Tag: chips

  • Here’s How ‘Power Rangers’ and ‘Beauty and the Beast Crushed It at the Box Office

    Hollywood seems to think remakes are easy ways to make money; just pick a familiar title and let nostalgia do the work for you. Actually, as remake-weary viewers know, such movies are hard to do right.

    This week’s box office, however, proves it can be done, given the continuing success of “Beauty and the Beast” and the estimated $40.5 million debut of “Power Rangers.” Disney’s live-action remake of the animated classic held on to the top spot in its second weekend, with an impressive $88.3 million. (Some pundits predict that tally could go up to $90 or $91 million by Monday, a crazy-good total for a second weekend.)

    The weekend results also offer a cautionary tale of how not to do it, with “CHiPs” opening well below expectations in seventh place, with an estimated $7.6 million.

    Why did digging up the past work so well for “Beauty” and “Power Rangers,” and so poorly for “CHiPs”? Here are the reasons.

    1. Audiences Love Some Nostalgia — Unless You’re ‘CHiPs’
    “Beauty” and “Power Rangers” both date back to the ’90s, yet neither ever really went away.

    From the show and about $6 billion worth of toys out there.

    “CHiPs” (that’s how they spelled it then) may have had a big pop culture footprint 40 years ago, but aside from whatever lingering fondness our culture still has for the NBC motorcycle cop action series, which ran from 1977 to 1983, but the show hasn’t been seen much in reruns since then. So it’s hard to imagine too many fans, new or old, yearning to see Ponch and Jon ride side by side down the Pacific Coast Highway once more.

    2. Update What Fans Love
    “Beauty” maintained fan loyalty by not changing much at all. It did add just enough novelty (It’s live-action now! With IMAX-worthy spectacle! And some intriguing sorta-gay subtext!) to justify the new version’s existence.

    “Power Rangers” was a trickier adaptation. The original was fun and campy and colorful but also thoroughly juvenile. What could give the Lionsgate remake appeal to fans who are now grown-ups as well as teens who’ve never seen the old show? Make it into a young-adult sci-fi/fantasy movie (with a strong dose of Marvel). This YA-y approach worked very well for Lionsgate in the past, with the “Twilight” and “Hunger Games” franchises. The result seemed to hit the demographic sweet spot, with the movie drawing an audience that was 50 percent over age 25 and 30 percent under 18.

    “CHiPs” underwent a more radical overhaul, with writer/director/star Dax Shepard playing up the comedy and giving the characters elaborate backstories. In other words, it’s “CHiPs” in name and premise only; most of what original “CHiPs” fans may have loved about the old show is gone. Granted, this approach worked for the “21 Jump Street” movies, but at least those were well-written and acutely self-aware. And they also had one asset that “CHIPS” lacks —

    3. Star Power
    The “Jump Street” movies at least had proven box office draws in Jonah Hill and Channing Tatum. “CHIPS” stars Shepard and Michael Peña are not proven ticket-sellers, and they’re both lacking in the charisma department; they’re not even as charming as Estrada and Larry Wilcox were on the small screen. With all this stacked against the film, on top of audiences not caring about the TV show at all anymore, it’s amazing (and crazy) that Warners pulled the trigger on it at all. Let alone thought it was a good idea to begin with.

    “Beauty” and “Power Rangers” both get by without star power being much of an issue. Because the titles and brand are the draw. “Power Rangers” features “Hunger Games” alumna Elizabeth Banks in a well-tailored role as its diva villain, but no one’s coming to see her; it’s all about the quintet of heroes in the candy-colored costumes.

    4. Buzz Means Everything
    “Beauty” did just okay with critics (earning a 71 percent “Fresh” on Rotten Tomatoes) but wowed audiences, who gave it an “A” CinemaScore. “Power Rangers” did not wow critics (46 percent on RT), but audiences ate it up anyway and gave it an A CinemaScore, too. Both benefitted from strong word-of-mouth, which was not the case for “CHIPS.” Neither critics nor audiences cared much for it, judging by the movie’s 20 percent RT rating and B- CinemaScore.

