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  • Movie Review: ‘The Friend’

    (L to R) Naomi Watts and Bill Murray in Bleecker Street's 'The Friend'. Photo Credit: Bleecker Street.
    (L to R) Naomi Watts and Bill Murray in Bleecker Street’s ‘The Friend’. Photo Credit: Bleecker Street.

    ‘The Friend’ receives 8.5 out of 10 stars.

    Opening in theaters exclusively in New York on March 28th, before opening nationwide on April 4th is ‘The Friend,’ directed by Scott McGehee and David Siegel, and starring Naomi Watts, Bill Murray, Sara Pidgeon, Carla Gugino, Constance Wu, Noma Dumezweni, Ann Dowd, Felix Solis, and Bing as Apollo.

    Related Article: Bill Murray and Naomi Watts Talk ‘The Friend’ and Acting with a Dog

    Initial Thoughts

    (L to R) Bing and Naomi Watts in Bleecker Street's 'The Friend'. Photo credit: Bleecker Street.
    (L to R) Bing and Naomi Watts in Bleecker Street’s ‘The Friend’. Photo credit: Bleecker Street.

    Based on a 2018 novel by Sigrid Nunez, ‘The Friend’ is a relative rarity in today’s Hollywood landscape: an adult comedy-drama about subjects like love, loneliness, relationships, grief, and loss. Reminiscent in some ways of several Woody Allen’s better efforts in this field, this adaptation by writers-directors Scott McGehee and David Siegel (‘What Maisie Knew’) is funny, moving, bittersweet, and completely absorbing, with a strong cast headed by an excellent Naomi Watts and Bill Murray.

    It’s also a story about the wonder and mystery of the way in which humans and animals can bond, bolstered by a fantastic performance from a Great Dane named Bing. If there was an Oscar for “best performance by an animal,” this majestic animal would win hands down. He steals the show and will steal the viewer’s heart as well, making ‘The Friend’ one of the better movies we’ve seen about a person and their animal companion in a long time.

    Story and Direction

    (L to R) Naomi Watts and Bill Murray in Bleecker Street's 'The Friend'. Photo Credit: Bleecker Street.
    (L to R) Naomi Watts and Bill Murray in Bleecker Street’s ‘The Friend’. Photo Credit: Bleecker Street.

    After a brief opening scene at a very Allen-esque dinner party presided over by famed novelist Walter (Bill Murray), ‘The Friend’ flashes forward sometime later to Walter’s memorial service. It appears he has taken his own life, leaving behind two ex-wives (and a current one), a daughter he’s only recently reconnected with, several friends and former lovers, and a large Great Dane named Apollo (Bing), who he found while jogging under the Brooklyn Bridge one day and took home. But his third wife, Barbara (Noma Dumezweni), doesn’t want the dog, and as it turns out, Walter has bequeathed the canine – much to her shock and surprise — to his dear friend and former student, Iris (Naomi Watts).

    Iris, a writer and teacher herself, lives alone in a tiny, rent-controlled Manhattan apartment, but sheltering a large dog like Apollo is a problem for her in more ways than one: the building doesn’t allow dogs, as the super (Felix Solis) constantly reminds her, and she could be in danger of losing her place if she doesn’t find a home for him. But even as Iris desperately tries to find a new home for Apollo, while also grappling with the aftermath of Walter’s death and the task of co-editing with his daughter (Sarah Pidgeon) a book of his voluminous correspondence, something strange begins to happen: she and Apollo, both heartbroken over losing their friend, start to form a bond – even if he initially wreaks havoc in her apartment, takes over her bed, and refuses to eat his food.

    ‘The Friend’ is about what it’s like to lose someone you love unexpectedly, and how you reconcile your feelings about that person with the truths you come to know about them. Walter is a difficult man and a serial womanizer, yet everyone in his orbit is in one way or another deeply affected by the gravity of his passing. Iris wrestles with the loss of her deep friendship with Walter, her annoyance with his flaws (in particular, his tendency to sleep with his female students), and the status of her own life, all of which become somehow crystallized in her developing relationship with the somber Apollo.

    (Left) 'The Friend' co-writer and co-director Scott McGehee. Photo credit: Bleecker Street. (Right) 'The friend' co-writer and co-director David Siegel. Photo credit: Bleecker Street.
    (Left) ‘The Friend’ co-writer and co-director Scott McGehee. Photo credit: Bleecker Street. (Right) ‘The friend’ co-writer and co-director David Siegel. Photo credit: Bleecker Street.

