(L to R) LeBron James and Tweety in ‘Space Jam: A New Legacy’. Photo: Warner Bros. Pictures.
When LeBron (LeBron James) and his young son Dom (Cedric Joe) are trapped in a digital space by a rogue A.I. (Don Cheadle), LeBron must get them home safe by leading Bugs, Lola Bunny and the whole gang of notoriously undisciplined Looney Tunes to victory over the A.I.’s digitized champions on the court: a powered-up roster of professional basketball stars as you’ve never seen them before. It’s Tunes versus Goons in the highest-stakes challenge of his life, that will redefine LeBron’s bond with his son and shine a light on the power of being yourself. The ready-for-action Tunes destroy convention, supercharge their unique talents and surprise even ‘King’ James by playing the game their own way.
Stephen Curry in the documentary ‘Stephen Curry: Underrated’. Photo: A24 and Apple TV+.
The remarkable coming-of-age story of Stephen Curry, one of the most influential, dynamic, and unexpected players in basketball history—and his rise from an undersized college player to a four-time NBA champion.
Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), M’Baku (Winston Duke), Okoye (Danai Gurira) and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T’Challa’s (Chadwick Boseman) death. As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia (Lupita Nyong’o) and Everett Ross (Martin Freeman) and forge a new path for the kingdom of Wakanda.
After dominating the boxing world, Adonis Creed (Jordan) has thrived in his career and family life. When a childhood friend and former boxing prodigy, Damian Anderson (Jonathan Majors), resurfaces after serving a long sentence in prison, he is eager to prove that he deserves his shot in the ring. The face-off between former friends is more than just a fight. To settle the score, Adonis must put his future on the line to battle Damian — a fighter with nothing to lose.
Daniel Kaluuya in ‘Judas and the Black Messiah’. Photo: Warner Bros. Pictures.
Chairman Fred Hampton (Daniel Kaluuya) was 21 years old when he was assassinated by the FBI, who coerced a petty criminal named William O’Neal (LaKeith Stanfield) to help them silence him and the Black Panther Party. But they could not kill Fred Hampton’s legacy and, 50 years later, his words still echo’¦ louder than ever.
(L to R) Michael B. Jordan and Kevin Durand in ‘Fruitvale Station.’ Photo: The Weinstein Company.
Oakland, California. Young Afro-American Oscar Grant (Jordan) crosses paths with family members, friends, enemies and strangers before facing his fate on the platform at Fruitvale Station, in the early morning hours of New Year’s Day 2009.
(L to R) Michael B. Jordan and Sylvester Stallone in ‘Creed’. Photo: Metro-Goldwyn-Mayer Pictures.
The former World Heavyweight Champion Rocky Balboa (Sylvester Stallone) serves as a trainer and mentor to Adonis Johnson (Jordan), the son of his late friend and former rival Apollo Creed (Carl Weathers).
(L to R) Michael B. Jordan and Chadwick Boseman in ‘Black Panther’. Photo: Marvel Studios.
King T’Challa (Chadwick Boseman) returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country’s new leader. However, T’Challa soon finds that he is challenged for the throne by factions within his own country as well as without. Using powers reserved to Wakandan kings, T’Challa assumes the Black Panther mantle to join with ex-girlfriend Nakia (Lupita Nyong’o), the queen-mother (Angela Bassett), his princess-kid sister (Letitia Wright), members of the Dora Milaje (the Wakandan ‘special forces’) and an American secret agent (Martin Freeman), to prevent Wakanda from being dragged into a world war.
Trying to leave their troubled lives behind, twin brothers (Jordan) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.
Jordan would go on to star in ‘Creed II‘ before stepping into the director’s chair himself for ‘Creed III‘, which were both executive produced by Coogler, and even made a cameo in Coogler’s ‘Black Panther: Wakanda Forever‘.
In honor or Jordan’s recent Best Actor Oscar win for ‘Sinners’, Moviefone is counting down the 20 best movies and TV shows of Michael B. Jordan’s impressive and groundbreaking career.
(L to R) Miles Teller, Kate Mara, Michael B. Jordan and Jamie Bell in 2015’s ‘Fantastic Four.’ Photo: 20th Century Fox.
Four young outsiders (Miles Teller, Kate Mara, Jamie Bell and Jordan) teleport to a dangerous universe, which alters their physical form in shocking ways. Their lives irrevocably upended, the team must learn to harness their daunting new abilities and work together to save Earth from a former friend (Toby Kebbell) turned enemy.
A young boy finds a powerful otherworldly weapon, which he uses to save his older adoptive brother from a crew of thugs. Before long, the two of them are also pursued by federal agents and mysterious mercenaries aiming to reclaim their asset.
An aimless young man (Keanu Reeves) who is scalping tickets, gambling and drinking, agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of getting a loan from a friend.
Based on the true story of First Sergeant Charles Monroe King (Jordan), a soldier deployed to Iraq begins to keep a journal of love and advice for his infant son. Back at home, senior New York Times editor Dana Canedy (Chanté Adams) revisits the story of her unlikely, life-altering relationship with King and his enduring devotion to her and their child.
(L to R) Miles Teller, Michael B. Jordan and Zac Efron in ‘That Awkward Moment’. Photo: Focus Features.
Best pals Jason (Zac Efron) and Daniel (Miles Teller) indulge in casual flings and revel in their carefree, unattached lives. After learning that the marriage of their friend Mikey (Jordan) is over, they gladly welcome him back into their circle. The three young men make a pact to have fun and avoid commitment. However, when all three find themselves involved in serious relationships, they must keep their romances secret from one another.
The powerful true story of Harvard-educated lawyer Bryan Stevenson (Jordan), who goes to Alabama to defend the disenfranchised and wrongly condemned — including Walter McMillian (Jamie Foxx), a man sentenced to death despite evidence proving his innocence. Bryan fights tirelessly for Walter with the system stacked against them.
Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), M’Baku (Winston Duke), Okoye (Danai Gurira) and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T’Challa’s (Chadwick Boseman) death. As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia (Lupita Nyong’o) and Everett Ross (Martin Freeman) and forge a new path for the kingdom of Wakanda.
Michael B. Jordan as John Kelly in Prime Video’s ‘Without Remorse.’ Photo: Amazon.
