Tag: comedy-drama

  • Movie Review: ‘If I Had Legs I’d Kick You’

    Rose Byrne in 'If I Had Legs I'd Kick You'. Photo: A24.
    Rose Byrne in ‘If I Had Legs I’d Kick You’. Photo: A24.

    Opening in theaters October 10 is ‘If I Had Legs I’d Kick You,’ written and directed by Mary Bronstein and starring Rose Byrne, Conan O’Brien, Danielle Macdonald, A$AP Rocky, Ivy Wolk, and Christian Slater.

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    Related Article: Oscars 2025: ‘Anora’ Wins and Conan Works in Solid Academy Ceremony

    Initial Thoughts

    Rose Byrne in 'If I Had Legs I'd Kick You'. Photo: A24.
    Rose Byrne in ‘If I Had Legs I’d Kick You’. Photo: A24.

    ‘If I Had Legs I’d Kick You’ is not one of those movies that you can say you ‘enjoyed’ or that it ‘entertained’ you. Sort of a cross between the Safdie brothers, David Cronenberg, a bit of Jennifer Kent, and a seasoning of Marielle Heller, ‘If I Had Legs’ is a punishing two hours that will leave you drained and not sure of what you saw – but absolutely stunned by the titanic performance at its center from Rose Byrne.

    Byrne is nothing less that fantastic as Linda, a mother and therapist whose life is collapsing around her, and for whom nothing offers any respite, not even her own therapist. Darkly funny, sometimes terrifying, and always stress-inducing, ‘If I Had Legs’ doesn’t always navigate its tonal shifts and can be unrelenting. It puts Byrne through the ringer and she never flinches once, giving a harrowing, raw, and all too human look at a woman and mother on the edge of an emotional abyss.

    Story and Direction

    (L to R) ASAP Rocky and Rose Byrne in 'If I Had Legs I'd Kick You'. Photo: A24.
    (L to R) ASAP Rocky and Rose Byrne in ‘If I Had Legs I’d Kick You’. Photo: A24.

    Linda (Rose Byrne) is on the edge of an abyss when we meet her. Her daughter – who remains unseen throughout the movie, only glimpsed peripherally while her whiny, panicked, high-pitched voice grates on both Linda and the viewer – has a rare disorder that prevents her from taking in food normally. She has a feeding tube that goes directly into her stomach, attached to a bag which Linda must refill constantly. Linda’s husband is endlessly away for work – he’s only present through phone calls in which he berates his wife for not getting her act together.

    When the ceiling of her bedroom collapses, flooding their apartment, Linda and her daughter are forced to move into a seedy motel where she is also berated by the attitude-challenged front desk clerk (Ivy Wolk) and suspicious of the motives of her neighbor, James (A$AP Rocky). Linda, a therapist, is also dealing with a patient (Danielle Macdonald) who seemingly abandons her toddler in Linda’s office, while the missing patient’s husband makes increasingly belligerent phone calls. And Linda’s own therapist (Conan O’Brien) is hostile toward her, as is her daughter’s doctor, who hints that social services may need to step in if her daughter remains underweight.

    This is the gauntlet that Linda must run throughout the course of writer/director Mary Bronstein’s film, which is taken wholly from Linda’s point of view and puts the viewer through the same ringer as her. And it’s brutal, almost to a fault: there’s barely a moment of respite for Linda even as events begin to take on a surreal quality – like the massive hole in her ceiling, which goes unfixed, starting to look like a fleshy, organic wound leading to a strange nether region that pulls Linda toward it.

    Rose Byrne in 'If I Had Legs I'd Kick You'. Photo: A24.
    Rose Byrne in ‘If I Had Legs I’d Kick You’. Photo: A24.

    Bronstein doesn’t always find the right balance of humor and horror in her film, which at times plays more like the latter despite the dark streak of satire throughout. The message of the movie is front and center, and even that is presented with almost no shading – for example, just about every single man in the film, seen and unseen, with the possible exception of A$AP Rocky’s James, ranges from condescending to outright vicious in his approach to Linda (the women are not much better, to be fair). And Linda comes to some self-realizations late in the film that make some stark truths about parenthood hit home.

    But even though it can feel like an onslaught with no light at the end of the tunnel, ‘If I Had Legs I’d Kick You’ does have its moments of grace, and it does deliver a visceral, painful portrait of what happens when life just seems too overwhelming, a scenario that’s increasingly common every day.

    Cast and Performances

    (L to R) Conan O'Brien and Rose Byrne in 'If I Had Legs I'd Kick You'. Photo: A24.
    (L to R) Conan O’Brien and Rose Byrne in ‘If I Had Legs I’d Kick You’. Photo: A24.

    ‘If I Had Legs’ is the third film we’ve seen recently that’s built around a momentous performance, following ‘Anemone’ (Daniel Day-Lewis) and ‘The Smashing Machine’ (Dwayne Johnson). And while this film has its issues like those two, Rose Byrne’s work here is nothing less than extraordinary. The entire film is from her point of view, and Byrne and Bronstein burrow into Linda’s psyche with incredible depth and precision, so that you feel every single moment along with her.