    It’s a poignant but also funny tale, set in a community of academics and writers who take the craft of writing and its role in their lives seriously (which feels like a throwback in our current social media-besotted era). The movie is also a love letter to New York City, which McGehee, Siegel, and cinematographer Giles Nuttgens shoot fabulously: the many Manhattan locations are filmed in crisp, bright fashion, while places like Iris’s building and her apartment have a ring of realism that doesn’t always manifest in NYC-set movies. For anyone who has dealt with finding or keeping an apartment in the Big Apple, that aspect of ‘The Friend’ reverberates.

    Most importantly, we come to care deeply for Iris, Apollo, and their shared grief and dilemma, while appreciating the presence of the many characters who are part of Iris’s life. The film’s only real stumble is in its final stretch: perhaps in a nod to the book – which is written as an imaginary conversation between the Iris and Walter characters (who are unnamed) – Iris has a sort of fantasy sequence in which her unspoken conflicts and feelings come to the fore. It’s stagey and artificial after the otherwise everyday texture of the rest of the film. And then there’s one final scene that feels shamelessly manipulative.

    Cast and Performances

    (L to R) Bill Murray and Naomi Watts in Bleecker Street's 'The Friend'. Photo Credit: Bleecker Street.
    (L to R) Bill Murray and Naomi Watts in Bleecker Street’s ‘The Friend’. Photo Credit: Bleecker Street.

    Naomi Watts, in some ways underrated these days, delivers a marvelous, stirring performance here as Iris. Pulled in several different directions, she provides a clear-eyed portrait of a woman who is holding things together even as she struggles with conflicting goals and priorities. Her natural warmth and humor shine through, particularly in her interactions with Bill Murray. Although only onscreen for a limited time, Murray is in relatively sober form here, while still infusing Walter with the wit, charisma, and huge personality that makes it easy to appreciate why so many people stay in his orbit.

    The rest of the cast is filled out in excellent fashion, with Constance Wu, Noma Dumezweni, and Carla Gugino sharply defined as Walter’s three wives (it’s always nice to see Gugino in something outside a horror or action thriller) and Felix Solis affecting as Hektor, the guilt-ridden yet compassionate super in Iris’s building. But the VIP of the movie – next to Watts and Murray – is undoubtedly Bing, the dog who plays Apollo. With his big body and incredibly expressive eyes, Bing magically tells us everything we need to know about Apollo; and while many things about animals are truly unknowable, his initially painful grief and gradual affection for Iris are palpable and poignant.

    Final Thoughts

    (L to R) Naomi Watts and Bing in Bleecker Street's 'The Friend'. Photo credit: Bleecker Street.
    (L to R) Naomi Watts and Bing in Bleecker Street’s ‘The Friend’. Photo credit: Bleecker Street.

    Except for that wobbly ending, ‘The Friend’ is a profound, compassionate look at how we navigate change and loss in our lives as we get older. Scott McGehee and David Siegel have taken literary material that may not necessarily be easy to adapt and brought it to the screen in captivating fashion. And we dare anyone not to be moved by the relationship between Iris and Apollo, especially with the latter’s emotional life just as involving and complex as the actor starring opposite him. Keep your friends close, the story seems to say, but perhaps keep your animal friends even closer.

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    What is the plot of ‘The Friend’?

    Iris (Naomi Watts) has had a long, complex friendship with Walter (Bill Murray). Walter is an irresistible charmer, a brilliant author, a lover of many women, and a master at letting down loved ones. When he dies suddenly, Iris is left to deal with all he left behind — three ex-wives (Carla Gugino, Constance Wu and Noma Dumezweni) with unfinished business, his interrupted literary legacy, and his beloved beast Apollo (Bing). It’s not that Iris doesn’t like dogs, but this is Manhattan, and she’ll get kicked out of her building if they find out she’s pretty much trying to house a horse.

    Who is in the cast of ‘The Friend’?

    • Naomi Watts as Iris
    • Bill Murray as Walter
    • Sarah Pidgeon as Val
    • Constance Wu as Tuesday
    • Ann Dowd as Marjorie
    • Noma Dumezweni as Barbara
    • Felix Solis as Hektor
    • Owen Teague as Carter
    • Carla Gugino as Elaine
    • Gina Costigan as Jocelyn
    • Josh Pais as Jerry
    'The Friend' will exclusively open in New York theaters on March 28th, before opening nationwide on April 4th. Photo credit: Bleecker Street.
    ‘The Friend’ will exclusively open in New York theaters on March 28th, before opening nationwide on April 4th. Photo credit: Bleecker Street.

