(Left) Laurence Fishburne in ‘Cellar Door’. Photo: Lionsgate. (Right) Chiwetel Ejiofor as Roger in ‘Eleanor the Great’ Image: Anne Joyce. Courtesy of Sony Pictures Classics.
Preview:
Laurence Fishburne and Chiwetel Ejiofor are part of the next ‘Exorcist’ movie.
Mike Flanagan is writing and directing the film.
Scarlett Johansson and Diane Lane are already in the cast.
As he prepares to make his take on a movie that exists within the world of ‘The Exorcist,’ writer/director Mike Flanagan is recruiting two additional cast members –– one new to him, and one he’s worked with before.
The new movie won’t be a continuation of David Gordon Green’s ‘The Exorcist: Believer’ as plans for a trilogy flamed out following the disappointing box office returns for that.
Instead, Flanagan has written his own script, and has the backing of Universal and Blumhouse.
Katherine (Olivia O’Neill) in ‘The Exorcist: Believer,’ directed by David Gordon Green.
Flanagan is keeping his plans quiet for now –– no details have emerged, beyond the basic idea of demonic possession –– and we don’t know how the actors will factor in. We do know, however, that cameras will be rolling in New York this year.
When will the new ‘Exorcist’ movie be on screens?
Universal has scheduled the new movie for release on Friday, March 12, 2027.
(L to R) Cody Flanagan and director Mike Flanagan on the set of ‘The Life of Chuck’. Photo: Neon.
(Left) Diane Lane as Slim Keith in ‘Feud: Capote vs. The Swans.’ Photo: FX. (Right) Linda Blair in 1973’s ‘The Exorcist’. Photo: Warner Bros.
Preview:
Diane Lane is joining the next ‘Exorcist’ movie.
Mike Flanagan is writing and directing the film.
It’ll be an all-new approach.
After a brief detour into the more metaphysical side of filmmaking with ‘The Life of Chuck’ modern horror maestro Mike Flanagan is diving back into the terror genre via a new take on ‘The Exorcist.’
The new movie won’t be a continuation of David Gordon Green’s 2023 effort ‘The Exorcist: Believer’ as plans for a trilogy flamed out following the disappointing box office returns for that.
Instead, Flanagan has written his own script, and has the backing of Universal alongside genre stalwart production companies Blumhouse and Atomic Monster.
(L to R) Cody Flanagan and director Mike Flanagan on the set of ‘The Life of Chuck’. Photo: Neon.
Flanagan is keeping his plans quiet for now –– no details have emerged, beyond the basic idea of demonic possession –– and we don’t know how Johansson, Jupe and now Lane will factor in.
When will the new ‘Exorcist’ movie be on screens?
Universal has scheduled the new movie for release on Friday, March 12, 2027.
(L to R) Jon Robin Baitz, Diane Lane, Chloë Sevigny, Ryan Murphy, Naomi Watts, Tom Hollander, Molly Ringwald, Demi Moore, and Calista Flockhart attend the red carpet premiere of FX’s “Feud: Capote vs. The Swans’ at MOMA on January 23, 2024 in New York City. FX’s ‘Feud: Capote vs. The Swans’ premieres with two episodes on Wednesday, January 31 at 10pm on FX, next day on Hulu. Photo by Kristina Bumphrey/PictureGroup for FX.
‘Feud: Capote vs The Swans’ is a limited series based on Laurence Leamer’s best-selling book, ‘Capote’s Women: A True Story of Love, Betray, and a Swan Song for an Era.’ The series focuses on writer Truman Capote and a group of elite socialites, how he became their confidant, and how their friendship ended with his ultimate betrayal in a fiery excerpt of his book. The women, or as Capote called them, “Swans,” band together to exile him from the high society that he loved, sending him spiraling into self-destruction.
