Tag: brad-bird

  • Peter Sohn to Direct Pixar’s ‘Incredibles 3’

    (Left) Director Peter Sohn at Pixar Animation Studios in Emeryville, Calif. Photo by Deborah Coleman/Pixar. (Right) The Incredibles in 2004's 'The Incredibles'. Photo: Pixar Animation Studios.
    (Left) Director Peter Sohn at Pixar Animation Studios in Emeryville, Calif. Photo by Deborah Coleman/Pixar. (Right) The Incredibles in 2004’s ‘The Incredibles’. Photo: Pixar Animation Studios.

    Preview:

    • Peter Sohn will direct ‘Incredibles 3’.
    • Brad Bird, who directed the previous two movies, wrote the script.
    • The movie was confirmed at last year’s D23 event.

    If you cast your mind back to last August, you might recall that Disney took the opportunity of its D23 event to announce that a third movie in the successful ‘Incredibles’ franchise was in the works.

    Little was revealed about it, beyond Pixar animation Chief Creative Officer Pete Docter offering that Brad Bird –– who has written and directed both the previous outings, was developing a third.

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    Yet it would appear that Bird’s duties elsewhere (more on that lower down the page) are precluding him from handling the new movie. The Hollywood Reporter brings word that while Bird is at work on the screenplay, ‘Elemental’ director Peter Sohn is the one who will usher the super-powered Parr family back to screens, with ‘Soul’Dana Murray producing alongside Bird.

    Related Article: Director Peter Sohn and Producer Denise Ream Talk Pixar’s ‘Elemental’

    What’s the story of the ‘Incredibles’ franchise?

    The Incredibles in 2004's 'The Incredibles'. Photo: Pixar Animation Studios.
    The Incredibles in 2004’s ‘The Incredibles’. Photo: Pixar Animation Studios.

    Long before the Marvel Cinematic Universe helped superheroes conquer cinema, Bird’s first ‘Incredibles’ movie, released in 2004, told the story of Bob Parr (voiced by Craig T. Nelson).

    Bob (A.K.A. Mr. Incredible), and his wife Helen (A.K.A. Elastigirl, played by Holly Hunter), are the world’s greatest famous crime-fighting superheroes in Metroville, always saving lives and battling evil on a daily basis.

    But 15 years later, they have been forced to adopt civilian identities and retreat to the suburbs where they have no choice but to retire as superheroes to live a “normal” life with their three children Violet (Sarah Vowell), Dash (Spencer Fox) and Jack-Jack, who were born with secret superpowers.

    Itching to get back into action, Bob gets his chance when a mysterious communication summons him to a remote island for a top-secret assignment. He soon discovers that it will take a super family effort to rescue the world from total destruction.

    In the 2018 sequel, ‘Incredibles 2’, the Parr family still know that heroism is illegal according to the established law that prevents them from helping people.

    But their lives in hiding are cut short when a wealthy philanthropist approaches Mr. Incredible and Elastigirl with the idea to remove the law and make their heroic acts legal. And Elastigirl is chosen to help lead this plan, leaving Mr. Incredible in charge of the kids.

    Things get even more complicated when a terrifying new menace called the Screenslaver shows up and threatens to abolish Elastigirl’s attempt to restore heroism. Who is the Screenslaver? Can the Parrs save the world from chaos and destruction? Can the heroic freedom be restored?

    (L to R) Jeremy Renner, Tom Cruise Simon Pegg, and Paula Patton in 'Mission: Impossible – Ghost Protocol.' ©2021 Paramount Pictures. All Right Reserved.
    (L to R) Jeremy Renner, Tom Cruise Simon Pegg, and Paula Patton in ‘Mission: Impossible – Ghost Protocol.’ ©2021 Paramount Pictures. All Right Reserved.

    While Bird, who has also brought us the animated likes of ‘The Iron Giant’ and ‘Ratatouille’ and live-action movies ‘Tomorrowland’ and ‘Mission: Impossible –– Ghost Protocol’, had been predicted to direct the third ‘Incredibles,’ but is in the midst of another animated movie instead.

    That project, ‘Ray Gunn’, has been a passion of Bird’s for nearly 30 years. Originally created alongside writer Matthew Robbins, it’s reportedly the story of the last human private detective, Raymund Gunn, in a future world composed of humans and aliens.

    Originally aimed for production via Skydance Animation and its deal with Apple, the movie has been mired in creative difference issues and budgetary wrangles, but is now likely to see screens via Netflix, which took over the ‘toon company in 2023.

    What else has Peter Sohn worked on?

    Oscar® Nominee Peter Sohn, Elemental during the Academy of Motion Picture Arts and Sciences' “Oscar Season: Animated Feature Film” Event on Saturday, March 2 at the The Academy Museum of Motion Pictures in Los Angeles. Credit/Provider: Michael Owen Baker / ©Academy Museum Foundation. Copyright: ©Academy Museum Foundation
    Oscar® Nominee Peter Sohn, Elemental during the Academy of Motion Picture Arts and Sciences’ “Oscar Season: Animated Feature Film” Event on Saturday, March 2 at the The Academy Museum of Motion Pictures in Los Angeles. Credit/Provider: Michael Owen Baker / ©Academy Museum Foundation. Copyright: ©Academy Museum Foundation

    Peter Sohn feels like the natural pick to follow Bird; he has worked on every animated Bird film (including both ‘Incredibles’) up until ‘Ray Gunn’.

    Bird has been a mentor to Sohn, and Sohn was specifically chosen to carry The Incredibles torch by Bird and Pete Docter.

    Sohn is a Pixar veteran, having worked on various movies as a story artist, animator and story consultant, and has been a member of the company’s Senior Creative Team (a group of filmmakers who offer input to those making films there) for a decade.

    He has also voiced characters in various movies for the studio, like ‘Ratatouille’, ‘Monsters University’ and ‘Lightyear’.

    As a director himself, Sohn made ‘The Good Dinosaur’ and the aforementioned ‘Elemental’, Sohn’s second movie, was nominated for the best animated feature Oscar last year.

