Oliver Stone has set up his first narrative film in a decade, called ‘White Lies’.
Josh Hartnett will star.
Leila George is also in the cast.
After an absence from narrative filmmaking for a decade (though he has been busy with documentaries and being his usual, outspoken self), ‘Platoon’ and ‘JFK’ filmmaker Oliver Stone is back, and targeting something a little different from some of his past work –– a dysfunctional family drama.
We say “finally” because this is a project Stone has been trying to make for a couple of years now, with a previous incarnation falling apart despite Benicio del Toro aboard to star.
The movie follows Jack Freeman (Hartnett), a child of divorce now repeating his parents’ mistakes in his own marriage and with his own children.
Feeling trapped, he embarks on a lust-filled journey to free himself — only to find himself more lost than before. When he meets a woman, whose life is the opposite of his own, he begins an unexpected journey of rediscovery.
“After nearly 10 years away from features, I feel really like I’m starting again, as when I made ‘Platoon’ and ‘Salvador’ in 1986. ‘White Lies’ will find its natural home because it’s an eternal story of love.”
And here’s Hartnett on his feelings about the collaboration:
“Oliver explores a universe in ‘White Lies’ that feels personal and entirely new material from a filmmaker I have long admired and am excited to work with.”
But there was also the usual dull presenter banter, some truly rude moments of worthy winners played off (the ‘KPop Demon Hunters’ songwriting team even had the lights switched off on them, for which O’Brien apologized) and awkward insertions of politics, no matter how important the cause.
Overseeing the Oscars for the second time, comedian, writer and former late night host O’Brien proved he has what it takes to do this job.
His opening skit, dressed as Amy Madigan’s Aunt Gladys from ‘Weapons,’ chased through different other Oscar nominated movies by a bunch of kids, was a winner.
And if his opening monologue veered between pointed political jabs and some softballs that drew muted responses, it was still superior to other recent efforts. He was even able to smoothly deal with technical issues that plagued the ceremony, such as sound problems and cutting back to him unexpectedly.
Cementing its 2025 success, Warner Bros. enjoyed plenty of awards love this year, as Paul Thomas Anderson finally got his Oscar (six, in fact) for ‘One Battle After Another’ and ‘Sinners’ also took home plenty of trophies.
Talking of ‘Sinners’, Michael B. Jordan, whose Actor in a Leading Role ascension over waning prior favorite Timothée Chalamet (his ‘Marty Supreme’ went home empty handed) ended with Jordan on stage thanking those who had blazed a trail before him.
Elsewhere, ‘The Secret Agent’ sadly landed zero awards, but Netflix had a very good night, as ‘KPop Demon Hunters’ won two awards and ‘Frankenstein’ three, with the streaming service behind a variety of other triumphs.
Having actors –– particularly those with a film to promote or remember –– hand out awards has often led to some leaden banter, and this year was no exception. Even the star power of Robert Downey Jr. and Chris Evans couldn’t bring a lame bit to life, while one featuring Sigourney Weaver, Pedro Pascal and Grogu (pimping the upcoming ‘Star Wars’ movie) only really worked because of Weaver’s commitment (“Get away from him, you bitch!” she growled at nominee Kate Hudson, who had been cosying up to the critter in the audience).
Anna Wintour might not be everyone’s first choice for a co-presenter, but there she was, alongside ‘The Devil Wears Prada 2’s Anne Hathaway in a moment that felt like Disney selling the sequel more than looking to celebrate the Costume Design or Hair and Makeup categories.
There was more mixed luck with reunions –– the ‘Bridesmaids’ cast brought their moment to life with true comic power while Ewan McGregor and Nicole Kidman just looked award handing out Best Picture and recalling ‘Moulin Rouge!’.
Three big things happened last night in terms of history. There was the first tie in 14 years (only the seventh in Oscar history) as ‘The Singers’ and ‘Two People Exchanging Saliva’ shared the Live-Action Short Film honors.
‘Sinners’ cinematographer Autumn Durald Arkapaw became the first woman (and woman of color) to win her category, while the first ever Casting award was handed to ‘One Battle’s Cassandra Kulukundis. Long-favoured Actress winner Jessie Buckley, meanwhile, became the first Irish woman to take home her category for her work in ‘Hamnet’.
The annual remembrance for those in the industry was well handled and featured three major spotlights. First, Billy Crystal gave a moving speech about friend and collaborator Rob Reiner (who was murdered in his home last year alongside his wife, Michele), and was then joined by other cast members of Reiner movies.
Rachel McAdams took the stage to pay tribute to the likes of Diane Keaton and Catherine O’Hara, and then the big finish –– Barbra Streisand arrived to memorialize her ‘The Way we Were’ co-star and cinema icon Robert Redford, before singing for the first time in public (she had all but stopped due to stage fright issues and frustration) in years for a memorable finale to the segment.
‘One Battle After Another’ was the biggest winner of the night, with Paul Thomas Anderson’s latest taking Picture, Director, Adapted Screenplay, Supporting Actor (for no-show Sean Penn), Editing and, handed out for the first time this year, Casting.
‘Sinners’ was also successful, as Michael B. Jordan nabbed the top male acting award out from ‘Marty Supreme’s Timothée Chalamet (who had been the favorite for a while, but whose momentum had slowed of late), while its director Ryan Coogler scored Adapted Screenplay, composer Ludwig Göransson landed Best Original Score and Cinematographer Autumn Durald Arkapaw made more history as the first woman to win her category at the Oscars.
Elsewhere, ‘KPop Demon Hunters’ continued its successful run with two awards (Animated Feature and Original Song for “Golden”), while ‘Weapons’Amy Madigan got a rapturous reception as she took Supporting Actress for her creepy, wild turn as Aunt Gladys.
