But there was also the usual dull presenter banter, some truly rude moments of worthy winners played off (the ‘KPop Demon Hunters’ songwriting team even had the lights switched off on them, for which O’Brien apologized) and awkward insertions of politics, no matter how important the cause.
Overseeing the Oscars for the second time, comedian, writer and former late night host O’Brien proved he has what it takes to do this job.
His opening skit, dressed as Amy Madigan’s Aunt Gladys from ‘Weapons,’ chased through different other Oscar nominated movies by a bunch of kids, was a winner.
And if his opening monologue veered between pointed political jabs and some softballs that drew muted responses, it was still superior to other recent efforts. He was even able to smoothly deal with technical issues that plagued the ceremony, such as sound problems and cutting back to him unexpectedly.
Cementing its 2025 success, Warner Bros. enjoyed plenty of awards love this year, as Paul Thomas Anderson finally got his Oscar (six, in fact) for ‘One Battle After Another’ and ‘Sinners’ also took home plenty of trophies.
Talking of ‘Sinners’, Michael B. Jordan, whose Actor in a Leading Role ascension over waning prior favorite Timothée Chalamet (his ‘Marty Supreme’ went home empty handed) ended with Jordan on stage thanking those who had blazed a trail before him.
Elsewhere, ‘The Secret Agent’ sadly landed zero awards, but Netflix had a very good night, as ‘KPop Demon Hunters’ won two awards and ‘Frankenstein’ three, with the streaming service behind a variety of other triumphs.
Having actors –– particularly those with a film to promote or remember –– hand out awards has often led to some leaden banter, and this year was no exception. Even the star power of Robert Downey Jr. and Chris Evans couldn’t bring a lame bit to life, while one featuring Sigourney Weaver, Pedro Pascal and Grogu (pimping the upcoming ‘Star Wars’ movie) only really worked because of Weaver’s commitment (“Get away from him, you bitch!” she growled at nominee Kate Hudson, who had been cosying up to the critter in the audience).
Anna Wintour might not be everyone’s first choice for a co-presenter, but there she was, alongside ‘The Devil Wears Prada 2’s Anne Hathaway in a moment that felt like Disney selling the sequel more than looking to celebrate the Costume Design or Hair and Makeup categories.
There was more mixed luck with reunions –– the ‘Bridesmaids’ cast brought their moment to life with true comic power while Ewan McGregor and Nicole Kidman just looked award handing out Best Picture and recalling ‘Moulin Rouge!’.
Three big things happened last night in terms of history. There was the first tie in 14 years (only the seventh in Oscar history) as ‘The Singers’ and ‘Two People Exchanging Saliva’ shared the Live-Action Short Film honors.
‘Sinners’ cinematographer Autumn Durald Arkapaw became the first woman (and woman of color) to win her category, while the first ever Casting award was handed to ‘One Battle’s Cassandra Kulukundis. Long-favoured Actress winner Jessie Buckley, meanwhile, became the first Irish woman to take home her category for her work in ‘Hamnet’.
The annual remembrance for those in the industry was well handled and featured three major spotlights. First, Billy Crystal gave a moving speech about friend and collaborator Rob Reiner (who was murdered in his home last year alongside his wife, Michele), and was then joined by other cast members of Reiner movies.
Rachel McAdams took the stage to pay tribute to the likes of Diane Keaton and Catherine O’Hara, and then the big finish –– Barbra Streisand arrived to memorialize her ‘The Way we Were’ co-star and cinema icon Robert Redford, before singing for the first time in public (she had all but stopped due to stage fright issues and frustration) in years for a memorable finale to the segment.
‘One Battle After Another’ was the biggest winner of the night, with Paul Thomas Anderson’s latest taking Picture, Director, Adapted Screenplay, Supporting Actor (for no-show Sean Penn), Editing and, handed out for the first time this year, Casting.
‘Sinners’ was also successful, as Michael B. Jordan nabbed the top male acting award out from ‘Marty Supreme’s Timothée Chalamet (who had been the favorite for a while, but whose momentum had slowed of late), while its director Ryan Coogler scored Adapted Screenplay, composer Ludwig Göransson landed Best Original Score and Cinematographer Autumn Durald Arkapaw made more history as the first woman to win her category at the Oscars.
Elsewhere, ‘KPop Demon Hunters’ continued its successful run with two awards (Animated Feature and Original Song for “Golden”), while ‘Weapons’Amy Madigan got a rapturous reception as she took Supporting Actress for her creepy, wild turn as Aunt Gladys.
While ‘One Battle After Another’ has been the presumed winner the entire awards season, having taken home Best Picture at every major award show including Critics Choice, Golden Globes, and BAFTA, ‘Sinners’ won Outstanding Performance by a Cast in a Motion Picture at the Actor Awards, building some momentum for the Ryan Coogler helmed film.
It’s also been assumed that Paul Thomas Anderson would finally receive Best Director from the Oscars, especially after winning Outstanding Directorial Achievement from the DGA, but don’t count out a surprise win from Coogler just yet.
Speaking of ‘Sinners’, although Timothée Chalamet won Best Actor for ‘Marty Supreme’ from Critic’s Choice and the Golden Globes, he failed to win at BAFTA, and lost to Michael B Jordan at the Actors Awards, which signals trouble for Chalamet’s Oscar run.
On the other hand, ‘Hamnet’s Jessie Buckley has had virtually no competition in her race to the Best Actress Oscar and after winning every other major award, I don’t think anything can stop her from taking home gold on Oscar night.
Best Supporting Actress seems like a two-way race between Golden Globe winner Teyana Taylor for ‘One Battle’ and Actor Awards winner Amy Madigan for ‘Weapons‘, however, ‘Sinners’ Wunmi Mosaku is still in the mix.