    When will ‘Incredibles 3’ head to theaters?

    Disney and Pixar are keeping that particular piece of information locked in a vault for now, but given the usual lead time on CG animated movies, we can’t imagine it being ready much before 2028 or 2029 (the planned sequel to ‘Coco’, for example, is tentatively scheduled for 2029.)

    Next up for the Emeryville-based animation team is alien abduction adventure ‘Elio’, which sees the title character (voiced by Yonas Kibreab), a space-obsessed kid who is swept off on a cosmic misadventure.

    ‘Elio’ will be in theaters on June 20th.

    Pixar's 'Elio'. Photo: Disney.
    Pixar’s ‘Elio’. Photo: Disney.

    List of Pixar Movies:

    Buy Pixar Movies on Amazon

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  • Every ‘Mission: Impossible’ Movie, Ranked

    Tom Cruise plays Ethan Hunt in 'Mission: Impossible - The Final Reckoning' from Paramount Pictures and Skydance. Photo: Paramount Pictures.
    Tom Cruise plays Ethan Hunt in ‘Mission: Impossible – The Final Reckoning’ from Paramount Pictures and Skydance. Photo: Paramount Pictures.

    Based on the popular TV series of the same name, Tom Cruise‘s ‘Mission: Impossible‘ films have earned more than $4 billion at the box office and has become one of the most popular cinematic franchises of all time!

    The series has been directed by such acclaimed filmmakers as Brian De Palma, John Woo, J.J. Abrams, and Brad Bird, as well as current franchise director Christopher McQuarrie, who took over the series with ‘Mission: Impossible – Rogue Nation.’

    Cruise and McQuarrie have revitalized the franchise with their elaborate stunts and action sequences, and their latest addition to the series, and possibly the last, ‘Mission: Impossible – The Final Reckoning‘, opens in theaters on May 23rd.

    In honor of the new film’s release, Moviefone is ranking every ‘Mission: Impossible’ film ever made.

    Let’s begin!


    8. ‘Mission: Impossible II‘ (2000)

    Tom Cruise in 'Mission: Impossible 2.' ©2021 Paramount Pictures. All Right Reserved.
    Tom Cruise in ‘Mission: Impossible 2.’ ©2021 Paramount Pictures. All Right Reserved.

    With computer genius Luther Stickell (Ving Rhames) at his side and a beautiful thief (Thandiwe Newton) on his mind, agent Ethan Hunt (Cruise) races across Australia and Spain to stop a former IMF agent (Dougray Scott) from unleashing a genetically engineered biological weapon called Chimera. This mission, should Hunt choose to accept it, plunges him into the center of an international crisis of terrifying magnitude.

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    7. ‘Mission: Impossible Dead Reckoning Part One‘ (2023)

    Tom Cruise plays Ethan Hunt in 'Mission: Impossible Dead Reckoning - Part One 'from Paramount Pictures and Skydance.
    Tom Cruise plays Ethan Hunt in ‘Mission: Impossible Dead Reckoning – Part One ‘from Paramount Pictures and Skydance.

    In ‘Mission: Impossible – Dead Reckoning Part One,’ Ethan Hunt (Cruise) and his IMF team embark on their most dangerous mission yet: To track down a terrifying new weapon that threatens all of humanity before it falls into the wrong hands. With control of the future and the fate of the world at stake, and dark forces from Ethan’s past closing in, a deadly race around the globe begins. Confronted by a mysterious, all-powerful enemy, Ethan is forced to consider that nothing can matter more than his mission – not even the lives of those he cares about most.

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    6. ‘Mission: Impossible‘ (1996)

    Tom Cruise in 'Mission: Impossible.' ©2021 Paramount Pictures. All Right Reserved.
    Tom Cruise in ‘Mission: Impossible.’ ©2021 Paramount Pictures. All Right Reserved.

    When Ethan Hunt (Cruise), the leader of a crack espionage team whose perilous operation has gone awry with no explanation, discovers that a mole has penetrated the CIA, he’s surprised to learn that he’s the No. 1 suspect. To clear his name, Hunt now must ferret out the real double agent and, in the process, even the score.

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    5. ‘Mission: Impossible – The Final Reckoning‘ (2025)

    (L to R) Tom Cruise plays Ethan Hunt, Greg Tarzan Davis plays Degas, Simon Pegg plays Benji Dunn and Hayley Atwell plays Grace in 'Mission: Impossible - The Final Reckoning' from Paramount Pictures and Skydance. Photo: Paramount Pictures.
    (L to R) Tom Cruise plays Ethan Hunt, Greg Tarzan Davis plays Degas, Simon Pegg plays Benji Dunn and Hayley Atwell plays Grace in ‘Mission: Impossible – The Final Reckoning’ from Paramount Pictures and Skydance. Photo: Paramount Pictures.

    Ethan Hunt (Cruise) and the IMF team continue their search for the terrifying AI known as the Entity — which has infiltrated intelligence networks all over the globe — with the world’s governments and a mysterious ghost from Ethan’s past on their trail. Joined by new allies and armed with the means to shut the Entity down for good, Hunt is in a race against time to prevent the world as we know it from changing forever.

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    4. ‘Mission: Impossible III‘ (2006)

    (L to R) Tom Cruise and Keri Russell in 'Mission: Impossible III.' ©2021 Paramount Pictures. All Right Reserved.
    (L to R) Tom Cruise and Keri Russell in ‘Mission: Impossible III.’ ©2021 Paramount Pictures. All Right Reserved.

    Retired from active duty to train new IMF agents, Ethan Hunt (Cruise) is called back into action to confront sadistic arms dealer, Owen Davian (Phillip Seymour Hoffman). Hunt must try to protect his girlfriend (Michelle Monaghan) while working with his new team to complete the mission.

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    3. ‘Mission: Impossible – Ghost Protocol‘ (2011)

    (L to R) Jeremy Renner, Tom Cruise Simon Pegg, and Paula Patton in 'Mission: Impossible – Ghost Protocol.' ©2021 Paramount Pictures. All Right Reserved.
    (L to R) Jeremy Renner, Tom Cruise Simon Pegg, and Paula Patton in ‘Mission: Impossible – Ghost Protocol.’ ©2021 Paramount Pictures. All Right Reserved.

