Tag: chris-cooper

  • Movie Review: ‘Everything’s Going to be Great’

    Bryan Cranston and Benjamin Evan Ainsworth in Jon. S. Baird’s 'Everything's Going to Be Great' Photo: Lionsgate.
    Bryan Cranston and Benjamin Evan Ainsworth in Jon. S. Baird’s ‘Everything’s Going to Be Great’ Photo: Lionsgate.

    ‘Everything’s Going to be Great’ receives 6.5 out of 10 stars.

    Opening in theaters on June 20th is ‘Everything’s Going to be Great,’ which chronicles the ups-and-downs of a family who (mostly) work behind the scenes in a local Ohio theatre.

    Directed by Jon S. Baird (‘Filth’), the film stars Bryan Cranston (‘The Studio’), Allison Janney (‘The Help’), Benjamin Evan Ainsworth (‘Pinocchio’), Jack Champion (‘Avatar: The Way of Water’) and Chris Cooper (‘American Beauty’)

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    Initial Thoughts

    Benjamin Evan Ainsworth in Jon. S. Baird’s 'Everything's Going to Be Great' Photo: Lionsgate.
    Benjamin Evan Ainsworth in Jon. S. Baird’s ‘Everything’s Going to Be Great’ Photo: Lionsgate.

    The sort of small-scale, yet big-hearted comedy drama that looks to carve out space among the bigger movies at the box office, ‘Everything’s Going to be Great’ looks to mostly draw attention from its two leads and a quirky blend of coming-of-age misadventures, family tension and, just to mix things up, visions of long-dead entertainment figures.

    It’s something a little different from director Jon S. Baird, who is better known for the more vulgar likes of police comedy ‘Filth’, but has certainly dipped into theatrics before via his biopic ‘Stan & Ollie.’

    Script and Direction

    Allison Janney and Chris Cooper in Jon. S. Baird’s 'Everything's Going to Be Great' Photo: Lionsgate.
    Allison Janney and Chris Cooper in Jon. S. Baird’s ‘Everything’s Going to Be Great’ Photo: Lionsgate.

    Scriptwriter Steven Rogers has been cranking out screenplays for decades –– his resume stretches back to the 1990s likes of ‘Hope Floats’ and ‘Stepmom’ and his most recent produced screenplay was 2017’s ‘I, Tonya’.

    With all that experience, you might have hoped for something a little more solid and unique from his latest, which, while it is far from a failure, meanders along through some mildly entertaining moments but never really seems to come alive. Which is disappointing for a movie about characters whose lives are mostly lived in theatrical fashion.

    Bumbling along as patriarch Buddy (Bryan Cranston) struggles and schemes to score a contract at a new bigger theatre venue, it’s also partly focused on youngest son Lester (Benjamin Evan Ainsworth), who has his own dreams of stage stardom, but must first figure out more basics aspects of life, such as fitting in at middle school.

    Older brother Derrick (Jack Champion), meanwhile, has his own issues –– he’d prefer to live a more normal life, comprised of playing football and dating girls, and is sick of having to perform in musicals.

    Then there’s Macy (Allison Janney), who is really hoping things change for the family, but worries that she doesn’t have the same enthusiasm for theatre that her husband does, and is turning more and more to religion to find comfort.

    Bryan Cranston in Jon. S. Baird’s 'Everything's Going to Be Great' Photo: Lionsgate.
    Bryan Cranston in Jon. S. Baird’s ‘Everything’s Going to Be Great’ Photo: Lionsgate.

    I won’t spoil the big change that happens about a third of the way through the film, but it does at least spark some interesting, dramatic material for the characters, even the narrative doesn’t quite leave itself enough road to deal with everything effectively.

    As director, Baird mostly stays out of the way of the performances; aside from the occasional drop in from deceased creative people who offer advice to Lester from the great beyond, it’s a largely straightforward movie, visually.

    He does decent work coaxing good performances out of the younger cast in particular, but little stands out.

    Cast and Performances

    Allison Janney in Jon. S. Baird’s 'Everything's Going to Be Great' Photo: Lionsgate.
    Allison Janney in Jon. S. Baird’s ‘Everything’s Going to Be Great’ Photo: Lionsgate.

    As patriarch Buddy Smart, Cranston goes all in on the quirky, enthusiastic but humane theatre producer whose big Broadway dreams have been curtailed but whose spirit is undamped. It’s a fun performance, and he works well off of Janney and the two actors playing his sons. Even if his bushy mustache is doing half the work for him.