Moviefone recently had the pleasure of attending the virtual press conference for ‘Capote Vs. The Swans.’ In attendance were show creator/executive producer Ryan Murphy, writer Jon Robin Baits, director Gus Van Sant, and actors Naomi Watts (who also serves as Executive Producer), Tom Hollander, Diane Lane, Chloë Sevigny, Calista Flockhart, Demi Moore, and Molly Ringwald
Here are 10 things we learned from the ‘Capote vs The Swans’ virtual press conference:
1. Naomi Watts Had To Invent And Recreate the Likeness of Babe Paley’s Voice and Movement Through Only Photographs
Naomi Watts as Babe Paley in ‘Feud: Capote vs. The Swans.’ Photo: FX.
While the series is based on Laurence Leamer’s book, the cast of incredible actresses in the series did their research beyond written material – finding recordings, photographs, and more to bring them to life on screen.
Naomi Watts, who plays Babe Paley, and is also an executive producer on the series, talks about her research process as there were no recordings of Paley.
Naomi Watts: Laurence Leamer’s book was our source material, but then we had these wonderful writers as well, and so we really stuck to the scripts. But with Babe [Paley], there was no footage available that I could find, recordings or visuals, so trying to create a voice and her physicality was, you know, something that I had to invent through a multitude of wonderful photographs. You know, just how her hand was placed, perhaps, or how she held her cigarette; it was clear to me that there was never a hair out of place, never a wrong word spoken. So much effort put into her appearance and not just for her own vanity but how she designed a dinner table, who were the guests, what would the conversations be, what would the cutlery be, how it was placed. There was just so much time and thoughtfulness put into how each event would go, and yes, plenty to find on the internet, plenty of things to read. But there was this delicious writing that we could lean in on, so creating Babe was a complete joy for me.
Watts also serves as an Executive Producer on the series. When asked how she became involved in such a role, she says:
Naomi Watts: I had been working with Ryan [Murphy] on ‘The Watcher’ and really enjoyed that experience and established a nice rhythm and he’s very, very, very generous! So that is how I became an EP.
2. Tom Hollander on Why The Swans Befriended Capote
Tom Hollander attends the red carpet premiere of FX’s ‘Feud: Capote vs. The Swans’ at MOMA on January 23, 2024 in New York City. FX’s ‘Feud: Capote vs. The Swans’ premieres with two episodes on Wednesday, January 31 at 10pm on FX, next day on Hulu. Photo by Kristina Bumphrey/PictureGroup for FX.
Truman Capote’s close friendship with The Swans allowed him a look into their private lives and secrets, which would later lead to him exposing their secrets in ‘Answered Prayers.’ Actor Tom Hollander expands on why he thinks Capote befriended the Swans to begin with.
Tom Hollander: I think he was the greatest writer of his generation, so for a bunch of people that were very rich and fancy houses but kind of, at some level, disempowered by their marriages, to have the greatest writer of his generation in their salons made… he was an accouterment. He was a dazzling accouterment on their dinner table. Maybe he would celebrate them. So maybe at some level, their vanity was flattered by having him around and him understanding them and listening to them in a way that their husbands weren’t, didn’t have time for. He was filling a great gap in their emotional lives, and he was brilliant. He was an incredibly entertaining, perceptive, clever, interesting, singular man, so they were all- so I’d say that’s what they were getting out of it. Quite a lot. Until it went wrong.
3. The series marks Calista Flockhart’s return to television since ‘Supergirl’ and reunites her with Jon Robin Baitz
Calista Flockhart as Lee Radziwill in ‘Feud: Capote vs. The Swans.’ Photo: FX.
Playing Lee Radziwill, Calista Flockhart reunites with writer Jon Robin Baitz for the series. The two worked together on ‘Brothers and Sisters’ in 2006. Flockhart elaborates on working again with Baitz.
Calista Flockhart: I have been a fan of Robbie’s way, way, way back when we were doing New York theater together. I’ve done readings of so many of his plays. I remember in ‘Brothers and Sisters,’ we had a very collaborative relationship when we were discovering who Kitty was as a character, and so yes, I was excited to do this again with Robbie because I admire and love his talent, his intelligence, and also his sensitivity and humanity.
