Tag: coen-brothers

  • ‘Fargo’: 10 Things You (Probably) Didn’t Know About the Coen Brothers’ Classic

    Has it really been 20 years since the release of “Fargo?” Yah, you betcha.

    The snowbound crime comedy-drama, released March 8, 1996, marked the first mainstream smash for Joel and Ethan Coen. It also gave Frances McDormand and William H. Macy their signature roles, spawned the acclaimed FX drama series, and sparked a brief fad that had everyone talking with exaggerated Minne-soh-ta accents.

    Still, two decades after the film’s debut, there’s still a lot of confusion about what in “Fargo” was truth, what was fiction, and what was an elaborate in-joke. Here, then, are the far-fetched facts behind the film.1. The opening title card claims the movie is based on a true story, but in fact, it’s almost completely fictional. There was, however, a real-life crime with some superficial similarities. The victim was Helle Crafts, a Connecticut woman who disappeared in 1986. Her husband was ultimately convicted of her murder; investigators determined that he’d used a wood chipper to destroy her remains.

    2. Macy was initially considered for a minor role in “Fargo,” but he so desperately wanted the lead role of kidnap-plot instigator Jerry Lundegaard that he flew to New York to crash the auditions and told the Coens, “I’m afraid you’re going to screw up your movie and cast someone else in this role.” Then the former veterinary student threatened to shoot Ethan’s dog if they didn’t cast him.
    3. McDormand became a mom shortly before filming began — after a decade of marriage, she and Joel adopted a baby they named Pedro — but her massive pregnancy bump in “Fargo” was a prosthetic, filled with birdseed. McDormand did research by meeting with an actual pregnant cop from the Twin Cities. “In St. Paul, I met Officer Nancy, who was seven months pregnant and still working,” McDormand recalled at the time. “She was on the vice squad doing search and seizure. She was going to go into the office and do a desk job in the middle of her eighth month, but until then, she was still out there doing it.”

    4. If you watch the closing credits, you’ll see that “Victim in Field” was played by someone whose name looks suspiciously like Prince’s logo, back when he was using the glyph and calling himself “the Artist Formerly Known as Prince.” But that corpse wasn’t the Minneapolis music legend; rather it was “Fargo” storyboard artist J. Todd Anderson. Explained Ethan, “The storyboard artist formerly known as J. Todd Anderson decided he no longer wanted to go by that name.”
    5. Distributor Gramercy drummed up interest among critics with a promotional gift: a snow globe encasing a diorama of the wood chipper scene, complete with bloody red flakes that would scatter when you shook the globe. By the way, the Fargo, N.D. visitor’s center claims to have the wood chipper from the film on display, and tourists can pose for pictures with the prop and a mannequin leg sticking out of it.

    6. The movie cost a reported $7 million to make. It earned back $61 million worldwide, making it the Coens’ biggest hit at the time.7. At the 1997 Oscars (above), McDormand won Best Actress, while the Coen brothers won Best Original Screenplay. Also nominated were Macy (for Best Supporting Actor), cinematographer Roger Deakins, Ethan (for Best Picture, as producer), Joel (for directing), and editor Roderick Jaynes. Since Jaynes was a pseudonym for the writer/director/producer brothers themselves, the Coens wanted to have their “Miller’s Crossing” star, Albert Finney, accept the award for Jaynes. The point became moot when Jaynes didn’t win.

    8. In 2001, a woman from Tokyo named Takako Konishi was found dead in a field near Detroit Lakes, Minnesota. She had apparently gone there to commit suicide after traveling to Minneapolis, where her ex-lover lived, but a colorful rumor was spread that she had come to the region, believing that “Fargo” was a true story, to search for the ransom-money briefcase buried in the snow by Steve Buscemi‘s character. This urban legend inspired the 2003 documentary “This Is a True Story” and the 2014 movie drama “Kumiko, the Treasure Hunter.” 9. In 1997, 17 years before the FX series debuted, there was an early, failed attempt to launch a “Fargo” TV spinoff. Edie Falco was cast as Marge, while Bruce Bohne reprised his movie role as Officer Lou. Kathy Bates, who had lived with Joel and Frances in the 1980s before “Misery” made her famous, directed the pilot episode for the proposed series.

    10. Despite the title “Fargo,” almost all of the movie takes place in Minnesota and was shot on location there. So why call it “Fargo?” Said Ethan, “We just felt [the town of] ‘Brainerd’ was not cool enough.”

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  • Box Office: Why Moviegoers Are Tired of Zombies and Nicholas Sparks

    Sure, it’s hard to guess which movies will be big enough draws to pull people away from their living rooms on Super Bowl weekend. But the studios were wrong about nearly every new offering this weekend, and so were the box office analysts.

    The only new release that performed as expected was the Coen Brothers‘ period Hollywood spoof “Hail, Caesar!“, debuting in second place with an estimated $11.4 million. That’s pretty weak, even for filmmakers as cultish as the Coens. Yet it was still far better than this weekend’s other new wide releases, “The Choice” and “Pride and Prejudice and Zombies” — both of which opened well below expectations. It’s enough to make you wonder if moviegoers have lost interest in both Nicholas Sparks and zombies.
    Sparks, the novelist whose tearjerking romances have been adapted into such hits as “The Notebook,” used to be one of Hollywood’s most reliable brands, generating 11 movies over the past 17 years. His “Dear John” opened on Super Bowl weekend six years ago with $30.5 million and became his second biggest hit. So maybe it wasn’t a big stretch to think “The Choice” would be smart “chick-flick” counterprogramming to this weekend’s testosterone fest.

