Tag: connie britton

  • TV Review: ‘Zero Day’

    Robert De Niro as George Mullen in 'Zero Day'. Photo: Jojo Whilden/Netflix © 2024.
    Robert De Niro as George Mullen in ‘Zero Day’. Photo: Jojo Whilden/Netflix © 2024.

    ‘Zero Day’ receives 7 out of 10 stars.

    Premiering on Netflix on February 20th, ‘Zero Day’ ponders how America might react to a catastrophic cyber-attack on its services, transport and technology, with the lingering threat of another.

    Big questions are asked, as they always are, about how personal freedom could be compromised in the search for safety, and how much the country’s elected leaders must answer to the general public for their actions in times of crisis and beyond.

    Related Article: Robert De Niro and Sebastian Maniscalco Talk Comedy ‘About My Father’

    Will ‘Zero Day’ keep you enthralled?

    Robert De Niro as George Mullen in 'Zero Day'. Photo: Courtesy of Jojo Whilden/Netflix © 2024.
    Robert De Niro as George Mullen in ‘Zero Day’. Photo: Courtesy of Jojo Whilden/Netflix © 2024.

    Beyond a TV movie about Bernie Madoff and a quirky, little-seen Italian comedy series from a couple of years ago, Robert De Niro’s primary contributions to TV have been as an executive producer on a handful of shows.

    But we live in an age when actors of any stature are lured by prestige small screen productions (and we’re sure the healthy paycheck from Netflix’s deep pockets didn’t hurt). Here, the man who made his name playing angry young men and his since transitioned to acting as compromised authority figures or senior mob figures, takes on a timely and careworn role as a former politician forced into an impossible situation.

    Script and Direction

    (L to R) Angela Bassett as President Mitchell, Executive Producer Noah Oppenheim, Executive Producer Eric Newman and Director Lesli Linka Glatter behind the scenes of 'Zero Day'. Photo: Jojo Whilden/Netflix © 2024.
    (L to R) Angela Bassett as President Mitchell, Executive Producer Noah Oppenheim, Executive Producer Eric Newman and Director Lesli Linka Glatter behind the scenes of ‘Zero Day’. Photo: Jojo Whilden/Netflix © 2024.

    Boasting Eric Newman, Noah Oppenheim and Michael S. Schmidt as its co-creators and executive producers, you knew the shows wasn’t completely going to be a first-base exploration of the issues surrounding presidential (or in this case former presidential) power and the sacrifices in morals and ethics that are made in the name of patriotism and safety.

    With the space to breathe that a limited series provides in place of a movie, there is the chance to explore more about the central figure especially, and De Niro’s Mullen is a complicated man, a decorated veteran and (mostly) beloved former President who resigned after the death of his son –– but if you thought that was all there was to it, you’ve clearly never seen a movie or show such as this before.

    And yet if we’re honest, this show is more about the driving plot that truly deep characterizations. We learn some about other players on the show (including Mullen’s wife and bitter politico daughter), but for the most part it’s getting us to the next revelation. Which is also a key element of these sorts of stories.

    (L to R) Robert De Niro, Executive Producer Eric Newman, Director Lesli Linka Glatter and Executive Producer Noah Oppenheim behind the scenes of 'Zero Day'. Photo: Jojo Whilden/Netflix © 2024.
    (L to R) Robert De Niro, Executive Producer Eric Newman, Director Lesli Linka Glatter and Executive Producer Noah Oppenheim behind the scenes of ‘Zero Day’. Photo: Jojo Whilden/Netflix © 2024.

    It’s smartly told, though at least one “surprise” was something you’ll see coming from several miles away, not least because of the casting. And the actual plot line, about a one-minute-long attack on vital services that has echoes of 9/11, is perfunctory, but works well enough.

    Homeland’ veteran Lesli Linka Glatter, meanwhile, is show’s only director and also executive producer and brings a sense of steel and weight to the proceedings.

    Netflix certainly gave the team the budget to make this one look slick, though if you’re after pulse-pounding action, that’ s again not really what the show is about. There are a few set pieces, but the driving force here is people in offices talking about the next step or accusing each other of cover-ups/betrayals.

    Cast and Performances

    (L to R) Robert De Niro as George Mullen and Connie Britton as Valerie Whitesell in 'Zero Day'. Photo: Jojo Whilden/Netflix © 2024.
    (L to R) Robert De Niro as George Mullen and Connie Britton as Valerie Whitesell in ‘Zero Day’. Photo: Jojo Whilden/Netflix © 2024.

    If you’ve got Robert De Niro agreeing to star in your limited series, of course you’re going to give him something meaty to chew on. President Mullen here is a layered character, a man who tried to do the right thing in office, but here finds himself much more compromised given the shifting political tones of the day.

    And he’s also someone who is starting to suffer the maladies of his age –– while he’s concerned about someone using a secretive weapon against him that is disrupting his mind, the series is smart enough to keep us guessing as to whether it’s just someone whose faculties are going.

    Around De Niro we have Joan Allen as his wife, Sheila, who mostly has the steadfast role to play in his life, but does have some shades of her own, including the fact that she’s running for a supreme court role. Then there’s Alexandra Mullen (Lizzy Caplan), who has a troubled relationship with her father, especially since he tried to stop her going into politics herself (she’s a congressional representative these days). Caplan is good in the role, though her character is written in somewhat predictable fashion.

    Lizzy Caplan as Alexandra Mullen in 'Zero Day'. Photo: Courtesy of Jojo Whilden/Netflix © 2024.
    Lizzy Caplan as Alexandra Mullen in ‘Zero Day’. Photo: Courtesy of Jojo Whilden/Netflix © 2024.

    Then we have the fixer characters, particularly Connie Britton as Valerie Whitesell (who once served in the White House) and Roger Carlson (Jesse Plemons), who is close to Mullen but also has dodgy business connections. They’re both excellent in their roles, calculated and charming in equal measure.

    Angela Bassett, meanwhile, is President Evelyn Mitchell, the current head of state, but though she has a couple of decent scenes (which Bassett naturally knocks out of the park), it’s not much of a role.

    Finally, there is ambitious Speaker of the House Richard Dreyer, played by Matthew Modine. No fan of Mullen’s, he’s pushing for further action to be taken and has his own agenda.

