Tag: dan-harmon

  • Chevy Chase Claims ‘Community’ “Wasn’t Funny Enough for Me”

    Alison Brie and Chevy Chase in 'Community.'
    (L to R) Alison Brie and Chevy Chase in ‘Community.’ Photo courtesy of NBC.com.

    Even at the height of his ‘Saturday Night Live’ fame and comedy movie star status, Chevy Chase had the reputation of being an outspoken, difficult person.

    Yet his proven comic talent on the comedy show, and his cinema work meant that he came across as more of a tricky star dealing with the pressures of fame.

    These days, however, he’s more seen as an angry old man, spouting off about past work and claiming that he was better than the likes of ‘Community’, on which he starred as part of the ensemble for 85 episodes between 2010 and 2013.

    Speaking to ‘WTF’ podcast host Marc Maron on a recent episode of the show, Chase laid into the show.

    Related Article: Joel McHale Says That Donald Glover will be Part of the ‘Community’ Movie

    /Chase on ‘Community’

    Chevy Chase in 'Community.'
    Chevy Chase in ‘Community.’ Photo courtesy of NBC.com.

    For four seasons on the show, Chase played Pierce Hawthorne, a former moist towelette tycoon who was at one time the C.E.O of Hawthorne Wipes. He enrolled in Greendale Community College to expand his horizons.

    Chase shared the screen with the likes of Donald Glover, Joel McHale and Danny Pudi, and was frequently criticized for his rude behavior, including making racial comments during a heated disagreement with series creator Dan Harmon over his character. He eventually departed the show at the end of the fourth season.

    On the subject of the show, Chase said this:

    “I honestly felt the show wasn’t funny enough for me, ultimately. I felt a little bit constrained. Everybody had their bits, and I thought they were all good. It just wasn’t hard-hitting enough for me.”

    And about his character?

    “I didn’t mind the character. I just felt that it was… I felt happier being alone. I just didn’t want to be surrounded by that table, every day, with those people. It was too much.”

    Asked how he felt when his former ‘Community’ collaborators made negative comments about his on-set behavior, Chase doubled down:

    “I guess you’d have to ask them. I don’t give a crap! I am who I am. And I like where — who I am. I don’t care. And it’s part of me that I don’t care. And I’ve thought about that a lot. And I don’t know what to tell you, man. I just don’t care.”

    Previous Chase comments

    Cast of 'Community.'
    Cast of ‘Community.’ Photo courtesy of NBC.com.

    This is far from the first time that the outspoken Chase has gone on the offensive.

    In a Washington Post interview in 2018, he revealed his dislike for the direction of present-day ‘SNL’:

    “First of all, between you and me and a lamppost, jeez, I don’t want to put down Lorne (Michaels, ‘SNL’ boss) or the cast. But I’ll just say, maybe off the record, I’m amazed that Lorne has gone so low. I had to watch a little of it, and I just couldn’t f*****g believe it. That means a whole generation of s**theads laughs at the worst f*****g humor in the world.”

    For a man who claims he doesn’t want to speak badly of anyone, he certainly spends a lot of time doing just that…

    Cast of 'Community.'
    Cast of ‘Community.’ Photo courtesy of NBC.com.

    Other Chevy Chase Movies:

    Buy Chevy Chase Movies On Amazon

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  • Donald Glover Returning for ‘Community’ Movie

    Donald Glover as Troy Barnes on NBC's 'Community.'
    Donald Glover as Troy Barnes on NBC’s ‘Community.’ Photo courtesy of NBC.com.

    “Six seasons and a movie!” It was a rallying cry for fans of the cult sitcom ‘Community’, which was created by Dan Harmon. The series ran for 110 episodes over six seasons, with its first five seasons airing on NBC from September 17, 2009, to April 17, 2014, and its final season airing on Yahoo! Screen between March 17 to June 2, 2015.

    Harmon has long said he intends to fulfill the fans’ dream of making a movie based on the show and the idea has grown over the years since the series left screens.

    NBC’s streaming service Peacock announced last year that the film would be a reality:

    “Six seasons and a movie’ started out as a cheeky line from ‘Community’s early seasons and quickly ignited a passionate fan movement for this iconic, hilarious and cool (cool, cool) NBC comedy. We’re incredibly grateful that 15 years later, we are able to deliver fans this promised movie and can’t wait to get to work with Dan Harmon, Andrew Guest, Joel McHale, Sony and our partners at UTV to continue this epic comedy for Peacock audiences.”

