Tag: danny-boyle

  • ‘Bond 25’ Replacement Director Shortlist Includes Former Frontrunner and a Woman: Report

    ‘Bond 25’ Replacement Director Shortlist Includes Former Frontrunner and a Woman: Report

    Sony Pictures Entertainment

    Bond 25,” the as-yet-untitled next outing in the venerable James Bond franchise, is set for a major overhaul after director Danny Boyle abruptly left the project last month. As producers scramble to search for a replacement, several frontrunners have apparently emerged.

    According to a report from Variety, there are currently three names in the mix for the coveted gig: Yann Demange, Bart Layton, and S.J. Clarkson. And from the sound of it, Demange and Clarkson are at the front of the pack.

    Demange’s name should already be familiar to Bond fans, since he was also among the frontrunners vying to direct “Bond 25” back when the flick was searching for a helmer the first time around. While things didn’t work out then, it looks like he may have another good shot, especially after Variety reports that he impressed longtime Bond producers Barbara Broccoli and Michael G. Wilson at their initial meeting earlier this year. They’ll now schedule a screening of his upcoming film “White Boy Rick” to assess his storytelling skills, according to the trade.

    As for the new names in the mix, Layton certainly has the experience in the heist film world, having helmed this year’s well-received crime drama “American Animals.” And Clarkson has the action angle covered, securing the director’s chair for the upcoming “Star Trek 4,” which will mark not only her feature directorial debut, but also the first time a female filmmaker has helmed a “Star Trek” movie.

    That latter achievement may give Clarkson the edge here, since if she lands the “Bond 25” job, she will also be the first woman to direct a Bond flick, too. The British director has already helmed a bunch of beloved TV projects, including “Orange Is the New Black,” “Jessica Jones,” “Ugly Betty,” “House,” and “Dexter.” It would be exciting to see her bring her unique point of view to a franchise that’s in desperate need of some new blood.

    Boyle was to have been that shot in the arm, but he backed out shortly before filming was to begin, using that old excuse of “creative differences.” Apparently he and screenwriting partner John Hodge butted heads with studio MGM over the script, which Boyle had insisted remain untouched. It seemed that everything was going smoothly — Variety reports that casting was just about to begin for a new Bond girl and villain — when the director decided to walk.

    Now, it’s unclear if the film will meet its scheduled November 2019 release date. At this point, it’s not looking great, but if one of these three candidates can claim the job in the coming weeks, it’s possible that the flick could still roll out as planned.

    Stay tuned to see how this one shakes out.

    [via: Variety]

  • Ed Sheeran Got to ‘Kind of Learn How to Act’ in Upcoming, Still-Untitled Film

    Ed Sheeran Got to ‘Kind of Learn How to Act’ in Upcoming, Still-Untitled Film

    Ed Sheeran in Game of Thrones
    Helen Sloan/HBO

    Ed Sheeran is better known as a singer than an actor, but he may one day change that.

    The Grammy winner has finished filming his biggest acting role to date, the Associated Press reports. His work is part of an upcoming, still-untitled film directed by Danny Boyle and written by “Love Actually” scribe Richard Curtis. In it, Himesh Patel stars as a fictional singer-songwriter who wakes up and discovers that no one else remembers the Beatles; Sheeran gets involved in the story as he, playing himself, discovers the up-and-comer and brings him on tour.

    The film is “very clever,” Sheeran told the AP, and he said it gave him the chance to “actually kind of learn how to act.” He noted that his roles in HBO’s “Game of Thrones” Season 7 and the short-lived FX historical drama series “The Bastard Executioner” were small parts, so he was really just “popping in for a day” each time.

    The singer actually faced some fairly intense social media criticism after his “Game of Thrones” cameo. In the wake of it last September, he told MTV News that “no one wants to see [him] back.” Luckily, he hadn’t envisioned it as more than a one-time nice gesture for star Maisie Williams, who is a big fan of his.

    His new film, though, threw him right into the deep end, it sounds like. Sheeran said he was working “like full 12-hour days” — all in the midst of his tour. It made for “a very intense two months” as he split his weeks into four days doing music-related work and three days shooting the film.

    We’ll see if his hard work pays off when the film comes out in September 2019.

