Tag: chelsea-handler

  • 2026 Critics Choice Awards Winners

    Chelsea Handler hosts the 31st Annual Critics Choice Awards. Photo: CCA.
    Chelsea Handler hosts the 31st Annual Critics Choice Awards. Photo: CCA.

    Preview:

    • Winners of the 31st Critics Choice Awards included ‘One Battle After Another’ and ‘Hamnet.’
    • ‘Frankenstein’ and ‘Sinners’ also took home awards.
    • The ceremony was hosted by Chelsea Handler.

    Though there were few surprises among the big winners at this year’s Critics Choice Awards, where ‘One Battle After Another’ took home a three big trophies (Best Picture, Best Director and Best Adapted Screenplay), the ceremony was nevertheless still a lively, energetic affair, hosted once again by Chelsea Handler.

    Following a monologue from Handler that took shots at Warner Bros. CEO David Zaslav and paid loving tribute to Rob Reiner and Diane Keaton, it was on with the show.

    v5LFHnAkFrOnjfi1aaL9n4

    After scoring the most nominations, Ryan Coogler‘s ‘Sinners’ won four trophies, tying Guillermo del Toro’s ‘Frankenstein.’

    On the acting front, the likes of ‘Marty Supreme’s Timothée Chalamet and ‘Frankenstein’s Jacob Elordi won Best Actor and Best Supporting Actor, along with ‘Hamnet’s Jessie Buckley and ‘Weapons’ Amy Madigan in their respective categories.

    TV-wise, prizes predictably went to ‘The Pitt,’ ‘Adolescence’ and ‘The Studio,’ though it was welcome to see Rhea Seehorn taking the stage after winning her category for ‘Pluribus.’

    Here’s the full list of winners…

    Related Article: ‘Sinners’ Leads The Critics Choice Film Awards Nominations With 17

     

    BEST PICTURE

    Leonardo Di Caprio as Bob Ferguson in 'One Battle After Another.' A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures.
    Leonardo Di Caprio as Bob Ferguson in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures.

    BEST ACTOR

    Timothée Chalamet in ‘Marty Supreme’. Photo: A24.
    Timothée Chalamet in ‘Marty Supreme’. Photo: A24.

    BEST ACTRESS

    (L to R) Jessie Buckley stars as Agnes and Joe Alwyn as Bartholomew in director Chloé Zhao’s 'Hamnet', a Focus Features release. Credit: Agata Grzybowska / © 2025 FOCUS FEATURES LLC
    (L to R) Jessie Buckley stars as Agnes and Joe Alwyn as Bartholomew in director Chloé Zhao’s ‘Hamnet’, a Focus Features release. Credit: Agata Grzybowska / © 2025 FOCUS FEATURES LLC

    BEST SUPPORTING ACTOR

    Jacob Elordi as The Creature in ‘Frankenstein’. Photo: Ken Woroner/Netflix © 2025.
    Jacob Elordi as The Creature in ‘Frankenstein’. Photo: Ken Woroner/Netflix © 2025.

    BEST SUPPORTING ACTRESS

    Amy Madigan as Gladys in New Line Cinema’s 'Weapons,' a Warner Bros. Pictures release. Photo Credit: Quantrell Colbert. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    Amy Madigan as Gladys in New Line Cinema’s ‘Weapons,’ a Warner Bros. Pictures release. Photo Credit: Quantrell Colbert. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    BEST YOUNG ACTOR / ACTRESS

    Miles Caton as Sammie Moore in Warner Bros. Pictures’ 'Sinners,' a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    Miles Caton as Sammie Moore in Warner Bros. Pictures’ ‘Sinners,’ a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    BEST DIRECTOR

    (L to R) Leonardo Di Caprio and Director/Writer/Producer Paul Thomas Anderson on the set of 'One Battle After Another.' A Warner Bros. Pictures Release. Photo Credit: Merrick Morton.
    (L to R) Leonardo Di Caprio and Director/Writer/Producer Paul Thomas Anderson on the set of ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Merrick Morton.

    BEST ORIGINAL SCREENPLAY

    Director Ryan Cooler at the New York Premiere of 'Sinners'. Photo: Warner Bros.
    Director Ryan Cooler at the New York Premiere of ‘Sinners’. Photo: Warner Bros.

    BEST ADAPTED SCREENPLAY

    Benicio del Toro as Sensei St. Carlos in 'One Battle After Another.' A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures
    Benicio del Toro as Sensei St. Carlos in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures
    • Paul Thomas Anderson – ‘One Battle After Another’ – WINNER
    • Clint Bentley, Greg Kwedar – ‘Train Dreams’
    • Park Chan-wook, Lee Kyoung-mi, Don McKellar, Jahye Lee – ‘No Other Choice’
    • Guillermo del Toro – ‘Frankenstein’
    • Will Tracy – ‘Bugonia’
    • Chloé Zhao, Maggie O’Farrell – ‘Hamnet’

    BEST CASTING AND ENSEMBLE

    (L to R) Jayme Lawson as Pearline, Wunmi Mosaku as Annie, Michael B. Jordan as Smoke, Miles Caton as Sammie Moore, and Li Jun Li as Grace Chow, in Warner Bros. Pictures’ 'Sinners,' a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    (L to R) Jayme Lawson as Pearline, Wunmi Mosaku as Annie, Michael B. Jordan as Smoke, Miles Caton as Sammie Moore, and Li Jun Li as Grace Chow, in Warner Bros. Pictures’ ‘Sinners,’ a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    BEST CINEMATOGRAPHY

    Joel Edgerton as Robert Grainier in 'Train Dreams'. Cr: Netflix © 2025.
    Joel Edgerton as Robert Grainier in ‘Train Dreams’. Cr: Netflix © 2025.

    BEST PRODUCTION DESIGN

    (L to R) Jacob Elordi as The Creature and Oscar Isaac as Dr. Victor Frankenstein on the set of Frankenstein. Photo: Ken Woroner/Netflix © 2025.
    (L to R) Jacob Elordi as The Creature and Oscar Isaac as Dr. Victor Frankenstein on the set of Frankenstein. Photo: Ken Woroner/Netflix © 2025.

    BEST EDITING

    Brad Pitt as Sonny Hayes in Apple Original Films’ 'F1', a Warner Bros. Pictures release. Photo Credit: Photo by Scott Garfield. Courtesy Warner Bros Pictures / Apple Original Films. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    Brad Pitt as Sonny Hayes in Apple Original Films’ ‘F1’, a Warner Bros. Pictures release. Photo Credit: Photo by Scott Garfield. Courtesy Warner Bros Pictures / Apple Original Films. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    BEST COSTUME DESIGN

    Mia Goth as Elizabeth in Frankenstein. Photo: Ken Woroner/Netflix © 2025.
    Mia Goth as Elizabeth in Frankenstein. Photo: Ken Woroner/Netflix © 2025.

