As a whole, it was a fairly run-of-the-mill awards ceremony – some tearful speeches, a sprinkling of politics, jokes about Leonardo DiCaprio’s dating life – but got the job done.
Glaser returned to host again, offering a few fun skits (a parody of the Nicole Kidman AMC ad targeting podcasts, and a mash-up for ‘KPop Demon Hunters’ and ‘Marty Supreme’ with a Fran Drescher cameo.
Yes, some of the jokes were entirely predictable, but there were some pointed jabs at CBS News (“see BS News”) and the Epstein Files.
And overall, Glaser kept the show moving (it eventually ended roughly 10 minutes late).
There were a lot of expected winners, including several trophies for ‘One Battle After Another,’ ‘Sinners’ and the latest for ‘Marty Supreme’s Timothée Chalamet.
But the surprises were more fun –– ‘Hamnet’ scooped the Motion Picture – Drama award, while ‘The Secret Agent’ nabbed Non-English Language Film and a more unexpected (if entirely deserved) Actor trophy for star Wagner Moura.
A lot of the TV awards for drama and comedy were similar to other shows such as the Emmys, with ‘The Pitt,’‘The Studio’ and ‘Adolescence’ all winning more hardware for their trophy cabinets.
Awards shows are usually a mix of humble and heartfelt, and ‘One Battle’s Teyana Taylor certainly got that in early with her tearful acceptance moment.
Outside of acceptance speeches, Judd Apatow killed it presenting Best Director, nodding to Nikki Glaser’s history babysitting his daughters and his “quiet boycott” of the awards after ‘Trainwreck’ lost to ‘The Martian’ in the comedy category a decade ago.
Wanda Sykes was also on top form as she presented the Stand-Up category, swiping at Bill Maher and particularly Ricky Gervais, whose award she accepted “on behalf of God and trans people.”
And Snoop Dogg was… Snoop Dogg, handing out the first Podcast award, which was won by Amy Poehler for ‘Good Hang.’
There was much praise for Macaulay Culkin, who was presenting Best Screenplay, and scored a standing ovation as he took the stage.
Julia Roberts hyped up her own stint on stage Presenting Best Motion Picture Comedy, while poor George Clooney had to note that he did not get the same reaction presenting drama, a fact reiterated by pal Don Cheadle, who showed up to gently rib him.
The Golden Globes will take place on December 8th.
Despite lots of changes behind the scenes and some serious PR airbrushing, the Golden Globes never quite retained their luster. Still, they’re a big stop on the awards circuit and the nominations were announced today by Marlon Wayans and Skye P. Marshall during a press conference held at the Beverly Hilton in Los Angeles.
And on the TV front, ‘The White Lotus’ and this year’s big small screen sensation, the one-shot drama ‘Adolescence’ have the most nominations for their side of the awards.
Best Performance by a Male Actor in a Supporting Role in Any Motion Picture
(L to R) Teyana Taylor as Perfidia and Sean Penn as Col. Steven J. Lockjaw in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures
Paul Thomas Anderson, ‘One Battle After Another’ Ryan Coogler, ‘Sinners’
Guillermo del Toro, ‘Frankenstein’ Jafar Panahi, ‘It Was Just an Accident’ Joachim Trier, ‘Sentimental Value’
Paul Thomas Anderson, ‘One Battle After Another’ Ronald Bronstein, Josh Safdie, ‘Marty Supreme’
Ryan Coogler, ‘Sinners’
Jafar Panahi, ‘It Was Just an Accident’ Eskil Vogt, Joachim Trier, ‘Sentimental Value’ Chloé Zhao, Maggie O’Farrell, ‘Hamnet’
Cynthia Erivo is Elphaba in ‘Wicked For Good’, directed by Jon M. Chu.
“Dream as One”, ‘Avatar: Fire and Ash’
“Golden”, ‘KPop Demon Hunters’
“I Lied to You”, ‘Sinners’
“No Place Like Home”, ‘Wicked: For Good’
“The Girl in the Bubble”, ‘Wicked: For Good’
“Train Dreams”, ‘Train Dreams’
Moviefone recently had the pleasure of sitting down in-person with Adam Sandler and Oscar winner Laura Dern to talk about their work on ‘Jay Kelly’, Dern’s first reaction to the screenplay, Sandler’s approach to his character, working with George Clooney, and reuniting with director Noah Baumbach.