    List of Scott McGehee and David Siegel Movies:

    Buy Tickets: ‘The Friend’ Movie Showtimes

    Buy Bill Murray Movies on Amazon

    Buy Naomi Watts Movies on Amazon

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  • ‘The Friend’ Interview: Bill Murray and Naomi Watts

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    Opening in theaters in New York on March 28th before opening wide on April 4th is ‘The Friend’, which is based on the book by Sigrid Nunez and was written and directed by Scott McGehee and David Siegel (‘Montana Story’).

    The movie stars Naomi Watts (‘St. Vincent’), Bill Murray (‘Ghostbusters’), Sarah Pidgeon (‘Tiny Beautiful Things’), Constance Wu (‘Crazy Rich Asians’), Ann Dowd (‘The Handmaid’s Tale’), Carla Gugino (‘Watchmen’), and Bing as Apollo.

    Related Article: Naomi Watts Talks New Thriller ‘The Desperate Hour’

    (L to R) Bill Murray and Naomi Watts star in 'The Friend'.
    (L to R) Bill Murray and Naomi Watts star in ‘The Friend’.

    Moviefone recently had the pleasure of speaking with Naomi Watts and legendary actor Bill Murray about their work on ‘The Friend’, Murray’s first reaction to the screenplay, the characters, Watts experience acting opposite Bing the dog, and working with directors Scott McGehee and David Siegel.

    You can read the full interview below or click on the video player above to watch our interviews with Murray, Watts, and directors Scott McGehee and David Siegel.

    (L to R) Naomi Watts and Bill Murray in Bleecker Street's 'The Friend'. Photo Credit: Bleecker Street.
    (L to R) Naomi Watts and Bill Murray in Bleecker Street’s ‘The Friend’. Photo Credit: Bleecker Street.

    Moviefone: To begin with, Bill, what was your first reaction to the screenplay and why did you want to be part of this project?

    Bill Murray: Well, my first reaction was there was a lot that was going to be required that wasn’t written in the script that basically I had to be able to be a real, pretty good actor. But the script was, it gave you an opportunity to really bring as much as you were capable of to the job. I knew that if Naomi was going to be there, that she was going to be able to perform. She far overshot whatever I thought. Her performance in the movie is spectacular. It’s the only word for it. I haven’t seen anyone do anything like it in a long time. It’s an amazing piece of work, and I’m only in so many scenes with Naomi, but what she does in the rest of the movie is incredibly big and incredibly powerful. It’s a big deal. She does an amazing job. So, my job was just to feed her, and she took and smacked out of the park.

    (L to R) Naomi Watts and Bing in Bleecker Street's 'The Friend'. Photo credit: Bleecker Street.
    (L to R) Naomi Watts and Bing in Bleecker Street’s ‘The Friend’. Photo credit: Bleecker Street.

    MF: Naomi, can you talk about how Iris’s life changes when she meets Apollo, and what was Bing like to have as a scene partner?

    Naomi Watts: Yeah, it’s a terrible time for Apollo to just launch himself into her life, right at the point where she’s trying to grieve and the panic of losing her apartment, as well as the emotional side of things. It was just chaos and the constant reminder and the anger. Walter was her mentor. He was supposed to keep teaching her, and It’s very complicated. But it was wonderful working with this magical creature. Bing is a soulful, beautiful energy to be around constantly. He is highly trained, and they searched the nation far and wide.

    (L to R) Bill Murray and Naomi Watts in Bleecker Street's 'The Friend'. Photo Credit: Bleecker Street.
    (L to R) Bill Murray and Naomi Watts in Bleecker Street’s ‘The Friend’. Photo Credit: Bleecker Street.

    MF: Bill, how would you describe the friendship between Iris and Walter, and why does he trust her to take care of Apollo?

    BM: It’s bad enough when someone asks you to sort of house-sit their dog for a weekend or something, but she ended up with this giant dog, totally responsible for this thing that took over her home and her life and represented the person that she’d lost in life. It’s a big thing. The constant reminder of that emotion, that pain. You’re angry at the person you’ve lost. Yet, if you show the anger at this giant dog, the dog could eat you. You got to be careful.

