(L to R) Denis Leary, Dana Walden, Co-Chairman, Disney Entertainment, Ray Romano, Tim Allen, Queen Latifah, Tom Hanks, Dwayne Johnson, Catherine Laga’aia, Robert Downey Jr., Jon Favreau, Chris Evans, Joe Russo, Kevin Feige, President, Marvel Studios, Anthony Russo and Alan Bergman, Co-Chairman, Disney Entertainment attend the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Leon Bennett/Getty Images for Disney.
Preview:
Walt Disney Studios made its presentation to the 2026 CinemaCon crowd.
Among the movies promoted were ‘The Mandalorian & Grogu’ and ‘The Dog Stars’.
And, of course, ‘Avengers: Doomsday’.
Once the all-conquering ruler of the box office, Disney has seen its fortunes take a tumble in the last couple of years, with the likes of Marvel and Pixar movies suffering issues at the box office.
Still, the Mouse House still has quite the line up, with the likes of ‘Avengers: Doomsday’ as big hope points.
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Pixar, meanwhile, has a new ‘Toy Story’ offering, and ‘Star Wars’ is back on the big screen. Plus ‘Moana’ is getting the live-action treatment. Let’s see what the company chooses to spotlight…
The typical studio sizzle reel kicked things off, with plenty of Disney highlights and wrapping with riffs on ‘Avengers: Doomsday’ –– the countdown clock that has been part of the promos so far counting down to zero and the caption “Disney will return to CinemaCon.”
There is, of course, a little boasting to de done about last year’s success stories, including a joke about renaming ‘Zootopia 2’ to “Zootopia $1.9 billion”.
(L to R) Matt Kalavsky, SVP, Domestic Distribution, The Walt Disney Company and Andrew Cripps, Head of Theatrical Distribution, Disney Entertainment Studios speak during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
With the comedy sequel just a couple of weeks away from release, there wasn’t too much on it, just a quick video message from Anne Hathaway: “20 years later, we are back!” She also thanked theater owners for their support.
But did also cue up some new footage from the movie. Three words: Miranda. Priestly. Zingers.
Jon Favreau speaks during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
Surely one of the biggest titles (outside of the MCU) to be showcased here is the return of ‘Star Wars’ to the big screen.
Writer/director Jon Favreau arrived on stage to remark how the opening shot of the original ‘Star Wars’ changed the path of his life, and how there will be plenty of IMAX footage in the new movie. Not to mention a fresh score from composer Ludwig Göransson.
Favreau announced the final trailer for the movie (which you can see above) and also showed the opening sequence, which includes an AT-AT in the snow before we watch Mando (Pedro Pascal) get his next bounty hunting gig.
If you’re wondering whether ‘Star Wars: Starfighter’ got a mention, the answer is yes –– but only in picture form, and nothing we haven’t seen before.
(L to R) Tom Hanks and Tim Allen speak during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
We went from the galaxy far, far away to the Pixar universe, via some ‘Toy Story 5’ footage. This time around, Woody (who has been off helping rescue other toys) and Buzz, along with their friends, must confront a new toy in Bonnie’s life –– a tech gadget called Lily Pad (voiced by Greta Lee).
Tim Allen (Buzz) and Tom Hanks (Woody) strode on stage to talk about their latest animated effort. The pair exchanged light banter, made fun of working off of a teleprompter and gave plenty of love to the Pixar team. They also introduced a new clip from the movie, featuring their characters reuniting.
(L to R) Catherine Laga’aia and Dwayne Johnson speak during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
Next up is Disney’s ongoing effort to convert all of their animated output to live-action movies. ‘Moana’, which was a huge success in cartoon form back in 2016, is back with a mostly new cast, though retained Dwayne Johnson as Maui.
He was on stage to discuss the film and gush about how much Maui means to him and how his performance was inspired by his grandfather. Johnson was joined by Catherine Laga’aia, who plays Moana, and she revealed that she’d done her very first interview for the movie today.
And, as is standard, we got some new footage from the movie.
It’s set after the world’s population has been ravaged by a pandemic, and follows Elordi’s Hig, who lives a lonesome existence in a Colorado airplane hangar with his dog and a dour gunman (Brolin) he has befriended. When a mysterious transmission comes through on the radio while he’s flying his old Cessna, it sparks a hunt for the provenance of the sound.
Scott brought the audience first new trailer for the movie, which you can find above, and an early scene.
We’re clearly in the “originals” section (okay, both ‘The Dog Stars’ and this are adapted from novels), as ‘Whalefall’ was next.
The movie follows a scuba diver in search of his deceased father’s remains gets swallowed by an 80-foot, 60-ton sperm whale and has only one hour to escape before his oxygen runs out. After giving up on life, the young man is surprised to find a reason to live in the most dangerous and unlikely of places. Oh, and like Ridley Scott’s movie, this also features Josh Brolin.
‘Whalefall’ comes from director Brian Duffield, who previously brought us ‘No One Will Save You’. And the first look at the movie finds the main character, played by Austin Abrams, getting drawn into the mouth of the whale.
Andrew Cripps, Head of Theatrical Distribution, Disney Entertainment Studios speaks during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
The latest from Disney’s own animation studio sees what happens when an awkward teenage girl and her Type-A mom discover that what makes her unusual might be magical powers that will turn their lives and a secret world of magic upside down.
(L to R) Queen Latifah, Denis Leary and Ray Romano speak during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
Some of the voice cast, including Ray Romano (Manny), Denis Leary (Diego), and Queen Latifah (Ellie) took the stage to introduce the first look at the sixth (count ’em) main movie in the franchise.
We got a look at footage from the beginning of the movie, which features an adorable baby Scratch (the squirrel, in case you forgot).
(L to R) Anthony Russo, Robert Downey Jr., Joe Russo, Chris Evans and Kevin Feige, President, Marvel Studios speak during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
Of course Marvel was going to wrap things up with what Disney is hoping will be one of, if not the biggest film of the year. No pressure, then…
Marvel boss Kevin Feige arrived on stage to discuss ‘Doomsday’ and introduce something called ‘Infinity Vision’ which will enhance the viewing experience (read more about that here). He also mentioned that ‘Avengers: Endgame’ will be back in theaters ahead of the new movie.
Chris Evans speaks during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
Feige was joined by directors Joe and Anthony Russo, who talked about how Doctor Doom (played in the new movie, of course, by Robert Downey Jr.) is the best Marvel villain because he’s always three steps ahead.
And then it was the turn of the man himself (RDJ, not Doom), on stage to announce he wants to give away all the spoilers, but isn’t permitted (and anyway, that’s Tom Holland‘s job).
(L to R) Anthony Russo, Robert Downey Jr., Joe Russo, Chris Evans and Kevin Feige, President, Marvel Studios speak during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
A first proper trailer for ‘Doomsday’ played (lots of X-Men) action, and Chris Evans appeared on stage to admit he was only going to return to the MCU for a good reason (no jokes about dump trucks full of money, please). There was a mock argument between RDJ and Evans about their characters.
The trailer played a second time, and let’s just say this… there was screaming in the audience.
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And with that, Disney’s out! Which also marks the end of the studio presentations. Hope you enjoyed our coverage!