    BEST HAIR AND MAKEUP

    Oscar Isaacs in 'Frankenstein'. Photo: Netflix.
    Oscar Isaacs in ‘Frankenstein’. Photo: Netflix.

    BEST VISUAL EFFECTS

    Varang (Oona Chaplin) in 20th Century Studios' 'Avatar: Fire and Ash'. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved.
    Varang (Oona Chaplin) in 20th Century Studios’ ‘Avatar: Fire and Ash’. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved.

    BEST STUNT DESIGN

    Tom Cruise plays Ethan Hunt in 'Mission: Impossible - The Final Reckoning' from Paramount Pictures and Skydance. Photo: Paramount Pictures.
    Tom Cruise plays Ethan Hunt in ‘Mission: Impossible – The Final Reckoning’ from Paramount Pictures and Skydance. Photo: Paramount Pictures.

    BEST ANIMATED FEATURE

    'Kpop Demon Hunters'. ©2025 Netflix.
    ‘Kpop Demon Hunters’. ©2025 Netflix.

    BEST COMEDY

    Liam Neeson plays Frank Drebin Jr. in 'The Naked Gun' from Paramount Pictures.
    Liam Neeson plays Frank Drebin Jr. in ‘The Naked Gun’ from Paramount Pictures.

    BEST FOREIGN LANGUAGE FILM

    Wagner Moura in 'The Secret Agent.' Photo: Neon.
    Wagner Moura in ‘The Secret Agent.’ Photo: Neon.

    BEST SONG

    'Kpop Demon Hunters'. ©2025 Netflix.
    ‘Kpop Demon Hunters’. ©2025 Netflix.

    BEST SCORE

    (L to R) Michael B. Jordan as Smoke, Wunami Mosaku as Annie, Hailee Steinfeld as Mary, Michael B. Jordan as Stack, Miles Caton as Sammie and Omar Benson Miller as Cornbread in Warner Bros. Pictures’ 'Sinners,' a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    (L to R) Michael B. Jordan as Smoke, Wunami Mosaku as Annie, Hailee Steinfeld as Mary, Michael B. Jordan as Stack, Miles Caton as Sammie and Omar Benson Miller as Cornbread in Warner Bros. Pictures’ ‘Sinners,’ a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    BEST SOUND

    A scene from Apple Original Films’ 'F1', a Warner Bros. Pictures release. Photo Credit: Photo Courtesy Warner Bros. Pictures / Apple Original Films. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    A scene from Apple Original Films’ ‘F1’, a Warner Bros. Pictures release. Photo Credit: Photo Courtesy Warner Bros. Pictures / Apple Original Films. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    The Critic's Choice Awards will be January 4th.
    The Critic’s Choice Awards will be January 4th.
  • 2025 Critics Choice Awards Winners

    The Critics Choice Awards, hosted by Chelsea Handler, will broadcast LIVE on E! on Friday, February 7, 2025 (7:00 – 10:00pm ET/PT) from the Barker Hangar in Santa Monica. The show will also be available to stream the next day on Peacock.
    The Critics Choice Awards, hosted by Chelsea Handler, will broadcast LIVE on E! on Friday, February 7, 2025 (7:00 – 10:00pm ET/PT) from the Barker Hangar in Santa Monica. The show will also be available to stream the next day on Peacock.

    Preview:

    • The winners of the 30th Annual Critics Choice Film Awards include ‘Anora’ and ‘Wicked’
    • ‘Emilia Perez’ and ‘The Substance’ also did well.
    • The ceremony was hosted by Chelsea Handler.

    If you had to use a metaphor to describe the 2025 edition of the Critics Choice Awards, it would be Oprah Winfrey during her big giveaway days on her talk show, but with kudos instead of cars: you get a trophy! You get a trophy! You all get a trophy!

    Yes, while ‘Anora’ missed out on all of its other categories, Sean Baker’s film about an exotic dancer who falls for –– and marries –– the spoiled spawn of a Russian oligarch took home Best Picture.

    This year’s awards, hosted for the third time by Chelsea Handler (whose monologue proved to be both funny and pointed in places, even touching on the Blake Lively/Justin Baldoni legal PR chaos) at the Barker Hanger in Santa Monica, Los Angeles, was a typically jolly affair.

    Yet it was tempered by plenty of references to the wildfires that have devastated chunks of the city’s hilly surroundings, and first responders were invited and saluted during the opening and in more than one speech.

    Despite being snubbed by the Oscar nominations, it was ‘Wicked’ filmmaker Jon M. Chu who won Best Director, comically shouting out his shut-out by the Academy, quipping, “I’m gonna win that Oscar!”

    RQxhOkO0isYC870cad8Zg4

    His film took three awards in total, including Best Production Design and Best Costume Design.

    Also scoring a trio of trophies? ‘The Substance,’ for which Demi Moore won yet another Best Actress trophy along with Best Original Screenplay and the Hair and Make-Up award. And the controversy-hit ‘Emilia Pérez,’ which nabbed a Best Supporting Actress gong for Zoe Saldaña Best Song for “El Mal,” collected by the movie’s co-composer Camille and Best Foreign Language Film.

    A few of the winners were entirely unsurprising; Kieran Culkin, who has been collecting hardware left, right and center, notched up another Best Supporting Actor award (though he wasn’t present at the show) for ‘A Real Pain’ and Adrien Brody won Best Actor for ‘The Brutalist.’

    Actually a surprise? The seemingly forgotten ‘Challengers’ nabbing two, Best Editing and Best Score.

    Here’s the full list of winners…

    Critics Choice 2025: Film Nominees

    BEST PICTURE

    Mikey Madison as Ani in 'Anora'. Photo: Courtesy of NEON.
    Mikey Madison as Ani in ‘Anora’. Photo: Courtesy of NEON.

    BEST ACTOR

    Adrien Brody in 'The Brutalist'. Photo: A24.
    Adrien Brody in ‘The Brutalist’. Photo: A24.
    Demi Moore in 'The Substance'. Photo: Mubi.
    Demi Moore in ‘The Substance’. Photo: Mubi.
    (L to R) Kieran Culkin and Jesse Eisenberg in 'A Real Pain'. Photo Courtesy of Searchlight Pictures, © 2024 Searchlight Pictures All Rights Reserved.
    (L to R) Kieran Culkin and Jesse Eisenberg in ‘A Real Pain’. Photo Courtesy of Searchlight Pictures, © 2024 Searchlight Pictures All Rights Reserved.