Finally, the Best Supporting Actor category is fairly wide open, with BAFTA and Actor Awards winner Sean Penn currently the frontrunner fighting off Golden Globe winner Stellan Skarsgård for ‘Sentimental Value’. But the Oscars love a surprise, so if ‘Sinners’ has a big night, Delroy Lindo could end up having a surprise win.
Below are our predictions for who will win Oscars on Sunday at the 98th Academy Awards. We are only breaking down our predictions for the six major categories, Best Picture, Best Director, Best Actor, Best Actress, Best Supporting Actor, and Best Supporting Actress.
Leonardo Di Caprio as Bob Ferguson in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures.
Well, now we finally have a real race!
Since the start of this awards season it has seemed preordained that director Paul Thomas Anderson’s ‘One Battle After Another’ would finally earn the filmmaker a long overdue win for Best Picture. The film has won almost every precursor needed to be the frontrunner, including wins at Critics Choice, Golden Globes, BAFTA, and the all important Producers Guild of America Awards.
However, don’t count ‘Sinners’ out just yet! After grabbing an Outstanding Performance by a Cast in a Motion Picture win at the Actor Awards, as well as Michael B. Jordan’s win for Outstanding Performance by a Male Actor in a Leading Role, the vampire epic now has real momentum.
It also did better at the box office than ‘One Battle’, which sometimes but not always is a factor. But keep in mind that Outstanding Performance by a Cast in a Motion Picture at the Actor Awards is basically a recognition of ensemble acting and not necessarily a film award. And while ‘One Battle’ was also in that category, I don’t buy into the narrative that ‘Sinners’ “beat” ‘One Battle’ for Best Picture at SAG.
It now seems like we have a two-way race but ‘Hamnet’ is still in the mix after winning a Golden Globe for Best Motion Picture – Drama, and remember it was produced by Oscar favorite Steven Spielberg.
Keep in mind that the Academy uses a preferential ballot for Best Picture, meaning the winner isn’t simply the film with the most No. 1 votes. Instead, voters rank the nominees, and if no film receives more than 50% of the first-place votes, the movie with the fewest No. 1 votes is eliminated and its ballots are redistributed to the next highest-ranked film on those ballots. That process continues until one film crosses the 50% threshold. In other words, it’s not just about passion at the top — it’s about broad support.
The real question isn’t only who voters rank No. 1, but which film consistently appears in the No. 2 and No. 3 spots and can accumulate support as other contenders fall away. My guess is that many voters may not rank ‘Sinners’ first, but could place it second or third, giving it a plausible path in later rounds. Still, the safer bet remains ‘One Battle’, which feels more likely to build the majority coalition needed to win.
(L to R) Leonardo Di Caprio and Director/Writer/Producer Paul Thomas Anderson on the set of ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Merrick Morton.
Just like the Best Picture race, since the start of this current awards season it has seemed like this was “Paul Thomas Anderson’s Year”, and that the ‘Boogie Nights’ director would finally win his long-awaited Best Director Oscar. With directorial wins at every other award show including Critics Choice, Golden Globes, BAFTA, and the all important Directors Guild Awards, it does look like Anderson will finally win Best Director at the Oscars.
But what about Ryan Coogler? While he has yet to win a director’s award this season, he is definitely Anderson’s biggest competition, especially now that the film is surging late. Typically, Best Picture and Best Director go hand in hand, but not always, and much like when Damien Chazelle won best director for ‘La La Land‘ but ‘Moonlight‘ went on to win Best Picture, we could see a similar spilt this year. But if we do, I think it is more likely that Anderson still wins Best Director, and the surprise win comes for ‘Sinners’ in Best Picture.
Let’s be honest, the Academy usually don’t get it right! They could be thinking that Coogler will return with another film in the near future, and want to finally reward Anderson now for ‘One Battle’ as well as his overall career, assuming that Coogler’s time will come sooner than later. While I would love to see an upset and have Coogler win, I would also like to see the Academy finally reward Anderson for his body of work, which I think will be the final result on Oscar night.
This is the race to really keep an eye on! The Oscars love a surprise, and if there is going to be a big surprise on Oscar night, it will be in this category.
Timothée Chalamet began the awards season with wins from Critics Choice and Golden Globes, making it look like he was a lock for a Best Actor win at the Oscars. But, when he lost the BAFTA to Robert Aramayo for ‘I Swear‘, who is not even in the Oscar race, it left the young actor’s Oscar chances vulnerable.
That brings us to Michael B. Jordan, who in my opinion gave the best performance of the year, and recently beat Chalamet at the all important Actor Awards. Historically, one Actor Award win is not enough to ensure an Oscar win, as demonstrated by Chalamet last year when he won Best Actor from SAG for ‘A Complete Unknown‘ but then lost the Oscar race to Adrien Brody for ‘The Brutalist‘. But Jordan has the surging momentum of ‘Sinners’ behind him and a lot of goodwill from Academy voters, while Chalamet seems to be cooling off and has fueled criticism for his unusual Oscar campaign style and recent comments on “ballet and opera.”
There is also a theory that Chalamet is really being rewarded for his performance last year in ‘A Complete Unknown’, when he should have won, and not his performance this year in ‘Marty Supreme’. The Academy tends to do that and often tries to make up for their past mistakes. For example, after not nominating Paul Giamatti for ‘Sideways‘, which he should have been nominated for, the following year he was nominated for ‘Cinderella Man‘. So, if Chalamet does win, it will be for playing Bob Dylan and not for playing Marty Mauser!
Also working against Chalamet is the fact that the Academy typically does not give young actors the Best Actor trophy. They love giving the Best Actress award to young actresses, examples including Gwyneth Paltrow, Jennifer Lawrence, Emma Stone, and recently Mikey Madison. But, if Chalamet were to win, he would be just a few months shy of breaking Adrien Brody’s record as the youngest Best Actor recipient ever for his first win in ‘The Pianist‘. Jordan is just reaching his prime as an actor, and with a long body of work to his credit, voters could see him as a strong alternative, especially with his recent win and the ‘Sinners’ surging.
