Tag: Carlson Young)

  • ‘Trust’ Interview: Sophie Turner and Director Carlson Young

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    Opening in theaters on August 22nd is the new thriller ‘Trust’, which was directed by Carlson Young (‘Upgraded’) and stars Sophie Turner (‘Game of Thrones’ and ‘Dark Phoenix’), Rhys Coiro (‘Entourage’), Billy Campbell (‘The Rocketeer’), and Katey Sagal (‘Sons of Anarchy’).

    (Left) Sophie Turner stars in 'Trust'. (Right) 'Trust' director Carlson Young.
    (Left) Sophie Turner stars in ‘Trust’. (Right) ‘Trust’ director Carlson Young.

    Moviefone recently had the pleasure of speaking with Sophie Turner and director Carlson Young about their work on ‘Trust’, Turner’s first reaction to the screenplay, her approach to the role, the themes Young wanted to explore with the movie, and the challenges of directing a dog.

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    You can read the full interview below or click on the video player above to watch our interview with Turner and Young.

    Related Article: ‘Game of Thrones’ Sophie Turner in Talks to Be Lara Croft for Prime Video’s ‘Tomb Raider’ Series

    Sophie Turner in 'Trust'. Photo: Republic Pictures (a Paramount Pictures label).
    Sophie Turner in ‘Trust’. Photo: Republic Pictures (a Paramount Pictures label).

    Moviefone: To begin with, Sophie, what was your first reaction to reading the screenplay and what were some of the aspects of your character that you were excited to explore on screen?

    Sophie Turner: I mean, my initial reaction reading the screenplay was like, is there a higher power that has dropped this into my lap? Because it felt like it came at the perfect time in my life to get some anger out, and it was so cathartic. The thing I was so excited to play was, I mean, there are so many elements that she’s so multifaceted, but there’s the motherhood element I was incredibly excited to play, but it was more her journey. I mean, it’s so extensive this arc that she goes on throughout this movie, and I don’t think there’s one emotion that we didn’t explore or one kind of challenge that we didn’t take. Then it was also just the physical aspect of it that I was so excited to play. The fact that I’d never done any sort of thriller in my life. So, that was something that I’d never done before and I was just excited to be vulnerable and bring so much of my own stuff into it. I think that’s what I was the most excited about.

    MF: Carlson, as a director what were the themes you wanted to explore and what did you want to say with this film?

    Carlson Young: I wanted to explore so many things. I wanted to explore how the universe has this way of putting things in front of you and that we will keep colliding with patterns until we change the story. It had this contained survival thriller aspect of it on the surface, but I saw something much deeper. When I met Sophie as a creative partner, it just made sense to me. She had a bravery and a fearlessness and the way that she spoke about the material, I knew that it was a creative kindred spirit, and I could not have made this movie with anyone else. I can say that cosmically.

    Billy Campbell in 'Trust'. Photo: Republic Pictures (a Paramount Pictures label).
    Billy Campbell in ‘Trust’. Photo: Republic Pictures (a Paramount Pictures label).

    MF: Just to follow up, you said that there was something “much deeper” to the screenplay than just a survival thriller. What do you mean by that?

    CY: That there’s a predator through line and it was important for me to take the power away from them, from that narrative, to tell the full story about what it means to be a mother, to accept that responsibility, to accept a child with someone who is a perpetrator of your deepest trauma. Oh, there was a lot and fighting your way through that, and absolutely facing that challenge and being brave and everything kind of working out in the end because of that bravery. You’re rewarded for that bravery in a sense. There’s a freedom that comes.

    MF: Sophie, can you talk about where Lauren is personally, emotionally and mentally when we meet her at the beginning of the movie? What is her mindset when she arrives at the house?