    Joel McHale as Jeff Winger on NBC's 'Community.'
    Joel McHale as Jeff Winger on NBC’s ‘Community.’ Photo courtesy of NBC.com.

    Now, according to Joel McHale, Donald Glover –– who hadn’t been listed along with the other cast members for the movie –– is on board.

    Talking on Kelly Ripa’s ‘Let’s Talk Off Camera’ podcast, McHale said this:

    “Donald’s coming back and that’s really important. The fact that Donald’s gonna do it, that was the big piece. But I think everyone’s coming back. I mean, so far we’re pretty good. And I think that will happen. If not then, you know, Donald will be there.”

    What was the story of ‘Community’?

    Cast of 'Community.'
    Cast of ‘Community.’ Photo courtesy of NBC.com.

    Related Article: Donald Glover to Star in ‘Spider-Man’ Universe Movie ‘’Hypno-Hustler’

    Set at a community college in the fictional Colorado town of Greendale, the series starred an ensemble cast including McHale, Glover,  Gillian Jacobs, Danny Pudi, Yvette Nicole Brown, Alison Brie, Ken Jeong, Chevy Chase, and Jim Rash as a group of students brought together as a study group, plus a crazed example of the teaching staff and the equally offbeat dean of the college.

    Harmon and his writing staffed used the show to poke fun at tropes and genres, frequently using meta references and humor while also maintaining a level of heart for the group as they slowly bonded. McHale played snarky, washed-up lawyer Jeff Winger, who is suspended by the state law bar for falsely claiming he had a bachelor’s degree and must gain one to get his career back.

    Glover played Troy Barnes, a former high school football star who is now in something of a rut. He strikes up a friendship with Abed (Dani Pudi), who boasts an encyclopedic knowledge of TV shows and movies. Abed struggles to interact with others via conventional means due to his implied autism, so he often chooses to interpret the group’s everyday activities by comparing them to film and TV narratives.

    With Glover confirmed, the only cast member not officially returning so far is Yvette Nicole Brown, but with luck she’ll be back before too long.

    And she has time to decide anyway –– the movie is on hold right now in solidarity with the writers’ strike.

    Jonathan Banks as Professor Buzz Hickey and Donald Glover as Troy Barnes on NBC's 'Community.'
    (L to R) Jonathan Banks as Professor Buzz Hickey and Donald Glover as Troy Barnes on NBC’s ‘Community.’ Photo courtesy of NBC.com.

    Other Donald Glover Movies:

    Buy Donald Glover Movies On Amazon

     

  • ‘Rick and Morty’ Creators Reveal Season 4 Details, Episode Count, Voice Cameos

    ‘Rick and Morty’ Creators Reveal Season 4 Details, Episode Count, Voice Cameos

    Adult Swim

    “Rick and Morty” fans have been waiting forever (since October 2017) for new episodes of the Adult Swim animated hit.

    They won’t have to wait much longer — last year, creators Dan Harmon and Justin Roiland signed on to make 70 (!) more episodes. And Adult Swim announced Season 4 will debut in November.

    In a new interview with Entertainment Weekly, the creators revealed more details about the highly-anticipated new season. First, Roiland confirmed it will run for 10 episodes.

    And in news that should further delight fans, they’ll get to work immediately on the next batch of episodes.

    “I think it’s safe to say without fear of being wrong that the gap between seasons 3 and 4 will be the longest and last time that it’s ever so long that it’s ridiculous. I don’t know how fast we can do it, but I know it will never be this long again,” Harmon said.

    He added, “We’re literally writing season 5 while finishing season 4 just to force ourselves to commit to a certain schedule.”

    As usual, the show will bring in big names for guest starring voice roles.

    “We’ve got Paul Giamatti. That’s a hot scoop,” Roiland said. “We got Sam Neil. Taika Waititi does a voice. Kathleen Turner.”

    The creators did not tease much in the way of spoilers, but Roiland did suggest fans watch past episodes in order.

