Tag: chloe-bennet

  • Heather Graham & Rosie Perez Join ‘The White Lotus’ S4

    (Left) Actress Heather Graham attends the 2010 Governors Awards in the Grand Ballroom at Hollywood & Highland in Hollywood¨, CA, Saturday, November 13. Credit/Provider: Matt Petit / ©A.M.P.A.S. Copyright: ©A.M.P.A.S. (Right) Rosie Perez arrives on the red carpet of the 94th Oscars® at the Dolby Theatre at Ovation Hollywood in Los Angeles, CA, on Sunday, March 27, 2022. Credit/Provider: Mark Von Holden / A.M.P.A.S. Copyright: ©A.M.P.A.S.
    (Left) Actress Heather Graham attends the 2010 Governors Awards in the Grand Ballroom at Hollywood & Highland in Hollywood¨, CA, Saturday, November 13. Credit/Provider: Matt Petit / ©A.M.P.A.S. Copyright: ©A.M.P.A.S. (Right) Rosie Perez arrives on the red carpet of the 94th Oscars® at the Dolby Theatre at Ovation Hollywood in Los Angeles, CA, on Sunday, March 27, 2022. Credit/Provider: Mark Von Holden / A.M.P.A.S. Copyright: ©A.M.P.A.S.

    Preview:

    • Heather Graham and Rosie Perez are among the latest cast members for ‘The White Lotus’ Season 4.
    • Mike White is once more writing and directing.
    • The new season will be set at a French resort.

    The roster of guests and staff positions continues to grow for the fourth season of Mike White’s hit HBO series ‘The White Lotus.’

    Heather Graham, Rosie Perez, Ben Schnetzer, Tobias Santelmann, Frida Gustavsson and Laura Smet are the latest names added to the list.

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    With creator White back as writer and director again, the cameras are set to start rolling next month.

    Related Article: Helena Bonham Carter & Kumail Nanjiani Among Latest ‘White Lotus’ Cast

    Who else is in the cast for ‘The White Lotus’ Season 4?

    Kumail Nanjiani presents the Oscar® for Live Action Short Film during the 98th Oscars® at the Dolby® Theatre at Ovation Hollywood on Sunday, March 15, 2026. Credit/Provider: Trae Patton / The Academy. Copyright: ©A.M.P.A.S.
    Kumail Nanjiani presents the Oscar® for Live Action Short Film during the 98th Oscars® at the Dolby® Theatre at Ovation Hollywood on Sunday, March 15, 2026. Credit/Provider: Trae Patton / The Academy. Copyright: ©A.M.P.A.S.

    As is usual for the show, the cast goes much deeper than that initial list. Season 4 will also welcome Helena Bonham Carter, Kumail Nanjiani, Max Greenfield, Chris Messina, Sandra Bernhard, Steve Coogan, Caleb Jonte Edwards, Ari Graynor, Marissa Long, Alexander Ludwig, AJ Michalka, Dylan Ennis, Vincent Cassel, Corentin Fila, Nadia TereszkiewiczChloe Bennet, Charlie Hall and Jarrad Paul.

    What’s the story of ‘The White Lotus’ Season 4?

    Aubrey Plaza in 'The White Lotus' season 2. Photo: Fabio Lovino/HBO.
    Aubrey Plaza in ‘The White Lotus’ season 2. Photo: Fabio Lovino/HBO.

    The actual plotline for the season remains unknown for now, but if past seasons are anything to go by, it’ll once more see the clientele of a White Lotus resort (this time with Château de La Messardière in Saint-Tropez, France rumored as a main location) dealing with issues of wealth, privilege, dysfunction and, of course, probably a death or two.

    Walton Goggins in 'The White Lotus' Season 3. Photo: Fabio Lovino/HBO.
    Walton Goggins in ‘The White Lotus’ Season 3. Photo: Fabio Lovino/HBO.

