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  • ‘Those About to Die’ Interview: Director Roland Emmerich

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    Premiering on Peacock July 18th is the new 10-episode sword-and-sandal series entitled ‘Those About to Die’, which was co-directed, and executive produced by Roland Emmerich (‘Stargate’ and ‘Independence Day’).

    Set in the world of gladiators in Ancient Rome, the series stars Oscar-winner Anthony Hopkins (‘The Silence of the Lambs’), Iwan Rheon (‘Game of Thrones‘), Jojo Macari (‘Morbius‘), Tom Hughes (‘About Time‘), Dimitri Leonidas (‘The Monuments Men‘), Gabriella Pession (‘Crossing Lines‘), Sara Martins-Court (‘Paris, je t’aime‘), Moe Hashim (‘Ted Lasso‘), and Jóhannes Haukur Jóhannesson (‘Atomic Blonde‘).

    'Those About to Die' director Roland Emmerich.
    ‘Those About to Die’ director Roland Emmerich.

    Related Article: ‘Gladiator II’: Paul Mescal and Pedro Pascal Feature in First Images

    Moviefone recently had the pleasure of speaking with director and executive producer Roland Emmerich about his work on ‘Those About to Die’, what interested him in making a series about the Roman Empire, navigating the multiple storylines, and creating the chariot racing sequences.

    You can read the full interview below or click on the video player above to watch our interviews with Emmerich, Iwan Rheon, Jojo Macari, Tom Hughes, Dimitri Leonidas, Gabriella Pession, Sara Martins-Court, Moe Hashim, and Jóhannes Haukur Jóhannesson.

    Anthony Hopkins as Vespasian in 'Those About to Die'.
    Anthony Hopkins as Vespasian in ‘Those About to Die’. Photo: Reiner Bajo/Peacock.

    Moviefone: To begin with, can you talk about your attraction to the source material and why you wanted to set the series at this specific point of the Roman Empire?

    Roland Emmerich: Well, it was about the first time a normal, regular general who had only success in war, became emperor, and there were four emperors, and they came and went, and at the end, Vespasian stayed. He was also the smartest, and he was smart because of what he did. Just to show the Roman people that he’s a man of the people, he said, “I’m not building a golden house. I will build an amphitheater for you so everybody can watch much closer what’s going on.” That was for me, the starting point. Then I said, “Okay, so who could be in this show?” Then naturally you need somebody who is the inside of betting, which is Iwan Rheon. Then all these people come to Rome, from where do they come? All these gladiators came from far, far away. Also, there’s these three brothers who are just so enamored by the Circus Maximus and Scorpus, so they kind of lie to their younger brother. So, all these kinds of people come to Rome and it’s this wild mix of characters and ethnicities. That’s always cool for a director to co-create.

    Iwan Rheon as Tenax in 'Those About to Die'.
    Iwan Rheon as Tenax in ‘Those About to Die’. Photo: Reiner Bajo/Peacock.

    MF: Can you talk about the challenges of navigating all the different characters and storylines in the series?

    RE: Well, I always had this idea to make a movie or a TV show, about the whole Roman Empire but concentrated on Rome. For that, you need different characters because also a lot of them die. So, for me, it was just interesting to kind of see how that develops.

    Dimitri Leonidas as Scorpus in 'Those About to Die'.
    Dimitri Leonidas as Scorpus in ‘Those About to Die’. Photo: Reiner Bajo/Peacock.

    MF: Finally, can you talk about shooting the chariot racing sequences? What were the challenges as a director shooting those scenes?

    RE: That was the thing that I said, “Okay, so how do I do that?” We had luckily a volume stage. Now, a volume stage you can do endlessly what you want but there was always this one moment when we said, “How can we show a character or two characters, because there’s a lot about pushing them to the wall, how can we shoot that?” Then actually after discussion with my DP we tried to film out an unreal engine, a background, and that was the only kind of thing what we had. Everything of these kinds of people, these charioteers, is done with that, with one shot.