    “We have serialized stuff we check in on now and then that’s sprinkled over the top of strong episodic episodes.”

    For all of our San Diego Comic Con coverage, please click here!

  • ‘Rick and Morty’ Creator Dan Harmon Apologizes For Offensive Video

    Dan Harmon Rick and Morty
    Adult Swim

    Dan Harmon, the creator of “Rick and Morty” and “Community,” has apologized for a video that resurfaced this week in which he sexually violates a doll.

    “In 2009, I made a ‘pilot’ which strove to parody the series ‘Dexter’ and only succeeded in offending,” he said in a statement. “I quickly realized the content was way too distasteful and took the video down immediately. Nobody should ever have to see what you saw and for that, I sincerely apologize.”

    The video, titled “Daryl,” was posted in 2009 to a website Harmon co-founded. Harmon plays the central character, described as “a baby rapist with a heart of gold,” and is seen simulating rubbing his genitals on an infant doll.

    The video reappeared on Twitter over Comic-Con weekend, which Harmon and “Ricky and Morty” co-creator Justin Roiland were attending. Backlash ensued and Harmon deleted his Twitter account Monday.

    Adult Swim also released a statement about Harmon’s video: “At Adult Swim, we seek out and encourage creative freedom and look to push the envelope in many ways, particularly around comedy.

    “The offensive content of Dan’s 2009 video that recently surfaced demonstrates poor judgement and does not reflect the type of content we seek out. Dan recognized his mistake at the time and has apologized. He understands there is no place for this type of content here at Adult Swim.”

    Harmon is the second notable Hollywood figure to come under fire for old content posted online. James Gunn was fired as director of “Guardians of the Galaxy 3” after a far-right commentator dug up old Twitter posts joking about pedophilia and molestation.

  • What Makes ‘Rick and Morty’ TV’s Most Ambitious Animated Series

    Television animation is going through something of a renaissance in the past few years, and it shows no signs of stopping. What’s fascinating is that, due to the relative safety of network television and the all but abandonment of the Saturday morning cartoon programming block, animation has flourished outside of the traditional boundaries, with cutting-edge programming coming from places like Nickelodeon (“Avatar: The Last Airbender” and its companion series “The Legend of Korra”), Netflix (“BoJack Horseman”), and Disney XD (“Star vs. the Forces of Evil,” the dearly departed “Gravity Falls”).

    But no one is pushing things quite as far as Cartoon Network. Not only are they committing to gentle, gorgeous miniseries like Patrick McHale’s “Over the Garden Wall,” but their Adult Swim programming lineup is home to some of the weirdest, most out-there animated series ever (those of us that watched “Liquid Television” on MTV in the ’90s are having some extreme flashbacks). And the crown jewel of the Adult Swim broadcast (and indeed Cartoon Network as a whole) is its highest rated, most boundary-pushing marvel, “Rick and Morty.”

    “Rick and Morty” started off as a crass “Back to the Future” parody called “The Real Animated Adventures of Doc and Mharti” (feel free to look it up, but keep in mind that it’s tres NSFW) that creator Justin Roiland came up with for Dan Harmon‘s Channel 101 film festival. When Adult Swim approached Harmon about creating a new television series, he thought of Roiland and his perverse parody. So the show was altered, removing any punishable copyright infringement and given a more grounded emotional base, with Rick (formerly Doc) being an estranged mad scientist father who drops in on his daughter’s family and whisks her young son Morty (formerly Mharti) on a series of far-flung adventures that sees them crossing both time and space. Roiland does the voices for both of the main characters. It’s wacky as hell. But it’s also the most ambitious animated series currently on television.

    The first thing you’ll understand when watching an episode (any episode) is that the show is insanely complicated. Not that the family dynamics are that hard to figure out — the would-be patriarch Jerry Smith (voiced by Chris Parnell) is threatened by Rick’s return, teenage daughter Summer (Spencer Grammer) feels lost and insecure, and so on. But the multitude of alien species, bizarre planets and parallel dimensions will have your head spin. Seriously. The show has only been on for two seasons (its third season just started this past weekend) and there are countless You Tube videos offering crazy theories and hypotheses. There’s a fairly open dialogue about how real the two main characters on the show are.That’s crazy and awesome and sometimes dizzying. In the first episode of this season, aired earlier this year as an April Fools’ Day surprise, we see that Earth has been taken over by a race of insect bureaucrats. There’s an offhanded joke about how the children have aged differently under this regime. It’s funny, for sure, but something of a throwaway. But during the second episode, which aired this past Sunday and is set largely in a world inspired by “Mad Max: Fury Road” (of course), Jerry’s wife, Beth (Sarah Chalke), says something about how the kids (replaced by robotic doppelgängers) are being typical millennials. Then she pauses. “Or are you in your forties now?” she asks. It’s a call back to that first episode of this season, which aired a few months ago, and a joke that flitted by mostly undetected.