    Final Thoughts

    Angela Bassett as President Mitchell in 'Zero Day'. Photo: Jojo Whilden/Netflix © 2024.
    Angela Bassett as President Mitchell in ‘Zero Day’. Photo: Jojo Whilden/Netflix © 2024.

    Released at a time when the federal government is not, shall we say operating at peak efficiency (despite what the people in charge might say), ‘Zero Day’ feels like an eerily prescient peek into what could happen (though we don’t see Joe Biden stepping up to run an investigative commission if it did) and a decently diverting thriller series that has its share of genre tropes but doesn’t lean too heavily into them.

    As Robert De Niro’s first big American TV series (well, miniseries), it’s not always worthy of his presence, but it works when it needs to.

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    What’s the plot of ‘Zero Day’?

    Robert De Niro stars as respected former U.S. President George Mullen, who, as head of the Zero Day Commission, is charged with finding the perpetrators of a devastating cyber-attack that has caused chaos around the country and thousands of fatalities.

    As disinformation runs rampant and the personal ambition of power brokers in technology, Wall Street, and government collide, Mullen’s unwavering search for the truth forces him to confront his own dark secrets while risking all he holds dear.

    Who stars is in ‘Zero Day’?

    • Robert De Niro as George Mullen
    • Lizzy Caplan as Alexandra Mullen
    • Jesse Plemons as Roger Carlson
    • Joan Allen as Sheila Mullen
    • Connie Britton as Valerie Whitesell
    • Bill Camp as Director Lasch
    • Dan Stevens as Evan Green
    • Angela Bassett as President Evelyn Mitchell
    • Matthew Modine as Richard Dreyer
    • McKinley Belcher III as Carl Otieno
    (L to R) Robert De Niro as George Mullen and Jesse Plemons as Roger Carlson in 'Zero Day'. Photo: Jojo Whilden/Netflix © 2024.
    (L to R) Robert De Niro as George Mullen and Jesse Plemons as Roger Carlson in ‘Zero Day’. Photo: Jojo Whilden/Netflix © 2024.

    List of Robert De Niro Movies:

    Buy Robert De Niro Movies On Amazon

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  • ‘Zero Day’ Exclusive Interview: Joan Allen

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    Premiering on Netflix February 20th is the new political thriller ‘Zero Day’, which was created by Eric Newman (‘Narcos’), Noah Oppenheim (‘Jackie’), and journalist Michael Schmidt, and was directed by Lesli Linka Glatter (‘Homeland’).

    The series features an all-star cast that includes two-time Oscar winner Robert De Niro (‘The Godfather: Part II’ and ‘Raging Bull’), Lizzy Caplan (‘Now You See Me 2’), Jesse Plemons (‘Kinds of Kindness’), Joan Allen (‘The Contender’), Connie Britton (‘Friday Night Lights‘), Bill Camp (‘Joker’), Dan Stevens (‘Beauty and the Beast’), Matthew Modine (‘Full Metal Jacket’), Clark Gregg (‘Iron Man’), Gaby Hoffman (‘Field of Dreams’), and Angela Bassett (‘Black Panther’).

    Related Article: Robert De Niro and Sebastian Maniscalco Talk Comedy ‘About My Father’

    Joan Allen stars in Netflix's 'Zero Day'.
    Joan Allen stars in Netflix’s ‘Zero Day’.

    Moviefone recently had the pleasure of speaking with Joan Allen about her work on ‘Zero Day’, his first reaction to the project, her character’s relationship with her husband, working with Robert De Niro and the rest of the cast, and the importance of having one director for the entire series.

    You can read the full interview below or click on the video player above to watch our interviews with Allen, Matthew Modine, director by Lesli Linka Glatter, and showrunners Eric Newman and Noah Oppenheim.

    Joan Allen as Sheila Mullen in 'Zero Day'. Photo: Netflix © 2024.
    Joan Allen as Sheila Mullen in ‘Zero Day’. Photo: Netflix © 2024.

    Moviefone: To begin with, what was your first reaction to this project and the opportunity to play this character?

    Joan Allen: I thought the writing was terrific and that Robert De Niro was playing the main character, who I had admired so much for all my years as an actor. It was very exciting, and I loved our wonderful director, Lesli Glatter. When I met and spoke with her, she was incredibly inspiring and I was like, “I want to work with that lady.”

    MF: Can you talk about George and Sheila’s marriage and how she supports him throughout the series?

    JA: They are a team and Lesli emphasized that, and I really liked that as we were playing the scenes. He trusts her as maybe his most trusted confidant and adviser. I think she believes she’s not afraid to share her opinions with him. She also respects and admires him and believed in his presidency and the policies that he put forth. So, I think they’re a team and I would say not even that she supports him, they support each other. They work together is what it felt like and it’s a great relationship.

    Robert De Niro as George Mullen in 'Zero Day'. Photo: Jojo Whilden/Netflix © 2024.
    Robert De Niro as George Mullen in ‘Zero Day’. Photo: Jojo Whilden/Netflix © 2024.

    MF: What is Robert De Niro like to have as a scene partner?

    JA: He’s just the best. I mean, there were wonderful actors in the entire series and he’s just incredibly generous, open, giving, and very obviously incredibly smart in terms of what the scene is about and he’s just a wonderful collaborator. It was just a joy to be with him every day.

    MF: The series features an extraordinary cast of actors. What was it like for you to work with this ensemble?

    JA: I just was so happy every day. I was so happy to come to work. They are lovely, wonderful actors, terrific human beings and great people. We just had had a fantastic time working. It was just a joy. They were all such fine actors, and I was glad to be to be working with them. I was very grateful.

    (L to R) Director Lesli Linka Glatter and Dan Stevens as Evan Green behind the scenes of 'Zero Day'. Photo: Jojo Whilden/Netflix © 2024.
    (L to R) Director Lesli Linka Glatter and Dan Stevens as Evan Green behind the scenes of ‘Zero Day’. Photo: Jojo Whilden/Netflix © 2024.

    MF: Finally, what was it like working with director Lesli Linka Glatter and was it helpful to have the same person directing the entire series?