    [via: The AP; h/t: EW]

  • ‘Bond 25’ Won’t Make 2019 Release Date After Losing Director: Report

    ‘Bond 25’ Won’t Make 2019 Release Date After Losing Director: Report

    Bond GIF
    Metro-Goldwyn-Mayer,

    In a win for “Wonder Woman 1984,” “Bond 25” will almost certainly move off the late October/early November 2019 release schedule.

    Director Danny Boyle left the upcoming “Bond” movie earlier this week from “creative differences,” just a few months before it was supposed to start filming. The movie already has a U.S. release date of November 8, 2019. That’s one week after the “Wonder Woman” sequel’s current release date of November 1, 2019. (The U.K. has a Bond release date of October 25, 2019.)

    But now “Bond 25” is expected to miss its current release dates, sources told The Hollywood Reporter. They said it’s possible “Bond 25” may not open until late 2020. Even before Boyle left, THR added, there was talk of pushing the movie to early 2020. No recent Bond film has opened in the summer, so apparently that’s why the expectation is now “late 2020.”

    MGM has yet to confirm that “Bond 25” will miss its current release dates. They may not confirm anything else on this subject until a new director is hired — which may come with a revised script, and a domino of other changes.

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  • Who Will Replace ‘Bond 25’ Director Danny Boyle?

    Who Will Replace ‘Bond 25’ Director Danny Boyle?

    Sony

    The movie world was both shaken and stirred by the news that director Danny Boyle had abruptly left “Bond 25” over the age-old issue of “creative differences.” Now, producers must start their director search all over again, though there are already a few candidates at the front of the pack.

    Several directors who could potentially be in the mix were previously frontrunners for the job back before Boyle snagged the gig. They include Denis Villenueve (“Blade Runner 2049“), David Mackenzie (“Hell or High Water“), and Yann Demange (“’71“).

    Unfortunately, two of them are tied up with other projects at the moment. Villenueve is prepping his “Dune” remake, starring Timothee Chalamet, while Demange is directing “Lovecraft County,” Jordan Peele‘s new HBO series. Mackenzie seems to have some room in his schedule, however, now that he’s wrapped the Netflix epic “Outlaw King.”

    One interesting option is Christopher McQuarrie, the director of recent hit “Mission: Impossible – Fallout.” According to Variety’s Justin Kroll, McQuarrie’s name is already in the equation, though that’s just a rumor at this point.

    As for names that are being floated apropos of nothing (hey, that’s what the internet is for, right? Let the wild speculation commence!), Christopher Nolan seems to be a popular choice to take over Boyle’s chair. And critic Mark Harris suggested that a woman be given the keys to the franchise, with commenters chiming in to declare Kathryn Bigelow and Michelle MacLaren natural candidates.

    Whoever takes over will likely be working with an existing script from longtime Bond screenwriters Neal Purvis and Robert Wade (“Casino Royale,” “Quantum Of Solace,” “Skyfall,” “Spectre“). Though if any of the above candidates boards the project, expect them to add their own stamp to the screenplay.

    “Bond 25” is currently slated to hit theaters on November 8, 2019. Stay tuned to see if/when that changes.

    [via: Deadline, Collider, Justin Kroll/Twitter, Twitter Moments]

  • ‘Bond 25’ Loses Director Danny Boyle

    ‘Bond 25’ Loses Director Danny Boyle

    Sony

    James Bond will return, just not with director Danny Boyle.

    The official James Bond Twitter announced Tuesday that Danny Boyle has parted ways from Daniel Craig‘s next 007 movie, the currently untitled “Bond 25.” Why? See below:

    Ah, that ol’ chestnut of creative differences.

    Back in March 2018, Boyle revealed his intention to direct the follow-up to “Spectre” later this year — a commitment contingent on whether or not long-time Bond producers Broccoli and Wilson approved of the script written by John Hodge, the screenwriter behind (amongst others) Boyle’s “Trainspotting,” “Shallow Grave,” and “The Beach” (Boyle and Hodge developed the initial story idea together.)

    THR says that the script for the film will be the one written by Bond veterans Neil Purvis and Robert Wade, who have been with the franchise since Pierce Brosnan‘s 1999 film, “The World Is Not Enough.” They have also scripted/co-written all of Craig’s outings.

    Purvis and Wade’s script was written prior to Boyle and Hodges coming on board. It was put on a shelf, according to Deadline, as Boyle and Hodges wrote theirs. The intent there being that should Hodges script be delivered and not approved by the producers, they would go with Purvis and Wade’s draft and find a new director. (Variety reporter Justin Kroll is already floating a rumor that the producers have already turned to “Mission: Impossible — Fallout” writer/director Christopher McQuarrie.)