    ST: When she arrives there at this mansion, we’ve all been in that place where I think, or at least I have so many times where you’re so overwhelmed that you are paralyzed, and you genuinely don’t know what to do about it. I think she’s in that stage where she can’t think in a straight line. She can’t think logically. She can’t see the forest for the trees. It is an existential crisis, basically, her coming and arriving at this place. I think in earlier drafts of the scripts, there was mention of, maybe I just want to walk into the woods and let the woods swallow me up. I think there’s a full chance that she was going to that place to go and commit suicide. There’s a chance that she was going there to just get some rest away from the world. But I think she’s almost inside, totally catatonic. It’s not a good place to be in. But also, again, there’s a relief to be there and a relief to be away from all of this. So, it was balancing all those things at once. I think so many times she’s sitting outside watching the trees blow in the wind, and then suddenly, she gets this feeling of, “Oh my God, I’m so overwhelmed I don’t know what to do with my body.” So, you need to go. I think she’s just all over the place, basically.

    Katey Sagal in 'Trust'. Photo: Republic Pictures (a Paramount Pictures label).
    Katey Sagal in ‘Trust’. Photo: Republic Pictures (a Paramount Pictures label).

    MF: Carlson, what is like directing a dog?

    CY: I love Georgie. Let’s talk about the dog. It’s such an element of light, I think, in the face of that existential crisis that she’s going through. There’s a friend just before she steps off the edge. Her name was Penga and she was an incredible performer. She was good and it was a joy to work with her. They say don’t work with kids and dogs. We did have both, and I can report a really good experience with that. She was dialed. She could hit her mark.

    MF: Sophie, did you enjoy working with Penga and can you talk about how Georgie helps save Lauren in more than one way?

    Sophie Turner: You’re so right. Georgie’s like, he grounds her. I think later, when eventually Georgie runs or gets kicked out, literally, then the grounding force becomes her baby, her unborn child. So, it’s nice to have that grounding theme throughout the show and that grounding thing, because otherwise, I don’t know if Lauren would’ve made it out of that room without having that.

    Sophie Turner in 'Trust'. Photo: Republic Pictures (a Paramount Pictures label).
    Sophie Turner in ‘Trust’. Photo: Republic Pictures (a Paramount Pictures label).

    MF: Finally, Sophie, your character is isolated through much of the movie, and it is a physically and mentally demanding role. Can you talk about the challenges of playing this character?

    ST: I mean, to be honest, it wasn’t a challenge. It really fed into the performance. It was all so useful to basically shoot. I mean, I think there were maybe two or three scenes where, maybe more than that, but most of my scenes were on my own. So that isolation, you do feel it and the set was practical. We were in a very small room shooting that, and I’m really breaking the walls and I’m really scratching at the wallpaper and really being covered in these horrible cockroaches. So, because of the practicality of it all, it made it so much easier to step into that world. But again, it’s a challenge for me. I don’t really do that, or I haven’t really done that much physical stuff in my career before this. So, it was something totally new and different and I loved every minute of it.

    Sophie Turner in 'Trust'. Photo: Republic Pictures (a Paramount Pictures label).
    Sophie Turner in ‘Trust’. Photo: Republic Pictures (a Paramount Pictures label).

    What is the plot of ‘Trust’?

    After a scandal, a Hollywood starlet (Sophie Turner) retreats to a remote cabin—but she’s not alone. Betrayed by the man she trusted most; she’s trapped in a brutal game of survival. She can hide, but she can’t run.

    Who is in the cast of ‘Trust’?

    'Trust' opens in theaters on August 22nd. Photo: Republic Pictures (a Paramount Pictures label).
    ‘Trust’ opens in theaters on August 22nd. Photo: Republic Pictures (a Paramount Pictures label).

    List of Sophie Turner Movies:

    Buy Tickets: ‘Trust’ Movie Showtimes

    Buy Sophie Turner Movies on Amazon

     

  • 20 Best Horror Movies From Women This Year

    20 Best Horror Movies From Women This Year

    As we head into spooky season, here’s a guide to a wide variety of new horror films from female filmmakers to get your skin crawling. With such a rich crop of startlingly original titles from filmmakers with bold visions and unique points of view, there’s bound to be something for everyone’s particular penchant. Whether you’re looking for mind-blowing body horror, creatures like vampires, witches or ghosts, or just good old fashioned blood, guts and gore – something wicked awaits you.