When a squad of Russian soldiers kills his family in retaliation for his role in a top-secret op, Sr. Chief John Kelly (Jordan) pursues the assassins at all costs. Joining forces with a fellow SEAL (Jodie Turner-Smith) and a shadowy CIA agent (Jamie Bell), Kelly’s mission unwittingly exposes a covert plot that threatens to engulf the U.S. and Russia in an all-out war. Torn between personal honor and loyalty to his country, Kelly must fight his enemies without remorse if he hopes to avert disaster and reveal the powerful figures behind the conspiracy.
Three high school students (Dane DeHaan, Alex Russell and Jordan) make an incredible discovery, leading to their developing uncanny powers beyond their understanding. As they learn to control their abilities and use them to their advantage, their lives start to spin out of control, and their darker sides begin to take over.
Between personal obligations and training for his next big fight against an opponent with ties to his family’s past, Adonis Creed (Jordan) is up against the challenge of his life.
After dominating the boxing world, Adonis Creed (Jordan) has thrived in his career and family life. When a childhood friend and former boxing prodigy, Damian Anderson (Jonathan Majors), resurfaces after serving a long sentence in prison, he is eager to prove that he deserves his shot in the ring. The face-off between former friends is more than just a fight. To settle the score, Adonis must put his future on the line to battle Damian — a fighter with nothing to lose.
(L to R) Michael B. Jordan and Kevin Durand in ‘Fruitvale Station.’ Photo: The Weinstein Company.
Oakland, California. Young Afro-American Oscar Grant (Jordan) crosses paths with family members, friends, enemies and strangers before facing his fate on the platform at Fruitvale Station, in the early morning hours of New Year’s Day 2009.
Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.
King T’Challa (Chadwick Boseman) returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country’s new leader. However, T’Challa soon finds that he is challenged for the throne by factions within his own country as well as without. Using powers reserved to Wakandan kings, T’Challa assumes the Black Panther mantle to join with ex-girlfriend Nakia (Lupita Nyong’o), the queen-mother (Angela Bassett), his princess-kid sister (Letitia Wright), members of the Dora Milaje (the Wakandan ‘special forces’) and an American secret agent (Martin Freeman), to prevent Wakanda from being dragged into a world war.
The former World Heavyweight Champion Rocky Balboa (Sylvester Stallone) serves as a trainer and mentor to Adonis Johnson (Jordan), the son of his late friend and former rival Apollo Creed (Carl Weathers).
Trying to leave their troubled lives behind, twin brothers (Jordan) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.
Michael B. Jordan says the ‘Creed’ TV spin-off is happening.
It’ll be focused on Donnie’s daughter, Amara.
Amazon MGM is backing the series.
He might be focused on other projects right now (more on those lower down the page), but Michael B. Jordan hasn’t totally forgotten about the ‘Creed’ world. In fact, he’s looking to keep it growing.
“We’re spinning off doing Adonis’s daughter, Amara’s story, the television show that’s picked up at Amazon. So you’ll be seeing different parts of the Creed-verse, I like to call it. These little IPs are going to keep the universe alive without it being completely reliant on just me to push it through the finish line every time, as a boxer. I’ll be adjacent.”
Following the success of ‘Creed III’, which Jordan stepped up to direct as well as star in, there has been talk for a while about a fourth.
In late 2023, Jordan himself went on the record to say that another big screen outing was “for sure.”
But there hasn’t been much forward movement on that front, since Jordan has been keeping himself occupied elsewhere.
Still, him talking up the Amara TV series at least means it’s still on his mind.
The show would focus on the daughter of Donnie (Jordan) and Tessa Thompson‘s Bianca, who was played in ‘Creed III’ by Mila Davis-Kent. She has to deal with hearing issues (which Bianca also has) and is showing interest in boxing like her father.
So we may well see that crop up in the show. And that’s not the only TV series in the works –– one featuring the Delphi gym as seen in the movies is also developing.
What is Michael B. Jordan working on?
Most recently reuniting with regular collaborator Ryan Coogler for the wildly successful ‘Sinners,’ Jordan is currently busy with his second directorial outing, a remake of ‘The Thomas Crown Affair’ for Amazon MGM.
Michael B. Jordan announces ‘Creed’ spin-off ‘Delphi’ at the Amazon Upfront on May 13th, 2025. Photo: Slaven Vlasic/Getty Images for Amazon
Preview:
Michael B. Jordan is developing a ‘Creed’ TV spin-off.
‘Delphi’ would be set in the movies’ boxing gym.
Marco Ramirez is aboard to run the show.
With the success of the ‘Creed’ movies so far –– as kicked off back in 2015 with Ryan Coogler co-writing and directing the original –– it was only a matter of time before we got to see it expand beyond the big screen.
20063625
Leading man (and executive producer) Michael B. Jordan made no secret of the fact that he wanted the ‘Creed’ universe to keep on developing –– around the release of ‘Creed III,’ which Jordan stepped up to also direct, he made mention of ruminating future plans.
Those have become reality with Jordan announcing at the Amazon Upfronts that a new spin-off TV series called ‘Delphi’ is in the works for Prime Video. So we can expect plenty more pugilism in our small screen future.
(L to R) Michael B. Jordan as Adonis Creed, Sylvester Stallone as Rocky Balboa in ‘Creed II.’ Photo: MGM.
The ‘Creed’ story begins with that original movie, itself a spin-off from the iconic ‘Rocky’ franchise, and introducing us to Adonis “Donnie” Creed (Jordan), the illegitimate son of the late fighter Apollo Creed (played in the original films by Carl Weathers).
Reconnecting with his legacy, Adonis starts training to box in more advanced matches, and ends up working with Rocky Balboa (Sylvester Stallone) himself.
Donnie also forges a relationship with musician Bianca (Tessa Thompson), who has her own challenges, including a worsening hearing issue.
Through the movies, Donnie faces various challenges (and challengers), including in ‘Creed II,’ the formidable son of Ivan Drago (Dolph Lundgren reprising his iconic role from ‘Rocky IV’) and, in ‘Creed III,’ old neighborhood friend Damian Anderson (Jonathan Majors), who went to prison years ago and has returned burning with a vengeful spirit.
The Delphi Boxing Academy is the Los Angeles-based boxing gym founded by Tony “Duke” Evers where Apollo Creed trained for many years.
Now run by Evers’ son, Tony “Little Duke” Evers (played by Wood Harris in the movies), the Delphi gym is home to Adonis.