    Production was set to begin on the film December 2018.

    “Bond 25” — which is expected to be Craig’s last mission as the super spy — is slated to hit theaters Nov. 8, 2019. No word yet if this latest set back will force the release date to change.

    Universal will distribute the film internationally, while MGM and Eon Productions will handle domestic.

  • ‘Bond 25’ Director, Shooting Date Confirmed

    James Bond has found a new home, and a new director.

    “Bond 25” has finally confirmed Danny Boyle for director, with Universal Pictures set to distribute the 2019 release internationally, reports Deadline. The film starts shooting December 3, 2018.

    MGM, through its distribution deal with Annapurna, will handle domestic distribution for the hotly-anticipated sequel. Daniel Craig’s next Bond film — rumored to be his last — will be the first 007 adventure since “Die Another Day” 16 years ago to kick off with the MGM logo. (Craig’s four previous Bond adventures were released by Sony.)

    Boyle was one of several directors in the running in recent months, and he has been the obvious frontrunner leading up to tonight’s confirmation. So how did he get the job?

    “MGM and Danjaq weighed several directors,” according to Deadline, “but then Boyle had his great idea and said he would direct, only if his concept was the one they went with.” He had his “Trainspotting” partner, John Hodge, write a script that seems to have pleased everybody.

    Several studios (minus Disney) have been chasing down the rights to distribute the next entry in the lucrative franchise since Sony’s deal expired with 2015’s “Spectre.” Paramount, Warner Bros., and even Sony were jockeying for the gig, but Universal ultimately won out.

    As Deadline reports: “While the distribution fee is expected to be on the modest side, landing the James Bond franchise is an enormous ‘get’ for Universal and [parent company] Comcast. It is among the biggest global franchises and comes at a time when those are more prized than ever, and when scale is everything. It is also important because international is where 007 traditionally earns most of its grosses.”

    Long-standing Bond producers Michael G. Wilson and Barbara Broccoli said in a statement: “We are delighted to announce that the exceptionally talented Danny Boyle will be directing Daniel Craig in his fifth outing as James Bond, in the 25th installment of the franchise. We will begin shooting ‘Bond 25’ at Pinewood Studios in December, with our partners at MGM, and [are] thrilled that Universal will be our international distributor.”

    Story details are (pun so intended) for your eyes only, but fans will see for themselves when the untitled Bond movie hits U.S. theaters November 8, 2019.

  • Ed Sheeran in Talks for Danny Boyle’s Beatles Musical Comedy

    Ed Sheeran is not done with on-screen projects after his ill-received “Game of Thrones” cameo. This one seems more up his alley anyway. It’s certainly a trippy premise, if the news from the Daily Mail can be believed.

    According to the Mail on Sunday, Sheeran is in talks to appear in a new comedy written by Richard Curtis and directed by Danny Boyle. The tentative title is “All You Need Is Love,” about a man who wakes up one day and finds he’s the only person who can remember the songs of the Beatles. He’ll reportedly appear on screen and write new music for the movie, which will also feature Beatles songs.

    Here’s some Ed love from “a source close to Working Title,” the studio making the film:

    “Everything Ed touches turns to gold. He is the biggest hit-maker on the planet. If anyone can make a film about the Beatles songs even better musically, it’s him.”

    Deadline was more reserved on the news, just confirming that Sheeran was “in talks to make an appearance in Danny Boyle’s upcoming music-themed comedy movie.” They said the plot was being kept under wraps, and they didn’t know if Sheeran would contribute to the score.

    It’s not even clear if he would be the character who wakes up remembering Beatles songs, or if he’d just appear in the movie and someone else would have that role.

    Lily James (“Cinderella,” “Baby Driver”) is attached to star, alongside Himesh Patel (“Eastenders”). Kate McKinnon (“SNL”) is said to be in talks too, Deadline reported, with filming scheduled for this summer.

    Sheeran previously appeared in “Bridget Jones’ Baby,” “Undateable,” “The Simpsons,” “The Bastard Executioner,” and “Home and Away.” He also played a Lannister soldier last season on “Game of Thrones” and was a distraction to many viewers. Sorry, but he was.

