Tag: austin-powers

  • Super Bowl 2022 Trailer Roundup

    'Moon Knight'Poster. Photo Courtesy of Disney+.
    ‘Moon Knight’Poster. Photo Courtesy of Disney+.

    The Super Bowl took place this Sunday, and whether you were rooting for the Rams or backing the Bengals, we hope you got the outcome you were hoping for. Go sports!

    But what if you were more concerned with the trailers, TV spots and ads that traditionally look to exploit the massive viewing audience that the big event attracts? We’ve got you covered.

    In one handy, convenient place, we’ve rounded up all the exciting footage that wasn’t on the field. Even if, as has been the tradition of late, several of these trailers and spots made their way online long before kick-off.

    TV Trailers 

    MOON KNIGHT

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    While the superstar of the Marvel trailers from this year’s game was a certain magician’s multiverse madness, the MCU’s Disney+ TV arm still had something to show, as Oscar Isaac and ‘Moon Knight’ brought new footage from the show.

    Isaac plays Steven Grant, an unassuming fellow working in the British museum, who discovers the reason he’s been experiencing such vivid dreams of late – he’s just one identity filling his head, which is primarily owned by that of Marc Spector, who becomes the Egyptian mythology-powered vigilante Moon Knight, whose brand of justice tends to be more violent than some of the other Marvel heroes.

    It’ll be fascinating to see how Moon Knight is merged with the wider Marvel Cinematic Universe, though at this point, Team Marvel has proved a dab hand at juggling a wide range of different characters.

    LORD OF THE RINGS: THE RINGS OF POWER

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    Amazon has spent so much money on the rights to additional stories from JRR Tolkien’s canon (and on making the TV show) that we began to wonder whether the trailer would just be a 10-second shot of a ring.

    But no, this is an all-action look at the series, which has cost nearly half a billion dollars to acquire and make so far. There’s no doubting the ambition on display, as the clock turns back to a time before Frodo and co. (and even Bilbo) from Peter Jackson’s movies when Middle-earth was under threat from dark forces and different races had to come together to save their various homelands. Yes, it happens a lot in Middle-earth.

    The likes of Morfydd Clark (playing the younger version of Cate Blanchett’s Galadriel), Peter Mullan and Benjamin Walker are in the cast here, and the show will be on TV screens starting September 2nd.

    Movie Trailers

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    Jordan Peele, who has established himself as a master of horror (and an Oscar winner) with ‘Get Out’ and ‘Us’ is back on the terror beat with his latest. In this case, Daniel Kaluuya (who starred in ‘Get Out’), Keke Palmer and Steven Yeun lead the cast for the movie, which is still wrapped in some layers of mystery, even after this initial trailer.

    We do at least know that Palmer plays a woman who works tangentially for the movie industry, wrangling horses in a business that has been passed down through her family. All seems to be going well until the power at a ranch mysteriously goes out and something horrible appears in the clouds.

    What’s exactly going on? Is it aliens? Ghosts? Alien ghosts? We’ll find out when the movie arrives July 22nd.

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    SONIC THE HEDGEHOG 2

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    Released a couple of days before the game, the new spot for the ‘Sonic the Hedgehog’ sequel focuses a lot on Knuckles, the new threat for our hero, who boasts the vocal talents of Idris Elba. It’s a blend of footage we’ve seen in the first trailer and some new action, plus the likes of human co-stars Jim Carrey and James Marsden.

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    AMBULANCE

    A slightly disappointing spot for Michael Bay’s new film, mostly because there’s little new following the main trailer, which was a while ago. Still, get ready for glimpses of Jake Gyllenhaal and Yahya Abdul Mateen II as brothers who rob a bank but then need to hijack the titular vehicle, sparking a chase across LA.

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    THE LOST CITY

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    Who is ready for Sandra Bullock and Channing Tatum to go exploring jungle climes and far-flung temples? Plenty of us, it appears. The action-comedy, which also features Daniel Radcliffe and Brad Pitt, looks like it could be a lot of fun.

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    JURASSIC WORLD: DOMINION

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    While a shorter version played during the game’s ad space, the first full trailer for the latest ‘Jurassic World’ entry arrived days before kick-off, bringing together two generations of ‘Jurassic’ casts and unleashing lots of the requisite dino action. Let’s just say it looks suitably massive.

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    THE ADAM PROJECT / NETFLIX

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    Like Universal and others, Netflix released its Super Bowl effort in advance, putting out a long clip essentially promoting the streaming service’s 2022 output which is, it must be said, laden with star names and anticipated movies.