    Bingo Helldirected by Gigi Saul Guerrero

    Adriana Barraza in ‘Bingo Hell’
    Adriana Barraza in ‘Bingo Hell’

    The fifth installment in the anthology Welcome To The Blumhouse, Gigi Saul Guerrero’s film stars Oscar-nominated actress Adriana Barraza as Lupita, the lynchpin of a group of elderly persons living in the slowly gentrifying enclave known as Oak Springs. When the owner of the community center mysteriously disappears and the bingo hall is taken over by a huckster named Mr. Big (a wonderfully slimy Richard Brake) promising suspiciously big payouts, Lupita rallies the group to fight back. Filmed in New Orleans, Guerrero’s gruesome, wry film is perfect for fans of ‘The Outer Limits.’
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    Black as Nightdirected by Maritte Lee Go

    Asjha Cooper, Frabrizio Guido and Mason Beauchamp in ‘Black As Night’
    Asjha Cooper, Frabrizio Guido and Mason Beauchamp in ‘Black As Night’

    Written by Sherman Payne, Maritte Lee Go’s addition to Welcome To The Blumhouse follows awkward teenager Shawna (Asjha Cooper) as she tackles body issues and battles vampires over one fateful summer. When her mother falls victim to a gang of vampires preying on the most vulnerable residents of New Orleans – drug addicts and the unhoused struggling after Hurricane Katrina – Shawna vows to not only avenge her death, but put an end to their bloody reign in the Big Easy forever.
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    The Blazing Worlddirected by Carlson Young

    Zena Grey, Erika Cimino, Carlson Young, Brianne Tju and Alice Carroll Johnson in ‘The Blazing World’
    Zena Grey, Erika Cimino, Carlson Young, Brianne Tju and Alice Carroll Johnson in ‘The Blazing World’

    Loosely inspired by Margaret Cavendish’s 1666 satirical, proto-science fiction of the same name, Carlson Young’s fantasy horror-thriller had its world premiere at the 2021 Sundance Film Festival. Young stars as Margaret Winter, a self-destructive young woman still reeling from her twin sister’s accidental drowning, who returns home only to find herself in an alternate dreamlike dimension where her sister may still be alive. Udo Kier, Dermot Mulroney, Vinessa Shaw round out the film’s impressive cast.
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    Bloodthirstydirected by Amelia Moses

    Lauren Beatty in 'Bloodthirsty'
    Lauren Beatty in ‘Bloodthirsty’

    Co-written by mother-daughter team Wendy Hill-Tout and Lowell Boland, follows indie musician Grey Kessler (Lauren Beatty) as she battles her anxiety while working on her sophomore album. When mysterious producer Vaughn (Greg Bryk) offers his mansion and services, Grey is elated. However as his abusive process pushes her into the darker recesses of her psyche, she finds herself transforming in more ways than one. Shot on location in Edmonton, Alberta, Canada, the result is a unique, transfixing, and gore-filled twist on the werewolf genre.
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    Candymandirected by Nia DaCosta

    Yahya Abdul-Mateen II in 'Candyman'
    Yahya Abdul-Mateen II in ‘Candyman’

    Co-written with Win Rosenfeld and producer Jordan Peele, Nia DaCosta’s entry into the Candyman franchise, first adapted from by Clive Barker’s “The Forbidden” in 1992 by Bernard Rose, picks the story back up twenty-seven years after the events of the first film. Chicago-based visual artist Anthony McCoy (Yahya Abdul-Mateen II) finds himself drawn to the urban myth of Candyman and the Cabrini-Green housing project. Little does he know his connection to the lore runs deeper than just the power of artistic inspiration. Although critical reception was split, after its initial release DaCosta became the first American Black woman director with a number one at the box office.
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    Censordirected by Prano Bailey-Bond