    BEST SUPPORTING ACTRESS

    Zoe Saldaña as Emilia Pérez in 'Emilia Pérez'. Photo: Netflix.
    Zoe Saldaña as Emilia Pérez in ‘Emilia Pérez’. Photo: Netflix.

    BEST YOUNG ACTOR / ACTRESS

    Maisy Stella in 'My Old Ass'. Photo: Amazon MGM Studios.
    Maisy Stella in ‘My Old Ass’. Photo: Amazon MGM Studios.
    (L to R) Ralph Fiennes as Cardinal Lawrence and Stanley Tucci as Cardinal Bellini in director Edward Berger's 'Conclave', a Focus Features release. Credit: Courtesy of Focus Features. © 2024 All Rights Reserved.
    (L to R) Ralph Fiennes as Cardinal Lawrence and Stanley Tucci as Cardinal Bellini in director Edward Berger’s ‘Conclave’, a Focus Features release. Credit: Courtesy of Focus Features. © 2024 All Rights Reserved.
    • ‘Anora’
    • ‘Conclave’ – WINNER
    • ‘Emilia Pérez’
    • Saturday Night
    • ‘Sing Sing’
    • ‘Wicked’

    BEST DIRECTOR

    'Wicked' director Jon M. Chu.
    ‘Wicked’ director Jon M. Chu.

    BEST ORIGINAL SCREENPLAY

    Margaret Qualley in 'The Substance'. Photo: Mubi.
    Margaret Qualley in ‘The Substance’. Photo: Mubi.

    BEST ADAPTED SCREENPLAY

    Ralph Fiennes stars as Cardinal Lawrence in director Edward Berger's 'Conclave', a Focus Features release. Credit: Courtesy of Focus Features. © 2024 All Rights Reserved.
    Ralph Fiennes stars as Cardinal Lawrence in director Edward Berger’s ‘Conclave’, a Focus Features release. Credit: Courtesy of Focus Features. © 2024 All Rights Reserved.
    • Jacques Audiard – ‘Emilia Pérez’
    • Winnie Holzman, Dana Fox – ‘Wicked’
    • Greg Kwedar, Clint Bentley – ‘Sing Sing’
    • RaMell Ross & Joslyn Barnes – ‘Nickel Boys’
    • Peter Straughan – ‘Conclave’ – WINNER
    • Denis Villeneuve, Jon Spaihts – ‘Dune: Part Two’

    BEST CINEMATOGRAPHY

    (L to R) Producer Chris Columbus, director Robert Eggers and director of photography Jarin Blaschke on the set of their film 'Nosferatu', a Focus Features release.
    (L to R) Producer Chris Columbus, director Robert Eggers and director of photography Jarin Blaschke on the set of their film ‘Nosferatu’, a Focus Features release.
    Credit: Aidan Monaghan / © 2024 Focus Features LLC.

    BEST PRODUCTION DESIGN

    The Emerald City in 'Wicked', directed by Jon M. Chu. Photo: Universal Pictures.
    The Emerald City in ‘Wicked’, directed by Jon M. Chu. Photo: Universal Pictures.
    (L to R) Mike Faist stars as Art and Zendaya as Tashi in director Luca Guadagnino’s 'Challengers,' an Amazon MGM Studios film. Photo credit: Niko Tavernise. © 2024 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved.
    (L to R) Mike Faist stars as Art and Zendaya as Tashi in director Luca Guadagnino’s ‘Challengers,’ an Amazon MGM Studios film. Photo credit: Niko Tavernise. © 2024 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved.
    • Sean Baker – ‘Anora’
    • Marco Costa – ‘Challengers’ – WINNER
    • Nick Emerson – ‘Conclave’
    • David Jancso – ‘The Brutalist’
    • Joe Walker – ‘Dune: Part Two’
    • Hansjörg Weißbrich – ‘September 5’

      BEST COSTUME DESIGN

    Ariana Grande is Glinda in 'Wicked', directed by Jon M. Chu. Photo: Universal Pictures.
    Ariana Grande is Glinda in ‘Wicked’, directed by Jon M. Chu. Photo: Universal Pictures.
    Margaret Qualley in 'The Substance'. Photo: Mubi.
    Margaret Qualley in ‘The Substance’. Photo: Mubi.
    • Christine Blundell, Lesa Warrener, Neal Scanlan – ‘Beetlejuice Beetlejuice
    • Hair and Makeup Team – ‘Dune: Part Two’
    • Hair and Makeup Team – ‘The Substance’ – WINNER
    • Frances Hannon, Sarah Nuth, Laura Blount – ‘Wicked’
    • Traci Loader, Suzanne Stokes-Munton, David White – ‘Nosferatu’
    • Mike Marino, Sarah Graalman, Aaron Saucier – ‘A Different Man

    BEST VISUAL EFFECTS

    A scene from Warner Bros. Pictures and Legendary Pictures’ action adventure 'Dune: Part Two,' a Warner Bros. Pictures release. Photo Credit: Courtesy Warner Bros. Pictures. Copyright: © 2023 Warner Bros. Entertainment Inc. All Rights Reserved.
    A scene from Warner Bros. Pictures and Legendary Pictures’ action adventure ‘Dune: Part Two,’ a Warner Bros. Pictures release. Photo Credit: Courtesy Warner Bros. Pictures. Copyright: © 2023 Warner Bros. Entertainment Inc. All Rights Reserved.

    BEST ANIMATED FEATURE

    Roz (Lupita N’yongo) in DreamWorks Animation’s 'The Wild Robot', directed by Chris Sanders. © 2024 DreamWorks Animation. All Rights Reserved.
    Roz (Lupita N’yongo) in DreamWorks Animation’s ‘The Wild Robot’, directed by Chris Sanders. © 2024 DreamWorks Animation. All Rights Reserved.
    Ryan Reynolds as Deadpool/Wade Wilson and Hugh Jackman as Wolverine/Logan in 20th Century Studios/Marvel Studios' 'Deadpool & Wolverine'.
    (L to R) Ryan Reynolds as Deadpool/Wade Wilson and Hugh Jackman as Wolverine/Logan in 20th Century Studios/Marvel Studios’ ‘Deadpool & Wolverine’. Photo by Jay Maidment. © 2024 20th Century Studios / © and ™ 2024 MARVEL.

    BEST FOREIGN LANGUAGE FILM

    Selena Gomez as Emilia Pérez in 'Emilia Pérez'. Photo: Netflix.
    Selena Gomez as Emilia Pérez in ‘Emilia Pérez’. Photo: Netflix.
    Zoe Saldaña as Emilia Pérez in 'Emilia Pérez'. Photo: Netflix.
    Zoe Saldaña as Emilia Pérez in ‘Emilia Pérez’. Photo: Netflix.

