Tag: arrival

  • ‘Pacific Rim’ Prequel Series in Development

    2013's 'Pacific Rim'. Photo: Warner Bros. Pictures.
    2013’s ‘Pacific Rim’. Photo: Warner Bros. Pictures.

    Preview:

    • A ‘Pacific Rim’ prequel series in in development.
    • ‘Arrival’ writer Eric Heisserer is overseeing the new show.
    • ‘Pacific’ producer Legendary Entertainment is providing the backing.

    Prequels are still something studios and TV companies like to explore, even though some fans have trouble finding out fresh details about the characters and concepts they like (see as a prime example the ‘Star Wars’ prequels).

    Still, the lure of finding a new way into existing titles is strong, and Legendary is looking to keep the prequel party going, commissioning an origin story for its ‘Pacific Rim’ movies from writer/producer Eric Heisserer.

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    What’s the story of ‘Pacific Rim’?

    2013's 'Pacific Rim'. Photo: Warner Bros. Pictures.
    2013’s ‘Pacific Rim’. Photo: Warner Bros. Pictures.

    In Guillermo del Toro’s original movie, co-written by the director and Travis Beacham, an inter-dimensional rift opens at the bottom of the Pacific Ocean, allowing massive monsters to enter our world and begin attacking humanity. In response, humans begin constructing giant fighting robots called Jaegers.

    The movie starred Charlie Hunnam and Idris Elba as two of the humans leading the fight against the giant beasties.

    It was a success at the box office, earning $400 million at the worldwide box office and spawned a sequel called ‘Pacific Rim: Uprising’ in 2018, directed by Steven S. DeKnight and featuring John Boyega as the son of Elba’s character alongside Cailee Spaeny and Scott Eastwood.

    That one didn’t have quite the same impact, earning a more muted $298 million globally.

    Since then, there has also been two seasons of a spin-off TV series on Netflix called ‘Pacific Rim: The Black’ with two seasons launching in 2021 and 2022.

    Related Article: Filmmaker Guillermo del Toro Talks ‘Guillermo del Toro’s Pinocchio’

    What else has Eric Heisserer worked on?

    Amy Adams in 'Arrival'. Photo: Paramount Pictures.
    Amy Adams in ‘Arrival’. Photo: Paramount Pictures.

    Heisserer is that rare screenwriter whose name is becoming more known outside of geeky film circles because of his work.

    He notched an Academy Award nomination for best adapted screenplay for the film ‘Arrival’ in 2017.

    His other movie writing credits include the hit Netflix film ‘Bird Box’ as well as ‘Lights Out,’ ‘Hours; (which he also directed), ‘Bloodshot,’ and the 2010 remake of ‘A Nightmare on Elm Street.’

    As a writer/producer, he developed the Netflix series version of ‘Shadow and Bone’ based on the Grishaverse YA novels. It ran for two seasons.

    Here’s what Jason Clodfelter, president of Legendary Television had to say about Heisserer:

    “Eric is a multitalented, prolific creator whose track record of critical and commercial successes speaks for itself. We are thrilled to launch our partnership with Eric, Chronology, and Carmen, with a new entry in the epic, globally popular ‘Pacific Rim’ universe. We are certain their vision will make for an enthralling expansion to Legendary’s beloved franchise.”

    When will the ‘Pacific Rim’ prequel series be on screens?

    It’s far too early to speculate on that front –– the show is in the very early stages of development, with no word on a company picking it up for production and distribution yet. We’d imagine Netflix will at least be interested –– since it carried the spin-off and has worked with Heisserer in the past, but there is no information on that at this time.

    2013's 'Pacific Rim'. Photo: Warner Bros. Pictures.
    2013’s ‘Pacific Rim’. Photo: Warner Bros. Pictures.

    Other Movies and TV Shows in the ‘Pacific Rim’ Franchise:

    Buy ‘Pacific Rim’ Movies On Amazon

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  • Every Denis Villeneuve Movie, Ranked

    Director/Writer/Producer Denis Villeneuve and Timothee Chalamet on the set of Warner Bros. Pictures and Legendary Pictures’ action adventure 'Dune: Part Two,' a Warner Bros. Pictures release.
    (L to R) Director/Writer/Producer Denis Villeneuve and Timothee Chalamet on the set of Warner Bros. Pictures and Legendary Pictures’ action adventure ‘Dune: Part Two,’ a Warner Bros. Pictures release. Photo Credit: Niko Tavernise. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    Director Denis Villeneuve has become one of the most accomplished and visionary filmmakers of his generation.