    List of Mike White Movies and TV Shows:

    Buy Mike White Movies on Amazon

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  • Helena Bonham Carter & Kumail Nanjiani Join ‘White Lotus’ S4

    (Left) Helena Bonham Carter arrives for The Oscars® at the Dolby® Theatre in Hollywood, CA, February 24, 2013. Credit/Provider: Bryan Crowe / ©A.M.P.A.S. Copyright: ©A.M.P.A.S. (Right) Kumail Nanjiani presents the Oscar® for Live Action Short Film during the 98th Oscars® at the Dolby® Theatre at Ovation Hollywood on Sunday, March 15, 2026. Credit/Provider: Trae Patton / The Academy. Copyright: ©A.M.P.A.S.
    (Left) Helena Bonham Carter arrives for The Oscars® at the Dolby® Theatre in Hollywood, CA, February 24, 2013. Credit/Provider: Bryan Crowe / ©A.M.P.A.S. Copyright: ©A.M.P.A.S. (Right) Kumail Nanjiani presents the Oscar® for Live Action Short Film during the 98th Oscars® at the Dolby® Theatre at Ovation Hollywood on Sunday, March 15, 2026. Credit/Provider: Trae Patton / The Academy. Copyright: ©A.M.P.A.S.

    Preview:

    • Helena Bonham Carter and Kumail Nanjiani are among the ‘White Lotus’ Season 4 cast.
    • Chris Messina, Max Greenfield and more will also show up.
    • The new series will be set at a French resort.

    From the start, creator/showrunner Mike White has been able to command an eclectic, often starry cast for HBO series ‘The White Lotus,’ which spins a murder mystery each season at a different resort from the titular fictional chain.

    And the fourth is no exception, as Helena Bonham Carter, Kumail Nanjiani and Max Greenfield are aboard the season.

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    They’re also just a sampling: the cast has swelled to also include Chloe Bennet, Charlie Hall and Jarrad Paul.

    Related Article: TV Review: ‘The White Lotus’ Season 3

    Who else is in the cast for ‘The White Lotus’ Season 4?

    Chris Messina as David Falk in 'Air.' Photo: Ana Carballos. © Amazon Content Servoces LLC.
    Chris Messina as David Falk in ‘Air.’ Photo: Ana Carballos. © Amazon Content Servoces LLC.

    As is usual for the show, the cast goes much deeper than that initial list. Season 4 will also welcome Chris Messina, Sandra Bernhard, Steve Coogan, Caleb Jonte Edwards, Ari Graynor, Marissa Long, Alexander Ludwig, AJ Michalka, Dylan Ennis, Vincent Cassel, Corentin Fila and Nadia Tereszkiewicz.

    What’s the story of ‘The White Lotus’ Season 4?

    Michelle Monaghan in 'The White Lotus' Season 3. Photo: Fabio Lovino/HBO.
    Michelle Monaghan in ‘The White Lotus’ Season 3. Photo: Fabio Lovino/HBO.

    The actual plotline for the season remains a mystery for now, but if past seasons are anything to go by, it’ll once more see the clientele of a White Lotus resort (this time reportedly in France) rocked by a suspicious death or two.

    With White writing and directing as always, the season will be shooting this year.

    (L to R) Jason Isaacs, Parker Posey, Patrick Schwarzenegger, Sarah Catherine Hook, and Sam Nivola in 'The White Lotus' Season 3. Photo: Fabio Lovino/HBO.
    (L to R) Jason Isaacs, Parker Posey, Patrick Schwarzenegger, Sarah Catherine Hook, and Sam Nivola in ‘The White Lotus’ Season 3. Photo: Fabio Lovino/HBO.

    List of Mike White Movies and TV Shows:

    Buy Mike White Movies on Amazon

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  • ‘Abominable’ Could Be a New DreamWorks Animated Classic

    ‘Abominable’ Could Be a New DreamWorks Animated Classic

    DreamWorks Animation

    In the span of a year, three animated films about the yeti will have been released. There was last September’s “Smallfoot” (animated by Sony and released by Warner Bros.), then this past spring’s “Missing Link” (a stop motion marvel by Laika) and then, this September, there will be “Abominable,” from DreamWorks Animation and Pearl Studios (formerly DreamWorks Oriental). It was just announced that “Abominable” will make its big premiere at this year’s Toronto International Film Festival, and just last week I was lucky enough to visit the edit bay for the movie, a select group of journalists were treated to about 30 minutes of the movie, along with select interviews with the creative principles behind the film.