The Actor Awards Presented by SAG-AFTRA will stream on Netflix March 1st.
Preview:
The nominations for the 2026 Actor Awards have been announced.
‘One Battle After Another’ leads the film field with seven nods.
The ceremony will screen on Netflix once more.
Despite the somewhat surprising decision to change the name of the Screen Actors Guild Awards to the clunkier The Actor Awards presented by SAG-AFTRA, everything else about the performer-focused awards is remaining the same.
Outstanding Performance by an Ensemble in a Drama Series
(L to R) Jason Isaacs, Parker Posey, Patrick Schwarzenegger, Sarah Catherine Hook, and Sam Nivola in ‘The White Lotus’ Season 3. Photo: Fabio Lovino/HBO.
Leonardo Di Caprio as Bob Ferguson in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures.
Preview:
‘One Battle After Another’ is the latest Warner Bros. movie to top the box office.
Paul Thomas Anderson’s ambitious latest stars Leonardo DiCaprio.
‘Gabby’s Dollhouse’ opened second.
It was certainly a gamble for Warner Bros. to back Paul Thomas Anderson’s latest film –– for all the acclaim the filmmaker has accrued, he rarely opens to giant box office figures. And even with a bankable star such as Leonardo DiCaprio in the lead, a budget in excess of $130 million was always going to be tough to turn into profit.
Still, a launch of $22.4 million, enough to top the box office this weekend is certainly healthier for ‘One Battle After Another’ than some might have predicted.
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With plenty of positive reviews and good reactions from cinemagoers, it’s probably about as solid as an original, long movie with controversial themes (social justice, political violence) might have expected.
It opened to $26.1 million across 74 markets, making for a $48.5 million global start.
Of course, it has a long road to travel to get to profitability, but it has premium format screenings and plenty of buzz to help it build legs.
And it represents another good result for Warner Bros., which has already enjoyed success with the likes of ‘Sinners’ and ‘A Minecraft Movie’ this year.
What else happened at the box office this weekend?
Madelaine Petsch as Maya in ‘The Strangers — Chapter 2’. Photo Credit: Courtesy of Lionsgate.
Second place this weekend went to the kid-friendly blend of live-action and animation that is show adaptation ‘Gabby’s Dollhouse’. The Universal movie opened to $13.5 million, and $19 million worldwide.
Horror title ‘The Conjuring: Last Rites’ clung on to third, adding $6.8 million, ahead of misfiring Renny Harlin sequel effort ‘The Strangers: Chapter 2’, which landed in fourth with $5.9 million. That one at least has the advantage of only costing $8.5 million to make.
Fifth was ‘Demon Slayer: Infinity Castle’, which topped the box office last weekend, and fell, but is still earning money. It made $4.8 million, and is currently sitting at $115.9 million domestically.
Coming up next week is awards-buzzed ‘The Smashing Machine’ starring Dwayne Johnson and Emily Blunt, but ‘One Battle’ faces no real challenge to its premium screen formats until ‘Tron: Ares’ lands on October 10th and starts gobbling up IMAX locations.
(L to R) Leonardo Di Caprio and Director/Writer/Producer Paul Thomas Anderson on the set of ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Merrick Morton.
Leonardo Di Caprio as Bob Ferguson in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures.
Acclaimed director Paul Thomas Anderson returns to theaters with another modern masterpiece and one of the best films of his impressive career. Loosely based on the novel ‘Vineland’ by Thomas Pynchon, ‘One Battle After Another’ is an incredibly timely, frantic farce that delivers action, humor, and heart.
Leonardo Di Caprio gives a powerhouse performance leading a fantastic cast that also includes Sean Penn in an Oscar worthy supporting role. Benicio del Toro is fantastically funny in his small role, but it is young actress Chase Infiniti that shines along with Di Caprio.
Story and Direction
(L to R) Leonardo Di Caprio and Director/Writer/Producer Paul Thomas Anderson on the set of ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Merrick Morton.
The film begins by introducing us to Pat (Leonardo Di Caprio), who is an explosives expert and a member of a group of revolutionaries rebelling against the government and their barbaric immigration policies. The group is led by the charismatic Perfidia Beverly Hills (Teyana Taylor) who is also in a relationship with Pat. She soon crosses paths with Col. Steven J. Lockjaw (Sean Penn) and after she makes a fool of him publicly, he becomes obsessed with her.
Eventually, Perfidia becomes pregnant and after having the baby is captured by Lockjaw, who sends soldiers after the other members. Pat takes the baby, and they go underground living under new identities, careful not to draw Lockjaw’s attention. Sixteen years later, Pat is now Bob Ferguson, an alcoholic pothead raising his daughter Willa by himself, with Perfidia’s whereabouts unknown. They live in a small town where Willa studies martial arts from a local Sensei named Sergio (Benicio del Toro).
Lockjaw is now high up in the government and to join an exclusive and elite club he must kidnap Willa to discover the truth behind a secret that her mother was hiding. Now, with the help of an ex-revolutionary named Deandra (Regina Hall) and Sensei Sergio, Bob must escape from Lockjaw’s men and rescue Willa before it’s too late.
(L to R) Director/Writer/Producer Paul Thomas Anderson, Leonardo Di Caprio and Benicio del Toro on the set of ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Merrick Morton.
While I love ‘Boogie Nights’ and think ‘There Will Be Blood’ is one of the greatest American movies ever made, I have to say that ‘Inherent Vice’ is probably my favorite Paul Thomas Anderson movie. That film was also based on a novel by author Thomas Pynchon, which is probably why the two films are similar in tone and offbeat humor. But Anderson wisely updated the 60’s to 80’s setting of the book to modern day. While our current President’s name is never invoked, it’s obvious that Anderson is using the movie to comment on the current administration’s war on immigration.