    The French-Canadian director began his career with a series of critically acclaimed films such as ‘Maelström,’ ‘Polytechnique‘ and ‘Enemy,’ but is best known for box office blockbusters like ‘Prisoners,’ ‘Sicario,’ ‘Arrival,’ ‘Blade Runner 2049‘ and ‘Dune.’

    His new movie, the long-awaited sequel ‘Dune: Part Two,’ opens in theaters on March 1st.

    In honor of his latest film, Moviefone is counting down every movie the director has ever made, including ‘Dune: Part Two.’

    Let’s begin!


    11. ‘August 32nd on Earth‘ (1998)

    1998's 'August 32nd on Earth.'
    1998’s ‘August 32nd on Earth.’

    After escaping unscathed from a car accident photo model Simone (Pascale Bussières) decides that having a baby is the only way to give her vacant life some meaning. She asks her best friend Philippe (Alexis Martin) to get her pregnant and he reluctantly agrees on the condition that they conceive somewhere in a desert, so they leave Montréal on a 24-hour roundtrip to Salt Lake City to find a suitable spot.

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    10. ‘Incendies‘ (2010)

    2010's 'Incendies.'
    2010’s ‘Incendies.’ Photo: Entertainment One.

    A mother’s last wishes send twins Jeanne (Mélissa Désormeaux-Poulin) and Simon (Maxim Gaudette) on a journey to Middle East in search of their tangled roots. Adapted from Wajdi Mouawad’s acclaimed play, ‘Incendies’ tells the powerful and moving tale of two young adults’ voyage to the core of deep-rooted hatred, never-ending wars and enduring love.

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    9. ‘Polytechnique‘ (2010)

    2009's 'Polytechnique.'
    2009’s ‘Polytechnique.’ Photo: Alliance Films.

    A dramatization of the Montreal Massacre of 1989 where several female engineering students were murdered by an unstable misogynist.

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    8. ‘Maelström‘ (2001)

    2000's 'Maelström.'
    2000’s ‘Maelström.’ Photo: Alliance Atlantis.

    A young woman’s life (Marie-Josée Croze) spirals into chaos after she is involved in a hit-and-run accident. Then she encounters a mysterious man named Evian (Jean-Nicolas Verreault) who offers her an opportunity for redemption. Narrated by a fish.

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    7. ‘Enemy‘ (2014)

    Jake Gyllenhaal in 'Enemy.'
    Jake Gyllenhaal in ‘Enemy.’ Photo: Entertainment One.

    A mild-mannered college professor (Jake Gyllenhaal) discovers a look-alike actor and delves into the other man’s private affairs.

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    6. ‘Prisoners‘ (2013)

    Jake Gyllenhaal and Hugh Jackman in 'Prisoners.'
    (L to R) Jake Gyllenhaal and Hugh Jackman in ‘Prisoners.’ Photo: Warner Bros. Pictures.

    Keller Dover (Hugh Jackman) is facing a parent’s worst nightmare: his young daughter (Erin Gerasimovich) and her friend (Kyla-Drew Simmons) have gone missing. Heading the investigation, Detective Loki (Jake Gyllenhaal) arrests the only suspect – the driver of an RV (Paul Dano) on which the girls had been playing – but a lack of evidence forces his release. As pressure mounts, Loki’s team pursues multiple leads while a frantic Dover decides he has no choice but to take matters into his own hands.

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    5. ‘Arrival‘ (2016)

    Amy Adams in 'Arrival.'
    Amy Adams in ‘Arrival.’ Photo: Paramount Pictures.

    Taking place after alien crafts land around the world, an expert linguist (Amy Adams) is recruited by the military to determine whether they come in peace or are a threat.

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    4. ‘Dune‘ (2021)

    Rebecca Ferguson, Zendaya, Javier Bardem and Timothée Chalamet in 'Dune.'
    (L to R) Rebecca Ferguson, Zendaya, Javier Bardem and Timothée Chalamet in ‘Dune.’ Photo: Warner Bros. Pictures.