Here’s what Jordan had to say about the show at the Amazon Upfront:
“The series that takes us back to where it all began. What I love about this story is that it stays true to what the ‘Rocky’ and ‘Creed’ franchise is all about: hard work, determination, fighting for something bigger than yourself. It’s about family, the ones we’re born into and the ones that we created. We’re building something special here, and I’m excited to introduce you to new fighters that will walk into the Delphi. As always, in ‘Creed’ we say, one step, one round, one punch at a time.”
Marco Ramirez will serve as showrunner and executive producer on the series. He’s no stranger to the world of boxing, as he recently created and served as showrunner on the Hulu boxing drama ‘La Máquina’ starring Gael Garcia Bernal, Diego Luna and Eiza González.
Jordan will executive produce under his Outlier Society banner along with Liz Raposo. Winkler Films’ Irwin Winkler, David Winkler, and Charles Winkler also executive produce.
Whether Jordan shows up as Adonis on screen remains to be seen, but we’d bet good money that he’ll at least grace the show in the pilot to kick things off.
And notable by his absence? Stallone, who has increasingly moved away from the ‘Creed’ franchise and doesn’t seem to want to be as closely connected as he once was.
He’s currently in movie theaters leading Coogler’s ‘Sinners,’ which has been doing great business at the box office. The story of twin brothers (both played by Jordan) who look to start a juke joint in their old home town in 1930s Mississippi, only to discover a lurking threat from some fanged fiends.
‘Sinners’ has so far earned more than $280 million at the worldwide box office, and has been showing incredible staying power, especially for an original movie.
The actor/filmmaker has several projects in development, including a ‘Rainbow Six’ film that will see him return as special forces operative John Clark.
He’s also, to no-one’s surprise working up a fourth ‘Creed’ movie, which he’s expressed a desire to direct following his success with the third.
Before that, though, he’s preparing to direct a new take on 1968 heist movie ‘The Thomas Crown Affair,’ which he’ll also lead and appear opposite Taylor Russell.
Jordan told Variety last year that he felt like he had plenty of work still to do:
“I still feel like an underdog. I feel like I just got here, like I’ve just arrived, and I have the tools and the things around me to really be on the offensive a little bit.”
When will ‘Delphi’ be on our screens?
Prime Video has yet to announce a premiere date for the show. Since we have zero casting details or anything else on it yet, we’d be shocked if it arrived on the service much before 2026, and likely later in that year as it stands.
Director Ryan Coogler and his muse/partner Michael B. Jordan are now five for five. Following ‘Fruitvale Station,’ ‘Creed,’ and the two ‘Black Panther’ entries (yes, we’ll stand up for ‘Wakanda Forever’ despite anti-MCU sentiment in the critical community), ‘Sinners’ is another outright winner for the filmmaker and star, and even better, it’s a wholly original piece of material that’s also ambitious, audacious, and at times even transcendent – not to mention a wildly smart genre hybrid.
Once again, Coogler and company have taken populist entertainment – this time mixing the horror genre with the historical drama – and infused it with social commentary, spiritual themes, action beats, and an almost poetic tribute to the time-bending power of music. The film has its flaws, but so much of it works so well, from the cast to the music to the incredible production design to the overall atmosphere – that you’ll walk out of ‘Sinners’ feeling like you’ve seen one of the most unique movies of the year.
As ‘Sinners’ begins, an opening narration tells us that some people have such a powerful gift of making music that it can “pierce the veil” between the worlds of the living and the dead. With that, we see a bloodied and beaten young man, who we will come to know as Preacher Boy Sam (Miles Caton), appear at the door of the church where his father is pastor. He’s carrying the broken neck of a guitar, and his father admonishes him to “leave those sinning ways.”
The movie then flashes back to “one day earlier” in the town of Clarksdale, Mississippi. The year is 1932. Returning on this day to the area’s Black community are brothers “Smoke” and “Stack” Moore – the “SmokeStack Twins” – both played by Michael B. Jordan. With their expensive suits and car, as well as the wads of cash in their pockets, they immediately stand out from the impoverished community of laborers and sharecroppers around them. Smoke, who’s tougher and more business-minded, and Stack, who is more jovial and reckless, are back in town after spending years away, first fighting in World War I and then finding their way to Chicago, where they allegedly made their fortune working for Al Capone.
Their first action upon returning to Clarksdale is to purchase an abandoned mill outside town from a man who may or may not be a KKK leader (“The Klan doesn’t exist anymore,” he unconvincingly tells them). They aim to turn the mill into a juke joint and open it that night, with entertainment to be provided by old blues musician Delta Slim (Delroy Lindo) and the twins’ cousin, Preacher Boy Sam, for whom the word “soulful” doesn’t begin to describe his ability to sing and play the blues.
‘Sinners’ unpacks its story and characters – which include Smoke’s former flame, Annie (Wunmi Mosaku), who knows magic and who shares a tragic past with Smoke, as well as Stack’s old girlfriend, Mary (Hailee Steinfeld), who is part Black but looks white enough that their relationship might well have caused a scandal – in leisurely, novelistic fashion. But it’s never anything but fascinating to watch, thanks to the sharply drawn characters and pungent dialogue in Coogler’s screenplay, his fluid direction, Autumn Durald Arkapaw’s stunning cinematography, and the textured, incredibly detailed production design by Hannah Beachler. Then there’s the music – a combination of Ludwig Göransson’s original score and old blues standards that is as haunting as it is evocative.
It’s that music – particularly the music performed by Preacher Boy Sam – that attracts not just a boisterous crowd to Smoke and Stack’s juke joint that night but fuels one of the most incredible sequences you’ll see in a movie this or any other year. Music, we’re told, will bring together the spirits of both the past and the future – which it does in a breathtaking sequence that ricochets through both the history of music and the Black experience in one gloriously kaleidoscopic dance of images that is almost transcendent in its power.
But the music attracts other forces from the realm of the dead as well…and since the trailers already give it away, it’s okay to say here that the juke joint soon finds itself under siege by a trio of vampires, led by Remmick (Jack O’Connell), who quickly go about turning the customers and the Moores’ dwindling band of friends and family into creatures of the night. “It’s better this way,” says one character who has been transformed late in the film, suggesting that Remmick is creating a new species for which boundaries of race, color, and gender have no meaning.