    BEST SCORE

    Zendaya stars as Tashi in director Luca Guadagnino’s 'Challengers,' an Amazon MGM Studios film. Photo credit: Niko Tavernise. © 2024 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved.
    Zendaya stars as Tashi in director Luca Guadagnino’s ‘Challengers,’ an Amazon MGM Studios film. Photo credit: Niko Tavernise. © 2024 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved.

    Related Article: ‘Wicked’ and ‘Conclave’ Lead The Critics Choice Film Awards Nominations With 11 Each

    The 30th Annual Critics Choice Awards will air on E! Friday, February 7th, 2025.
    The 30th Annual Critics Choice Awards will air on E! Friday, February 7th, 2025.

    Related Article: ‘Oppenheimer’, ‘Barbie’ and more Win at the 2024 Critics Choice Awards

    saWpGNtp
  • Critics Choice Film Awards 2025 Nominations

    The 30th Annual Critics Choice Awards will air on E! Sunday, January 12th, 2025.
    The 30th Annual Critics Choice Awards will air on E! Sunday, January 12th, 2025.

    Preview:

    • The 30th Annual Critics Choice Film Awards Nominations have been announced.
    • ‘Wicked’ and ‘Conclave’ lead the pack with 11 nominations each.
    • The ceremony will air on E! on January 12th.

    While last year’s crop of Critics Choice Association nominations saw ‘Barbie’ dominate the pack above all else, the latest batch is a little more evenly spread.

    That said, ‘Wicked’ and ‘Conclave’ were the clear favorite for the voting members of the group, as the two movies nabbed 11 nominations each, including both showing up on the main Best Picture list.

    RQxhOkO0isYC870cad8Zg4

    Nipping at their heels were the likes of Jacques Audiard’s well-liked musical ‘Emilia Pérez’ and Denis Villeneuve’s latest epic trip to the desert planet of Arrakis, ‘Dune: Part Two,’ which both have 10 nominations each.

    Notably, ‘Wicked’s Jon M. Chu made the cut for Best Director, unlike the surprise at the Golden Globe nomination, while ‘Gladiator II’ might be looking for vengeance in this life or the next, as it couldn’t make the list for either Best Director or Best Picture, settling for another Best Supporting Actor nod for scene-stealer Denzel Washington and some technical categories.

    Here’s the full list…

    Critics Choice 2025: Film Nominations

    BEST PICTURE

    Ralph Fiennes stars as Cardinal Lawrence in director Edward Berger's 'Conclave', a Focus Features release. Credit: Courtesy of Focus Features. © 2024 All Rights Reserved.
    Ralph Fiennes stars as Cardinal Lawrence in director Edward Berger’s ‘Conclave’, a Focus Features release. Credit: Courtesy of Focus Features. © 2024 All Rights Reserved.

    BEST ACTOR

    Timothée Chalamet in 'A Complete Unkown'. Photo by Macall Polay, Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.
    Timothée Chalamet in ‘A Complete Unkown’. Photo by Macall Polay, Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.
    Mikey Madison as Ani in 'Anora'. Photo: Courtesy of NEON.
    Mikey Madison as Ani in ‘Anora’. Photo: Courtesy of NEON.
    Denzel Washington plays Macrinus in 'Gladiator II' from Paramount Pictures.
    Denzel Washington plays Macrinus in ‘Gladiator II’ from Paramount Pictures.

    BEST SUPPORTING ACTRESS

    Ariana Grande is Glinda in 'Wicked', directed by Jon M. Chu. Photo: Universal Pictures.
    Ariana Grande is Glinda in ‘Wicked’, directed by Jon M. Chu. Photo: Universal Pictures.

    BEST YOUNG ACTOR / ACTRESS

    Elliott Heffernan in 'Blitz,' now in theaters and premiering globally on Apple TV+ on November 22.
    Elliott Heffernan in ‘Blitz,’ now in theaters and premiering globally on Apple TV+ on November 22.
    (L to R) Gilda Radner (Ella Hunt), Jane Curtain (Kim Matula), Dick Ebersol (Cooper Hoffman), Rosie Shuster (Rachel Sennott), Garrett Morris (Lamorne Morris), Alan Zweibel (Josh Brener) and Lorne Michaels (Gabriel LaBelle) in 'Saturday Night'. Photo: Sony Pictures.
    (L to R) Gilda Radner (Ella Hunt), Jane Curtain (Kim Matula), Dick Ebersol (Cooper Hoffman), Rosie Shuster (Rachel Sennott), Garrett Morris (Lamorne Morris), Alan Zweibel (Josh Brener) and Lorne Michaels (Gabriel LaBelle) in ‘Saturday Night’. Photo: Sony Pictures.
    • ‘Anora’
    • ‘Conclave’
    • ‘Emilia Pérez’
    • Saturday Night
    • ‘Sing Sing’
    • ‘Wicked’

    BEST DIRECTOR

    (L to R) Sean Baker and DP Drew Daniels on the set of 'Anora'. Photo: Courtesy of NEON.
    (L to R) Sean Baker and DP Drew Daniels on the set of ‘Anora’. Photo: Courtesy of NEON.
    • Jacques Audiard – ‘Emilia Pérez’
    • Sean Baker – ‘Anora’
    • Edward Berger – ‘Conclave’
    • Brady Corbet – ‘The Brutalist’
    • Jon M. Chu – ‘Wicked’
    • Coralie Fargeat – ‘The Substance’
    • RaMell Ross – ‘Nickel Boys’
    • Denis Villeneuve – ‘Dune: Part Two’

    BEST ORIGINAL SCREENPLAY

    (L to R) Jesse Eisenberg and Kieran Culkin on the set of 'A Real Pain'. Photo by Agata Grzybowska, Courtesy of Searchlight Pictures, © 2024 Searchlight Pictures All Rights Reserved.
    (L to R) Jesse Eisenberg and Kieran Culkin on the set of ‘A Real Pain’. Photo by Agata Grzybowska, Courtesy of Searchlight Pictures, © 2024 Searchlight Pictures All Rights Reserved.