In fact, this is by far the most political film Anderson has ever made, but it also has more action sequences than his previous movies. The director finds humor in the most absurd situations, but never loses the message or heart of the movie. Anderson is the last of a dying breed of filmmakers who make unique, crowd-pleasing epics every time out, and this film is no exception. The movie also boasts an impressive score from Jonny Greenwood and gorgeous cinematography from Michael Bauman and Anderson.
Cast and Performances
Benicio del Toro as Sensei St. Carlos in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures
Leonardo Di Caprio is possibly the last true movie star, having never made a superhero film or even a sequel, he is still an actor that puts butts in seats regardless of the movie’s content. Think about it, this guy got us to go see his bear (‘The Revenant’) movie!
Some of Di Caprio’s best work in recent years has been in ‘The Wolf of Wall Street’ and ‘Once Upon a Time in Hollywood’, and he’s just as good if not better here. There are some similarities between Rick Dalton and Bob Ferguson, but Di Caprio creates a new, awkward, burnout character for us to root for. He’s not a hero, but you do want him to win and his relentless need to find his daughter drives the movie.
(L to R) Teyana Taylor as Perfidia and Sean Penn as Col. Steven J. Lockjaw in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures
Sean Penn gives one of his best performances in recent years and is probably a frontrunner for a Best Supporting Oscar nomination at this point. It’s funny to think of the public Sean Penn we all know, a liberal revolutionary in his own right, playing this completely conservative military character. His performance is specific and fits perfectly with Anderson’s tone.
Bencio del Toro gives a gentle and funny performance as Willa’s Sensei Sergio, who helps Bob along the way. He has great chemistry with Di Caprio and shines in all his scenes. Teyana Taylor makes quite an impression as Perfidia Beverly Hills and gives an explosive performance. Unfortunately, her role is limited due to the story, but she lights up the screen regardless.
hase Infiniti as Willa Ferguson in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures
And in her first film, Chase Infinity is a revelation. The actress gives a subtle yet strong performance as Perfidia’s daughter and has great chemistry with Di Caprio. She holds her own in her scenes with Penn and is quite a force on screen.
Oscar Chances
Leonardo Di Caprio as Bob Ferguson in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures.
I think it’s safe to say that ‘One Battle After Another’ should be a frontrunner for Best Picture and Best Director nominations at this year’s Academy Awards. I would imagine Best Original Screenplay for Anderson and Best Actor for Di Caprio are also in the mix, as well as a Best Supporting nom for Penn. I would also encourage voters to consider Greenwood’s work for Best Score, as well as Infiniti for Best Supporting Actress.
Final Thoughts
Teyana Taylor as Perfidia in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures.
Filmmaker Paul Thomas Anderson has delivered a movie that is as funny, exciting and exhilarating as it is timely and culturally important. With brilliant performances from the entire cast but especially Di Caprio, Penn, del Toro and Infiniti, ‘One Battle After Another’ is a must see and one of the best films of the year.
‘One Battle After Another’ receives a score of 99 out of 100.
‘One Battle After Another’ opens in theaters on September 26th.
What is the plot of ‘One Battle After Another’?
When their evil enemy (Sean Penn) resurfaces after 16 years, a group of ex-revolutionaries reunite to rescue the daughter (Chace Infiniti) of one of their own (Leonardo Di Caprio).
Who is in the cast of ‘One Battle After Another’?
Leonardo DiCaprio as Bob Ferguson
Sean Penn as Col. Steven J. Lockjaw
Benicio del Toro as Sensei Sergio
Regina Hall as Deandra
Teyana Taylor as Perfidia Beverly Hills
Chase Infiniti as Willa Ferguson
Starletta DuPois as Grandma Jennie
D. W. Moffett as Bill Desmond
Paul Grimstad as Howard Sommerville
‘One Battle After Another’ opens in theaters on September 26th.
It’s fair to say that the Marvel movies, specifically the Marvel Cinematic Universe releases, have reached “cultural event” status. And there’s a strong case to be made that the MCU is a currently a pop culture juggernaut, the likes of which we haven’t since the original ‘Star Wars‘ trilogy hit theaters for the first time.
It is a great time to watch the Marvel movies in order now and you can watch them all on Disney Plus in 4K format. You can even plan virtual Marvel movie nights with your friends using Disney+ GroupWatch feature.
(L to R) Chris Evans and Sebastian Stan in ‘Captain America: The First Avenger’. Photo: Marvel Studios.
During World War II, Steve Rogers (Chris Evans) is a sickly man from Brooklyn who’s transformed into super-soldier Captain America to aid in the war effort. Rogers must stop the Red Skull (Hugo Weaving) – Adolf Hitler’s ruthless head of weaponry, and the leader of an organization that intends to use a mysterious device of untold powers for world domination.
The story follows Carol Danvers (Brie Larson) as she becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races. Set in the 1990s, Captain Marvel is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe.
After being held captive in an Afghan cave, billionaire engineer Tony Stark (Robert Downey Jr.) creates a unique weaponized suit of armor to fight evil.
Scientist Bruce Banner (Edward Norton) scours the planet for an antidote to the unbridled force of rage within him: the Hulk. But when the military masterminds who dream of exploiting his powers force him back to civilization, he finds himself coming face to face with a new, deadly foe.
With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark (Robert Downey Jr.) faces pressure from the government, the press and the public to share his technology with the military. Unwilling to let go of his invention, Stark, with Pepper Potts (Gwyneth Paltrow) and James ‘Rhodey’ Rhodes (Don Cheadle) at his side, must forge new alliances – and confront powerful enemies.