While Chalamet is statistically the frontrunner, I feel like there will be a big surprise on Oscar night and I’m betting on Jordan for the win.
There really is not much to say here. If there is any locked category this year, it is this one.
‘Hamnet’s Jessie Buckley is one win away from a “perfect award season’. After winning Best Actress at Critics Choice, Golden Globes, BAFTA, and the Actor Awards, she is almost guaranteed a win on Oscar night.
Does she have any competition? A little, but not much. Rose Byrne won a Golden Globe for ‘If I Had Legs I’d Kick You‘, but that’s because the Globes split the Best Actress race into two different categories, Drama and Musical or Comedy. So, Byrne did not compete in the same category as Buckley. When she has, she has lost to the ‘Hamnet’ star, and I see no reason that will not continue to take place.
Kate Hudson has been campaigning hard, but this is the only nomination ‘Song Sung Blue‘ received, and I don’t think that is enough to compete with Buckley and ‘Hamnet’, which received 8 overall nominations. ‘Sentimental Value’ does not seem to have the same momentum it did earlier in the season, leaving actress Renate Reinsve without a real path to the gold. And with two Oscars already on her shelf, Emma Stone’s nomination was more or less given just to round out the five nominees, not unlike some of Meryl Streep‘s past nominations.
The safe money is clearly on Jessie Buckley to win Best Actress, and at this point it would take a miracle for anyone else to beat her and win.
Delroy Lindo at the New York Premiere of ‘Sinners’. Photo: Warner Bros.
This is another very interesting category and one to keep an eye on for big surprises on Oscar night!
With no real frontrunner, Best Supporting Actor is wide-open and really anybody’s for the taking.
The season began with Benicio del Toro positioned as the frontrunner for ‘One Battle’, but the actor has yet to win for that performance, putting his chances of winning the Oscar in doubt.
His co-star, Sean Penn, could be considered a slight frontrunner after winning BAFTA and the Actor Award, but with two Oscars already to his name, I’m not sure the Academy is ready to hand him his third just yet. I also think that having both actors from ‘One Battle’ in the same category will split the vote, leaving them both empty handed on Oscar night.
Jacob Elordi received a surprise win for ‘Frankenstein‘ at the Critics Choice Awards, but the young actor was unable to capitalize on it and has yet to win a second award.
Veteran actor Stellan Skarsgård won the Golden Globe, but also was not able to capitalize with a second win, and with ‘Sentimental Value’s momentum cooling off, I’m not sure it will be enough to earn him the trophy.
Enter Delroy Lindo. Keep in mind that this is his first nomination this entire awards season, meaning that he has not had the opportunity to compete with his fellow nominees yet. It’s not unheard of for an actor to suddenly enter the Oscar race and win. Marcia Gay Harden successfully pulled that off when she won Best Supporting Actress for ‘Pollock‘ over Kate Hudson, the presumed frontrunner for ‘Almost Famous‘.
With ‘Sinners’ surging, Michael B. Jordan’s possible win, no real front runner in this category, and Lindo’s overall likability in the industry, I do think that he will pull off the win on Oscar night.
While its not as wide-open as Best Supporting Actor, Best Supporting Actress is really between two, maybe three actresses at this point.
Let’s just get this out of the way. Much like the two ‘One Battle’ actors in the Supporting Male category, I think ‘Sentimental Value’s Elle Fanning and Inga Ibsdotter Lilleaas will cancel each other out. Neither has won any major award this season, and with the film’s lack of momentum, I doubt either actress has a real shot to win.
While Wunmi Mosaku did win BAFTA, I’m not sure that will be enough to win an Oscar. ‘Sinners’ popularity could give her a boost, and if Lindo and Jordan fail to win, this could be where ‘Sinners’ gets an acting award. But since I do think Jordan and Lindo will be triumphant, I’m thinking this award will be given to someone else.
Teyana Taylor won a Golden Globe, and her film is the frontrunner for Best Picture. It would be odd for ‘One Battle’ to win Best Picture with no wins in the actor categories, so if it were to win an acting Oscar, it will be here. But Taylor has some real competition from veteran actress Amy Madigan.
The ‘Weapons’ actress began the season winning Critics Choice, but bounced around a bit before recently winning the all important Actor Award. That doesn’t make her the frontrunner, but puts her on par with Taylor. Working against Madigan is that she is ‘Weapons’ only nomination, but it’s not unheard of for an actor to win for a movie that received no other nominations. It happened when Kathy Bates won Best Actress for ‘Misery‘.
So while it’s a tight race, I think that Madigan’s long career and versatile body of work will in the end give her an edge over Taylor.
Deon Cole hosts the 57th NAACP Image Awards on February 28th. Photo: Paramount+.
Preview:
‘Sinners’ took home the big prizes at the 2026 NAACP Image Awards.
‘Paradise’ and Cynthia Erivo were also among the winners.
The event took place Saturday night at the Pasadena Civic Auditorium.
Following the difficult, insulting moments of this year’s BAFTA Awards, the NAACP Image Awards, hosted by Deon Cole, which took place Saturday night at the Pasadena Civic Auditorium, were a chance to balance things out.
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And Ryan Coogler’s ‘Sinners’ proved to be the big winner, going home with 13 awards following a nomination count of 18. Star Michael B. Jordan himself won both a Best Actor award and was honored with Entertainer of the Year.
The ceremony also paid tribute to the late Rev. Jesse Jackson, with NAACP CEO Derrick Johnson and Samuel L. Jackson honoring the late civil rights activist, whose family was in attendance at the ceremony.