    BEST ADAPTED SCREENPLAY

    Director Denis Villeneuve on the 'Dune: Part Two' global press tour. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.
    Director Denis Villeneuve on the ‘Dune: Part Two’ global press tour. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.
    • Jacques Audiard – ‘Emilia Pérez’
    • Winnie Holzman, Dana Fox – ‘Wicked’
    • Greg Kwedar, Clint Bentley – ‘Sing Sing’
    • RaMell Ross & Joslyn Barnes – ‘Nickel Boys’
    • Peter Straughan – ‘Conclave’
    • Denis Villeneuve, Jon Spaihts – ‘Dune: Part Two’

    BEST CINEMATOGRAPHY

    (L to R) Producer Chris Columbus, director Robert Eggers and director of photography Jarin Blaschke on the set of their film 'Nosferatu', a Focus Features release.
    (L to R) Producer Chris Columbus, director Robert Eggers and director of photography Jarin Blaschke on the set of their film ‘Nosferatu’, a Focus Features release.
    Credit: Aidan Monaghan / © 2024 Focus Features LLC.

    BEST PRODUCTION DESIGN

    Shiz University in 'Wicked', directed by Jon M. Chu. Photo: Universal Pictures.
    Shiz University in ‘Wicked’, directed by Jon M. Chu. Photo: Universal Pictures.
    Paramount Pictures’ 'September 5', the film that unveils the decisive moment that forever changed media coverage and continues to impact live news today, set during the 1972 Munich Summer Olympics. the film that unveils the decisive moment that forever changed media coverage and continues to impact live news today, set during the 1972 Munich Summer Olympics. Photo: Paramount Pictures.
    Paramount Pictures’ ‘September 5’, the film that unveils the decisive moment that forever changed media coverage and continues to impact live news today, set during the 1972 Munich Summer Olympics. the film that unveils the decisive moment that forever changed media coverage and continues to impact live news today, set during the 1972 Munich Summer Olympics. Photo: Paramount Pictures.
    • Sean Baker – ‘Anora’
    • Marco Costa – ‘Challengers’
    • Nick Emerson – ‘Conclave’
    • David Jancso – ‘The Brutalist’
    • Joe Walker – ‘Dune: Part Two’
    • Hansjörg Weißbrich – ‘September 5’

      BEST COSTUME DESIGN

    (L to R) Connie Nielsen plays Lucilla and Joseph Quinn plays Emperor Geta in 'Gladiator II' from Paramount Pictures.
    (L to R) Connie Nielsen plays Lucilla and Joseph Quinn plays Emperor Geta in ‘Gladiator II’ from Paramount Pictures.
    Demi Moore in 'The Substance'. Photo: Mubi.
    Demi Moore in ‘The Substance’. Photo: Mubi.
    • Christine Blundell, Lesa Warrener, Neal Scanlan – ‘Beetlejuice Beetlejuice
    • Hair and Makeup Team – ‘Dune: Part Two’
    • Hair and Makeup Team – ‘The Substance’
    • Frances Hannon, Sarah Nuth, Laura Blount – ‘Wicked’
    • Traci Loader, Suzanne Stokes-Munton, David White – ‘Nosferatu’
    • Mike Marino, Sarah Graalman, Aaron Saucier – ‘A Different Man

    BEST VISUAL EFFECTS

    Noa (voiced by Owen Teague) in 20th Century Studios' 'Kingdom Of The Planet Of The Apes.' Photo courtesy of 20th Century Studios. © 2023 20th Century Studios. All Rights Reserved.
    Noa (voiced by Owen Teague) in 20th Century Studios’ ‘Kingdom Of The Planet Of The Apes.’ Photo courtesy of 20th Century Studios. © 2023 20th Century Studios. All Rights Reserved.

    BEST ANIMATED FEATURE

    Pixar's 'Inside Out 2'. © 2022 Disney/Pixar. All Rights Reserved.
    Pixar’s ‘Inside Out 2’. © 2022 Disney/Pixar. All Rights Reserved.
    Ryan Reynolds as Deadpool/Wade Wilson and Hugh Jackman as Wolverine/Logan in 20th Century Studios/Marvel Studios' 'Deadpool & Wolverine'.
    (L to R) Ryan Reynolds as Deadpool/Wade Wilson and Hugh Jackman as Wolverine/Logan in 20th Century Studios/Marvel Studios’ ‘Deadpool & Wolverine’. Photo by Jay Maidment. © 2024 20th Century Studios / © and ™ 2024 MARVEL.

    BEST FOREIGN LANGUAGE FILM

    Karla Sofía Gascón as Emilia Pérez in 'Emilia Pérez'. Photo: Netflix.
    Karla Sofía Gascón as Emilia Pérez in ‘Emilia Pérez’. Photo: Netflix.
    Selena Gomez as Emilia Pérez in 'Emilia Pérez'. Photo: Netflix.
    Selena Gomez as Emilia Pérez in ‘Emilia Pérez’. Photo: Netflix.

    BEST SCORE

    Roz (Lupita N’yongo) in DreamWorks Animation’s 'The Wild Robot', directed by Chris Sanders. © 2024 DreamWorks Animation. All Rights Reserved.
    Roz (Lupita N’yongo) in DreamWorks Animation’s ‘The Wild Robot’, directed by Chris Sanders. © 2024 DreamWorks Animation. All Rights Reserved.

    Related Article: ‘Wicked’ ‘Emilia Pérez’, ‘Anora’ and more Earn Golden Globes Nominations As Award Season Heats Up

    Critics Choice CEO Speaks

    CCA CEO Joey Berlin had this to say about this year’s nominated movies:

    “This year brought us an incredible wealth of storytelling and performances, leading to indescribably close races for nominations. We are honored to be able to celebrate our landmark 30th year of the Critics Choice Awards with this talented group of nominees and are thrilled to bring viewers our best show yet. Knowing how close the balloting for nominations was, we anticipate an exciting evening of high drama on January 12.”

    When will the Critics Choice Awards be on TV?

    The awards ceremony will air live on E! on Sunday, January 12th, hosted by Chelsea Handler.

    The 30th Annual Critics Choice Awards will air on E! Sunday, January 12th, 2025.
    The 30th Annual Critics Choice Awards will air on E! Sunday, January 12th, 2025.
  • 2023 Critics Choice Awards Winners

    Jamie Lee Curtis, Stephanie Hsu, Ke Huy Quan, Michelle Yeoh, and James Hong in A24's 'Everything Everywhere All at Once.'
    (L to R) Jamie Lee Curtis, Stephanie Hsu, Ke Huy Quan, Michelle Yeoh, and James Hong in A24’s ‘Everything Everywhere All at Once.’

    As awards season trundled onward, Sunday night saw the Critics Choice Association Awards handed out at the Fairmont Century Plaza Hotel in Los Angeles.

    The star-studded affair (albeit slightly less star-studded thanks to the super-spreader event that was the Golden Globes, which saw the likes of Jamie Lee Curtis, Brendan Gleeson and Colin Farrell all laid low with Covid) blends film and TV awards, and in an attempt to keep the running time to a strict three hours (successfully, as it stands) weirdly squashed together certain categories, which meant that the likes of ‘Barry’s Henry Winkler and ‘Abbott Elementary’s Sheryl Lee Ralph ended up taking the stage at the same time, and taking turns to give their speeches one after the other.