(L to R) Laura Dern and Adam Sandler star in ‘Jay Kelly’.
You can read the full interview below or click on the video player above to watch our interviews with Sandler and Dern, as well as George Clooney and Emily Mortimer.
Moviefone: To begin with, Laura, can you talk about your first reaction to the screenplay and the way you approached playing this character?
Laura Dern: I mean, I fell in love with the script. Before we ever read the script, Noah saying that he had written something, and he wanted us to be part of it is just a yes immediately and a please. We didn’t know for sure our characters or exactly what it was and the evolution of his writing process and then he and Emily (Mortimer) got together. We’d get little bits and pieces. So, it was incredible reading it and knowing that he wanted to make a movie about not missing it. He talked about that, and he talks about reverse engineering from the last line of the movie, which is what he thought of first and that was so beautiful. Then all he had to say was, “I was going to get to be with Adam.” The greatest gift possible, and to be with George. It was true family.
MF: Adam, can you talk about your approach to your character, and did you draw influence from any real-life people you know or have worked with?
Adam Sandler: Sure. I have a team. Laura has a team. Clooney has a team. We all have people who grew up with us, worked with us and feel the highs and feel the times where you say, “I got to make a move and do something different,” or that kind of stuff, and they back you up and you always feel comfort with them. I love being a teammate like this for Clooney’s character. We were excited to make a movie together. We’ve been talking about this a long time.
MF: Adam, George told us that he was very excited to make this movie with you. What was your experience like working with him?
AS: All of us kind of got more in love with each other and became family. George does not like to talk about himself much. He just talks about you, how he can help you and who you should call. He goes, “You got to make sure you do this.” He looks out for your health; he looks out for the best place to eat and what’s the best gadget to use when you’re working out. He’s a stud. He’s just a nice person and he goes out of his way. When you talk about him, he’s just like, “No, no, no, no, no. Let’s not.” He doesn’t want to talk about himself much.
MF: Laura, what was it like for you working with George?
LD: I mean, just fierce loyalty beyond measure, there for us. If it’s the hardest moment or the most casual conversation about something we need to have or a meal we need to try, or an experience he wants us to have. “Oh, you got to see this thing. You guys, it’s a 20-minute drive. You got to go.”
Noah Baumbach attends the Headline Gala screening of Netflix’s ‘Jay Kelly’ during the 69th BFI London Film Festival at The Royal Festival Hall on October 10th, 2025 in London, England. Photo by StillMoving.Net for Netflix.
MF: Finally, you’ve both worked with director Noah Baumbach before, but what was it like reuniting with him on this movie?
AS: I mean, you give yourself to every thought he has. You have some moments where you bring thoughts up and try to connect more with what you’re doing or what you’re saying or where you’re at in the movie, but he just has a gentle way of guiding you and saying exactly what he’s going after, and you trust his vision. That’s a good feeling. You just say, “All right. Whatever Noah’s looking for, let me make sure I get it because it’s all part of his plan.” You have room, but it’s still word for word. You want to say it. He likes when you nail it. When I first read this thing, I enjoyed the way it was phrased, so let me make sure I phrase it just like that.
LD: I mean, that’s so perfectly put. I would just add that, as you said, in the rhythm, there’s a musicality to language for him, but there’s nothing strident, like you’re there and he wants you to try it the way that feels true to you. It’s wild to have it be so specific and meticulous and then have all the room in the world.
‘Jay Kelly’ opens in theaters on November 14th and premieres on Netflix December 5th.
What’s the story of ‘Jay Kelly’?
The film follows famous movie actor, Jay Kelly (George Clooney), as he embarks on a journey of self-discovery confronting both his past and present, accompanied by his devoted manager Ron (Adam Sandler).
Moviefone recently had the pleasure of sitting down in-person with Oscar winner George Clooney to talk about his work on ‘Jay Kelly’, why he signed on to the project before reading the script, if he could relate to the character, why he wanted to work with Adam Sandler, and what he learned from collaborating with director Noah Baumbach.
George Clooney stars in ‘Jay Kelly’.
You can read the full interview below or click on the video player above to watch our interviews with Clooney, Adam Sandler, Laura Dern, and Emily Mortimer.
Moviefone: To begin with, I heard that you signed on to this project before reading the script because you were so excited to work with Adam Sandler and director Noah Baumbach. Can you talk about that, and have you ever done that before?