    Paul Atreides (Timothée Chalamet), a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity’s greatest potential-only those who can conquer their fear will survive.

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    3. ‘Blade Runner 2049‘ (2017)

    Ryan Gosling and Harrison Ford in 'Blade Runner 2049.'
    (L to R) Ryan Gosling and Harrison Ford in ‘Blade Runner 2049.’ Photo: Warner Bros. Pictures.

    Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.

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    2. ‘Sicario‘ (2015)

    Benicio del Toro in 'Sicario.'
    Benicio del Toro in ‘Sicario.’ Photo: Lionsgate.

    An idealistic FBI agent (Emily Blunt) is enlisted by a government task force to aid in the escalating war against drugs at the border area between the US and Mexico. Also starring Benicio del Toro and Josh Brolin.

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    1. ‘Dune: Part Two‘ (2024)

    Timothee Chalamet as Paul Atreides and Austin Butler as Feyd-Rautha Harkonnen in Warner Bros. Pictures and Legendary Pictures’ action adventure 'Dune: Part Two,' a Warner Bros. Pictures release.
    (L to R) Timothee Chalamet as Paul Atreides and Austin Butler as Feyd-Rautha Harkonnen in Warner Bros. Pictures and Legendary Pictures’ action adventure ‘Dune: Part Two,’ a Warner Bros. Pictures release. Photo Credit: Niko Tavernise. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    Follow the mythic journey of Paul Atreides (Timothée Chalamet) as he unites with Chani (Zendaya) and the Fremen while on a path of revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the known universe, Paul endeavors to prevent a terrible future only he can foresee.

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  • Jeremy Renner Injured in Snow Plowing Accident

    Jeremy Renner as Clint Barton/Hawkeye in Marvel Studios' 'Hawkeye.'
    Jeremy Renner as Clint Barton/Hawkeye in Marvel Studios’ ‘Hawkeye.’ Photo by Mary Cybulski. ©Marvel Studios 2021. All Rights Reserved.

    According to actor Jeremy Renner’s spokesperson, the ‘Avengers’ star is in “critical but stable condition with injuries suffered after experiencing a weather related accident while plowing snow” yesterday morning at his home near Mt. Rose-Ski Tahoe, about 25 miles from Reno, Nevada.

    Deadline reports that, according to Sergeant Kristin Vietti of Washoe County Sheriff’s Office, police “responded to a traumatic injury in the area of Mt. Rose Highway in Reno, Nevada at 9 a.m. on New Year’s Day.”

    The police reported that “Upon arrival, deputies coordinated with Truckee Meadows Fire Protection District and REMSA Health to arrange for medical transport of Mr. Jeremy Renner via care flight to a local area hospital. Mr. Renner was the only involved party in the incident.”

    According to the Reno Gazette-Journal, the region “saw a winter storm hit on New Year’s Eve that resulted in 35,000 homes across Northern Nevada’s Washoe, Carson, Douglas, Storey and Lyon counties losing power…”

    Jeremy Renner as Clint Barton/Hawkeye in Marvel Studios' 'Hawkeye.'
    Jeremy Renner as Clint Barton/Hawkeye in Marvel Studios’ ‘Hawkeye.’ Photo by Chuck Zlotnick. ©Marvel Studios 2021. All Rights Reserved.

    Renner’s representative further commented that the actor’s “family is with him and he is ‘receiving excellent care.’”

    A Best Actor Oscar nominee for 2009’s ‘The Hurt Locker,’ and a Supporting Actor Oscar nominee for 2010’s ‘The Town,’ Renner may be best known for his portrayal of the superheroic archer Clint Barton, a.k.a. Hawkeye, in Marvel’s ‘Avengers’ movies and the Disney+ spin-off series ‘Hawkeye.’

    His latest project is headlining the series ‘The Mayor of Kingstown,’ the second season of which is set to premiere January 15 on Paramount+.