(L to R) Tom Hanks, Tim Allen, Ray Romano and Denis Leary attend the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Leon Bennett/Getty Images for Disney.
Chris Evans in ‘Avengers: Infinity War’. Photo: Marvel Studios.
Preview:
Chris Evans has been confirmed as returning to the MCU.
He shows up in the first teaser for ‘Avengers: Doomsday.’
The footage was shown before ‘Avatar: Fire & Ash.’
While the man himself has been cagey in the past as to whether his time with the Marvel Cinematic Universe is done, there were reports back in December of last year that pointed to more MCU time for Chris Evans as Steve “Captain America” Rogers.
Chris Evans in ‘Captain America: The Winter Soldier’. Photo: Marvel Studios.
If you haven’t taken yourself out to one of the initial showings of James Cameron’s latest ‘Avatar’ movie, and you really want to know what’s included in the ‘Doomsday’ footage, read on…
The teaser shows Steve riding home on a motorbike, wearing a helmet reminiscent of his time as Captain America. He’s then seen handling his old uniform and cradling what is presumably his and Peggy Carter’s (Hayley Atwell) newborn child.
This first tease ends with “Steve Rogers will return for ‘Avengers: Doomsday.’ ” A countdown timer begins at the end that’s set to expire a year from now when ‘Doomsday’ hits theaters.
The cast for the next big Avengers team-up promises a mix of faces both old and new.
Robert Downey Jr. is back, though this time playing Big Bad Doctor Doom (Marvel has yet to reveal whether he’ll be a new character or a variant of Downey’s Tony Stark).
The second chapter in a proposed lesbian B-movie trilogy dreamed up by director/writer Ethan Coen and his wife, writer/editor Tricia Cooke, ‘Honey Don’t!’ follows up the pair’s first installment, 2024’s ‘Drive-Away Dolls.’ But while that was a caper/buddy road comedy that benefited (as far as it went) from the affection between Margaret Qualley and Geraldine Viswanathan, ‘Honey Don’t!’ is a takeoff on the noir genre that is saved only by another great performance from Qualley and the handful of spicy sex scenes she shares with Aubrey Plaza.
The rest of ‘Honey Don’t!’ — named after a Carl Perkins song — is even more insubstantial that ‘Drive-Away Dolls’ ended up being, with a formless script that plays like a rough draft and an overabundance of plot strands and characters that drift in and out of the picture without anything meaningful to tie them together. It’s barely a movie, making us wish that Ethan and his brother Joel would reunite.
Story and direction: two things that ‘Honey Don’t!’ is badly in need of. Qualley plays Honey O’Donahue, a tough, queer private detective who lives and works in the arid town of Bakersfield, California, where she stays close to her sister (Kristen Connolly) – who is on the edge of poverty with her six kids – and does her best to protect and help her.
Although local cop Marty (Charlie Day) – who refuses to accept that the glamorous Honey is a lesbian – insists that the car accident death of a potential client is an open-and-shut case, Honey has her suspicions. Those lead her to a local church called the Four-Way Temple and its pastor, the sleazy Drew Devlin (Chris Evans), who is smuggling drugs when not luring vulnerable young women into his bed and fetish gear. The investigation turns personal when Honey’s own family is dragged in, dredging up ghosts from her past even as she begins a torrid affair with an evidence room officer, MG Falcone (Aubrey Plaza).
As with many noirs, neo or otherwise, the story is often fragmentary. But there’s nothing else beyond Qualley’s central performance to keep our interest. Most of the other cast members – except perhaps for Plaza and Day – make little to no impression, many of the jokes don’t land, and scenes meander about with little tension or vitality. The movie feels like Coen and Cooke slapped it together on the fly, and the drab, parched setting saps whatever energy the story may possess.
There’s something in here about female empowerment and the need to stop submitting to patriarchal figures, but it’s handled so limply that any thematic concerns have no weight. And the story’s dénouement is so abrupt and baffling that one is left wondering what the hell happened. One major subplot ends up going absolutely nowhere at all – an indication of just how slipshod and lazy the entire film seems.
Margaret Qualley is the sole reason to stick around in ‘Honey Don’t!’ Her Honey is tough, frank, and fun even if the rest of the movie around her is dismal, and she shines in Honey’s procession of brightly-colored flowered dresses. Her line readings are deliberately staccato and flat in the noir tradition, and there’s just enough revealed about her to be frustrating, because Honey is a terrific character looking for a better movie.
Aubrey Plaza and Qualley truly sizzle in their sex scenes, but Plaza’s Falcone is too much of a cypher and is let down by the script toward the end. Chris Evans is simply miscast: the former (and future?) Captain America is too arch here and much better served by movies like ‘Materialists.’ Charlie Day earns some chuckles as the lunkheaded but sweet-natured Marty, and Gabby Beans deserves more to do as Honey’s assistant Spider, but everyone else fades into the blazing Bakersfield sun.
There is the hint of a far more interesting movie here, and making the classic noir detective figure into a lesbian could add a fresh new spin to the genre. But ‘Honey Don’t!’ just does not work.
Like ‘Drive-Away Dolls,’ this has the quirks, violence, and casual comedy of a Coen brothers movie, but even less of whatever magical focus the combination of Joel and Ethan brings to their best films. This feels more like self-indulgence, cheapening even what’s supposed to be a B-movie.
‘Honey Don’t!’ receives a score of 30 out of 100.
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What is the plot of ‘Honey Don’t!’?
In Bakersfield, California, female private detective Honey O’Donahue (Margaret Qualley) investigates a woman’s death and tangles with the head of a mysterious church.
It’s fair to say that the Marvel movies, specifically the Marvel Cinematic Universe releases, have reached “cultural event” status. And there’s a strong case to be made that the MCU is a currently a pop culture juggernaut, the likes of which we haven’t since the original ‘Star Wars‘ trilogy hit theaters for the first time.
It is a great time to watch the Marvel movies in order now and you can watch them all on Disney Plus in 4K format. You can even plan virtual Marvel movie nights with your friends using Disney+ GroupWatch feature.
(L to R) Chris Evans and Sebastian Stan in ‘Captain America: The First Avenger’. Photo: Marvel Studios.
During World War II, Steve Rogers (Chris Evans) is a sickly man from Brooklyn who’s transformed into super-soldier Captain America to aid in the war effort. Rogers must stop the Red Skull (Hugo Weaving) – Adolf Hitler’s ruthless head of weaponry, and the leader of an organization that intends to use a mysterious device of untold powers for world domination.
The story follows Carol Danvers (Brie Larson) as she becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races. Set in the 1990s, Captain Marvel is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe.
After being held captive in an Afghan cave, billionaire engineer Tony Stark (Robert Downey Jr.) creates a unique weaponized suit of armor to fight evil.
Scientist Bruce Banner (Edward Norton) scours the planet for an antidote to the unbridled force of rage within him: the Hulk. But when the military masterminds who dream of exploiting his powers force him back to civilization, he finds himself coming face to face with a new, deadly foe.