George Clooney: Yeah. I got a call, I was doing ‘Out of Sight’, and I got a call from the Coenbrothers. They said, “We’re going to send you a script if you want to do it.” I said, “I’m going to do it,” before (I read it). It was ‘O Brother, Where Art Thou?’ So, I’ve had a couple of times. There are directors in our business that you want to work with, and you would work with under any circumstances. I’d do the same thing with Alexander Payne if he called me or (Steven) Soderbergh obviously, and Alfonso Cuarón, some directors I’ve been very lucky to work with. Jason Reitman is a friend. But then I read it, and I thought, “Well, this is a really exciting project to do.” I know it sounds unusual to say but there aren’t that many great scripts. There aren’t that many great projects that you get to be a part of. When you get older, the parts become less and less. So, to be 64 years old and have somebody bring a script and a role like this, I just feel very lucky.
MF: I’ve also heard you say that when you did read the screenplay, you didn’t relate to your character. What did you mean by that and as an actor, is it better to not relate to the character because it gives you more objectivity in the performance?
GC: Well, I think you must find a way to relate. When I see the movie, I get why people go, “Oh, there’s a lot of similarity.” But when I read it, this character, he’s a guy who lives with just regret. He lives with all these things, these roads he didn’t travel, these things that he missed in life. I feel as if, for me, in general, although there’s always regret, it doesn’t fill my days and nights. When you get to the fork in the road, I’ve tended to take the more difficult fork. I’ve felt that, although I failed, which you can live with failure, it’s much easier to live with failure than it is to live with regret. So, when I read the script, it didn’t dawn on me that that it could be who I was. It just dawned on me that I was interested in playing a guy who didn’t take those turns.
MF: I know that you’ve been friends with Adam Sandler for a long time, what was it like to finally work with him on this film?
GC: Well, Adam’s a wonderful actor. That’s what sometimes people forget because he does broad comedies too and does stand-up and things. So, sometimes it gets lost in the idea that he really is a beautiful actor, and we’ve been friends for 30 years. I knew he’d be great in the part, and then the minute we got on the set, it was easy. The rehearsal process was fun. There’s a certain amount of confidence in actors, particularly of a certain age, when they’re not trying to own every scene. They’re kind of actively trying to give it to the other person. Adam and I felt that we were both going, “Oh, you get that. You take that.” There’s a kindness to that, that comes off, I think, on screen.
MF: Finally, what did you learn from watching the way Noah Baumbach makes movies that you might want to adopt yourself the next time you direct a film?
GC: Well, that’s an interesting question. For the most part, the directors that I’ve worked with don’t rehearse. They don’t believe in it. The Coen brothers don’t really rehearse, and Soderbergh doesn’t rehearse. They kind of feel like it’s all going to happen, and I’ve always worked that way as a director. I was resistant to rehearsing because I’m going to work whatever way the director wants. I think rehearsal is an interesting thing, particularly on a film that’s so deeply designed into performances. So, I think rehearsal was an interesting thing to watch and to pay attention to, and maybe something that can be more applied as time goes on.
‘Jay Kelly’ opens in theaters on November 14th and premieres on Netflix December 5th.
What’s the story of ‘Jay Kelly’?
The film follows famous movie actor, Jay Kelly (George Clooney), as he embarks on a journey of self-discovery confronting both his past and present, accompanied by his devoted manager Ron (Adam Sandler).
In Theaters on limited release on November 14 (before landing on Netflix December 5), ‘Jay Kelly’ is the new movie from Noah Baumbach, who tends to specialize in putting his characters into emotional crisis. Here, he’s turned his attention to Hollywood.
Noam Baumbach’s movies usually find characters at some sort of dramatic crossroads –– the marital fireworks of ‘Marriage Story’ or the family dynamics of ‘The Meyerowitz Stories.’
‘Jay Kelly’ is no different, even if the crises seem less urgent when focused on a wealthy movie star whose biggest issue is that his youngest daughter is about to fly the nest and he’s also reconsidering his life and career in the light of his mentor’s death.
Baumbach in some ways feels like he’s on autopilot here, the story (he co-wrote the script with Emily Mortimer, who has a small role in the movie) fueled by some very familiar beats and feelings. This is a plotline we’ve seen done before and, honestly, better.