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    What is the plot of ‘Those About to Die’?

    ‘Those About to Die’ is an epic drama set in the corrupt world of the spectacle-driven gladiatorial competition, exploring a side of ancient Rome never told — the dirty business of entertaining the masses, giving the mob what they want most … blood and sport. The series introduces an ensemble of characters from all corners of the Roman Empire who collide at the explosive intersection of sports, politics, and dynasties.

    Who is in the cast of ‘Those About to Die’?

    • Anthony Hopkins as Vespasian
    • Iwan Rheon as Tenax
    • Jojo Macari as Domitian Flavianus
    • Tom Hughes as Titus Flavianus
    • Dimitri Leonidas as Scorpus
    • Gabriella Pession as Antonia
    • Sara Martins-Court as Cala
    • Moe Hashim as Kwame
    • Jóhannes Haukur Jóhannesson as Viggo
    Anthony Hopkins as Vespasian in 'Those About to Die'.
    Anthony Hopkins as Vespasian in ‘Those About to Die’. Photo: Reiner Bajo/Peacock.

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  • TV Review: ‘Foundation’ Season 2

    Leah Harvey, Jared Harris and Lou Llobell in 'Foundation,' premiering July 14, 2023 on Apple TV+.
    Leah Harvey, Jared Harris and Lou Llobell in ‘Foundation,’ premiering July 14, 2023 on Apple TV+.

    Returning to Apple TV+ on July 14th , the second season of ‘Foundation’ builds on the first, stretching even further forward through time and visiting some new places while checking in on familiar faces.

    Those who enjoyed the first season will find more of the ambitious, weighty science fiction they enjoyed, but newcomers who were daunted by the colder tone will latch on to some more humorous, human characters this time out.

    What’s the story of ‘Foundation’s second season?

    Cassian Bilton, Lee Pace and Terrence Mann in 'Foundation,' premiering July 14, 2023 on Apple TV+.
    Cassian Bilton, Lee Pace and Terrence Mann in ‘Foundation,’ premiering July 14, 2023 on Apple TV+.

    More than a century after the season one finale, tension mounts throughout the galaxy.

    As the cloned emperor Cleons (Led by Lee Pace’s Brother Day) unravel, a vengeful queen plots to destroy Empire from within. Hari (Jared Harris), Gaal (Lou Llobell) and Salvor (Leah Harvey) discover a colony of “Mentalics” with psionic abilities that threaten to alter psychohistory itself. The Foundation has entered its religious phase, spreading the Church of Seldon throughout the Outer Reach and inciting the Second Crisis: war with Empire.

    The new season chronicles the stories of four crucial individuals transcending space and time as they overcome deadly crises, shifting loyalties and complicated relationships that will ultimately determine the fate of humanity.

    Who else appears in ‘Foundation’?

    Ella-Rae Smith in 'Foundation,' premiering July 14, 2023 on Apple TV+.
    Ella-Rae Smith in ‘Foundation,’ premiering July 14, 2023 on Apple TV+.

    Season two also stars returning cast members Laura Birn, Cassian Bilton and Terrence Mann and introduces new characters and stars, including Isabella Laughland (Brother Constant), Kulvinder Ghir (Poly Verisof), Ella-Rae Smith (Queen Sareth of Cloud Dominion), Holt McCallany (Warden Jaegger Fount), Rachel House (Tellem Bond), Nimrat Kaur (Yanna Seldon), Ben Daniels (Bel Riose) and Dimitri Leonidas (Hober Mallow).

    Related Article: Series Creator David S. Goyer Talks Apple TV+’s ‘Foundation’ Season 2

    Is ‘Foundation’ worth watching?

    Lee Pace in 'Foundation,' premiering July 14, 2023 on Apple TV+.
    Lee Pace in ‘Foundation,’ premiering July 14, 2023 on Apple TV+.