    As Macy, Buddy’s slightly more tamped-down wife, Janney’s always good at finding nuance in a role such as this, and when Macy moves more into the spotlight, she brings some depth of feeling and extra comedy levels to the part.

    Playing Lester Smart, Benjamin Evan Ainsworth has a few more levels to access, including the teen’s conflict between his theatrical side and the realities of young life in 1980s small-town America. He’s solid in the role and never showy, even when Lester chooses to be.

    Jack Champion manages to stay away from most of the jock/big brother cliches, and finds a good vibe with Ainsworth for a convincing sibling dynamic.

    Chris Cooper is fine as Macy’s brother, who the family has to move in with at one point, but he’s not given as much to do as he might.

    Elsewhere, Simon Rex has a good supporting part as Kyle, an actor who starts working for Buddy and Macy but causes some friction within the family.

    As for the ghostly visions of the likes of Tallulah Bankhead (Laura Benanti), Ruth Gordon (Chick Reid) and particularly Noël Coward (Mark Caven), they’re fine, but make little impact despite the talented people in the parts.

    Final Thoughts

    Jack Champion in Jon. S. Baird’s 'Everything's Going to Be Great' Photo: Lionsgate.
    Jack Champion in Jon. S. Baird’s ‘Everything’s Going to Be Great’ Photo: Lionsgate.

    While the movie is unlikely to burn up the box office or enter the cultural consciousness, ‘Everything’s Going to be Great’ is a decently funny and touching, if fairly slight, comedy drama.

    A fine cast and some good moments don’t really add up to a truly memorable movie.

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    What’s the story of ‘Everything’s Going to be Great’?

    As the Smart family wrestle with their over-sized dreams, they come to realize that the struggle to find your voice and your place in the world can happen no matter what stage of life you’re in.

    Who is in the cast of ‘Everything’s Going to be Great’?

    • Allison Janney as Macy Smart
    • Bryan Cranston as Buddy Smart
    • Benjamin Evan Ainsworth as Lester Smart
    • Jack Champion as Derrick Smart
    • Chris Cooper as Walter
    • Simon Rex as Kyle
    • Jessica Clement as Selena Roach
    • Mark Caven as Noël Coward
    • Laura Benanti as Tallulah Bankhead
    Poster for 'Everything's Going to be Great'. Photo: Lionsgate.
    Poster for ‘Everything’s Going to be Great’. Photo: Lionsgate.

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    Buy Tickets: ‘Everything’s Going to be Great’ Movie Showtimes

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  • Movie Review: ‘Boston Strangler’

    Keira Knightley as Loretta McLaughlin in 20th Century Studios' 'Boston Strangler,' exclusively on Hulu.
    Keira Knightley as Loretta McLaughlin in 20th Century Studios’ ‘Boston Strangler,’ exclusively on Hulu. Photo courtesy of 20th Century Studios. © 2022 20th Century Studios. All Rights Reserved.

    Released on Hulu today, ‘Boston Strangler’ faces the pressure of being both a true crime story and a crusading journalist narrative, which have been brought to screens in compelling and memorable form by stories such as Netflix‘s ‘Mindhunter’ and ‘Spotlight’. We bring up those two titles in particular, because this new movie comes across as a mash-up of both, even if it’s not quite playing on their level.

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    What’s the story of ‘Boston Strangler’

    One of the most infamous crime cases in history, the story of the Boston Strangler has already inspired several movies and TV series. Between 1962 and 1964, more than a dozen single women, ranging in age from 19 to 85, were killed in the Boston area, all of them strangled, their bodies posed provocatively by a mysterious attacker who came to be known as the “Boston Strangler.”

    Although convicted sex offender Alberto DeSalvo confessed to the crimes, there was no physical evidence tying him to the victims; he instead received a life sentence for a separate series of rapes and sexual assaults and was stabbed to death in prison years after his conviction. Speculation remains whether he was the sole perpetrator of the Strangler murders — decades later, the case is the subject of widespread fascination for many armchair sleuths and true-crime aficionados.

    Written and directed by Matt Ruskin, ‘Boston Strangler’ follows Loretta McLaughlin (Keira Knightley), a reporter for the Record-American newspaper, who becomes the first journalist to connect the murders.

    When we first meet her, Loretta is assigned to the lifestyle section, she pushes to do more crime reporting, even as her hard-bitten bosses think she’s not up to the job. Early stumbles don’t help with that impression, but she’s soon making progress.