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  • Discover ‘Sunshine,’ the Perfect Summer Sci-Fi Flick You’ve Never Seen

    SUNSHINETen years ago, an ambitious science-fiction film was quietly released in American cinemas. Despite having an all-star international cast and the might of one of cinema’s greatest living filmmakers, it barely made any money and was critically ignored (it got a wishy-washy 64 on Metacritic). But Danny Boyle‘s “Sunshine” has proved an enduring cult classic, and if you’re getting tired of the overblown, overlong summer sci-fi spectacles, you’d be right in giving “Sunshine” a go. It’s available on most streaming platforms and clocks in at a svelte hour and 47 minutes.

    “Sunshine” is set just 50 years into the future. At this point, the sun is dying so Earth has been thrust into a new ice age. A group of scientists, towing a nuclear weapon the size of Manhattan, are on a quest to deliver the payload into the sun, effectively reigniting it. Along the way, though, our intrepid crew (populated with a wonderfully multi-cultural cast that includes Cillian Murphy, Chris Evans, Michelle Yeoh, Rose Byrne, Hiroyuki Sanada, Cliff Curtis and Benedict Wong) investigate what happened to the first such vessel that attempted this voyage and may be fighting with the psychological effects of being so close to the sun. Just keep in mind, especially based on that description, whatever you think “Sunshine” is going to be; it’s not.

    Most of this has to do with Alex Garland’s ingenious script. Garland had teamed with Boyle before; his novel “The Beach” was adapted by the director and Garland provided the script for their zombie refresh “28 Days Later.” But this was something new and different, it was much bigger than either of them had imagined; it took a full year to refine the script and another whole year to complete editing and visual effects.

    Eventually, the two creative principles ended up taking very difference stances on what the movie meant, to the point that it drove a wedge between them (they never worked together again). Whatever philosophical jousting went on behind the scenes, that creative friction did wonders for the movie. This is a movie that, like all of Boyle’s films, feels very vital and alive in a way that few manufactured pop confections that flood the marketplace in the summer months do.

    Part of that has to do with the streamlined nature of the film, which owes a debt to everything from “Alien” to “2001,” with Boyle and Garland chopping away extraneous romantic subplots and unnecessary dialogue. This is a movie where everything feeds into the propulsive nature of the central narrative. And as much as the movie harkens back to classic science-fiction tales of old, it is unlike anything that has come before it (or since).

    The movie is about the sun, a celestial being that gives us life but that interests few science-fiction filmmakers, and it is fearless in the way that it hops between genres. It’s clear that Garland and Boyle wanted to do an ode to the films that they loved but to really take it someplace new. This is a movie that is as comfortable getting into heady existential debates about the nature of humanity and where we come from, as it is goosing you with a suspense set piece that will truly have you biting your nails. It’s this combination of the humane and the celestial, the highfalutin and the wildly entertaining, that makes “Sunshine” such a blast.But this odd mix does have its detractors.

    Now, let us talk, in veiled terms (of course) about the controversial third act.

    Now, everybody loves to talk about a big twist. There are endless think pieces written about great twists; they inspire fierce water cooler conversations and ignite debate. (Just the other day, I was at a local fast food joint and overheard a conversation about who, exactly, Zendaya is playing in “Spider-Man: Homecoming.”) In “Sunshine,” the third act takes a wild left turn that will either leave you exhilarated or bewildered.

    While programming a block of movies on British satellite channel Sky, Quentin Tarantino chose the film before calling its climax a “creative nosedive.” “The third act tumbling goes far beyond disappointment. The feeling I experienced was betrayal,” Tarantino said. “It goes against every aspect of that film’s aesthetic that preceded it.” Beyond an incredibly lengthy (shocking!) Reddit post, there aren’t that many defenders of the last third of “Sunshine.”

    But that’s okay.

    One, it’s a movie that will get you talking. How many current sci-fi blockbusters can you even muster a sentence about? How many just leave you blubbering puddles of goo, after being beaten into submission by two plus hours of nonstop visual effects insanity? So the fact that the ending of “Sunshine” will make you talk is wonderful. Tarantino even admits that the first two acts of the film are so good that no matter how disastrous you think the third act might be, it still doesn’t lessen the film’s impact (this is also true). And something that people just aren’t owning up to: the third act is actually pretty cool. I’m hesitant to talk about just how the movie transforms, but patient and open-minded viewers will be rewarded for sure.

    My suggestion: crank up the air conditioning, pull down the blinds, and get lost in the world of “Sunshine.”