That’s just one of the intriguing ideas that Coogler springs on us during the course of ‘Sinners,’ and if anything this densely packed film has almost too many of them. Questions of race, identity, history, violence against Black bodies, and the power of art flow liberally through the film, which is by turns exhilarating, frightening, erotic, distressing, and poignant. The introduction of a supernatural terror halfway through a historical drama is a bit abrupt, and the third act feels both rushed and drawn out as the climactic confrontation with the vampires leads to a fistful of additional endings and mid-credits sequences (a bit of an MCU hangover for Coogler, perhaps). But even when it wobbles slightly down the stretch, ‘Sinners’ doesn’t feel like any other movie you’re likely to see anytime soon.
In a career already full of sparking performances, ‘Sinners’ may contain Michael B. Jordan’s best work yet. Assisted by seamless visual effects, he delivers two fully-rounded performances as Smoke and Stack, differentiating the two brothers with subtle changes in tone, speech, and body language, while firmly delineating the deep bond between the two.
Smoke has been hardened by the world, doesn’t believe much in magic or the spiritual, and has no time for fun; he thinks that accumulating power (mostly in the form of cash) will give him freedom. Stack is much more hedonistic, given to flamboyance in his clothing, spending, and behavior, and much more in tune with earthly pleasures. Both men’s beliefs are tested and both are deeply changed by the end of the film, and it’s a tribute to Jordan’s incredible skills that you always feel you are watching two separate personalities on their own journeys.
While ‘Sinners’ showcases Jordan’s accomplishment, the rest of the cast is just as powerful. 19-year-old Miles Caton is a real find, providing not just a complex performance as Sam but a singing voice that is nothing short of awesome, providing a credible basis for the film’s mystical view of music. Delroy Lindo is nothing short of great (as usual) as Delta Slim, the blues player at the other end of his career who has seen it all. And while the vampires are not given as much ground to develop as characters, Jack O’Connell’s Remmick is a deft combination of malice, charisma, and temptation, with the story showing how these monsters can still be stirred by music as well (especially in one eerie sequence involving an Irish folk song).
Importantly, every woman in ‘Sinners’ also gets her due, from Wunmi Mosaku’s no-nonsense Annie to Hailee Steinfeld’s Mary, both of whom are courageous, confident, sexually liberated, and capable of moving on from deep tragedies in their lives. Mosaku’s performance is full of texture, compassion, and depth, while Steinfeld succeeds in nailing the role of a woman who is trapped between two worlds but knows which one she feels more at home with. Also notable is Li Jun Li (‘Babylon’) as Grace Chow, who runs grocery stores in town with her husband Bo (Yao) and is as deft in handling her business with both Blacks and whites as she is in fighting vampires.
‘Sinners’ is a luscious, genuinely cinematic experience that deserves every inch of the IMAX screen you should see it on. Even if we wish the horror elements were introduced a little more organically, and even if the film’s closing sequences don’t work as effectively as they could, one can still feel Coogler’s earnest, heartfelt search for truth throughout: What makes anyone truly free? Love? Power? Money? Talent? What does it mean to be free if you know that freedom is merely a façade?
These are the questions ‘Sinners’ raises and leaves one pondering as the credits roll. This thoughtfully conceived, masterfully executed epic doesn’t provide all the answers, but instead brings the viewer on a journey that is haunting, terrifying, emotionally resonant, and powerful in its exploration of community, shared experience, and how the incursion of evil can threaten to rip those apart.
CKADSUBv2bw7WoJvzJ6pa4
What is the plot of ‘Sinners’?
Two brothers (Michael B. Jordan) return to Clarksdale, Mississippi, in 1932, now wealthy and intent on opening a juke joint in their hometown. But as they open the doors of their new establishment, sinister forces begin to converge upon them and their community.
While the ‘Black Panther’ writer/director has concocted a new, original movie, we don’t yet know much about it beyond the fact that it’ll star Coogler’s regular collaborator, Michael B. Jordan, and was snapped up by Warner Bros. as a big event film.
Michael B. Jordan as John Kelly in Prime Video’s ‘Without Remorse.’
The new project began life as a spec script from Coogler, his first in years. But since it’s all still at an early stage, the filmmaker is keeping the plot details quiet for now.
What has been ferreted out at this point? It’s apparently a genre title, and a period piece and might –– stress on the might –– feature a vampire element.
Jordan will be starring, and O’Connell, according to the latest report, is playing the villain.
(L to R) Zinzi Evans and Ryan Coogler arrive at the 14th Governors Awards in the Ray Dolby Ballroom at Ovation Hollywood on Tuesday, January 9, 2024
Alongside Coogler (who will direct his script), Jordan and now O’Connell, this team includes producers Zinzi Coogler and Sev Ohanian plus Oscar-winning composer Ludwig Göransson, Rebecca Cho, and Will Greenfield, who will work as executive producers as they’re collaborating with Coogler in his production company.
Warner Bros. won out over rival studios and streamers to back the new movie and has already handed down a release date (more on that below).
The cameras are due to start rolling this month so as to have the movie ready in time for next year.
What else are Jordan and Coogler up to?
(Left) ‘Black Panther: Wakanda Forever’ director Ryan Coogler. (Right) Michael B. Jordan directs and stars as Adonis Creed in ‘Creed III.’
Coogler still has elements from his Marvel work in play, including producing the ‘Ironheart’ series that focuses on the comic book character Riri Williams (played by Dominique Thorne) brought into the Marvel Cinematic Universe by ‘Black Panther: Wakanda Forever’, and overseeing the ‘Eyes of Wakanda’ animated spin-off of his ‘Panther’ movies.
Beyond that, he was recently announced as one of the producers of a movie musical featuring the tunes of Prince.
As for Jordan, he’s attached to star in the ‘I Am Legend’ sequel and will return to star (and once more direct) in a fourth entry of the ‘Creed’ boxing franchise.
When will the new movie be in theaters?
Warner Bros. has set a March 7th, 2025, release date for the film, so start anticipating more cinematic goodness from Coogler and Jordan.
(L to R) Michael B. Jordan and Kevin Durand in ‘Fruitvale Station.’ Photo: The Weinstein Company.
(Left) ‘Black Panther: Wakanda Forever’ director Ryan Coogler. (Right) Michael B. Jordan directs and stars as Adonis Creed in ‘Creed III.’
Preview:
Director Ryan Coogler is working on a mysterious new movie.
Regular collaborator Michael B. Jordan is attached to star.
The script is described as a genre title with period elements.
Having been busy in franchise world for the last few years (working on ‘Creed’ and ‘Black Panther’ movies), it’s good to see Ryan Coogler taking the opportunity to get back to something he’s solely responsible for creating.