    (L to R) Bing and Naomi Watts in Bleecker Street's 'The Friend'. Photo credit: Bleecker Street.
    (L to R) Bing and Naomi Watts in Bleecker Street’s ‘The Friend’. Photo credit: Bleecker Street.

    MF: Naomi, Iris and Apollo are both mourning the loss of their friend, does that bring them closer together in a way because they are both grieving?

    NW: You think it’s going to be her undoing, but it ends up being the gateway to opening to her grief and connecting with someone. This is a lonely woman who hasn’t had a proper connection with anyone for a while. She hasn’t felt connected to her craft. She hasn’t felt connected to a human, she hasn’t felt connected to her heart and soul, I suppose. He kind of opens that up and then all these other things start becoming more achievable.

    (Left) 'The Friend' co-writer and co-director Scott McGehee. Photo credit: Bleecker Street. (Right) 'The friend' co-writer and co-director David Siegel. Photo credit: Bleecker Street.
    (Left) ‘The Friend’ co-writer and co-director Scott McGehee. Photo credit: Bleecker Street. (Right) ‘The friend’ co-writer and co-director David Siegel. Photo credit: Bleecker Street.

    MF: Finally, Bill, what was your experience like working with filmmakers Scott McGehee and David Siegel on this movie?

    BM: Well, there were two. So, there was a good cop and a bad cop. The script they did was great and it’s nice if you’ve got a point and one of them doesn’t understand, you can go beg with the other one and say, “He’s such a jerk.” But they’ve made a bunch of good movies already. So, I think this is an amazing accomplishment because to take a good book, you can mess up a good book. This Sigrid Nunez book is a great book. You can take it and ruin, people do it all the time, but to take it and make it, to be able to bring it to life and to put pictures to it, to tell a story with words and pictures, it is just a different art, and they did it. It’s really a great achievement. It’s a great movie and they’re going to be rich and famous and then they’re going to be even more difficult to deal with. But it’s a great film, ‘The Friend’, and we’ve ended up becoming friends. So here we go. Now where do we go?

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    What is the plot of ‘The Friend’?

    Iris (Naomi Watts) has had a long, complex friendship with Walter (Bill Murray). Walter is an irresistible charmer, a brilliant author, a lover of many women, and a master at letting down loved ones. When he dies suddenly, Iris is left to deal with all he left behind — three ex-wives (Carla Gugino, Constance Wu and Noma Dumezweni) with unfinished business, his interrupted literary legacy, and his beloved beast Apollo (Bing). It’s not that Iris doesn’t like dogs, but this is Manhattan, and she’ll get kicked out of her building if they find out she’s pretty much trying to house a horse.

    Who is in the cast of ‘The Friend’?

    • Naomi Watts as Iris
    • Bill Murray as Walter
    • Sarah Pidgeon as Val
    • Constance Wu as Tuesday
    • Ann Dowd as Marjorie
    • Noma Dumezweni as Barbara
    • Felix Solis as Hektor
    • Owen Teague as Carter
    • Carla Gugino as Elaine
    • Gina Costigan as Jocelyn
    • Josh Pais as Jerry
    'The Friend' will exclusively open in New York theaters on March 28th, before opening nationwide on April 4th. Photo credit: Bleecker Street.
    ‘The Friend’ will exclusively open in New York theaters on March 28th, before opening nationwide on April 4th. Photo credit: Bleecker Street.

    List of Scott McGehee and David Siegel Movies:

    Buy Tickets: ‘The Friend’ Movie Showtimes

    Buy Bill Murray Movies on Amazon

    Buy Naomi Watts Movies on Amazon

     

  • Rosario Dawson Joins the Voice Cast for ‘Terminator Zero’

    (Left) Rosario Dawson. Photo: Jamie McCarthy. (Right) 'Terminator Zero'. Photo: Courtesy of Netflix © 2024.
    (Left) Rosario Dawson. Photo: Jamie McCarthy. (Right) ‘Terminator Zero’. Photo: Courtesy of Netflix © 2024.

    Preview:

    • Rosario Dawson, Ann Dowd and André Holland are joining ‘Terminator Zero’.
    • Timothy Olyphant is starring in the series.
    • The new show was created by ‘The Batman’ co-writer Mattson Tomlin.

    Since James Cameron launched ‘The Terminator’ upon the world in 1984 and then followed that up with one of the greatest movie sequels of all time via ‘Terminator 2: Judgment Day’, the franchise has struggled.

