Opening in theaters, on digital and on demand beginning October 14th is ‘Accident Man: Hitman’s Holiday,’ which is a sequel to 2018’s ‘Accident Man,’ and was based on the British comic strip of the same name created by Pat Mills and Tony Skinner.
Directed by The Kirby Brothers (George and Harry Kirby), the new sequel sees the return of Scott Adkins as Mike Fallon, who must beat the top assassins in the world to protect the ungrateful son of a mafia boss (George Fouracres), save the life of his only friend (Perry Benson) and rekindle his relationship with his maniacal father figure (Ray Stevenson).
Scott Adkins is an accomplished actor and martial artist and has appeared in such popular movies as ‘The Bourne Ultimatum,’ ‘X-Men Origins: Wolverine,’ ‘The Expendables 2,’ ‘Zero Dark Thirty,’ ‘Doctor Strange,’ ‘Ip Man 4: The Finale,’ and most recently, Netflix’s ‘Day Shift.’
He will next be seen opposite Keanu Reeves in ‘John Wick: Chapter 4,’ which is scheduled for release on May 24th, 2023.
Moviefone recently had the pleasure of speaking with Scott Adkins about ‘Accident Man: Hitman’s Holiday,’ making the sequel, its new story, new characters, returning to the role, the fight scenes, reuniting with Ray Stevenson, why the Kirby Brothers were the right filmmakers to direct this movie, and working with Keanu Reeves on the upcoming ‘John Wick: Chapter 4.’
You can read our full interview below or click on the video player above to watch our interview with Scott Adkins about ‘Accident Man: Hitman’s Holiday.’
Moviefone: To begin with, when making the first film, at what point did you realize that these characters and this story would make a great sequel and franchise?
Scott Adkins: Well, when I was a kid, it was a comic book. I grew up reading it, and I always thought it would make a great film. So, I must admit that making the first one, I was hoping that it would do well, because I knew it could be a franchise if the public responded to it well. So, that was always there in the back of my head, but you don’t want to tempt fate, do you?
It took us a few years since the first one to get the second one across the finish line, to be honest. The pandemic didn’t help and other reasons. But for sure, ‘Accident Man’ works as a franchise. There’re many more stories to be told.
MF: As an actor, what do you like about playing Mike Fallon?
SA: First of all, he’s an expert martial artist, and that’s kind of my bag, so I knew I could do that. What I loved about the comic was how British it was, and how violent and funny it was at the same time. Comics were like that back in the day, but you never used to make movies like that. Everyone was scared to make those sorts of movies, and it was hard for me to get producers to sign on to it for a while.
But I think when ‘Deadpool’ came out, that really showed that it’s okay to have a lot of fun and be a little bit rude, and have violence, and swear words, and that people are going to have a good time watching it. Because growing up in England, reading things like ‘2000 AD,’ that’s the way comic books were. They were quite adult in many ways, and that was the vision for the thing. We wrote ‘Accident Man’ before ‘Deadpool’ came out, by the way.
MF: Can you talk about filming the action scenes in ‘Accident Man: Hitman’s Holiday,’ and working out the fight choreography with the stunt coordinators and the other actors?
SA: I was a lot more involved this time around. I’m always very involved with the fights, of course, but I was even more involved this time because my go-to guy, Tim Mann, who did the fights in the first one, we couldn’t get him. He had already choreographed some fights, and then he took another project. So, we were kind of scrambling. Andy Long choreographed the fights that I have with him, and he also choreographed and shot another fight that happens with Sarah Chang‘s character.
But then it was a mix and match. The directors, there’s Harry and there’s George, and George is a stuntman himself. In fact, the first time I met him was on ‘Doctor Strange’ because he was stunt doubling Benedict Cumberbatch. So, they are really clued up with the action as well. It was a lot of people just mucking into choreographing it and shooting these action sequences.
They’re all daunting because I know that they’re all going to hurt. It’s like you wake up in the morning, you have a fight scene day, and you’re like, “Oh my God, this is going to suck.” You’ve just got to grit your teeth and get through it. They’re all daunting, man. People get hurt. It is painful. If it’s not painful, you’re not doing it right. I do loads of them, of course. It’s all part of it. I’m a lifelong martial artist.
You condition your body to get hit, and that’s part of the gig. Sometimes you get hit hard in the face by accident, or accidents happen. On this one, the action was sort of front loaded the first week. It was all the end stuff we did first. So, finishing the first week, going into the second week of a four-week shoot, I was already injured. I hurt my knee, and that really sucks when you’re injured. But, if you do enough action films, you’re going to be injured for a few of them.
MF: Can you talk about Mike’s friendship with Finicky Fred and how that forwards the plot?
SA: In the first one, he kills all of his friends. He thinks they’re his friends, but he ends up killing most of them. So, we wanted this film to be about finding the importance of having friends and family in your life, even though you may be a stone-cold killer. We all need friends, we all need mates, we all need people to rely on, and that’s essentially his arc through this story. Of course, Fred, Perry’s character, is integral to the telling of that arc.
MF: Was the relationship between Mike and Siu-ling, played by Sarah Chang, inspired by Inspector Clouseau and Cato’s relationship in the original ‘Pink Panther’ movies?
SA: Absolutely. I’m a big fan of ‘The Pink Panther’ movies. I’m a big fan of Peter Sellers. Some of those fights in those movies, they’re so funny. Ours is a bit more highlighting the action rather than the comedy, but that was essentially what I wanted to do.
I wanted to make Sarah’s character kind of be like my Cato but in an updated sort of way, but have the fun of that, and that you never know when she’s going to strike. We’re probably around the same age. Our generation are going to know, but I think the kids coming up today, they probably haven’t seen those movies, and they absolutely should.
MF: Can you also talk about working with the Kirby Brothers, and when you are making a movie like this, is it helpful to work with filmmakers who have a background in stunts and fight coordinating?
SA: Yeah, absolutely. When I first conceived the idea of making ‘Accident Man’ as a film, I wanted it to have a Matthew Vaughn or Edgar Wright feel to it. As directors, they definitely have that sensibility. They’re very visually stylistic, and they’re English. They come from the world of stunts, so they ticked all the boxes in what I wanted ‘Accident Man’ to be.
MF: What was it like reuniting with Ray Stevenson on this movie?
SA: Ray’s great. He’s a consummate professional, an amazing actor, and a real team player. We were just lucky to have him in the film. He brings that gravitas to that character, and he’s got a scene where he has to explain the whole plot, and you need a great actor for something like that. Ray’s the man. He’s great.
MF: Finally, what was it like for you to join the ‘John Wick’ franchise and work with Keanu Reeves on ‘John Wick: Chapter 4?’
SA: I’m a big fan of the ‘John Wick’ films. I think they are the best action films going at the moment when it comes to what Hollywood is doing. It’s a massive thrill to be involved.
Keanu is just, as everyone says, the nicest guy. Chad Stahelski‘s an incredible director, and it was amazing to watch him work. I can’t wait for it to come out. I’m as disappointed as everyone that it’s been delayed till March. I can’t wait to see it!