    Knives Out 2’ is among the biggest, but the trailer also offered another look at Ryan Reynolds’ time-travelling action-adventure ‘The Adam Project’.

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    Commercials

    AUSTIN POWERS / GM

    https://www.youtube.com/watch?v=HoqiQtc79CQ

    Mike Myers brings back his scheming supervillain Dr. Evil, who realizes he must save the world from itself to control it. Cue electric cars! The likes of Seth Green, Rob Lowe and Mindy Sterling reprise their roles from the ‘Austin Powers’ movies for a spot that mostly makes us wish A) Verne Troyer was still around to be Mini-Me and B) that they’d make another movie.

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    THE CABLE GUY / VERIZON

    A double dose of Jim Carrey this year, here returning to a role he hasn’t played since Ben Stiller’s 1996 crackpot comedy. That might have flopped, but it’s still fun to see Carrey doing his thing as the crazed cable tech, here confused by how the world has moved on to wireless internet, in this case from Verizon. He’s still got it, that Carrey.

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  • 21 Essential ’90s Movies You Should Watch This Summer

    21 Essential ’90s Movies You Should Watch This Summer

     

  • 15 Comedy Sequels That Surprisingly Don’t Suck

    15 Comedy Sequels That Surprisingly Don’t Suck

  • Dana Carvey Forgives Mike Myers for Allegedly Stealing Dr. Evil Character

    Dana Carvey Forgives Mike Myers for Allegedly Stealing Dr. Evil Character

    ABC

    Mike Myers and Dana Carvey’s relationship was apparently anything but excellent for years.

    In an interview on Howard Stern’s Sirius XM radio show on Wednesday, Carvey opened up about the rift that existed between the two “Saturday Night Live” alums and “Wayne’s World” co-stars over the fictional character Dr. Evil.

    For years, he felt angry toward Myers for allegedly stealing Dr. Evil to use in the “Austin Powers” movies. Carvey claimed that he was the first “SNL” cast member to do an impression of executive producer Lorne Michaels. Myers, he said, took that and ran with it for Dr. Evil.

    “The pinky thing was a made-up thing,” Carvey said of the impression. “Lorne doesn’t do that, but somehow it fit. The pinky thing, I did do.”

    Myers told The Hollywood Reporter in 2017 that Dr. Evil was based partially on Michaels, but also on another actor.

    “The Dr. Evil voice is a little bit Lorne Michaels, there are no two ways about it, but there is a lot more Donald Pleasence in there than Lorne. Lorne has a pinky thing, but he doesn’t do it anymore,” Myers said then.

    Carvey admitted he’s never confronted Myers about Dr. Evil.

    “I talked about it to the therapist,” he said. “There are a lot of moments in my life I wish I was more directly straightforward.”

    He added, “I’ve basically let it go.”

    And it seems the relationship between the two is better, since they appeared together on stage at this year’s Oscars.

    Carvey also hasn’t told Myers he forgives him. “I haven’t done that. I would like to do that on national radio,” he joked.

  • 9 Essential Quincy Jones Film Scores (& 3 From TV)

    9 Essential Quincy Jones Film Scores (& 3 From TV)

  • Mike Myers Says ‘Austin Powers 4’ Movie Is ‘Looking Good’

    Mike Myers Says ‘Austin Powers 4’ Movie Is ‘Looking Good’

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    New Line Cinema

    Austin Powers, International Man of Mystery, is ready for his comeback, baby.

    “Austin Powers 4,” the follow-up to the hit spy comedy movies starring Mike Myers, has been in the works for a very, very long time. Fans began to despair that it would actually get made. But now, Myers is saying that things are “looking good” for the sequel.

    “Well, you’re going to see Dr. Evil soon somewhere in the culture. The movie … they take a long time to write. They always have,” Myers told Access.

    “[Director Jay Roach has] been super crazy — he’s doing a fantastic movie right now that he’s working on, but it’s looking good.”

    (Roach’s project is the Roger Ailes movie starring John Lithgow, Charlize Theron, Nicole Kidman, and Margot Robbie.)

    It’s been over two decades since Austin Powers first made his big screen debut in 1997’s “Austin Powers: International Man of Mystery.” That movie was followed by “Austin Powers: The Spy Who Shagged Me” (1999) and “Austin Powers in Goldmember” (2002).

    Myers resurrected the movies’ villain, Dr. Evil, on “The Tonight Show” earlier this year and also told Entertainment Tonight that he’d like to do a spinoff focusing on the bald antagonist.