    5. Family-Friendly Ratings
    It probably didn’t help that “CHiPs” was rated R, indicating a raunchiness that would both repel fans of the squeaky-clean TV show and keep out younger viewers.

    “Power Rangers” may be a lot more mature than its TV source, but it’s still rated PG-13, the ideal rating to draw fans who want to see a movie with some grit but without keeping young ticketbuyers away. Even “Beauty” is rated PG, which is about as far as it can go to indicate grown-up content while still being a family movie.

    6. Timing
    March has been a huge month for summer-style blockbusters, but this weekend was especially crowded, with three new wide releases competing. “Beauty” certainly benefitted from having last weekend all to itself. Still, even with the movie doing just half the business of last weekend’s record-smashing debut, “Beauty” was still impossible to compete with, doing about $28 million more than the three new wide releases combined.

    The week’s lone new movie that wasn’t a remake, sci-fi/horror thriller “Life,” should have been a bigger draw for women, both because of its horror premise and the casting of both Jake Gyllenhaal and Ryan Reynolds. Nonetheless, the film opened in fourth place, underperforming with an estimated $12.6 million. “Life” failed to draw women (its audience was just 45 percent female), maybe because they were all still lining up for “Beauty.”

    You’d think “Life” would have done well, thanks to its star power and decent reviews. But audiences didn’t like it (it earned a dismal C+ at CinemaScore), suggesting that the movie would have done poorly even on a less competitive weekend.

    It’s this kind of disappointing result, for an original screenplay filmed with a star-studded cast on a modest budget ($58 million), that leads Hollywood to believe it’s safer just to keep filming remakes.

  • Why CHIPs Star Kristen Bell Loves Working with Husband Dax Shepard

    Kristen Bell of CHIPS
    Kristen Bell of CHIPS

    Why Kristen Bell Loves Working with Husband Dax Shepard

    She loves a man in uniform and she loves a man on a motorcycle. Luckily for Kristen Bell, she gets a little of both in husband Dax Shepard in their new comedy “CHIPs.”

    Shepard wrote and directed the reboot of the old TV show about California Highway Patrol officers in their latest collaboration.

    “I loved working with my husband,” the actress tells Made in Hollywood reporter Julie Harkness Arnold. “I married him because I like spending time with him. I also married him because I trust him. And that’s really what it is. When we work together we get to spend time together.”

    Kristen Bell Defers to Dax Shephard on Set, But at Home …

    Professionally, Shepard knows just how to treat her, she says.

    “He writes to my strengths when he writes roles for me,” says Bell, who has appeared with Shepard in commercials and in the comedy “Hit and Run,” which he also wrote and co-directed. “So it’s perfect, because I know he wants his movies to look good. But he wants me to look good. It’s a safety net. I know he’s on my team. I would work for him any day of the week.”

    So does she ever feel compelled to offer some helpful suggestions?

    “At home, for sure,” she says. “But he knows a lot more about moviemaking than I do. And our whole life together is: Best idea wins. So if I have a better idea at home, it wins. If he has a better idea on set, it wins. It’s not really about who comes up it. … It’s not an ego competition.”

    Bell never watched the original TV show, though she did have her minor encounters with with the lawmen of the highways while growing up in Michigan.

    “I haven’t actually ever been pulled over in California,” she says. “When I was a teenager, sure, because you’re speeding all the time when you’re a teenager because you don’t realize the rules exist to keep people safe.”

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  • Dax Shepard Encouraged Wife Kristen Bell to ‘Suck Off Josh Duhamel’s Mustache’ in ‘CHiPs’

    People's Choice Awards 2017 - Red CarpetIf you ask Kristen Bell, her Good Place is working alongside her husband.

    Her previous collaborations with her actor/writer/director hubby Dax Shepard have included her films “When in Rome” and “Veronica Mars,” his film “Hit & Run,” commercials for various Samsung products and that epic homemade African vacation video set to Toto’s “Africa.” And now, Bell’s got a choice, bitchy role in “CHiPs” (out Friday), Shepard’s latest on-screen and behind-the-lens project, playing the indifferent, almost-single-and-already-mingling soon-to-be ex-wife to his motorcycle officer Jon Baker.