    Renner’s other film credits include ‘The Assassination of Jesse James by the Coward Robert Ford,’ ‘28 Weeks Later,’ ‘Mission: Impossible – Ghost Protocol,’ ‘The Bourne Legacy,’ ‘Hansel & Gretel: Witch Hunters,’ ‘American Hustle,’ ‘Mission: Impossible – Rogue Nation,’ ‘Captain America: Civil War,’ ‘Arrival,’ and ‘Wind River.’

    Jeremy Renner as Clint Barton/Hawkeye in Marvel Studios' 'Hawkeye.'
    Jeremy Renner as Clint Barton/Hawkeye in Marvel Studios’ ‘Hawkeye.’ Photo by Chuck Zlotnick. ©Marvel Studios 2021. All Rights Reserved.
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  • The 37 Best Time Travel Movies Ever, Ranked

    The 37 Best Time Travel Movies Ever, Ranked

  • The 30 Best Movies on Amazon Prime Right Now

    The 30 Best Movies on Amazon Prime Right Now

  • The 17 Best Sci-Fi Movies on Amazon Prime and Hulu

    The 17 Best Sci-Fi Movies on Amazon Prime and Hulu

  • Jóhann Jóhannsson, ‘Sicario’ Composer, Dead at 48

    Jóhann Jóhannsson, the Academy Award-nominated and Golden Globe-winning Icelandic composer, musician and producer, died in Berlin Friday at the age of 48, Deadline reports. The cause of death was not immediately known. The late composer’s manager, Tim Husom, confirmed his death.

    Jóhannsson, known for his compelling compositions that often blended edgy electronics with classical orchestrations, earned an Oscar-nomination for his “The Theory of Everything” score. His work on “Everything” also won him a Golden Globe in 2015.

    He most recently provided scores for 2017’s “mother!,” 2016’s “Arrival,” and 2015’s “Sicario,” the latter marking his first collaboration with “Arrival” and “Blade Runner 2049” director Denis Villeneuve.

    The Biblical biopic, “Mary Magdalene,” which he collaborated with Hildur Guðnadóttir on the score, is expected to be released sometime in 2018. The film, directed by Garth Davis, stars Rooney Mara, Joaquin Phoenix, and Chiwetel Ejiofor.

    In addition to his film scores, Jóhannsson had a career as a solo musician. He also composed music for TV and theater.

    Husom, Jóhannsson’s manager provided the following statement to Deadline: “I’m so very sad. Today, I lost my friend, who was one of the most talented musicians and intelligent people I knew. We came a long way together.”

    Jóhannsson is survived by his parents, sisters, and daughter.

  • Oscars 2017: Which Movie Will Win Best Picture?

    Nine films are nominated for the Best Picture Oscar this year. But only one will take it home.

    We’re inching closer to Hollywood’s biggest night — the 89th Academy Awards (Feb 26 at 7:00 p.m. ET / 4 p.m. PT on ABC) — which means it’s crunch time. Best take some time now to fill out your Oscars ballot and lock in your picks!

    Moviefone’s editors are checking off their choices for who will — and should — win in all the major categories. And the nominees for Best Picture are…

    Arrival
    Fences
    Hacksaw Ridge
    Hell or High Water
    Hidden Figures
    La La Land
    Lion
    Manchester by the Sea
    Moonlight

    Here, we share which movie we think will — and should — take home the Academy’s highest honor.

    Tim Hayne
    What Will Win: “La La Land.” Don’t get me wrong, “La La Land” is a good movie, and a hell of a good time, but the instant consensus that its Best Picture-worthy was a tad premature — especially when you consider the other movies in this category. Stars Emma Stone and Ryan Gosling are Academy darlings, as is director Damien Chazelle at this point, and the movie being about Los Angeles — Hollywood, specifically — makes it a front-runner with Oscar voters. The Academy loves a movie about itself, and given that “La La Land” is a love letter to the industry and the city it calls home, it’s a shoo-in. Oh, and it’s already nabbed Golden Globe, BAFTA, and a Critics Choice awards for being the best movie of 2016.

    What Should Win: “Moonlight.” Powerful. Moving. Original. Relevant. Those are just four words I would use to describe “Moonlight,” a film deserving of a Best Picture win, not just for its achievement in filmmaking but for the publicity the honor would deliver. More people need to see “Moonlight.” Especially now.