    Ethan Hunt (Cruise) and his team are racing against time to track down a dangerous terrorist named Hendricks (Michael Nyqvist), who has gained access to Russian nuclear launch codes and is planning a strike on the United States. An attempt to stop him ends in an explosion causing severe destruction to the Kremlin and the IMF to be implicated in the bombing, forcing the President to disavow them. No longer being aided by the government, Ethan and his team chase Hendricks around the globe, although they might still be too late to stop a disaster.

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    2. ‘Mission: Impossible – Rogue Nation‘ (2015)

    (L to R) Tom Cruise plays Ethan Hunt and Jeremy Renner plays William Brandt in 'Mission: Impossible – Rogue Nation' from Paramount Pictures and Skydance Productions. ©2021 Paramount Pictures. All Right Reserved.
    (L to R) Tom Cruise plays Ethan Hunt and Jeremy Renner plays William Brandt in ‘Mission: Impossible – Rogue Nation’ from Paramount Pictures and Skydance Productions. ©2021 Paramount Pictures. All Right Reserved.

    Ethan (Cruise) and team take on their most impossible mission yet—eradicating ‘The Syndicate’, an International and highly-skilled rogue organization committed to destroying the IMF.

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    1. ‘Mission: Impossible – Fallout‘ (2018)

    (L to R) Simon Pegg as Benji Dunn, Rebecca Ferguson as Ilsa Faust, Tom Cruise as Ethan Hunt and Ving Rhames as Luther Stickell in 'Mission: Impossible - Fallout, from Paramount Pictures and Skydance. ©2021 Paramount Pictures. All Right Reserved.
    (L to R) Simon Pegg as Benji Dunn, Rebecca Ferguson as Ilsa Faust, Tom Cruise as Ethan Hunt and Ving Rhames as Luther Stickell in ‘Mission: Impossible – Fallout, from Paramount Pictures and Skydance. ©2021 Paramount Pictures. All Right Reserved.

    When an IMF mission ends badly, the world is faced with dire consequences. As Ethan Hunt (Cruise) takes it upon himself to fulfill his original briefing, the CIA begin to question his loyalty and his motives. The IMF team find themselves in a race against time, hunted by assassins while trying to prevent a global catastrophe.

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  • Beyond Fest Announces Full 2023 Line Up

    Beyond Fest 2023 takes place September 26th - October 10th.
    Beyond Fest 2023 takes place September 26th – October 10th.

    Now entering its 11th year, the highest-attended genre film festival in the US, Beyond Fest is back and bigger than ever.

    The event, which has brought first looks at new movies and more to fans for years, is back this month, comprising 55 features, including 5 world premieres, 3 North American Premieres, 7 US premieres, and 18 West Coast Premieres.

    When and where is Beyond Fest 2023 happening?

    Nicolas Cage in 'Dream Scenario.'
    (Left) Nicolas Cage in ‘Dream Scenario.’ Courtesy of A24.

    This year’s event runs between September 26th – October 10th.

    In partnership with the American Cinematheque and presented exclusively by distributor NEON, Beyond Fest will screen at the Aero Theatre, Los Feliz 3 and Regency Village Theatre.

    Here’s what Head of Programming Evrim Ersoy has to say about this year’s fest:

    “With over 19,000 attendees in 2022, our goal this year was to go bigger while also exposing audiences to new filmmakers who represent the future. We’ve delivered on that promise with a program that has the world’s most celebrated artists like James Cameron, Guillermo del Toro, and Roger Corman joining us alongside some of Cinema’s boldest new voices including Nikhil Nagesh Bhat, Demián Rugna and Macon Blair.”

    Related Article: Beyond Fest’s Full 2022 Line Up Includes ‘Halloween Ends’ and More

    What could I see at the 2023 Beyond Fest?

    John David Washington as Joshua in 20th Century Studios' 'The Creator.'
    John David Washington as Joshua in 20th Century Studios’ ‘The Creator.’ Photo courtesy of 20th Century Studios. © 2023 20th Century Studios. All Rights Reserved.

    Among the offerings at this year’s event are Gareth Edwards’ sci-fi epic ‘The Creator’, which is the opening night movie at the Aero, while Kristoffer Borgli’s comedy-satire sensation, ‘Dream Scenario’, featuring Nicolas Cage, will close things out.

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    Paul Mescal stars in two new movies: first, opposite Andrew Scott and alongside Jamie Bell and Claire Foy, in Andrew Haigh’s metaphysical romantic drama ‘All of Us Strangers’, and then he’s opposite Saoirse Ronan in Garth Davis’ psychological drama ‘FOE’.

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    We can also expect to see Justine Triet’s Palme d’Or winner ‘Anatomy of a Fall’ and Kitty Green’s slow-burn outback thriller ‘The Royal Hotel’.

    Mary Elizabeth Mastrantonio in James Cameron's 'The Abyss.'
    Mary Elizabeth Mastrantonio in James Cameron’s ‘The Abyss.’ Courtesy of Walt Disney Pictures.

    And that’s just the tip of the iceberg. Talking of icebergs, James Cameron will also be in attendance: not bringing ‘Titanic’, but instead to introduce and then discuss the Special Edition of 1989’s ‘The Abyss’. You’d think the man would be too busy working on his ‘Avatar’ sequels, but Beyond Fest has him!

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    There will also be a celebration of genre legend Roger Corman, including a special tribute screening with brand new 35mm prints of ‘Rock ‘n’ Roll High School’, ‘Piranha’, ‘Grand Theft Auto’ and ‘The Raven’ followed by a panel featuring Corman and longtime collaborators Ron Howard, Jon Davison, Amy Holden Jones, Joe Dante and Allan Arkush.

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    Guillermo del Toro will be there to mark 10 years of his robots-vs-giant-monsters pic ‘Pacific Rim’, and maintaining the theme, director Brad Bird will bring his much-loved animation classic ‘The Iron Giant’.