4. Diane Lane Had Access To Slim Keith’s Memoir
Diane Lane as Slim Keith in ‘Feud: Capote vs. The Swans.’ Photo: FX.
In her research on Slim Keith, Diane Lane was able to have access to her memoir, which allowed her to have a better understanding of the amount of anger Slim had toward Capote.
Diane Lane: The word that has been bandied about is ringleader, and I want to counter that with a little bit more nuance. I think that she saw from afar that Truman needed support and she was there for him in times—you know, he came to her to be an agent for the book, becoming a movie, ‘In Cold Blood,’ and until she could find him Swifty Lazar and help him to get a million-dollar deal, which at that time was pretty huge. I mean, historically there was a lot of loss in this betrayal that we don’t see on camera. I got the wonderful cheat of having access to her memoir, so I have an extra amount of compassion for the amount of anger that she is accountable for in this story because she did empower him and nurture his growth and was there for a lot of his formative time. They traveled the world together and she did seem to have a sixth sense about not trusting him with too much of her secrets, so when she was chosen to be the person quoted about other people’s indiscretions in the infamous ‘Answered Prayers’ article in Esquire, as though she were the one betraying the ladies who lunch and everyone else. I mean, he called her “Big Mama,” that was his nickname for her. So she was really baffled, and I’ll leave it there.
5. Ryan Murphy thinks The Swans would have been as influential as the Kardashians if they were living in this era
(L to R) Calista Flockhart, Chloë Sevigny, Diane Lane, Molly Ringwald, Naomi Watts and Demi Moore in ‘Feud: Capote vs. The Swans.’ Photo: FX.
As a group of extremely smart and capable women, they were brilliant in putting together many business deals that they were not given credit for. If they were alive today, it would be a completely different story.
Show creator Ryan Murphy elaborates on the topic of timing for these women.
Ryan Murphy: That’s actually something Robbie and I talked a lot about when we were first thinking of doing it, and I think the tragedy of that generation, which I would include my mother in, is a generation of women sort of caught between ‘The Dick Van Dyke Show’ and the pill, who were, I think, very frustrated a lot of times with the misogyny of the society. I think all of those women in our show were so brilliant in their personal lives and so intelligent that I do think 10 years-post, they all would’ve had successful businesses or brands. You can just see that they were all so smart, particularly in the world of manners and society and beauty, and I think they all would’ve had skincare lines, I think they all would’ve had house care lines. I think they would’ve done a Kardashian thing, you know, which is a very brilliant business way of looking about selling an aspirational lifestyle. But some of them did have that—I mean, if you look at Slim, the tragedy of that is she was behind particularly, and so was Babe, so many incredible business deals that she helped put together professionally that she was not given credit for—both of them, I think. So I think the frustration and the sadness was baked into that time. I think, to answer another question, that’s one of the reasons they turned to Truman, because they were all in marriages or with men who constantly put them in their place and told them they weren’t enough. Truman was the one who said to them, “You’re actually smarter than your husbands, you control everything. All of these lives are because of what you’re doing.” There’s a baked-in sadness in that, that so many women of that generation, I think, that we wanted to write to. There’s nothing more depressing than lost potential, which I think they all really had.
Demi Moore chimed in on the topic as well:
Demi Moore: I don’t know if I can speak for all of the women, but I think that there was a great desire of beauty and, in an interesting way, I think that there was a great desire for connection with one another. While their life had certain limitations, I think that they were incredibly expansive in how they were living their lives.
6. The series touches on the LGBTQA+ community during that time
Gus Van Sant attends the red carpet premiere of FX’s ‘Feud: Capote vs. The Swans’ at MOMA on January 23, 2024 in New York City. FX’s ‘Feud: Capote vs. The Swans’ premieres with two episodes on Wednesday, January 31 at 10pm on FX, next day on Hulu. Photo by Frank Micelotta/PictureGroup for FX.
Truman Capote was openly gay, and the series leaned into homophobia during that time period. Ryan Murphy speaks on the including the use of the words “f*g” and “fa**ot” and how it was depicted in the show.