And in even more exciting news, this new movie will find him reuniting with regular collaborator Michael B. Jordan.
What’s the new Ryan Coogler/Michael B. Jordan movie?
(L to R) Zinzi Evans and Ryan Coogler arrive at the 14th Governors Awards in the Ray Dolby Ballroom at Ovation Hollywood on Tuesday, January 9, 2024
After a few years of working with Marvel, it seems that Coogler has decided to adopt their security protocols for the new screenplay he’s shopping around to studios and elsewhere.
Interested parties had to visit the offices of Coogler’s representatives, WME, to read the script, which is being kept as mysterious as possible. The Hollywood Reporter, nevertheless, has learned that the new, untitled project is a genre piece that will have period elements.
And other sources are pointing to the potential inclusion of vampires in the movie. But we will have to wait and see whether that is misdirection or an actual element in the new story.
The script is a spec effort, the first from Coogler since ‘Fruitvale Station’ and produced via his company, Proximity Media. Coogler will next meet with companies who spark to the script to lay out his vision.
Ryan Coogler and Michael B. Jordan: A History
(L to R) Michael B. Jordan and Kevin Durand in ‘Fruitvale Station.’ Photo: The Weinstein Company.
Writer/director/producer Coogler and actor Jordan have a solid history of working together. They broke out together with 2013’s ‘Fruitvale Station’, which was a big success at the Sundance Film Festival and then crossed over in to mainstream appreciation.
The pair followed that up in 2015 with ‘Creed’, the first of the spin-offs from the ‘Rocky’ boxing franchise that saw Sylvester Stallone’s Rocky Balboa befriending and training Adonis “Donnie” Creed, the son of old rival and friend Apollo Creed. Jordan played Adonis in that movie.
As a movie series, ‘Creed’ would go on to be a lucrative one for both of them –– Coogler would produce the two (so far) sequels, with Jordan starring in all and directing the third last year.
But perhaps their biggest success to date has been the first ‘Black Panther’ movie, which Coogler co-wrote, produced and directed and cast Jordan as Erik Killmonger, a disenfranchised young man of Wakandan royal descent who plots to take the throne of the powerful African Kingdom. The Marvel movie became a pop cultural sensation and a box office hit, with Coogler returning for ‘Black Panther: Wakanda Forever’ in 2022.
When will the new movie be in theaters?
As the new movie exists only as a script and is still connecting with buyers, it doesn’t yet have a release date.
Dolph Lundgren as “Johansen” in the action thriller, ‘Wanted Man,’ a Quiver Distribution release. Photo courtesy of Perbernal.
Moviefone recently had the pleasure of speaking with Dolph Lundgren about his work on ‘Wanted Man,’ developing the screenplay, the themes he wanted to explore, his character’s arc, working with Christina Villa, casting old friends Kelsey Grammer and Michael Paré, why he likes directing, collaborating with his crew, and how his years of experience helped him shoot the action sequences.
Lundgren also discussed the long rumored ‘Rocky’ and ‘Creed’ spinoff movie, ‘Drago,’ if it’s still in development, and why it’s important to have Sylvester Stallone involved with the project.
You can read the full interview below or click on the video player above to watch our interview.
(L to R) Dolph Lundgren as “Johansen” in the action thriller, ‘Wanted Man,’ a Quiver Distribution release. Photo courtesy of Quiver Distribution.
Moviefone: To begin with, can you talk about developing the screenplay and as a director, what were the themes that you were excited to explore with this movie?
Dolph Lundgren: I started developing the idea of this was about 15 years ago and other things came up. It was kind of loosely based on this (Clint) Eastwood movie called ‘The Gauntlet,’ where he goes and has an interstate transfer of a prisoner. I changed that to Mexico and then a couple of years back, the original writer and I started talking about making it about immigration because it’s a hot topic. Then I decided maybe I should make this character somebody who is a bit bitter and angry at the world and got something to learn. So, by ending up in Mexico, he ends up going through this physical journey and trial, but also an emotional challenge to his beliefs system. So those are the themes I wanted to touch upon.
MF: Can you talk about Travis’ personal views on society, how those ideas are challenged during the movie and how he ultimately changes as a character?
DL: At the top of the film, this guy, obviously he’s an old timer. He’s in law enforcement. He’s bitter at the world. He’s got these friends who reinforce those ideas in him. I don’t think he’s really a bad guy. He’s in a bad spot in his life, especially at the beginning of the movie, where he has a run in with an illegal alien and his policing methods aren’t the greatest. He’s a bit old-fashioned and he ends up getting in trouble with the press and with the mayor’s office, and to save his career they send him down to bring these two prisoners back and they’re really witnesses in a murder investigation of two federal agents. So, when he gets to Mexico, things are way more complicated than he thought, and nothing goes as planned. Then, by meeting various people who help him, he ends up changing his mind about a lot of things. I would say he comes back a changed man.
MF: What was it like for you as an actor to get to play an arc like that?
DL: It was interesting. When I started working on the character, he kind of reminded me of my dad. My dad was an intelligent man, but he was set in his ways, and he had a lot of anger and frustration and he never really got to turn the corner. He got a little more enlightened when he got older as people do, but not really. So, I sort of played a little bit of my dad in the beginning and I thought it was fun. It was satisfying to get to play an arc. It’s always what you look for as an actor because it gives you something to do that is a little more challenging than just playing the moment. So, I enjoyed it.
(L to R) Daniela Soto-Brenner as “Leticia” and Christina Villa as “Rosa” in the action thriller, ‘Wanted Man,’ a Quiver Distribution release. Photo courtesy of Quiver Distribution.
MF: Can you talk about the friendship Travis forms with Rosa and working on that relationship with Christina Villa?
DL: So, one of the witnesses is this woman named Rosa who’s a Mexican prostitute. She had to do that to survive in the states and then she’s been a witness of these murders. My character first doesn’t like her. She doesn’t like me at all. We were not the greatest of friends, but slowly we get to know each other, and it was a challenging character to find somebody to play. I wanted somebody who was Hispanic and had some experience about that and she did, and I thought she was great. I had a lot of Hispanic actors (on the set) and they were always good to ask because they would come up and say, “Well, maybe we should change this to that because this is the way we say it or this is how we feel.” I would always say, “Yeah, fine. You guys know,” and she did that. She came with some good suggestions.