Against his father Odin’s (Anthony Hopkins) will, The Mighty Thor (Chris Hemsworth) – a powerful but arrogant warrior god – recklessly reignites an ancient war. Thor is cast down to Earth and forced to live among humans as punishment. Once here, Thor learns what it takes to be a true hero when the most dangerous villain of his world sends the darkest forces of Asgard to invade Earth.
When an unexpected enemy emerges and threatens global safety and security, Nick Fury (Samuel L. Jackson), director of the international peacekeeping agency known as S.H.I.E.L.D., finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins!
When Tony Stark’s (Robert Downey Jr.) world is torn apart by a formidable terrorist called the Mandarin, he starts an odyssey of rebuilding and retribution.
Thor fights to restore order across the cosmos… but an ancient race led by the vengeful Malekith (Christopher Eccleston) returns to plunge the universe back into darkness. Faced with an enemy that even Odin (Anthony Hopkins) and Asgard cannot withstand, Thor (Chris Hemsworth) must embark on his most perilous and personal journey yet, one that will reunite him with Jane Foster (Natalie Portman) and force him to sacrifice everything to save us all.
(L to R) Chris Evans and Scarlett Johansson in ‘Captain America: The Winter Soldier’. Photo: Marvel Studios.
After the cataclysmic events in New York with ‘The Avengers’, Steve Rogers (Chris Evans), aka Captain America is living quietly in Washington, D.C. and trying to adjust to the modern world. But when a S.H.I.E.L.D. colleague comes under attack, Steve becomes embroiled in a web of intrigue that threatens to put the world at risk. Joining forces with the Black Widow (Scarlett Johansson), Captain America struggles to expose the ever-widening conspiracy while fighting off professional assassins sent to silence him at every turn. When the full scope of the villainous plot is revealed, Captain America and the Black Widow enlist the help of a new ally, the Falcon (Anthony Mackie). However, they soon find themselves up against an unexpected and formidable enemy—the Winter Soldier.
Light years from Earth, 26 years after being abducted, Peter Quill (Chris Pratt) finds himself the prime target of a manhunt after discovering an orb wanted by Ronan the Accuser.
When Tony Stark (Robert Downey Jr.) tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron (James Spader) emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure.
Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang (Paul Rudd) must embrace his inner-hero and help his mentor, Doctor Hank Pym (Michael Douglas), protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.
Following the events of ‘Age of Ultron’, the collective governments of the world pass an act designed to regulate all superhuman activity. This polarizes opinion amongst the Avengers, causing two factions to side with Iron Man (Robert Downey Jr.) or Captain America (Chris Evans), which causes an epic battle between former allies.
Natasha Romanoff (Scarlett Johansson) aka Black Widow confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger.
Following the events of ‘Captain America: Civil War’, Peter Parker (Tom Holland), with the help of his mentor Tony Stark (Robert Downey Jr.), tries to balance his life as an ordinary high school student in Queens, New York City, with fighting crime as his superhero alter ego Spider-Man as a new threat, the Vulture (Michael Keaton), emerges.
Chadwick Boseman as T’Challa / Black Panther in 2018’s ‘Black Panther.’
King T’Challa (Chadwick Boseman) returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country’s new leader. However, T’Challa soon finds that he is challenged for the throne by factions within his own country as well as without. Using powers reserved to Wakandan kings, T’Challa assumes the Black Panther mantle to join with ex-girlfriend Nakia (Lupita Nyong’o), the queen-mother, his princess-kid sister, members of the Dora Milaje (the Wakandan ‘special forces’) and an American secret agent, to prevent Wakanda from being dragged into a world war.
After his career is destroyed, a brilliant but arrogant surgeon (Benedict Cumberbatch) gets a new lease on life when a sorcerer takes him under her wing and trains him to defend the world against evil.
Thor (Chris Hemsworth) is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarok, the destruction of his home-world and the end of Asgardian civilization, at the hands of a powerful new threat, the ruthless Hela (Cate Blanchett).
Just when his time under house arrest is about to end, Scott Lang (Paul Rudd) once again puts his freedom at risk to help Hope van Dyne (Evangeline Lilly) and Dr. Hank Pym (Michael Douglas) dive into the quantum realm and try to accomplish, against time and any chance of success, a very dangerous rescue mission.
As the Avengers and their allies have continued to protect the world from threats too large for any one hero to handle, a new danger has emerged from the cosmic shadows: Thanos (Josh Brolin). A despot of intergalactic infamy, his goal is to collect all six Infinity Stones, artifacts of unimaginable power, and use them to inflict his twisted will on all of reality. Everything the Avengers have fought for has led up to this moment – the fate of Earth and existence itself has never been more uncertain.
After the devastating events of Avengers: Infinity War, the universe is in ruins due to the efforts of the Mad Titan, Thanos (Josh Brolin). With the help of remaining allies, the Avengers must assemble once more in order to undo Thanos’ actions and restore order to the universe once and for all, no matter what consequences may be in store.
Shang-Chi (Simu Liu) must confront the past he thought he left behind when he is drawn into the web of the mysterious Ten Rings organization and his father, Xu Wenwu (Tony Leung).
Peter Parker (Tom Holland) and his friends go on a summer trip to Europe. However, they will hardly be able to rest – Peter will have to agree to help Nick Fury (Samuel L. Jackson) uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.
Tom Holland in ‘Spider-Man: No Way Home.’ Photo: Marvel Studios.