Director Ryan Cooler and the cast of ‘Sinners’ at the New York Premiere. Photo: Warner Bros.
‘Sinners‘ follows twin brothers Smoke and Stack (Michael B. Jordan) as they attempt to leave their troubled lives behind and return to their hometown. Moviefone was in attendance at a recent press conference, which featured stars Michael B. Jordan, Wunmi Mosaku, Miles Caton, Delroy Lindo, and director Ryan Coogler.
1) Delroy Lindo Details How His Past Work Helped Him Prepare For ‘Sinners’
Delroy Lindo at the New York Premiere of ‘Sinners’. Photo: Warner Bros.
Delroy Lindo is no stranger to films with rich historical and cultural backdrops. He reveals how projects like ‘Da Five Bloods’ and ‘Malcolm X‘ helped him prepare for this role.
Delroy Lindo: I knew that there would be a research component. Ryan had sent me off the top, he sent me two books, Deep Blues by Robert Palmer and Blues People by Amiri Baraka. Amiri Baraka was Leroy Jones when he wrote the book. So I started there and then I listened to a lot of music. Cats like Sunhouse, Muddy Waters, Howlin’ Wolf, Ike Turner… I just steeped myself in the music. There was just an intense research component, which is consistent with how I’ve worked on other historical films.
2) Miles Caton Reveals How He Became Involved In ‘Sinners’
Miles Caton at the New York Premiere of ‘Sinners’. Photo: Warner Bros.
The character of Sammie Moore is a role that needed an actor who can also sing. Miles Caton proved to be the perfect choice. Here, he reveals how he became involved in the movie.
Miles Caton: I was on tour. I was singing background for H.E.R. And towards the end of that tour, somebody at the show had seen me perform and they said that this kid should audition for this movie. We got back home and H.E.R. calls me one day and she tells me, “Little bro, somebody in the crowd saw you perform and they think you should audition for this movie.” I had no idea what it was about or who was attached to it initially. And as time went on, as I sent in my first audition, I got little bits and pieces of information, and then I finally found out it was Ryan Coogler, and just the thought that I’d be able to work with him was just amazing. And then I found out it was starring Michael B. Jordan. And the way the process happened, everything kind of just happened so fast, and the further I got, the closer I felt like it was becoming a real thing. And after the audition process, I got home and Ryan called me from that Oakland phone number, and it literally said Oakland on it. I was like, “Hold on, bro. I don’t know anybody from Oakland, don’t got no friends from Oakland.” And I answered it. And he said he wanted me to be a part of the project, and that was it.
3) Wunmi Mosaku Says ‘Black Panther’ Was Part Of What Made Her Want To Work With Ryan Coogler
Wunmi Mosaku at the New York Premiere of ‘Sinners’. Photo: Warner Bros.
When asked what it is about Ryan Coogler that made her want to say yes, she reveals that ‘Black Panther‘ was a big part of it.
Wunmi Mosaku: I think Black Panther is on in my house at least once a month. For me, I shouldn’t say this as someone in the MCU, but I was not an MCU fan. I didn’t think it was for me. It just wasn’t part of my radar. And then everyone said, “Go watch Black Panther,” and I was like, “Okay, everyone’s going to watch.” I mean, the whole world is going to see Black Panther. I went to see it and I was like, “Oh, this nuance and this heart in a superhero movie. I’m torn. Am I Team Killmonger? Am I Team Black Panther?” I saw and understood them both so deeply, and I felt like it was a revelation that you could tell stories that meant something to someone like me who is not a comic book fan or a superhero fan and make me feel really seen, excited, hopeful. I just felt like a bridge between the diaspora, the continent. I felt like all of a sudden as a Black Brit, African-American culture, African culture, Black… I felt united, and I felt really like it blew my mind, because I didn’t expect Marvel to do that. So that was the first thing I watched, and then I watched everything, and again, just really moved by the heart. There’s always heart,there’s always truth. There’s always US, ancestry, reverence, connection. There is no divide. The first time I really understood the idea of Pan-Africanism was through Ryan. I thought there was a divide, an then I realized there wasn’t. And that was all because of Ryan.
4) Michael B. Jordan Explains How ‘Sinners’ Is A Love Letter To His Grandparents’ Parents
Michael B. Jordan at the New York Premiere of ‘Sinners’. Photo: Warner Bros.
Michael B. Jordan reveals how he was able to stay on the right path while working on ‘Sinners’ and how it is a love letter to his great-grandparents.
Micahel B. Jordan: I think one of the great things about filmmaking is, just acting in general, is going right up to the cliff, going right up to the edge of uncertainty and unknowns and then just jumping off and things that are outside of your control. So I think being prepared, knowing the characters inside and out, and then developing up until a point where you’ve done all you could, and now you just have to walk the walk each day. And I think that that uncertainty kind of keeps you on your toes and keeps you locked in; you’re kind of prepare for anything. And when you’re dealing with an incredible cast and you’re in this incredible world, it really builds the illusion and allows you to be locked in and dialed in the entire time. So we shot down in Louisiana, so when you’re out there on those sugarcane fields and those cotton fields, and that’s where your ancestors were, and that’s where my grandmother, my great-grandmother, that was their day-to-day. So when you walk in those spaces and you carry that type of energy and that history with you, these characters, this movie was almost… it was a love letter to my grandparents parents, to my great-grandmother and my great-grandfather. And because you only know your grandmother as being an older woman. And you forget like, “Oh wait, my grandma was 25 at one time, she was 28?
5) Ryan Coogler On Finding The Perfect Balance Of History & Mythical Elements
Director Ryan Cooler at the New York Premiere of ‘Sinners’. Photo: Warner Bros.