  • Hilary Swank Joins Danny Boyle’s FX Drama ‘Trust’

    Mon Cheri Hosts Barbara Tag 2016“Trust” is counting on a “Million Dollar Baby.”

    Two-time Academy Award winner Hilary Swank is joining the cast of the FX drama “Trust,” created by Danny Boyle. She’ll star opposite Donald Sutherland in the 10-episode limited series set in 1973.

    Swank will play Gail Getty, the mother of John Paul Getty III, heir to the Getty oil fortune, who is kidnapped in Rome by mafia members seeking a multi-million dollar ransom. The Italian police don’t take the kidnapping seriously and his father is in a heroin daze, so it’s up to Gail to get her son back. The only problem is that she’s broke. Sutherland is J. Paul Getty, the family patriarch.

    This marks Swank’s first television series since the ’90s, when she appeared in shows like “Beverly Hills, 90210” and “Leaving LA.” She went on to a successful, acclaimed film career, winning Oscars for “Boys Don’t Cry” and “Million Dollar Baby.”

    “Trust” is slated to premiere in January 2018.

  • 24 Things You (Probably) Didn’t Know About ‘Trainspotting’

    It’s been 20 years since we were urged to “Choose Life” by junkie Renton (Ewan McGregor) in “Trainspotting,” the bold Scottish indie that put him and director Danny Boyle on the map. American audiences had no idea what they were in for (toilet diving! babies crawling on the ceiling!) when it hit theaters on July 19, 1996.

    In honor of the film’s 20th anniversary this year, and with the long-awaited sequel finally happening, here’s 30 things you might know about this cult film:

    1. “Trainspotting” was a play before it was a film. Main character Renton was played by Ewen Bremner, who was cast as Spud in the movie. Bremner says he almost passed on the role of a lifetime: “Having played Renton onstage, I was a bit aggrieved not to be considered for the role in the film. I was just being a stupid snob. But I’m so pleased to have done it and I still love it.”

    2. Ewan McGregor, who had already starred in Boyle’s first film, “Shallow Grave,” was the first and only choice to play Renton.
    3. McGregor’s “Shallow Grave” costar, the future Doctor Who Christopher Eccleston, was offered the role of Begbie, but opted to film “Jude” with Kate Winslet instead. The part instead went to Robert Carlyle, who had previously starred as a homeless ex-con in “Riff-Raff” and a guy in love with a closeted man of the cloth in “Priest.”

    4. Boyle described his audition with Kevin McKidd, who had previously been in “Small Faces” as “like meeting one of the Beach Boys at the height of their fame — the perfect picture of innocence.” In other words, perfect to play clean-cut, Iggy Pop-loving Tommy.
    5, Jonny Lee Miller was suggested for the role of Sick Boy by McGregor: “He just walked in and he was Sick Boy straight away, he was lolling about in his chair right in front of us,” Boyle told Empire. He was the only non-Scot in the cast.

    6. Kelly Macdonald (below, who made her debut in the film), still has the flyer asking for girls to audition for the film: “It said, ‘Do you want to be the next Sharon Stone?’” I’ve still got it somewhere.” She told The Scotsman she expected the audition to get her into drama school. “Then I kept getting called back. Drama school was out the window.” The actress, who went on to star in “No Country For Old Men” and “Boardwalk Empire,” never did formally study acting.
    7. In 2009, Robert Carlyle told BAFTA that he played the riot-starting Begbie as a closeted gay man whose violent outbursts were due to his “fear of being outed.” Irvine Welsh, who wrote the novel, agrees with that interpretation.

    8. To play skinny heroin addict Renton, Ewan McGregor simply gave up alcohol and dairy for two months.
    9. How did they film the infamous toilet scene? Cinematographer Brian Tufano says it was, “quite easy to shoot, once you’ve been inventive about it. We ended up cutting a toilet in half and putting a wooden chute behind it. Then, using an art technique called trompe l’oeil, and the right positioning of the toilet, we made it look like Ewan was going down the toilet.”

    “Then I suggested to Danny that as he was going down, Ewan’s feet — if he just twisted them, people might think he’s just gone round the bend in the toilet.” As for the “beautiful lagoon” he ends up in, it was a swimming pool in Glasgow. “People still talk about it. If you see someone going down a toilet, it’s bound to stick in the memory.”