    We’ll have more from those interviews later, but for now we wanted to just run through what we saw.

    First of all, it’s very clear that this movie is way different from those other yeti-focused films. Most importantly, the yeti in this movie doesn’t speak, unlike in those other films. This yeti, named Everest by the young girl who discovers him on her metropolitan Chinese rooftop, is more of an animal than a person. We were treated to a sequence where the girl Yi (Chloe Bennet) does a series of odd jobs to try and pay for a trip across China that she’s been desperately planning. Of course, she is interrupted by the arrival of this yeti (we didn’t see the sequence where the yeti escapes from a private lab and how he winds up on that rooftop, but it sounded exciting).

    One of the sequences we saw was a lengthy, dialogue-free sequence where she meets Everest, tries to help him repair his injured arm, and starts to understand that she’s got to return him to Mount Everest. It was a beautiful sequence, a stunning showcase of the animation and the performances that the animators gave Everest and Yi, the sort of thing that anyone working in animation loves to attempt. And, it should be noted, the animation even in an unfinished form, is absolutely astonishing and ranks amongst the best the studio has ever produced, particularly a moment when Yi plays her violin on the rooftop, the entire city opening up beneath her as she plays. It’s stunning.

    It should also be noted that the mood of the scene called to mind the early sequence in Steven Spielberg‘s “E.T.” when Elliot first makes contact with the extraterrestrial. This is especially true when Everest begins to hum, triggering some healing magic that echoes E.T.’s healing finger. (It also, maybe more directly, ties into the relationship between Hiccup and Toothless in DreamWorks’ own “How to Train Your Dragon,” which the poster for “Abominable” handily mirrors.)

    We were treated to several other sequences, one of which seems to take place near the end of the film and I will refrain from describing.

    One sequence had Yi getting Everest to a boat that is leaving her city. The yeti is hiding safely but she just can’t stay away, so she decides to make the leap (literally, from the dock) onto the boat and begin this grand adventure. She is also joined by a couple of her friends – Jin (Tenzing Norgay Trainor) and Peng (Albert Tsai). One sequence showed them escaping through a canola field. Everest uses his powers to turn the field into a giant “wave” that sends the characters cascading along. It’s a really striking sequence, and even after spending much of the morning with the team behind the animation, I still can’t quite figure out how they do it. It also is the first in a series of sequences where the animation is gently pushed into the realm of psychedelia. It was lovely to see an animated film really go there; to establish its own rules and reality and be able to push the animation to places we’ve never really seen before. This is especially true in a sequence we saw snippets of later in the day but didn’t seen the completed sequence. It’s late in the movie so I’ll refrain from describing it in too much depth but it’s really, really cool.

    Another sequence saw our heroes perched atop a giant Buddha statue; again through the magic of Everest (including a twist I won’t reveal here), the Buddha eventually becomes covered in incredible, glowing flowers. This is another sequence where dialogue is kept to an absolute minimum, allowing for the animation and the emotion to do the heavy lifting. (Generally, the artists working on the film bemoaned animated movies that were too “talky.”) It’s a moment of utter beauty and a kind of quiet, naturalistic spirituality.

    While we were watching the footage, the film’s co-director Todd Wilderman, described the movie as “a big adventure full of action and humor and heart” and we couldn’t agree more. This is a very different movie than those other animated yeti tales, combining a Ambin-esque storyline with a romantic portrait of modern China and some of the most beautiful animation we’ve seen in a recent big budget animated film. I’ll have more from our visit to the “Abominable” edit bay in the days ahead, but for now, I’ll just say that the footage floored me and I cannot wait to see the rest of this very special movie.

  • ‘Agents of S.H.I.E.L.D’ Star Defends Changing Her Last Name: ‘Hollywood Is Racist’

    Disney ABC Television Group Hosts TCA Summer Press TourIt all started with “Agents of S.H.I.E.L.D.” actress was called out for changing her own last name, in what was seen as a hypocritical move. So Bennet — born Chloe Wang — responded by arguing that she did what she felt she had to do to move forward in a racist white-centric industry, and she hopes she’s the last to feel the need to go that route.

