Tag: aliens

  • 6 Things You Need to Know Before Seeing ‘Alien: Covenant’

    You’d think at some point the residents of the “Alien” universe would learn to stop traveling to remote worlds where hungry Xenomorphs are waiting to eviscerate them. Oh well. Their loss is our gain, as franchise returns to theaters with “Alien: Covenant.”

    If you’re not sure where this latest film falls on the increasingly complicated “Alien” timeline, fear not. We’re breaking down everything you need to know about “Covenant, from how it connects to 2012’s “Prometheus” to what to expect from this new crew of unfortunate souls/future chestburster incubators.

    1. It’s More of a Sequel to “Prometheus” Than You ThinkWhile it’s not actually called “Prometheus 2,” “Covenant” is a follow-up to that 2012 “Alien” prequel.

    Set ten years after the events of that polarizing prequel, “Covenant” will reveal (sort of) what became of Elizabeth Shaw (Noomi Rapace) and the damaged android David (Michael Fassbender) after they left LV-223 in search of the Engineers who created humanity. The film will also feature Guy Pearce reprising his role as the late Peter Weyland (despite having suffered a violent death last time around).

    2. You’ll Meet Mostly New CharactersWhile it’s a continuation of “Prometheus,” “Covenant” looks to be focusing more on a new cast of characters. The film revolves mainly around the crew of the Covenant, who are responsible for ferrying a group of interstellar colonists to their new home. This crew is the latest in a long line of Weyland-Yutani teams to run afoul of the ruthless Xenomorphs (HR and legal must love these workman’s comp claims).

    The crew includes terraforming expert Daniels (Katherine Waterston), first mate Christopher Oram (Billy Crudup), chief pilot Tennessee (Danny McBride), and security officer Sgt. Lope (Demián Bichir).

    Fassbender will be pulling double duty this time around, as he’ll also be playing the Covenant’s helpful (and kind of badass) android, Walter.

    3. The Film Goes Back to Its RootsNot all “Alien” fans were thrilled with the direction in which “Prometheus” pulled the franchise, complaining about director Ridley Scott‘s emphasis on philosophy and fleshing out the origins of the Xenomorphs with complicated and convoluted mythology, rather than finding a worthwhile way of exploring those questions by way of the claustrophobic horror — and character-driven stakes — that made the first two “Alien” films so memorable.

    Luckily, early reviews suggest that “Covenant” is bringing the franchise back to its roots. Expect more emphasis on horror and bloodshed this time around, as the Covenant crew slowly come to grips with the deadly threat awaiting them when they detour to an undiscovered planet while en route to their new home.

    4. There’s Even More Mythology
    Despite the “back to basics” mentality of this prequel, “Covenant” will still feature some of the philosophical elements of “Prometheus.” The original title of the film was actually “Alien: Paradise Lost,” which gives you some idea of where Ridley Scott is drawing inspiration from.

    “Covenant” goes deeper into the world of the mysterious Engineers while expanding on what the black goo is that seems to have birthed both humanity and the Xenomorphs.

    5. There’s a New Xenomorph
    It wouldn’t be a proper “Alien” movie without at least one new variation on the Xenomorph. “Covenant” will introduce the Neomorph, a smaller, more feral version of the iconic monster. The Neomorphs are native to the seemingly idyllic world the Covenant crew discover in the film, created after the Engineers’ black goo interacted with, well, you’ll have to see for yourself.

    Traditionalists needn’t worry — the film will also feature plenty of the classic “Big Chap” Xenomorph we know and love. But rather than a tall guy in a rubber suit, the Xenomorphs are now mostly computer-animated creations, making them quicker, deadlier, and more flashy than ever.

    6. “Covenant” Starts a New TrilogyWe can only hope “Covenant” recaptures the appeal of the first two “Alien” movies, otherwise, it might be the last entry in the franchise. Scott intends “Covenant” to be the first part of a new trilogy of films that will progressively shed more light on David and his plans to continue a more deadly version of what the Engineers started.

    The goal is to eventually link this trilogy to the events of the original “Alien.” Scott already has developed screenplays for both sequels, with production on “Alien: Covenant 2” hoping to begin in 2018.

    “Alien: Covenant” hits theaters May 19. Get your tickets here.

  • 14 Things You Never Knew About the ‘Alien’ Franchise

    As “Alien” fans know, the xenomorph has acid for blood, is a relentless hunter, breeds parasitically inside human hosts before killing them, and has a tremendous hunger for cash. It’s eaten up some $1.4 billion in earthling movie-ticket money over the past 38 years and seven films. And Fox is hoping it will gobble hundreds of millions more when the eighth film, Ridley Scott‘s second prequel “Alien: Covenant,” is released May 19.