    “I would love to do a movie from Dr. Evil’s perspective,” he said. “So it would be ‘Dr. Evil 1’, ‘Austin Powers 4,’ is how I would roll.”

  • RIP, Verne Troyer: Mike Myers Honors ‘Austin Powers’ Costar as ‘Beacon of Positivity’

    Verne Troyer was best known for playing Mini-Me in two “Austin Powers” movies, but he was also part of the “Harry Potter” family as Griphook in “Harry Potter and the Sorcerer’s Stone.” Over the weekend, it was revealed via Troyer’s official Facebook account that he had died at age 49.

    Troyer’s cause of death has not been revealed, but the April 21 post shared these sad notes:

    “…Verne was also a fighter when it came to his own battles. Over the years he’s struggled and won, struggled and won, struggled and fought some more, but unfortunately this time was too much. […] Depression and Suicide are very serious issues. You never know what kind of battle someone is going through inside. Be kind to one another. And always know, it’s never too late to reach out to someone for help….”

    Mike Myers starred with Troyer in “Austin Powers: The Spy Who Shagged Me and “Austin Powers in Goldmember,” plus “The Love Guru.” Myers shared a statement on Troyer’s passing:

    “Verne was the consummate professional and a beacon of positivity for those of us who had the honor of working with him. It is a sad day, but I hope he is in a better place. He will be greatly missed.”

    Fans and friends shared memories and condolences on social media:

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  • Why ‘Austin Powers’ Is Still the All-Time Greatest Comedy Trilogy

    This week Mike Myers‘s “Austin Powers in Goldmember” turns 15. The third film in the trilogy, which began somewhat inauspiciously with “Austin Powers: International Man of Mystery” in 1997, made nearly $300 million worldwide, closed just as quietly. Despite occasional discussions of a sequel or reboot, with “Goldmember” the trilogy was definitively closed, and with it marked the end of the greatest comedy trilogy of all time. If you’re thinking that the movies were just goofy spy spoofs with sex humor and sight gags, well, you’re right. But they’re also much more. Yeah, baby yeah!

    The concept for the first film was inspired by Myers’s love of all things English. While he is Canadian by birth, his parents are from Liverpool, so everything that he was riffing on in the film (James Bond movies, British chat show hosts) was stuff that the comedian had grown up with. (For such a high-concept conceit it’s oddly personal.) When the first film was released it didn’t do particularly well, making $67 million worldwide on a $16.5 million production budget. But it grew in popularity on home video, thanks to then-burgeoning DVD format, so the decision to green light a sequel, which cost considerably more money and made a huge amount more (total gross: $312 million), was a no-brainer. Myers, who had started the project as a spoof of the seemingly endless James Bond franchise, had accidentally made a franchise himself.

    And what a franchise it was.

    One of the reasons that these movies are so great, and, in particular, this applies to “Goldmember,” is that they were each so different. The only constants were some ribald humor, extensive 007 references, and a plot device that involved, in some way, time travel. Everything else was up for grabs.

    Unlike most comedy trilogies, something like “The Hangover” or “The Naked Gun” (which were both successful in their own ways), which are careful to meticulously recreate the formula that made the original such a success with each passing movie, Mike Myers and his team of core collaborators were happy to throw out what didn’t work and start over from scratch. They fearlessly built, destroyed, and rebuilt the story’s “mythology” and took zany detours that would have been otherwise unthinkable (like introducing a disco-obsessed Dutch madman who turns his enemies penises into gold hood ornaments). Had the series been more conventional, we would have been robbed of such flights of fancy. There would have probably been just as many sex jokes though.

    But that brings us to another element that makes this trilogy so unforgettable — its surprising amount of heart. If you re-watch the first film, you’ll probably be taken aback by how sweet it is. It’s basically a fish-out-of-water comedy where the fish is an incredibly awkward ’60s swinger; not only does he acclimate to his new environment but he also changes, finding a more evolved person inside. While the sequel, undoubtedly the weakest entry in the trilogy, retreads some of the same lessons, the third film unlocks Powers’s previously unexplored daddy issues and his complex relationship with Dr. Evil, who it is revealed is his father.

    These are easily identifiable emotions and, wrapped inside all of the nonsense, relatable experiences. They might be distorted or bizarre, but if the franchise wasn’t so warm and huggable then it also wouldn’t be as lasting. Is there anything you can really vibe on in, say, the “Rush Hour” trilogy? Didn’t think so.