    Also noteworthy is Conan O’Brien, dispensing with his affable public persona to make himself almost unrecognizable, at least temperament-wise. His unnamed therapist is condescending, seething, and reptilian, and makes the most impact with his limited screentime. The rest of the cast is also quite strong, especially A$AP Rocky and Danielle Macdonald, but their roles are smaller in a film that’s largely dominated by one character.

    Final Thoughts

    Rose Byrne arrives for the 84th Annual Academy Awards® from Hollywood, CA February 26, 2012. Credit/Provider: Matt Petit / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.
    Rose Byrne arrives for the 84th Annual Academy Awards® from Hollywood, CA February 26, 2012. Credit/Provider: Matt Petit / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.

    Like the two films we mentioned above that are anchored by powerful individual performances, ‘If I Had Legs’ is getting released right in the thick of awards season – and Rose Byrne absolutely deserves to be in that conversation, if not leading it. Known largely as a comedic actor, she channels something far darker here. And so does the movie: ‘If I Had Legs’ plays like a horror film for large stretches of its running time, although how much unspools solely in Linda’s head remains ambiguous.

    While the acting, design (particularly the sound), and imagery are compelling and expertly realized, ‘If I Had Legs’ may be too relentlessly one-note to be a great movie. But the richness of most of the material, and Byrne’s interpretation of it, still comes through enough to make this a worthwhile experience, if a feverish and unforgiving one.

    ‘If I Had Legs I’d Kick You’ receives a score of 80 out of 100.

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    What is the plot of ‘If I Had Legs I’d Kick You’?

    With her life crashing down around her, Linda (Rose Byrne) attempts to navigate her child’s mysterious illness, her absent husband, a missing person, and an increasingly hostile relationship with her therapist.

    Who is in the cast of ‘If I Had Legs I’d Kick You’?

    • Rose Byrne as Linda
    • Conan O’Brien as Linda’s therapist
    • Danielle Macdonald as Caroline
    • A$AP Rocky as James
    • Ivy Wolk as Diana
    • Daniel Zolghadri as Stephen
    • Delaney Quinn as Linda’s daughter
    • Christian Slater as Charles
    Rose Byrne arrives at the 84th Annual Academy Awards® from Hollywood, CA February 26, 2012. Credit/Provider: Heather Ikei / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.
    Rose Byrne arrives at the 84th Annual Academy Awards® from Hollywood, CA February 26, 2012. Credit/Provider: Heather Ikei / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.

    Rose Byrne Movies and TV Shows

    Buy Tickets: ‘If I Had Legs I’d Kick You’ Movie Showtimes

    Buy Rose Byrne Movies on Amazon

  • Movie Review: ‘Eleanor the Great’

    June Squibb as Eleanor in ‘Eleanor the Great’ Image: Anne Joyce. Courtesy of Sony Pictures Classics.
    June Squibb as Eleanor in ‘Eleanor the Great’ Image: Anne Joyce. Courtesy of Sony Pictures Classics.

    Opening in theaters September 26 is ‘Eleanor the Great,’ directed by Scarlett Johansson and starring June Squibb, Erin Kellyman, Jessica Hecht, Chiwetel Ejiofor, Will Price, and Rita Zohar.

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    Related Article: 20 Best Movies of Scarlett Johansson’s Career Ranked from Worst to Best

    Initial Thoughts

    (L to R) June Squibb as Eleanor, Rita Zohar as Bessie in ‘Eleanor the Great’ Image: Anne Joyce. Courtesy of Sony Pictures Classics.
    (L to R) June Squibb as Eleanor, Rita Zohar as Bessie in ‘Eleanor the Great’ Image: Anne Joyce. Courtesy of Sony Pictures Classics.

    Like many actors before her, Scarlett Johansson moves from in front of the camera to behind it for her directorial debut, ‘Eleanor the Great.’ And there is talent there: Johansson’s direction is mostly unfussy and she largely stays out of her own way in laying out this intimate comedy-drama.

    She’s also aided immensely by another tremendous performance from 95-year-old June Squibb, who’s as irascible and steadfast as she was in her knockout 2024 starring vehicle, ‘Thelma.’ But both the director and her leading lady are let down in part by a script that makes a fatal Hollywood mistake – and all in service about what is occasionally a profound story of loss and remembrance, told in the shadow of the Holocaust but dangerously coming close to undermining it.

    Story and Direction

    Scarlett Johansson, June Squibb on the set of ‘Eleanor the Great’ Image: Anne Joyce. Courtesy of Sony Pictures Classics.
    Scarlett Johansson, June Squibb on the set of ‘Eleanor the Great’ Image: Anne Joyce. Courtesy of Sony Pictures Classics.

    Eleanor Morgenstern (June Squibb), 94 years old, is widowed yet living contentedly in Florida with her best friend, Bessie (Rita Zohar). But an abrupt change in circumstances forces Eleanor to move to New York City, where she initially moves in with her daughter Lisa (Jessica Hecht) and her grandson (Will Price), a scenario with which no one is particularly comfortable.