With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark (Robert Downey Jr.) faces pressure from the government, the press and the public to share his technology with the military. Unwilling to let go of his invention, Stark, with Pepper Potts (Gwyneth Paltrow) and James ‘Rhodey’ Rhodes (Don Cheadle) at his side, must forge new alliances – and confront powerful enemies.
Against his father Odin’s (Anthony Hopkins) will, The Mighty Thor (Chris Hemsworth) – a powerful but arrogant warrior god – recklessly reignites an ancient war. Thor is cast down to Earth and forced to live among humans as punishment. Once here, Thor learns what it takes to be a true hero when the most dangerous villain of his world sends the darkest forces of Asgard to invade Earth.
When an unexpected enemy emerges and threatens global safety and security, Nick Fury (Samuel L. Jackson), director of the international peacekeeping agency known as S.H.I.E.L.D., finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins!
When Tony Stark’s (Robert Downey Jr.) world is torn apart by a formidable terrorist called the Mandarin, he starts an odyssey of rebuilding and retribution.
Thor fights to restore order across the cosmos… but an ancient race led by the vengeful Malekith (Christopher Eccleston) returns to plunge the universe back into darkness. Faced with an enemy that even Odin (Anthony Hopkins) and Asgard cannot withstand, Thor (Chris Hemsworth) must embark on his most perilous and personal journey yet, one that will reunite him with Jane Foster (Natalie Portman) and force him to sacrifice everything to save us all.
(L to R) Chris Evans and Scarlett Johansson in ‘Captain America: The Winter Soldier’. Photo: Marvel Studios.
After the cataclysmic events in New York with ‘The Avengers’, Steve Rogers (Chris Evans), aka Captain America is living quietly in Washington, D.C. and trying to adjust to the modern world. But when a S.H.I.E.L.D. colleague comes under attack, Steve becomes embroiled in a web of intrigue that threatens to put the world at risk. Joining forces with the Black Widow (Scarlett Johansson), Captain America struggles to expose the ever-widening conspiracy while fighting off professional assassins sent to silence him at every turn. When the full scope of the villainous plot is revealed, Captain America and the Black Widow enlist the help of a new ally, the Falcon (Anthony Mackie). However, they soon find themselves up against an unexpected and formidable enemy—the Winter Soldier.
Light years from Earth, 26 years after being abducted, Peter Quill (Chris Pratt) finds himself the prime target of a manhunt after discovering an orb wanted by Ronan the Accuser.
When Tony Stark (Robert Downey Jr.) tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron (James Spader) emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure.
Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang (Paul Rudd) must embrace his inner-hero and help his mentor, Doctor Hank Pym (Michael Douglas), protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.
Following the events of ‘Age of Ultron’, the collective governments of the world pass an act designed to regulate all superhuman activity. This polarizes opinion amongst the Avengers, causing two factions to side with Iron Man (Robert Downey Jr.) or Captain America (Chris Evans), which causes an epic battle between former allies.
Natasha Romanoff (Scarlett Johansson) aka Black Widow confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger.
Following the events of ‘Captain America: Civil War’, Peter Parker (Tom Holland), with the help of his mentor Tony Stark (Robert Downey Jr.), tries to balance his life as an ordinary high school student in Queens, New York City, with fighting crime as his superhero alter ego Spider-Man as a new threat, the Vulture (Michael Keaton), emerges.
Chadwick Boseman as T’Challa / Black Panther in 2018’s ‘Black Panther.’
King T’Challa (Chadwick Boseman) returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country’s new leader. However, T’Challa soon finds that he is challenged for the throne by factions within his own country as well as without. Using powers reserved to Wakandan kings, T’Challa assumes the Black Panther mantle to join with ex-girlfriend Nakia (Lupita Nyong’o), the queen-mother, his princess-kid sister, members of the Dora Milaje (the Wakandan ‘special forces’) and an American secret agent, to prevent Wakanda from being dragged into a world war.
After his career is destroyed, a brilliant but arrogant surgeon (Benedict Cumberbatch) gets a new lease on life when a sorcerer takes him under her wing and trains him to defend the world against evil.
Thor (Chris Hemsworth) is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarok, the destruction of his home-world and the end of Asgardian civilization, at the hands of a powerful new threat, the ruthless Hela (Cate Blanchett).
Just when his time under house arrest is about to end, Scott Lang (Paul Rudd) once again puts his freedom at risk to help Hope van Dyne (Evangeline Lilly) and Dr. Hank Pym (Michael Douglas) dive into the quantum realm and try to accomplish, against time and any chance of success, a very dangerous rescue mission.
As the Avengers and their allies have continued to protect the world from threats too large for any one hero to handle, a new danger has emerged from the cosmic shadows: Thanos (Josh Brolin). A despot of intergalactic infamy, his goal is to collect all six Infinity Stones, artifacts of unimaginable power, and use them to inflict his twisted will on all of reality. Everything the Avengers have fought for has led up to this moment – the fate of Earth and existence itself has never been more uncertain.
After the devastating events of Avengers: Infinity War, the universe is in ruins due to the efforts of the Mad Titan, Thanos (Josh Brolin). With the help of remaining allies, the Avengers must assemble once more in order to undo Thanos’ actions and restore order to the universe once and for all, no matter what consequences may be in store.
Shang-Chi (Simu Liu) must confront the past he thought he left behind when he is drawn into the web of the mysterious Ten Rings organization and his father, Xu Wenwu (Tony Leung).
Peter Parker (Tom Holland) and his friends go on a summer trip to Europe. However, they will hardly be able to rest – Peter will have to agree to help Nick Fury (Samuel L. Jackson) uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.
Tom Holland in ‘Spider-Man: No Way Home.’ Photo: Marvel Studios.
Peter Parker (Tom Holland) is unmasked and no longer able to separate his normal life from the high-stakes of being a super-hero. When he asks for help from Doctor Strange (Benedict Cumberbatch) the stakes become even more dangerous, forcing him to discover what it truly means to be Spider-Man. Teaming with other Multiverse Spider-Men (Tobey Maguire and Andrew Garfield), they must now work together to take out the Green Goblin (Willem Dafoe), Doctor Octopus (Alfred Molina), Electro (Jamie Foxx) and other Spider-Man villains from around the multiverse.
The Eternals are a team of ancient aliens who have been living on Earth in secret for thousands of years. When an unexpected tragedy forces them out of the shadows, they are forced to reunite against mankind’s most ancient enemy, the Deviants.
Doctor Strange (Benedict Cumberbatch), with the help of mystical allies both old and new, traverses the mind-bending and dangerous alternate realities of the Multiverse to confront a mysterious new adversary.
After his retirement is interrupted by Gorr the God Butcher (Christian Bale), a galactic killer who seeks the extinction of the gods, Thor Odinson (Chris Hemsworth) enlists the help of King Valkyrie (Tessa Thompson), Korg, and ex-girlfriend Jane Foster (Natalie Portman), who now wields Mjolnir as the Mighty Thor. Together they embark upon a harrowing cosmic adventure to uncover the mystery of the God Butcher’s vengeance and stop him before it’s too late.