    Obviously, “Goldmember” and the other movies are spoofing James Bond films (“Goldmember” is a play on “Goldfinger,” “The Gong Show” (whatever that is about, we’re in, fully).

    These are films that look different, too. The first and third entries were photographed by Peter Deming, who shot “Evil Dead II” and is responsible for the look of Showtime’s bewitching “Twin Peaks” revival, beautifully emulating the films and eras that they spoofed but being richer and more detailed. They were all on a budget, even at their most expensive, but you wouldn’t know it by looking at them. They always had tremendous production design and a playfulness about them that is rarely seen in mainstream comedies. You’d give anything just to be on one of these sets for a few hours. (The voluminous supplemental materials that accompanied each film’s home video release only cemented this sensation.)

    The most important reason that makes Austin Powers the greatest comedy trilogy of all time is that it is still outrageously funny. It doesn’t matter if you make an appointment with your Blu-ray box set or catch 10 heavily edited minutes on TBS one Sunday afternoon, these movies are still hilarious in a way that few films, upon repeated viewings, are.

    Myers and director Jay Roach built a series that could stand the test of time. They’re indestructible. Like Austin himself they seem frozen from the period they were constructed in but are able to adapt to any modern setting. He might have been a product of the swinging ’60s but Austin Powers can fit in anywhere.

  • 22 Things You Never Knew About ‘Austin Powers: International Man of Mystery’

    Has it really been two decades since the release of “Austin Powers: International Man of Mystery“? Yeah, baby! (Sorry not sorry).

    Released 20 years ago this week, on May 2, 1997, the modest and often obscure spoof of 1960s British spy movies launched a blockbuster franchise, countless catchphrases (and your friends’ terrible impersonations), and perhaps the most beloved character in Mike Myers’ gallery of goofballs.

    So hop in our time machine and travel back 20 years to learn the defrosted spy’s top secrets.
    1. Ming Tea, the psychedelic band that appears between scenes of the movie, seems like an afterthought, but it was actually the birthplace of the Austin Powers character. Myers started the band in the mid-’90s, along with alt-rocker Matthew Sweet and Bangles frontwoman Susanna Hoffs. The musicians would perform together in Los Angeles under swinging-’60s-style pseudonyms. Austin Powers was the name Myers came up with as the band’s lead singer, Sweet played bass as “Sid Belvedere,” and rhythm guitarist Hoffs was “Gillian Shagwell.”

    2. The band’s name came from a fictional beverage company in an obscure Italian thriller (1965’s “The 10th Victim“) starring original Bond Girl Ursula Andress. Ultimately, Hoffs’ husband, Jay Roach, would direct all three “Austin Powers” movies.
    3. Other inspirations were the British humor favored by Myers’ father, who had emigrated to Canada from England, and the Burt Bacharach song “The Look of Love” (a tune associated with the 1967 Bond spoof “Casino Royale“), which Myers heard one day on a car radio. It made him wonder what had happened to all the 1960s swingers, which prompted him to flirt with then-wife Robin Ruzan in a now-familiar English voice, where he would spout now-familiar archaic catchphrases. Ruzan urged him to write the routine down, and in three weeks, Myers had a screenplay.

    4. There are countless references to James Bond films throughout the “Powers” saga, but also references to many now-forgotten Bond knock-offs of the 1960s, from Dean Martin’s Matt Helm franchise to James Coburn‘s “Flint” movies to Michael Caine’s Harry Palmer films (the source of Austin’s chunky horn-rims).
    5. Originally, Myers didn’t want to play both hero and villain. He hoped to cast Jim Carrey as Dr. Evil, but while Carrey was interested, he was unavailable because he was making “Liar, Liar.”

    6. Myers’ Dr. Evil is clearly modeled to look like Blofeld from the Bond films, but his voice and gestures — even the pinky-to-the-mouth movement — were reportedly mimicry of Myers’ old “Saturday Night Live” boss, Lorne Michaels. Myers’ “Wayne’s World” co-star Dana Carvey reportedly grumbled that Myers’ Michaels impression was actually his imitation of Carvey’s own Michaels impression.
    7. Similarly, Myers spoofed Blofeld’s fluffy Persian cat as the hairless Mr. Bigglesworth. The pet was played by a feline named Ted Nude-Gent. (Insert “Cat Scratch Fever” joke here.)

    8. Yet another “SNL” comic, Colin Quinn, was offered the role of Scott Evil, but he turned it down. The role of Dr. Evil’s resentful son went instead to Seth Green.
    9. Another “SNL”-er, Will Ferrell, launched his movie career in “Austin Powers” as the unkillable henchman Mustafa.