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    Elsewhere, there will be a chance to see the remake of Troma classic ‘The Toxic Avenger’ starring Peter Dinklage as the mutated, mop-wielding hero, and so much more.

    Peter Dinklage in 'The Toxic Avenger.'
    Peter Dinklage in ‘The Toxic Avenger.’ Credit: Legendary Pictures.
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    How can I get tickets for the 2023 Beyond Fest?

    A scene from 'All of Us Strangers.'
    A scene from ‘All of Us Strangers.’ Courtesy of Searchlight Pictures.

    Tickets will be on sale via americancinematheque.com on Friday, September 15th at 10AM PST.

    Visit beyondfest.com and americancinematheque.com for details.

    Idris Elba, Charlie Hunnam and Rinko Kikuchi in Guillermo del Toro's 'Pacific Rim.'
    (L to R) Idris Elba, Charlie Hunnam and Rinko Kikuchi in Guillermo del Toro’s ‘Pacific Rim.’ Photo: Warner Bros.

    Other Movies Playing at Beyond Fest 2023:

    Buy Tickets: ‘The Creator’ Movie Showtimes

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    Buy ‘Pacific Rim’ On Amazon

  • Gifts Brad Bird Gave Us

    Gifts Brad Bird Gave Us

    How many among us can say their childhood dream was realized? When he was 11, young Montanan Brad Bird visited Walt Disney Studios and declared he would join its animation team. After completing his first animation at 13 and working with legendary Disney animators as a hobby, Disney later awarded him with a scholarship to attend California Institute of the Arts. The rest is cinematic history, and to celebrate his birthday, here are some films he’s gifted us with.

    ‘The Iron Giant’ (1999)
    This sweet story of friendship during the Cold War in 1957 focuses on a young boy named Hogarth (Eli Marienthal), and a giant robot (Vin Diesel) that Hogarth finds trying to eat power lines. Once they realize neither has hostile intent, they focus on the more challenging problem of keeping him hidden from the government agent searching for him. As he takes shelter in the local junkyard, the Giant’s softer side is revealed time and time again, whether it’s saving lives, learning about Superman, or processing the concept of death. But all good things, including hanging out with robot best friends and evading the government, must end. Or…do they?

    ‘The Incredibles’ (2004)
    Before the Avengers were dealing with ramifications of tearing up cities in their quest to preserve civilization, there was this family of five living in Metroville. Since bystanders were suing, being a superhero is now outlawed—and the greatest superhero in Metroville, Mr. Incredible (Craig T. Nelson), now has to be known as…Bob. He’s selling insurance, although he dreams of going back to serving the public in big, splashy ways, as opposed to quietly helping individuals get their claims settled with his corrupt bosses. Unbeknownst to his wife Helen (Holly Hunter), he has been undergoing secret missions, until he realizes that he’s being played by a new super villain and they need to come save the day together.

    ‘Ratatouille’ (2007)
    Brad Bird figured out how to bridge the great divide between restaurants and rats with the help of Patton Oswalt as Remy, the rat who dreams of being a chef. He seizes the moment when he sees Alfredo Linguini (Lou Romano), a kitchen garbage boy, screwing up a pot of soup he spilled, and steps (Crawls? Scuttles?) in to fix all his mistakes. When it’s a huge hit with the restaurant patrons, they keep Linguini on as a trainee, and Remy takes up residence under Linguini’s toque. Together, through ups and downs and health code violations, they forge a friendship and a glowing review from a cynical food critic (Peter O’Toole).

    ‘Mission Impossible – Ghost Protocol’ (2011)
    Five years prior, Mission: Impossible III hit a critical low and what is now the second-lowest lifetime gross in the series. While still considered successful, if ever there was a time to jumpstart a franchise, 2011 would have been it, and Bird and the gang of beleaguered IMF agents delivered. Yet again, Ethan Hunt (Tom Cruise) and his IMF team are disavowed (are they ever avowed?) after a bombing of the Kremlin that gets pinned on Hunt. There’s the usual amount of trickery and action in this film, but certain sequences like the tower in Dubai with Tom Cruise, whipping wind, and a pair of what appeared to be Nintendo Power Gloves were unforgettable.

  • ‘Incredibles 2’ Director Brad Bird’s Next Feature a Musical Featuring Animation

    ‘Incredibles 2’ Director Brad Bird’s Next Feature a Musical Featuring Animation

    Brad Bird interview still
    Disney-Pixar/YouTube

    Brad Bird is ready to try something that scares him.

    The “Incredibles” and “Incredibles 2” director recently opened up about his next project and shared that it’s one he is “deathly afraid of.” During the during the BAFTA Tea Party red carpet on Sunday, Jan. 6, Bird told Variety that he’s working on his “next thing” and it’s a musical.

    “I don’t know anything about musicals, so I figured I should do this,” he said. “I’m deathly afraid of it, and that sounds like a cool thing.”

    It may be frightening for Bird, but he has a great composer lined up. Michael Giacchino will work with him again. The two have previously teamed up on both Incredibles films, “Tomorrowland,” and “Ratatouille.” Over the years, Giacchino has won an Academy Award, an Emmy, and multiple Grammys.

    In addition to all the music, there will be 20 minutes of animation in the film, Bird says. He previously alluded to that fact during a Moviefone interview in October, saying his upcoming project “has animation in it, but it’s not an animated film.” At the time, he also mentioned his fear, calling the undertaking “another thing that scares [him].”

    Well, you know what they say: No risk, no reward. Good for Bird for going for it.

    [via: Variety; h/t: Cartoon Brew]

  • The 9 Best Animated Films of 2018

    The 9 Best Animated Films of 2018

  • ‘Incredibles 2’ Director Brad Bird and Producer John Walker Reveal How They Survived the Sequel

    ‘Incredibles 2’ Director Brad Bird and Producer John Walker Reveal How They Survived the Sequel

    Disney•Pixar

    When “Incredibles 2” roared into theaters this summer, it felt downright miraculous. Not only had it been 14 years since the original film, but production on the sequel was truncated by over a year, after it swapped release dates with “Toy Story 4.”