    That was still better for those in some other categories, such as Cinematography and Best Animated Series, which were burned through in brief on-screen mentions without any of the recipients coming up to accept their trophies.

    Hosted by Chelsea Handler, the show had the usual mix of celebrity presenters, memorably Seth Rogen, who joked that the CW, where the awards show was airing, had zero nominations at the ceremony.

    It was another good night for the team behind ‘Everything Everywhere All at Once’, which won five awards, including Best Picture, Best Director, Best Supporting Actor for Ke Huy Quan, Best Editing and Best Original Screenplay.

    Though the movie’s Michelle Yeoh had been predicted to repeat her run of wins as Best Actress, that award went to Cate Blanchett for ‘Tár’, as the Critics Choice Ceremony had the feel of Everything Wins Something.

    Brendan Fraser in director Darren Aronofsky's 'The Whale' from A24.
    Brendan Fraser in director Darren Aronofsky’s ‘The Whale’ from A24.

    Brendan Fraser continued his own winning streak, offering up an emotional speech as he accepted Best Actor for ‘The Whale’. Angela Bassett gave a stirring speech as she took home Best Supporting Actress for ‘Black Panther: Wakanda Forever’. Popular action movie ‘RRR’, meanwhile, was named Best Foreign Language Film along with winning Best Song for “Naatu Naatu”.

    Other buzzed about movies made do with one win each, such as ‘Avatar: The Way of Water’s effects, and ‘Elvis’ hair and make-up team.

    On the TV front, it was a triumphant night for ‘Better Call Saul’, the ‘Breaking Bad’ spin-off enjoying some well-earned respect for its final season as it won Best Drama, Best Actor in a Drama for star Bob Odenkirk and Best Supporting Actor in a Drama for Giancarlo Esposito.

    ‘Abbott Elementary’ continued to do well, winning two awards, while Jennifer Coolidge was back on another stage, offering another funny speech as she won another trophy for ‘The White Lotus’.

    Blending first-timers (such as Jeremy Allen White for ‘The Bear’) and repeat winners (Jean Smart for ‘Hacks’ or Winkler for ‘Barry’), the TV categories, like their movie counterparts also spread the love around various shows.

    ‘The Dropout’, which stars Amanda Seyfried as Elizabeth Holmes, won for Seyfried and Best Limited Series, while ‘Weird: The Al Yankovic Story’ landed Best Actor (for Daniel Radcliffe, who wasn’t present) and Best TV Movie.

    Jean Smart in ‘Hacks’ Season 2 for HBO Max.
    Jean Smart in ‘Hacks’ Season 2 for HBO Max. Photos by Karen Ballard.

    Here are the film winners…

    BEST PICTURE

    Everything Everywhere All at Once

    BEST ACTOR

    Brendan Fraser, ‘The Whale

    BEST ACTRESS

    Cate Blanchett, ‘Tár

    BEST SUPPORTING ACTOR

    Ke Huy Quan, ‘Everything Everywhere All at Once’

    BEST SUPPORTING ACTRESS

    Angela Bassett, ‘Black Panther: Wakanda Forever

    BEST YOUNG ACTOR

    Gabriel LaBelle, ‘The Fabelmans

    BEST ACTING ENSEMBLE

    Glass Onion: A Knives Out Mystery

    BEST DIRECTOR

    Daniel Kwan & Daniel Scheinert, ‘Everything Everywhere All at Once’

    BEST ORIGINAL SCREENPLAY

    Daniel Kwan & Daniel Scheinert, ‘Everything Everywhere All at Once’

    BEST ADAPTED SCREENPLAY

    Sarah Polley, ‘Women Talking

    BEST CINEMATOGRAPHY

    Claudio Miranda, ‘Top Gun: Maverick

    BEST PRODUCTION DESIGN

    Florencia Martin, Anthony Carlino, ‘Babylon

    BEST EDITING

    Paul Rogers, ‘Everything Everywhere All at Once’

    BEST COSTUME DESIGN

    Ruth E. Carter, ‘Black Panther: Wakanda Forever’

    BEST HAIR AND MAKEUP

    Elvis

    BEST VISUAL EFFECTS

    Avatar: The Way of Water

    BEST COMEDY

    ‘Glass Onion: A Knives Out Mystery’

    BEST ANIMATED FEATURE

    Guillermo del Toro’s Pinocchio

    BEST FOREIGN LANGUAGE FILM

    RRR

    BEST SONG

    “Naatu Naatu”, ‘RRR’

    BEST SCORE

    Hildur Guðnadóttir, ‘Tár’

    Jennifer Coolidge in HBO's 'The White Lotus.'
    Jennifer Coolidge in HBO’s ‘The White Lotus.’ Photograph by Fabio Lovino/HBO.

    The TV winners can be found below…

    BEST DRAMA SERIES

    Better Call Saul

    BEST ACTOR IN A DRAMA SERIES

    Bob Odenkirk, ‘Better Call Saul’

    BEST ACTRESS IN A DRAMA SERIES

    Zendaya, Euphoria’

    BEST SUPPORTING ACTOR IN A DRAMA SERIES

    Giancarlo Esposito, ‘Better Call Saul’

    BEST SUPPORTING ACTRESS IN A DRAMA SERIES

    Jennifer Coolidge, ‘The White Lotus’

    BEST COMEDY SERIES

    ‘Abbott Elementary’

    BEST ACTOR IN A COMEDY SERIES

    Jeremy Allen White, ‘The Bear’

    BEST ACTRESS IN A COMEDY SERIES

    Jean Smart, ‘Hacks’

    BEST SUPPORTING ACTOR IN A COMEDY SERIES

    Henry Winkler, ‘Barry’

    BEST SUPPORTING ACTRESS IN A COMEDY SERIES

    Sheryl Lee Ralph, ‘Abbott Elementary’

    BEST LIMITED SERIES

    ‘The Dropout’

    BEST MOVIE MADE FOR TELEVISION

    Weird: The Al Yankovic Story

    BEST ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION

    Daniel Radcliffe, ‘Weird: The Al Yankovic Story’

    BEST ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION

    Amanda Seyfried, ‘The Dropout’

    BEST SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION

    Paul Walter Hauser, ‘Black Bird’

    BEST SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION

    Niecy Nash-Betts, ‘Dahmer – Monster: The Jeffrey Dahmer Story’

    BEST FOREIGN LANGUAGE SERIES

    ‘Pachinko’

    BEST ANIMATED SERIES

    ‘Harley Quinn’

    BEST TALK SHOW

    ‘Last Week Tonight with John Oliver’

    BEST COMEDY SPECIAL

    ‘Norm Macdonald: Nothing Special’

    Ke Huy Quan as Waymond Wang in A24's 'Everything Everywhere All at Once.'
    Ke Huy Quan as Waymond Wang in A24’s ‘Everything Everywhere All at Once.’
    Va5ErdAG
  • Chelsea Handler Explains Why ‘Chelsea’ Is Ending After Two Seasons  

    Premiere Of Focus Features' 'Atomic Blonde' - ArrivalsChelsea Handler is leaving her talk show to focus on a new project for Netflix.