Oddly, the real story, and the one that is much more compelling is between Sandler’s Ron and Dern’s Liz, Jay’s longtime manager and publicist, who have their own history and find themselves seeing their relationship complicate despite Ron’s seemingly happy marriage to Greta Gerwig’s Lois.
Baumbach keeps the direction mostly light on its feet, though some repetitive touches (such as Kelly’s rider containing cheesecake he doesn’t even like) weigh things down.
And the use of clunky flashbacks to explore our hero’s conflicted feelings doesn’t help.
Clooney brings his considerable star wattage to the title role, and is always watchable. It’s just an issue that the role never breaks free of a basic movie structure.
Sandler and Dern are superb in their supporting roles that have more nuance and flavor to them, while Greta Gerwig is also great as Sandler’s character’s wife.
‘Jay Kelly’ is far from Baumbach’s best, even with the cast giving their all. It’s emotionally formulaic, but wanders along amiably enough that you won’t be insulted you gave it a shot.
‘Jay Kelly’ receives 65 out of 100.
‘Jay Kelly’ opens in theaters on November 14th and premieres on Netflix December 5th.
What’s the story of ‘Jay Kelly’?
The film follows famous movie actor, Jay Kelly (George Clooney), as he embarks on a journey of self-discovery confronting both his past and present, accompanied by his devoted manager Ron (Adam Sandler).
Apple TV+’s ‘The Morning Show’ gets ready for season three with a fiery new teaser trailer showcasing leading ladies Jennifer Aniston and Reese Witherspoon. The popular newsroom drama has been on a two-year hiatus and is set to return on September 13 with a two-episode premiere.
The teaser trailer also hints at upcoming guest stars, including Jon Hamm and Nicole Beharie. Hamm will play Paul Marks, a tech titan who has taken an interest in UBA. Beharie plays news anchor Christina Hunter. It seems things continue to amp up following the events of season two, as the network suffers during the lockdown of the global pandemic. The introduction of Paul Marks will likely stir the pot at UBA with his enticing proposal, “You need a miracle. I’m offering you a lifeline.” he says during the trailer.
Season three promises more drama for the anchors as we see Aniston’s Alex hosting the morning solo. Witherspoon’s Bradley is now the anchor for the 6:30 news. “They did not protect me,” says Alex. To which Bradley replies, “They didn’t protect you. But I did.” eluding to more tension between the two.
Jennifer Aniston in ‘The Morning Show,’ premiering September 13, 2023 on Apple TV+.
Jennifer Aniston gives a small taste of the upcoming season during an interview with People Magazine.
“It’s a good, juicy one,” she teases. “Everyone’s getting in trouble. Everybody has a secret. And everyone’s just walking the line. It’s a lot more sensual this year.”
The future of UBA felt extremely shakey at the end of season two, and the newsroom staff’s frustration can be heard throughout the new 1-minute spot. “Burn it all down.” says Cory (Billy Crudup), and “Honestly, let all the secrets come out” can be heard from Alex. It looks like season three will put all the anchors and staff at the network to the test.
Reese Witherspoon in ‘The Morning Show,’ premiering September 13, 2023 on Apple TV+.
The popular newsroom drama has already been renewed for a fourth season ahead of the show’s return. ‘The Morning Show’ has been nominated for multiple awards, such as The Golden Globe and the Television Critics’ Associations Awards. Series regulars Jennifer Aniston and Billy Crudup have taken home awards from the Screen Actors’ Guild and Primetime Emmy, respectively, for their performances.
Returning for season three are Jennifer Aniston, Reese Witherspoon, Billy Crudup, Julianna Margulies, Mark Duplass, Nestor Carbonell, Greta Lee, and Karen Pittman. ‘The Morning Show’ is executive produced by Jennifer Aniston and Reese Witherspoon. The series will return with 10 episodes, airing every Wednesday on Apple TV+.
Jon Hamm in ‘The Morning Show,’ premiering September 13, 2023 on Apple TV+.Nicole Beharie in ‘The Morning Show,’ premiering September 13, 2023 on Apple TV+.Julianna Margulies in ‘The Morning Show,’ premiering September 13, 2023 on Apple TV+.(L to R) Greta Lee and Karen Pittman in ‘The Morning Show,’ premiering September 13, 2023 on Apple TV+.(L to R) Mark Duplass and Jennifer Aniston in ‘The Morning Show,’ premiering September 13, 2023 on Apple TV+.(L to R) Reese Witherspoon and Billy Crudup in ‘The Morning Show,’ premiering September 13, 2023 on Apple TV+.