    JA: It was very grounding for me, very grounding and made me feel extremely safe because it was cohesive. So, you’re not going back and forth and dealing with talking with showrunners, et cetera. It’s like, there’s an anchor. She’s always going to be there. She’s incredibly prepared, knowledgeable, and on her game. It’s great to go to work knowing my director is there and you build a communication. It builds as you spend more time together and knowing that she was going to be there for the whole duration, made an enormous difference to me.

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    What’s the plot of ‘Zero Day’?

    Robert De Niro stars as respected former U.S. President George Mullen, who, as head of the Zero Day Commission, is charged with finding the perpetrators of a devastating cyber-attack that has caused chaos around the country and thousands of fatalities.

    As disinformation runs rampant and the personal ambition of power brokers in technology, Wall Street, and government collide, Mullen’s unwavering search for the truth forces him to confront his own dark secrets while risking all he holds dear.

    Who stars is in ‘Zero Day’?

    • Robert De Niro as George Mullen
    • Lizzy Caplan as Alexandra Mullen
    • Jesse Plemons as Roger Carlson
    • Joan Allen as Sheila Mullen
    • Connie Britton as Valerie Whitesell
    • Bill Camp as Director Lasch
    • Dan Stevens as Evan Green
    • Angela Bassett as President Evelyn Mitchell
    • Matthew Modine as Richard Dreyer
    • McKinley Belcher III as Carl Otieno
    (L to R) Robert De Niro as George Mullen and Joan Allen as Sheila Mullen in 'Zero Day'. Photo: Courtesy of Jojo Whilden/Netflix © 2024.
    (L to R) Robert De Niro as George Mullen and Joan Allen as Sheila Mullen in ‘Zero Day’. Photo: Courtesy of Jojo Whilden/Netflix © 2024.

    List of Joan Allen Movies and TV Shows:

    Buy Joan Allen Movies On Amazon

     

  • First Images of Robert De Niro in TV Thriller ‘Zero Day’

    Robert De Niro as George Mullen in 'Zero Day'. Photo: Courtesy of Jojo Whilden/Netflix © 2024.
    Robert De Niro as George Mullen in ‘Zero Day’. Photo: Courtesy of Jojo Whilden/Netflix © 2024.

    Preview:

    • The first pictures of Robert De Niro in ‘Zero Day’ have arrived.
    • He’s playing a former President who must investigate a cyber-attack.
    • Eric Newman and Noah Oppenheim created the show, with Lesli Linka Glatter directing.

    While movie icon Robert De Niro has certainly guested on his fair share of TV series (‘30 Rock,’ ‘Extras’) and more recently had a bigger role in Argentinian miniseries ‘Nada,’ he’s better known for producing a variety of shows.

    But with ‘Zero Day,’ a new Netflix thriller series, he’s stepping up to star in his first Stateside show, agreeing to both lead and serve as an executive producer on the show.

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    Created by Eric Newman (who has produced a metric ton of movies and shows and worked on the likes of ‘Griselda’ and the ‘Narcos’ series for Netflix), Noah Oppenheim (who swapped a career in TV news to work on shows and movies) and Pulitzer Prize winner Michael S. Schmidt, it tracks the aftermath of a devastating attack on the United States, and the man leading the investigation into what was really behind it.

    Lesli Linka Glatter, a veteran of series such as ‘Homeland,’ ‘Mad Men’ and ‘True Blood’ directed all six episodes.

    Here’s what Newman told Netflix’s Tudum sight about the collaboration with the acting legend that is De Niro:

    “As a lifelong fan of American cinema, no actor looms larger for me than Robert De Niro. To have him as a producing partner and star in this show is beyond our wildest dreams. I’m grateful to Netflix for their continued faith and support and thrilled to be in business with the amazing creative team of Noah, Lesli, and Jonathan [Glickman] on this timely (and terrifying) series.”

    Related Article: Robert De Niro and Sebastian Maniscalco Talk Comedy ‘About My Father’

    What’s the story of ‘Zero Day’?

    (L to R) McKinley Belcher III as Carl Otieno, Mozhan Navabi as Melissa Kornblau, Robert De Niro as George Mullen, Jesse Plemons as Roger Carlson and Connie Britton as Valerie Whitesell in 'Zero Day'. Photo: Courtesy of Jojo Whilden/Netflix © 2024.
    (L to R) McKinley Belcher III as Carl Otieno, Mozhan Navabi as Melissa Kornblau, Robert De Niro as George Mullen, Jesse Plemons as Roger Carlson and Connie Britton as Valerie Whitesell in ‘Zero Day’. Photo: Courtesy of Jojo Whilden/Netflix © 2024.

    The new series follows respected former U.S. President George Mullen (De Niro), who, as head of the Zero Day Commission, is charged with finding the perpetrators of a devastating cyber-attack that has caused chaos around the country and thousands of fatalities.

    As disinformation runs rampant and the personal ambition of power brokers in technology, Wall Street, and government collide, Mullen’s unwavering search for the truth forces him to confront his own dark secrets while risking all he holds dear.

    Lest you think he’s just picking up a paycheck on this one, De Niro was, according to Newman, truly involved:

    “De Niro very much became our partner in this process — very hands-on, very involved, read everything at every stage, and it’s been an incredible honor and privilege. You can count on one hand the actors and actresses in history who bring this level of gravitas, pedigree, and talent to their work.”

    Who else appears in ‘Zero Day’?

    Angela Bassett as President Mitchell in 'Zero Day'. Photo: Courtesy of Jojo Whilden/Netflix © 2024.
    Angela Bassett as President Mitchell in ‘Zero Day’. Photo: Courtesy of Jojo Whilden/Netflix © 2024.

    The rest of the cast are as follows…

    Angela Bassett is President Evelyn Mitchell, the current president of the United States. Mitchell is a brilliant and perceptive political tactician who hires Mullen to take on an unprecedented role in American history.

    Jesse Plemons is Roger Carlson, George Mullen’s former aide. Roger is now a trusted fixer and an unabashed hustler who’s seeking a return to the national stage alongside Mullen.

    Lizzy Caplan is Alexandra Mullen, a young congresswoman from New York who’s worked hard to distance herself from her father’s political legacy and establish herself in her own right.