    Phil Pirrello

    What Will Win: “La La Land.” Since 2013, three of the last five films to win Best Picture were movies about Hollywood or Hollywood elements. Chances are good the Academy will continue to pat their backs with this trend and give the good (but very overrated in a “Crash” sort of way) “La La Land” the Oscar.

    What Should Win: “Manchester by the Sea.” The best compliment I can give this movie is that I wish I made it. When this gut-punch of a drama isn’t taking you emotionally complicated and trying places, it makes you belly laugh. That’s not an easy mix to pull off, and the filmmakers here do so effortlessly. In a few years from now, “Manchester” will join “Goodfellas” and “Pulp Fiction” in the prestigious club of films that should have won the Academy Award over the film that did.

    Rachel Horner

    What Will Win: Ugh, “La La Land.” I don’t mean to be such a member of the backlash, but the Oscar buzz around this movie makes me feel like I am taking crazy pills. It was a fine movie, and Hollywood loves a movie that celebrates them. But, in the world we live in today, excuse me if I can’t get emotionally attached to this white guy’s dream of opening a jazz bar. And what 20-something-year-old girl in Los Angeles isn’t trying to become an actress? Folks like these are a dime a dozen, they just happen to succeed in this movie. Okay, back to being mad about things that actually matter!
    What Should Win: “Hidden Figures.” Controversial opinion alert! I think “Hidden Figures” should win this year, but I know that there isn’t a chance in hell that it actually will. My biggest takeaway when I’m done watching a movie is how long I think about it after I leave the theater. Well, I saw “Hidden Figures” over a month ago and I’ve basically spent every day since thinking about how amazing it made me feel. “Manchester by the Sea” was great, but if I had a dollar for every white-man family struggle movie I’ve seen, let’s just say I wouldn’t have to work anymore. And don’t even get me started on “La La Land.”

    Tony Maccio
    20151023_Moonlight_D08_C1_K1_0878.tifWhat Will Win: “Moonlight.” Despite “La La Land” getting much of the love early on, it may have burned a bit too bright — allowing “Moonlight” to gain some ground. If Hollywood is ready to embrace diversity at the Oscars, this is the place to start.

    What Should Win: “Moonlight.” This film, which follows a young boy into adulthood as he struggles with a drug addict mother and his sexuality, is about as real is it gets in this year’s Best Picture race. This indie darling stands out amongst this year’s nominees with a marriage of great cinematography and heartfelt storytelling.

    Drew Taylor

    What Will Win: “La La Land.” “La La Land” is a good movie. It will likely inspire hipster subculture for the next 30 years, which is fine with me if it means dudes will dress better when going out on dates. All the performances are excellent, the music is terrific, and director Damien Chazelle was able to romanticize Los Angeles without being totally blind to its more disreputable elements.

    But the reason that “La La Land” will win Best Picture has more to do with the voters’ love affair with themselves than the movie’s merits. Hollywood tends to celebrate films that champion Hollywood, and, boy, does “La La Land” — with its sunny optimism, perky starlets, and unwavering belief in the dream-making movie industry actually making those dreams come true. Whether it’s good or not is almost beside the point. Thankfully, it is pretty good.

    What Should Win: “Manchester by the Sea.” Yes, “Manchester by the Sea” is sad. It’s muted and lacks the kind of flashy pyrotechnics that made “La La Land” such a standout. It’s a movie about grief and mourning and the inadequacies of fatherhood and stewardship. But it’s also unbelievable. It’s funny and real and features some of the greatest performances from this or any other year.

    Yes, the movie can be overwhelmingly bleak at points, but there’s a charming lightness to it, too, thanks largely to writer-director Kenneth Lonergan‘s effortless storytelling and the movie’s brilliant, swaggering confidence. “Manchester by the Sea” being robbed of a Best Picture statue will be the real tragedy.

  • Oscars 2017 Voter Calls Meryl Streep a ‘Clown’ & Hated ‘Arrival’: ‘It Just Sucked’

    Yikes. It’s time to go behind the curtain to see how the Oscars sausage is really made. It ain’t pretty.

    Every year, The Hollywood Reporter prints the brutally honest ballot of an anonymous Academy member. (You may recall last year’s ballot bashing “The Revenant” and “ridiculous” Leonardo DiCaprio.)