Premiering on Apple TV+ beginning February 17th is the new series ‘Hello Tomorrow!’ from co-creators
What is ‘Hello Tomorrow!’ about?
Set in a retro-future world, “Hello Tomorrow!” centers around a group of traveling salesmen hawking lunar timeshares. Billy Crudup stars as Jack, a salesman of great talent and ambition, whose unshakeable faith in a brighter tomorrow inspires his coworkers, revitalizes his desperate customers, but threatens to leave him dangerously lost in the very dream that sustains him.
How many episodes of ‘Hello Tomorrow!’ are there?
‘Hello Tomorrow!’ will start airing on Apple TV+ beginning February 17th and the first season will contain 10 episodes.
Moviefone recently had the pleasure of speaking with Billy Crudup and Nicholas Podany about their work on ‘Hello Tomorrow!,’ Crudup’s first reaction to the script,
(L to R) Billy Crudup and Nicholas Podany star in Apple TV+’s ‘Hello Tomorrow!’
You can read the full interview below or click on the video player above to watch our interviews with Crudup, Podany, Hank Azaria, Haneefah Wood, Dewshane Williams, Alison Pill, and series co-creators Amit Bhalla and Lucas Jansen.
Moviefone: To begin with, Billy, can you talk about your initial reaction to the scripts and what it was like working on this series with Amit Bhalla and Lucas Jansen?
Billy Crudup: It exceeded all of our expectations, to be truthful. Amit and Lucas had really reached for something original. When I read it, I identified with a certain aspect of the salesmanship in Jack. I remember that in my dad and the hope that went with it, and the desire to make people’s lives better, to be the person who’s an agent of change.
He thinks of himself as an evangelist, and his message is, “You can solve your problems with a little bit of hope in the future, and I’m going to sell you that hope in the future in the form of a deed that says you’ve got a property on the moon.” The world that they had created with these gadgets and with the retro future feel, became material in front of all of our eyes day by day, and we all watched in wonder, as cars floated and robots served beers.
Billy Crudup stars in Apple TV+’s ‘Hello Tomorrow!’
MF: The series is filled with futuristic gadgets, Nicholas, was there one gadget in particular that caught your eye on set?
Nicholas Podany: There’s a gadget that I use in a grocery store, that we find Joey working at when we first meet him. What it does is it is just this conveyor belt where you put a canned soup on it. The shelf is reachable, you can definitely reach up to get to the shelf, but you have this whole massive machine that takes up half the aisle to just put the soup cans where you could have originally reached anyway.
So, what I love about the gadgets in the show for the most part is, cars with wheels move as fast as cars without, but why not have it? Most of the devices, most of the gadgets in this show, are just a hair bit useless, except you need them because they’ll make your life better.
Billy Crudup stars in Apple TV+’s ‘Hello Tomorrow!’
MF: Finally, Billy, the sales team Jack works with and his leadership style?
BC: Well, first of all, the team of actors that we had around us is a superlative team of actors, and collaborating with them creatively on defining who this team is and where is the chemistry between them? I don’t know what the right word for them is … Carnies? Why are they together? I think there’s a certain level of trust that goes in the hope that each of them is going to help the other in building a slightly brighter future for them every day.
Jack always tries to start with a positive message, no matter how dark the day had been before, because every day is going to start with the idea that this is the one, until you have to turn the page, go to sleep, and then wake up for the next one. This is a team that’ll go along with that.
(L to R) Nicholas Podany and Billy Crudup star in Apple TV+’s ‘Hello Tomorrow!’
You’d think at some point the residents of the “Alien” universe would learn to stop traveling to remote worlds where hungry Xenomorphs are waiting to eviscerate them. Oh well. Their loss is our gain, as franchise returns to theaters with “Alien: Covenant.”
If you’re not sure where this latest film falls on the increasingly complicated “Alien” timeline, fear not. We’re breaking down everything you need to know about “Covenant, from how it connects to 2012’s “Prometheus” to what to expect from this new crew of unfortunate souls/future chestburster incubators.