    Lizzy Caplan as Alexandra Mullen in 'Zero Day'. Photo: Courtesy of Jojo Whilden/Netflix © 2024.
    Lizzy Caplan as Alexandra Mullen in ‘Zero Day’. Photo: Courtesy of Jojo Whilden/Netflix © 2024.

    Connie Britton is Valerie Whitesell, a savvy, intelligent political operative and Mullen’s former chief of staff who returns to public life to oversee Mullen’s new role back in the spotlight.

    Joan Allen is Sheila Mullen, former first lady and nominee to the federal bench. Elegant and always poised, Sheila is a supportive and present wife and mother with strong professional ambitions of her own — and she’s nobody’s fool.

    Matthew Modine is Richard Dreyer, a confident, colorful public figure. As the speaker of the house, he’s an adept politician.

    Bill Camp is CIA Director Jeremy Lasch, the ultimate insider who seems to know everyone’s secret. He can either be a dangerous enemy or a valuable friend to Mullen and everyone in his circle.

    Dan Stevens as Evan Green in 'Zero Day'. Photo: Courtesy of Jojo Whilden/Netflix © 2024.
    Dan Stevens as Evan Green in ‘Zero Day’. Photo: Courtesy of Jojo Whilden/Netflix © 2024.

    Dan Stevens is Evan Green, the charismatic, calculating, and divisive host of a wildly popular political TV show who becomes a thorn in George Mullen’s side as his loudest critic and chief public antagonist.

    Gaby Hoffmann is Monica Kidder, a controversial Silicon Valley billionaire whose brilliant vision and technological domination has the power to help or hinder Mullen’s investigation.

    Clark Gregg is Robert Lyndon, a corporate raider, provocateur, and billionaire who has mastered the dark arts of political manipulation.

    Mark Ivanir is Natan, an intelligence operative and Mullen confidant from an era when intelligence — and trust — still mattered.

    When will ‘Zero Day’ be on screens?

    Netflix will launch all six hour-long episodes of the show on February 20th next year.

    (L to R) Robert De Niro as George Mullen and Angela Bassett as President Mitchell in 'Zero Day'. Photo: Courtesy of Jojo Whilden/Netflix © 2024.
    (L to R) Robert De Niro as George Mullen and Angela Bassett as President Mitchell in ‘Zero Day’. Photo: Courtesy of Jojo Whilden/Netflix © 2024.

    List of Robert De Niro Movies:

    Buy Robert De Niro Movies On Amazon

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  • ‘Here After’ Exclusive Interview: Connie Britton

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    Opening in select theaters and on digital September 13th is the new thriller ‘Here After’, which was directed by Robert Salerno (‘Smile’) and stars Connie Britton (‘The White Lotus’ and ‘Friday Night Lights’), Freya Hannan-Mills (‘The Cuckoo’), and Giovanni Cirfiera (‘Ford v Ferrari’).

    Related Article: John Boyega and Nicole Beharie Talk True Story ‘Breaking’

    Connie Britton in 'Here After'. Photo: Paramount Pictures.
    Connie Britton in ‘Here After’. Photo: Paramount Pictures.

    Moviefone recently had the pleasure of speaking with Connie Britton about her work on ‘Here After’, her first reaction to the screenplay, her character’s guilt, her relationship with her daughter, working with actress Freya Hannan-Mills, the tone of the movie, and collaborating with director Robert Salerno on set, as well as teasing her other upcoming movie, the true story ‘Winner’, which also opens in theaters on September 13th.

    You can read the full interview below or click on the video player above to watch our interviews with Britton and director Robert Salerno.

    Connie Britton in 'Here After'. Photo: Paramount Pictures.
    Connie Britton in ‘Here After’. Photo: Paramount Pictures.

    Moviefone: To begin with, can you talk about your first reaction to the screenplay and why you wanted to be part of this project?

    Connie Britton: Well, I’ve joked about this before because of course, doing ‘American Horror Story’ all those years ago, I’ve always been afraid of horror movies. That’s not been my go-to genre, but I was really moved by this story when I read it, and it really took me by surprise, and it tapped into some very maternal feelings that I experience in my life and in kind of this supernatural way. But for me, whenever I read a script, I always really look for something that taps into my own humanity because I feel like if I’m experiencing that now in this way, my hope is that then I can help an audience tap into that thing too. So, that’s what it felt like when I first read the script. I just kind of felt really moved and the experience of what it feels like to be a mother and the unknown, but in a way that I hadn’t quite seen before.

    MF: Can you talk about the guilt that Claire is dealing with and what she’s willing to do to protect her daughter?

    CB: Well, I mom guilt is a thing. It’s real. Parent guilt is real. We’re not going to just restrict it to moms. I’ve done enough therapy to know that guilt is never productive, so it’s kind of is something that plagues us. So, for me, it was interesting to explore how she’s guilty because there was a consequence to something that was a result of her own emotional pain. There was a deeply emotionally painful consequence to that. So, I really was trying to explore my own guilt and what it would feel like if that was ratcheted up to here and heightened to a point where I couldn’t see the world in any other way other than through the filter of that guilt. It was interesting. As an actor, I always want to try to learn something from the roles that I play and learn something about myself. Sometimes you must look at things that you don’t really want to look at all the time every day. Guilt is certainly one of them. So, it was a challenging exploration, but also a beneficial one. I think it helped me understand the places where I feel guilty and where it’s not beneficial for me. Again, I hope that for audiences who watch it too.

    (L to R) Freya Hannan-Mills and Connie Britton in 'Here After'. Photo: Paramount Pictures.
    (L to R) Freya Hannan-Mills and Connie Britton in ‘Here After’. Photo: Paramount Pictures.

    MF: Can you talk about Claire’s relationship with Robin and what it was like working with actress Freya Hannan-Mills?

    CB: Well, Freya is so wonderful and just a wonderful human being and a wonderful actress and amazing, transformative in this part. She made it easy, and instinctively she’s somebody that you want to be maternal toward, but we talked a lot about her relationship with her mother, and she’s just a gentle soul. So, it felt very much, like I could just get right into that feeling of I love this being. So yeah, it was wonderful to work with her.

    MF: Can you talk about the film’s tone, and as an actress, is that something you are concerned with, or do you just leave that up to the director?