On a dark and somber night, a secret cabal of monster hunters emerge from the shadows and gather at the foreboding Bloodstone Temple following the death of their leader. In a strange and macabre memorial to the leader’s life, the attendees are thrust into a mysterious and deadly competition for a powerful relic—a hunt that will ultimately bring them face to face with a dangerous monster.
Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), M’Baku (Winston Duke), Okoye (Danai Gurira) and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T’Challa’s (Chadwick Boseman) death. As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia (Lupita Nyong’o) and Everett Ross (Martin Freeman) and forge a new path for the kingdom of Wakanda.
On a mission to make Christmas unforgettable for Peter Quill (Chris Pratt), the Guardians head to Earth in search of the perfect present. The special follows Drax the Destroyer (Dave Bautista) and Mantis (Pom Klementieff) as they set out to give Quill the best Christmas ever, after discovering that Yondu (Michael Rooker) ruined the holiday for him as a child.
Peter Quill (Chris Pratt), still reeling from the loss of Gamora (Zoe Saldaña), must rally his team around him to defend the universe along with protecting one of their own. A mission that, if not completed successfully, could quite possibly lead to the end of the Guardians as we know them.
Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly), along with with Hope’s parents Janet van Dyne (Michelle Pfeiffer) and Hank Pym (Michael Douglas) , and Scott’s daughter Cassie Lang (Kathryn Newton), find themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible and pits them against Kang the Conqueror (Jonathan Majors).
Carol Danvers (Brie Larson), aka Captain Marvel, has reclaimed her identity from the tyrannical Kree and taken revenge on the Supreme Intelligence. But unintended consequences see Carol shouldering the burden of a destabilized universe. When her duties send her to an anomalous wormhole linked to a Kree revolutionary, her powers become entangled with that of Jersey City super-fan Kamala Khan (Iman Vellani), aka Ms. Marvel, and Carol’s estranged niece, now S.A.B.E.R. astronaut Captain Monica Rambeau (Teyonah Parris). Together, this unlikely trio must team up and learn to work in concert to save the universe.
After meeting with newly elected U.S. President Thaddeus Ross (Harrison Ford), Sam (Anthony Mackie) finds himself in the middle of an international incident. He must discover the reason behind a nefarious global plot before the true mastermind has the entire world seeing red.
After finding themselves ensnared in a death trap, seven disillusioned castoffs must embark on a dangerous mission that will force them to confront the darkest corners of their pasts.
Against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, Marvel’s First Family is forced to balance their roles as heroes with the strength of their family bond, while defending Earth from a ravenous space god called Galactus (Ralph Ineson) and his enigmatic Herald, Silver Surfer (Julia Garner).
(L to R) Dakota Johnson and Pedro Pascal in ‘Materialists’. Credit: Atsushi Nishijima.
If you’re going into ‘Materialists’ thinking that this will be something of a traditional romantic comedy, think again. While the trailers may sort of sell it that way, ‘Materialists’ is quite different and deeper. Written and directed by Celine Song, whose 2023 debut ‘Past Lives’ was a melancholy exploration of memory and lost love, ‘Materialists’ looks at dating, romance, and love through the lens of a transactional society.
At its most basic level, ‘Materialists’ has a romantic triangle at its heart. But that three-way relationship is seen as a numbers game, with Song deftly outlining how cold logic and math can lead – if the participants are lucky – to some semblance of happiness, while also opening the door to disaster. The film is also an intimate, detailed character study of the three people at its center, how they perceive themselves, and how they perceive each other. While it wobbles a bit down the stretch, ‘Materialists’ is an emotionally resonant, culturally relevant look at how and why we expose ourselves to love, and the danger of treating people – especially women – as commodities.
Story and Direction
(L to R) Director Celine Song, Dakota Johnson and Chris Evans on the set of ‘Materialists’. Credit: Atsushi Nishijima.
Lucy (Dakota Johnson) is a professional matchmaker, working with well-off, usually older clients – both male and female – to help them find the perfect person with whom to fall in love. But many of Lucy’s clients have stringent or unrealistic expectations: the women are looking for a six-foot-tall man with a six-figure (at least) income, while the men don’t want anything too “intense or complicated.” As one man says, he doesn’t have much in common with women in their early twenties…so he wants to date women in their late twenties.
As for Lucy, she’s a self-described “voluntary celibate” who has broken up with her boyfriend John (Chris Evans) after five years. John, an unemployed actor, works as a cater-waiter to make ends meet and shares his crummy Manhattan apartment with two sloppy roommates. Having grown up poor and trying to pursue her own career, Lucy does not wish to live that way: she wants to be comfortable and taken care of, and sees marrying into wealth as the only way to achieve that – or so she thinks.
That’s why the matchmaking service she provides breaks love down to “checking boxes” on a list: the candidate’s age, height, salary, job, and even the state of their hair are all factored into the equation without a thought of whether these two strangers can connect in a more intimate, personal way. “Marriage is a business deal,” Lucy tells one of her clients who’s about to take the final step of walking down the aisle. “You can always walk away if the deal is no good.”
Dakota Johnson in ‘Materialists’. Credit: Atsushi Nishijima.
All of this is transactional for Lucy, so when she meets Harry (Pedro Pascal) at that same wedding, who she describes as a unicorn for seemingly checking off all her boxes effortlessly, she decides to begin dating him after he asks her out – even though she insists he can do better. And even though she and John are no more, he’s still in her life as a friend (who is also clearly pining for her). Lucy begins to wonder just what she does want out of a relationship – as her carefully structured philosophy about dating and romance begins to unravel around her.
Aside from a third-act plot turn that might have been handled a little more smoothly, ‘Materialists’ is top-notch storytelling about modern relationships and love – and how even those most precious aspects of human life can be somehow stripped down to, as Lucy says, a business deal. It’s only when she gets into a potentially lucrative deal of her own in that sense that she begins to realize what a shallow worldview that is, and how the same approach to her job may end in misery for her clients – and in the case of women, even danger.
Song’s script cleanly delivers all this through a spare, modest, yet impactful narrative and deftly rendered characterizations, filtered through lovely lensing of the movie’s New York locations by cinematographer Shabier Kirchner. In the end, the movie is a pointed critique of the society we’re living in now: where everyone thinks they’re entitled to everything, and you don’t have to work for it — even love.
Cast and Performances
(L to R) Dakota Johnson and Chris Evans in ‘Materialists’. Credit: Atsushi Nishijima.
Coming off the embarrassment of 2024’s ‘Madame Web,’ Dakota Johnson bounces back nicely here with perhaps the best performance of her career to date. Lucy is a complex, finely-drawn single woman in her mid-30s who has grown up poor and is deeply afraid of falling back into that situation, which has led her to not just view her own romantic life in a clinical way but boil her services as a matchmaker down to cold equations. Johnson does an excellent job of putting up Lucy’s armor, only to gradually show us the pain and doubt beneath.
The same could be said for Chris Evans – while his choices since exiting the role of Captain America have been hit and miss, ‘Materialists’ also represents his best work since putting down the shield. John is acutely aware of his circumstances, his lack of motivation, and his own deep desire for love and connection, and blames himself for letting Lucy get away. His own pain at seeing her is evident from the start, but he’s also desperate to maintain their connection by being the best friend he can be. This is a sensitive turn from Evans, who can be a come across as all surface with the wrong material, and demonstrates his underrated ability to portray vulnerability.