    And after a considerably great career year that included the success of solo projects, like her clever new series “The Good Place” and her film “Bad Moms,” Bell reveals that she’d have no qualms if the couple worked side-by-side as often as they’re able for the rest of their careers: for example, he even handpicked the hot, handsome actor she gets to make out with in front of him without batting a jealous eye.

    But, as she reveals to Moviefone, “Dateline NBC’s” Keith Morrison could have a shot … if only his wife were more flexible.

    Moviefone: I want you to walk me through this. Usually, you’ll get a gig, and you’ve got to say to Dax, “I’m going to be kissing this guy in this movie, this is what the director needs from me.” The situation’s is a little different with this one. Did you get to pick the guy you get to kiss?

    Kristen Bell: Sort of. Weirdly, Dax is very disconnected from sexual interactions on camera. He doesn’t really think they count, and, in a way, they don’t. But he very much encouraged me to try and suck off Josh Duhamel‘s mustache.

    We knew we needed a babe. Josh is the No. 1 babe we know. We just called him out of the blue and said, “Would you do a day on ‘CHiPs’? Can we write you in? Because we need a hunk.” He said, “Of course!” We were very grateful.

    Then I just adore him so much, and he played that part so sincerely. That’s why it was so funny, because when you’re hearing Jon moan in the background in pain and Karen is ignoring him, and Josh’s character Rick is like, “Is he OK?” It’s so real, it’s heartbreakingly funny.

    Were you testing Dax at any point to see how far you can go with this and see if I can get any kind of reaction?

    I know for a fact I would never get a reaction. I could have put my hands down Josh’s pants, and the only person I would have surprised — or offended — is Josh.

    Does it work the other way around, when you see him do love scenes?

    Sometimes. At one point on “Parenthood” I was like, when he was making out with Minka Kelly, I’m like, “Oh, you didn’t let me know that this happened.” And he was like, “Am I supposed to just announce it to you?”

    It is a weird, touchy situation because you should technically tell your spouse, but at the same time, you don’t want to make a big deal out of it. But you know what? I think that if he gets a freebie here and there, good for him. Good for him!

    Do you guys have certain rules or philosophies about when you work together, like there’s a professional mode you try to be in?

    Because we’re in the acting world, a lot more slides. We’re allowed to have PDA. Yeah, if we were at an accounting firm or a lawyer’s firm, we probably couldn’t have as much PDA as we have on set. But because it’s a community of artists, a lot more is taken with a grain of salt. We don’t actually separate anything. I married him because I enjoy spending time with him, and I trust him. Those are the same reasons I want to work with him.US-ENTERTAINMENT-GOLDEN-GLOBE-ARRIVALSI think a lot of people in Hollywood are afraid to work with their significant others — they don’t want to appear to come as a packaged deal always, or whatever. Do you guys feel that way? Or would you rather do almost everything together?

    I would do everything together. I’m not sitting in the audience of my life. I’m not watching how I’m being perceived, I’m not tracking how I’m being perceived. I don’t really care. I care if I wake up happy and I go to bed happy. So I could try to keep tabs on this idea of who people think I am, or where they think I fit, but it’s all so meaningless, and it changes with the wind. I just care much more about being happy on a day-to-day basis, so I want to be with and work with my husband.

    What is especially fun about working with him, just him as the creative artist?

    That he creates a dynamic on set where the No. 1 priority is fun. He has a meeting, I guess it’s about once a week, with everybody on set, where he calls everyone to a huddle and he says, listen, “We are here to have fun. First and foremost, we are making movies. Everyone wants to do this. We are the lucky ones, which means we have a responsibility to have fun. If you’re not having fun, come see me, let me know how I can help. If you don’t want to be here, you’re welcome to go. God speed in everything that you do. But let’s accomplish this day with having a lot of fun.”