    Feeling adrift and distant from her family, Eleanor wanders into a support group for Holocaust survivors – and begins to tell the story of Bessie, herself a survivor who never shared her experience with anyone but Eleanor, as if it was her own. She attracts the attention of a young journalism student named Nina (Erin Kellyman), who is making a film about the survivors, and soon becomes a friend and mentor to Nina and even meets her father, a local New York news anchor (Chiwetel Ejiofor) – all while her ill-conceived lie takes on a life of its own.

    Scarlett Johansson on the set of ‘Eleanor the Great’ Image: Anne Joyce. Courtesy of Sony Pictures Classics.
    Scarlett Johansson on the set of ‘Eleanor the Great’ Image: Anne Joyce. Courtesy of Sony Pictures Classics.

    And that is where Tory Kamen’s script goes wrong: in pretending to have lived Bessie’s life, Eleanor creates a terrible problem that didn’t need to happen. She could easily walk into that survivors’ group, apologize for being in the wrong room, but still offer to talk about her friend Bessie – and perhaps even be welcomed. There’s another version of this movie in which she does that. But her mistake – lying that she herself is the survivor — feels less organic than contrived for the purposes of making this movie, which gives the movie an air of being deliberately manipulative even as it struggles with its tone.

    That’s not to say that Johansson and her actors don’t get a number of good moments out of this material. They do, particularly in Eleanor and Bessie’s early scenes together, and later when Eleanor is desperate to salvage the relationships she fosters in New York. The film does also have some poignant meditations on grief and the role of family, and it’s also a nicely realized New York City movie in a year that’s seen some good ones already. But the seriousness of Eleanor’s mistake, and the needlessness of it, clashes with both the darkness of Bessie’s story and the more lighthearted aspects of the film.

    Cast and Performances

    (L to R) June Squibb as Eleanor, Erin Kellyman as Nina, Chiwetel Ejiofor as Roger in ‘Eleanor the Great’ Image: Jojo Whilden. Courtesy of Sony Pictures Classics.
    (L to R) June Squibb as Eleanor, Erin Kellyman as Nina, Chiwetel Ejiofor as Roger in ‘Eleanor the Great’ Image: Jojo Whilden. Courtesy of Sony Pictures Classics.

    The cast here is quite strong – and Johansson adds a note of real gravitas by casting real survivors as part of the support group – but this is June Squibb’s show all the way. Despite the script’s problems, which threaten our empathy with Eleanor, Squibb overcomes that with her wit, her candor, and her mix of compassion, heartbreak, and stubbornness, giving this actor another impressive notch in her incredible career renaissance.

    Ejiofor and Hecht are good in somewhat underwritten roles, but the other standout is Erin Kellyman as Nina, who is dealing with her own sense of loss and trying to find her way in the world as a young woman. Her intelligence and charisma shine through.

    Final Thoughts

    (L to R) June Squibb as Eleanor, Erin Kellyman as Nina in ‘Eleanor the Great’. Image: Anne Joyce. Courtesy of Sony Pictures Classics.
    (L to R) June Squibb as Eleanor, Erin Kellyman as Nina in ‘Eleanor the Great’. Image: Anne Joyce. Courtesy of Sony Pictures Classics.

    We’ll certainly give Scarlett Johansson kudos for tackling difficult material as a first-time director, and for the inarguable decision to cast June Squibb. But the weight of the subject matter is at odds with the film’s overall tone and aesthetic, plus there are other aspects of the story – like whether Eleanor can rightly be left on her own – that are glossed over. ‘Eleanor the Great’ has its moments, and might even produce some laughs or a lump in the throat, but great it’s not.

    ‘Eleanor the Great’ receives a score of 65 out of 100.

    June Squibb as Eleanor in ‘Eleanor the Great’ Image: Anne Joyce. Courtesy of Sony Pictures Classics.
    June Squibb as Eleanor in ‘Eleanor the Great’ Image: Anne Joyce. Courtesy of Sony Pictures Classics.

    What is the plot of ‘Eleanor the Great’?

    Witty and troublesome 94-year-old Eleanor Morgenstein moves from Florida to New York City following a devastating loss. She soon tells a tale that takes on a dangerous life of its own, while befriending a 19-year-old journalism student.

    Who is in the cast of ‘Eleanor the Great’?

    • June Squibb as Eleanor Morgenstein
    • Erin Kellyman as Nina
    • Jessica Hecht as Lisa
    • Chiwetel Ejiofor as Roger
    • Rita Zohar as Bessie
    • Will Price as Max
    (L to R) Scarlett Johansson and June Squibb on the set of ‘Eleanor the Great’ Image: Anne Joyce. Courtesy of Sony Pictures Classics.
    (L to R) Scarlett Johansson and June Squibb on the set of ‘Eleanor the Great’ Image: Anne Joyce. Courtesy of Sony Pictures Classics.