    This year they picked a woman in the actor’s branch who hated “Arrival” with a passion; also hated “Jackie”; ruled out Viola Davis in a protest vote against her placement in the wrong category; said Denzel Washington has played his “Fences” role a million times before; and felt Meryl Streep played her “Florence Foster Jenkins” role like a clown. But at least she loved “Hell or High Water.”

    The Academy member shared her take on every category, but here are two, just as examples.

    Best Picture

    I hated Arrival — it just sucked. I didn’t like Fences because they just filmed the play — I wanted to see the guy go into the jazz club and play his music, the girl who’s having his baby, his kid on the football field. But I think Denzel [Washington, its producer/director/star] decided that every word of the script [by the late August Wilson] was so precious that he wasn’t going to “mess” with it, and the movie suffered as a result. I loved the first half of Lion, but I felt like a different director and cinematographer made the second half. I thought Hidden Figures was wonderful — because it’s a great story, not because it was especially hard to tell. It’s almost like a glorified Movie of the Week. Moonlight and Hacksaw Ridge were really very good, but I don’t think of them as a best picture. La La Land was tremendously enjoyable, but not all that deep or memorable. That left me with Manchester by the Sea and Hell or High Water, two compassionate movies that were incredibly well written, directed and acted. Hell or High Water isn’t going to win, but it was my favorite, and it will be remembered as a true American classic.

    My vote
    (1) Hell or High Water
    (2) Manchester by the Sea
    (3) La La Land
    (4) Hacksaw Ridge
    (5) Moonlight

    Best Actress

    I liked none of them. I thought Meryl [Streep in Florence Foster Jenkins] played it like a clown — she’s cute and adorable, but this woman didn’t matter to me in the end — but people are gaga over Meryl, and I think she solidified her nomination when she gave that speech at the Golden Globes. I don’t think she would have gotten nominated without it. I hated Jackie so much — it was just shallow crap — so no Natalie Portman. [Elle’s] Isabelle Huppert is an ice-cold actress, and I eliminated her because when you get attacked, beaten and raped, you’re not the same person afterward, but she was, and I wanted to slap her to try to get a reaction out of her. The girl in La La Land [Emma Stone] is going to win because she’s adorable and everybody loves her, but I don’t think she was as wonderful as people are saying. That leaves me with Ruth Negga for Loving, who was fairly one-note, but engaging enough.

    My vote
    Ruth Negga (Loving)

    Yeah, if a rape victim doesn’t react enough for you, better slap her around a bit more. Anyway, if you want honest, you get honest here. Read the whole thing. “I hated ____” comes up a lot, but she did actually like a few things beyond “Hell or High Water,” including Viggo Mortensen in “Captain Fantastic” and the Swedish film “A Man Called Ove.”

    The Oscars air this Sunday, Feb. 26 on ABC. Here’s the full list of nominations.

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  • Oscars 2017: Who Will Win Best Director?

    Who will win Best Director? This is one of Oscar’s most heated races.

    We’re just days away from Hollywood’s biggest night — the 89th Academy Awards (Feb 26 at 7:00 p.m. ET / 4 p.m. PT on ABC) — which means it’s crunch time. Time for you to fill out your Oscars ballot and lock in your picks!

    Moviefone’s editors are checking off their choices for who will — and should — win in all the major categories. And the nominees for Best Director are…

    Denis Villeneuve (“Arrival“)
    Mel Gibson (“Hacksaw Ridge“)
    Damien Chazelle (“La La Land“)
    Kenneth Lonergan (“Manchester by the Sea“)
    Barry Jenkins (“Moonlight“)

    Here, we’re sharing who we think will win, as well as who we feel truly deserves to take home the Academy Award.

    Tim Hayne
    Director Damien Chazelle and Emma Stone on the set of LA LA LAND.Who Will Win: Damien Chazelle. I don’t have much to say about this other than he is a shoo-in. He’s already nabbed all the major directing awards (Golden Globe, BAFTA, Directors Guild), so if he doesn’t win, it’ll be a huge surprise.