    Making matters even more mind-boggling was just how excellent the film turned out; how expertly it balanced heart and thrills, humor, and ideas. This wasn’t just a retread; it explored all sorts of new territory. And all that hard work certainly paid off, with critics and audiences reacting enthusiastically. (It is now the top grossing animated film of all time.)

    With the new Blu-ray set for Nov. 6 and digital release available now,  you can relive all of your favorite moments, over and over again, supplemented with a truly dizzying amount of special features, including behind-the-scenes documentaries, deleted scenes, and filmmaker commentary. (Also, there’s a new short film that explores what happened on Edna and Jack-Jack’s night together. It’s a gas.) Seriously, when people say they don’t do special features like they used to … well, they probably haven’t checked out all the bonus material for “Incredibles 2” yet.

    We got the chance to go up to Pixar and chat with writer-director Brad Bird and producer John Walker, about what it’s like now that the movie is out, what they learned making Disney’s sorely underrated big budget sci-fi feature “Tomorrowland,” and what’s next (spoiler: it’s not “Incredibles 3”).

    Moviefone: “Incredibles 2” is finally done. How do you feel?

    Bird: We always talk about this … People think we’re going to say, “We’re kings of the world!” That’s not the feeling you have. The feeling you have mainly is relief — relief that you got it made. We did it with a year less time, which was a miracle. We actually came in under budget, which is a double-miracle. And then the fact that we all enjoyed the experience, as hard as it was, and we’re all still friends is triple-miracle. Then the fact that it was received as well as it was, that’s a quadruple-miracle. So it’s a miracle times a miracle. So we’re relieved.

    Is there any part of you that thinks, “Well, let’s just do the third one and get it out of the way.”

    Bird: No, no, no. These movies are hard. I understand that a lot of people do follow-up a film with its sequel, but I totally don’t understand that. Chris Nolan was in the middle of the Batman things and he always went to an original after it, something that he really wanted to make badly. The fact that he was indulged in that, and [Warner Bros.] didn’t make him sign a three-picture deal, is amazing. They kept going, “Do you want to do another one?” And then he’d go, “Yeah, I think I could do another one.” To me, that’s a much better way than having someone say, “Will you sign on to then sequels?” Then it just starts becoming like making Twinkies.

    I was just wondering if the momentum got a hold of you.

    Bird: No, the momentum of vacation got a hold of me. And I’m still surfing that wave.

    Disney•Pixar

    Before the movie came out, there was a lot made about Edna’s fashion show.

    Bird: Way too much made. We cut it for a reason. In the world of the film, she is most passionate about designing super-suits and costumes and devices for superheroes. That’s the thing that makes her want to get up in the morning. But if you make superheroes illegal, she’s still going to make a living. So this is her doing her day job now, as a designer for high-end fashion. She has opinions about it and is good at it. So I thought it would be good to show her in that environment. And then have Bob go there, desperate for her help. So he’s surrounded by models and the craziness of that situation.

    But it never developed to the point that I wanted it to. It sounds funnier than what it became. I think that it’s interesting and I think there’s some entertaining stuff in there. But am I sitting here thinking that it should have been in the movie? I’m not.

    And the scene that you have … the one thing that I’ll apologize in advance for, was that we didn’t iterate a lot on these sequences that were cut. We didn’t have time. They took a year out of our schedule, like I said. So if something didn’t immediately move ahead the part of the story that I was committed to, which was the role switch and Jack-Jack, if it didn’t connect with the family in some meaningful way — gone. I had to be ruthless. I killed so many darlings, left and right. I had characters who were interesting and funny who I wrote sequences for and we storyboarded, gone. I learned that on television with “The Simpsons,” where you have to do 22 episodes a year and when you’re finishing this one, you’ve got that one right there. And if you take too long on this one, it’ll screw up that one. And that will screw up the whole process.

    This movie, once we lost the year, it came in on the “Iron Giant“/”Ratatouille” thing of — “You’ve got to produce now.”

    Walker: It’s got to be wonderful, right away!

    Bird: And some of the critics … I don’t read reviews as much anymore. I’m kind of off that. But I saw a couple. And one of them was critical about something in the plot, some intricacy that hadn’t completely [been] beautifully worked out. And my attitude is, “Hey, you don’t get the picture, man. We were under fire! They were using flamethrowers! One guy was starving and thinking about eating me!” I mean … we made it! That’s the headline: We made it! It was a race, you know?

    Disney

    Speaking of critics, we’re a couple of years removed from “Tomorrowland” and I see you engaging with people all the time on Twitter about the movie. What was your biggest takeaway from that experience?

    Bird: Well, there were people in the industry who asked how I could give up a sure-fire thing like “Star Wars” to do this movie that, half the people really like, and half the people hate with a passion. And my feeling at the time was … George had already committed. I was scouting for the movie. We were in line to go. And that’s when it came up. As tempted as I was, I’ve known Kathy forever, she was the producer on the first stuff I did, I’ve known George for a long time, I love “Star Wars,” but ultimately I thought, “‘Star Wars’” is going to get made and do just fine without me, whereas “Tomorrowland” … if it dies at this point, where George is committed and suddenly it doesn’t go, well, it might not get made.” And I thought it should get made.

    I don’t have any guarantees. I don’t have guarantees that I’m going to do a great job on it. But I thought it had a lot of interesting ideas and that I should try it. That’s where I came down on it. Commercially, it was probably a terrible decision. But in terms of trying things, and trying to push myself as a storyteller, we were doing some adventurous things with that movie and whether it succeeded or failed, I’m glad I tried something that was challenging for me, that scared me. Not to say that “Star Wars” wouldn’t be challenging. That’s a whole different type of challenging. The pressure and expectation must have been through the roof on that film, which must have been tough. But this was an idea that hadn’t been tried. And these are characters that weren’t connected to anything. You know what I mean? It was a gamble. And I’m happy that I did a gamble.

    Do you know what you’re going to do next?

    Bird: Oh, yeah. It’s something that I’ve wanted to do for years.