    Handler posted that “Chelsea” will not return for Season 3, with new episodes airing until the end of 2017. Instead, she’s focusing on political activism, with a goal to be “better informed, raise my voice, and participate in a more meaningful way.” She plans to visit areas and people she doesn’t know enough about “and gain a better understanding of our political divide.”

    However, she noted that she’s not leaving Netflix, she’ll instead be working with the company on “a documentary where I’ll engage with people I don’t talk with enough – people of different ethnicities, religions and political philosophies.”

    Read her full statement:

    “Chelsea” Season 2 is currently airing, with Netflix dropping new episodes on Fridays. The next one is Season 2, Episode 23, arriving Octoober 20, featuring actor Dennis Quaid; actress Chrissy Metz; House Minority Leader Nancy Pelosi (D-Calif.); podcast host Matt Bellassai; and actress Molly Sims.

    Want more stuff like this? Like us on Facebook.

  • ‘The Carmichael Show’ Star: NBC Did ‘a Disservice’ to Pull Mass Shooting Episode

    THE CARMICHAEL SHOW -- "Yes Means Yes" Episode 302 -- Pictured: (l-r) Loretta Devine as Cynthia Carmichael, David Alan Grier as Joe Carmichael, Jerrod Carmichael as Jerrod Carmichael, Lil Rel Howery as Bobby Carmichael -- (Photo by: Chris Haston/NBC)Last night, “The Carmichael Show” Season 3 was originally scheduled to air an episode called “Shoot-Up-Able,” with the sitcom once again tackling a tough, timely subject in its own way. However, after the Congressional baseball shooting, and then the shooting in San Francisco, NBC ended up pulling the episode in favor of “Lesbian Wedding.”

    Earlier in the day, after NBC made its decision to pull the episode, but before the show actually aired, star “Chelsea,” to talk about the episode that would’ve followed his character surviving a mass shooting.

    “I thought that tonight’s episode would have an opportunity to talk about these tragedies in a meaningful way and really lend itself to conversation. A lot of times when things like this happen, and someone wants to talk about it in an outlet that’s not the news, people will say ‘too soon.’ But when is it not too soon? Unfortunately these things happen constantly, and it’s a thing that breaks all of our hearts. The episode itself was about me, the character Jerrod, surviving a mass shooting and him coming to the realization that even though he wasn’t physically harmed he is still very much a victim.”

    He argued that we’re all victims after these attacks, suffering from fear, and the pain of knowing that families have lost loved ones.

    “And that’s what the episode is about. Right now, NBC wants to pull the episode. To me, I understand a corporation making that decision, but really, to me, what it says is you don’t think America is smart enough to handle real dialogue and something that reflects real family conversations and something that feels honest and true and still respects the victims. We handled the episode with as much love and integrity as we possibly could. To just pull that is just, it’s criminal. It seems to do a disservice to the viewer, it does a disservice to you, it does a disservice to all of us.”

    He told Chelsea Handler he hoped they were having a conversation about it, as opposed to just a set decision.

    The episode did not air last night, but perhaps it will air later. He’s right, though, if you wait for the perfect time to address mass shootings — and consider the perfect time to be when there hasn’t been one — you’ll end up waiting forever. They seem to happen every single week.

    The full episode of “Chelsea” airs Friday on Netflix.

    [via: EW]

    Want more stuff like this? Like us on Facebook.

  • Hilary Swank Still Offered 20 Times Less Than Male Lead After 2 Oscars

    Show her the money already! Two-time Academy Award winner “Chelsea,” available today on Netflix. The women discussed pay gaps, among other things, sharing some sobering stories.

    The clip below starts with DuVernay thinking she had made it big time when she was picked to direct “Selma” (after six male directors passed) and had a budget of $20 million, which was a big jump from her previous film’s budget of $200,000. Then she talked to an indie director peer whose follow-up film also had a bit of a higher budget — a much higher one since he was picked to direct “Jurassic World.” (Colin Trevorrow went on to be picked to direct “Star Wars: Episode IX.”)

    Los Angeles, California  - July 21:  Chelsea Handler Talk Show in Los Angeles on Thursday, July 21, 2016. Chelsea hosts a women's dinner with guests Deshauna Barber, Connie Britton, Ava DuVarney and Hilary Swank. (Photo by Greg Gayne/Netflix)The ladies laughed about that, but things took a sadder turn when Swank spoke up about the pay for her two Oscar-winning roles. At 24, she made just $3,000 for the 1999 indie “Boys Don’t Cry,” which only had a budget of about $2 million and made around $11.5 million total, but earned her an Oscar. That $3K was so little that it wasn’t even enough to qualify for health insurance with the Screen Actors Guild. Apparently Swank didn’t know that until she tried to pick up a prescription and had to pay more than she expected.

    Hilary Swank: “I had an Academy Award, no health insurance.”

    For that indie breakout film, you can understand the starting pay. Her second story, on still getting comparatively low pay after winning another Oscar for 2004’s “Million Dollar Baby” (which made more than $200 million around the world) is more frustrating.

    Hilary Swank: “Then I win my second Academy Award. The next couple movies later, I get offered a movie. The male hadn’t had any kind of critical success, but had been in a movie where he was ‘hot,’ and he got offered $10 million and I got offered $500,000.”

    Chelsea Handler: “This is after two Academy Awards?”

    Hilary Swank: “Yes.”

    Connie Britton: “What are you talking about?”

    Ava DuVernay: “The truth. The truth.”

    Hilary Swank: “So I said no, and then they went and found a newcomer who did it for $50,000. So they made a savings of $450 [thousand] probably to give the guy his bonuses.”

    Deshauna Barber: “But is that not unfair, though?”

    YES. Even if that male was Brad Pitt in this prime he still wouldn’t deserve 20 times more than a two-time Oscar winner with name recognition who proved she can anchor a major movie. (It probably wasn’t Brad, though, since his big “hot” debut was in “Thelma and Louise” in 1991.)