    Niamh Algar in ‘Censor’
    Niamh Algar in ‘Censor’

    Set at the height of the Video Nasty controversy in the early 1980s England, Enid Baines (Niamh Algar) works as a censor for the British Board of Film Classification. Years early Enid’s sister went missing and is presumed dead, but when Enid discovers an old exploitation film that parallels the events of her sister’s disappearance, she becomes obsessed with finding the woman she believes may be her long lost sister. Shot on a mixture of 35mm, Super8 and VHS, Bailey-Bond’s film is a visceral and disquieting debut.
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    Fear Street Trilogy – directed by Leigh Janiak

    Ted Sutherland and Sadie Sink in ‘Fear Street’
    Ted Sutherland and Sadie Sink in ‘Fear Street’

    Set in 1994, 1978, and 1666 respectively, the trilogy relates the twisted relationship between the communities of Shadyside and Sunnyvale as it unpacks the curse of Sarah Fier, a witch who was burned at the stake. Inspired by the iconic book series by R. L. Stine, director Leigh Janiak infuses a fresh new point of view by centering the films on a queer love story, while mainting plenty of gore.
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    Knackningar (Knocking)directed by Frida Kempff

    Cecilia Milocco in ‘Knackningar (Knocking)’
    Cecilia Milocco in ‘Knackningar (Knocking)’

    Directed by Frida Kempff and written by Emma Broström, the film stars Cecilia Milocco as a woman named Molly who is recovering from a nervous breakdown after experiencing an extreme loss. After checking out of a psychiatric ward and moving into a new apartment complex, she begins hearing mysterious knocking sounds. Paranoia sets in when no one in the mysterious complex believes her.
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    Luckydirected by Natasha Kermani

    Brea Grant in ‘Lucky’
    Brea Grant in ‘Lucky’

    The life of self-help author May (Brea Grant) spirals out of control when she finds herself battling a mysterious faceless assailant night after night. When no one seems to notice or care, she is pushed to her physical and psychological limits as she attempts to rid him from her life for good. Kermani and writer-star Grant’s incisive look at the terror of just being a woman in this world will linger in your mind long after its flashy finale.
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    The Manordirected by Axelle Carolyn

    Barbara Hershey in ‘The Manor’
    Barbara Hershey in ‘The Manor’

    Also part of Welcome To The Blumhouse, writer-director Axelle Carolyn’s gothic thriller stars Barbara Hershey as Judith Albright, a woman who moves to Golden Sun Manor assisted living after suffering a mild stroke. While fighting for her agency, she begins to believe there is a sinister presence haunting the residents of the manor. Teaming up with fellow resident Roland (Bruce Davison), the two attempt to escape their confines rather than succumb to the evil forces surrounding them.
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    Martyrs Lanedirected by Ruth Platt

    Kiera Thompson in ‘Martyr's Lane’
    Kiera Thompson in ‘Martyr’s Lane’

    While living in a remote vicarage with her parents and surly older sister, 10-year-old Leah (Kiera Thompson) meets a strange girl in tattered angel wings while playing in the woods. Each time the girl visits Leah finds new clues to an old mystery that may cause her family’s fraught dynamics to unravel completely. Although she doesn’t quite stick the landing, with this film writer-director Ruth Platt offers a unique twist on the ghost story genre.
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    Phobiasdirected by Camilla Belle, Joe Sill, Jess Varley, Chris von Hoffmann, and Maritte Lee Go

    Martina García in ‘Phobias’
    Martina García in ‘Phobias’

    In this anthology film each director brings a unique phobia to graphic life. Using a frame narrative to connect the five entries, their stories cross paths at a government testing facility where a crazed doctor attempts to weaponize fear. Watch out for a chilling performance from Macy Gray.
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    The Powerdirected by Corinna Faith

    Rose Williams in ‘The Power’
    Rose Williams in ‘The Power’

    Set during power outages caused by a miners’ strike in early 1970s London, the film centers around Val (Rose Williams), a nurse in training. Spending her first night working in the East London Royal Infirmary in near total darkness, she begins to suspect there is something sinister lurking in the walls.
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    Saint Mauddirected by Rose Glass