    List of Scarlett Johansson Movies:

    Buy Tickets: ‘Eleanor the Great’ Movie Showtimes

    Buy Scarlett Johansson Movies on Amazon

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  • Movie Review: ‘Caught Stealing’

    (L to R) Yvonne (Zoë Kravitz) and Hank (Austin Butler) have a moment outside a New York bar in Columbia Pictures 'Caught Stealing'. Photo: Niko Tavernise.© 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.
    (L to R) Yvonne (Zoë Kravitz) and Hank (Austin Butler) have a moment outside a New York bar in Columbia Pictures ‘Caught Stealing’. Photo: Niko Tavernise.© 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

    Opening in theaters August 29 is ‘Caught Stealing,’ directed by Darren Aronofsky, written by Charlie Huston, and starring Austin Butler, Zoë Kravitz, Matt Smith, Regina King, Liev Schreiber, Vincent D’Onofrio, Griffin Dunne, Carol Kane, and Benito Martinez Ocasio.

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    Related Article: Darren Aronofsky in Early Talks to Direct Guru Thriller ‘Breakthrough’

    Initial Thoughts

    Austin Butler stars as Hank in Columbia Pictures 'Caught Stealing'. Photo by: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.
    Austin Butler stars as Hank in Columbia Pictures ‘Caught Stealing’. Photo by: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

    Known primarily for intense psychological dramas that often skirt the horror genre, director Darren Aronofsky has pivoted to a dark crime comedy with ‘Caught Stealing,’ from a screenplay by Charlie Huston based on the latter’s novel. Following the director’s last effort, the heavy, tragic ‘The Whale’ (2022), ‘Caught Stealing’ finds Aronofsky in a relaxed mode and even having some fun, while also returning to his hometown of New York City (setting of his first film, 1998’s ‘Pi’).

    While it’s nice to see Aronofsky go in a lighter direction, he doesn’t always successfully navigate some of the more abrupt tonal switches in ‘Caught Stealing,’ making the narrative a somewhat jarring and uneven experience. Still, he manages to keep the movie unpredictable and loose, aided immensely by great performances from Austin Butler, Zoë Kravitz, Liev Schreiber, Regina King and others.

    Story and Direction

    (L to R) Austin Butler, Matt Smith and Director Darren Aronofsky on the set of Columbia Pictures 'Caught Stealing'. Photo by: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.
    (L to R) Austin Butler, Matt Smith and Director Darren Aronofsky on the set of Columbia Pictures ‘Caught Stealing’. Photo by: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

    Henry ‘Hank’ Thompson (Austin Butler) is a former California high school baseball star – his career cut short by injury and tragedy – and now a semi-permanently wasted bartender living and working in Lower Manhattan’s Alphabet City circa 1998. His patient girlfriend Yvonne (Zoë Kravitz) loves him but wants to know if he’s a man who can ‘keep his s**t together.’ Hank is put to the test when his punk rocker neighbor Russ (Matt Smith) asks him to watch his cat while Russ heads to London to see his ailing father – only for Hank to get a serious beating by two Russian thugs who come looking for Russ.

    But that’s only the beginning of Hank’s problems. After getting out of the hospital minus one kidney, Hank is harassed by the thugs again, this time with a drug baron (Benito Martínez Ocasio, aka Bad Bunny) in tow. Soon even more people are involved in whatever trouble Russ has landed Hank in, including detective Elise Roman (Regina King) and Orthodox Jewish gangsters Lipa (Liev Schreiber) and Shmully (Vincent D’Onofrio).

    Director Darren Aronofsky on the set of Columbia Pictures 'Caught Stealing'. Photo by: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.
    Director Darren Aronofsky on the set of Columbia Pictures ‘Caught Stealing’. Photo by: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

    ‘Caught Stealing’ begins on a dark yet still humorous note, gets even more grim as it goes along, and finally takes a slightly more absurd turn as it barrels toward its conclusion. Aronofsky rides those tonal shifts the best he can, but one particularly shocking moment halfway through is a bit difficult to recover from. The plot also grows more convoluted as it goes along, with one exposition dump in the middle delivered so fast that it’s hard to sort out just who’s screwing over who.

    Yet the film, ostensibly a caper, also stays resolutely unique thanks to its eclectic characters – including Russ’s adorable cat, played by Tonic — the grainy throwback sheen given the film by Aronofsky and cinematographer Matthew Libatique, its authentically gritty and diverse late-‘90s NYC milieu, and a propulsive soundtrack from post-punk act Idles.

    Cast and Performances

    (L to R) Russ (Matt Smith) hands over the keys to Hank (Austin Butler) in Columbia Pictures 'Caught Stealing'. Photo by: Niko Tavernise. © 2025 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.
    (L to R) Russ (Matt Smith) hands over the keys to Hank (Austin Butler) in Columbia Pictures ‘Caught Stealing’. Photo by: Niko Tavernise. © 2025 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

    Aronofsky has assembled a glittering ensemble for ‘Caught Stealing,’ but it’s still all tied together by the commanding work of Austin Butler. After a wasted performance earlier this summer in ‘Eddington,’ he’s got far more to work with, gradually peeling away the layers of Hank’s dissolution and lack of focus to get at the hurt, grief, and anger underneath. It’s a complex performance that showcases the actor’s rare ability to be both a leading man and a chameleon.