    10. The opening scene in which Renton is run over by a car takes about five seconds, but it required 20 takes. During breaks, McGregor had to be patched up by the on-set nurse, according to Empire’s 1996 behind-the-scenes article.
    11. Don’t worry: No animals were hurt in the making of this film. The scene where Renton and Sick Boy shoot a dog in a park with a BB gun? Director Danny Boyle just yelled at it offscreen to get its startled reaction.

    12. Although there is a scene where Renton, Sick Boy, Spud, and Tommy go out to the countryside and hang around the train tracks, they’re not the “trainspotters” referenced in the film. In the novel, Begbie and Renton meet “an auld drunkard’ at the Leith Central railway station. The man, who turns out to be Begbie’s estranged father, asks them if they are “trainspottin’.”
    13. Jonny Lee Miller’s James Bond-obsessed Sick Boy actually has a real connection to the spy series: His grandfather, Bernard Lee, played “M” in the Bond films until 1979.

    14. Kelly Macdonald iinvited her mother and brother to the set while filming her sex scene with Ewan McGregor. D’oh! That scene actually had to be trimmed for the American release by a few seconds, mainly because it appeared that her character (who was only supposed to be 15) seemed to be enjoying it too much.15. Miller himself was once rumored to take over as Bond, and would have loved the job, but the one time he met one of the Bond film producers, he probably didn’t make the best impression. “I had dinner with Barbara Broccoli, but there were a lot of other people at the dinner. At the time, I think I had a huge beard or mustache, which probably didn’t do me any favors, you know? I didn’t look exactly suave,” he said in 2009.

    16. Some of the cameos you might have missed: Author Irvine Welsh as Mikey Forrester, who sells Renton some ill-fated suppositories; screenwriter John Hodge, as the store security officer chasing Renton in the opening scene; and that’s producer Andrew Macdonald as a prospective buyer of the “Victorian Townhouse” that a temporarily clean Renton shows him in London.17. Kevin McKidd (third from left), who currently stars on “Grey’s Anatomy,” admitted that the movie wasn’t the big break for his career that it was for some of the other actors (possibly because he was on holiday when the promo photos were being shot, so he’s not on any of the posters): “I had quite a lot of lean years after ‘Trainspotting.’ I did a lot of cool work but very low budget and very indie stuff. I think it was ‘Rome’ that was the game changer for me.”

    18. UK ads for the film were featured heavily at (where else?) train stations. PolyGram’s marketing manager, Julia Short, told Empire in 1996, “PolyGram owns about eight poster sites at British Rail stations across the country, so we’re putting up ‘Trainspotting’ posters, which we think is quite appropriate.” One, at Charing Cross underground station in London, was 100 feet long.19. Paul Thomas Anderson was a huge fan of the film and tried to cast Bremner (left) in “Boogie Nights,” a movie the actor now regrets turning down. “I never returned (director] Paul Thomas Anderson’s calls. His people would be like: ‘Paul really loves you, there’s a great part here for you.’ But I thought the script was too sentimental. Of course, when I saw the film I was kicking myself.”

    20. While wrapping “Trainspotting,” Boyle (below, center) and producer Andrew MacDonald were in talks to take on “Alien: Resurrection,” which ended up being directed by Jean-Pierre Jeunet.
    21. McGregor and Boyle had a big falling-out after Boyle -– who had cast McGregor in his first three films -– went with Leonardo DiCaprio as his leading man for “The Beach.”

    The “Trainspotting” sequel marks the first time they’ve worked together since 1997’s “A Life Less Ordinary.” Says McGregor, “I miss working with Danny, I did some of my best work with him and he’s one of my favorite directors I’ve worked with. There was some bad blood and ill feeling, but that’s all gone now.”

    22. McGregor considers it his most important film, even bigger than “Star Wars”: In a 2011 interview, he said, “it’s still the main thing people ask me about when they come up to me in the street. I really get a sense that it’s possibly the biggest film I’ve done, or definitely the most successful in terms of being in the human consciousness.”
    23. The writing on the wall of the Volcano Nightclub (where Renton meets Diane) is the same as that in the Moloko bar in Stanley Kubrick’s “A Clockwork Orange,” a movie Boyle encouraged the cast to watch before filming.

    24. McGregor and Bremner have worked together quite a lot since “Trainspotting,” including “Black Hawk Down” in 2001, “Perfect Sense” in 2011, and “Jack the Giant Slayer” in 2013. And of course, they’ll both be in the “Trainspotting” sequel, due in February 2017.

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