Ryan Murphy: In terms of the sexuality and the homophobia of the time, I think the most fascinating thing about that is we talked a lot about the use of those words, particularly the use of the word “f*g” or “fa**ot” and how it was depicted in the show. In the scene where Demi confronts him, you know, obviously it’s a word none of us like, none of us use, and we had a lot of conversation about it, but it was so important to him. It was the thing that he claims that she did and also that Lee did to him that broke his heart and broke his soul because he thought that was such a betrayal. It was a thing that ultimately turned him—when he talks about Demi’s character, it is the thing that he references where he decided to go after her. In the case of Lee, it’s an offhand remark that she made about a lawsuit he was in, and he was so stunned and hurt. So for us, as difficult as it was to articulate, being true to the characters and the time and the power of words. So we researched that quite heavily and we had a lot of conversations about “Should we leave it in? Should we take it out?” But ultimately, we did [leave it in]. As a gay person who that word has been used about since I was three years old, I really understand the wound of it and the pain of it and how it really can turn your life upside down. So we decided to be honest.
Director Gus Van Sant elaborates more on queer culture in that time period.
Gus Van Sant: I think in the time period that we’re depicting, there is an emerging gay culture. People are out…ish. Chloë and I had an art teacher who was out in 1961, teaching in a homophobic town, Darien, Connecticut, and sharing his gay weekends by explaining things that he was involved in on the weekends in the Greenwich Village. But yeah, there was a long road to travel. I mean, Truman was out by virtue of his art and his novels, the dates of his novels coming out, he predated, like, many people, along with Gore Vidal and Tennessee Williams. They were very exposed compared to, like, the general culture, but it’s a fascinating sort of character within gay history. I’d often thought there’s this great story of him going with Norman Mailer to a working man’s bar, and Norman thinking they were gonna get attacked, and Truman just pulled it off perfectly because of his energy and his, I guess, peace of mind, you know, as an open gay man. So we didn’t get to that scene, but he’s sort of a representation of queer culture through the ’50s and ’60s and ’70s and ’80s.
7. Molly Ringwald on her character Joanne Carson and why she remained friends with Capote
Molly Ringwald as Joanne Carson in ‘Feud: Capote vs. The Swans.’ Photo: FX.
Joanne Carson, wife of famous TV host Johnny Carson, was Capote’s last remaining friend. Played by Molly Ringwald, the actress expands on the friendship between Capote and Carson.
Molly Ringwald: She was really like his last friend. But I feel that it was such a betrayal because they adored him so much. I think even though they knew he was a writer, I feel like they didn’t- they were going to be immune to that, to what writers do, which is use material in their lives and fictionalize it. I think it was pretty self-destructive, what he did. I don’t think he wanted to lose their friendships either, but he is a writer, you know. Like Joanne Carson, I think one of the reasons why she stayed friends with him—because he wrote things about her too—but she was in love with his genius. I think she really thought that he was a genius. I do too—as a writer, I think he was a genius, and I think all writers need somebody in their lives there sort of saying, “You can do this, you’re great.” I don’t know, I feel like there was maybe a little bit of anger on his part from being a little bit of a court jester, like he was a court jester, but maybe there was some anger about that.
8. How Did Tom Hollander Nail Down The Voice of Capote?
Tom Hollander as Truman Capote in ‘Feud: Capote vs. The Swans.’ Photo: FX.
Capote had a specific way of speaking, in his intonation and pauses. Tom Hollande describes his process of getting into character before walking on set:
Tom Hollander: Honestly, I just listened to it a lot, and I was helped enormously by the most brilliant voice coach called Jerome Butler, who was there with me every day. Then Truman himself was on my phone in my ear before every take, and so I could be with him whenever I wanted to and remind myself what he sounded like. So you just keep scratching away at it. It’s not something that you get and then you’ve got it and then you can hold on to it. You have to keep going, keep working at it.
9. The Cast Did Not Interact With Each Other Outside Of Their Scenes Due To COVID
Chloë Sevigny as C. Z. Guest in ‘Feud: Capote vs. The Swans.’ Photo: FX.