    The rest of the cast is up to the task as well, but come in and out of the movie in fits and starts. Zoë Kravitz does solid, sympathetic work as Yvonne in her relatively brief screentime, while Regina King is both tough and enigmatic, and Matt Smith takes a big swing as the annoying, histrionic Russ. But our favorites are undoubtedly Liev Schreiber and Vincent D’Onofrio, whose Lipa and Shmully threaten to steal the last third of the film away from Butler with their funny yet strangely menacing repartee.

    Final Thoughts

    Zoë Kravitz stars as Yvonne in Columbia Pictures 'Caught Stealing'. Photo by: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.
    Zoë Kravitz stars as Yvonne in Columbia Pictures ‘Caught Stealing’. Photo by: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

    Thought we wished we could see more of those Hebrew crime barons – they really should be in more of the movie — ‘Caught Stealing’ gets by on the charm of its leading man and that darn cat. It’s also nice to see Darren Aronofsky play in a different field as a filmmaker, even if he doesn’t quite master the balance of absurd comedy and grittier melodrama. As with all the director’s films, ‘Caught Stealing’ is set in a reality that’s slightly off-kilter from ours, and while it’s not top-tier Aronofsky, it’s a welcome change of pace.

    ‘Caught Stealing’ receives a score of 70 out of 100.

    (L to R) Russ (Matt Smith) and Hank (Austin Butler) find the storage unit in Columbia Pictures 'Caught Stealing'. Photo by: Niko Tavernise. © 2025 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.
    (L to R) Russ (Matt Smith) and Hank (Austin Butler) find the storage unit in Columbia Pictures ‘Caught Stealing’. Photo by: Niko Tavernise. © 2025 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

    What is the plot of ‘Caught Stealing’?

    Former high school baseball star Hank Thompson (Austin Butler) is now a bartender living in downtown New York City. When his punk-rock neighbor Russ (Matt Smith) asks him to take care of his cat for a few days, Hank finds himself caught in the middle of a motley crew of angry gangsters — and has to find out what they want and why he’s their target.

    Who is in the cast of ‘Caught Stealing’?

    • Austin Butler as Henry “Hank” Thompson
    • Zoë Kravitz as Yvonne
    • Matt Smith as Russ
    • Regina King as Roman
    • Liev Schreiber as Lipa
    • Vincent D’Onofrio as Shmully
    • Griffin Dunne as Paul
    • Benito Martínez Ocasio as Colorado
    • Carol Kane as Bubbe
    (L to R) Pavel (Nikita Kukushkin), Colorado (Bad Bunny), and Aleksei (Yuri Kolokolnikov) rough up Hank (Austin Butler) in Columbia Pictures 'Caught Stealing'. Photo: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.
    (L to R) Pavel (Nikita Kukushkin), Colorado (Bad Bunny), and Aleksei (Yuri Kolokolnikov) rough up Hank (Austin Butler) in Columbia Pictures ‘Caught Stealing’. Photo: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

    List of Darren Aronofsky Movies:

    Buy Tickets: ‘Caught Stealing’ Movie Showtimes

    Buy Darren Aronofsky Movies On Amazon

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  • TV Review: ‘The Bear’ Season 4

    Jeremy Allen White as Carmen 'Carmy' Berzatto in 'The Bear' Season 4. Photo: FX.
    Jeremy Allen White as Carmen ‘Carmy’ Berzatto in ‘The Bear’ Season 4. Photo: FX.

    ‘The Bear’ Season 4 receives 7.5 out of 10 stars.

    Released via FX on Hulu with its entire 10-episode fourth season on June 25th, ‘The Bear’ returns us to the world of Carmen ‘Carmy’ Berzatto (Jeremy Allen White) and his attempts to blend fine dining with the chaotic world of his extended Chicago family.

    Created by Christopher Storer, the cast also includes Ayo Edebiri (‘Bottoms’), Ebon Moss-Bachrach (‘Girls’), Lionel Boyce (‘Shell’), Liza Colón-Zayas (‘Collateral Beauty’), Abby Elliott (‘No Strings Attached’) and Matty Matheson (‘Workin’ Moms’).

    Related Article: TV Review: ‘The Bear’ Season 3

    Initial Thoughts

    Ayo Edebiri as Sydney Adamu in 'The Bear' Season 4. Photo: FX © 2025 FX Networks. All Rights Reserved.
    Ayo Edebiri as Sydney Adamu in ‘The Bear’ Season 4. Photo: FX.
    © 2025 FX Networks. All Rights Reserved.

    It’s no secret that after a sleeper hit first season, a critically acclaimed, award-winning and much-watched second, culinary drama ‘The Bear’ went off the boil somewhat in its third. The ingredients were the same –– great performances, visually stylish and one of the better collections of needle drops on TV –– but somehow the script and the pace let it down.