    CB: Tone is really one of the most important things always because tone is such a pivotal part of telling the story. So, because if you tell a story with a more humorous tone, it’s going to come across completely differently than if you tell a story with a more surreal or moody tone. So yeah, as we were making the movie, I was constantly trying to understand what my role was between grounding the movie, but also understanding that there was this supernatural element to it and trying to find the balance between worlds. But I always want to try to ground any character that I play as much as I can, because I think that that allows our audience then to open into whatever worlds we’re creating even more effectively because the audience feels grounded as well. But that’s always a balancing act, and just to find out how, you’re firmly on the ground and then how far you can fly.

    (L to R) Giovanni Cirfiera, Alessandro Bressanello and Connie Britton in 'Here After'. Photo: Paramount Pictures.
    (L to R) Giovanni Cirfiera, Alessandro Bressanello and Connie Britton in ‘Here After’. Photo: Paramount Pictures.

    MF: What was it like collaborating with veteran producer Robert Salerno on his first feature film as a director?

    CB: It’s always exciting working with someone who is directing the original vision from the script. It’s exciting because, and we talked about it a lot, he really had invested so much of himself into the vision of this story. Then it’s exciting to see that unfold. In Bob’s case, he is a veteran producer, but also, he was directing a movie for the first time in Italy. We had these incredible Italian crews that I just adored so much. But it was interesting watching the challenges that came up for him around that, and being a first-time director, and it just felt like we kind of were all in these beautiful Roman trenches together, really learning how to do this in that beautiful landscape with the wonderful crews that we got to work with.

    Director Susanna Fogel's 'Winner'. Photo: Vertical.
    Director Susanna Fogel’s ‘Winner’. Photo: Vertical.

    MF: Finally, in addition to ‘Here After’, you also have the film ‘Winner’ opening on the same day. What can you tell us about that movie and the character you play?

    CB: Well, I mean, that is an incredible story. I don’t know if you know the story of Reality Winner or not, but it’s a true story about a young woman named Reality Winner who during the 2016, when Trump was elected, basically she was working for the NSA, and she discovered that the Russians had interfered with our elections. So, because she felt like people needed to know this, she anonymously sent her discovery to a to a media site, and she was arrested by the FBI. She went through a terrible prison ordeal and is still enduring a lot of the repercussions of that. Anyway, it’s an amazing story of this very young woman. I play her mother who helped try to give her a voice because she was given one of the worst sentences, we’ve ever given to someone who’s basically been accused of being a traitor to the country. So, it’s an interesting philosophical story, and hers is a story of courage. You learn a lot about it, but Susanna Fogel (‘The Spy Who Dumped Me’), the director tells it almost as a black comedy, which speaking of tone, it’s kind of a harrowing story, but seen through the lens of black comedy, it makes it more accessible and relatable as well.

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    What is the plot of ‘Here After’?

    Claire Hiller (Connie Britton) is overjoyed when her daughter Robin (Freya Hannan-Mills) is miraculously revived after a fatal accident. But her relief turns to dread as Claire notices changes in her daughter, suspecting something dark has followed her back from the brink of death.

    Who is in the cast of ‘Here After’?

    • Connie Britton as Claire
    • Freya Hannan-Mills as Robin
    • Giovanni Cirfiera as Luca
    • Tommaso Basili as Dr. Ben Romano
    (L to R) Giovanni Cirfiera and Connie Britton in 'Here After'. Photo: Paramount Pictures.
    (L to R) Giovanni Cirfiera and Connie Britton in ‘Here After’. Photo: Paramount Pictures.

    Other Connie Britton Movies and TV Shows:

    Buy Tickets: ‘Here After’ Movie Showtimes

    Buy Connie Britton Movies On Amazon

  • John Boyega and Nicole Beharie Talk ‘Breaking’

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    Opening in theaters on August 26th is the new drama ‘Breaking,’ which was written and directed by Abi Damaris Corbin.

    Based on a true story, the movie centers on Lance Corporal Brian Brown-Easley (John Boyega), a former Marine Corps veteran in financial trouble.
    After not receiving several of his benefit checks from the VA, and with no one listening to his complaints, Brian takes two hostages (Nicole Beharie and Selenis Leyva) at a local bank, hoping to gain attention from the media.

    With a police Major (Jeffrey Donovan) itching to take him out, Brian deals with a sympathetic police negotiator (Michael K. Williams), and a local reporter (Connie Britton) willing to listen to his story.

    Moviefone recently had the pleasure of speaking with John Boyega and Nicole Beharie about their work on ‘Breaking,’ the true story it is based on, their characters, the mood on set, and working with writer/director Abi Damaris Corbin.

    John Boyega in 'Breaking.'
    John Boyega in ‘Breaking.’ Courtesy of Bleecker Street.

    You can read the full interview below or click on the video player above to watch our interviews with Boyega, Beharie, and writer/director Abi Damaris Corbin.

    Moviefone: To begin with, John, can you talk about your first reaction to hearing Brian’s story, reading the screenplay, and your approach to playing this character?

    John Boyega: My first reaction, I was quite surprised. I hadn’t heard of the story. It was shocking that this happened in Atlanta, in a major city, and at the same time that I hadn’t heard about it. But then going into the screenplay, going into script, I liked how detailed it was. I liked that this wasn’t just a typical thriller. I like that this was actually a character study.

    Also, at the same time, a moment to go back into the life of a vet, a perspective that personally, from my background, I didn’t necessarily have family members that have gone and done that. So, for me, it was an education and then excitement, because we have a lot of dramatic moments.

    I heard that Michael Kenneth Williams might be a part of it, and Nicole and Selenis. The combination of all those things was like, “Okay, cool. This is a project I would love to do if I get the opportunity.”

    MF: Nicole, can you talk about how Estel handles the situation she finds herself in and the sympathy that she ends up having for Brian?

    Nicole Beharie: It’s interesting. This is based on a true story and I did get to read what the protocol for a bank manager is. Initially, look, Nicole is not staying in the bank, okay? When that’s happening, I’m not staying in the bank, I’m running.

    But I felt like this woman’s heroism came from her training, and also this man, seeing something that she identified from other people that she knew, and wanting to protect him as best she could. I think that was a big part of it for me.