    As the mysterious killer claims more and more victims and fear spreads across the city, Loretta attempts to continue her investigation alongside colleague and confidante Jean Cole (Carrie Coon), yet the duo finds themselves stymied by the rampant sexism of the era.

    Nevertheless, McLaughlin and Cole bravely pursue the story at great personal risk, putting their own lives on the line in their quest to uncover the truth.

    Carrie Coon as Jean Cole in 20th Century Studios' 'Boston Strangler,' exclusively on Hulu.
    Carrie Coon as Jean Cole in 20th Century Studios’ ‘Boston Strangler,’ exclusively on Hulu. Photo courtesy of 20th Century Studios. © 2022 20th Century Studios. All Rights Reserved.

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    What works about ‘Boston Strangler’?

    Ruskin, no stranger to true crime tales after ‘Crown Heights’ and a wealth of documentary experience, brings a sure touch to the new movie, which does convincingly follow in the footsteps of ‘Zodiac’ and other serial killer thrillers.

    Knightley and Coon of course bring great performances to the central roles, convincingly embodying women who are battling their bosses and trying to juggle family life even as they dig into the complicated case.

    Unlike, say, the recent ‘She Said’, which slightly suffered from showing the journalists digging into a case that was largely in the past, ‘Boston Strangler’ –– despite its period setting –– throws you right into the heart of the case as the murders are still happening, and the two women are under threat even as they work to find the truth.

    And that 1960s setting also means that the difficulties the pair face in convincing anyone to take them seriously are deeper and more shocking when viewed through today’s lens. When you have cops falsely claiming that a journalist was flirting with one of their officers to get information, you know the stakes are higher than just dealing with the crime.

    Refreshingly, Ruskin doesn’t shy away from the divisions that crept in between the two as the case continued, as their differing ideas on the investigation began to drag them apart (though they still remained friends afterwards). And despite a clear passion for their work, he crafts the characters as fallible humans, not just crusading angels.

    Around the central pair, the writer/director also builds a classy ensemble of veterans including Chris Cooper as editor Jack MacLaine, the man who reluctantly gives McLaughlin her shot at the crime desk. He’s a boozy, old school newspaper man who has connections to the cops that she’s frustrating but finds it within himself to back her when he realizes that she’s truly on to something.

    There’s also the likes of Alessandro Nivola as driven cop Detective Conley, who figures out that it’s better to work with McLaughlin rather than stonewall her, and Bill Camp as Commissioner McNamara, who resents her stories painting his department in a bad light, however true it might be.

    Alessandro Nivola as Detective Conley in 20th Century Studios' 'Boston Strangler,' exclusively on Hulu.
    Alessandro Nivola as Detective Conley in 20th Century Studios’ ‘Boston Strangler,’ exclusively on Hulu. Photo courtesy of 20th Century Studios. © 2023 20th Century Studios. All Rights Reserved.

    Are there problems with the movie?

    One major issue with the film late on is the pace, which slackens noticeably even as it should be ramping up. True, Ruskin is largely bound by the true story –– which can be both a blessing and a curse when you’re trying to make a compelling movie.

    Part of the frustration of this case, with none of the authorities able to pin down a suspect (and being massively negligent when it comes to digging into the case) translates to the screen as the story starts to drag a little.

    And Knightley, while breathing convincing life into McLaughlin, manages an American accent, but it’s not one you’d quite describe as “Bostonian” (especially given the real McLaughlin was born in Massachusetts) and it stands out even more given the accents around her (Coon, for example, sounds convincingly like she comes from the area). But it’s not a huge issue as you’re too busy following the journalists’ story.

    Though it’s a shame that Disney decided to put the movie on to Hulu rather than giving it a shot in theaters, you can see why it might be considered a risk –– unless you have the likes of David Fincher aboard, there’s a chance audiences won’t show up for such a dark, moody thriller in an age of giant franchise movies.

    Ably telling its story with just a few issues of its own, ‘Boston Strangler’ is a worthy addition to the genre blending journalism and crime.

    ‘Boston Strangler’ receives 8 out of 10 stars.

    Chris Cooper as Jack MacLaine in 20th Century Studios' 'Boston Strangler,' exclusively on Hulu.
    Chris Cooper as Jack MacLaine in 20th Century Studios’ ‘Boston Strangler,’ exclusively on Hulu. Photo courtesy of 20th Century Studios. © 2023 20th Century Studios. All Rights Reserved.

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