    But Sparks’ movies have been on a downward trend in recent years. 2014’s “The Best of Me” and 2015’s “The Longest Ride” were his lowest openers and lowest overall grossers — until now. “Choice” premiered in fifth place with $6.1 million. Blame poor reviews and a lack of star power to attract audiences.
    As for “Zombies,” there was enough precedent behind it for pundits to place it on top of their predictions for the weekend, guessing it would take in at least $12 million. Seth Grahame-Smith’s Jane Austen spoof had been a bestseller in 2009. Star Lily James‘ “Cinderella” was a female-audience hit around this time last year. The romantic comedy/zombie tale “Warm Bodies” did well on Super Bowl weekend three years ago, opening with $20.4 million toward an eventual $117.0 million worldwide gross. And women like both horror movies and Jane Austen.
    Lily James (center) and Bella Heathcote (left) in Screen Gems' PRIDE AND PREJUDICE AND ZOMBIES.So, why did “Pride” fail to crack the top five, debuting with just an estimated $5.2 million, less than half of what experts predicted? Audiences didn’t think much of it, giving it an underwhelming B- CinemaScore. And critics didn’t think much of it either, with its 41 percent on Rotten Tomatoes. James isn’t really a box office draw; the success of “Cinderella” owes less to the “Downton Abbey” alumna than to Disney’s brand and marketing. Period horror also hasn’t been as big a draw lately as studios had hoped — (cough) “Crimson Peak.”

    Another factor worth noting is that competition from holdovers remained strong. “Kung Fu Panda 3” held the top spot ($21 million) and “The Revenant” topped $150 million in domestic earnings with a third place finish of $7.1 million. “Star Wars: The Force Awakens,” in fourth place with an estimated $6.9 million, became the first movie to earn more than $900 million in North America and the third to earn more than $2 billion worldwide. All three of these holdovers saw modest declines of less than 50 percent from the previous weekend. All three also have strong guy appeal (though in the case of “Panda,” the guys may be dads dragged to the cartoon by their kids).
    Which brings us to the other factor: maybe the idea of female-oriented counterprogramming on Super Bowl weekend is outdated. Aside from “Dear John,” “Warm Bodies,” and 2008’s “Hannah Montana and Miley Cyrus: Best Of Both Worlds Concert Tour” (still the best Super Bowl weekend debut ever, at $31.1 million), there’s not an extensive history of women-targeted films performing well opposite the Super Bowl.

    Maybe more women enjoy football than Hollywood conventional wisdom believes. Even if not, it’s almost never a good idea to open two films at once that are chasing the same audience. Given a choice between “The Choice” and “Zombies,” it shouldn’t be surprising that many women would choose the Broncos and Panthers instead.
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  • 11 Essential Coen Brothers Movies

    %Slideshow-360852%Have filmmakers Joel and Ethan Coen been getting too conventional?

    Already this decade, they’ve made a classical western (“True Grit“) and written three relatively irony-free scripts for other directors (including Angelina Jolie‘s “Unbroken” and Steven Spielberg‘s “Bridge of Spies“).

    Fortunately, for fans of the brothers’ earlier work, their new period Hollywood farce, “Hail, Caesar!” (opening Feb. 5), looks like it could be a return to form — full of absurd, satirical touches, with maybe just a little food for thought. If you’re wondering why the writing-directing-producing-editing siblings are such a big deal, or how they got to where they are now, go back and watch these gems from their three-decades-plus career.

  • Here’s the Star-Studded First ‘Hail Caesar!’ Trailer

    hail caesar, hail caesar trailer, channing tatum, coen brothersThe first trailer for “Hail Caesar!,” the latest offering from the Coen Brothers, is here, and is stuffed with enough stars to make you dizzy.

    The flick is meta from the get-go, focusing on a movie studio making a big-budget spectacle called — you guessed it — “Hail Caesar!” The film-within-the-film is led by the biggest movie star in the world, Baird Whitlock, played by — you guessed it — the actual biggest movie star in the world, George Clooney.

    With Whitlock on board for the epic in size, scope, and budget “Caesar!,” the studio stands to make big bank — that is, until Whitlock is kidnapped by a mysterious group that calls itself The Future, right in the midst of shooting. The studio needs to cover up its star’s disappearance to avoid negative press, while also desperately searching for the man, who wakes up dazed and confused — and still wearing his gladiator costume — in a stranger’s home.

    “Hail Caesar!” is a veritable who’s who of Hollywood, including Scarlett Johansson, Channing Tatum, Josh Brolin, Ralph Fiennes, Jonah Hill, Frances McDormand, and Tilda Swinton, among many, many others. And based on this trailer, it seems like classic Coen cinema: funny with an edge.

    “Hail Caesar!” is due in theaters on February 5, 2016.

    Photo credit: YouTube

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