    The big question going forward is whether Season 4 sees the blend back in balance.

    Script and Direction

    Abby Elliott as Natalie 'Sugar' Berzatto in 'The Bear' Season 4. Photo: FX © 2025 FX Networks. All Rights Reserved.
    Abby Elliott as Natalie ‘Sugar’ Berzatto in ‘The Bear’ Season 4. Photo: FX.
    © 2025 FX Networks. All Rights Reserved.

    Early reports had the fourth season shot back to back with the third, but aside from a couple of small elements, this was not the case. But the overarching feeling, even in a meta sense, is of the series almost apologizing for past stumbles.

    That’s perhaps not all that surprising in a show where the main characters are all a work in progress in terms of their own careers and healing journeys, dealing with a soup of past trauma, self-esteem issues and other psychological problems. The character of Carmy in particular realizes the damage he has inflicted on those around him and (mostly) aims to make good.

    Unlike the last season, this is handled in compelling fashion by the narrative, which finds a better mix of the tone of the show and moving its story alone.

    (L to R) Ebon Moss-Bachrach as Richard ‘Richie’ Jerimovich, Will Poulter as Luca in 'The Bear' Season 4. Photo: FX © 2025 FX Networks. All Rights Reserved.
    (L to R) Ebon Moss-Bachrach as Richard ‘Richie’ Jerimovich, Will Poulter as Luca in ‘The Bear’ Season 4. Photo: FX. © 2025 FX Networks. All Rights Reserved.

    There are still lingering problems with pace in some scenes, it’s as if everyone decided that certain moments didn’t need to be edited and could instead play out way beyond their useful time scale. And while the show’s long sequences of food preparation largely remain compelling, some still come across as filler.

    ‘The Bear’s visual style remains excellent, making good use of Chicago locations and keeping us close to the characters when the emotional flames are high.

    Even the humor level is raised this year –– even if the series really shouldn’t be competing in the comedy categories.

    Cast and Performances

    Jamie Lee Curtis as Donna Berzatto in 'The Bear' Season 4. Photo: FX © 2025 FX Networks. All Rights Reserved.
    Jamie Lee Curtis as Donna Berzatto in ‘The Bear’ Season 4. Photo: FX.
    © 2025 FX Networks. All Rights Reserved.

    He remains the main character and focus of the show, but Jeremy Allen White’s Carmy is still dialed down a little bit this year. The actor’s mournful face and low-key performance work for the role, and he plays well against almost anyone, particular Edebiri and Moss-Bachrach.

    As Syd, Ayo Edebiri continues to rank among the series most valuable performers, and co-wrote her own showcase episode this year, which saw her taking a day away from the restaurant to ponder a tempting job opportunity elsewhere while she’s getting her hair done by a cousin (there are so many cousins in this show, it’s almost hard to keep track). She’s typically great as the genius cook with the almighty crisis of confidence.

    Ebon Moss-Bachrach is likewise a star of the show, an actor who has proved he can steal scenes no matter the genre or material. Richie is a particularly juicy part, a screw-up who is committed to turning his life around and has found his calling running the dining experience at in-show restaurant The Bear. His turbulent personal life –– his ex-wife is getting re-married and he wonders about his connection to his young daughter –– is also fuel for superb performances.

    Liza Colón-Zayas’ Tina isn’t in the spotlight quite as much last season (when she got her own showcase episode), but she’s still a welcome presence, struggling with the timing on a new pasta dish. She’s also a welcome sprinkling of spice in other scenes, such as when she’s encouraging Carmy on his own journey.

    (L to R) Lionel Boyce as Marcus Brooks, Ayo Edebiri as Sydney Adamu in 'The Bear' Season 4. Photo: FX © 2025 FX Networks. All Rights Reserved.
    (L to R) Lionel Boyce as Marcus Brooks, Ayo Edebiri as Sydney Adamu in ‘The Bear’ Season 4. Photo: FX. © 2025 FX Networks. All Rights Reserved.

    Around the main cast is a variety of excellent supporting performers, ‘The Bear’ always working best as a stew of people and personalities rather than just Carmy’s obsessions. Episode 7, ‘Bears’ is the true highlight of the season, an hourlong entry set at the wedding of Richie’s ex-wife Tiffany (Gillian Jacobs) to Frank (Josh Hartnett).

    It features the return of top-caliber recurring performers such as Jamie Lee Curtis (as Carmy and Natalie’s troubled mother Donna), Bob Odenkirk as “Uncle” Lee Lane (Donna’s occasional boyfriend), and the welcome addition of –– spoiler alert in case you don’t want to know about new guest stars –– Brie Larson, who fits perfectly as one of the sprawling Fak family.

    There is also the welcome return of Will Poulter as Chef Luca, bringing a humble, funny energy to the kitchen.

