have more adventures or more life and things change.

    And so it always felt like each one has this implied future. And so whether or not this one is the end or isn’t, I feel satisfied like, Oh, it could kind of be either. It’s like I feel proud as a producer that this is, we’ll be getting three acts beginning, middle to end movie that feels satisfying. But it’s a big universe full of lots of toys, lots of characters and ideas.

    Cooley: The other thing is like we worked on making sure that you don’t even have to see the first three to understand this film. It’s its own self-contained things as well. And the flashback helps set up the previous films if you haven’t seen them. But I’m very satisfied with the end of it. And I think it’s the same thing. It could end there or it could imply something else.

    Pixar

    Why bring Tinny back? That could have been any toy. And some people might now that the first “Toy Story” was based on “Tin Toy,” the short where that character originates.

    Rivera: Very good!

    Cooley: Well, he’s in an antique store and there’s tons of toys from every era. And so we’re like, “We’ve got to get tin toys in there. It’s part of the family.” And we were like, “Let’s make a little nod to that.” There’s so many Easter eggs in this film. That’s kind of an obvious one.

    Mark Nielsen: From the moment we decided to have an antique store be a major set piece for this movie, we knew there was just massive opportunities to be able to pull stuff in from other films for this. Not due to laziness.

    Rivera: Tinny was a little tough to resurrect. By the way, this isn’t necessarily true, but there’s, as you ask it, Bill Reeves, who’s our global technology supervisor was the supervising technical director on “Tin Toy.” So now that you ask, it’s like, well can we had to have Tinny because Bill was on the movie. There’s very few people that worked on “Tin Toy” and “Toy Story 4.”

    Canonically, is it the same Tinny from the short?

    Rivera: I don’t know.

    Cooley: I don’t know if we ever talked about that.

    Nielsen: Nobody ever asked that question.

    Rivera: It probably is?

    Cooley: I like to think yes because that short was about him learning to love a kid and that works into the “Toy Story” world.

    I want to talk about one of the new characters, Giggles, because she has a 2D animated face. Can you talk about what it was like working that out?

    Cooley: We’ve done that a few times with some side characters, but we’d never done it with like a main kind of character. It was great to see like how far we can push that. Because you look at those small toys from the 80s and they have quickly screen-printed faces on there. And knowing we were going to be have a character this tiny and have to be able to see expressions, we need to be able to make clear. And also her name is Giggle McDimples, she’s got to have dimples on there too, which are a pixel wide. First of all it was like, can we do this? And we’ve pulled up some other stuff. We’re like, oh, we have done it before, in the background of “Partysaurus Rex.”

    Rivera: You know who we did it for? Tinny! Tinny was that way. It was a piece of geometry that would slide around as opposed to sort of a jaw and a mouth. And we were talking about that. I mean it’s completely different now, but that was a projected slide-able thing. Nielsen: But yeah, the character team had to build a little system to be able to animate her because we didn’t have something that existed.

    Disney•Pixar

    Is Totoro back in this movie?

    Cooley: He’s not. I think it was a licensing thing.

    Rivera: Yeah, Totoro is pretty protected as you’d imagine. And we wanted to respect that. And we would have been able to do it and with so many characters, we didn’t have a great way to do it.

    Nielsen: There wasn’t a great way to do it and it would have been a hassle so we didn’t go that way.

    “Toy Story 4” is in theaters everywhere on June 21st. And we’ll have lots more “Toy Story 4” fun before then, don’t worry.

  • Super Bowl LIII: Every Trailer That Aired During Aired During the Game

    Super Bowl LIII: Every Trailer That Aired During Aired During the Game

    Disney•Pixar

    Well, the big game is over and was, for the most part, incredibly boring. But on the advertising side of things, we got the usual mixture of big name cameos (Harrison Ford for Alexa, really?), bizarre pop culture crossovers (“Game of Thrones” shilling for beer? Wile E. Coyote selling out for Mercedes Benz?) and, of course, pricey ads for 2019’s hottest and most clamorously anticipated movies. To that end, we’ve rounded up all the trailers that aired during the big game. Which one was your favorite? And why?