    We’ve had further movie sequels of varying quality and diminishing returns (even 2019’s ‘Terminator: Dark Fate’, which roped Cameron back in as producer, couldn’t crack the quality/box office appeal factor with anything like the success of the first two efforts).

    Indeed, one of the more respected ‘Terminator’ treatments has been on TV, where ‘Terminator: The Sarah Connor Chronicles’ ploughed its own furrow for a couple of seasons, with Lena Headey playing Sarah.

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    But despite the seeming “Terminator Curse”, that hasn’t stopped other companies from taking a shot, and the latest is Netflix, which has animated series ‘Terminator Zero’ due in a couple of months.

    And while we already knew that Timothy Olyphant is lending his voice to the show, the cast list has been updated to include Rosario Dawson, Ann Dowd, André Holland and Sonoya Mizuno.

    What’s the story of ‘Terminator Zero’?

    Timothy Olyphant as The Terminator in 'Terminator Zero'.
    Timothy Olyphant as The Terminator in ‘Terminator Zero’. Photo: Courtesy of Netflix © 2024.

    Here’s the official synopsis for the show:

    2022: A future war has raged for decades between the few human survivors and an endless army of machines. 1997: The AI known as Skynet gained self-awareness and began its war against humanity.

    Caught between the future and this past is a soldier (Mizuno) sent back in time to change the fate of humanity. She arrives in 1997 to protect a scientist named Malcolm Lee (Holland) who works to launch a new AI system designed to compete with Skynet’s impending attack on humanity.

    As Malcolm navigates the moral complexities of his creation, he is hunted by an unrelenting assassin from the future which forever alters the fate of his three children.

    Related Article: Next on Netflix Animation Preview Announces Upcoming Movies and TV Shows

    Which characters are the other new additions playing in the show?

    Rosario Dawson as Kokoro in 'Terminator Zero.'
    Rosario Dawson as Kokoro in ‘Terminator Zero.’ Photo: Courtesy of Netflix © 2024.

    Dawson is Kokoro, an advanced AI and Japan’s answer to Skynet, if brought online, Kokoro will be endowed with the same power as Skynet. Kokoro must calculate for itself: is humanity the plague Skynet believes? Or are human beings worth saving?

    Dowd plays The Prophet. In the future, the Prophet is the philosophical guide for the human resistance, a light shepherding survivors in the darkness of the unknown future ahead.

    As for Olyphant? He has the title role, in a version that sounds like the original movie’s killing machine: The Terminator is still out there. It still can’t be bargained with. It can’t be reasoned with. It doesn’t feel pity, or remorse, or fear. And it absolutely will not stop, ever, until you’re dead (though we’re promised a fresh take on the iconic character).

    Who is making ‘Terminator Zero’?

    Sonoya Mizuno as Eiko in 'Terminator Zero.'
    Sonoya Mizuno as Eiko in ‘Terminator Zero.’ Photo: Photo: Courtesy of Netflix © 2024.

    Leading the creative team on the new show is Mattson Tomlin, who worked on 2022’s ‘The Batman’ with Matt Reeves and is co-writing the sequel with him.

    Here’s Tomlin on ‘Terminator Zero’:

    “Anyone who knows my writing knows I believe in taking big swings and going for the heart. I’m honored that Netflix and Skydance have given me the opportunity to approach Terminator in a way that breaks conventions, subverts expectations, and has real guts.”

    When will ‘Terminator Zero’ be on our screens?

    Netflix previously announced that the new show will hit its screens on the well-chosen date of “Judgement Day” from the movies –– which means August 29th if you’re not keeping track.

    André Holland as Malcolm Lee in 'Terminator Zero.'
    André Holland as Malcolm Lee in ‘Terminator Zero.’ Photo: Courtesy of Netflix © 2024.

    Other Movies and TV Shows in the ‘Terminator’ Franchise:

    Buy ‘Terminator’ Movies On Amazon

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  • Where You Can Watch ‘The Exorcist: Believer’

    (from left) Chris MacNeil (Ellen Burstyn) and Victor Fielding (Leslie Odom, Jr.) in 'The Exorcist: Believer,' directed by David Gordon Green.
    (from left) Chris MacNeil (Ellen Burstyn) and Victor Fielding (Leslie Odom, Jr.) in ‘The Exorcist: Believer,’ directed by David Gordon Green.