1. It’s More of a Sequel to “Prometheus” Than You ThinkWhile it’s not actually called “Prometheus 2,” “Covenant” is a follow-up to that 2012 “Alien” prequel.
Set ten years after the events of that polarizing prequel, “Covenant” will reveal (sort of) what became of Elizabeth Shaw (Noomi Rapace) and the damaged android David (Michael Fassbender) after they left LV-223 in search of the Engineers who created humanity. The film will also feature Guy Pearce reprising his role as the late Peter Weyland (despite having suffered a violent death last time around).
2. You’ll Meet Mostly New CharactersWhile it’s a continuation of “Prometheus,” “Covenant” looks to be focusing more on a new cast of characters. The film revolves mainly around the crew of the Covenant, who are responsible for ferrying a group of interstellar colonists to their new home. This crew is the latest in a long line of Weyland-Yutani teams to run afoul of the ruthless Xenomorphs (HR and legal must love these workman’s comp claims).
The crew includes terraforming expert Daniels (Katherine Waterston), first mate Christopher Oram (Billy Crudup), chief pilot Tennessee (Danny McBride), and security officer Sgt. Lope (Demián Bichir).
Fassbender will be pulling double duty this time around, as he’ll also be playing the Covenant’s helpful (and kind of badass) android, Walter.
3. The Film Goes Back to Its RootsNot all “Alien” fans were thrilled with the direction in which “Prometheus” pulled the franchise, complaining about director Ridley Scott‘s emphasis on philosophy and fleshing out the origins of the Xenomorphs with complicated and convoluted mythology, rather than finding a worthwhile way of exploring those questions by way of the claustrophobic horror — and character-driven stakes — that made the first two “Alien” films so memorable.
Luckily, early reviews suggest that “Covenant” is bringing the franchise back to its roots. Expect more emphasis on horror and bloodshed this time around, as the Covenant crew slowly come to grips with the deadly threat awaiting them when they detour to an undiscovered planet while en route to their new home.
4. There’s Even More Mythology Despite the “back to basics” mentality of this prequel, “Covenant” will still feature some of the philosophical elements of “Prometheus.” The original title of the film was actually “Alien: Paradise Lost,” which gives you some idea of where Ridley Scott is drawing inspiration from.
“Covenant” goes deeper into the world of the mysterious Engineers while expanding on what the black goo is that seems to have birthed both humanity and the Xenomorphs.
5. There’s a New Xenomorph It wouldn’t be a proper “Alien” movie without at least one new variation on the Xenomorph. “Covenant” will introduce the Neomorph, a smaller, more feral version of the iconic monster. The Neomorphs are native to the seemingly idyllic world the Covenant crew discover in the film, created after the Engineers’ black goo interacted with, well, you’ll have to see for yourself.
Traditionalists needn’t worry — the film will also feature plenty of the classic “Big Chap” Xenomorph we know and love. But rather than a tall guy in a rubber suit, the Xenomorphs are now mostly computer-animated creations, making them quicker, deadlier, and more flashy than ever.
6. “Covenant” Starts a New TrilogyWe can only hope “Covenant” recaptures the appeal of the first two “Alien” movies, otherwise, it might be the last entry in the franchise. Scott intends “Covenant” to be the first part of a new trilogy of films that will progressively shed more light on David and his plans to continue a more deadly version of what the Engineers started.
The goal is to eventually link this trilogy to the events of the original “Alien.” Scott already has developed screenplays for both sequels, with production on “Alien: Covenant 2” hoping to begin in 2018.
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Fifteen years later, that tour bus group singalong of Elton John’s “Tiny Dancer” still rings in our ears.
“Almost Famous” may not have been a hit when it first opened on September 15, 2000, but over the years, it’s come to pluck the heartstrings and echo in the eardrums of millions of fans. It made a star of Kate Hudson, gave an early career boost to Zooey Deschanel, and won writer/director Cameron Crowe (of “Say Anything” and “Jerry Maguire” fame) his only Oscar to date.
In honor of “Almost Famous’” fifteenth anniversary, crank up Stillwater’s “Fever Dog” and check out these facts you may not know about Crowe’s semi-autobiographical film.
“Almost Famous,” Cameron Crowe‘s love letter to rock ‘n’ roll, turns 15 years old this year (what?!), which makes it nothing less than a contemporary classic. But how well do you really know the movie that made Kate Hudson a star? Take the quiz below and find out.