    Jennifer Ehle in ‘Saint Maud’
    Jennifer Ehle in ‘Saint Maud’

    After a critically praised debut at the Toronto International Film Festival in 2019, writer-director Rose Glass’s psychological horror debut finally hit stateside earlier this year. Having recently converted to Roman Catholicism, hospice nurse Maud forms an unhealthy obsession with a former dancer in her care (Jennifer Ehle). Featuring a shocking finale, Oscar-winner Danny Boyle is among the film’s most ardent supporters, calling it “genuinely unsettling.”
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    Slaxxdirected by Elza Kephart

    Romane Denis in ‘Slaxx’
    Romane Denis in ‘Slaxx’

    In this horror-comedy, co-written with Patricia Gomez, writer-director Elza Kephart tackles the real life horrors caused by fast fashion. As a possessed pair of jeans goes on a killing spree inside a hip boutique overnight, new hire Libby McClean (Romane Denis) fights to escape the denim demon.
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    The Stylistdirected by Jill Gevargizian

    Najarra Townsend in ‘The Stylist’
    Najarra Townsend in ‘The Stylist’

    One day a lonely hair stylist (Najarra Townsend) who works from home snaps and kills a client (Brea Grant), leading her down a path of continued bloodlust that changes her life forever. Praised for its sharp comedy and stylish kills, Gevargizian’s film is a welcome entry into the slasher canon.
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    Titanedirected by Julia Ducournau

    Agathe Rousselle in 'Titane,' directed by Julia Ducournau
    Agathe Rousselle in ‘Titane,’ directed by Julia Ducournau

    In this Cannes Palme d’Or-winning flick Alexia, a showgirl (Agathe Rousselle) at a motorshow with a titanium plate implanted in her head from a childhood crash, gets impregnated by a Cadillac and goes on a serial killing spree. On the run from the cops, she impersonates the long lost son of a fire chief named Vincent (Vincent Lindon). Equally as tender as it is disgusting, Ducournau is the reigning queen of body horror with heart.
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    Things Heard & Seendirected by Shari Springer Berman and Robert Pulcini

    Amanda Seyfried in ‘Things Heard & Seen’
    Amanda Seyfried in ‘Things Heard & Seen’

    Based on the novel “All Things Cease to Appear” by Elizabeth Brundage, Berman and Pulcini use the philosophies and mysticism of Swedish pluralistic-Christian theologian and scientist Emanuel Swedenborg to put a new spin on the ghost story genre, while also exploring the dynamics of a fatally toxic marriage. The impressive cast includes Amanda Seyfried as Catherine, James Norton, Natalia Dyer, Karen Allen, and F. Murray Abraham.
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    Violationdirected by Madeleine Sims-Fewer and Dusty Mancinelli

    Madeleine Sims-Fewer in ‘Violation’
    Madeleine Sims-Fewer in ‘Violation’

    Playing both the 2020 Toronto International Film Festival and the 2021 Sundance Film Festival, this Canadian horror-drama follows Miriam (Madeleine Sims-Fewer), a traumatized woman on the edge of divorce who returns home for the first time in years. After her estranged sister and brother-in-law betray her trust, she seeks revenge in a most deranged and vicious manner. Praised for its rage and intensity, Sims-Fewer and Mancinelli’s film is a bold take on the revenge genre.
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    Witch Huntdirected by Elle Callahan

    A sink test scene in 'Witch Hunt'
    A sink test scene in ‘Witch Hunt’

    Set in a version of contemporary America where witches are real and witchcraft is illegal, a teenage girl (Gideon Adlon) faces her own prejudices as her mom (Elizabeth Mitchell) begins offering assistance to the orphaned children of witches seeking asylum in Mexico. While the metaphor isn’t always in the best taste, Callahan’s film continues the tradition of using the witch genre as a mode to express cultural criticism.
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