    Is it “1906” [Bird’s long-in-the-works earthquake epic]?

    Bird: No. We haven’t figured out the right way to do that. No, this is a project that I pitched a long time ago and a studio owns it and, whether they make it or not, is up for grabs. Whether anyone makes it or not is up for grabs. But it’s an idea I am very interested in. Again, it’s another thing that scares me. So I should probably try and do it. It has animation in it, but it’s not an animated film.

    It’s not “Ray Gunn?”

    Bird: No. But I’m still interested in that. I think we could make it better now because I’m more experienced as a writer. But I still love that idea.

    “Incredibles 2” is out on digital now and Blu-ray on November 6th.

  • New Mini-Movie ‘Auntie Edna’ Coming With ‘Incredibles 2’ Home Release

    New Mini-Movie ‘Auntie Edna’ Coming With ‘Incredibles 2’ Home Release

    Auntie Edna, Incredibles 2
    Disney-Pixar, via Brad Bird Twitter

    Jack-Jack and Edna Mode are getting their own spinoff!

    Incredibles 2” director Brad Bird revealed the new short — called “Auntie Edna” — will be packaged with the “Incredibles 2” release October 23 on Digital, and Blu-ray/DVD November 6:

    Here’s the mini synopsis, via Entertainment Tonight:

    “When Bob Parr visits super-suit designer Edna Mode looking for help with his high-energy toddler Jack-Jack, Edna pulls an all-nighter designing a suit to harness the baby’s seemingly limitless powers.”

    ET said the “Incredibles 2” home release will also come with deleted scenes; a behind-the-scenes look at the Pixar process; a partially illustrated documentary, “The Coolest Guy in Show Business” reflecting on the life of Samuel L. Jackson; and the short film “Bao.”

    “Incredibles 2” just hit another milestone at the domestic (U.S./Canada) box office, passing $600 million. Only nine films have ever done that before, but three have done that this year — “Black Panther,” “Avengers: Infinity War,” and now “Incredibles 2.”

    “Incredibles 2” is the only animated film on that list, making it the most successful animated film of all time at the domestic box office (not adjusting for inflation).

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  • ‘Incredibles 2’ Review: It’s Good, but Not Great

    Smart, thrilling but strangely ephemeral, “Incredibles 2” is a great example of what happens when anticipation works against the success of a movie.

    It’s been 14 years since director and writer Brad Bird delivered his original tale of a crime-fighting family and the society that may or may not want it, but several cinematic universes — and too many lackluster Pixar sequels later — Bird’s follow-up lacks its predecessor’s freshness, not the least of which because Bird chooses to pick up right where he left off, and even take a few steps backward in several instances. Nevertheless, another mostly successful combination of the brisk, operatic action and recognizable familial strife that made the first film so appealing, this sequel works much better when it’s exploring the filmmaker’s ideas dramatically than when it’s serving as a soapbox for cranky opinions about technology, parenting, and gender roles.

    The film opens with The Incredibles’ showdown with the Underminer (John Ratzenberger), the villainous mole man whose arrival at the end of the first film signaled the family’s readiness to work together — or so they thought. Underminer escapes, and the ensuing destruction of Metroville caused by his equipment closes the door on the possibility of legalizing superheroes. Thankfully, Helen (Holly Hunter) and Bob (Craig T. Nelson) discover a pair of new advocates in Winston Deavor (Bob Odenkirk) and his sister Evelyn (Catherine Keener), telecommunications tycoons who want Elastigirl to lead the charge in changing public perception about the Incredibles and their gifted colleagues.

    As Helen heads off to stop crime and generate some positive press coverage, Bob agrees to stay home with Violet (Sarah Vowell), Dash (Huck Milner), and Jack-Jack (Eli Fucile), discovering it takes a different kind of hero to juggle the daily responsibilities of childcare. But when a new supervillain calling himself the Screenslaver perpetrates an escalating series of crimes against allies to the superhero cause, Helen must work twice as hard not only to protect Metroville, but their fleeting opportunity for legitimacy — even as the separation from her husband and kids begins to exert a greater toll on the whole family.

    While it makes sense for Bird to not move too far past the events of the previous film — he cleverly conceived each of the characters to suit the mindset, or energy level, of parents and children at certain ages — the fact that he immediately walks back the prospect of Supers gaining legal status feels like a sequel idea that would (and should) be called out for its laziness. (Like, say, killing off the closest loved one of a superhero who spent the entire first movie trying to reconnect with her.) But what’s more disruptive to the forward momentum of this movie than that choice is the fact that the characters repeatedly stop to discuss that choice in, well, a lot more detail than a superhero movies needs in 2018.

    Both of the “Captain America” sequels and “Avengers: Age of Ultron” (plus a few others) more or less explicitly examine the responsibility of heroes, the repercussions of their actions, and so forth; do we need to watch the Parrs bicker over the dinner table about laws that keep them from doing good, or shared drinks over the philosophical implications of heroes in a world of normal folks?

    Additionally, Bird pays lip service to the unbalanced gender dynamics of both the Parr family and the Deavor family (Winston is CEO; Evelyn is a tech designer), but the conversations mostly sit there on screen, slowing down a story that sometimes is making wonderful strides forward and other times feels disappointingly regressive.
    In 2018, what’s new or original about Bob’s chauvinist struggle to “be okay” with Helen going out into the world while he stays home with the kids? Or, that he has trouble adapting to more “domestic” responsibilities like babysitting, homework, and emotional support? “Mr. Mom,” starring Michael Keaton, covered this territory 35 years ago. Meanwhile, there’s a whole conversation about how people will readily sacrifice “quality for ease,” and the movie features a villain who rails against dependency on screens and devices. Both certainly ring true, but they ultimately just reinforce so many other ideas in the movie that sound like Dad Rants, especially when they only peripherally tie into the actual events of the rest of the story.

    That said, there are still many pleasures to be found in the film, which tries with moderate success to move past these underwhelming plot strands as briskly as possible, and tackle a few with exactly the kind of incisive specificity that made the first film such a jazzy, relatable ride. (Bob’s effort to help Violet reconnect with a boy she likes unfolds with the right kind of sweet, well-intentioned naivete that many other parts of the movie handle with, well, just too much impatience or exasperation.)