Pedro Pascal’s Harry is a bit less layered and defined than either Lucy or John, although he avoids stereotyping by being an incredibly wealthy man who does not see others around him as playthings – even when he reveals something about himself late in the game. Pascal is empathetic and charismatic as always. The other star player of the film is Zoë Winters (‘Succession’) as Lucy’s client Sophie, who delivers a monologue late in the film that is raw and just devastating, a cry of anger and frustration that will resonate with many single women of a certain age. The actor just nails it in a showstopper of a moment.
Final Thoughts
(L to R) Dakota Johnson and Pedro Pascal in ‘Materialists’. Credit: Atsushi Nishijima.
Don’t get us wrong: ‘Materialists’ is not a somber meditation on late-stage capitalism infecting every aspect of our lives. It’s not somber, anyway. It’s funny, witty, and yes, melancholy, and it also doesn’t shy away from pointedly critiquing how the commodification of the most basic, wonderful, and complex of all human interactions is inherently not a good thing.
In other words, it’s not “just math,” despite what Lucy says early in the film. And ‘Materialists’ is not just, as we said early on in this review, a standard rom-com or even a typical romantic drama. It’s a movie with something far deeper on its mind, and Celine Song once again explores the intricacies of the human heart with candor and clarity, making this possibly one of the best movies made for adults that you’ll see this year.
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What is the plot of ‘Materialists’?
A young, ambitious New York City matchmaker finds herself torn between the perfect match and her imperfect ex.
But as usual, the company and its Disney bosses have plans for movies (and shows) way beyond those, and now we’re learning a little more background behind two of the biggest and most anticipated films –– ‘Avengers: Doomsday’ and ‘Avengers: Secret Wars.’
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Specifically, the return of filmmakers Joe and Anthony Russo, who handled some of the most successful movies in the MCU’s first few phases, including box office behemoths ‘Avengers: Infinity War’ and ‘Avengers: Endgame.’
They previously opted to focus on their own projects and building their production company in the wake of ‘Endgame’s giant success but have since been tempted back.
Speaking to Empire magazine, Anthony revealed that what lured them:
“We’re very close with Kevin and Lou [D’Esposito, Marvel Studios’ Co-President] and the entire Marvel team and we’ve had conversations through the years. We’ve talked about a lot of ideas. Really what happened was, we ended up stumbling upon a [‘Secret Wars’] idea that activated all of us, you couldn’t see it coming until it came, and once it came it was like, ‘Well, that’s a story we need to tell.’ ”
And that creative spark extended to regular collaborator Stephen McFeely, who is also back writing the new movies.
While other co-writer Christopher Markus is so far sticking with the Russos’ AGBO company to keep it running, McFeely was tempted back into the MCU machine.
Here’s what Joe told Empire:
“There were ideas that we were trying to wrap our heads around that preceded this one, and we just never found the story. I remember calling Steve and said, ‘Hey, crazy idea. What do you think if we all go back and do ‘Secret Wars?’ He was like, ‘F*** no. Absolutely not.’ And then he hung up. And the next morning at 7.30 he called and were like, ‘Alright, I have an idea…’ ”
The two new movies will feature Doctor Doom, played by fellow returning big Marvel name Robert Downey Jr.
What is Marvel’s ‘Secret Wars?
Marvel Studios’ ‘Avengers: Secret Wars.’
‘Secret Wars’ would draw from (through the usual Marvel movie filter where changes will be made) a pair of 1980s comic book series focused on an all-powerful antagonist known as the Beyonder, who in the first installment pitted Marvel’s heroes and villains against each other on a planet known as Battleworld.
In a 2015 revival by Jonathan Hickman, the resulting conflict left the multiverse collapsed, the survivors living on a single planet ruled by classic villain Doctor Doom.
The Russos have previously talked about their enthusiasm for ‘Secret Wars’, and they’re bringing along scripter Stephen McFeely, who co-wrote most of their previous Marvel output.
Alongside Downey and freshly-introduced ‘Fantastic Four’ cast, we can expect Chris Evans (whether as Steve Rogers or another character) and Hayley Atwell as Peggy Carter.
Anthony Mackie is very likely to show up as Cap, and Benedict Cumberbatch has been talked about to return as Doctor Strange. We’ll have to wait and see whether the likes of Tom Holland’s Peter Parker/Spider-Man or any of the other stalwarts will be back.
There’s good money on Chris Hemsworth as Thor (since he’s still active) and hopefully the likes of Simu Liu’s Shang-Chi and Sebastian Stan’s Bucky Barnes will report for duty.
In addition to the big ‘Avengers’ update, there was also word on someone else returning for a different project.
According to Deadline, Faran Tahir, who played the role of the villainous Raza, the apparent leader of the terrorist organization the Ten Rings who tried to kill Tony Stark in ‘Iron Man,’ has been added to the cast of the series built around Paul Bettany’s ‘Vision.’
He’ll be playing Raza, but we don’t know how or whether the Ten Rings will factor in, especially since the organization was further explored in ‘Shang-Chi.’
The ‘Vision’ series (whether it ends up titled ‘Vision Quest’ or not) will focus on the titular android as he tries to regain his memory and humanity. After Thanos killed him in 2018’s ‘Avengers: Infinity War,’ Vision returned in 2021’s ‘WandaVision.’
Hayley Atwell as Peggy Carter / Captain Carter in ‘Doctor Strange in the Multiverse of Madness’. Photo: Marvel Studios.
Preview:
Hayley Atwell is reportedly headed back to the MCU for ‘Avengers: Doomsday.’
Joe and Anthony Russo are aboard to direct the movie.
Robert Downey Jr. will be playing Dr. Doom, and Chris Evans is also coming back in some capacity.
It appears that, while it has a newer crop of heroes who will be tackling a giant new threat, Marvel intends to get at least some of the old gang back together –– in both familiar and fresh roles.
While there has been chatter about Evans possibly playing a character other than Steve “Captain America” Rogers –– Nomad, a title that Rogers takes on after giving up the Cap mantle to Sam Wilson, it seems Atwell would be back as Peggy Carter, AKA the MI6 and S.H.I.E.L.D. agent who is the great love of Steve’s life.
To say the road to the new ‘Avengers’ films has been problematic is to say ‘Kraven the Hunter’ had a slightly disappointing start at the box office this past weekend.
‘Secret Wars’ would draw from (through the usual Marvel movie filter where changes will be made) a pair of 1980s comic book series focused on an all-powerful antagonist known as the Beyonder, who in the first installment pitted Marvel’s heroes and villains against each other on a planet known as Battleworld.
In a 2015 revival by Jonathan Hickman, the resulting conflict left the multiverse collapsed, the survivors living on a single planet ruled by classic villain Doctor Doom.
The Russos have previously talked about their enthusiasm for ‘Secret Wars’, and they’re bringing along scripter Stephen McFeely, who co-wrote most of their previous Marvel output.
Carter’s return also makes sense for McFeely, who along with regular writer Christopher Markus, created the ‘Agent Carter’ series.