‘Feud: Capote Vs. The Swans’ began filming in New York in Fall 2022, when productions had to adhere to strict COVID restrictions such as masking and distancing. Aside from their scenes together, the cast were not able to interact with each other during filming.
Chloë Sevigny: We were still masked then. We were still in the throes of COVID. We had to eat alone. We couldn’t even all eat together in the cafeteria, so we were kept kind of separate from one another. Even in the hair and makeup trailer, we were like six feet apart, so the most intimate we were was when we were in La Côte Basque.
Did this make it harder for the cast to bond? Naomi Watts anwsered:
Naomi Watts: There was some high-level concentration going on because of this high-level writing, these delicious words that we wanted to savor and, you know, really honor, not to mention these beautiful characters to play. Oftentimes when you’re working on a film or a show, I mean, especially if you’re on the road somewhere and you’ve left your home territory, it’s nice to have a meal at the end of the day or, you know, a drink or a hangout and there just wasn’t time for this because we were always concentrating on the next day’s work ahead. But yes, to Chloë’s point, when we came together at the Côte Basque, those in-between moments, though they were short, they were bonding, and I think we were all just super-grateful for these wonderful group of people.
10. The particular way Ryan Murphy titles his shows
‘Feud: Capote vs. The Swans.’ Photo: FX.
With a plethora of shows under his belt, how does creator Ryan Murphy decide what order to put place the colon and why? Murphy explains:
Ryan Murphy: First of all, that is my- 100 percent my decision. People talk a lot about that, colon versus semicolon. I think I’m being correct. I think in the case of ‘Feud,’ it’s always about a versus—you know, we did that in Season 1, which was Bette vs. Joan or so that’s how that came about. Because, you know, ‘Feud’ is about a love turned to hate, and I think it is very much about a clash which the Vs. gives you.
Demi Moore as Ann Woodward in ‘Feud: Capote vs. The Swans.’ Photo: FX.
What Is ‘Feud: Capote vs The Swans’ about?
Acclaimed writer Truman Capote (Tom Hollander) surrounded himself with a coterie of society’s most elite women, rich, glamorous socialites whom he nicknamed the Swans. Beautiful and distinguished, the group included Babe Paley (Naomi Watts), Slim Keith (Diane Lane), C.Z. Guest (Chloê Sevigny), and Lee Radziwill (Calista Flockhart). Enchanted and captivated by his Swans, Capote ingratiated himself into their lives, befriending them and becoming their confidant, only to ultimately betray them by writing a thinly veiled fictionalization of their lives and exposing their most intimate secrets. When an excerpt from the book Answered Prayers was published in Esquire, it effectively destroyed his relationship with his Swans, banished him from the high society he so loved, and sent him into a spiral of self-destruction from which he would ultimately never recover.
Premiering March 17th on Apple TV+ is the new series ‘’Extrapolations,’ which was created by Scott Z. Burns (‘Contagion’).
What is the plot of ‘Extrapolations?’
‘Extrapolations’ is an anthology series that depicts the effects of climate change on the planet through various different points of view through interconnected stories.
Moviefone recently had the pleasure of speaking with Daveed Diggs about his work on ‘’Extrapolations’,’ his character, the story and working with Scott Z. Burns.
Daveed Diggs stars in ‘Extrapolations,’ premiering March 17, 2023 on Apple TV+.
You can read the full interview below or click on the video player above to watch out interviews with Diggs, Indira Varma, Tahar Rahim, Scott Z. Burns and executive producers Michael Ellenberg and Dorthey Fortenberry.
Moviefone: To begin with, what was your first reaction when you read Scott Z. Burns’ script for this series?
Daveed Diggs: I mean, I was really invested in the character. I got sent the scripts, and I just thought he was awesome. Then understanding the totality of the series, the same thing. It does be making me Google things and I think that’s really an important aspect of it. I think we want something that’s entertaining enough that it sticks with you and then as it sticks with you, it starts to seep in. You can be like, what don’t I know about this that I should probably know? I think Marshall being part of the first third of this, there is that little hopeful element of we could actually not do this. We could not end up there. We just have to all decide. Actually, all of us have to decide that we don’t want to be there, which is a tricky ask.