    The cult horror classic makes its return with a brand new chapter in ‘The Exorcist: Believer.’ Helmed by director David Gordon Green (‘Halloween Kills’), the film follows two families connected by their daughters’ mysterious disappearance in the woods.

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    Where Can I Watch ‘The Exorcist: Believer’?

    Tony (Norbert Leo Butz), Katherine (Olivia O’Neill) and Miranda (Jennifer Nettles) in 'The Exorcist: Believer,' directed by David Gordon Green.
    (L to R) Tony (Norbert Leo Butz), Katherine (Olivia O’Neill) and Miranda (Jennifer Nettles) in ‘The Exorcist: Believer,’ directed by David Gordon Green.

    The film premiered in the United States on October 6, 2023, kicking off the horror season. Originally, ‘The Exorcist: Believer’ was set to be released on October 13, but shifted its date to avoid competing with ‘Taylor Swift: The Eras Tour,’ which became a mega box office hit, grossing over $92 million during the opening weekend.

    Producer and Blumhouse founder Jason Blum acknowledged this on his X (formerly Twitter) account by quoting a Taylor Swift song, “Look what you made me do. The Exorcist: Believer moves to 10/6/23.”

    Buy Tickets: ‘The Exorcist: Believer’ Movie Showtimes

    ‘The Exorcist: Believer’ became available on PVOD on October 24, 2023, only 18 days after its theatrical release. The reason may be due to the film’s poor reception with both critics and audiences alike, with 22% critics score and 59% audience score on Rotten Tomatoes.

    For those who missed the movie on the big screen or just prefer to watch horror flicks at home, ‘The Exorcist: Believer’ is available digitally on services such as Amazon Prime Video, YouTube, Google Play, Apple TV, and Vudu. You can rent the film for $19.99 or purchase it for $29.99.

    ‘The Exorcist: Believer’ has a total runtime of 1 hour and 51 minutes.

    Buy ‘The Exorcist: Believer’ On Amazon

    When Will ‘The Exorcist: Believer’ Be Available To Stream?

    Director David Gordon Green on the set of 'The Exorcist: Believer.'
    Director David Gordon Green on the set of ‘The Exorcist: Believer.’

    The movie was released by Universal Pictures, and the film will be streaming on its streaming platform Peacock on December 1, 2023. For other films in ‘The Exorcist’ franchise, you can find it streaming on platforms such as Peacock, Prime Video, Max, or Hulu.

    Where to Watch: ‘The Exorcist: Believer’ Online

    Related Article: ‘The Exorcist: Believer’ Sees David Gordon Green Following Up Another Classic Horror

    A Brand New Chapter To A Classic Horror

    Victor Fielding (Leslie Odom, Jr.) and Chris MacNeil (Ellen Burstyn) in 'The Exorcist: Believer,' directed by David Gordon Green.
    (L to R) Victor Fielding (Leslie Odom, Jr.) and Chris MacNeil (Ellen Burstyn) in ‘The Exorcist: Believer,’ directed by David Gordon Green.

    ‘The Exorcist: Believer’ is technically a reboot, as it introduces brand new characters and stories. However, the movie very much exists within ‘The Exorcist’ world as director David Gordon Green brings Ellen Burstyn into the film to reprise her role as Chris MacNeil – Regan’s mother in the 1970 original.

    Fans were delighted to learn about Burstyn’s return, as the trailer shows her speaking with a possessed Katherine, “We’ve met before. But I’m not talking to you now”. Katherine’s demonic voice responds with, “Are you looking for Regan?” alluding to her daughter’s brush with demonic possession and exorcism.

    Much like horror icon Jamie Lee Curtis’ return to the latest ‘Halloween’ franchise (also helmed by David Gordon Green), fans may be expecting Burstyn’s appearance in the film to have the same effect. However, her role is not as significant as the trailer makes it out to be. Instead, the story focuses on the two families – Victor (Leslie Odom Jr.) and his daughter Angela (Lidya Jewett) and Katherine’s (Olivia Marcum) parents.

    The film also explores other cultures’ ideas of exorcism, taking it beyond the Catholic church.