Alongside Evans in whatever capacity, we’ll of course see Downey plus the ‘Fantastic Four’ cast.
Mackie is very likely to show up as Cap, and Benedict Cumberbatch has been talked about to return as Doctor Strange. We’ll have to wait and see whether the likes of Tom Holland’s Peter Parker/Spider-Man or any of the other stalwarts will be back.
There’s good money on Chris Hemsworth as Thor (since he’s still active) and hopefully the likes of Simu Liu’s Shang-Chi and Sebastian Stan’s Bucky Barnes will report for duty.
What is Peggy Carter’s Marvel history?
Hayley Atwell as Peggy Carter / Captain Carter in ‘Agent Carter’. Photo: Marvel Studios.
Introduced (on screen, at least) in ‘Captain America: The First Avenger,’ Peggy Carter is a heroic British agent who met Evans’ Steve Rogers before the experiment that turned him into Captain America.
Believing Steve lost for decades at the end of that film, Peggy forged ahead with her own career, helping to build S.H.I.E.L.D. and appearing in her own TV series, ‘Agent Carter.’
By the time Rogers was discovered in the ice, Peggy was an old woman, and the pair had an emotional reunion. At the end of ‘Avengers: Endgame,’ Steve chose to go back in time and live a life with Peggy.
Where and when (and how) we’ll find Peggy this time around remains to be seen. Could it be a multiversal variant of the character? (We met an ill-fated version of Peggy, who got the Super Soldier Serum herself and became Captain Carter in ‘Doctor Strange in the Multiverse of Madness.’)
However she returns, we’ll be happy to see Peggy on screen again.
Chris Evans is reportedly heading back to the Marvel family for ‘Avengers: Doomsday.’
Joe and Anthony Russo are aboard to direct the movie.
Robert Downey Jr. will be playing Dr. Doom.
With the giant announcement back at Comic-Con this past July that Robert Downey Jr. would be returning to the sprawling Marvel Cinematic Universe –– but as Doctor Doom, rather than a variant of the late Tony “Iron Man” Stark –– talk has naturally turned to his fellow veteran Marvel actors and whether they’ll be back alongside the newer crop.
It seems one of the other main players has made the choice to come back, as The Wrap reports that Chris Evans is now deep in talks to return for the first of the two new ‘Avengers’ movies that the studio has planned –– ‘Avengers: Doomsday’ –– which will see the heroes going up against Doom.
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What the story doesn’t specify is whether Evans will be back as Steve Rogers, AKA Captain America, who, let’s not forget was last seen as an old man at the end of ‘Avengers: Endgame’ after he opted to spend a different timeline’s life with Peggy Carter (Hayley Atwell).
So Evans could well be playing someone else, as he did when he reprised his old Fox Marvel role as Johnny Storm in this summer’s ‘Deadpool & Wolverine.’
But at the very least, it’s exciting news.
What has happened with the new ‘Avengers’ movies so far?
To say the road to the new ‘Avengers’ films has been problematic is to say an erupting volcano is a little toasty.
Originally announced as part of a big reveal by studio boss Kevin Feige at the 2022 San Diego Comic-Con about future “phase” developments, the new movies were called ‘Avengers: The Kang Dynasty’ and ‘Avengers: Secret Wars’.
‘The Kang Dynasty’ has been the real sticking point here. Though the plan had presumably been to build to a confrontation with Jonathan Majors’ multiversal villain, Majors found himself cut by Marvel after accusations (and, later a guilty result) of harassment.
While ‘Shang-Chi’ director Destin Daniel Cretton boarded the film shortly after it was announced, he’s since stepped away. ‘Deadpool & Wolverine’s Shawn Levy has reportedly offered been the gig since then, but the July Con announcement also confirmed that ‘Infinity War’ and ‘Endgame’ directors Joe and Anthony Russo are back to handle the two giant team-up efforts.
‘Secret Wars’ would draw from (through the usual Marvel movie filter where changes will be made) a pair of 1980s comic book series focused on an all-powerful antagonist known as the Beyonder, who in the first installment pitted Marvel’s heroes and villains against each other on a planet known as Battleworld.
In a 2015 revival by Jonathan Hickman, the resulting conflict left the multiverse collapsed, the survivors living on a single planet ruled by classic villain Doctor Doom.
The Russos have previously talked about their enthusiasm for ‘Secret Wars’, and they’re bringing along scripter Stephen McFeely, who co-wrote most of their previous Marvel output.
Alongside Evans in whatever capacity, we’ll of course see Downey plus the ‘Fantastic Four’ cast.
Mackie is very likely to show up as Cap, and Benedict Cumberbatch has been talked about to return as Doctor Strange. We’ll have to wait and see whether the likes of Tom Holland’s Peter Parker/Spider-Man or any of the other stalwarts will be back.
There’s good money on Chris Hemsworth as Thor (since he’s still active) and hopefully the likes of Simu Liu’s Shang-Chi and Sebastian Stan’s Bucky Barnes will report for duty.
(L to R) Dwayne Johnson and Chris Evans in ‘Red One.’ Photo: Amazon MGM Studios.
Since hanging up his shield, Evans has been seen in the likes of ‘Knives Out,’ in a cameo as himself in ‘Free Guy’ and Pixar’s ‘Toy Story’ spin-off ‘Lightyear.’
There has also been Netflix pill-slinging film ‘Pain Hustlers,’ Apple action movie ‘Ghosted,’ and he reunited with the Russos to play a scheming villain in thriller ‘The Gray Man.’
More recently, there was the aforementioned ‘Deadpool & Wolverine’ and Christmas-themed movie ‘Red One’ opposite Dwayne Johnson.
Coming up, we have adventure comedy ‘Sacrifice,’ rom-com ‘Materialists’ and Ethan Coen’s latest, ‘Honey Don’t.’
When will the next two ‘Avengers’ movies head to screens?
Marvel is planning to have ‘Avengers: Doomsday’ on screens on May 1st, 2026, followed by ‘Avengers: Secret Wars’ on May 7th, 2027.
Not to be confused with Netflix’s ‘Red Notice,’ another algorithm-induced action movie starring Dwayne Johnson and a Marvel superhero, ‘Red One’ aims to be something for everyone: it’s not just an action movie, but it’s also trying to be a fantastical Christmas story and a heartwarming family yarn. As often happens, however, the effort to please all audience quadrants results in something bland, boring, and derivative.
Directed by Jake Kasdan, who also collaborated with The Rock on the recent, overrated ‘Jumanji’ movies, ‘Red One’ does feature a cute idea at its core and a winning performance from J.K. Simmons as a very different kind of Santa Claus. But a lethargic pace, an often-murky visual palette and a ton of half-baked CG, along with less than stellar efforts from some of the cast, makes ‘Red One’ the kind of holiday present you hope they included the gift receipt for.
‘Red One’ opens with a prologue in which a young boy named Jack O’Malley (Wyatt Hunt) shows his disappointed cousins where the Christmas gifts are hidden, simultaneously smashing their dreams and foreshadowing his adult career as a cynical, clandestine tracker and bounty hunter (now played by Chris Evans) who claims he can find anything. He’s also – as par for the course for this kind of thing – divorced and a largely absentee dad to his son. But Jack’s life takes an unexpected turn when he helps an anonymous client pinpoint a security breach at some kind of mysterious location near the North Pole.