Ryan Coogler details how he was able to balance the historical setting of the Jim Crow era in Mississippi and the heightened mythical elements that makes ‘Sinners’ so unique.
Ryan Coogler: Wunmi [was] talking about Pan-Africanism, and that was a concept that I was always taught and steeped in being from Oakland, California, which was a birthplace at a Black Panther Party for Self-Defense. And all the Gen Xers and the millennials in that area, the Panthers were our uncles and aunts. But the idea of Pan-Africanism was kind of drilled into us, because it became an international organization. You’ll go all over the world and see organizations fighting for self-determination of human beings that were inspired by the Black Panther Party. And when you look at California where we are and we kind of the furthest outpost–Oakland is of a place that’s where Black culture is the dominant culture of a city. And it was a big deal for me to get back to the continent to research for Black Panther. But I got to the continent before I got to the American South and really contemplated a place that my ancestors had been for over four centuries. And it was a more recent place for us than, so there were a lot of questions that I had with myself as to why I hadn’t done that yet, and I had to unlock the reality that there’s a lot of shame involved with that, with Black people who are products of the great migration. You know what I mean? Obviously your ancestors, they migrated from something, usually for the concept of greener pastures, but also you realize things were left behind in that place that was home for so long. And for me, when I realized that these people who were living in this backbreaking form of American apartheid denied the right to vote, denied the right to own anything, and kind of condemned to being a sharecropper, that was all that could be in the 1930s. And every weekend they would affirm that humanity at these juke joints or at church the next day, a lot of times at both. And that art that they were making, it ended up changing the world. You know what I mean? It ended up creating club culture and discotheque culture and also just the concept of pop music. And I realized that this was a mythical story that had never been given the mythical context, if that makes sense.
Two brothers (Michael B. Jordan) return to Clarksdale, Mississippi, in 1932, now wealthy and intent on opening a juke joint in their hometown. But as they open the doors of their new establishment, sinister forces begin to converge upon them and their community.
Currently available to watch on HBO Max and a serious contender in this upcoming awards season is the box office smash hit ‘Sinners’ which was written and directed by Ryan Coogler (‘Black Panther’) and stars Michael B. Jordan (‘Creed’) playing the dual roles of twin brothers Smoke and Stack.
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Moviefone recently had the pleasure of sitting down in-person with director Ryan Coogler and Michael B. Jordan to talk about their work on ‘Sinners’, why Coogler was passionate about making this movie and the themes he wanted to explore, while Jordan discussed his approach to playing the Moore brothers and how he made the two roles distinctively different.
(L to R) Director Ryan Coogler and Michael B. Jordan talk ‘Sinners’.
You can watch the full interview below or click on the video player above to watch our interviews.
Moviefone: To begin with, Ryan, can you talk about why you were so passionate about making this movie and the themes you wanted to explore as a filmmaker?
Ryan Coogler: It started with my relationship with my uncle James, who was born in Mississippi, lived there until he was 20, and then moved to Oakland and married my great-aunt, Sammy Lee, who the character Sammy is named after. It was important for me to explore blues music, Mississippi, the Delta Blues and juke joint culture because it was so important to my uncle. It’s kind of passed down to me, and I wanted to do a deep dive on why that music was so important really to a global popular culture. But I also wanted to infuse it with everything in cinema that I loved that I hadn’t had a chance to do yet in my previous films. That’s where the supernatural and the genre elements come to play. As far as the themes, the biggest theme was freedom. You know what I mean? This idea of it, how elusive it can be, how sometimes it can’t be bought. That was the central concept of freedom in these people that are under such great oppression and having to be able to affirm that humanity in a place and a time when it was very difficult.
MF: Finally, Michael, can you talk about the challenges of playing twin brothers and how you were able to make those two characters so distinctively different?
Michael B. Jordan: There were so many challenges. There’s been versions of twins that have been done, and some better than others, and trying to figure out how to make this one a memorable one or just make it work and feel honest. I remember as a kid watching movies like ‘The Parent Trap’, you know what I’m saying? Just as a kid, your imagination, whether you’re pretending you got superpowers or pretending this or whatever, the idea of like, man, if I had a twin, what would I do? Or how would that be? I think being able to imagine that because Smoke and Stack are the same, but they’re completely different. They make up one person. Having Smoke and how he handles his childhood trauma was important and Stack and how he handles his childhood trauma. They had the same experiences, but they have two different perspectives on it. For Smoke, he internalizes a lot of his. He doesn’t talk a lot. He doesn’t want to talk about his pain. He wants to bury it deep and kind of hold onto to that. I know people like that. So, to be able to tap into that in a real way. But Stack is different. He smiles and uses his charm, and he talks his way through his pain because he can’t dwell on it for too long. So, to tap into your childhood trauma and building those characters from the ground up was crucial to build that foundation for me to do the rest of the work and the other things, the layers on top of that like wearing a shoe that is too small for Stack because he’s always moving around. He just never really standing still. As a performer, as an actor, it’s something that I didn’t have to think about, but it helped me be agitated in times and physically be not still. But also, I wore a size too big when it came to Smoke because I wanted him to feel like he couldn’t move a lot and he wanted to be rooted and implanted into the ground. So those were layers to it. The different grill caps that I wore, when I had a certain gold front in, it changed the way I would hold my mouth and speak and my cadence. Smoke spoke few words and slow. Stack was a fast talker, so he was always smiling, always wheeling and always dealing. He’s always selling something. Those are some of the things that I tapped into to kind of help make them a bit different. Just the storytelling, the other characters around Smoke and Stack that allowed me to play off of with Annie and Mary and those dynamics and just a rich world that was created for these characters to blend into.
Two brothers (Michael B. Jordan) return to Clarksdale, Mississippi, in 1932, now wealthy and intent on opening a juke joint in their hometown. But as they open the doors of their new establishment, sinister forces begin to converge upon them and their community.