    First, here’s her post thanking Ed Skrein for standing up against “Hollywood’s continuous insensitivity and flippant behavior towards the Asian American community”:

    And here’s her reply when challenged about changing her own last name:

    Bennet, 25, was born in Chicago to a Caucasian mother and a Chinese father. (Her father’s name is Bennet Wang, which is how she ended up taking Bennet as her last name.)

    Bennet told the Toronto Star back in 2014 that within days of adopting her new last name, she landed her first big acting gig on “Nashville.”

    “I was having trouble booking things with my last name. I think it was hard for people to cast me as an ethnic, as an Asian-American woman. But I still wanted to keep my dad’s name, and I wanted to respect him, so I used his first name.”

    She praised “S.H.I.E.L.D.” for having a diverse cast, and allowing her to share screen time with another Asian-American actress, Ming-Na Wen:

    “It’s been great to be a part of a show which is groundbreaking in terms of being an American woman and being Asian on television because there’s people who don’t see a lot of that and I’m really proud of it.”

    People change their names for all kinds of reasons in Hollywood (and sometimes in other industries, like authors with pen names) and she certainly doesn’t seem ashamed of her Asian heritage. If casting directors really did hesitate just based on the last name Wang, then the problem is with them, not her.

    Bennet will return as Daisy Johnson/Quake in “Agents of S.H.I.E.L.D.” Season 5, which will premiere in late 2017.

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  • ‘Agents of SHIELD’ Star Chloe Bennet Calls Out Marvel for Ignoring the Show

    Marvel prides itself on its interconnected cinematic universe, plugging heroes from different franchises into each other’s films and using established characters to launch new series. The studio used the tactic most recently in its latest blockbuster “Captain America: Civil War,” which pits members of the Avengers crew against each other. Now, it seems there may be a new conflict brewing, this time between Marvel’s movie and TV properties.

    Actress Chloe Bennet, who stars on ABC show “Agents of S.H.I.E.L.D.,” fired the first shots during an appearance at Wizard World Des Moines this past weekend, when she said that the studio has routinely ignored its television series. According to Bleeding Cool, when asked why Avengers haven’t shown up to help the folks at “S.H.I.E.L.D.” handle some major threats, the actress said she didn’t know — and that she thought it was pretty ridiculous.

    “I am kind of, like, ready for Steve Rogers to make an appearance on our show. I’d be okay with that,” Bennet told the crowd. “And like, where’s Romanoff? Where’s the Avengers? … People who make movies for Marvel, why don’t you acknowledge what happens on our show? Why don’t you guys go ask them that? ‘Cause they don’t seem to care!”

    Bennet also added that she’s interested in taking her small screen role of Daisy Johnson to the big screen in a Marvel flick, but because of the studio’s apparent disinterest, she doesn’t see that happening.

    “The Marvel Cinematic Universe loves to pretend that everything is connected, but then they don’t acknowledge our show at all,” she told the Wizard World crowd. “So, I would love to do that, but they don’t seem too keen on that idea.”

    No word yet on what Marvel has to say about Bennet’s claims, though considering the show’s low ratings, and ABC’s continued shuffling of its timeslot (it’s moving yet again in season four), it sure seems like the series — which was billed as a big synergistic partnership between ABC and Marvel, coordinated by parent company Disney — could use some support/attention from the more famous Marvel heroes. Fans will have to wait and see if anything changes next season. (Or if Bennet is suddenly mysteriously killed off for speaking out of turn.)

    [via: Bleeding Cool]

    Photo credit: ​Jordan Strauss/Invision/AP

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  • ‘Agents of S.H.I.E.L.D.’ Stars Ming-Na Wen & Chloe Bennet on Diversity, Marvel, and Strong Female Characters

    Disney ABC Television Group's 2015 TCA Summer Press Tour - ArrivalsFor a generation of young women watching television today, S.H.I.E.L.D. agents Melinda May and Daisy Johnson will linger in their minds as idealistic — but not idealized — versions of what a woman can be: powerful, capable, clever, altruistic, athletic, diverse, and even a little flawed.