    Whether you enjoy this adaptation of the ‘Foundation’ stories, which re-define the term “sprawling” might depend on your tolerance for high-minded science fiction and treatises about the human condition, war, ethics and more.

    But don’t let that turn you away: because the series also manages to be very entertaining and, in this latest season, has struck more of a balance between the complex and down to Earth (even if Earth is just a memory at this point).

    It still has the big clashes between the Empire and Seldon’s prediction that the galaxy-spanning authority will fall, but it also finds time for quieter moments between characters and developments on their journey.

    Big highlights this time come from three new characters. Ghir plays the grown version of Poly Verisof, who we first met as a child on the planet Terminus (settled by the followers of Hari decades ago after he and they were exiled from the Empire). The adult Poly, a holy man who preaches Seldon’s wisdom, is a delight, introduced lying in a messy, hungover heap on his bunk. And through the season, he’s a constant source of laughs, whether he’s overindulging or finding his faith enough to be a hero.

    Playing perfectly off of Poly is fellow monk Brother Constant (Laughland), a devout follower of the Church of Seldon, who is witty and eager for adventure beyond her home. She gets far more than she ever imagined, including a flirtatious relationship with swaggering scoundrel Hober Mallow (Leonidas).

    Hober is effectively ‘Foundation’s Han Solo, a thief who pulls scams, but who is eventually dragooned into the effort against Empire. He’s crafty, vulnerable and relatable.

    Of course, the returning cast wouldn’t be complete without Lee Pace as the imperious Brother Day. The current ruler of Empire (who in his line’s tradition, all clones of the original Cleon, has a younger Variant named Dawn, played by Bilton and the older Dusk, brought to life by Mann) is a pouty, feather-puffing pleasure who is re-introduced to us during a bout of particularly passionate lovemaking with female robo-servant Demerzel (Birn) before assassins arrive to try and take him out. A fight scene featuring a totally nude Pace is quite the way to ensure that this isn’t all stuffy sci-fi.

    His storyline as Brother Day this year revolves around his decision to change the lineage from the endless cycle of clones to finding a wife who can give him children. And the choice found for him, Smith’s Queen Sareth, is a great counterpoint to his energy. She’s burning with vengeful fury following the murder of her family and has no truck with his pompous, childish ways.

    Elsewhere, as the synopsis suggests, the story builds to a conflict, so if you’d been hoping that things would kick off more this season, you certainly get your wish towards the end. And this is still a show that looks like the team spent every dollar of the considerable budget bringing it to life –– beautiful landscapes merge with artfully designed palaces and spaceships.

    ‘Foundation’ fumbles

    Leah Harvey and Lou Llobell in 'Foundation,' premiering July 14, 2023 on Apple TV+.
    Leah Harvey and Lou Llobell in ‘Foundation,’ premiering July 14, 2023 on Apple TV+.

    Not everything works as well. The storyline between Seldon, Gaal and Salvor is frequently over-serious, carrying over its weight from the first season. Which is not to say it doesn’t function, since Harris, Llobell and Harvey are all convincing enough in their roles, it’s just that their story –– at least, until it intersects with the likes of Brother Day –– doesn’t quite hold your attention in the same way.

    And there will certainly be those who feel like they need an encyclopedia handy to keep track of everyone, the timelines and the arcane terms used by the various characters. But turning to Issac Asimov’s books is likely to be no help in this case, since show developer David S. Goyer and his team have made considerable changes in order to have the story be digestible for this different medium.

    Plenty of potential viewers will be turned off by the feeling that the show is stuffy, worthy and slow, but our advice is to stick with it –– ‘Foundation’ builds in this season to something satisfying. Though we would definitely advise starting with the first season if this is your initial watch of the show.

    ‘Foundation’ receives 7.5 out of 10 stars.

    Lee Pace and Terrence Mann in 'Foundation,' premiering July 14, 2023 on Apple TV+.
    Lee Pace and Terrence Mann in ‘Foundation,’ premiering July 14, 2023 on Apple TV+.

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