    It’s those kind of interlocking gags that both serve the plot and are incredibly hilarious, that make “Rick and Morty” unlike anything else on television. The amount of Easter Eggs and hidden messages are overwhelming; again look to YouTube for the full spectrum. One of my favorite things is how “Rick and Morty” aligns with “Gravity Falls,” which aired on a completely different network run by a completely different corporation but referenced one another thanks to the ironclad friendship of Roiland and “Gravity Falls” creator Alex Hirsch. “Gravity Falls” might be over but there’s a possibility it could live on in the background of “Rick and Morty” somewhere.The show is also ambitious in how forcefully it’s become an aspect of popular culture. Before its second season had even premiered, merchandise was already flooding into shops around the country, and Roiland and Harmon had created a “The Simpsons” that was arguably funnier and more inventive than that entire season of “The Simpsons” (“They did an episode where George Bush was their neighbor,” Rick helpfully reminds us.) This kind of cross-platform ubiquity is hard to establish for a show that has been on for years but “Rick and Morty,” which has a clear dialogue with popular culture, sending up and subverting key aspects of science fiction in new and refreshing ways.

    So it makes sense that would embed itself, like some kind of venomous space-tick that Rick and Morty come across on one of their adventures, in the larger social consciousness. And what’s more — the culture has been remarkably responsive. A gag in the Season 3 premiere centered around Rick returning to an imagined version of 1998 so that he could relive his infatuation with a Szechuan dipping sauce from McDonald’s (a promotional tie-in to Disney’s “Mulan“), and just last week a chef from McDonald’s sent Roiland a vat of the stuff.

    But it’s important to remember that the show isn’t just a send-up of classic science fiction — although, that is obviously a huge part of the appeal. What makes “Rick and Morty” so special and ambitious is just how emotionally grounded the series is. This past week’s episode, while based on “Mad Max: Fury Road” and featuring a subplot where Morty is injected with a serum that gives him a giant muscular arm, is actually a fairly moving look at how the different family members are dealing with the impending divorce of Jerry and Beth. It’s as touching as it is funny and it’s totally, wonderfully ambitious.

  • Mini-‘Community’ Reunion: Alison Brie, Dan Harmon to Appear in ‘Dr. Ken’ Season Finale

    2017 Sundance Film FestivalAttention, Human Beings: A “Community” movie still isn’t imminent, but “Dr. Ken” has an enticing Greendale reunion planned in the meantime.

    “Community” star Alison Brie and the sitcom’s co-creator Dan Harmon are both going to appear in the upcoming “Dr. Ken” Season 2 finale, Variety reports. They’ll play themselves as they reunite with the ABC series’ titular star, Ken Jeong. In appearing on the show, they follow in the footsteps of multiple “Community” vets, including Joel McHale, Yvette Nicole Brown, Gillian Jacobs, and more.

    In the episode, Jeong’s character will try to land a role on a fictional new Harmon show. While auditioning, he’ll read with Brie, a series regular. Unfortunately for Dr. Ken, though, the meeting will get awkward.

    It will be fun to see the three share the screen. They previously worked together for six seasons — and die-hard fans are still holding out for a movie.

    The “Dr. Ken” Season 2 finale airs on Friday, March 31 at 8:30 p.m. ET/PT on ABC.

    [via: Variety]

  • Dan Harmon’s Jokes Were Too Weird for ‘Doctor Strange’

    The greatest thing about the Marvel Cinematic Universe is that just when you think you’ve got it figured out, they’ll throw a curveball your way, in the likes of something like the charmingly goofy “Ant-Man,” the outer space adventurousness of “Guardians of the Galaxy” or, most recently, the psychedelic prog-rock album cover mind-bendiness of “Doctor Strange.”