Peter Parker (Tom Holland) is unmasked and no longer able to separate his normal life from the high-stakes of being a super-hero. When he asks for help from Doctor Strange (Benedict Cumberbatch) the stakes become even more dangerous, forcing him to discover what it truly means to be Spider-Man. Teaming with other Multiverse Spider-Men (Tobey Maguire and Andrew Garfield), they must now work together to take out the Green Goblin (Willem Dafoe), Doctor Octopus (Alfred Molina), Electro (Jamie Foxx) and other Spider-Man villains from around the multiverse.
The Eternals are a team of ancient aliens who have been living on Earth in secret for thousands of years. When an unexpected tragedy forces them out of the shadows, they are forced to reunite against mankind’s most ancient enemy, the Deviants.
Doctor Strange (Benedict Cumberbatch), with the help of mystical allies both old and new, traverses the mind-bending and dangerous alternate realities of the Multiverse to confront a mysterious new adversary.
After his retirement is interrupted by Gorr the God Butcher (Christian Bale), a galactic killer who seeks the extinction of the gods, Thor Odinson (Chris Hemsworth) enlists the help of King Valkyrie (Tessa Thompson), Korg, and ex-girlfriend Jane Foster (Natalie Portman), who now wields Mjolnir as the Mighty Thor. Together they embark upon a harrowing cosmic adventure to uncover the mystery of the God Butcher’s vengeance and stop him before it’s too late.
On a dark and somber night, a secret cabal of monster hunters emerge from the shadows and gather at the foreboding Bloodstone Temple following the death of their leader. In a strange and macabre memorial to the leader’s life, the attendees are thrust into a mysterious and deadly competition for a powerful relic—a hunt that will ultimately bring them face to face with a dangerous monster.
Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), M’Baku (Winston Duke), Okoye (Danai Gurira) and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T’Challa’s (Chadwick Boseman) death. As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia (Lupita Nyong’o) and Everett Ross (Martin Freeman) and forge a new path for the kingdom of Wakanda.
On a mission to make Christmas unforgettable for Peter Quill (Chris Pratt), the Guardians head to Earth in search of the perfect present. The special follows Drax the Destroyer (Dave Bautista) and Mantis (Pom Klementieff) as they set out to give Quill the best Christmas ever, after discovering that Yondu (Michael Rooker) ruined the holiday for him as a child.
Peter Quill (Chris Pratt), still reeling from the loss of Gamora (Zoe Saldaña), must rally his team around him to defend the universe along with protecting one of their own. A mission that, if not completed successfully, could quite possibly lead to the end of the Guardians as we know them.
Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly), along with with Hope’s parents Janet van Dyne (Michelle Pfeiffer) and Hank Pym (Michael Douglas) , and Scott’s daughter Cassie Lang (Kathryn Newton), find themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible and pits them against Kang the Conqueror (Jonathan Majors).
Carol Danvers (Brie Larson), aka Captain Marvel, has reclaimed her identity from the tyrannical Kree and taken revenge on the Supreme Intelligence. But unintended consequences see Carol shouldering the burden of a destabilized universe. When her duties send her to an anomalous wormhole linked to a Kree revolutionary, her powers become entangled with that of Jersey City super-fan Kamala Khan (Iman Vellani), aka Ms. Marvel, and Carol’s estranged niece, now S.A.B.E.R. astronaut Captain Monica Rambeau (Teyonah Parris). Together, this unlikely trio must team up and learn to work in concert to save the universe.
After meeting with newly elected U.S. President Thaddeus Ross (Harrison Ford), Sam (Anthony Mackie) finds himself in the middle of an international incident. He must discover the reason behind a nefarious global plot before the true mastermind has the entire world seeing red.
After finding themselves ensnared in a death trap, seven disillusioned castoffs must embark on a dangerous mission that will force them to confront the darkest corners of their pasts.
Against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, Marvel’s First Family is forced to balance their roles as heroes with the strength of their family bond, while defending Earth from a ravenous space god called Galactus (Ralph Ineson) and his enigmatic Herald, Silver Surfer (Julia Garner).
In director Wes Anderson’s 11th full-length feature film, ‘The Phoenician Scheme,’Benicio del Toro stars as Anatole ‘Zsa-zsa’ Korda, a wealthy 1950s industrialist who somehow keeps just barely avoiding death as he pursues his greatest venture yet, rebuilding the infrastructure of the obscure region of Phoenicia. To make sure his affairs are in order, Zsa-zsa reaches out to his estranged daughter, a nun named Liesl (Mia Threapleton), to join him on his quest and take over if necessary.
Accompanied by administrative assistant Bjørn (Michael Cera), pursued by assassins, and challenged by a business consortium that hopes to foil his plans, Zsa-zsa and Liesl hit the road to meet with Zsa-zsa’s own network of investors and raise the money necessary to cover the shortfall (‘The Gap’) in his funding. Along the way, Zsa-zsa (sort of) rediscovers his own humanity and begins to repair his relationship with Liesl.
As with all Anderson movies, ‘The Phoenician Scheme’ is a mix of whimsy, deadpan comedy, and emotional truth, set in Anderson’s distinctive, colorful, and surreal world, and stacked with a cast of both Anderson regulars and new players that this time includes Scarlett Johansson, Bryan Cranston, Tom Hanks, Riz Ahmed, Jeffrey Wright, Willem Dafoe, Benedict Cumberbatch, and Bill Murray (as God, of course). Anderson, del Toro, Threapleton, Johansson, Cera, and Cranston were on hand recently for a press conference about the film, and Moviefone was there to get the details.
Wes Anderson says that the movie’s protagonist, business tycoon Anatole ‘Zsa-zsa’ Korda, was based partially on his father-in-law, a Lebanese businessman named Fouad Malouf to whom the movie is dedicated.