MF: Can you talk about casting veteran actors Kelsey Grammer and Michael Paré?
DL: I enjoyed working with them. I know Kelsey from ‘The Expendables 3’ and then socially I’ve spent some time with him, and we always try to do something together. I thought it would be an interesting choice because he’s not what you expect. Michael Paré, I worked with him about 15 years ago, and he was always such a great guy. He’s such a good worker and stand-up guy, and I thought he’d be good. I enjoyed working with them.
Kelsey Grammer as “Brynner” in the action thriller, ‘Wanted Man,’ a Quiver Distribution release. Photo courtesy of Quiver Distribution.
MF: Can you talk about your approach to directing this movie, and what do you like about directing?
DL: What I do like is for these smaller movies that I feel like I have a lot of experience that I can bring to the table. Maybe more than a lot of directors that I could afford to hire. So, I feel like it’s easy to keep it all in-house. If I write, direct and even star or co-star, then I know nobody’s going to mess with the picture or do something that’s going to hurt it. I think my approach is to prepare quite well and speak to all the actors about a month ahead of time about their backstories, the characters and the relationships so that when we show up on set and I don’t have to say that much. It just comes alive in the moment. Then I try to be very quick as a director. I don’t like doing too many takes and trying to get seven different variations. If something works, in my experience, it works. Usually, you’re not going to get anything that’s more than 10% better, even if you keep shooting another twenty takes. So, I try to keep it moving forward very quickly, and I try to get the first shot off very quickly in the morning. I learned that from an old-timer, and he was funny. He would just go up to the DP and say, “Okay, you see that plane landing, shoot that.” So, everybody in the crew hears “Rolling,” like after 20 minutes. So, they’re like, “Oh, we’re working already. I don’t do that all the time, but he always said, “You got to get the first shot off within an hour, otherwise everything grinds to a halt.” So now that’s kind of my approach to it.
MF: Can you talk about working with your crew both during production and post-production?
DL: I had a problem on this picture because we had some issues in New Mexico with the crew. It was right after Covid and Netflix was in Albuquerque hiring a bunch of people, so we had difficulties putting it together. I had problems with the financing towards the end, so I didn’t have sufficient time to storyboard as much as I wanted. I did that on my last picture. Next time I’m going to storyboard. I like storyboarding a lot. I think it’s helpful and it gives you a chance to think about it visually before you’re on set and you’re going crazy because you must get the shot off and there’s a lot of other things happening. I enjoy working with the DP. I enjoy storyboarding and post-production is very important, obviously, the editing and the post-production, especially when you’re on a short schedule. So, you must cut corners when you’re shooting, and you may have to make up for it in editing or in the way you work with picture quality or sound later. So, all of those are fun. I enjoy all of it really.
(L to R) Aaron McPherson as “Hilts,” Kelsey Grammer as “Brynner” and Dolph Lundgren as “Johansen” in the action thriller, ‘Wanted Man,’ a Quiver Distribution release. Photo courtesy of Quiver Distribution.
MF: Did your decades of experience making action movies come in handy when you were creating and shooting the action sequences for ’Wanted Man’?
DL: It does come in handy, and I’ve done a lot of action with various directors and different stunt coordinators. I have my way to shoot it so I can try to get as many cuts as possible in the shortest amount of time possible since when you edit, you just need more angles to build an action scene, usually you need a lot of angles. It’s a function of the number of cuts, how good it’s going to be usually. So, I think my experience comes in handy. Also speaking to the actors and talking to the stunt guys. I mean, I have a lot of respect for stunt people and always listen to them and safety is first. But I think there is a way not to waste time doing action, which I’ve been in movies where they waste a lot of time shooting stuff that I know we were not going to use.
MF: Finally, can you give an update on the long rumored ‘Drago’ movie? Is that project still happening and are you still involved in it?
DL: I was involved in it. It was in the works for a while. I think what happened was there was some corporates changes. MGM got a new president and new ownership, and things were sidelined for a while. Then ‘Creed III’ came out and did very well. So, ‘Creed IV,’ they started planning that. They’re trying to figure out where to put Drago in the franchise. Where does he fit in? Probably between ‘III’ and ‘IV.’ So, it’s still on the works. I think it would be a great project and it would be something fun to work with (Sylvester) Stallone on because he created those characters and he’s very smart about it. So hopefully it’ll get made at some point before I’m too old.
8Wn6FfqDoxKcSwRIB6uXr
What is the plot of ‘Wanted Man’?
Travis Johansen (Lundgren) is an aging detective, whose outdated policing methods have given the department a recent public relations problem. To save his job, he is sent to Mexico to extradite a female witness (Christina Villa) to the murders of two DEA agents. Once there, he finds not only his old opinions challenged, but that bad hombres on both sides of the border are now gunning for him and his witness.
(L to R) Dolph Lundgren as “Johansen” and Christina Villa as “Rosa” in the action thriller, ‘Wanted Man,’ a Quiver Distribution release. Photo courtesy of Quiver Distribution.
Producer Irvin Winkler says that a fourth ‘Creed’ is in development.
Star Michael B. Jordan is reportedly on board to direct.
No other details have been revealed yet.
With the ‘Creed’ franchise having spawned a successful third entry this year (‘Creed III’ earned $275 million worldwide), the producing team naturally have their eye on another movie.
Michael B. Jordan, who has played Adonis Creed since 2015’s ‘Creed’, stepped behind the camera to direct ‘Creed III’, which hit theaters this past March and co-starred a returning Tessa Thompson alongside Jonathan Majors as an old friend of the title character who seeks retribution for past wrongs.
Winkler didn’t mince words when suggesting that Jordan would be back making the new movie.
Here’s what the producer said:
“He will be. He did such a great job — he was comfortable with the camera.”
Neither production studio Amazon/MGM has said anything official about Jordan’s return, but it’s safe to assume the job is his if he wants it.
As of right now, no one is saying anything about what the story of the new ‘Creed’ might entail. And, Winkler acknowledged, the writers and actors’ strikes put a halt to forward movement.
Here’s what Winkler said about the movie:
“We are planning to do ‘Creed IV’ right now. We have a really good story and a really good plot. We got a little delayed because of the strikes, but about a year from now we’re going into pre-production.”
Given that ‘Rocky IV’ introduced Ivan Drago (and the ‘Creed’ films have already revisited that character), there’s every chance the new movie will see Adonis handle his own big new boxing threat –– and deal once again with his aging physique.