    “Doctor Strange” (out on Blu-ray on February 28) sees the gifted neurosurgeon Doctor Stephen Strange (played, winningly, by Benedict Cumberbatch) have his hands crushed in an auto accident, leading him to seek more alternative therapy on the other side of the world. That’s where he gets involved in cosmic impossibilities, battling giant monsters, dabbling in time travel, and generally teeing himself up to be the Sorcerer Supreme of the Marvel Cinematic Universe. It’s so, so good.

    Earlier today, I sat down with director Scott Derrickson, who spoke to me about Dan Harmon‘s contributions to the final movie, why Cumberbatch also played the film’s otherworldly baddie, and whether or not the mystical stronghold changed its password after one of its members went bad.

    It goes without saying that there is a very heavy SPOILER WARNING issued for the following, but since everyone and their magical cat already saw this movie, I’m less concerned.

    Moviefone: Just wanted to start off with a serious question: Did they have to change the Wi-Fi password at Kamar-Taj after Mordo left and went bad?

    Scott Derrickson: [Laughs] No, I think they would keep that Wi-Fi password.

    So, if Mordo was in the neighborhood, he’s got his laptop, no problem.

    Well, as you know, accessing Wi-Fi doesn’t mean accessing any systems within Kamar-Taj.

    Oh, that’s true. So, this is such a unique take on the Marvel Universe. Was there ever any push-and-pull in terms of just how far you could push things?

    No, I think everybody was in agreement that we needed to push it really far. My starting mantra, to use that word, was that every set piece in this movie should be the weirdest set piece in any other movie. So I wanted every set piece to be unique and be weirder than anything you’d see in any other movie. We were just pushing our imaginations as far as we possibly could to come up with the most outrageous concepts, and using the comic books as inspiration for some of those concepts — obviously — and then trying to go past them. There was never anything but enthusiasm on Marvel’s part for that approach.
    Talking about set pieces, I wanted to talk about that final set piece, which is so striking. It almost felt like a commentary on the endings of most superhero films. Was that conscious?

    Yeah, it was. The common criticism I had seen was, “Every Marvel movie ends in a big fight, where there’s a portal opening to some other dimension and they destroy a city to close the portal.” So I thought, “OK, what if we have the un-destruction of a city and, instead of closing the portal, we go into it and go to the other side.” So that was the idea. Before we’d even written a script I said, “I want this final battle to be people fighting forward in time while the world is un-destroyed in reverse time around them.” It was just a concept and an impossible one, one that had never been done. But I just said, “Well, let’s write it and figure out how to do it. And that’s what we did.”

    And when Strange gets to the other side, he essentially annoys the villain into defeat. It felt very much like a “Star Trek” original series gag, and I know Kevin Feige is a big “Trek” fan. Was that something that you referenced?
    No, we never referenced specifically “Star Trek.” I remember exactly where I was standing when that idea first came to me. Because we were struggling with the ending, and I just threw out this rough pitch of it.

    [Writer] Jon Spaihts was there and [executive producer] Stephen Broussard was there, and we started the batting the idea round. We were about to leave. We’d been working for hours and right as we were about to leave, I threw that idea out there — while we were standing there — and started throwing it around and by the end of that session, we had the concept.

    Jon went away and wrote it. And out of all the things from the first draft of the screenplay that Jon wrote, that’s the section of the script that remained untouched. It came in so good that we said, “This is the end of the movie. We’re keeping it.”

    Another aspect of that final sequence is Cumberbatch playing Dormammu. How did that come about?

    It was actually Benedict’s idea to start with. He was asking who was going to do it, and I didn’t know because we hadn’t cast anybody yet. I think he was just asking in passing. Then he came back to me and said, “What do you think about me doing it?” And I said, “Well, why would you want to do it?” He said, “Well, I think I’d do a good job,” which was a great answer. So I told him I’d think about it and went away and thought about it and I thought: “Nobody could understand that character better than Benedict because he knows the movie inside and out.” And the fact that he was game to do it and willing to do it was great.