    It makes me just levitate with pride to see the man I love conduct himself like that, and be an influence of joy over so many people.

    Where do you fit into his world of being a gearhead with cars and motorcycles? Is there any place in there for you?

    No, the blender confuses me! That is not my world. I have no interest. I like that he likes them. I watch a lot of motorcycle videos with him, and I smile, and I nod. I love him so much, and all of his cute interests.

    Are you seeing your kids being drawn into that? As the protective mom, are you like, “Um, hey …”?

    Our oldest daughter just learned to ride a bike, yesterday actually. No, it’s not something I hesitate on, because they wear their helmets. If they’re interested in it, my hesitancy isn’t going to make them uninterested in it. I think you have to follow the kid. They’re not going to do anything too dangerous that I’d ever have to be worried about.

    Do you see little actors in them yet?

    Yeah, they both have a flair for drama. But I think all two and three-year-olds do. But yeah, they do both like to tell jokes, which is kind of cool.

    Are they good at telling their jokes?

    For a two and three-year-old, yeah. Like calling things different names, pulling the one-two switcheroo. Yeah, they’re pretty decent at it.

    What’s the fun of playing a shitty person?

    It’s just so exciting to be that selfish. It also feels very wrong, and very, what’s the word? It feels risky, and a little scary, which is what makes it fun. Because I would never act that way in real life, because I’m too worried about the consequences. But in pretend mode, there are no consequences.

    You had a real high-wire act of doing that on “The Good Place.” But keeping her somebody that we still are invested in, and talk about a payoff. That season was fantastic.

    Oh, I’m so happy!

    Tell me about finding how to indulge in her worst attributes, but still keep the audience invested in her.

    That’s what I love most of all, is seeing someone on paper who is inherently unlikable, and figuring out how I can force you to invest in her. How do I captivate you enough that you’ll root for me, despite doing all these hideous things?

    It’s just one of my favorite challenges, and I think that a lot of it is something I can’t describe, that I can only sort of feel when I’m doing something that is likable, or emotionally interesting, or when I can bate someone to root for me. I can’t really describe when I’m doing that, but I feel like when I’m reading characters, like when I read “[Forgetting] Sarah Marshall,” or I read Eleanor from “Good Place,” I inherently know where to place those things.

    Were you watching closely the reaction to the finale? Were you keeping an eye on social media and that kind of thing?

    A little bit. I looked at it the day after, and I was very, very happy with the response. Because I was worried people would figure it out.

    How much do you know about what’s ahead? Are you at full stop like the rest of us, or … ?

    More than I wish I did!

    Really?

    Mike Schur just pitched me Season 2 and possibly Season 3, then also threw out a couple actual endings of where it could go. I don’t know if ending is the right word. He is an incredibly impressive individual, and it is very exciting to be a part of a show that literally has no boundaries, because you can do anything.

    When we’re having this pitch conversation, I’m like, “How are you even going to show that? What do you even mean?” The ideas are very big. They always relate to a lesson in ethics or morality. It always ties in with something greater. Its heartbeat is still comedic, and I’m just unendingly impressed with our writers’ room for thinking of these weird, weird-ass ideas.

    You mentioned the ethical conundrums that “The Good Place” brings up, and we’re in interesting moment in the world, ethically, where I think we’re all looking at what’s right and what’s not right. What do you think people can draw from looking at a character like Eleanor, who seems like a crappy person on the surface, but has redeeming features? How do we apply that to the world that we’re living in now?

    I believe in second chances. I think that’s what this show also explores. I also believe in symbiotic relationships, and that the world has to be a compromise. And that it’s very dangerous when you put one person’s needs above another’s, because there’s that book they keep quoting, “What We Owe to Each Other.” It’s important and necessary for our survival for us to live a harmonious life, and I think as long as that’s valued, everything can get better.

    But that also requires listening to the people you disagree with, from both sides. My takeaway from the last year of Earth is, I’ve refused to be in an echo chamber. I don’t believe people are inherently evil. I want to listen to people with opposing viewpoints. I want to understand why they believe that.