    Over the years, Moviefone has learned a lot of wonderfully disgusting facts about the franchise (read this if you want to know what the alien’s innards and mouth-slime were made of, or this if you want to know how Lance Henriksen nearly chopped Bill Paxton‘s finger off performing his knife trick), but in honor of “Alien: Covenant,” we’ve dug up a few more things you didn’t know about the scary space series.
    Alien (1979)Directed by Ridley ScottShown: Sigourney Weaver1. Sigourney Weaver was an unknown when she auditioned for “Alien,” but that anonymity proved an asset. “We felt that if Ripley was a big name, she would lose part of her mystery,” producer David Giler recalled in 1991. Weaver claims she got the part because 20th Century Fox studio chief Alan Ladd Jr. showed her screen test to his secretaries, and the ladies gave her audition the thumbs-up.

    2. Weaver earned about $30,000 for the first “Alien,” $1 million for “Aliens,” $4 or $5 million for “Alien3” (plus a percentage of the profits), and $11 million for “Alien: Resurrection.”
    3. A scene cut from “Aliens” might have explained how Ripley developed her maternal urge to protect the orphan girl Newt. In the scene (above), shortly after she’s awakened from her decades-long sleep, Ripley is shown a picture of the daughter who was ten when she first left on her mission, and who has since grown old and died. The prop was actually a picture of Weaver’s own mother. The studio reportedly trimmed the scene because it slowed down the movie’s pace and delayed Ripley’s return to space.

    4. David Fincher disavowed 1992’s “Alien 3,” even though it was his feature directing debut. “A lot of people hated ‘Alien 3,’” he said a decade later, “but no one hated it more than I did.”
    5. Weaver said she felt that Fox had undermined the first-time filmmaker, first by having him start shooting without a finished script, then by micromanaging him. “They started off telling him they wanted ‘Hobbit in Space,’” Weaver recalled. “Midway through, they’re saying they want an E-ticket ride of a movie. It was a mess.”

    6. Similarly, Joss Whedon disavowed 1997’s “Alien: Resurrection,” even though he found it a fairly faithful adaptation of his screenplay. “It wasn’t so much that they’d changed the script,” he said in 2005. “It’s that they just executed it in such a ghastly fashion as to render it almost unwatchable.”
    7. In the early 2000s, “Aliens” director James Cameron was working on an origin-story prequel — the germ of the idea that eventually became “Prometheus,” — but he abandoned it when he learned Fox was developing the “Alien vs. Predator” crossover films. To this day, Ridley Scott claims not to have seen the two “AvP” movies.

    8. “Alien vs. Predator” director Paul W.S. Anderson claimed that Arnold Schwarzenegger had agreed to appear in a cameo in the 2004 film as Dutch, his character from the original “Predator,” on the condition: that he lost the California gubernatorial election, which he did not. Also, Anderson said, Schwarzenegger had wanted to film the cameo at his own house.
    9. In 2012’s “Prometheus,” when the snake-like “hammerpede” alien bursts forth from Rafe Spall‘s corpse, Kate Dickie‘s screaming reaction is real and spontaneous. She didn’t know what she was about to see: the sudden emergence of an alien puppet manipulated by the director. It was the same exact technique Scott had used to scare the actors in the original “Alien” when they first saw the “chestburster” force its way out of John Hurt‘s torso.

    10. To create the sounds made by the glistening cave’s ice crystals, the “Prometheus” sound effects artists used Pop Rocks candies, sprinkling them on hard surfaces and then spraying them with water to make them crackle.11. Originally, the filmmakers sought Max Von Sydow to play ancient tycoon Peter Weyland, but they went with Guy Pearce instead in order to be able to show the character as both young and old.

    12. The old-age makeup Pearce wore in “Prometheus” took five hours to put on and another hour to take off. In character as the younger Weyland, Pearce appeared in a short promo clip, supposedly giving a TED talk in the year 2023. The clip, directed by Luke Scott (Ridley’s son), marked the first time the TED curators had licensed their brand to makers of a fiction feature.
    13. There was much talk, as recently as summer 2016, that Weaver and “District 9” director Neill Blomkamp were moving ahead with a fifth Ripley movie, one that would have pretended that the third and fourth movies never happened and would have kept Newt and Corporal Hicks (Michael Biehn) alive. But in April 2017, Scott (who would have executive-produced the Ripley movie), said that Blomkamp had never written more than a 10-page story pitch, and that Fox had nixed the project.