Meryl Streep in ‘Extrapolations,’ premiering March 17, 2023 on Apple TV+.
MF: Can you talk about how the events of the series change your character’s plans for the future?
DD: He’s already 20 years down the road, but I think Marshall is hopeful. Ultimately, it’s about people. So the big question of it is, how could God do this to us? How could God allow this to happen? Those are the questions that this little girl is asking. He doesn’t have an answer to it until he comes to the realization that he already knew when he was younger, when he was an activist, which was like, actually we have to do it and God’s been saying that. He said that to Moses.
Daveed Diggs in ‘Extrapolations,’ premiering March 17, 2023 on Apple TV+.
MF: How would you describe your character, Marshall?
DD: Marshall’s a rabbi, so he’s a faith leader. When we meet him, he is working in Israel and is a big activist on climate and a whole bunch of other things. Then we flash forward a bunch of years and we meet him again. He’s moved back to Miami and he is running the congregation there, and he’s become a little more apathetic despite still being a leader of faith and really passionate about his community. But in terms of his activism, he’s sort of fallen off. Then a little girl about to have her Bat Mitzvah comes in and starts challenging all of his apathy. It’s a good way to raise the stakes of a crisis of faith, to be actually met with the flood. It’s just good writing. It really, and that’s why I was attracted to it.
(L to R) Edward Norton and Mia Maestro in ‘Extrapolations,’ premiering March 17, 2023 on Apple TV+.
MF: Finally, how would you describe the series, in your own words?
DD: I mean, it is sci-fi, I guess, that’s the closest thing, or climate fiction. That that’s a whole sub-genre, cli-fi is a whole thing. But I think speculative fiction is looking forward to a future that we are not yet in, but it is grounded in a lot of practical, as Scott’s work tends to be grounded in a lot of practical, real world contemporary science and the most current version of all of these things. So, that’s what makes it scary is that we know that this is a real possibility.
‘Extrapolations,’ premieres March 17, 2023 on Apple TV+.
Following her 2019’s feature directorial debut ‘Wine Country’, Amy Poehler has returned behind the camera with ‘Moxie’, an adaptation of the novel by Jennifer Mathieu. ‘Moxie’ follows shy 16-year-old Vivian (Hadley Robinson) as she starts to question the terrible behavior of the teenage boys in her high school. Inspired by new girl Lucy (Alycia Pascual-Peña), Vivian finds her inner rebel girl making zines like her riot grrrl loving mom (Poehler), and leads her school in a revolution, girl style.
Those in the know will have noticed the many references to the riot grrrl band Bikini Kill above (and will find even more in the film), but for the rest of you, here’s a short primer. Riot grrrl was an underground feminist punk movement founded in the early 1990s in Olympia, Washington. The subculture combined feminism, punk, and politics, and expressed itself via homemade zines, VHS tape exchanges, and more. Prominent bands featured in the subculture included Bikini Kill, Bratmobile, Heavens to Betsy, Huggy Bear, and Sleater-Kinney. If you want to learn more about this era seek out Sara Marcus’s book ‘Girls to the Front: The True Story of the Riot Grrrl Revolution.’
In the spirit of Vivian finding inspiration in riot grrrl culture, here are a few films that would pair nicely with ‘Moxie.’
Smithereens, 1982 (dir. Susan Seidelman)
Susan Berman in ‘Smithereens’
Directed by Sunsan Seidelman (‘Desperately Seeking Susan’), written by Ron Nyswaner (‘Philadelphia’) and featuring a score by The Feelies, ‘Smithereens’ follows a narcissistic young woman named Wren who moves to New York City from New Jersey in search of fame in the punk subculture scene, only to discover it has mostly moved to Los Angeles. Wren is unapologetically herself in everything she does, from the way she dresses to her self-centered ambitions. Also of note: this was the first American independent film invited to compete for the Palme d’Or at the 1982 Cannes Film Festival.