    Final Thoughts

    (L to R) Ebon Moss-Bachrach as Richard ‘Richie’ Jerimovich, Lionel Boyce as Marcus Brooks in 'The Bear' Season 4. Photo: FX © 2025 FX Networks. All Rights Reserved.
    (L to R) Ebon Moss-Bachrach as Richard ‘Richie’ Jerimovich, Lionel Boyce as Marcus Brooks in ‘The Bear’ Season 4. Photo: FX. © 2025 FX Networks. All Rights Reserved.

    It might not be simmering back at the level of the first or second seasons, but ‘The Bear’ has certainly found a better mix for its various elements for a more satisfying final dish this time.

    While the finale leaves some plot threads dangling, if the cast’s increasingly busy schedule makes future seasons challenging, this would work to put a lid on the show.

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    What’s the plot of ‘The Bear’ Season 4?

    Season 4 of ‘The Bear’ sees Carmy (Jeremy Allen White)  grappling with the restaurant’s success and his own future, leading to a dramatic shift in his role and the restaurant’s leadership structure.

    The season explores themes of family, trauma, and the relentless pursuit of perfection within the high-pressure environment of a fine-dining restaurant. Sydney faces her own career crossroads, while Richie continues his journey of self-discovery and leadership.

    Who stars in ‘The Bear’ Season 4?

    • Jeremy Allen White as Carmen ‘Carmy’ Berzatto
    • Ayo Edebiri as Sydney Adamu
    • Ebon Moss-Bachrach as Richard ‘Richie’ Jerimovich
    • Lionel Boyce as Marcus Brooks
    • Liza Colón-Zayas as Tina Marrero
    • Abby Elliott as Natalie ‘Sugar’ Berzatto
    • Matty Matheson as Neil Fak
    (L to R) Liza Colón-Zayas as Tina, Sarah Ramos as Jessica, Corey Hendrix as Sweeps, Andrew Lopez as Garrett, Jeremy Allen White as Carmen ‘Carmy’ Berzatto in 'The Bear' Season 4. Photo: FX. © 2025 FX Networks. All Rights Reserved.
    (L to R) Liza Colón-Zayas as Tina, Sarah Ramos as Jessica, Corey Hendrix as Sweeps, Andrew Lopez as Garrett, Jeremy Allen White as Carmen ‘Carmy’ Berzatto in ‘The Bear’ Season 4. Photo: FX. © 2025 FX Networks. All Rights Reserved.

    Other Jeremy Allen White Movies and TV Shows:

    Buy Jeremy Allen White Movies on Amazon

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  • ‘Treasure’ Exclusive Interview: Lena Dunham

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    Opening in theaters on June 14th is the tragicomedy ‘Treasure’, which is based on the novel ‘Too Many Men’ by author Lily Brett and was co-written and directed by Julia von Heinz (‘And Tomorrow the Entire World’).

    The film stars Lena Dunham (‘Girls’ and ‘Once Upon a Time in Hollywood’), Stephen Fry (‘Gosford Park’ and ‘Sherlock Holmes: A Game of Shadows’), and Zbigniew Zamachowski (‘Proof of Life’).

    Related Article: Moviefone’s 2024 Theatrical and Streaming Summer Movies Preview

    Lena Dunham in 'Treasure'.
    (Center) Lena Dunham in ‘Treasure’. Credit: Bleecker Street and FilmNation.

    Moviefone recently had the pleasure of speaking with Lena Dunham about her work on ‘Treasure’, her first reaction to the screenplay, working with Stephen Fry, the relationship between their characters, collaborating on set with director Julia von Heinz and the emotional challenges of filming scenes at Auschwitz.

    You can read the full interview below or click on the video player above to watch our interviews with Dunham, Stephen Fry and director Julia von Heinz.

    Lena Dunham Talks 'Treasure'.
    Lena Dunham Talks ‘Treasure’.

    Moviefone: To begin with, can you talk about your first reaction to this screenplay, how it affected you emotionally, and what you wanted to explore with this movie?

    Lena Dunham: It’s a great question. I think my first response to the screenplay was that I felt insanely lucky that it was being sent to me. I think anytime that you’re an actor in Hollywood who doesn’t necessarily fit the norm in all kinds of ways, especially in my experience, I’ve often had to write interesting roles for myself. So, it’s so rare for me to be handed a script that isn’t the sassy best friend, or the crazy coworker, or a woman who wants to eat all the buffet. I was just so amazed. I loved Julia’s previous film, ‘And Tomorrow the Entire World’, and I was so touched that she felt that I was someone who could capture this role that’s so dear to her. Growing up with Eastern European Jewish grandparents, it felt to me, like maybe their dream wasn’t necessarily seeing me naked on ‘Girls’, but their dream would’ve been to see me explore something like this. I think that was my first response. Also, because my family on my mother’s side is originally Polish from Łódź, which is one of the places where we shot, I simply wanted to go on the ride. The ride was so incredibly close to the one that my character was taking of going back and learning about a place that was her home in so many ways but was also not her home at all. So, the experience of making the movie fulfilled all the promise of the screenplay and more.