    So I became convinced, not just because he’s such an amazing actor, but because Dormammu is the inverse of Strange at that point — he’s the ultimate egomaniac, when Strange is becoming more self-sacrificial. I went to Kevin and said, “Benedict is willing to do this, I think we should let him do it.” And he said, “Why?” And Kevin just agreed [with my reasoning] so we did it.
    The movie came out and was obviously a huge, huge hit. But were you nervous at all? And what was your reaction to the reaction?

    The last screening I did for the film was at USC, my alma mater. And Kevin Feige is also a USC graduate. So we agreed to do a screening and it was on the Friday night of its release, so the reviews had already come in. It was over 90 percent on Rotten Tomatoes and the box office projections were in the [$80 million range]. So I knew it was a huge success.

    I was standing outside the theater at USC, waiting alone, and here comes Kevin walking up, and he’s so approachable and down-to-earth. He’s wearing his ball cap and his sweatshirt and his tennis shoes and drinking a Starbucks. He said, “Well, how do you feel?” I said, “I feel relieved.” He kind of smiled. I said, “Kevin, someday somebody’s going to make a bad Marvel movie. But it ain’t gonna be me.” He laughed really hard at that.

    What was your main takeaway from the Marvel process? A lot of filmmakers talk about what it’s like going in there and trusting the machine.

    It’s not a machine at all. I think the biggest takeaway is that Marvel movies and the quality of Marvel movies are the result of a handful of creative people who are producers, but they’re artists and film-lovers first. They approach the creative process without any ego at all. They’re not egotistical, they don’t need to be right, they don’t need to have things done their way — and you go in with all of your talent and all of your skillset as a director and all of your vision, they hire you for that vision. They want you to make your movie. They are there to help you and help find the best possible ideas. So, if your ego is checked at the door, everybody finds the best idea together. Everybody wants somebody to have the best idea, all the time. There’s very little arguing or conflict. It’s mostly just hearing ideas and shooting ideas back. The best idea always wins.

    For the most part, this movie was born of my imagination. I came in with a very hard take, based on the comics, and I was always pushing the envelope of what was possible to do. And they got behind it. I’ve never felt more supported as a filmmaker.
    Is it hard for you to help develop this character and then watch him go off into other movies? He’s going to be in “Thor: Ragnarok” and “Avengers: Infinity War.” Do you call the other filmmakers and check in on him?

    No! I’m excited to see what the other filmmakers do with him! I get asked this question a lot and it would probably make me a little uneasy, but I love these filmmakers so much. It’s like, “What’s Taika [Waititi] going to do with Doctor Strange? I can’t wait to see that!” He’s an extraordinary filmmaker.

    I only know the story of “Infinity War” because I ran into (co-director) Joe Russo outside the bathroom at Marvel, and we got to talking, and he pitched me the movie while we were standing there. So I know the story, but I don’t know how Strange fits into it and I don’t want to know. I want to go to those movies and be surprised by where the character shows up.

    It was reported that Dan Harmon was brought in. And just as a fan of his I was wondering what he brought to the movie.

    Well, Dan is a proper genius. He really is. Joel McHale is my best friend, and my family and his family have a BBQ together every weekend, that’s no exaggeration. And my kids have seen every episode of “Community,” which means that I have seen every episode of “Community” multiple times. The more I watch that show, the more I think he’s a certifiable genius. He really is.

    Meeting him in person — he’s odd and quirky — but what he did was, he came in, saw a cut of the movie, and had a really striking analysis. Because he hadn’t read any of the scripts and didn’t know the Doctor Strange mythology and I’m not sure how much of a comic book fan he was. But he saw the movie, loved it, and had some breakdown things that were very helpful. That alone was probably his biggest contribution. Then he went off and wrote different things. There are some jokes that might have stayed in there, but for the most part, the scenes were a little too out in Dan Harmon-land, even for “Doctor Strange.” But I really love the guy and I really think he made a significant contribution in the process. He was the voice we needed to hear at the time, and I will always be thankful and watch anything he does. He’s a brilliant dude.

    I know nothing has been announced, but is this a character you’d like to return somewhere in the Marvel Universe?

    I hope so. I love the character so much, and I also love the incredible possibilities that the movie opens up for future stories. So all the timing would have to line up and all of that kind of stuff. But I hope so.