    Because something we’ve forgotten is that most of us want the same things for our country. We want better education. We want better healthcare. We want everyone to be safer on the streets. So we just have to figure out the best solution. Not tear each other down, while also not accomplishing anything.

    It’s not easy to break out of those echo chambers, because I’ve been actively attempting to do just that.

    It’s still hard. But you have to do it. There is no solution if you don’t do it.

    And “Bad Moms” — when I heard the next one was going to have the Christmas element, I’m like, that is genius on a story level, that’s genius on a marketing level. What gets you excited about putting those characters in the holiday context?

    Yeah! Particularly Kiki, because she’s so easily stressed out, and she’s such a people-pleaser. Those are the two things you need to put to bed in order to survive the holidays. I’m excited just to work with everybody again, but I think that’s the only place it could go. It’s the one thing that’s bigger than the mom drama, is holiday drama.

    Tell me about your opportunity to interview “Dateline’s” Keith Morrison. Everything you hoped for and more?

    Everything! Sweeter than I imagined. Absolutely sweeter, and more nervous than I imagined. He was very nervous, more nervous to be in the seat of the interviewee than I was to be in the seat of the interviewer.

    You were ready — that was apparent.

    But I didn’t feel it. Look at him. I was like, this is the guy to be interviewed by, and I’ve got to flip the script here.

    Where did your Keith fandom begin?

    We love true crime, and I think, over the last 10 years, we’ve watched a lot of television. We stumbled upon “Dateline.” It’s on every night of the week. It used to be our nightly show. That’s kind of morbid, but it was also very interesting, and we just were captivated by this storyteller who his narration was incomparable to anyone else’s, his vocabulary, his smoky pipes. It was just, you wanted him to narrate your life. So it’s no surprise that he’s the voice of Waze now. That’s who you want to tell you how to get where. Yeah, and we just both slowly fell in love with him.

    What was the fun fact that you walked out of there with about Keith?

    That he’s as in love with his wife as I am with my husband. Because we were talking about how lucky in love we are, and how that matters above all else, and he said the sweetest thing: because I’ve said he’s my hall pass before, he said, “You know what my wife said to me as I left this morning?” He goes, “‘Hey, you’re nobody’s hall pass.’” And I said, “God, I respect her so much. That’s exactly what she should say to you. That is exactly what she should say to you.”

    You’re going to take some time off in the fall. Can we expect a new vacation video from you guys?

    If we get on vacation, I will do my damnedest! Yeah, we’ve blown it a couple times, because we’ve gone to places where we were like, “We should have looked up a song to do here.” After we did it, we tried to make a commitment, but we blew it. We blew it.

    You’ve been working so much lately. What do you want to do? What parts of your life to you want to connect more with or expand out with some time off?

    I really want to learn to sew. Probably wasn’t the answer you were expecting, but I do. I’ve been really thinking about how to research to buy a good sewing machine, because I really want to learn to sew. I don’t know why. I just want to.

    I love doing stuff with my hands. I do a ton of crafts with my kids. That stuff makes me happy. I’m feeling my nurturer-gatherer, want to like use glitter and sew at home. I don’t know. I’ll probably have a line of, like, kitten puffy paint sweatshirts on Etsy by the fall. I really want to learn to sew. And we really want to go on an RV trip with our family — like, drive around the country.

    If you don’t shoot that — come on! You’ve got to shoot that.

    Oh yeah, we’ll shoot that for sure, for sure, for sure! Yeah, we really want to take our kids in an RV.

    There’s not much I’m feeling I’m lacking — other than the sewing machine — because we go to the sand dunes a couple times a year, so he gets to off-road. That means we get to live in the motor home, which we love. We travel for work. We see cool places. I get to play dress-up for premieres. The other days of the week, I take my kids to school. So I feel pretty fulfilled.

  • Dax Shepard Talks ‘CHiPs’ Stunts, Worshipping Toto, and That ‘Scooby-Doo’ Project

    Celebrities Visit Univision's 'Despierta America'If the favorite TV show of your youth had a major high-speed element to it, chances are Dax Shepard might be interested in modernizing it for the movies.