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Ladies and Gentlemen, The Fabulous Stains, 1982 (dir. Lou Adler)
Diane Lane in ‘Ladies and Gentlemen, The Fabulous Stains’
Written by Nancy Dowd (Slap Shot, Coming Home) and directed by record producer, manager, multi-hyphenate Lou Adler, ‘Ladies and Gentleman, The Fabulous Stains’ follows three teenage girls (Diane Lane, Laura Dern, and Marin Kanter) who start a punk band and go on tour. While the film struggled in theaters, it found a cult following on television and is often cited as an influence on the female-fronted punk bands that formed during the riot grrrl era.
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Tank Girl, 1995 (dir. Rachel Talalay)
Lori Petty and Naomi Watts in ‘Tank Girl’
Based on the post-apocalyptic comic series of the same name created by Jamie Hewlett and written by Alan Martin, Rachel Talalay’s ‘Tank Girl’ stars Lori Petty as the titular heroine Tank Girl and Naomi Watts as Jet Girl. Stridently feminist, the film tackles anti-establishment themes, embraces female sexuality, and generally just kicks ass. The soundtrack was put together by Hole lead singer Courtney Love, whose beef with Bikini Kill’s Kathleen Hanna was widely reported, but its vibe still fits in the canon.
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Not Bad For A Girl, 1995 (dir. Lisa Rose Apramian)
Babes in Toyland’s Kat Bjelland in ‘Not Bad for a Girl’
Directed by Lisa Rose Apramian, this documentary offers an inside look at the women musicians working in grunge and riot grrrl in the 1990s. Partially funded by Courtney Love and Kurt Cobain, bands interviewed include Hole, L7, Lunachicks, Babes in Toyland, Joan Jett, Calamity Jane, Bulimia Banquet, The Mudwimin, Silverfish, 7 Year Bitch, Bratmobile, Bikini Kill. Along with interviews, ‘Not Bad For A Girl,’ features clips from live performances, and even footage of the very first Riot Grrl Convention.
Editor’s note: This doc can be hard to find, but if you come across it, it’s essential viewing.
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Foxfire, 1996 (dir. Annette Haywood-Carter)
Angelina Jolie in ‘Foxfire’
Based on the novel by ‘Foxfire: Confessions of a Girl Gang” by Joyce Carol Oates, this adaptation updates the novel’s 1950s setting to the 1990s and moves the location from upstate New York to the suburbs of Portland, Oregon. The film features a breakout performance from Angelina Jolie, whose outsider Margaret “Legs” Sadovsky convinces fellow teen girls (Hedy Burress, Jenny Lewis, Jenny Shimizu, and Sarah Rosenberg) to stand up to sexual harassment in their school and abuse at home. The film explores riot grrrl themes like the power that can be found in girl groups, explorations of sexuality, and embracing your creativity.
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Mary Jane’s Not A Virgin Anymore, 1997 (dir. Sarah Jacobson)
Lisa Gerstein in ‘Mary Jane’s Not a Virgin Anymore’
Sarah Jacobson was known as the queen of underground film. Her first film ‘I Was a Teenage Serial Killer’ was made with practically no budget, centered female rage in a new and groundbreaking way, and embodied the DIY spirit of the era. Tamra Davis (‘CB4,’ ‘Billy Madison’) helped finance Jacobson’s second feature ‘Mary Jane’s Not a Virgin Anymore,’ which follows the titular Mary Jane as she takes control of her sexual maturation. A precursor to the 2000s Mumblecore movement, Jacobson’s film features mostly non-professional actors and explores coming-of-age tropes like female desire, friendship dynamics, etc. but in a frank, naturalistic way.