According to Winkler, the team worked hard to make sure the third ‘Creed’ fit into the franchise.
“Michael and the creative team had the beautiful vision from the start to create a wholly new and different experience for this movie. It had to be firmly cemented in what we all [know] the ‘Creed’ and ‘Rocky’ movies for… it had to have great action, boxing, but we also really examined what kind of movie we were making. And a lot of that, those early days with Michael were spent crafting how we were looking at the Damian [Majors] character, which is why I think everyone responded to the depth, not only on the page, but also on the screen. You spend half the movie having deep sympathy for him and understanding his vulnerability.”
When is ‘Creed IV’ due in theaters?
‘Creed IV’ has yet to announce a release date. But if it truly enters pre-production a year from now, it could be out in mid-2025.
Sylvester Stallone as Barney Ross in ‘The Expendables 4.’
Sylvester Stallone is an actor, writer, director, producer, movie star, living legend and Hollywood icon.
Stallone first made a name for himself by writing and starring in 1976’s Oscar-winning ‘Rocky,” which shot him to super fame and he was cemented as a movie star after appearing in ‘First Blood‘ as John Rambo. Both films have spawned numerous sequels and spinoffs, including ‘Creed,’ for which he was nominated for Best Supporting Actor.
Over the past 40 years Stallone has become one of Hollywood’s most reliable movie stars and has gone on to appear in such popular films as ‘Cobra,’ ‘Tango & Cash,’ ‘Cliffhanger,’ ‘Demolition Man,’ ‘Cop Land,’ and ‘The Expendables‘ franchise, the forth of which, ‘Expend4bles‘ opens in theaters on September 22nd.
In honor of Stallone’s new movie, which he has said will be his last appearance in the series, Moviefone is counting down the 35 best movies of Sylvester Stallone’s career, including his latest.
Sylvester Stallone in ‘Rambo: Last Blood.’ Photo: Lionsgate.
After fighting his demons for decades, John Rambo (Stallone) now lives in peace on his family ranch in Arizona, but his rest is interrupted when Gabriela (Yvette Monreal), the granddaughter of his housekeeper María (Adriana Barraza), disappears after crossing the border into Mexico to meet her biological father. Rambo, who has become a true father figure for Gabriela over the years, undertakes a desperate and dangerous journey to find her.
Carmen’s (Alexa Vega) caught in a virtual reality game designed by the Kids’ new nemesis, the Toymaker (Stallone). It’s up to Juni (Daryl Sabara) to save his sister, and ultimately the world.
20016888
33. ‘Rambo: First Blood Part II’ (1985)
John Rambo (Stallone) is released from prison by the government for a top-secret covert mission to the last place on Earth he’d want to return – the jungles of Vietnam.
When governments fail to act on behalf of captive missionaries, ex-Green Beret John James Rambo (Stallone) sets aside his peaceful existence along the Salween River in a war-torn region of Thailand to take action. Although he’s still haunted by violent memories of his time as a U.S. soldier during the Vietnam War, Rambo can hardly turn his back on the aid workers who so desperately need his help.
Thirteen-year-old Sam Cleary (Javon “Wanna” Walton) suspects that his mysterious and reclusive neighbor Mr. Smith (Stallone) is actually a legend hiding in plain sight. Twenty years ago, Granite City’s super-powered vigilante, Samaritan, was reported dead after a fiery warehouse battle with his rival, Nemesis. Most believe Samaritan perished in the fire, but some in the city, like Sam, have hope that he is still alive. With crime on the rise and the city on the brink of chaos, Sam makes it his mission to coax his neighbor out of hiding to save the city from ruin.
His Wife (Talia Shire) is dead and his Son (Milo Ventimiglia) hates him but this old man still has fight in him! When he loses a highly publicized virtual boxing match to ex-champ Rocky Balboa (Stallone), reigning heavyweight titleholder Mason Dixon (Antonio Tarver) retaliates by challenging Rocky to a nationally televised, 10-round exhibition bout. To the surprise of his son and friends, Rocky agrees to come out of retirement and face an opponent who’s faster, stronger, and thirty years his junior.
Barney Ross (Stallone) leads a band of highly skilled mercenaries including knife enthusiast Lee Christmas (Jason Statham), a martial arts expert Yin Yang (Jet Li), heavy weapons specialist Hale Caesar (Terry Crews), demolitionist Toll Road (Randy Couture), and a loose-cannon sniper Gunner Jensen (Dolph Lundgren). When the group is commissioned by the mysterious Mr. Church (Bruce Willis) to assassinate the dictator of a small South American island, Barney and Lee visit the remote locale to scout out their opposition and discover the true nature of the conflict engulfing the city.
May Munro (Sharon Stone) is a woman obsessed with getting revenge on the people who murdered her parents when she was still a girl. She hires Ray Quick (Stallone), a retired explosives expert to kill her parent’s killers. When Ned Trent (James Woods), embittered ex-partner of Quick’s is assigned to protect one of Quick’s potential victims, a deadly game of cat and mouse ensues.
(L to R) Sylvester Stallone and Michael B. Jordan in ‘Creed II.’
Between personal obligations and training for his next big fight against an opponent with ties to his family’s past, Adonis Creed (Michael B. Jordan) is up against the challenge of his life.
Combat has taken its toll on Rambo (Stallone), but he’s finally begun to find inner peace in a monastery. When Rambo’s friend and mentor Col. Trautman (Richard Crenna) asks for his help on a top secret mission to Afghanistan, Rambo declines but must reconsider when Trautman is captured.
Barney (Stallone), Christmas (Jason Statham) and the rest of the team comes face-to-face with Conrad Stonebanks (Mel Gibson), who years ago co-founded The Expendables with Barney. Stonebanks subsequently became a ruthless arms trader and someone who Barney was forced to kill… or so he thought. Stonebanks, who eluded death once before, now is making it his mission to end The Expendables — but Barney has other plans. Barney decides that he has to fight old blood with new blood, and brings in a new era of Expendables team members, recruiting individuals who are younger, faster and more tech-savvy. The latest mission becomes a clash of classic old-school style versus high-tech expertise in the Expendables’ most personal battle yet.
Peter Quill (Chris Pratt), still reeling from the loss of Gamora (Zoe Saldaña), must rally his team around him to defend the universe along with protecting one of their own. A mission that, if not completed successfully, could quite possibly lead to the end of the Guardians as we know them.