    Watch the official trailers for ‘The Exorcist: Believer’ below:

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    The official synopsis for ‘The Exorcist: Believer’:

    “Since the death of his pregnant wife in a Haitian earthquake 12 years ago, Victor Fielding (Tony winner and Oscar nominee Leslie Odom, Jr.; ‘One Night in Miami,’ ‘Hamilton‘) has raised their daughter, Angela (Lidya Jewett, ‘Hidden Figures‘) on his own. But when Angela and her friend Katherine (newcomer Olivia Marcum) disappear in the woods, only to return three days later with no memory of what happened to them, it unleashes a chain of events that will force Victor to confront the nadir of evil and, in his terror and desperation, seek out the only person alive who has witnessed anything like it before: Chris MacNeil.”

    Who Is In The Cast of ‘The Exorcist: Believer’?

    The movie stars Lesie Odom Jr as Victor Fielding, Lidya Jewett as Angela Fielding, Olivia Marcum as Katherine, Jennifer Nettles as Miranda, Norbert Leo Butz as Tony, Ann Dowd as Ann, and Ellen Burstyn reprises her role as Chris MacNeil.

    Katherine (Olivia O'Neill) in 'The Exorcist: Believer,' directed by David Gordon Green.
    Katherine (Olivia O’Neill) in ‘The Exorcist: Believer,’ directed by David Gordon Green.

    Other Movies Similar to ‘The Exorcist: Believer’:

    To watch our exclusive interview with director David Gordon Green and producer Jason Blum, please click on the video player below:

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  • Movie Review: ‘The Exorcist: Believer’

    Victor Fielding (Leslie Odom, Jr.) and Chris MacNeil (Ellen Burstyn) in 'The Exorcist: Believer,' directed by David Gordon Green.
    (L to R) Victor Fielding (Leslie Odom, Jr.) and Chris MacNeil (Ellen Burstyn) in ‘The Exorcist: Believer,’ directed by David Gordon Green.

    In theaters on October 6th, ‘The Exorcist: Believer‘ represents David Gordon Green revisiting the world of another classic horror title, in this case 1973’s ‘The Exorcist’.

    Can it replicate the success (hit and miss as it was) of Green’s ‘Halloween’ trilogy? On the evidence of this, not really.

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    What’s the story of ‘The Exorcist: Believer’?

    (from left) Chris MacNeil (Ellen Burstyn) and Victor Fielding (Leslie Odom, Jr.) in 'The Exorcist: Believer,' directed by David Gordon Green.
    (from left) Chris MacNeil (Ellen Burstyn) and Victor Fielding (Leslie Odom, Jr.) in ‘The Exorcist: Believer,’ directed by David Gordon Green.

    Since the death of his pregnant wife in a Haitian earthquake 13 years ago, Victor Fielding (Leslie Odom Jr.) has raised their daughter, Angela (Lidya Jewett) on his own.

    But when Angela and her friend Katherine (Olivia Marcum), disappear in the woods, only to return three days later with no memory of what happened to them, it unleashes a chain of events that will force Victor to confront the nadir of evil and, in his terror and desperation, seek out the only person alive who has witnessed anything like it before: Chris MacNeil (Ellen Burstyn).

    Who else is in ‘The Exorcist: Believer’?

    Tony (Norbert Leo Butz), Katherine (Olivia O’Neill) and Miranda (Jennifer Nettles) in 'The Exorcist: Believer,' directed by David Gordon Green.
    (L to R) Tony (Norbert Leo Butz), Katherine (Olivia O’Neill) and Miranda (Jennifer Nettles) in ‘The Exorcist: Believer,’ directed by David Gordon Green.

    The cast for the new horror also includes Jennifer Nettles, Norbert Leo Butz, Ann Dowd, Raphael Sbarge, E.J. Bonilla and Antoni Corone.

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    What works about ‘The Exorcist: Believer?

    Director David Gordon Green on the set of 'The Exorcist: Believer.'
    Director David Gordon Green on the set of ‘The Exorcist: Believer.’

    Clearly deciding that because his first ‘Halloween’ movie was a hit with audiences and critics (and ignoring the response to the other two), David Gordon Green returns to the horror beat by planning a sequel-skipping follow-up to another legendary horror title.

    Unlike John Carpenter’s franchise, which had at its core Jamie Lee Curtis’ Laurie Strode, something that Green hitched his own wagon to, this time he’s only really using Ellen Burstyn’s Chris MacNeil (the mother of Linda Blair’s possessed Regan in the 1970s original) as window dressing.

    Instead, the focus here is on two new families –– Odom Jr’s Victor and the parents of Katherine. And opening up the concept for a linked possession does offer a few decent ideas.