    Selenis Leyva, Nicole Beharie, and John Boyega in 'Breaking.'
    (L to R) Selenis Leyva, Nicole Beharie, and John Boyega in ‘Breaking.’ Courtesy of Bleecker Street.

    MF: Nicole, your scenes are incredibly intense, can you talk about how you prepared emotionally day-to-day to be a hostage?

    NB: Do you know what’s funny is my scenes are only intense because John came in with all the intensity. He provided the fire for us to be like, “We have to take this fire out.” So, I have to give that to my fellow cast in creating this world, keeping it alive so that we can be reacting and working off of the nuances, the little changes.

    I think that’s really what it’s about and so exciting when it works that way, and that’s exactly what happened. So, for me, I didn’t have to do a whole lot of work because everyone brought it. We were just there, keeping it alive.

    MF: Can you both talk about what the movie says about the way we treat our veterans in this country?

    JB: For me, it’s the loneliness that was so interesting. We have a lot of these people in our society who walk amongst us, but don’t have their perspective and their point of view heard. I think for me that can be so frustrating to go to several different avenues, the official avenues that comes with the veteran’s affairs, but also going to try and talk to family. Trying to get some form of empathy can be quite hard because a lot of people just don’t have that perspective.

    But then you do the full circle, when you think about it, you’re like, “Oh, well that’s the illusion.” Right? As civilians who are protected, we’re the babies in the bubble that the governments say, “Don’t tell them anything, they might freak out.” So, to have this perspective, especially when vets come back home and they’re trying to integrate back into society, to see their complications and their struggles is something that we can all learn from, for real.

    NB: Another reason I was drawn to this movie was because I have quite a few family members who’ve served in the military in different aspects. I, in particular, had one uncle who came back different and this speaks to everything in that. I feel like personally, as a civilian, as John said, I wasn’t able to be there in the way that Estel is. So, it’s like I vicariously get to have this other experience. I just wanted to add that, because it’s a big part of the pull for me.

    Nicole Beharie in 'Breaking.'
    Nicole Beharie in ‘Breaking.’ Courtesy of Bleecker Street.

    Finally, Nicole, what was your experience like working with writer and director Abi Damaris Corbin?

    NB: Abi was amazing. She also has a personal connection, having veterans in her family and she really cares about all the details in this story. I think also what’s really interesting is its Brian’s story, but there are all these different other characters that pop in here and there and they still feel very fleshed out.

    It feels like that dance that they have between corporate and what they’re told to do with bureaucracy, whether it’s at the VA, the detective or the news anchor, they all are dancing this line between institution and humanity, and what they want to do. I just think it’s really powerful the way that she executed that.

    John Boyega in 'Breaking.'
    John Boyega in ‘Breaking.’ Courtesy of Bleecker Street.
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  • Mark Wahlberg shares the emotional resonance of ‘Joe Bell’

    Mark Wahlberg shares the emotional resonance of ‘Joe Bell’

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    In ‘Joe Bell,’ Mark Wahlberg plays the title character, a man who decides to walk from Oregon to New York to talk about his son’s struggle with bullying. The movie is based on a true story, and also stars Connie Britton as Joe’s wife Lola, and Reid Miller as Joe’s son Jadin Bell. The three actors spoke with us about their new movie.


    First, Mark Wahlberg talks about his reaction to the script.

    Moviefone: I was not ready for this heartbreaking story, but at the same time, it was very moving and inspiring. What made it such a passion project for you?

    Mark Wahlberg: Well, I think the same reaction that you had to the film, I had to the screenplay. And, of course, being a parent, a father of four, I had to get this movie made and be a part of it, continue Joe’s journey and get people hopefully to open their hearts and their minds and understand the devastating effects of bullying and intolerance. And so, I was compelled to make this movie and be a part of it and honor Jadin, especially, and also Lola and Joseph. And after meeting them, I continued to be encouraged, through my initial reaction to reading the screenplay.

    MF: It is such an emotional film. And you mentioned as a dad yourself, I’m curious when you’re in these scenes with Reid, how does that feel for you as an actor?

    Wahlberg: It feels very real because he reminds me so much of both of my sons. That’s why I had that emotional connection with him when he came into this very room that I’m sitting. I’ve read with a lot of really talented actors, and I thought they all were wonderful, but I had that connection with him in particular. And that really moved me, and it moved me the first time, the second time, after the 10th take, the 20th take, the first day of shooting, the last day of shooting.

    When I see his name pop up on my phone, I still feel that, and those aren’t things that you can fake. I think he was meant to play this part, and he is a light, and he spreads a lot of love and very much in a way that Jadin was. And he’s fearless and brave, very much in the way that Jadin was.

    MF: Reid actually just told me that he was searching for a connection to his character, Jadin, and he found it in the main scene, which we won’t talk about because we don’t want to give too much away, but in that scene when he discovered that there was no one reaching out for him. He didn’t have anyone to reach out to, that was when he really found that connection to Jadin. Did you have a similar moment in the film where you really found that connection to Joe Bell?

    Wahlberg: Well, no. I mean, I learned a lot. Joe was a very complicated and tough guy who had a very difficult childhood and abusive upbringing. What little skills he had certainly were not equipped to deal with a situation like this. He thought the best way to protect his son would basically deny his son who he really was as a person and hide that. And obviously, that was the worst possible decision, because kids need to be heard and seen and supported and loved unconditionally no matter what.

    He always wished that he could’ve, after the fact, I really kind of reference Jadin being a cheerleader, that Joe could have been his cheerleader and supported him in a way that would have really empowered him. But, unfortunately, he didn’t get to do that, and that always felt like it weighed really heavy on him. That’s why he wanted to talk to anybody who would or wouldn’t want to listen. No matter what, they were going to hear it, and hopefully he would prevent somebody else from going into the situation.

    MF: Yeah. I had a hard time figuring out Joe Bell because there were moments in the film where he’s either really harsh and really mean. Of course, coming from a different place within himself, he’s struggling with his own emotions. But on the other end, he’ll be very caring and very, like he loved his son so much. So I feel like that’s something that you could’ve only learned about him through Lola in person?

    Wahlberg: Yeah. And his other son, Dusty, and from Joseph. Actually just made me emotional just hearing you say that, because again, yeah, we could have easily tried to make him the kind of loving, sweet doting dad the whole time. But that wasn’t who he was, and I think it’s far more relatable having a really honest depiction of who he was and how complicated it is. Right?