That location happens to be the complex where Santa Claus (J.K. Simmons), his wife (Bonnie Hunt), and their many human and non-human employees live and work behind a security shield that might give Wakanda a run for its money. But that security is compromised thanks to Jack, and despite the best efforts of Santa’s head of security, Callum Drift (Dwayne Johnson), a quasi-military squad parachutes in and kidnaps “Nick” – as Callum calls him – whisking him into the clutches of Gryla (Kiernan Shipka), a legendary winter witch who wants to channel Santa’s magical powers to disrupt Christmas with her own nefarious plans.
That leaves it up to Drift and Zoe Harlow (Lucy Liu), head of the Mythological Oversight and Restoration Authority (M.O.R.A.), which oversees the existence of mythological creatures around the world, to forcibly recruit Jack in their efforts to reacquire Santa and keep Christmas on schedule. Along the way they’ll interact with more creatures out of legend, including Santa’s estranged brother Krampus (Kristofer Hivju), while Jack learns the value of family and Drift slowly regains the positive outlook he’s lost over the centuries as more and more humans migrate to – you guessed it – the Naughty List.
On paper, this sounds like a fun, even fresh premise for a Christmas movie – all the creatures of myth and folklore are real and live in a cautious détente with humanity, while Santa himself trains for Christmas like an Olympian and covertly visits department stores in presidential-style motorcades just to reconnect with the public. Some of this material elicits a smile for sure, even as the world-building threatens to overwhelm the narrative at times.
The bigger issue is the film moves at the pace of an elf who’s had far too much spiked egg nog. It’s also tonally all over the place; one minute it’s a self-referential action movie, the next it’s a family comedy desperate to tug at the heart. Either way, none of the jokes or emotional beats land very well, and when a comic performer like Nick Kroll gets wasted in a painful cameo you know this is the cinematic equivalent to the Christmas that you really wanted that Xbox and got a sweater instead.
And it looks like hell too. Large swaths of the movie take place at night in the snow, but Kasdan makes it inexplicably murky, particularly the climactic sequences, and there’s enough bad CG to make ‘Ant-Man and the Wasp: Quantumania’ look like ‘Dune: Part Two.’ One scene set at a beach resort can’t escape painfully looking like it was shot on a Volume stage, with the digital snowmen that launch a surprise attack in the sequence looking pasted into the action. For a movie that reportedly cost $250 million to make, ‘Red One’ doesn’t deliver on the kind of big-screen wonder necessary to make this work.
The Cast
(L to R) Dwayne Johnson and Chris Evans in ‘Red One.’ Photo: Amazon MGM Studios.
If there is one thing that stands out in ‘Red One,’ it’s J.K. Simmons’ performance as Santa. Playing against the archetype – this wiry St. Nicholas lays off the holiday cookies and trains relentlessly for his ‘Mission: Impossible’-like Christmas Eve run – Simmons nevertheless generates real warmth, good will, and wisdom as the jolly old fellow. It’s a shame that he’s only active for the beginning and end of the film, as a movie built around him might have been more interesting.
As for the leads, both Dwayne Johnson and Chris Evans seem to be in something of a rut lately. The Rock has lost some of the self-deprecating sense of fun that has powered some of his best performances, and takes Callum Drift – a centuries-old head of security – so seriously that he comes across as monotonous. Evans as well, seemingly intent on getting past his earnest Captain America image, plays a variation here on the kind of cynical wisenheimer he’s essayed in recent duds like ‘The Gray Man,’ although he’s also trapped by the script’s rote characterization. Other members of the cast, like Lucy Liu and an underused Bonnie Hunt, more or less understand the assignment, although Kiernan Shipka is miscast as the villain, delivering no real menace at all. Kristofer Hivju stands out under a mountain of prosthetics as Krampus, although the scene at his castle goes on way too long.
You can’t just manufacture a holiday classic, but that certainly isn’t stopping Jake Kasdan, Dwayne Johnson, and company from trying. But Kasdan, who brought a certain amount of surreal humor to the ‘Jumanji’ movies, can’t work any magic here. ‘Red One’ huffs and puffs so hard to be all things to all people that it just ends up playing in similar fashion to one of those Netflix pics that’s good for Sunday-afternoon-chores background noise.
Perhaps a different, less ponderous, and less digitized story starring J.K. Simmons’ Nick could have concentrated on generating some real holiday spirit, but ‘Red One’ is likely to be packed away with the rest of the Christmas trinkets in the attic once the season is over, never to be seen or heard from again.
‘Red One’ receives 4 out of 10 stars.
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What is the plot of ‘Red One’?
A hacker (Chris Evans) is recruited by the head of Santa Claus’s security team (Dwayne Johnson) to help rescue St. Nick (J.K. Simmons) after he’s kidnapped by a witch intent on ruining Christmas for everyone.
With ‘Red One,’ stars Dwayne Johnson and Chris Evans, along with director Jake Kasdan (‘Jumanji: Welcome to the Jungle’), hope to create a modern Christmas classic infused with the sensibility of a large-scale action film and the heart of a family comedy. Johnson plays Callum Drift, the head of security for Santa Claus (J.K. Simmons), whose annual mission to deliver gifts around the world is run with the precision of a military operation out of his massive, well-hidden complex at the North Pole.
But a security breach allows Santa to be kidnapped right out from under Drift’s nose, with the breach traced to Jack O’Malley (Evans), a dark web tracker and bounty hunter who is forcibly recruited to help Drift locate Santa and his kidnappers. The trail leads them to Gryla (Kiernan Shipka), a winter witch out of Icelandic folklore who plans to use Santa’s own magical powers to rid the world of naughty children forever – unless Drift and O’Malley can stop her and rescue the man who Drift simply knows as “Nick.”
With ‘Red One’ scheduled to open in theaters on November 15 as an early holiday present for moviegoers, members of the cast and crew – including Evans, Johnson, Shipka, Simmons, Lucy Liu (Zoe Harlow), Kristofer Hivju (Krampus), Bonnie Hunt (Mrs. Claus), Kasdan, producer Hiram Garcia, and others — participated in a virtual global press conference that Moviefone had the opportunity to attend (minus the egg nog and cookies).
Director Jake Kasdan revealed that the initial impetus for ‘Red One’ was to bring audiences a whole new vision of Santa Claus – as an action hero who trains hard to get in shape for Christmas, and who leads a vast, well-organized, and tightly-secured operation.
Jake Kasdan: That was absolutely one of the most exciting aspects of this movie, was sort of looking at a way that we could tell Santa’s story that we’ve never quite seen before. You’ve seen him a certain way your whole life, and we always thought that the great exciting idea for this was, what if you could sort of pull back the curtain and see what he’s really like? So all of those aspects of this came from that sort of seed idea.
Producer Hiram Garcia, who also came up with the original story for the movie, said he wanted to create the “definitive” Santa onscreen and make him cool again.