    Lena Dunham and Stephen Fry in 'Treasure'.
    (L to R) Lena Dunham and Stephen Fry in ‘Treasure’. Credit: Bleecker Street and FilmNation.

    MF: Can you talk specifically about Ruth and Edek’s relationship, their journey together on this trip, and what she hopes to gain from it?

    LD: Well, I think what I loved about the script was that it was so subtle in the way that it talked about incredibly serious issues. Edek is a Holocaust survivor, and he is someone who, like many people who have been victims of generational violence and like many immigrants, it’s something he’s really tried to protect his child from, but her experience has been one of him withholding from her. So, it’s all about that subtle push-pull, which is at times comic and at times tragic, of her wanting so deeply to understand where he comes from and him wanting so deeply to protect her from the things that he’s experienced. I loved that Julia was able to capture that with a level of comedy, but also the deep seriousness that it required. I’m such an admirer of Stephen’s and I honestly feel like he does such a heavy emotional lift in this movie, that my job was just to be there, watch him, learn from him, and be the best scene partner to him I could so that he could do the beautiful work that he does. I do think he’s had so many career-defining performances. Watching him play Oscar Wilde (in ‘Wilde’) was an important performance for me growing up. I feel like this is up there with his iconic roles and he’s doing a different kind of character than we’ve seen him do before. I mean, he quite literally learned Polish for this film. He was, by the end of the trip, speaking in such fluent Polish that people thought that I was the only non-native on the set. He is a remarkable mind. He’s a remarkable actor, and my job was just to be there and try to hold up my side of the bargain. I mean, my mom wrote him an email the other day and she said, “I think that should the need arise, you’re a really good replacement father for Lena.”

    Stephen Fry and Lena Dunham in 'Treasure'.
    (L to R) Stephen Fry and Lena Dunham in ‘Treasure’. Credit: Bleecker Street and FilmNation.

    MF: Finally, can you talk about the emotional experience of filming scenes at Auschwitz? What was that like for you both personally and professionally?

    LD: I had been to Poland before, but I had gone to visit friends who were abroad in college. We were young and not necessarily looking to examine the history of the culture, more looking to examine the vodka of the culture. So, this was my first time at Auschwitz. I had done a lot of reading to prepare, but I don’t think any reading can truly prepare you for the experience of being there and the complexity of being there. I was lucky in that our crew had a beautiful dialogue, everyone from Julia to Stephen to Zbigniew, who is an incredible Polish actor who plays Stefan, our taxi driver. We were in a beautiful, open dialogue with each other about the experience and we learned things about each other. Zbigniew’s grandfather had been interned at Auschwitz, not as a Jew, but as a kind of radical who was interned because of his anti-fascist beliefs, and he had never been before. So being there was profound for all of us in different ways, and we were able to support each other through that experience because while there was a lot of emotion, we also had to get through the day-to-day work of making a movie. It was a huge honor to shoot there. They take very seriously who they let in. I think the whole crew felt the weight of wanting to honor the fact that we were being allowed to use the space in that way. I have never seen a film crew be quieter, be more respectful, or be more thoughtful. We all know film crews can be sort of rowdy, quick and fast-paced, and I was amazed by how everybody just honored the location and stayed in dialogue with each other. Everyone was in dialogue with each other about what it was bringing up for them, and that was an unusual and very valuable filmmaking experience. Julia was very insistent in a very loving way about having quiet, especially for Stephen, so that he could take that in because my character’s a tourist. She’s going as someone who wants to understand, and his character is going back to the site of such immense trauma, that Julia was very careful about making sure that the environment was conducive to Stephen being able to play that. I remember at one point she said to me, “I know you and Stephen love to talk, but don’t talk to him right now. Really step back,” and it hurt to do that because my instinct, loving him as his scene partner, loving him as his daughter in the scenes, is to want to go up and hug him and comfort him. But I understood that to be able to do what he was doing, which was a performance that was important to him because of his family history, he needed that quiet and he needed that space, and everybody was so respectful in giving it to him. It is an experience, as painful as it is to see, it is something that I would recommend to any person, not just a Jewish person, because I think that they have done a really amazing job of creating an educational atmosphere that is helpful to anyone who just really wants to understand history, the conditions that create fascism, and think about anti-fascism. It’s a really important place to go and to see.

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    What is the plot of ‘Treasure’?

    Poland, 1990 – American music journalist Ruth (Lena Dunham) takes her father Edek (Stephen Fry), a Holocaust survivor, on a journey to his childhood haunts, hoping to make sense of her family’s troubled past. When Edek, reluctant to face his trauma, undermines their trip with his unpredictable and more eccentric than usual demeanor, Ruth is forced to challenge him and the values with which he raised her.

    Who is in the cast of ‘Treasure’?

    Stephen Fry and Lena Dunham in 'Treasure'.
    (L to R) Stephen Fry and Lena Dunham in ‘Treasure’. Credit: Bleecker Street and FilmNation.

    Other Lena Dunham Movies and TV Shows:

    Buy Tickets: ‘Treasure’ Movie Showtimes

    Buy Lena Dunham Movies on Amazon