    “Doctor Strange” hits Digital HD and Disney Movies Anywhere on February 14 and Blu-ray on February 28.

  • Marvel Tapped Dan Harmon for ‘Doctor Strange’ Scenes

    Dan Harmon at the Turner Upfront 2016 An unlikely writer penned some last-minute scenes for Marvel’s “Community” creator Dan Harmon.

    The writer isn’t known for superhero flicks, but apparently Marvel Studios trusted him to do the job. He was brought in late, joining the project only after principal production wrapped, according to a Hollywood Reporter source. Just what he added has been kept under wraps, but given his previous work, we suspect that he injected a bit of fun, quirky humor into the upcoming film.

    Harmon has proven himself as a comedic writer, creating not only “Community” but also the Adult Swim cartoon “Rick and Morty.” (He co-created the latter with Justin Roiland.) “Doctor Strange” marks his first project for Marvel, but he isn’t the first “Community” alum to work with the studio; Anthony and Joe Russo each directed numerous episodes of the sitcom before jointly helming the Marvel hits “Captain America: The Winter Soldier” and “Captain America: Civil War.”

    We expect that Harmon transitioned to the MCU as smoothly as the Russo brothers have, but we won’t see for sure until “Doctor Strange,” starring Benedict Cumberbatch, hits theaters on Nov. 4.

    [via: The Hollywood Reporter]

  • Best TV Shows to Watch That Never Won an Award

    the wireIn this golden age of television, the sheer amount of quality programming makes it impossible for the Emmys to recognize every show worthy of awards, which is both wonderful and incredibly frustrating. The following five shows are perfect examples of the how the Emmys failed to recognize brilliance.

    ‘The Wire’ (2002 – 2008)

    It’s often at the top of the critics’ charts when it comes to the greatest television shows of all time … so how exactly did “The Wire” only manage to garner two Emmy nominations for writing over the course of five seasons? It’s one of television’s greatest mysteries. While the gritty drama about the drug scene in Baltimore may have been too intense and dark to gain traction with voters, “The Wire” certainly paved the way for a show like meth-fueled “Breaking Bad” to win multiple Emmys.

    ‘Parks and Recreation’ (2009 – 2015)

    On the comedy side, NBC’s “Parks and Recreation” definitely takes the crown when it comes to the best shows that never won at the Emmys. While it started as a poor imitation of “The Office,” “Parks” became a unicorn among the more cynical sitcoms. Amy Poehler was a perennial Best Actress nominee for her iconic portrayal of Leslie Knope, but she only took home one Golden Globe over the course of the seven-season run. The ensemble was one of the strongest on television with Chris Pratt, Aubrey Plaza, Adam Scott, and Rob Lowe representing the wacky citizens of Pawnee. But the biggest injustice is the fact that Nick Offerman never got a single nomination for his work as Ron Swanson, the gruff government-hating boss with a heart of gold. To quote Ron, “Awards are stupid. But they’d be less stupid if they went to the right people.”

    ‘Buffy the Vampire Slayer’ (1997 – 2003)

    “Buffy the Vampire Slayer” never really had a chance with Emmy voters, given that it was a show about vampires airing on the WB. If voters had looked closer at Joss Whedon‘s masterpiece, they would have seen that it wasn’t just about killing vampires. “Buffy” was never afraid to tackle subjects like school violence, substance abuse, and teens coming to terms with their sexuality, and it did so unflinchingly. Sarah Michelle Gellar‘s Buffy gave girls a heroine to look up to, as she proved that the blonde cheerleader was also capable of kicking demon ass.

    ‘Community’ (2009 – 2015)

    Fiercely beloved by the few who watched it, Community” is a gem that the Emmys never paid much attention to. While the episode titled “Abed’s Uncontrollable Christmas” did win an Creative Arts Emmy for animation, “Community” was mostly ignored when it came to the Primetime Emmys. It netted only one nomination in writing — for the brilliant “Remedial Chaos Theory” — over the course of its six seasons. “Community” was the perfect show for pop culture nerds, as it played all sorts of television tropes, from homages to “Law & Order” to spoofing clip shows and spaghetti Westerns.