    Though some of the Jack-Jack scenes feel like isolated vignettes better suited for the special features of the movie’s home video release, Bird finds some interesting ways to utilize the character’s unpredictable powers (and personality) to great comedic dividends. Additionally, it handles its action scenes even better than last time (Bird clearly picked up a few things from working on “Mission: Impossible – Ghost Protocol”); a motorcycle chase in the middle of the film is fluid, fast-paced, and exhilarating, and unlike similar sequences in so many other animated movies, here it exudes a real sense of danger and suspense.

    Ultimately, what Bird has created with “Incredibles 2” is an expected sequel to the first film, but also one that doesn’t quite feel fully worthy of it — something that rewards our wait, but doesn’t necessarily amplify or transcend what made its predecessor so fun, exciting, and unique.

    Of course, maybe that’s “enough” when so many sequels drop off precipitously in quality; but after a movie calledIncredibles” lives up to its name and then some, it’s hard for “No, Really, It’s Very Good” not to feel a like at least a little bit of a disappointment.

  • 9 Things We Learned at Pixar’s ‘Incredibles 2’ Presentation

    Recently, we were invited to the Pixar Animation Studios campus in Emeryville, California, right outside of San Francisco, to preview their latest animated feature, “Incredibles 2.” We got to see footage, speak with the filmmakers, and preview production artwork from the highly anticipated sequel, which one again reunites the super-powered Parr family (led by Craig T. Nelson and Helen Hunt) as they face off against villainous foes and work to maintain the family dynamic that really makes them so special.

    And while we’ll have plenty from our time at Pixar in the days and weeks ahead, we first wanted to share what we learned from an illuminating press conference that featured writer-director Brad Bird, producer Nicole Grindle, and producer John Walker.

    1. A Condensed Schedule Is Nothing New to the Team

    During our time at Pixar, much was made of the condensed schedule that the production team had to deal with while crafting “Incredibles 2” since, as it was originally planned, “Toy Story 4” would be released this summer and “Incredibles 2” would come out Summer 2019. Now, the reverse is true, with “Incredibles 2” bowing a full year before the fourth installment in that beloved franchise.

    But as it turns out, the team is used to it.

    “The original ‘Incredibles‘ was supposed to be after ‘Cars.’ Our reels came together a little earlier than ‘Cars’ did, so we moved up,” Bird explained. The same situation happened here with ‘Toy Story 4’.” Bird admitted that it was a “challenge for us,” but — in some respects — it wasn’t as difficult since the studio is “three times bigger than it was” during the first movie.

    2. Also, the Schedule is Nothing Compared to ‘Ratatouille’

    Bird was also quick to point out that when he inherited “Ratatouille,” a feature that was set to be the directorial debut of Oscar-winning Pixar animator Jan Pinkava — and also the first movie released outside of their distribution deal with Disney — he had even less time to get the movie done.

    “Yeah, when I got involved in ‘Ratatouille,’ it was a little over a year,” Bird interjected. “And we only retained two lines of dialogue and two shots from all of the previous versions that had been done. It was like running in front of a train laying down track.”

    And considering how “Ratatouille” turned out (it’s one of the studio’s best films), we have high hopes for “Incredibles 2” with or without its truncated schedule.

    3. Bird Was Initially Uneasy About Returning to the Superhero Genre

    When the first “Incredibles” was released back in 2004, we were still almost a half-decade away from the debut of the Marvel Cinematic Universe, and the glut of superhero movies that came in the wake of its creation. What was it like heading back, after all that? Leave it to Bird, the king of the metaphors, to explain:

    “On some level, it’s like going out to the football field, and there’s been way too many games on it, and there’s just dry dirt with a few sprigs of grass. It’s clunky. Life doesn’t grow there anymore.” The filmmaker admitted to thinking, “well, that’s been covered.” Bird also said that the sheer number of superhero stories being told — in both movies and on television — made things “very hard on a story level.” (Bird also mentioned that Heroes,” told him that his show was a mixture of “Incredibles” and “Crash.”) Still, Bird was undaunted.

    “I returned to what makes us unique, which is a family. And superheroes have to hide their abilities. That is unique to us. And there’s plenty left to explore,” he said. Walker then added: “When we were trying to sell the first ‘Incredibles,’ people said, ‘Well, what is it? A spy movie? A family movie? A superhero movie?’ And that’s the strength of the films. It’s not just rooted in superhero stories.”

    Try as you might, you can’t pin down the Incredibles.

    4. The Idea to Age the Characters Was Considered

    “Incredibles 2” starts immediately after the events of the first movie. Like about fifteen seconds before the credits for the first film start, with much of the movie taking place just a few months after they stopped the Underminer (the villain glimpsed at the end of the first film). Not that this was always the plan.

    “I thought about aging everybody the way everybody does, and I thought, ‘No, that sucks.’ That’s about as deep as it went,” Bird said. Part of that had to do with how the filmmakers formed the original movie.

    “One of the conceits of the original film is that, I tried initially — when I started to work on the project long before Pixar, even before ‘Iron Giant‘ — I went to a comic book shop and thought, ‘I’ve got to think up new powers.’ After a half an hour in the comic shop, I realized every power has been done,” Bird explained. “Then, right after that was an original epiphany: I wasn’t interested in the powers, I was interested in the idea of having a family and a reason to hide the powers. Once I had that insight into what I wanted to do, I picked the powers based on who they were in the family. Men are always expected to be strong, so I gave Bob super strength. Moms are always pulled in different directions, teenagers are insecure and defensive, so she has invisibility and force fields. Ten year olds are nothing but energy, and the baby could have powers or no powers. It reminds me of how babies can grasp languages easily.”

    These thematic concerns wouldn’t work if you changed that dynamic. “The insight into those periods of your life disappears once you age them up,” Bird said. “I’m not interested in a college-age Jack-Jack. I’m interested in my sons growing up.”