    10. “Austin Powers” marked the first time that Elizabeth Hurley, then best known as Hugh Grant‘s model girlfriend, proved she could carry the lead role in a movie. She found acting opposite Myers difficult for two reasons. First, his antics kept her on the verge of cracking up and breaking character, which is why Vanessa so seldom makes eye contact with Austin. Second, as she recalled in 1999, “I’m ludicrously tactile, and Mike isn’t at all. But because I was so obsessed with Austin, I used to torment Mike by squeezing, stroking, and petting him at every opportunity.” She added, “When I see Mike now, I still launch massive physical attacks on him, which send him fleeing for cover.”
    11. One of the fembots is played by Cindy Margolis, the pinup who claimed, in the early years of the Web, to be the most downloaded woman on the Internet.

    12. Hockey fan Myers named two of the characters, General Borschevsky (Elya Baskin) and Commander Gilmour (Charles Napier), after two of his favorite Toronto Maple Leafs players.
    13. Myers claimed that up to 40 percent of the dialogue in the film was Improvised — most famously, the “Shhh” conversation between Dr. Evil and Scott.

    14. Myers thinks latex bald caps don’t look authentic enough on the big screen, so he shaved his head to play Dr. Evil. That meant shooting all his Austin scenes first, then going back and shooting all of Dr. Evil’s scenes. It was a process that became even more complicated in the sequels, when Myers was playing three or four characters at once.
    15. As in “Wayne’s World,” product placement is the source of many jokes throughout the film. Roach has said he prominently featured AOL in the film so that he could get a year’s subscription to the online service. There was also supposed to be a scene where Austin tries desperately to show his ’90s trendiness by drinking a Zima. But when Zima’s parent company, Coors, realized that the scene was making fun of their beverage, they yanked permission, and Austin found himself nursing a Tab diet cola instead.

    16. “Soul Bossa Nova,” the movie’s chirpy instrumental theme, was a song Quincy Jones wrote and recorded back in 1962. It had also served as the theme song to the Canadian game show “Definition,” which Myers had enjoyed as a kid. So its use here was a nostalgic in-joke for his fellow Canucks.
    17. The American cut of the film runs a brisk 94 minutes, but international audiences got to enjoy several additional scenes. Among them: an extended fight scene between Austin and Random Task; two scenes featuring Christian Slater as a hypnotized henchman; cryogenics gags involving the defrosting of Gary Coleman, Evel Knievel, and Vanilla Ice; and scenes where the families of various slain henchmen are informed of their tragic and violent deaths. (Among the next of kin: “Moonraker” Bond Girl Lois Chiles and Rob Lowe, who would play the younger version of Robert Wagner’s Number Two in the sequels.)

    18. The film cost a reported $16.5 million, which seems like an incredible bargain given the film’s visual inventiveness. It earned back $53.9 million in North America, making the film a modest hit in theaters, though its popularity really took off on home video. Two years later, “Austin Powers: The Spy Who Shagged Me” would earn about $1 million more during its opening weekend than “International Man of Mystery” earned throughout its entire theatrical run.
    19. The PG-13 movie was close to scoring an “R” rating thanks to the film’s funny “nude blocking” scene between Austin and Vanessa. Director Jay Roach, in THR’s recent oral history about the film, said: “The nudity blocking was something the MPAA wanted to be sure we didn’t go too far with: the cheeky phallic references, like Elizabeth biting the sausage and holding the melons up. But they were all pretty innocent body-shape jokes. The only thing they asked us to do in the final cut, which was kind of surprising to me, was they thought there was too much butt-cheek on Mike when he got thawed out, so I went for a slightly more profile version.”

    20. In 1999, HBO made a deal for a 13-episode “Austin Powers” cartoon series that never came to be. But there would be a third installment in theaters, 2002’s hugely popular “Austin Powers in Goldmember.” Altogether, the franchise earned $676 million in theaters worldwide.
    21. A lot of that money went into the pocket of an actress who didn’t actually appear in any of the films. That was Demi Moore, who served as a producer on all three of them.

    22. Will there ever be a fourth “Powers” picture? There have been several reports over the past 15 years that another installment is in development. But in 2016, Roach indicated that there’s no movie in the works, though he said, “Mike Myers and I talk about it every time we get together. I would say it’s in a latent phase right now, but someday if we find the right idea…, for sure. Mike gave me the break of a lifetime in letting me direct [‘Austin Powers: International Man of Mystery’], so I’m always good to go.”