(Left) Sam Neill in ‘Jurassic Park’. Photo: Universal Pictures. (Right) 2021’s ‘Godzilla vs. Kong.’ Photo: Warner Bros. Pictures.
Preview:
Sam Neill is the latest recruit for the latest Godzilla and King Kong ‘Monsterverse’ movie.
Grant Sputore is directing the new movie.
Dan Stevens will be back as vet Trapper.
Given that he’s one of the key figures in the ‘Jurassic Park’ franchise (and who popped back up for ‘Jurassic World: Dominion,’ you might think that Sam Neill would want to avoid trouble with giant beasties in his cinematic career.
Yet here he is again, not back with the genetically returned dinosaurs this time, but instead taking his chances running around with another massive reptile –– Godzilla, who will be back on screens with best pal/frenemy King Kong for the next, still-to-be-officially-titled Monsterverse movie from Legendary and Warner Bros.
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Deadline reports that Neill has joined the cast of the new movie, which is now in production.
The movie followed up the explosive showdown of ‘Godzilla vs. Kong’ with an all-new cinematic adventure, pitting the almighty Kong and the fearsome Godzilla against a colossal undiscovered threat of a monstrous white ape hidden within our world, challenging their very existence –– and our own.
It delved further into the histories of these Titans, their origins, and the mysteries of Skull Island and beyond, while uncovering the mythic battle that helped forge these extraordinary beings and tied them to humankind forever.
The new, untitled effort is still mostly being kept under wraps, but according to the first official details, it’ll follow “several new human characters alongside the beloved and iconic Titans Godzilla and Kong as they face off against a cataclysmic world-ending threat.”
Yep, apparently, there are still some giant threats lurking out there; so the big ape and the giant lizard will have to spring into action once again. But at least they have new some human friends (and potentially foes) to spend time with!
And back in January, Deadline reported that the movie saw its first piece of casting as Kaitlyn Dever locked in a deal to star.
Best known for her roles in TV limited series ‘Dopesick’ and the 2019 movie ‘Booksmart,’ Dever has a key role in the second season of HBO’s ‘The Last of Us,’ which just returned to screens.
Kaitlyn Dever in ‘The Last of Us’ Season 2. Photograph by Liane Hentscher/HBO.
Details on her character are also, like much of the movie, a mystery, though apparently it represents a renewed push to add in solid characters, which has been a common complaint of especially some of the more recent Monsterverse efforts.
As with Dever and Modine, we don’t yet know anyone is playing, but Dan Stevens is confirmed to reprise his role as Trapper, the cocky, thrill-seeking veterinarian who helps Kong when the giant ape is injured.
Where else have I seen Sam Neill?
(from left) Dr. Ian Malcolm (Jeff Goldblum), Dr. Alan Grant (Sam Neill), Dr. Ellie Sattler (Laura Dern), Claire Dearing (Bryce Dallas Howard), Owen Grady (Chris Pratt), Maisie Lockwood (Isabella Sermon) and Kayla Watts (DeWanda Wise) in Jurassic World Dominion, co-written and directed by Colin Trevorrow.
As we mentioned above, Neill may still be best known for his role as warm-but-grouchy paleontologist Alan Grant in various ‘Jurassic’ movies.
Yet the versatile actor has enjoyed a long, successful career hopping between the giant likes of those blockbusters and more indie work.
Already around for a decade, Legendary’s Monsterverse follows humanity’s battle to survive in a world facing a catastrophic new reality –– the monsters of our myths and legends are real.
The Monsterverse has grossed more than $2.5 billion at the global box office and has expanded onto smaller screens via ‘Monarch: Legacy of Monsters’ for Apple TV+, which has been renewed for a second season.
When will the new Monsterverse movie be on screens?
The movie is currently scheduled for release on March 26th, 2027. Let’s hope theaters have time to reinforce their walls. And that it doesn’t inspire kaiju to start their own version of the ‘Minecraft’ audience chaos when it opens.
Director Ryan Coogler and his muse/partner Michael B. Jordan are now five for five. Following ‘Fruitvale Station,’ ‘Creed,’ and the two ‘Black Panther’ entries (yes, we’ll stand up for ‘Wakanda Forever’ despite anti-MCU sentiment in the critical community), ‘Sinners’ is another outright winner for the filmmaker and star, and even better, it’s a wholly original piece of material that’s also ambitious, audacious, and at times even transcendent – not to mention a wildly smart genre hybrid.
Once again, Coogler and company have taken populist entertainment – this time mixing the horror genre with the historical drama – and infused it with social commentary, spiritual themes, action beats, and an almost poetic tribute to the time-bending power of music. The film has its flaws, but so much of it works so well, from the cast to the music to the incredible production design to the overall atmosphere – that you’ll walk out of ‘Sinners’ feeling like you’ve seen one of the most unique movies of the year.
As ‘Sinners’ begins, an opening narration tells us that some people have such a powerful gift of making music that it can “pierce the veil” between the worlds of the living and the dead. With that, we see a bloodied and beaten young man, who we will come to know as Preacher Boy Sam (Miles Caton), appear at the door of the church where his father is pastor. He’s carrying the broken neck of a guitar, and his father admonishes him to “leave those sinning ways.”
The movie then flashes back to “one day earlier” in the town of Clarksdale, Mississippi. The year is 1932. Returning on this day to the area’s Black community are brothers “Smoke” and “Stack” Moore – the “SmokeStack Twins” – both played by Michael B. Jordan. With their expensive suits and car, as well as the wads of cash in their pockets, they immediately stand out from the impoverished community of laborers and sharecroppers around them. Smoke, who’s tougher and more business-minded, and Stack, who is more jovial and reckless, are back in town after spending years away, first fighting in World War I and then finding their way to Chicago, where they allegedly made their fortune working for Al Capone.