    You’re talking about growing up in a very specific place where certain things are accepted, and certain things aren’t accepted, and all he had was his own experience to draw from and what his relationship with his dad was. And he felt like if he wasn’t putting his hands on his kids and he wasn’t beating his kids, then he was already a much better parent. But being there for somebody emotionally and having those skill sets, it just wasn’t something that he was equipped with.

    So we wanted it to be honest. I mean, I showed the movie to a lot of people, and like, “Oh, my God, this guy is such an ass,” excuse my language. And I’m like, “Well, yeah, he was a complicated guy, trying to do the best that he could, thought he was doing the best that he could and realized that, oh, my God, I’m as responsible as the kids who were bullying my son in high school. What an effect that must have had on him! And that pain, he had to bear that pain and his mission to get the word out there and prevent other people from doing that. Open people’s hearts and minds was the only thing that he felt like he could do. He was a complex guy, and we wanted to really portray that in an honest way.


    Connie Britton discusses meeting with the real-life Lola Bell.

    Moviefone: You got to know the real life Lola, can you talk about that a little bit?

    Connie Britton:
    You know, we couldn’t have made the movie without talking to Lola, honestly, and she was just so incredibly generous and forthcoming with her story with sharing insights into who Joe Bell was, who her son, Jadin Bell was, and what was really, really valuable, well, besides for me, I was just like, “Wow, how can you be this strong? How can you have gone through so much and still be able to go through the retelling of the story?” But I think it might’ve actually been cathartic for her, because in a way, she was then able to continue Joe’s walk and to continue the fight against bullying and to continue her deepening hope that we have greater understanding of our LGBTQ communities and sons and daughters. So, for me, it was just an incredibly important and exciting opportunity to talk to her.

    MF: Reid Miller has such a presence in this movie. Was he that electric on set?

    Britton: Yes, he was. But also, he’s just one of those people that, he came with such an open heart. He wanted to collaborate. He wanted to learn, and so it was really exciting to see somebody who has that much just pure talent sort of percolating to the surface. And I have to say, I give Mark Wahlberg a lot of credit too, because he is the reason this movie happened and created such passion. He was so passionate about it. I think this was a very personal project for him, and he was so passionate about how we told this story. And I think that that passion was infectious. And I think we all benefited from that, and it really created an environment where we felt really free to tell this story as honestly, and as fully, as we could. And Reid just ran with that.



    Reid Miller shares how he connected with Jadin Bell.


    Moviefone: The movie is heartbreaking, but it’s also moving and inspiring. What were some of the conversations that you had with the director, with Mark Wahlberg and the other filmmakers?

    Reid Miller: The biggest conversation I had with everyone was, “What kind of movie are we trying to make? What story are we trying to tell?” And at the end of the day, it was, “We’re trying to tell the story of a relationship between a father and a son, and a journey of redemption, self-acceptance, and understanding, which is something I think everyone can relate to. Everyone has had a redemption arc or two. Everyone has always been on a journey of understanding. And that was super important to me was understanding exactly what their vision was. What are they wanting to do here? And luckily we were all on the same page there.

    MF: For you, in particular, all the scenes are very emotional. What was it like for you day-to-day as Jadin on the set of Joe Bell?

    Miller: I mean, it was exhausting. I mean, it was incredibly rewarding when you would do a scene, and you feel it in your heart that you absolutely pulled as much as you could, and it worked, and it looks great, and the emotion is there, and the point is there, and it’s raw. It is a very rewarding feeling. So for me, it was a constant back and forth of, “This is great,” and, “Okay, I need a nap.” So it was just always back and forth.

    MF: And in order to really understand what Jadin was going through, did you talk to anyone who maybe went through this experience as well?

    Miller: Well, I spoke to his mother. I spoke to his brothers, some friends who knew him, would watch home videos of his listening to him sing and listened to his music. And I did as much research as humanly possible, while also reminding myself that every single thing I hear from anyone about Jadin is their perception of him. So it’s always remembering to take that and know that and understand that, but also know that I need to find the defining connection between me and Jadin so that I can do the best job possible at telling his story and sharing his legacy as honestly as possible.

    MF: And so what was that moment when you found that connection?

    Miller: I found that connection actually further into the process of filming where there’s a scene, where again, without giving spoilers, I talked about it a few times, where Jadin is reaching out to a bunch of people, and no one is reciprocating. No one is there for him. And I’ve had moments like that. And it was such a raw, real moment, and it’s very evident in the scene. And so after I filmed that I felt like a different person all together because it’s like a lot of my struggles, and maybe things that I, buried were brought to light in order to get the scene done how it needed to be done because it’s one of the most important scenes in the movie, if not the most important. So for me, I’m so incredibly proud of it, but I’m so incredibly proud of it because I felt Jadin was right there with me every step of the way. And if I wouldn’t have been able to do it without him.

    ‘Joe Bell’ is now in theaters.

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  • Mark Wahlberg, Connie Britton Team up for ‘Good Joe Bell’

    Mark Wahlberg, Connie Britton Team up for ‘Good Joe Bell’

    Mark Wahlberg and Connie Britton side-by-side
    Paramount Pictures; Bravo

    The upcoming film “Good Joe Bell” has some not just good but excellent actors taking on lead roles.

    The drama from director Reinaldo Marcus Green will star the likes of two-time Academy Award nominee  Mark Wahlberg and two-time Golden Globe nominee Connie Britton, Variety reports. They’re joined by young actor Reid Miller in a film written by Diana Ossana and Larry McMurtry, the Academy Award-winning screenwriters of “Brokeback Mountain.”

    “Good Joe Bell” is based on a heartbreaking true story. It centers on Joe (Wahlberg), an Oregon father who embarked on a cross-country walk in honor of his son Jadin (Miller), who died by suicide in 2013. Joe’s goal was to bring awareness to the damaging effects bullying can have.

    Both Wahlberg and Britton are veteran actors. Wahlberg most recently starred in the film “Instant Family” and his next film, “Wonderland,” is due out in 2019. Meanwhile, Britton recently added the Bravo TV series “Dirty John” to her resume, along with the film “The Mustang.” Miller, on the other hand, is a relative newcomer. He recently starred in the Complex Networks comedy series “Play by Play.”