Assassin Robert Rath (Stallone) arrives at a funeral to kill a prominent mobster, only to witness a rival hired gun (Antonio Banderas) complete the job for him — with grisly results. Horrified by the murder of innocent bystanders, Rath decides to take one last job and then return to civilian life. But finding his way out of the world of contract killing grows ever more dangerous as Rath falls for his female target (Julianne Moore) and becomes a marked man himself.
Sylvester Stallone as Barney Ross in ‘Expend4bles.’
Reuniting as the team of elite mercenaries, Statham, Lundgren, Couture, and Stallone are joined for the first time by Curtis “50 Cent” Jackson, Megan Fox, Tony Jaa, Iko Uwais, Jacob Scipio, Levy Tran, and Andy Garcia. Armed with every weapon they can get their hands on and the skills to use them, The Expendables are the world’s last line of defense and the team that gets called when all other options are off the table. But new team members with new styles and tactics are going to give “new blood” a whole new meaning.
Ray Breslin (Stallone) is the world’s foremost authority on structural security. After analyzing every high security prison and learning a vast array of survival skills so he can design escape-proof prisons, his skills are put to the test. He’s framed and incarcerated in a master prison he designed himself. He needs to escape and find the person (Arnold Schwarzenegger) who put him behind bars.
Jack Carter (Stallone), a mob enforcer living in Las Vegas, travels back to his hometown of Seattle for his brother’s funeral. During this visit, Carter realizes that the death of his brother was not accidental, but a murder. With this knowledge, Carter sets out to kill all those responsible.
Set in 1958, the coming of age story follows four lower middle-class Brooklyn teenagers (Stallone, Henry Winkler, Perry King and Paul Mace) known as The Lords of Flatbush. The Lords chase girls, steal cars, shoot pool, get into street fights, and hang out at a local malt shop.
Sylvester Stallone voices King Shark in ‘The Suicide Squad.’ Photo: Warner Bros./DC Comics.
Welcome to Belle Reve, the prison where the worst Super-Villains are kept and where they will do anything to get out, even join the super-secret Task Force X. Today’s assignment? Assemble a collection of cons, including Bloodsport (Idris Elba), Peacemaker (John Cena), Ratcatcher 2 (Daniela Melchior), King Shark (Stallone), and everyone’s favorite psycho, Harley Quinn (Margot Robbie).
Now arm them heavily and drop them on the enemy-infused island of Corto Maltese. Trekking through a jungle teeming with militant adversaries and guerrilla forces at every turn, the Squad is on a search-and-destroy mission with only Colonel Rick Flag (Joel Kinnaman) on the ground to make them behave, and Amanda Waller’s (Viola Davis) government techies in their ears, tracking their every movement.
A group of POWs (Stallone, Michael Caine and Pelé) in a German prison camp during World War II play the German National Soccer Team in this powerful film depicting the role of prisoners during wartime.
Now the world champion, Rocky Balboa (Stallone) is living in luxury and only fighting opponents who pose no threat to him in the ring, until Clubber Lang (Mr. T) challenges him to a bout. After taking a pounding from Lang, the humbled champ turns to former bitter rival Apollo Creed (Carl Weathers) for a rematch with Lang.
A year after losing his friend in a tragic 4,000-foot fall, former ranger Gabe Walker (Stallone) and his partner, Hal (Michael Rooker), are called to return to the same peak to rescue a group of stranded climbers, only to learn the climbers are actually thieving hijackers who are looking for boxes full of money.
Simon Phoenix (Wesley Snipes), a violent criminal cryogenically frozen in 1996, escapes during a parole hearing in 2032 in the utopia of San Angeles. Police are incapable of dealing with his violent ways and turn to his captor (Stallone), who had also been cryogenically frozen after being wrongfully accused of killing 30 innocent people while apprehending Phoenix.
After Rocky (Stallone) goes the distance with champ Apollo Creed (Carl Weathers), both try to put the fight behind them and move on. Rocky settles down with Adrian (Talia Shire) but can’t put his life together outside the ring, while Creed seeks a rematch to restore his reputation. Soon enough, the “Master of Disaster” and the “Italian Stallion” are set on a collision course for a climactic battle that is brutal and unforgettable.
Ray Tango (Stallone) and Gabriel Cash (Kurt Russell) are narcotics detectives who, while both being extremely successful, can’t stand each other. Crime Lord Yves Perret (Jack Palance), furious at the loss of income that Tango and Cash have caused him, frames the two for murder. Caught with the murder weapon on the scene of the crime, the two have no alibi. Thrown into prison with most of the criminals they helped convict, it appears that they are going to have to trust each other if they are to clear their names and catch the evil Perret.
Mr. Church (Bruce Willis) reunites the Expendables for what should be an easy paycheck, but when one of their men (Liam Hemsworth) is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
(L to R) Sylvester Stallone and Dolph Lundgren in 1985’s ‘Rocky IV.’
Rocky Balboa proudly holds the world heavyweight boxing championship, but a new challenger has stepped forward: Drago (Dolph Lundgren), a six-foot-four, 261-pound fighter who has the backing of the Soviet Union.
When former Green Beret John Rambo (Stallone) is harassed by local law enforcement and arrested for vagrancy, the Vietnam vet snaps, runs for the hills and rat-a-tat-tats his way into the action-movie hall of fame. Hounded by a relentless sheriff (Brian Dennehy), Rambo employs heavy-handed guerilla tactics to shake the cops off his tail.
The former World Heavyweight Champion Rocky Balboa (Stallone) serves as a trainer and mentor to Adonis Johnson (Michael B. Jordan), the son of his late friend and former rival Apollo Creed (Carl Weathers).
Freddy Heflin (Stallone) is the sheriff of a place everyone calls “Cop Land” — a small and seemingly peaceful town populated by the big city police officers he’s long admired. Yet something ugly is taking place behind the town’s peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action and make a dangerous choice between protecting his idols and upholding the law.
Sylvester Stallone in 1977’s ‘Rocky.’ Photo: United Artists.
When world heavyweight boxing champion, Apollo Creed (Carl Weathers) wants to give an unknown fighter a shot at the title as a publicity stunt, his handlers choose palooka Rocky Balboa (Stallone), an uneducated collector for a Philadelphia loan shark. Rocky teams up with trainer Mickey Goldmill (Burgess Meredith) to make the most of this once in a lifetime break.