Their first action upon returning to Clarksdale is to purchase an abandoned mill outside town from a man who may or may not be a KKK leader (“The Klan doesn’t exist anymore,” he unconvincingly tells them). They aim to turn the mill into a juke joint and open it that night, with entertainment to be provided by old blues musician Delta Slim (Delroy Lindo) and the twins’ cousin, Preacher Boy Sam, for whom the word “soulful” doesn’t begin to describe his ability to sing and play the blues.
‘Sinners’ unpacks its story and characters – which include Smoke’s former flame, Annie (Wunmi Mosaku), who knows magic and who shares a tragic past with Smoke, as well as Stack’s old girlfriend, Mary (Hailee Steinfeld), who is part Black but looks white enough that their relationship might well have caused a scandal – in leisurely, novelistic fashion. But it’s never anything but fascinating to watch, thanks to the sharply drawn characters and pungent dialogue in Coogler’s screenplay, his fluid direction, Autumn Durald Arkapaw’s stunning cinematography, and the textured, incredibly detailed production design by Hannah Beachler. Then there’s the music – a combination of Ludwig Göransson’s original score and old blues standards that is as haunting as it is evocative.
It’s that music – particularly the music performed by Preacher Boy Sam – that attracts not just a boisterous crowd to Smoke and Stack’s juke joint that night but fuels one of the most incredible sequences you’ll see in a movie this or any other year. Music, we’re told, will bring together the spirits of both the past and the future – which it does in a breathtaking sequence that ricochets through both the history of music and the Black experience in one gloriously kaleidoscopic dance of images that is almost transcendent in its power.
But the music attracts other forces from the realm of the dead as well…and since the trailers already give it away, it’s okay to say here that the juke joint soon finds itself under siege by a trio of vampires, led by Remmick (Jack O’Connell), who quickly go about turning the customers and the Moores’ dwindling band of friends and family into creatures of the night. “It’s better this way,” says one character who has been transformed late in the film, suggesting that Remmick is creating a new species for which boundaries of race, color, and gender have no meaning.
That’s just one of the intriguing ideas that Coogler springs on us during the course of ‘Sinners,’ and if anything this densely packed film has almost too many of them. Questions of race, identity, history, violence against Black bodies, and the power of art flow liberally through the film, which is by turns exhilarating, frightening, erotic, distressing, and poignant. The introduction of a supernatural terror halfway through a historical drama is a bit abrupt, and the third act feels both rushed and drawn out as the climactic confrontation with the vampires leads to a fistful of additional endings and mid-credits sequences (a bit of an MCU hangover for Coogler, perhaps). But even when it wobbles slightly down the stretch, ‘Sinners’ doesn’t feel like any other movie you’re likely to see anytime soon.
In a career already full of sparking performances, ‘Sinners’ may contain Michael B. Jordan’s best work yet. Assisted by seamless visual effects, he delivers two fully-rounded performances as Smoke and Stack, differentiating the two brothers with subtle changes in tone, speech, and body language, while firmly delineating the deep bond between the two.
Smoke has been hardened by the world, doesn’t believe much in magic or the spiritual, and has no time for fun; he thinks that accumulating power (mostly in the form of cash) will give him freedom. Stack is much more hedonistic, given to flamboyance in his clothing, spending, and behavior, and much more in tune with earthly pleasures. Both men’s beliefs are tested and both are deeply changed by the end of the film, and it’s a tribute to Jordan’s incredible skills that you always feel you are watching two separate personalities on their own journeys.
While ‘Sinners’ showcases Jordan’s accomplishment, the rest of the cast is just as powerful. 19-year-old Miles Caton is a real find, providing not just a complex performance as Sam but a singing voice that is nothing short of awesome, providing a credible basis for the film’s mystical view of music. Delroy Lindo is nothing short of great (as usual) as Delta Slim, the blues player at the other end of his career who has seen it all. And while the vampires are not given as much ground to develop as characters, Jack O’Connell’s Remmick is a deft combination of malice, charisma, and temptation, with the story showing how these monsters can still be stirred by music as well (especially in one eerie sequence involving an Irish folk song).
Importantly, every woman in ‘Sinners’ also gets her due, from Wunmi Mosaku’s no-nonsense Annie to Hailee Steinfeld’s Mary, both of whom are courageous, confident, sexually liberated, and capable of moving on from deep tragedies in their lives. Mosaku’s performance is full of texture, compassion, and depth, while Steinfeld succeeds in nailing the role of a woman who is trapped between two worlds but knows which one she feels more at home with. Also notable is Li Jun Li (‘Babylon’) as Grace Chow, who runs grocery stores in town with her husband Bo (Yao) and is as deft in handling her business with both Blacks and whites as she is in fighting vampires.
‘Sinners’ is a luscious, genuinely cinematic experience that deserves every inch of the IMAX screen you should see it on. Even if we wish the horror elements were introduced a little more organically, and even if the film’s closing sequences don’t work as effectively as they could, one can still feel Coogler’s earnest, heartfelt search for truth throughout: What makes anyone truly free? Love? Power? Money? Talent? What does it mean to be free if you know that freedom is merely a façade?
These are the questions ‘Sinners’ raises and leaves one pondering as the credits roll. This thoughtfully conceived, masterfully executed epic doesn’t provide all the answers, but instead brings the viewer on a journey that is haunting, terrifying, emotionally resonant, and powerful in its exploration of community, shared experience, and how the incursion of evil can threaten to rip those apart.
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What is the plot of ‘Sinners’?
Two brothers (Michael B. Jordan) return to Clarksdale, Mississippi, in 1932, now wealthy and intent on opening a juke joint in their hometown. But as they open the doors of their new establishment, sinister forces begin to converge upon them and their community.