    A self-admitted enthusiast of all things motorized and fast, Shepard’s the first to admit that the despite enduring in many viewers’ memories for four decades, story- and premise-wise there wasn’t a lot of there there in the TV series “CHiPs,” which nevertheless ran for six well-rated seasons on NBC from 1977-1983, best recalled primarily for the motorcycles, the tan California Highway Patrol uniforms and Erik Estrada‘s mega-watt smile.

    That was enough for writer/director/actor Shepard, who, after enthusiastic reviews for his 2012 feature film “Hit & Run,” was hot to helm another supercharged action-comedy and found that “CHiPs” provided all the basic ingredients he was craving but also left him plenty of room for reinvention. With Michael Pena playing Ponch and taking on the Jon role himself, Shepard recruited a cast with razor-sharp chops in both comedy and drama — including Vincent D’Onofrio, Adam Brody, Rosa Salazar, Jane Kaczmarek, and his wife Kristen Bell – and revved the engines.

    And as Shepard reveals to Moviefone, there’s a few more TV-to-big-screen prospects on the horizon — just as long as he gets to do his fair share of stunts.

    Moviefone: Let’s look back to your very first impressions of the TV show “CHiPs” when it was on the air. Were you a kid that like immediately went out and got on your bike right afterwards and tooled around the neighborhood like you were Jon or Ponch?

    Dax Shepard: I did do that, but in all honesty, my brother and I were more likely to be playing Bo and Luke Duke — we both wanted to be Bo Duke. What I really remember about that show was, I was in cold and gloomy Detroit, which was grey for eight months of the year. So you turn on this show, and it was California for an hour. It was palm trees and beaches, then this totally odd couple for us in Michigan: it’s a Latino guy and a white guy, and they’re on motorcycles.

    So those things I loved as a kid: motorcycles, California, and Jon and Ponch somehow, I liked those guys. I didn’t follow the plots of many of those episodes. As I watched them when I was writing this, they make maybe even less sense to me. So what I zeroed in on, the thing I thought made it a globally appealing show, was those things: California and motorcycles.

    That’s pretty much what I think everybody has of “CHiPs” memories to hang on to.

    Yeah, and a great theme song.

    Given you had that sort of mostly blank slate to start with, tell me about your process in building a movie out of that. What did you want to do with it?

    I’m always looking for anything that can combine motorsports and comedy, because all my free time is spent doing, if I’m not with my kids, I’m doing something that you put gas in. What I wanted to make was “Bad Boys” and “Lethal Weapon.” Those are the action-comedies that I love.

    That was the singular goal. I think over the last 10 years, the action-comedies tend to be really comedies, and then they have a little bit of throwaway action. I was more interested in like getting the motorcycle chases right than I was worried about, say, Peña and I being funny or something.

    So yeah, I was just looking for a way to make “Bad Boys” and this was something Warner Bros. felt like there was a big enough of a safety net with the title that they let me do that.

    Given that you’re kind of a gearhead then, where was the line when you wanted to do a stunt, and actor Dax was saying, “Let me do this,” and the director Dax was saying, “Is that the safest option?”

    There was never an internal battle. I don’t have that voice in your head that says, “Don’t do it.” But what I had was two pretty lengthy meetings with the insurance provider during prep, and they just brought in an itemized list of every single stunt, and they said, “OK, which ones do you want to do?” And I said, “Basically, everything but jump 100 feet. I can’t do that.” And they said, “OK, well, let’s talk then.”

    Then we just went through and we compromised, but what was a huge asset that I wouldn’t have even imagined was one was, because I did “Hit and Run,” and I had done 100% of that driving, and I hadn’t crashed a single car in that movie, they know of that kind of thing, which surprised me. So, for instance, on the itemized list, we go through it: “OK, you can’t drive over a car, but we’ll let you go down the staircase.” “OK, you can do a wheelie, but we don’t want you do a front-endo” — even though I did a front-endo. “Can’t do this, you can’t do this.”