    And Agents of S.H.I.E.L.D.” leading ladies, admit they are acutely aware of just how important their characters are when it comes to both female representation and diversity on TV: Wen was born in Portuguese Macau and lived in Hong Kong before moving to the U.S. as a child; Bennet’s father is Chinese American, her mother is Caucasian and she periodically lived in Chicago, Beijing, and Shanghai during her youth.

    During a visit to WonderCon in Los Angeles, the actresses joined Moviefone for a frank, forthright discussion about the superheroic significance of their characters, playing their roles as fully dimensional women rather than masculinized action-babe stereotypes, and the continuing challenges of finding great roles for Asian American women in Hollywood.

    Moviefone: Whenever you guys get in front of the fans at an event like WonderCon, what’s the fun of it? Is there any fear of it?

    Ming-Na Wen: I think the fans fear us. They should. [Laughs]

    Chloe Bennet: I would fear us. Just kidding. It’s really cool because we shoot for 10 months out of the year, and we’re in this bubble of Marvel land and this universe that I feel like I spend more time in than I do in my real life. So it’s fun to kind of stick your head out of that and go, “Oh, people are watching what we do every day.”

    And that’s a little intimidating because you realize that we shoot so many days of the year, and you’re not going to have good days that year, but that will end up on camera, and you will be seen by these people. I don’t know. It’s a little intimidating, but it’s fun. It’s fun to see the people watching the show.

    Wen: I think for me, it’s just such a joyful experience. There’s really nothing like Marvel fans, and “Agents of S.H.I.E.L.D.” fans are incredible. They range in such a wide range of ages and diversity.

    Bennet: In every sense of the way. Ethnically diverse…

    Wen: What I love most of all is when the kids are coming up and the moms and dads are saying how much the characters inspire them. Especially the strong female characters that are on our show.

    Bennet: I have a soft spot for younger girls. Especially younger — well, obviously, Asian girls for me. When I was a kid I didn’t think that I could be on TV without being blonde and that kind of thing. And to see young girls be like, “I feel like I can do that too!” now, it’s cool to have that.

    That’s the kind of thing I wanted to get into. First of all, this is a great time for women to get action-oriented roles, and you were right at the beginning of the movement. Tell me what that’s meant to you to be there, after it was mostly ladies like Lynda Carter, Lucy Lawless, and Carrie Fisher for a long time…

    Wen: I grew up with Sigourney Weaver as well. I mean, a lot of strong female characters were out there, but they were so sparse that they really stood out, whether it was a Princess Leia or whether it was Wonder Woman, like you said.

    I just think that right now it is incredible. It seems almost like the female strong characters have become more popular than some of the male characters, and that’s extraordinary — and we don’t have to be in these revealing outfits. It’s just about who they are and what they can do and what they’re capable of as opposed to what they look like, really.

    Bennet: For such a long time, I feel like strength was portrayed as a masculine thing. That’s still something I’ve struggled with on the show, making sure strength comes from my vulnerability and my sensitivity and my traits as a woman, rather than catering to the socially accepted version of strength meaning, “I don’t show emotion.”

    There’s so many times they’re like, “We want you to be stronger,” then they specified being a little bit more masculine. To me, that’s not necessarily, that’s not the only version of what being strong means. So it’s been really fun to play a wide range of what strength means and what it means in terms of being a woman. It’s just really cool.

    We’re on the right side of history right now. We’re in a group of superheroes and women and 90 percent of the stunts done on our show are done by the women. And Ming is incredible.

    Wen: Oh, so are you.

    Bennet: It’s insane. It’s insane.

    Wen: I’m just glad my body holds up and I can still move.

    Bennet: Like, more than holds up. It’s amazing.
    ABC's "Marvel's Agents of S.H.I.E.L.D." - Season Three Let’s talk more about the diversity angle. Chloe, you mentioned how much it means to you to be on TV when you never thought you might have.

    Wen: I was on TV though!

    Bennet: You really were. “Mulan” straight up was…

    Wen: “Mulan” is a gift from Disney for sure.

    Bennet: “ER” and “Mulan.” I’m from Chicago. My mom’s a doctor who worked at Cook County Hospital.