    What also works –– at least until it really doesn’t –– is exploring other cultures’ ideas of exorcism, widening the world of ritual and belief beyond the Catholic church.

    Related Article: ‘Halloween’ Director David Gordon Green on Resurrecting an Iconic Franchise

    Victor Fielding (Leslie Odom, Jr., background) and Angela Fielding (Lidya Jewett) with additional cast members in 'The Exorcist: Believer,' directed by David Gordon Green.
    (L to R) Victor Fielding (Leslie Odom, Jr., background) and Angela Fielding (Lidya Jewett) with additional cast members in ‘The Exorcist: Believer,’ directed by David Gordon Green.

    Odom Jr. adds another decent role to his cinematic resume, even if he is saddled with a very seen-it-before single dad role, all comedy bonding and then concern.

    Green has also stacked his cast with some great performers in both the lead and supporting roles, the two youngsters who end up vessels for demonic creatures working with the special effects team to convince you that they’re suffering at the hands of some terrible entity.

    The likes of Ann Dowd (in particular) and Raphael Sbarge do good work with their parts even when the writing lets them down. They’re given moments to shine and some shading in between the scares, and they really put the work in to sell these side characters. Ditto Norbert Leo Butz as Katherine’s concerned dad.

    Finally, Green has the courage of his convictions with regards to the outcome, but we’ll say no more about that.

    What are the problems with ‘The Exorcist: Believer’?

    (from left) Angela Fielding (Lidya Jewett) and Katherine (Olivia Marcum) in 'The Exorcist: Believer,' directed by David Gordon Green.
    (from left) Angela Fielding (Lidya Jewett) and Katherine (Olivia Marcum) in ‘The Exorcist: Believer,’ directed by David Gordon Green.

    Possibly the biggest issue with the new movie is that, unlike William Friedkin’s, it exists in a world where we’ve had enough possession stories to fill at least one level of Hell. Even just earlier this year, we had Russell Crowe puttering around on a Vespa before doing battle with the forces of evil in ‘The Pope’s Exorcist’.

    The existence of those other films is not a fault of this latest stab at ‘The Exorcist’ but the choice to make it –– and to attempt to follow what is still regarded as the best –– can entirely be laid at the feet of Green and his team.

    So, this needed to be truly great to stand out. Unfortunately, it’s mostly middling. Despite the performances from most of the cast, it’s clear that Green and co. were mostly on a nostalgia trip, bringing back Burstyn for little more than a glorified cameo, reduced primarily to offering exposition.

    This is also very much in the Blumhouse mold, the difference between this movie and Friedkin’s stark. Where the original is cold and calculated, this is all eager jump scares and frenetic pacing, images thrown at the screen in an attempt to keep us unnerved.

    Yet the effect by the end is more enervating than unnerving, the bag of tricks becoming clear. Yes, it might seem unfair to compare this with one of the greatest horror movies of all time, but when you opt to shoot “a new chapter”, you already invited that.

    Katherine (Olivia O'Neill) in 'The Exorcist: Believer,' directed by David Gordon Green.
    Katherine (Olivia O’Neill) in ‘The Exorcist: Believer,’ directed by David Gordon Green.

    What ‘The Exorcist’ does with a few lashings of pea-soup, a quick neck twist and some levitation, the new movie cannot challenge, even with a healthy respect for physical effects augmented by judicious use of digital trickery.

    Likewise, the demonic figure at the center of the story is in no way as compelling as in the original, possibly because our attention is split between the two victims. And an obvious attempt to channel the personal connection of the first film (more than once) comes across as crass more than emotional.

    And beyond the script letting the ensemble down in key moments, it starts to unravel as a whole, cliches creeping in to possess the movie long before the credits roll.

    Is this likely to make your head spin with excitement? Unless you know almost nothing about the original, probably not. While Friedkin’s rightly lauded original might be considered slow by today’s audiences raised on a diet of endless jump moments and quicker editing, Green’s version will try the patience in other ways.

    Proof, surely (even with Green’s confirmed plans that this should kick off another trilogy) that the co-writer/director might be better off going back to fully original work.

    One to see only if the power of curiosity compels you.

    ‘The Exorcist: Believer’ receives 6 out of 10 stars.

    'The Exorcist: Believer' opens in theaters on October 13th.
    ‘The Exorcist: Believer’ opens in theaters on October 13th.

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