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The Punk Singer, 2013 (dir. Sini Anderson)
Bikini Kill’s Kathleen Hanna in ‘The Punk Singer’
Sini Anderson’s documentary ‘The Punk Singer’ follows the life of Bikini Kill’s Kathleen Hanna using new interviews and archival footage of live performances. The film traces Hanna’s life and artistic career from her time as a spoken word poet, her riot grrrl zines, the formation of Bikini Kill, and her later work with Le Tigre, and her diagnosis of late-stage Lyme disease. Through her portrait of Hanna, Anderson examines the rocky history of riot grrrl, sexism in the music and medical industries, the complexities of stardom, and the strength women can find within themselves and in each other.
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The suspense thriller “Let Him Go” has added two big-name stars: Kevin Costner and Diane Lane.
The upcoming film from director Thomas Bezucha will star the two as a married couple on a mission to save their grandson, THR reports. The story is based on Larry Watson’s novel of the same name. Bezucha penned the script.
Like the novel, the film centers on the George (Costner) and Margaret Blackledge (Lane), a couple who loses their grandson when his mother remarries and moves away. With the boy being raised among his stepfather’s dangerous family, the Blackledges decide they have to get him back. Conflict arises when the Weboys are unwilling to let the Blackledges take him.
Production on “Let Him Go” is scheduled to begin this spring. Rod Lake is set to executive produce, while Mazur Kaplan’s Paula Mazur and Mitchell Kaplan, Bezucha, Costner, Kimi Armstrong Stein, and Jeffrey Lampert will produce. Josh McLaughlin is overseeing.
Claire Underwood (Robin Wright) has assumed her place as the new head of the White House, but nothing ever really goes according to plan on “House of Cards.” And a batch of photos from the Netflix show’s upcoming sixth and final season introduce some new characters who are surely about to put up some major roadblocks for the new POTUS.
The images feature a first look at new characters played by Diane Lane and Greg Kinnear, who star as Annette and Bill Shepard, a pair of siblings who’ve just inherited their influential family’s massively wealth industrial conglomerate, Shepard Unlimited. According to Netlfix, the sister and brother are “powerful behind-the-scenes force in the American political landscape [who] share a vision for the future of America, as well as a complicated past with the Underwoods.”
David Giesbrecht/NetflixDavid Giesbrecht/NetflixDavid Giesbrecht/NetflixDavid Giesbrecht/Netflix
Considering who the Underwoods are, that “complicated past” language may be a bit redundant. Still, their addition — along with Cody Fern (“American Crime Story,” “American Horror Story”), who’s playing Annette’s “ambitious and devoted son, who represents the next generation of DC power players” — should inject some juicy drama into the streaming series.
“House of Cards” has already weathered its fair share of behind-the-scenes drama during production of season six, which saw star Kevin Spacey fired from the show late last year. The actor was accused of sexual misconduct by fellow actor Anthony Rapp when Rapp was only 14, and many members of the “House of Cards” crew soon came forward with tales of their own harassment and abuse at the hands of Spacey. It was later announced that Wright would assume the mantle of the show’s leading character, and the series would wrap with a shortened sixth season.
That final outing debuts on Netflix on November 2.
The screen version of the acclaimed graphic novel “Y: The Last Man” is slowly coming to life, with FX announcing the cast for the pilot.
Headlining are Diane Lane, Barry Keoghan (“Dunkirk”), Imogen Poots (“Green Room”), Lashana Lynch (“Still Star-Crossed”), Juliana Canfield (“Succession”) and Marin Ireland (“Sneaky Pete”)
Brian K. Vaughan’s comic series, which launched in 2002, centers on escape artist Yorick Brown (Keoghan), the last surviving human with a Y chromosome after a mysterious lague wiped out the male chromosome.
FX’s official description reads: “Y traverses a post-apocalyptic world in which a cataclysmic event has decimated every male mammal save for one lone human. The new world order of women will explore gender, race, class and survival.”
Lane will play Senator Jennifer Brown, who is in her first term but has already made a name for herself for her willingness to put personal ideals above politics. She is mother of Yorick and Hero Brown (Poots).
Lynch is the highly professional Secret Service Agent 355, Canfield is Yorick’s love interest Beth, and Ireland plays the president’s top advisor.