    ‘Penny Dreadful’ (2014 – 2016)

    The show just aired its last season, but there is still hope that awards bodies will catch on to Showtime’s Gothic thriller “Penny Dreadful.” Just wrapping up its third season, “Penny Dreadful” imagines a Victorian London where Dorian Gray, Victor Frankenstein, and Henry Jekyll team up with original characters to battle vampires, witches, and the devil himself. In a just world, Doctor Who” alum Billie Piper as a vengeful Bride of Frankenstein with a feminist agenda and ’90s hunk Josh Hartnett as Ethan Chandler, a sharpshooter with a terrible secret. It is genuinely terrifying every week, and Emmy voters should absolutely pay attention.

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  • Best TV Shows for Sci-Fi Fans

    The 100In the same way “Game of Thrones” made fantasy cool again, the return of classic franchises like “Battlestar Galactica” has brought sci-fi back to mainstream audiences in the form of big budget, concept-heavy prime time TV shows. If you’re a sci-fi fan looking to delve deeper into the genre or a newbie ready to check out the fundamentals of TV science fiction, check out these shows — and buckle up for some journeys into time, space, and other dimensions.

    ‘The 100’ (2014 – )

    “The 100” (pronounced “The Hundred”) is a post-apocalyptic drama that borrows heavily from predecessors like “Lost” and “The Walking Dead” — only this time, the band of survivors is made up of teenage delinquents exiled from a space station thought to be humanity’s last refuge from nuclear war. Naturally, when they return to Earth, they find they’re not alone — and the fun of “The 100” lies in the conflicts between the surviving factions. Like most shows on the CW, there’s as much crying as there is action, but it works for “The 100,” and the show remains grounded (no pun intended) by the harsh realities of post-apocalyptic survival. More fun than “The Hunger Games” and less brutal than “Lord of the Flies,” “The 100” is great at keeping the pressure on and bringing its audience back each week.

    ‘Doctor Who’ (2005 – )

    “Doctor Who” is a science fiction institution — the BBC show has been on and off the air for more than 50 years, as well as kept alive in audio plays, comic books, novels, and of course, fan fiction. The show follows the Doctor, a brilliant yet goofy Time Lord traveling throughout space and time with a human companion, righting the wrongs of the universe one episode at a time. While “Doctor Who” is grounded in traditional sci-fi — the Doctor is no stranger to aliens, time-travel paradoxes, or space battles — above all else, the show is mostly lighthearted and fun. What’s more, “Doctor Who” has one of the largest international fan bases of any show, so wherever you are, there are likely to be hardcore fans — dubbed Whovians — nearby.

    ‘Rick and Morty’ (2013 – )

    Don’t let the playful animation fool you: “Rick and Morty” is a dark, cynical, and hilarious sci-fi show that follows the adventures of a genius alcoholic sociopath and his idiot grandson. Created by Community”) and Justin Roiland, “Rick and Morty” has become a sci-fi classic as the pair explores multiple dimensions, space, and the occasional high school dance. Guest voices, including Stephen Colbert, David Cross, and Werner Herzog, delightfully augment off-the-wall characters. And be sure to keep watching after the credits — each episode closes with a coda that takes a grim joke from the story even further.

    ‘Firefly’ (2002 – 2003)

    Perhaps the most beloved sci-fi show in recent memory, “Firefly” is Star Trek,” half “Gunsmoke” — while it’s set in space, many of the costumes and story lines recall classic Westerns, giving the show a futuristic-but-timeless feel. Audiences rallied for the show after its cancellation, which eventually led to the follow-up feature film “Serenity.” Even so, unsatisfied, passionate fans (who refer to themselves as “Browncoats”) still circulate petitions around the internet begging producers to revive “Firefly,” and cast reunion panels are the crown jewels of Comic-Cons lucky enough to host them.

    ‘Quantum Leap’ (1989 – 1993)

    “Quantum Leap” told the story of Sam Beckett (Scott Bakula), a scientist lost in time, occupying other people’s lives. In each episode, Sam had to be someone new and work to fix a problem in that person’s life in order to make his next leap — forever hoping he would someday leap home. The show was satisfying both as a sci-fi show and a mystery show — the drama revolved around protecting the timeline of history as much as it did keeping the audience wondering who was controlling where Sam leaped. After garnering four Emmys and a cult following, “Quantum Leap” ended with a finale that was well earned and worth the wait.

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