He’s made cameos in his past work and had a meatier role in the likes of ‘From Dusk Till Dawn,’ but for a new drama, he’s taken his biggest role in years, as reported by Deadline.
NUuaLCQAamVNuURlc9OMa2
Tarantino is part of the cast for director Jamie Adams’ new drama, ‘Only What We Carry’, which recently wrapped shooting in Deauville, France.
Simon Pegg plays Benji in ‘Mission: Impossible – The Final Reckoning’ from Paramount Pictures and Skydance. Photo: Paramount Pictures.
The movie is described as “a meditation on love, loss, and the quiet courage it takes to move forward”
Pegg plays Julian Johns, a once-formidable instructor whose former student Charlotte Levant (Boutella) returns home to face the ghosts of her past. Joining them are John Percy (Tarantino), Julian’s old friend whose sudden arrival stirs long-buried truths; Josephine Chabrol (Gainsbourg), Charlotte’s protective sister; Vincent (Hellmann), a restless artist caught between love and loyalty, and Jacqueline (McAlpine), a young aspiring dancer whose presence forces everyone to confront the weight of what they’ve left behind.
Here what Adams said about making the movie:
“It’s always been a dream of mine to shoot an Eric Rohmer styled picture in Normandy, a dream that included collaborating with an exceptional international ensemble cast and crew. It turns out that by embracing the freedoms of independent cinema, that dream has come true. I’m forever grateful to the cast and crew of ‘Only What We Carry’ for this moment.”
(L to R) Benicio Del Toro, Mia Threapleton and Michael Cera star in ‘The Phoenician Scheme’.
Moviefone recently had the pleasure of speaking with Benicio del Toro, Michael Cera and Mia Threapleton about their work on ‘The Phoenician Scheme’. Del Toro discussed his experience reuniting with director Wes Anderson and what he enjoys about working with him, while Cera talked about what it was like to join Wes Anderson’s company of actors and explore the unique worlds he creates on screen, and Threapleton discussed her character’s estranged relationship with her father and why she accompanies him on his journey.
You can read the full interview below or click on the video player above to watch our interviews.
Moviefone: To begin with, Benicio, can you talk about reuniting with director Wes Anderson after ‘The French Dispatch’ and what do you enjoy about working with him?
Benicio del Toro: Well, I enjoy everything, especially the final product. But the character for ‘The Phoenician Scheme’ is a much more challenging character, full of contradictions, with a hell of an arc that it required a lot of motivation to say the least. It kept me up at night, put it that way, to make sure that I deliver what needs to be delivered day in, day out. But I think that Wes’s foundation as a filmmaker, aside from the fact of the visionary he is, also, he’s an incredible writer. He really is. We were talking about this. The script reads like a novel. You could publish it and it would read like a novel. Usually, I get many scripts, I’ve done many movies, and in many of them, I create the backstory of my character. Here, I think you get the backstory of all our characters that have arcs. Michael’s, Mia’s and me, we all have arcs, but we also get the backstory, which it reads like a novel would do that. So, I think that’s the thing that makes Wes’s projects for me so powerful, beyond just a comedy or a beautiful story. Something that his movies always have, is that you can touch them, but the foundation is a story and the writing, and I think that’s really one of his strengths.
MF: Michael, what was it like for you to join Wes Anderson’s company of actors and have an opportunity to explore the unique worlds he creates on screen?
Michael Cera: It’s such a wonderful group to join. Wes just populates his productions with the most amazing people you can think of, and Mia included in that. It’s so much fun to come in. It’s always an exciting thing about jumping into a project that has this caliber of people working on it, and yeah, the worlds are just so much fun. This movie is an anthology in a way where it’s like the three of us are this unit that hop from story to story, and each one of those was brought to life by the various guest players that would come in for that week or two weeks to work on their sequence and inject a whole new energy and atmosphere into the movie. It was just amazing, and it’s great seeing those people show up and bring that character to life in front of your eyes too, and see what they look like suddenly, and sound like.
MF: Finally, Mia, can you talk about Sister Liesl’s estranged relationship with her father and why she decides to help him on his journey?
Mia Threapleton: I think when we meet her, she has her own reasons for agreeing to meet with him, which are not just because she’s been invited, but she has a lot of unanswered, long time burning questions. Because he’s invited her, I think she realizes, “Okay, he wants something from me. Well, I will acquiesce to this, but I can also get him to give me the answers that I want as well.” So, it’s a little bit like a business negotiation initially, and then by the end of that conversation, I think she realizes, “Okay, actually this is a lot larger than I thought that it was going to be, and maybe he can give me more answers over time. Maybe I’ll find out more information.” I think because of her upbringing within a convent, she literally says it. “I forgive you. We’re taught to.” So, I think there is this forgiving side of her, but I also think that she sees that he is very complex and complicated and wants to understand that more. But perhaps that’s one of the many reasons why she decides to stick it out with this rapscallion, if you will.
840FXz1A16r7w6COVuUvH
What is the plot of ‘The Phoenician Scheme’?
Wealthy businessman Zsa-zsa Korda (Benicio del Toro) appoints his only daughter, a nun (Mia Threapleton), as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists and determined assassins.