    Then I said, “Oh, there’s something that is not on your list that I’m going to do in the movie, which is I’m going to be driving the black car in the opening chase scene.” And they were like, “Why? That’s not even your character.” And I’m like, “Because that’s fun to drive a car like that, and that’s why I’m making this movie so I can do that stupid stuff.” They’re like, “All right, you can drive the car.”

    All my friends are stuntmen. I certainly hang out with more stuntmen probably than actors. My stunt coordinator is just a guy I was friends with for years from riding motorcycles, and then I found out he was a stuntman, and I was like, “Oh, you should coordinate ‘Hit and Run,’” then he coordinated this.

    Doing the movie, what was a good day on the bike, and what was a not-so-good day on the bike for you?

    First of all, I got a guy who holds the world record for the longest front-endo, right? So in the beginning train scene, there’s this really crazy long front-endo. I wanted to do a front-endo so we could at least get me coming down and driving away. I did not practice on an 850-pound motorcycle — I’d only done it on a Hypermotard. So I basically just had to do it in front of the crew, and I crashed two or three times, and then we got it on the fourth time. So that was humiliating.

    On the beach I crashed, because I had this huge camera slung out in front of the front wheel, and it was burying it in the sand, so I crashed there. There were a lot of humiliating moments for me in the movie, especially because all my friends are the stunt guys who are the best.

    What was the first motorized vehicle that hooked you on this kind of action? All the way back, when you knew this was like, “I’m going to keep going fast for as long as I live?”

    Yeah, one of my most vivid memories as a kid was Silver Lake, the sand dunes on Lake Michigan, and my father was very into off-roading in the sand dunes. His buddy had a three-wheel dune buggy. I went for a ride in it at maybe three years old, maybe a little younger, and it was the most exhilarating feeling I ever had, yet simultaneously to the pleasure was the front wheel of this three-wheel dune buggy was just kicking sand up in our face. Super high-velocity sand hitting my face, which was so painful, but I was so conflicted because I was enjoying it so much, and I was in so much pain. Probably my first memory.

    Everything in the film ultimately hangs on the rapport that you have with Michael. Tell me about how quickly in the process you realized you could have it with him, and then developing it and kind of making it your own thing.

    Yeah. I didn’t know him at all when I sold this, and I sold it with him attached to star. I said to the studio, “Michael Peña’s got to be Ponch.” They’re like, we love it. Then I left and I was like, I’ve got to go meet Michael Peña and woo him. So I didn’t know him at all. We did rehearse for about four or five weeks, so I was getting to know him.

    But in all truth, I’ve done movies with people who I love, and have had no chemistry with them. I’ve done movies with people I’m ambivalent about and had great chemistry. So there is some element of magic involved in all of it that the camera picks up that you can’t necessarily evaluate within the scene. So it wasn’t really until I started seeing dailies of what we were shooting I was like, “OK, we seem to have something kind of special. There’s something sparky about our relationship.”

    Then I think as he saw that, then it just started kind of growing, and the confidence started growing, and we got even more playful with that dynamic all the way until now we’re on the press tour — basically we followed the same kind of trajectory that the characters did.

    What was interesting about spending time with Erik Estrada?

    The day he came to film, we were shooting in Palmdale. It was 38 degrees, it was raining, and I thought, he’s got to be so mad he’s driven out here to be in this. And he got there, and he was in the best mood, and he was so ready to play and have fun.

    What’s immediately obvious about him when you meet him is you go, “Oh, hell yeah — I see why this guy was a humongous star.” He’s so charismatic, you can’t help but notice it, so it was a blast working with him.

    I thought all the music choices were great — and I couldn’t help but notice the band Toto seems to again have a prominent place in your life.

    It does. It does. What’s funny about that is, that video of “Africa,” which we posted, we probably would have never posted, but I had written in the [“CHiPs”] script that I yell “Turn down the f*cking Toto!” and then I asked Toto for the rights to the song, and they said no initially, because they thought I was making fun of them. And I said, “You’ve got to get me on the phone with [Toto songwriter/producer/lead vocalist] David Paich. I’ve got to tell him I’m a super fan.”