Hiram Garcia: I think when we did start working on this, one of the goals was, and actually when we were going around pitching it, we always ended the pitch with saying our hope was to tell a story that really inspired people, turn Christmas on its head in the mythology, but also to create the definitive Santa Claus. There’s been so many good Santa Clauses, but to find one that really took a connection with the audience to the next level and brought a coolness out in Santa that as a big Christmas fan, I always knew Santa’s got. I feel like we did that with J.K. and especially the way Jake envisioned him on screen. J.K.’s performance as Santa is everything we dreamed and more.
Chris Evans said that making an action movie based around Christmas was easier than it might seem because the folklore around the world is full of such fantastical legends and creations.
Chris Evans: We had a whole team of people who [were] trying to crack that code. I mean, I think it actually provides a lot of fun. There’s such great Christmas lore, folklore, not just the stories we all grew up with, but internationally…When you hear about some of these creatures and stories and mythology, it almost begs for some sort of action-adventure movie. So it’s not quite as hard as you think.
4) The Secret Ingredient To This Christmas Confection
(L to R) Dwayne Johnson and Chris Evans in ‘Red One.’ Photo: Amazon MGM Studios.
Dwayne Johnson said that director Jake Kasdan brought something to ‘Red One’ that makes the movie special.
Dwayne Johnson: Something that Jake inherently does in his films — and I’ve had the privilege of working with him now three times, on the first two ‘Jumanji’ movies and now ‘Red One’ — is heart. There’s so much heart in this movie. That’s often an overstatement, I think, in storytelling in Hollywood, but it’s true. One of my favorite parts of the movie is where J.K. as Santa Claus reminds me that it’s our job to see the best in people and look beyond if they’re on the naughty list, and look at the kid in everybody.
5) Lucy Liu Didn’t Know At First She Had A Big Action Scene
Lucy Liu plays Zoe Harlow, the director of MORA (Mythological Oversight and Restoration Authority), an agency charged with keeping track of the world’s mythological beings. Although initially it didn’t seem like she’d participate in any of the action, things took a different turn during filming.
Lucy Liu: Well, it was impromptu. I had spoken to Jake and I said, “Is there any training or do you need me to prep anything?” He said, “No, I think maybe she’s going to throw a kick and maybe a punch. Maybe that’s it. You’re just the boss lady and then that’s all it’s going to be.” I said, “Okay, great. No problem.” I show up to the set, we’re doing the costume fittings and everything, and then the stunt coordinator comes in and he says, “I just want to give you a little bit of a previs of what we’re going to do.” He shows me this entire action scene. And my face just turned white. But then I was like, “Okay, let’s do this.” As soon as I got the sticks in my hands, it was like muscle memory kicked in. It was like I was alive again…I hadn’t done it in a long time, but it just came back to me. I love watching action movies. I grew up watching them, and actually being on the screen doing action is so exciting. I think that it gets kids excited, it gets girls excited, it gets women excited. So it’s nice that you still got it.
6) Kiernan Shipka Got Her Villain On For The First Time
Kiernan Shipka (‘Longlegs’) appears as Gryla, the legendary winter witch who masterminds Santa’s kidnapping, and said she relished her first opportunity to play the main villain in a movie.
Kiernan Shipka: It was really fun. I loved it. I’ve never really played a proper villain before. I’ve definitely played people who were dark and twisted, but the film kind of hinges on this kidnapping. It was really cool to feel like I had a part in the movie that was sort of moving things in any sort of direction. That was really fun. I liked those stakes. I love that this movie’s so fun. I mean, there’s a lot of heart in it, there’s a lot of action in it, but at the end of the day, I think you sit down and it’s a really fun watch. So playing someone who is a villain, but also maintaining a sense of levity and fun with the whole thing was also really lovely. So it was great. I’ll play a villain anytime. It was fun.
7) Kristofer Hivju Went A Different Way Playing Krampus
The figure of Krampus, in European Alpine folklore, is said to accompany Santa/St. Nicholas on his rounds and punish the children who have been naughty. Although wearing a full, practical costume complete with horns, actor Kristofer Hivju (‘Game of Thrones’) decided to play him not as a horrific monster but as Santa’s estranged, self-absorbed brother, who indulges in wild parties and slapping contests with his obedient guests.
Kristofer Hivju: For me it was like the character is more or less the suit, right? So I tried to play against the suit, and actually play him as feminine, as narcissistic, and self-indulging as possible. Suddenly that mixture became a bit disturbing. But the funny thing about Krampus is that he has the same objective as Nick. They want the same thing. It’s just the method [that’s different] — punishing or rewarding. Sometimes you need a bit of slapping.
Dwayne Johnson said that having Krampus played by an actor in a suit on the set was a huge advantage over the character being created via CG.
Dwayne Johnson: For Chris and I, when we step on set and we had the privilege of obviously being on set for many, many days with Kristofer as Krampus, it is one of the most impressive things we had ever seen. He’s massive and he really does such a spectacular job as Krampus. In our story the mythology is that he’s the brother of Santa, and the prosthetics that he was wearing are from Joel Harlow, who’s an Academy Award winner, and you really see it. But the challenge is that there has to be so much life going on in his eyes because everything else is just these incredible prosthetics. Because he’s such a superior actor, you feel that in the movie.
Chris Evans added that working with practical effects and creatures like Krampus on set brought back memories of the movies he loved growing up.
Chris Evans: I grew up on movies like ‘Labyrinth’ and ‘NeverEnding Story’ where it was all practical and it was real. Those things stuck with you as a kid because it was things that you never saw in your normal life. I know now that every other movie is just loaded with CG. In a way there’s so much of it that when you do get a film that goes practical, it still sticks with you in that same way because it’s still rare like it was when I was a kid. That’s what makes it feel like a real character, a real performance. It’s not common anymore, which is nice.
Dwayne Johnson shared what was most important for him about the Christmas holidays.
Dwayne Johnson: Just getting family together would be our #1 greatest family tradition. I know it’s simplistic, but a lot of times when I was growing up, my dad was always on the road and he wasn’t always home for Christmas. In the business that we’re in, sometimes it requires us to work over the holidays. So for me, just to have the entire family together, that’s the most important thing.
Santa himself, J.K. Simmons, shared a story about his family during the holidays and how Christmas taught him and his sister a valuable lesson.
J.K. Simmons: I have an older sister, two years older. She was probably six and I was four, and my little brother was a baby. Of course on Christmas morning we’re up before the crack of dawn, bothering our parents and getting them out of bed and they’re dragging their butts out of bed. But I think that was the Christmas that my mom just said, “Go make some oatmeal.” My sister, she’s the oldest, so she’s the assistant mom. So from every Christmas from then on, my sister and I would get up, we would make the oatmeal, and after we ate the oatmeal, then we were allowed to open the stockings from Santa. Then we waited for mom and dad to wake up to open all the rest of the presents. So it taught us a real kind of self-sufficiency, and it gave my sister, especially, a sense of responsibility.
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What is the plot of ‘Red One’?
After a villain kidnaps Santa from the North Pole, an E.L.F (Extremely Large and Formidable) operative (Dwayne Johnson) must partner with the world’s most accomplished tracker (Chris Evans) to find Santa and save Christmas.