    Alita: Battle Angel’ (February 14th)

    Captain Marvel’ (March 8th)

    Wonder Park’ (March 15th)

    Us’ (March 22nd)

    Avengers: Endgame’ (April 26th)

    Toy Story 4‘ (June 21st)

    Fast and Furious Presents: Hobbs and Shaw’ (August 2nd)

    Scary Stories to Tell in the Dark’ (August 9th)



  • What’s New on Digital, DVD/Blu-ray, TV, & Netflix This Week: November 5-11

    What’s New on Digital, DVD/Blu-ray, TV, & Netflix This Week: November 5-11

    Pixar

    At a loss for what to watch this week? From new DVDs and Blu-rays, to what’s streaming on Netflix, we’ve got you covered.

    NEW ON DVD AND BLU-RAY

    ‘Incredibles 2’ (November 6)

    Pixar’s sequel to its animated hit (now the highest-grossing animated movie ever) brings back the superhero family to save the day. It arrives on Blu-ray 4K Ultra HD, Blu-ray, DVD, and On-Demand November 6 (and is already available on Digital HD). Blu-ray and Digital HD extras include 10 deleted scenes, the new “Auntie Edna” short film, commentary tracks, “Making Bao” (about the creation of the accompanying short film) and more. This is one you’re going to want to dig into … sort of like the Underminer. For more about this release, check out our interview with director Brad Bird.

    ‘Christopher Robin’ (November 6)

    The heartwarming family film featuring the beloved Winnie the Pooh (and the titular Christopher Robin, now grown up and played by Ewan McGregor) and friends arrives on Digital HD, Blu-ray, and DVD. Blu-ray and Digital HD extras include featurettes “In Which … A Movie Is Made for Pooh,” “In Which … Pooh and Friends Come to Life,” and more. It might all be too adorable, actually.

    ‘BlackkKlansman’ (November 6)

    Spike Lee‘s sleeper hit, based on the true story of a black detective who goes undercover to take down the KKK, arrives on 4K Ultra HD, Blu-ray, DVD and On Demand (and is already available on Digital HD). Extras include the featurette “A Spike Lee Joint.”

    NEW VIDEO ON DEMAND, STREAMING, AND DIGITAL

    Lionsgate

    ‘Kin’ (November 6)

    In this low budget sci-fi thriller (from the producers of “Stranger Things”), a teen and his ex-con brother find a powerful weapon that sends them on the run from nefarious forces. Turn it on for the cool concept (and the killer score by indie mainstays Mogwai), stay for the very unexpected cameo.

    ‘Ballers: The Complete Fourth Season’ (November 5)

    Spencer (Dwayne Johnson) and Joe Krutel (Rob Corddry) expand their empire to L.A. in Season 4 of the HBO series. Because, you know, that’s just what ballers do.

    ‘Time Freak’ (November 9)

    Asa Butterfield (“Ender’s Game“) and Sophie Turner (“Game of Thrones”) star in this comedy about a physics prodigy who invents a time machine to reverse their breakup, available On Demand.

    NEW ON NETFLIX

    Netflix

    “John Leguizamo’s Latin History for Morons” (November 5)

    See the hilarious one-man play that got the veteran actor nominated for a Tony Award.

    Outlaw King‘ (November 9)

    Chris Pine stars in this historical drama as Robert the Bruce, the 13th century King of Scots who waged a war of liberation against England. David Mackenzie, the filmmaker behind the acclaimed “Hell or High Water,” directs a cast that also includes Aaron Taylor-Johnson, Florence Pugh, and Stephan Dillane.

    ‘The Great British Baking Show: Collection 6’ (November 9)

    Twelve new amateur bakers compete to make the best cakes, pies, and pastries. Yum!

    For more, see what else is new on Netflix in November 2018.

    TV WORTH WATCHING

    FX

    ‘Mayans MC’ Season 1 Finale, FX (November 6)

    Family members are pitted against each other. EZ’s fate is in flux as the M.C. and the cartel find a common adversary, in the wrap up to the critically acclaimed, tough-as-nails “Sons of Anarchy” spin-off.

    ‘It’s Always Sunny in Philadelphia’ Season 13 Finale, FX (November 7)

    Frank tries to recruit Mac for the gang’s float for the Gay Pride Parade; Frank comes to the realization that Mac will never be secure with his sexual identity unless he comes out to his father. This is the most dramatic description of this series possible, but don’t worry, it’s still wacky as hell.

    ‘Room 104’ Season 2 Premiere, HBO (November 9)

    HBO’s wildly weird anthology series returns, with even more strangeness occurring in the titular hotel room.