Wes Anderson: I had a sort of idea of a tycoon, a Euro-tycoon, like somebody who would’ve been in an Antonioni movie or something. I did have this idea that he was probably hurting, that he was going to be in physical distress. Somehow, that was the image, of this guy who you sort of can’t kill, and he has a very expensive watch, something like that. But in the course of time, it started mixing with my father-in-law, my wife’s father, Fouad, who was an engineer and a businessman and he had all these different projects in different places. He was a kind, warm person, but very intimidating, and he had all his business in these shoeboxes. He walked [my wife] through his work at a certain point, because he thought if he is not able to see everything through, she needs to know what he’s got. And her reaction was what [Mia’s character says] in the movie: “This is just crazy.” So it was a mixture of those two things.
2) The Opening Credits Sequence Was Shot In Slow Motion
For the sequence that plays under the opening credits – a single take filmed from overhead in which an injured Zsa-zsa recovers from his wounds in a bath as a fleet of nurses tend to him – Benicio del Toro says that Wes Anderson proposed a strange way to shoot it.
Benicio del Toro: I sat in the bathtub and Wes walked up to me and he said, “We’re gonna shoot this in slow motion.” And I said, “Oh, cool”…And then he said, “But I need everyone to act really fast.” And now I went, “Wait a second, if we’re gonna act fast and you’re gonna be doing it in slow motion, doesn’t that cancel the slow motion? Let’s do it in normal speed.” And he said, “No, no, no, no, it’s gonna be different.” And then I got to see it after he put it together. We were there for a long time ’cause it was all done in one take. We did it, I don’t know, like, 30 times? It was a lot of moving pieces. There’s a lot of nurses, I think six or seven, they’re doing different things…But basically, I think that when you see it, it’s unique.
3) Mia Threapleton Did A Lot Of Research To Play A Nun
To prepare for her role as Liesl, Zsa-zsa’s estranged daughter who has become a nun, Mia Threapleton dove into studying Catholicism before heading to the shoot at Studio Babelsberg in Berlin.
Mia Threapleton: I had, I think, three months from the time of finding out that I had been offered the job to when I landed in Berlin. So that felt like a good amount of time to just get claws-deep into this as much as I can. Which included, but was not limited to, talking to a deacon of a Catholic church, going to Rome — because I had to go there for a fitting — absorbing as much Catholicism that was there, and reading the Bible, chatting with Wes about portions of the Bible…I did send [Wes] my little to-do list of things that I was doing and he said, “Yes, this all looks very, very good.”
4) This Was Michael Cera’s First Wes Anderson Filmmaking Experience
A new member to the Wes Anderson stable of players is ‘Scott Pilgrim vs. the World’ star Michael Cera, who recalled his initial rehearsals with Benicio del Toro, Mia Threapleton, and the director.
Michael Cera: It was really the first time we’d all met, and it was just like developing a sense of our little team, our little unit. We did rehearse and we read the scenes, but I mostly remember our lunches together, and just getting our little rhythm going together. For me, it was sort of the first time saying the lines out loud and trying the accent — kind of like lightly getting in, dipping into it slowly. But it didn’t kind of get up to speed until we started, I feel like. And then we just picked our lane.
5) Mia Threapleton’s Veil Originated With Tableware
While doing costume tests for her role as Liesl, who is a nun, Mia Threapleton says she came upon a very unusual inspiration for her veil.
Mia Threapleton: There was some sort of mock nun habit, and some polite little plimsoll shoes, and it was very nice. But the one thing that was missing was a proper veil. I think all we had were nurse’s caps or something like that and [Wes] just was like, nah, it’s not quite right. It was reaching the end of the day, and we were trying to figure out how to make this work. I looked over to the coffee table and there was a napkin from lunch that was not stained with anything, so I said, “Does anybody have any hair pins?” I quickly pinned this thing to my head, and Wes came over and [he adjusted it], and took a photo of it, and that’s apparently where the veil came from.
6) Wes Anderson Creates Characters With Actors In Mind
Over the years, Wes Anderson has assembled a top-shelf troupe of actors who regularly appear in his movies, from Bill Murray to Owen Wilson to Scarlett Johansson (now on her third Anderson outing) to Jeff Goldblum. Anderson says that he (and frequent co-writer Roman Coppola) wrote several parts in ‘The Phoenician Scheme’ with specific performers in mind.
Wes Anderson: The part for Scarlett we did think, okay, if Scarlett will do this, then we had her in mind for that. Bryan and Tom Hanks together, I think the characters partly came out of imagining them as much as it was the other way around. And Benicio too. So, yeah, many of the roles we sort of cast ’em as we go, and I tend to also, as soon as we have the idea, I tend to send the email and say, “this could be like maybe October” or something like that and try to get on the books if they’ll have me.
7) A Wes Anderson Script Requires Time and Concentration To Read
Bryan Cranston says that Anderson’s screenplays are so packed with details and information that a quick read is not only not possible, but not recommended.
Bryan Cranston: Until you see the cartoon, as Wes puts it, the animatic — the full animatic film that he voices all the characters on — until you actually see that, it’s not always clear where he’s going, because the scripts are very dense in detail. There is no skimming in a Wes Anderson-Roman Coppola script. And oftentimes, I go, wait, what was that? If you miss one little bit, it’s not going to track, so you have to really read them carefully to understand. That’s probably why you read it three or four times.
8) Benicio del Toro Wanted To Cut Dialogue – But Couldn’t Figure Out What To Cut
Benicio del Toro is in just about every scene in ‘The Phoenician Scheme’ and delivers reams of dialogue as Zsa-zsa Korda. But when he tried to reduce the amount of lines he had to say, he couldn’t make it work.