    So I get on the phone with David Paich, and I say, “Listen, I want to send you this video so you really understand the depth to which I love Toto.” So I sent him that video. He emailed me back and said, “I’ve not liked the song this much since I wrote it.” And I was like, “Wow, that’s such a stamp of approval. Then I said to Kristen, “Maybe we should post this.” So in a weird roundabout way, without “CHiPs,” I probably would have never posted that video.

    Are you still going to do a “Scooby-Doo” project for Warner Bros?

    I’ve been working on it for nine months, writing. You’re not allowed to say anything about their crown jewel IPs! It’s like the DC world. They’re very tight. Yeah, the Scooby-verse.

    Like “CHiPs,” what’s that big memory of “Scooby-Doo” that you knew you could build something out from?

    I have a similar relationship to “Scooby-Doo” as I have for “CHiPs,” which is, there’s just elements I love. It’s not that I regard it as “The Sopranos” or something. It’s just like, “Oh, there’s some stickiness to this thing. This dog talks …” Again, they’re a weird duo, this scaredy-cat stoner and this dog. That’s what I can latch on to.

    I tend to just latch on to characters in shows. That’s what I would work off of. For better or worse, I don’t tend to have a lot of reverie for things. I think it’s an asset in some ways, and then it’s offensive in other ways. Again, I felt very liberated to just do whatever movie I wanted to. The show exists perfectly preserved on TV. I can’t take that away. All I can do is offer something different up in the movie.

    Not a ton of boxes you needed to check.

    Yeah, for me. Now, other people probably would have approached it differently. The common approach for this, because they have developed many different versions of this before I got involved, they had always gone the parody route. Someone will be mad it’s not a parody.

    For Scooby, do you want to do a supercharged Mystery Machine kind of thing?

    That van’s got to get a lot cooler for sure, yeah. It can’t be that ’62 Ford or whatever the hell they were in.

    Would you jump at a chance to do “Dukes of Hazzard” if reboot time rolls around?

    I would. I absolutely would. I’d like to do “Dukes,” I’d like to do “Starsky [& Hutch],” I’d like to do “The Fall Guy.” I think it’s a really cool property waiting to be explored.

    Again, my goal is, take something you know, take something you have an expectation about, and then give you something completely different. That’s just always a very fun experience for me in a movie, when I get something I totally didn’t see coming. That’s kind of what I live for as a moviegoer.

  • The ‘CHiPs’ Trailer Is Totally Nuts, Like Obsessed With Nuts

    Nasty! Just damn nasty.

    Dax Shepard wrote, directed, and took most of his clothes off for this adaptation of the ’70s buddy cop TV series “Jimmy Kimmel Live,” with Dax as Baker/Beyoncé and Michael Pena as Ponch/Jay Z, and featuring Kristen Bell (going Method as Baker’s wife), Vincent D’Onofrio, Maya Rudolph, and Ryan Hansen (also mostly naked).

    If you’re into yoga pants, “21 Jump Street,” slapstick comedy, male bonding, and multiple dick jokes related to male bonding, this is the movie for you! In case the obvious genitalia shots aren’t enough, the tagline teases, “Saving the city from dirty cops takes a pair.”

    Here’s the trailer:Dax Shepard told Entertainment Weekly his aim with this film’s tone “was somewhere in the ‘Bad Boys,’ ‘Lethal Weapon’ world. That was my take on it. It’s interesting because it’s definitely a comedy, where the show is not, but the stakes are very real and the world is real and the physics are real and all those things are grounded. Insane situations happen but it’s not happening in a satire world or a heightened world. It’s a very real world.”

    Despite, or maybe because of, the fourth-grade humor, “CHiPs” seems like good dirty fun, perfect to watch (completely drunk) with your own brainless buddies over the summer. But it’s not a summer film, it opens March 24th.

    Watch Dax and Pena ride their motorcycles onto the JKL set to introduce the trailer:

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