    Wen: I know, that’s so cool.

    Bennet: So that’s crazy. And “Mulan” and “The Lion King” were the only Disney movies I ever saw, so you really were a huge inspiration growing up, even if I didn’t know it. But there were still not a lot of people like me on TV. I remember looking at my dad and thinking, “Oh, my friends’ dads don’t look like this. The dads on TV don’t look like this. What does that mean about me? There’s no way. I’m from Chicago — I’m going to be able to go and pursue this.” So now having young girls of any ethnicity really come up and say, “I heard your family is diverse and you’re half Chinese…”

    Wen: And I know that you don’t want to talk about it — maybe you do — but I just feel that you have a double whammy situation, too, because you are a mix. So she has the struggle of whether not looking Asian enough for a part, or not looking caucasian enough. And it’s just so crazy to me because we are in America for crying out loud, where that is what it’s about! It’s about mixing races. It’s about diversity in that respect.

    Bennet: There’re so many roles that I don’t get.

    Wen: The fact that there’s still this sort of pigeon-holing of what you’re supposed to look like to represent a certain race to me is just so archaic, it drives me insane.

    Bennet: That’s what’s so great about the show, though. People were cast because of who they were, and not because of what they looked like or what ethnicity they were. I mean, Agent May was originally Agent Rice, right?

    Wen: Which is ironic.

    Bennet: Clearly, she wasn’t meant to be Asian because that would have been way too obvious.

    Wen: In fact, once I auditioned and got cast for the part, one of our executive producers, Maurissa Tancharoen, immediately was like, “OK, we need to change the name now because Agent Rice just might not fit very well.”

    Bennet: But that colorblind casting is what I think our show does so well.

    Wen: I’m proud of it.

    Bennet: There were so many different people of all ethnicities. I loved it. It made me want the part even more because if that’s the type of casting that was happening, people behind the show knew what they were doing, obviously.

    Wen: Right.

    Bennet: It’s cool, but it is a struggle. I cannot tell you how many times I’ve heard, “Well, she’s not white enough to be the lead, but she’s not Asian enough to be the best friend.”

    Wen: That thinking just needs to stop; it really does.

    Bennet: How about “I’m right for the part,” and that should be what it’s about. It really is — it’s frustrating. And to think that that’s still an issue…

    Wen: It’s interesting too, because that’s what I love about Marvel. It does reflect on our society right now and the humanity issues going on. Right now, our characters are dealing with the Inhumans and the bad guys, the Hydra, and delegating whether Inhumans have these rights or those rights, rather than accepting them. The people that don’t understand them feel completely threatened by them.

    Bennet: It feels very relevant.

    And there’s not just two of you. There’s Elizabeth [Henstrridge], Adrianne [Palicki], your showrunner Maurissa, guest stars — all strong women in front of and behind the camera. What’s it meant to have that sort of sisterhood of S.H.I.E.L.D., and not just have it be a mostly-boy’s club?

    Wen: The token girlfriend.

    Bennet: It’s definitely not a boy’s club. It’s definitely a show about strong characters…

    Wen: But equality.

    Bennet: …whether male or female. We have a really strong group of male characters. The vulnerability lies in things that are really relatable, rather than needing someone to … but there is that element of people. I think there’s a couple moments Daisy feels like she needs to be rescued, and that’s an issue she has. She has a deep-rooted issue: “I don’t need to be rescued, and I keep messing up and this has happened.”

    Wen: But what’s so great about Skye turning into Daisy’s character that I love so much is about this young girl who’s kind of lost and who’s independent in her own way, and yet as she becomes more accepted into a family environment like S.H.I.E.L.D., and yet even through all her changes and confusion, she’s becoming a leader as well. She’s fighting through all that adversity and all the challenges and finding herself.

    I mean, that couldn’t be any more of a better role model. I have a teenage daughter right now. I see her going through that. Definitely, she can’t start an earthquake — thank goodness! But you see this struggle, and yet you see her overcoming. I think that’s the correlation of these strong female characters — that no matter what challenge is being dealt to them, they do find a way on their own, with or without a man. They’re incredibly resilient to just have the inner confidence to survive and come through.

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