Matthew Modine will be part of the cast for the ‘Godzilla x Kong: The New Empire’ sequel.
His character is a mystery for now.
Grant Sputore is in the director’s chair.
As Legendary and Warner Bros. look to keep the Monsterverse marching onwards, the latest movie in the ever-expanding creature feature franchise is stomping towards production on its latest installment, with cameras ready to roll in Australia starting next month.
Just last month, we learned that Dan Stevens would be returning to play Trapper, the cocky, Hawaiian shirt-sporting vet who helps treat King Kong when the giant beast is injured.
Now, per Deadline, Matthew Modine is also joining the new movie, playing a character whose motivations are a mystery.
Could he be a wrong ‘un, like Modine’s last big genre effort, ‘Stranger Things,’ where he played a nefarious scientist? Or possibly a benevolent type who just wants to help the other human characters from becoming monster-bait.
If we’re honest, we could picture the actor as a shady higher-up within the Monarch organization that monitors monster developments.
The movie followed up the explosive showdown of ‘Godzilla vs. Kong’ with an all-new cinematic adventure, pitting the almighty Kong and the fearsome Godzilla against a colossal undiscovered threat of a monstrous white ape hidden within our world, challenging their very existence –– and our own.
It delved further into the histories of these Titans, their origins, and the mysteries of Skull Island and beyond, while uncovering the mythic battle that helped forge these extraordinary beings and tied them to humankind forever.
The new, untitled effort is still mostly being kept under wraps, but according to the first official details, it’ll follow “several new human characters alongside the beloved and iconic Titans Godzilla and Kong as they face off against a cataclysmic world-ending threat.”
Yep, apparently, there are still some giant threats lurking out there; so the big ape and the giant lizard will have to spring into action once again. At least Kong will know his teeth will be taken care of…
And back in January, Deadline reported that the movie saw its first piece of casting as Kaitlyn Dever locked in a deal to star.
Best known for her roles in TV limited series ‘Dopesick’ and the 2019 movie ‘Booksmart,’ Dever will next star in the Netflix limited series ‘Apple Cider Vinegar,’ and will also show up in the second season of HBO’s ‘The Last of Us.’
Details on her character are also, like much of the movie, a mystery, though apparently it represents a renewed push to add in solid characters, which has been a common complaint of especially some of the more recent Monsterverse efforts.
Modine is a veteran actor who certainly scored a new generation of fans thanks to ‘Stranger Things’ but he’s probably still best known for his role as Private Joker in Stanley Kubrick’s Vietnam War epic ‘Full Metal Jacket.’
On TV, in addition to ‘Stranger Things,’ he’s popped up in ‘The West Wing,’ ‘Weeds,’ ‘Proof’ and, most recently, he was seen opposite Robert De Niro in Netflix thriller series ‘Zero Day.’
What has happened with the Monsterverse so far?
‘Monarch: Legacy of Monsters,’ coming soon to Apple TV+.
Already around for a decade, Legendary’s Monsterverse follows humanity’s battle to survive in a world facing a catastrophic new reality –– the monsters of our myths and legends are real.
The Monsterverse has grossed more than $2.5 billion at the global box office and has expanded onto smaller screens via ‘Monarch: Legacy of Monsters’ for Apple TV+, which has been renewed for a second season.
When will the new Monsterverse movie be on screens?
The movie is currently scheduled for release on March 26th, 2027. So if you hear rumbling around that time, chances are it’s because some massive monster is headed to your local cinema.
On the big screen, we’ll be expecting to see ‘Blade‘ deal with the threat of vampires. But to get there, at least as part of the MCU, the character has had to deal with something far trickier ––development issues.
Despite all the excitement over the announcement that Oscar winner Mahershala Ali would play the character during Marvel’s 2019 Comic-Con panel, the progress has been slow.
‘Mogul Mowgli’ director Bassam Tariq was hired to make the movie, only to depart over scheduling issues –– and given a shift in writers to Michael Starrbury, also seemed to indicate problems with the script.
‘White Boy Rick’s Yann Demage came aboard in November last year, but writing-wise, there is, according to The Hollywood Reporter, another change in the cards on the script front. ‘True Detective’ creator Nic Pizzolatto has been working on a draft based on Starrbury’s for a few weeks now.
He’s writing as quickly as possible, as the movie is scheduled to shoot at the end of this month in Atlanta.
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‘True Detective’ reunion
Pizzolatto’s presence does indeed mark a ‘True Detective’ reunion, since Ali starred as Detective Wayne Hays in the third season of the anthology show (a fourth, starring Jodie Foster is on the way this year, but no longer involves Pizzolatto as showrunner.)
Mahershala Ali in HBO’s ‘True Detective’ Season 3.
Where does Blade fit into the comics?
Originally crafted by Gene Colan and Marv Wolfman as a human who was immune to vampire bites, he was later changed to Eric Cross Brooks, whose mother is murdered by the bloodsucker Deacon Frost as she gives birth. The attack passes on vampire enzymes to her child, who becomes a Dhampir – a mix of both human and vampire.
Gifted with speed, strength, and the ability to walk in the daylight (hence his other name, the Daywalker), his mission is to hunt down and destroy vampires. In his time, he’s crossed paths with many notable Marvel characters in the comics, including Spider-Man and the Avengers. He’s also battled living vampire Morbius, who had his own movie out earlier this year, starring Jared Leto.
Yet Blade is probably most famous for the trilogy of movies released by New Line in 1998, 2002 and 2004, starring Wesley Snipes as the gruff, sword-swinging character.
The MCU version’s story is still so far, a mystery: whether it’ll deal with Blade’s origins is unknown for now, but we can expect plenty of vampire-killing action.
Blade from Marvel Comics. Photo courtesy of Marvel.com.