Yet it shares more in common with one of their lesser known projects, ‘Bunheads,’ which starred Sutton Foster as a Las Vegas showgirl who marries someone on a whim and ends up in their small home town, working with her mother-in-law at a ballet school. In ‘Étoile’s case, however, the setting is much grander, the stakes are higher and with a two-season order, its fate is much less dramatic.
(L to R) Dance performance from Etoile and Gideon Glick in ‘Étoile’. Credit: Philippe Antonello/Prime Video.
Amy Sherman-Palladino has made no secret of her love for, and connection to, ballet. She trained as a dancer in her youth and was considering a career in the medium before TV writing and producing took over her life.
So with the success of ‘The Marvelous Mrs. Maisel’ and her overall deal at Amazon, she and husband/creative partner Dan Palladino have gone all in on the new series, filling it with their usual rat-a-tat screwball comedy dialogue, plenty of crackling comebacks and enough drama to cross the Atlantic and travel between both New York and Paris.
And given their love for dancing, it’s naturally also a showcase for some truly superb artists, choreographers and others. Depending on your own appreciation for the wild world of creative types and the giant egos in the ballet sphere, chances are this will be your next binge watch.
Script and Direction
(L to R) Taïs Vinolo as Mishi Duplessis and Gideon Glick as Tobias Bell in ‘Étoile’. Credit: Philippe Antonello/Prime Video.
The Sherman-Palladino duo are known, as we said before, for their script work, and here, gifted with a cast that can pull it off (including one who learned English for the role and manages to pull off the quickfire chat), their words are the highlight.
With a much-expanded canvas (previous shows were largely set in one locale, though ‘Mrs. Maisel’ had New York as its playground and sent its title character on tour in one season), the transatlantic storyline of two famous ballet companies trading stars to bolster both their futures offers ripe opportunities to explore an even wider group of characters.
The creative pair has not lost their touch for creating compelling roles and finding entertaining ways into the story, leaning on the funny but also adding plenty of heart as the various struggles and romances come into play.
And with just eight episodes here, they handle the lion’s share of directorial duties, finding interesting ways to shoot both the big performances that anchor a couple of episodes but also focusing on the people behind the scenes.
The different cities’ settings provide appealing backdrops for the various story machinations.
Cast and Performances
(L to R) Yanic Truesdale as Raphaël Marchand and Charlotte Gainsbourg as Geneviève Lavigne in ‘Étoile’. Credit: Philippe Antonello/Prime Video.
The series’ cast is a mixture of players who have worked with the creators before, some acting veterans and interesting people who American audiences might not be so familiar with.
Luke Kirby, who was so good in a supporting role as Lenny Bruce on ‘Maisel’ here shoulders the lead role of Jack McMillan, the harried head of the New York Met ballet company. His family legacy is tied to the building and those who learn to dance within its walls, and he’s endlessly trying to figure out how to manage the gargantuan egos around him (his own is not exactly tiny).
Kirby is fantastic in the role, a mixture of stressed live wire and head cheerleader for the company, and he’s our guide into the world (his mother is played to perfection in a supporting turn from ‘Gilmore Girls’ Kelly Bishop).
Charlotte Gainsbourg is Geneviève Lavigne, Jack’s opposite number in Paris, who has her own issues to deal with. Gainsbourg brings energy and brio to the role, and her chemistry with Kirby is palpable.
Lou de Laâge as Cheyenne Toussaint in ‘Étoile’. Credit: Philippe Antonello/Prime Video.
Lou de Laâge provides a bubble of French sarcasm as ace dancer Cheyenne Toussaint, the lead at the Paris company who is traded for a season to New York. She’s a tornado in a tutu (though rarely seen in one, since her dance costumes are much more subtle) and steals a number of the season’s best scenes, including one where she scares off prospective male dance partners by regaling them with a shocking story about her mother cutting off men’s genitals.
Elsewhere, there are reliable, funny turns from veteran British actors Simon Callow (as Crispin Shamblee, the billionaire of questionable ethics who funds the big trade) and fellow cast member from 1994 rom-com classic ‘Four Weddings and a Funeral’ David Haig as Nicholas Leutwylek, Jack’s hard-living, jovial creative director whose health and partying ways are a constant source of comedy.
And ‘Gilmore Girls’ fans will be happy to see the return of Yanic “Michel” Truesdale as Geneviève’s right hand man Raphaël Marchand. And yes, he displays nuclear levels of sarcasm himself at times.
Final Thoughts
Luke Kirby as Jack McMillan in ‘Étoile’. Credit: Philippe Antonello/Prime Video.
‘Étoile’ should instantly delight fans of the Sherman-Palladino-verse, and at a time when the arts are under attack in funding terms, it’s nice to celebrate the power of music and dance.
And with another season already commissioned, there’s more to look forward to, and hopefully it’ll undo one of the few mistakes of the season, a final episode plot twist that doesn’t quite make sense.
K0VrK9MjVijlYLXiNZ0nc4
What’s the plot of ‘Étoile’ Season 1?
Set in New York City and Paris, the eight-episode ‘Étoile’ follows the dancers and artistic staff of two world-renowned ballet companies, as they embark on an ambitious gambit to save their storied institutions by swapping their most talented stars.