Benicio del Toro: There were a couple moments where I went up to Wes and I said, “Well, maybe we can take this dialogue out.” And then I went back to it, and it wasn’t as good. So I had to go up to him and go like, “I think you need to put it back, ’cause we’re passing information that I think you need.” But that’s why I couldn’t join these people every day for dinner. I had to go up into my room and talk to myself, you know?
9) Wes Anderson’s Films Are Not As ‘Calculated’ As They Look
Even though Wes Anderson’s movies all share a look and stylization that makes them easily recognizable as his work, Scarlett Johansson says that within Anderson’s carefully composed framing and designs there is still lots of room for the actors to experiment.
Scarlett Johansson: The blocking may be specific, and the camera moves are specifically what they need to be, and there’s sometimes a timing element to it, which is a little bit more, I don’t want to say restrictive, but it’s just particular, I guess. But then the performances, I think [Wes is] very playful within that, because he’s just enjoying it and encouraging variety. I’ve gotten some questions when we’ve done press for Wes’s films, and it seems that it comes across that everything is so calculated. But I think the actual process of it doesn’t feel that way at all. Maybe, again, because the camera moves are very calculated, and sometimes there’s specific props and all of that stuff, and the edit is very sharp, it gives it a feeling that it’s so calculated, but I don’t think the performances are. If it becomes so calculated it doesn’t work, because then it feels like a schtick or something.
Wes Anderson says that he doesn’t always know what he’s trying to say with his movies, and that it sometimes takes seeing the completed film for him to understand what it’s about.
Wes Anderson: After making the movie and seeing it when we have it all put together, then I think sometimes you realize what you had in mind, but you’re not totally conscious of it. I told my agent my theory, and he was like, “That’s obvious — of course that’s what the movie is. I don’t understand, how could you not know that?” But I didn’t realize it was obvious. I think the whole story of the movie, this whole mission that [Zsa-Zsa] goes on in our movie, he’s being confronted with the possibility of his death again and again. And what he thinks he has is a business plan that he wants to make sure goes through. But I think maybe from the beginning, in a way, his whole business plan is really a mechanism for him to get back together with [his daughter]. He’s acting like he’s making her his successor, and really, it’s more about what’s going to happen between the two of them right now. The business plan almost becomes like a ritual for him to be reunited with his daughter, and in that sense, his plan goes great.
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What is the plot of ‘The Phoenician Scheme’?
Wealthy businessman Zsa-zsa Korda (Benicio del Toro) appoints his only daughter, a nun (Mia Threapleton), as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists and determined assassins.
(L to R) Benicio Del Toro, Mia Threapleton and Michael Cera star in ‘The Phoenician Scheme’.
Moviefone recently had the pleasure of speaking with Benicio del Toro, Michael Cera and Mia Threapleton about their work on ‘The Phoenician Scheme’. Del Toro discussed his experience reuniting with director Wes Anderson and what he enjoys about working with him, while Cera talked about what it was like to join Wes Anderson’s company of actors and explore the unique worlds he creates on screen, and Threapleton discussed her character’s estranged relationship with her father and why she accompanies him on his journey.
You can read the full interview below or click on the video player above to watch our interviews.
Moviefone: To begin with, Benicio, can you talk about reuniting with director Wes Anderson after ‘The French Dispatch’ and what do you enjoy about working with him?
Benicio del Toro: Well, I enjoy everything, especially the final product. But the character for ‘The Phoenician Scheme’ is a much more challenging character, full of contradictions, with a hell of an arc that it required a lot of motivation to say the least. It kept me up at night, put it that way, to make sure that I deliver what needs to be delivered day in, day out. But I think that Wes’s foundation as a filmmaker, aside from the fact of the visionary he is, also, he’s an incredible writer. He really is. We were talking about this. The script reads like a novel. You could publish it and it would read like a novel. Usually, I get many scripts, I’ve done many movies, and in many of them, I create the backstory of my character. Here, I think you get the backstory of all our characters that have arcs. Michael’s, Mia’s and me, we all have arcs, but we also get the backstory, which it reads like a novel would do that. So, I think that’s the thing that makes Wes’s projects for me so powerful, beyond just a comedy or a beautiful story. Something that his movies always have, is that you can touch them, but the foundation is a story and the writing, and I think that’s really one of his strengths.
MF: Michael, what was it like for you to join Wes Anderson’s company of actors and have an opportunity to explore the unique worlds he creates on screen?
Michael Cera: It’s such a wonderful group to join. Wes just populates his productions with the most amazing people you can think of, and Mia included in that. It’s so much fun to come in. It’s always an exciting thing about jumping into a project that has this caliber of people working on it, and yeah, the worlds are just so much fun. This movie is an anthology in a way where it’s like the three of us are this unit that hop from story to story, and each one of those was brought to life by the various guest players that would come in for that week or two weeks to work on their sequence and inject a whole new energy and atmosphere into the movie. It was just amazing, and it’s great seeing those people show up and bring that character to life in front of your eyes too, and see what they look like suddenly, and sound like.
MF: Finally, Mia, can you talk about Sister Liesl’s estranged relationship with her father and why she decides to help him on his journey?
Mia Threapleton: I think when we meet her, she has her own reasons for agreeing to meet with him, which are not just because she’s been invited, but she has a lot of unanswered, long time burning questions. Because he’s invited her, I think she realizes, “Okay, he wants something from me. Well, I will acquiesce to this, but I can also get him to give me the answers that I want as well.” So, it’s a little bit like a business negotiation initially, and then by the end of that conversation, I think she realizes, “Okay, actually this is a lot larger than I thought that it was going to be, and maybe he can give me more answers over time. Maybe I’ll find out more information.” I think because of her upbringing within a convent, she literally says it. “I forgive you. We’re taught to.” So, I think there is this forgiving side of her, but I also think that she sees that he is very complex and complicated and wants to understand that more. But perhaps that’s one of the many reasons why she decides to stick it out with this rapscallion, if you will.