    14. “Alien: Resurrection” went through many drafts, especially in regards to the film’s climatic ending. At one point, Whedon wrote a draft where the Betty crashes on an Earth forest. Here, once she realizes they and the newborn albino alien are too close to a populated city, Ripley takes action. Armed with a grenade launcher, she flies around in a futuristic combine harvester vehicle to finish the newborn off in a very cool — but ultimately too expensive — sequence.

  • 22 Most Satisfying Movie Villain Deaths

    22 Most Satisfying Movie Villain Deaths

  • 7 Alien Encounters That Gave Us All The Feels

    First contact with an extra-terrestrial can be out-of-this world emotional. Here are seven alien encounters that made us feel a galaxy of feelings.

  • ‘Stranger Things’ Season 2 Adds Sean Astin, Paul Reiser as New Characters

    Premiere Of FX's "The Strain" - Red CarpetFilming is already underway on the sophomore season of Netflix sensation “Stranger Things,” and the ’80s-set series is doubling down on its homages to pop culture from that decade with some high-profile new additions to the cast.

    Entertainment Weekly reports that the show has landed Sean Astin and Paul Reiser to play two new characters with connections to the core gang, and both actors have roles in their past that wink to some of the streaming series’s main influences. “Lord of the Rings” star Astin played the lead in 1985’s beloved kids adventure flick “The Goonies” (to which “Stranger Things” has been compared), while “Mad About You” star Reiser had a key role as a villain in “Aliens,” a sequel that “Stranger Things” creators Ross and Matt Duffer previously told EW was part of their inspiration for Season 2.

    In addition to Astin and Reiser, Danish actress Linnea Berthelsen has also joined the ensemble. Here’s a breakdown of the three new characters, according to Netflix and EW:

    • Astin will play Bob Newby, “a kindhearted former nerd who went to high school with Joyce (Winona Ryder) and Hopper (David Harbour) and now manages the local Hawkins RadioShack.”
    • Reiser will play Dr. Owens, “a high-ranking member within the Department of Energy on a ‘clean-up’ assignment, tasked with containing the events of last year.”
    • Berthelsen will play Roman, “an emotionally damaged, magnetic young woman who suffered a great loss as a child. Although she does not live in Hawkins, she is mysteriously connected to the supernatural events at the lab…”

    Season two of “Stranger Things” is in production now. It’s expect to debut on Netflix sometime in 2017

    [via: Entertainment Weekly]

    Photo credit: Getty Images

  • ‘Aliens’: 11 Things You (Probably) Didn’t Know About James Cameron’s Classic

    As terrifying as 1979’s “Alien” was, the scale and breathless intensity of “Aliens” — released 30 years ago this week, on July 18, 1986 — made the original seem like a chamber drama. Or, as franchise mainstay Sigourney Weaver put it, “It made the first ‘Alien’ look like a cucumber sandwich.”

    James Cameron‘s overstuffed hoagie of an interstellar horror thriller proved that 1984’s “The Terminator” wasn’t a fluke and made him into an A-list action/sci-fi director. It also made Weaver into the premier action heroine of our time, and it transformed “Alien” from a cult hit into a franchise whose sequels, prequels, and spinoffs continue to this day. Still, there’s a lot you may not know about the drama behind the scenes. Here’s the dish behind Ripley’s finest hour. 1. James Cameron (above) received two job offers on the same day: to write the screenplay for “Rambo: First Blood Part II” and to write and direct “Aliens.” Maybe that’s why there’s some similarity between the movies. Cameron has said he wanted to make “Aliens” feel like a Vietnam War film, with the Marines comprising a battle-weary platoon under attack from a technologically inferior (but relentlessly determined) native force. (For good measure, he had the cast read Robert Heinlein’s “Starship Troopers.”) Weaver jokingly referred to the Ripley of “Aliens” as “Rambolina.”
    2. Weaver almost didn’t make it into the movie. Cameron wrote the script around Ripley without knowing that 20th Century Fox didn’t have a deal in place with the actress. The studio ordered him to write her out of the picture, but he threatened to walk instead.