    Who Should Win: Kenneth Lonergan. Um, have you seen “Manchester by the Sea”? The man masterfully balances nuance and emotional heft to get the best possible performances out of his actors — hey, it earned Casey Affleck a nomination for Best Actor. While I’d be surprised by a Lonergan win, I take comfort in knowing that, if he keeps making movies of this caliber, he’ll surely be nominated again.

    Phil Pirrello

    Who Will Win: Damien Chazelle. The winner of the Director’s Guild Award is usually expected to take home Oscar, and Chazelle won that prize and many more throughout awards season. His musical is confection Hollywood (and the Academy) seemingly can’t get enough of — and the Academy loves to award movies about movies/acting (see past Best Picture winners “The Artist,” “Argo,” and “Birdman”). Chazelle’s “Whiplash” earned him Oscar attention; expect his latest film to net him Oscar gold.

    Who Should Win: Kenneth Lonergan. Directing a flashy, original, LA-set musical isn’t easy, and several moments in the film are swoon-worthy for Oscar voters. At the same time, writing and directing a movie as emotionally complicated and honest as “Manchester” — without hitting a false note or veering into melodrama — feels even harder.

    Going into Oscar season back in September, Lonergan felt like the shoo-in for both Original Screenplay and Director — maybe losing some edge on the latter to Chazelle. Buzz has cooled on “Manchester” as the hype has reached near fever-pitch on “White People Struggling in LA: The Movie” “La La Land.” As a result, Chazelle is most likely to go home with the award, but I think in five or ten years, when “Manchester” is better appreciated as the masterpiece it is, voters will realize the Oscar should have been Lonergan’s.

    Rachel Horner

    Who Will Win: Damien Chazelle. Oscar night is just a bit too predictable this year. I didn’t love “La La Land.” Not as much as every one else. The Academy can’t stop praising this overrated film, so they might as well give him his first directing Oscar.

    Who Should Win: Kenneth Lonergan. I have no idea what it took for Lonergan to make such a gut-punch of a movie, but I feel confident that it is worthy of an Oscar. If only his film came out a year after “La La Land” stole all attention.

    Tony Maccio

    Who Will Win: Damien Chazelle. Regardless of whether or not you feel there is too much hype surrounding “La La Land,” it’s hard to deny the talents exhibited by its director. His follow-up to “Whiplash” is an ambitious undertaking that, on paper, looks like a logistical nightmare. Onscreen, however, Chazelle seems to pull it off effortlessly, conveying the beauty and sorrow of trying to make it in Los Angeles.

    Who Should Win: Barry Jenkins. Jenkins has a deep personal connection to the story that helps make his film so emotionally profound. The powerful nature of growing up in Liberty City gave Jenkins the ability to direct “Moonlight” from the most realistic place possible, resulting in a film that you can’t help but talk about long after you leave the theater.

    Drew Taylor

    Who Will Win: Damien Chazelle. Quite frankly, the “La La Land” train cannot be stopped. With 14 nominations, tying it for the most Academy Award nominations of any movie ever, it’s engendered the kind of goodwill that makes it virtually indestructible. (Honestly, the “backlash” that has been written about so much recently seems to have barely registered.)

    Chazelle is already an Oscar darling; his last film, “Whiplash,” was nominated for five Academy Awards, including Best Picture, and so for some this might seem “overdue” (even though its only his third feature and he is only 32 years old). Academy voters love a big-hearted, swing-for-the-fences type of feature, especially if its directed back at itself, and God knows there’s enough “magic of Hollywood” cheeriness in “La La Land” to wrap around the entire globe (twice).

    Who Should Win: Kenneth Lonergan. For some reason, the heat around “Manchester by the Sea” has become muted these last few weeks, possibly because of the allegations of sexual harassment leveled against the film’s star, Casey Affleck.

    And it’s a shame because the movie is so, so good. And much of that has to do with the naturalistic direction of Kenneth Lonergan (who also wrote the screenplay). Lonergan is a notorious tinkerer, a character trait that nearly derailed his last film, the fussy, incomparable “Margaret,” and part of what makes “Manchester by the Sea” so miraculous is that it feels like it was sprung, fully formed, from his imagination. Few films were as profound or moving as “Manchester.” And it’s because of Lonergan’s sure-handed direction that it plays so well.