    Wahlberg is one of the “Good Joe Bell” producers, alongside Stephen Levinson, Stay Gold’s Daniela Taplin Lundberg, Vision Chaos’ Eva Maria Daniels, Parliament of Owls’ Cary Fukunaga, Argent Pictures’ Ryan Ahrens, and Nine Stories’ River Marker and Jake Gyllenhal. Ossana and McMurtry will serve as executive producers, as will Argent Pictures’ Jill Ahrens, Ben Renzo, Tony Parker, Derick Brooks, Michael Finley, and Drew Brees. Hercules and Rhea Films’ Paris Kassidokostas-Latsis, Terry Douglas, and Jean-Luc De Fanti are also executive producing.

    The film is slated to kick off production on April 15 in Utah.

    [via: Variety]

  • ‘American Horror Story’ Returns to ‘Murder House’ in Special 78 Minute Episode

    ‘American Horror Story’ Returns to ‘Murder House’ in Special 78 Minute Episode

    American Horror Story, Jessica Lange
    FX

    Welcome home, Michael.

    American Horror Story: Apocalypse” is the crossover season for “Murder House” and “Coven.” We’ve already seen several “Coven” witches, but not too much from the “Murder House” contingent — besides an older version of Antichrist baby Michael Langdon (Cody Fern).

    That changes with Episode 6 — airing this Wednesday, October 17. That special supersized episode will take us back to Murder House. The episode is literally called “Return to Murder House,” and it was directed by none other than Sarah Paulson.

    This week, we’ll revisit baby Michael’s family — Vivien Harmon (Connie Britton) is Michael’s biological mother, with Tate Langdon, aka Rubber Man (Evan Peters) as the father. Vivien’s husband Ben (Dylan McDermott) and daughter Violet (Taissa Farmiga) will also return.

    And of course we’ll get to see Constance Langdon (Jessica Lange), who raised baby Michael.

    AHS normally runs an hour, but this Wednesday’s Episode 6 will run for 78 minutes (or 55 minutes without commercials), starting at 10 p.m. on FX.

    Check out the promo:

    https://www.youtube.com/watch?v=8EpZK3vrPno

    [Via: THR]

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  • Angela Bassett Sad to Be Left Out of ‘AHS: Apocalypse’: ‘Where’s Marie Laveau?’

    Angela Bassett Sad to Be Left Out of ‘AHS: Apocalypse’: ‘Where’s Marie Laveau?’

    Angela Bassett, American Horror Story: Coven
    FX

    Even dead voodoo queens can have FOMO.

    In August, Angela Bassett revealed her character Marie Laveau would not be in “American Horror Story: Apocalyse“– “not unless they get some brilliant idea.”

    We kinda hoped Ryan Murphy would go ahead and get some brilliant idea, and add her to the “Coven” story, since Season 8 is the “Murder House”/”Coven” crossover season. But that has not happened yet on screen — despite the appearance of many other “Coven” witches — and apparently it has not happened behind-the-scenes either. (Jessica Lange IS coming soon; don’t worry.)

    Angela Bassett admitted she’s sad to be left out. Here’s what she told The Hollywood Reporter:

    “I have [‘AHS: Apocalypse’] on my DVR, but I haven’t seen any of it just yet. But I mean, come on. Where’s Marie Laveau? I’m even a little bit in my feelings that Marie didn’t come back.”

    It’s not like they couldn’t revive Marie, when they’ve revived so many other characters at this point.

    But it’s possible her job on Ryan Murphy’s “9-1-1” has kept her from Ryan Murphy’s “Apocalypse.” In a bit of irony, “Apocalypse” will feature the return of Connie Britton, who left “9-1-1” before the currently airing Season 2. We want BOTH ladies on AHS this year!

    Bassett went from “AHS: Coven” voodoo queen to queen of Wakanda in “Black Panther“; she told THR she hasn’t heard about any plans for a “Black Panther” sequel at this point — but she’d surely make room in her schedule for that filming.

    “AHS: Apocalypse” will air Episode 5 this Wednesday, October 10 on FX. Episode 8 will air on Halloween night itself. According to TheWrap, there will be 10 episodes this season. Is there still a chance Marie could at least cameo?

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  • See Emma Roberts, Evan Peters, More Return in ‘AHS: Apocalypse’ Set Photos

    See Emma Roberts, Evan Peters, More Return in ‘AHS: Apocalypse’ Set Photos

    FX

    Ryan Murphy is getting the majority of the “American Horror Story” band back together for the horror anthology’s upcoming eighth installment, “Apocalypse,” and to celebrate, he’s been sharing a bunch of set photos of actors returning to their former stomping grounds. And the latest batch should have fans even more excited for the “Murder House”-“Coven” crossover.

    On Tuesday, Murphy revealed a first look at Emma Roberts and Evan Peters, who are reprising their roles as Madison Montgomery and Tate Langdon, respectively.

    In case it wasn’t already clear what was going on with Madison, Murphy wrote in the caption, “Madison amongst the backyard bones at Murder House.” Roberts also shared the same photo, musing, “Does the bitch survive the #apocalypse ?”

    For Peters’s photo, Murphy simply said that Tate was “Happy to be home.”

    “Happy” isn’t exactly a word we’d use to describe this new season, however, since it features the return of the evil child Michael Langdon from “Murder House” — who’s now all grown up, and played by Cody Fern. Michael is the son of Tate and Vivien Harmon, who is also slated to return.

    A few days ago, Murphy shared a snap of Vivien (played by Connie Britton) and husband Ben (Dylan McDermott) back at home in the Murder House. As per usual, Britton’s hair looks fantastic. (That’s not really related to this season, but needed to be mentioned.)

    In addition to Roberts, Peters, Britton, and McDermott, other returning “AHS” cast members include  Taissa FarmigaGabourey SidibeLily RabeFrances Conroy, Stevie NicksSarah PaulsonKathy Bates, Billie Lourd, Leslie Grossman, Adina Porter, Billy Eichner, Cheyenne Jackson, and Jessica Lange.

    “American Horror Story: Apocalypse” is due to scare the pants off of viewers beginning on September 12.