840FXz1A16r7w6COVuUvH
What is the plot of ‘The Phoenician Scheme’?
Wealthy businessman Zsa-zsa Korda (Benicio del Toro) appoints his only daughter, a nun (Mia Threapleton), as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists and determined assassins.
After being disappointed by his last outing, ‘Asteroid City’, I’m happy to report that director Wes Anderson has returned to form with ‘The Phoenician Scheme’, which is awkwardly funny and gives off ‘Royal Tenenbaums’ vibes. The movie takes full advantage of Anderson’s unique and quirky humor and is beautiful to look at. Each frame is meticulously designed, and is so breathtaking, it’s like watching at a moving painting.
Benicio del Toro gives a commanding performance as notorious businessman and family patriarch Zsa-zsa Korda, while Mia Threapleton is wonderful in her role as Sister Liesl, Korda’s only daughter and heir to his empire. But its actor Michael Cera that gives one of the best performances of his career as the mysterious Bjørn Lund. Cera is perfectly cast in the role and seems born to be in a Wes Anderson film as his own quirky persona fits the filmmaker’s aesthetic like a glove.
The film begins by introducing us to Zsa-zsa Korda (del Toro), a notorious businessman who has survived several assassination attempts. Fearing that his enemies will eventually be successful, Korda summons his only daughter Liesl (Threapleton) who has recently joined a convent and suspects him of killing her mother. Despite having nine young sons, Korda has chosen Liesl to be his heir and take over his empire. Korda believes that his risky new enterprise, will provide for his family for generations to come.
Korda and Sister Liesl embark on a journey to secure the rest of the funds they’ll need for their venture by visiting acquaintances like Leland (Hanks) and Reagan (Cranston), Marty (Wright), Cousin Hilda (Johansson), and eventually Korda’s brother Uncle Nubar (Cumberbatch), who may be Liesl’s real father. They travel with a mysterious young man named Bjørn Lund (Cera), who becomes Korda’s personal assistant and has feelings for Sister Liesl. Along the way Korda survives several attempted assassinations from an opposing group led by Excalibur (Rupert Friend), each time having a near death experience where he goes to heaven and eventually speaks to God (Murray).
Wes Anderson’s quirky brand of humor is not for everyone, but it is my favorite type of humor. I love absurdly bizarre situations played dead serious, and no one does that better than Anderson. ‘The Royal Tenenbaums’ is my favorite of his films, although I really enjoyed the recent ‘The French Dispatch’, and ‘Phoenician Scheme’ is very similar to ‘Tenenbaums’. Both revolve around an eccentric, arrogant, rich patriarch who struggles with being a father and has delusions of grandeur.
Anderson is a unique and singular director. No one else before him or after has ever made a movie that looks like a Wes Anderson film. Everything you see in a Wes Anderson movie was thought out and meticulously placed. Each frame of his movies is like watching a beautiful moving painting. The gorgeous over the head shot of Korda in a bathtub that runs during the opening credits is a perfect example. Congratulations to Anderson and is production design team for their attention to detail, which makes this film and Anderson’s work in general a visual delight.
The three leads completely carry the film including del Toro, Threapleton and Cera. Benicio del Toro, who first worked with Anderson on the criminally underrated ‘The French Dispatch’ fits in to Anderson’s world exceedingly well. Here he is commanding, purposely over-the-top at times, but also measured, playing deadpan at the right moments and he has excellent chemistry with Threapleton.
In fact, Mia Threapleton is a revelation in this film, not surprising as her mother is the iconic Kate Winslet, and obviously the apple doesn’t fall far from the tree. She adapts to Anderson’s style and pacing impressively well, and brings heart and humor to the ridiculous situations her character finds herself in.
Michael Cera, who’s dry delivery was on display in ‘Arrested Development’, ‘Superbad’ and ‘Scott Pilgrim vs. the World’, perfectly fits Anderson’s aesthetic as if the actor was born to be in one of the director’s films. As Bjørn Lund he creates a character that is as likable and sympathetic as he is completely ridiculous. And without giving away any spoilers, the actor is also believable in the character’s surprise turn in the third act.
The returning cast of “Wes Anderson Players” were all welcomed, even if most of their roles only amounted to glorified cameos. Bryan Cranston and Tom Hanks are quite funny as the basketball playing Reagan and Leland, respectively. Jeffrey Wright is equally funny as Marty, electing to adopt a very strange characterization.
Scarlett Johansson, marking her third outing with Anderson, shines like an old school movie star and is excellent in her limited role. Playing the pivotal character of Uncle Nubar, Benedict Cumberbatch is fine but perhaps not as intimidating as the role calls for. Richard Ayoade is very funny as revolutionist Sergio, and Anderson mainstay Bill Murray gives a very dry but hilarious performance as God, of course.
While Wes Anderson’s movies might not be for everyone, ‘The Phoenician Scheme’ is one of his better recent films and is reminiscent of perhaps his greatest movie, ‘The Royal Tenenbaums’. Benicio del Toro, Michael Cera, and Mia Threapleton all give excellent performances, surrounded by a marvelous cast of frequent Anderson collaborators. If you like meticulously beautiful and absurdly funny movies, then this one is for you.
840FXz1A16r7w6COVuUvH
What is the plot of ‘The Phoenician Scheme’?
Wealthy businessman Zsa-zsa Korda (Benicio del Toro) appoints his only daughter, a nun (Mia Threapleton), as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists and determined assassins.