    Eventually, the studio acknowledged Weaver was essential to the film and agreed to pay her $1 million, her biggest paycheck yet at that point in her career. It was about 30 times what she was paid in 1979 for the initial “Alien,” when she was an unknown.
    3. The filmmakers didn’t want the girl playing Newt to seem too polished and professional, so their casting search led them to untried nine-year-old Carrie Henn (above). Henn has since said she thoroughly enjoyed making the movie, but despite receiving rave reviews, she never acted professionally again and instead became a schoolteacher.
    4. Lance Henriksen had to film the knife trick twice. The fear on Bill Paxton‘s face was real, since he didn’t know before the day of shooting that Cameron was going to have Henriksen do the trick on Paxton’s hand. Nonetheless, the director didn’t think the sped-up footage looked plausible, so he planned a reshoot for the next day. Supposedly, Henriksen came to work hungover, and this time, he accidentally cut Paxton’s pinky and drew blood.5. Shooting at England’s Pinewood Studios, Cameron and producer Gale Anne Hurd (left) had a hard time winning the loyalty of the British crew. They hadn’t yet seen “The Terminator,” so they regarded the director as a relative amateur. And they didn’t take Hurd seriously because she was Cameron’s wife, and they assumed she was hired only out of nepotism. Also, they routinely took tea breaks in mid-afternoon, leading Cameron to grumble about their work ethic. Eventually, Cameron quashed the mini-rebellion by firing and replacing the cinematographer.
    6. Jenette Goldstein, who played Vasquez (above), didn’t really know how to handle a firearm, so when you see close-ups of her shooting her weapon, you’re actually looking at Hurd’s hands.
    7. Weaver, too, was no firearm expert; in fact, she didn’t think Ripley should wield a gun at all. But Cameron took her to a firing range, and she soon decided that shooting was fun. “Another liberal bites the dust,” Cameron joked on the DVD commentary.
    8. The alien queen was an elaborate puppet created in the workshop of legendary monster designer Stan Winston. It was 14 feet tall and required 16 operators, manipulating it with a combination of control rods, hydraulics, radio controls, and a crane.
    9. “Aliens” cost just $18.5 million to make, which seems like an absurdly low figure by the standards of today’s summer blockbuster sequel filmmaking. (Nowadays, it would cost 10 times that.) It returned $85 million in North America (and a total of $131 million worldwide) to become the seventh highest-grossing film of 1986.
    10. The movie was nominated for seven Oscars, including Best Actress for Weaver (a rare honor from an Academy that usually ignores performances in sci-fi and fantasy features), Best Score (even though composer James Horner had to rush to complete the music before having seen the whole movie), Best Sound, Best Editing, and Best Art Direction. It won for Sound Effects Editing and Visual Effects.
    11. In 2011, Weaver told Moviefone that, while she’d love to make another Ripley movie, she despaired that it would ever happen. Now, however, the 66-year-old actress is attached to a sequel from “District 9” director Neill Blomkamp. The new film (above), if it ever gets off the ground, will ignore the events of 1990s sequels “Alien 3” and “Alien Resurrection” and pick up where “Aliens” left off. To quote Vasquez, “Let’s rock!”

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  • 9 Horror Movie Sequels That Are Surprisingly Not Terrible

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    ​The only thing harder to get right than an original horror movie is the sequel to it.

    For every “Aliens” or “Evil Dead 2,” there’s a “Jason Takes Manhattan” or (shudder) “Leprechaun 4: In Space.” But sometimes, the Movie Gods smile upon us and give us something worth our hard-earned allowance money. With Halloween ’round the corner, here are 9 scary movie sequels that don’t disappoint.

  • 15 Essential ’80s Sci-Fi Movies You Need to See

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    While the 1980’s isn’t generally regarded as one of the better decades for film, it was a gold mine for the science fiction genre.

    Between crowd-pleasing sequels like “The Empire Strikes Back” to “Star Trek II: The Wrath of Khan,” to dark fusions of sci-fi and horror like “Predator,” it was a golden age for sci-fi lovers.

    As we recover from our recent bout of “Back to the Future” mania, we thought it would be fun to pick the 15 essential ’80s movies that every sci-fi fanatic needs to see.

  • The 17 Best R-Rated Sci-Fi Movies Ever, Ranked

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    Hollywood can’t stop, won’t stop making science fiction movies.

    From “Star Trek” to “Star Wars,” studios will boldly go to that galaxy far, far away as long as audiences are willing to pay for it. And while PG-13 genre fare tends to sell more tickets, movie fans also turn out for titles rated “R.” (See the “Alien” and “Terminator” franchises.)

    As Ryan Reynolds gets his body swap on in the new R-rated “Self/Less,” here are 17 must-see films for the must-be-17-or-older crowd.