    Bird also said that keeping them the same age makes the movie more “iconic” and pointed to his nearly decade-long run on “The Simpsons,” where the characters didn’t change at all.

    “It’s worked out rather well for them,” Bird said with a characteristic twinkle in his eye.5. Sorry, But ‘Incredibles 2’ Isn’t Inspired by #MeToo

    When a journalist of color brought up the fact that, besides Samuel L. Jackson‘s Frozone character, Lucius Best (aka Frozone), there wasn’t that much representation in the “Incredibles” universe, Bird assured that, “It’s in there. It’s just not in the sections you saw.”

    The filmmaker also made sure that we knew that the sequel’s storyline was not a reactionary one. “Some people have remarked that we geared this towards the #MeToo movement because it’s got a female lead,” Bird said, sounding somewhat exasperated. But the Helen storyline was always a big part of where he wanted the movie to go (more on that momentarily).

    Circling back to the representation issue, Bird said that they had actually designed Honey, Lucius’ wife, who you only hear in the first film. “We didn’t end up doing it, because it’s funnier as a voice. We designed the character and the character appears in the movie, but not as Honey. We have used her design and she is a hero,” Bird explained. So look out for Honey; she’s in there!

    You can tell that Bird takes these issues seriously and he’s happy with the work he’s accomplished. “The first walk-around Disneyland character who was black was Frozone,” Bird remarked. “I think we’ve done okay.”

    6. Two Elements of the Story Always Stayed the Same

    Development on “Incredibles 2” initially began way back in 2010, before Bird made his sojourn to the land of live action filmmaking with “Mission: Impossible – Ghost Protocol” and “Tomorrowland.” But back then, he was just toying with ideas — and not much else. Still, those ideas made it into the new movie.

    “The two ideas that were in my head, as the first movie was ending, [were]: A role switch between Bob and Helen, and showing Jack-Jack’s powers; making Jack-Jack a main character. Those were in from the beginning and never left the project,” Bird said. Not that the rest of the movie wasn’t constantly evolving.

    “What changed was the plot, the superhero/villain plot. That shifted endlessly. It drove me insane. Because I was always faced with a release date and if something didn’t work, I had to throw it away immediately, I couldn’t bang on it. That half of the story was shifting always.”

    What that villain plot is remained elusive, even after spending all day at Pixar. Apparently, based on the trailer, there is a skull-faced baddie called the Screenslaver. Intriguing …7. They Took the Challenge of Continuing the Story Seriously

    When someone brought up the pressure of continuing what is largely considered a classic, Bird dismissed the notion.

    “It’s really distracting to think of that,” he said. “If you think about pleasing an audience that has no definition, if you try to think about pleasing that — and what they’ll like two years from now — you’ll just curl into a fetal ball and never come out of your room. The better way to think about it is — I’m going into a darkened theater, and what am I going to see? If you think of it that way, you’re always connecting with the person who wants to be told a story. I’m more comfortable connecting with that person. You want the characters to feel consistent, and the world to feel consistent, but you don’t want to be able to know what happens next. That’s the challenge and it’s not an easy challenge to meet.”

    Walker chimed in, noting that, “The fact that we took 14 years to do it suggests that we took the challenge seriously.” That got a laugh, but it’s true. And you can feel Bird’s passion for the project.

    “Many sequels are cash grabs. There’s a saying, ‘You don’t do a sequel, you’re leaving money on the table,’” Bird said. He then continued: “Money doesn’t get me up in the morning, making something that people are going to care about 100 years from now is what gets me up.” Damn straight.

    8. There Were Guardrails for Jack-Jack’s Powers

    If you’ve seen the trailer, or saw the Jack-Jack versus the raccoon footage screened at D23 2017, then you know that a big concern for “Incredibles 2” is Jack-Jack’s powers and what that means for the family. (We saw a whole presentation about them, but we can’t discuss it until after the film opens.)

    When it came to his approach to Jack-Jack’s powers, Bird said that there were limitations they had to impose on what he could or couldn’t do. “Really, the first limitations would go to the story team, when I was saying, ‘Here’s this scene, here’s this scene, let’s explore it visually.’ I didn’t put a lot of limits on them, initially. So, they started doing anything,” Bird said.

    “Then we said, ‘Alright, we’ve got to settle down a little bit towards act three.’ Then there were a few points where they said, ‘Well, it’d be cool if he had one more power.’” Bird describes the whole thing as “we tried to stick to our diet and we broke it a couple of times.”

    The main guiding principle was treating Jack-Jack like a real baby, so what interests the character would be what is interesting to a baby. (“He can’t anticipate the villain’s move,” Bird said.) “He’s still a baby, but he has these powers that he has limited control over,” Bird revealed. So expect some surprises, but not anything that a baby wouldn’t be interested in.

    9. ‘Incredibles 2’ Isn’t Pushing an Agenda

    Much has been made of Bird’s obsession with exceptional individuals and a kind of Ayn Rand-ian objectivism. And while there is certainly a streak of this running through his work, it’s hardly any movie’s central focus. When someone asked the filmmakers if “Incredibles 2” would be similarly concerned with this idea, Bird shot back.

    “It explores a lot of ideas,” Bird said, noting that he didn’t make the sequel to “push some agenda.” He elaborated: “You create something that is hopefully fun and entertaining, and there are places you can put ideas here and there to give it dimension. The first mission, with the first movie, was to entertain the crap out of people. But the second thing was, there were some things we wanted to comment on — the role of parents, how teenagers view the world, midlife crisis.”

    Similarly, Bird said, that the new movie tackles “the roles of men and women, the importance of fathers participating, the importance of allowing women to express themselves through work, and that they’re just as vital as men are. There are aspects of being controlled by screens. There are feelings about the difficulties of parenthood.”

    Bird noted that, “all of those things are in this movie, but if I start to single out any one of them, it doesn’t give an accurate portrait of the movie.”

    Ever the king of metaphors, Bird noted that talking about the movie like this takes away from its inherent fun.

    “It sounds like you’re getting broccoli, and not dessert,” he said.

    Incredibles 2” hits theaters June 25. We cannot wait.