    Here’s the clip:
    Watch the full episode at www.Netflix.com/Chelsea.

    Want more stuff like this? Like us on Facebook.

  • TCA: Chelsea Handler Dishes on Netflix Show, Documentaries

    2015 Summer TCA Tour - Day 1Chelsea Handler was typically candid during her appearance at Netflix‘s presentation during the Television Critics Association summer press tour on Tuesday, dishing about her new series (which isn’t a nightly talk show, FYI) and the four documentaries that she’s making for the streaming service.

    Chelsea Lately,” though the comedienne declined to give any direct comment about the channel. (She apparently got her fill of trash-talking the network last year.)

    As for the documentaries themselves, Handler said each would be feature-length, and the comedienne is executive producing them alongside some pretty impressive talent, including Oscar winner Morgan Neville (“20 Feet From Stardom“).

    “They’re all very different and amazing experiences for me work-wise,” Handler said, noting that they were taking precedence over her talk show project.

    “After we’re done editing [the documentaries] then I’ll focus on the [talk] show,” she said. “I’ve met with people I want to work with.”

    The format of that show is still to be ironed out, but it won’t be a nightly series like “Chelsea Lately.” It will most likely air “several times a week or a few times a week,” Handler said (unlike the current Netflix model of putting entire seasons/series online simultaneously), and will have a news bent.

    “We have to get it down to a place where we can shoot something and have it air 48 hours after,” she explained.

    Both the series and the documentaries are expected to debut on Netflix sometime in 2016.

    [via: Deadline, TheWrap]

    Photo credit: Getty Images

  • Beyond HBO NOW: What Changes in Cable and Streaming Mean for You

    Even before Apple unveiled it’s heavily-anticipated new Dick Tracy wristwatch this week, the company gave HBO chief a platform to announce its new stand-alone streaming service, HBO NOW, which will allow people who don’t subscribe to HBO on their cable bills to stream HBO programming old and new, including the season of “Game of Thrones” that begins in April.

    Exciting as that is, it’s just one development in recent days that could change forever the way you watch TV.

    Between the new HBO service, the changes happening at Netflix that will make its offerings more like conventional TV, and the ongoing carriage battles over which channels your cable provider is still willing to keep on its lineup, the wholesale migration of TV programming from your big flatscreen to your PC or mobile is apparently underway.

    HBO NOW is still very much an experiment. For the first three months, only Apple product users (that is, people with iPhones, iPads, and Apple TV set-top boxes, but not Macs) will be able to subscribe. (Those who subscribe in April will get the first 30 days free. Then it’s $14.99 a month.) Only then is it expected to migrate to other streaming enablers like Roku, Xbox, and Amazon Fire TV. It will work exactly like HBO GO, offering current seasons of its original shows simulcast in real time, current movies airing on HBO, and HBO’s vast back catalog of series — except that you don’t have to subscribe to the cable version of HBO.

    You may grumble over the price, which is about twice what a monthly subscription to Netflix costs, and about $5 per month more than what you pay to have HBO on your cable lineup, but if people pay up, it’s only a matter of time before other cable channels — premium and basic alike — follow suit.

    Actually, they already have. Satellite provider Dish has a $20-per-month streaming package called Sling TV that includes ESPN and a handful of other channels. CBS also has a pay stand-alone service that let’s you watch current shows in real time (and a handful of catalog offerings) over the Internet.

    Pretty soon, it’s possible that every channel will offer an Internet-only subscription version. Which means you can finally have à la carte TV — paying for just the channels you want, instead of having to buy the whole bundle that the cable or satellite company wants to sell you. Of course, you’ll be paying a premium for each individual channel, so you may end up paying more than you do now for your bundled package. Plus, if you get broadband and cable from the same provider and drop the latter, your cost for broadband alone will probably rise from what it cost as part of a service package. So you may be able to cut the cord and stream just the channels you want, but at a higher price than what you’re paying now as a cable or satellite TV customer.

    Either way, the cable providers win, since you’re still buying your Internet connection from them. Indeed, it seems the balance of power in the eternal struggle between the individual channels and the service providers has shifted away from the programmers. For the past several years, the individual channels have been waging carriage battles against the service providers, trying to get them to raise the carriage fees for the right to deliver those channels to their customers. In recent years, whenever these price negotiations failed, the channel would yank its signal, perhaps for a few days or even weeks, until the service provider caved and settled, raising the fee and passing the added cost on to you in the form of a higher cable bill.

    But in many Southern markets, there’s a carriage battle between Suddenlink Communications, the nation’s 7th largest cable provider, and Viacom, the programming giant behind MTV, Comedy Central, Nickelodeon, and other popular cable channels. This particular clash has been going on for nearly six months — that’s how long Suddenlink has held out, and how long its customers have gone without Viacom channels.

    The way things are now — or will be soon — Viacom could just take its ball and go home. Its channels might never return to Suddenlink’s cable viewers; eventually, all its programming might go over the Internet, with subscriptions for each individual channel, or perhaps a Viacom package. But Suddenlink wouldn’t sweat it because it’ll still be selling its customers the broadband to watch that content. According to the New York Times, Suddenlink lost just 32,600 of its 1.4 million cable customers in the first three months of the Viacom outage , but it’s held on to 99.7 percent of its Internet customers.

    The final paradox is that the streaming programming to which we’ve become accustomed may be turning into the kind of appointment TV we had in the days before DVRs. This week, Netflix announced that its forthcoming drama series “Between,” debuting May 21, will be released in weekly installments, not all at once like seasons of “House of Cards,” “Orange Is the New Black,” or “Unbreakable Kimmy Schmidt.” Sure, you can wait until the season is over and then binge on “Between,” but if the show is to succeed and become the kind of social-media phenomenon that other Netflix series have become, you will have to make a point of watching each episode as it’s released.

    And that pattern will only continue at Netflix. Next year, when Chelsea Handler’s new show debuts, it will also presumably air at a scheduled time each week. Last month, according to Variety, she said she wants the show to focus on more newsworthy topics than her nightly celebrity chat show on E! that she left last summer. Her template, she said, would be “the well-roundedness of ’60 Minutes’ but faster, quicker, cooler.” It won’t air every weeknight, as “Chelsea Lately” did, she said, so it’s likely to emulate the once-a-week scheduling of “60 Minutes” as well. Explaining why she wanted to make her show more like your grandparents’ favorite newsmagazine, she said, “I want to grow up.”

    So this is what streaming will look like when it grows up: just the channels you want, but at a price, and with programming not necessarily at the times you want, but when the channels choose to stream it. So, pretty much like cable now, only with you paying for the convenience of carrying it in your purse or your pocket.
    %Slideshow-194626%