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Opening in theaters August 23 is ‘Blink Twice,’ directed by Zoë Kravitz and starring Naomi Ackie, Channing Tatum, Adria Arjona, Alia Shawkat, Christian Slater, Haley Joel Osment, Simon Rex, Kyle MacLachlan, and Geena Davis.

Related Article: 30 Best Channing Tatum Movies of All Time!

Initial Thoughts

Actors sometimes have trouble crossing over to take up a position behind the camera, but Zoë Kravitz seems to be making the transition effectively. ‘Blink Twice’ is a confident directorial showcase for the ‘Big Little Lies’ and ‘The Batman’ star: she may hit a few narrative and tonal bumps, but she stays focused on the story she wants to tell and gets the most out of a terrific cast while doing so.

‘Blink Twice’ starts off as a satire, not to mention a riff on the kind of setup we’ve seen before in movies like ‘The Menu’ and ‘Get Out,’ where the protagonist finds themselves in a remote, seemingly friendly (and luxurious) location before things start go off the rails. ‘Blink Twice’ tests the viewer’s forbearance for a chunk of its 100 minutes, but if you’re patient enough the ending should be rewarding in many ways.

Story and Direction

Frida (Naomi Ackie) sits in her cramped apartment obsessing over tech-bro gazillionaire Slater King (Channing Tatum), who’s re-entering public life with an apology tour following an unnamed indiscretion (or series of them) that got him canceled. Frida and her roommate/bestie Jess (Alia Shawkat) are waitresses who manage to get work at a reception thrown for King, where they finagle their way into the VIP area and Frida gets a chance to meet-cute with the man himself.

The charming Slater and Frida hit it off right away, flirting furiously with each other until he invites her and Jess to travel with him and his entourage that night to his private island. Neither woman has packed a bag, but that’s no matter: once they get to Slater’s luxurious, decadent private resort, they are provided bathing suits and white linen robes to wear, even perfume to dab on, plus drinks and drugs aplenty along with fabulously curated meals prepared by star chef Cody (Simon Rex), all using locally farmed produce.

It’s the middle stretch of ‘Blink Twice’ that’s ostensibly the most troublesome for Kravitz and her screenwriting partner, E.T. Feigenbaum: the second act becomes a repetitive series of hedonistic montages punctuated like clockwork every now and then by a strange occurrence, as Frida and another guest, reality show veteran Sarah (Adria Arjona), compete for Slater’s attention and the rest – including Slater’s right-hand man Vic (Christian Slater), scuzzy hanger-on Tom (Haley Joel Osment), a couple of other party-hardy girls, and Slater’s perpetually flaky personal assistant Stacy (Geena Davis) – indulge in night after night of booze, drugs, and poolside languor until even the days seem to dissolve into each other.

We know this is not going to end well, but Kravitz makes us wait a bit longer than necessary. Perhaps the way in which she extends that wait makes the movie’s pivot that much more shocking even when you know it’s coming eventually. When things do turn, it’s quick: Frida discovers that Jess has gone missing, and not only does no one seem to remember that she was there in the first place, but Frida herself begins to realize that her memories of the past few days are murky at best and barely there at worst. With the help of a reluctant but increasingly trusting Sarah, Frida learns the horrible, toxic truth.

We’ll let you discover that truth for yourself, but it’s here that ‘Blink Twice’ makes its full turn from satire to horror to revenge thriller, with a final act that is both crazy in its sheer energy and bracing in its aggressive sense of purpose. It’s a tribute to Kravitz and her cast that the shift, while jarring at first, leads to a violently satisfying climax that makes the more morally ambiguous coda easier to swallow.

Whatever issues Kravitz may have with putting her twisty narrative through its paces, she doesn’t seem to have any with the technical aspects of directing. Under her command, the sound design is excellent, the soundtrack is popping (no surprise there, really), and the cinematography by Adam Newport-Berra captures the saturated excess of Slater King’s lifestyle, the foggy wooziness of what at first seems to be endless nights and days of partying, and the dark, bloody reality underneath. It’ll be fascinating to see what Kravitz does next.

The Cast

We’ve only seen Naomi Ackie being largely underused in ‘Star Wars: The Rise of Skywalker,’ but she did garner praise for 2022’s Whitney Houston biopic, ‘I Wanna Dance with Somebody.’ This is our first time watching her in a lead role and Ackie nails it easily. Her work as Frida is initially vulnerable and open-hearted, even if her obsession with Slater seems questionable. But she never fully trades in her self-respect, which makes her transformation from victim to avenging warrior all the more believable.

She also makes a great pairing with Arjona, who starts out as competitive and distrusting – especially with Frida – before recalling and embracing the time-honored (and perpetually true) maxim that women only have each other to look out for them in the end. Her arc here is better developed than Arjona’s last major role, as a femme fatale in ‘Hit Man,’ and she runs with it for all its worth, delivering an excellent performance that may mark her a star in the making.

Channing Tatum initially turns on the charm and faux vulnerability as Slater, a man who may be doing his best to appear humbled but never quite makes it seem genuine – underneath, he’s angry that he has to take responsibility for his actions. He says all the right things about therapy and rehab and spirituality, but Tatum’s essential blandness works for him in this instance, hinting at the emptiness that lurks inside Slater. Even his seeming interest in Frida curdles after a while, long before things really go south, and his air of entitlement during the film’s third act is as horrifying as anything else.

Final Thoughts

‘Blink Twice’ initially begins, somewhat eccentrically, as one of those poke-fun-at-the-super-rich send-ups that can easily become boring because the fruit is so low-hanging. But there’s just enough of a feeling from the beginning that something is out of sorts – even with Kravitz dropping clues throughout – to allow a sense of dread to creep into the proceedings. That still doesn’t prepare you for what the director has in store, and it’s refreshing that she’s not interested in returning to any satirical comfort zone once the mayhem begins.

There are no doubt some who will label ‘Blink Twice’ as “divisive,” but they’d be really missing the point about the systemic failure that keeps letting someone at a certain level of wealth and fame get away with the unspeakable just because he says he’s all better now. ‘Blink Twice’ is also a cautionary tale about what happens when too much power and opportunity is left in the hands of truly stunted personalities, and a rallying cry for people – especially women – to look after each other.

Kravitz certainly comes from wealth and fame herself, but she has almost certainly come up against those toxic types as well despite her privilege. ‘Blink Twice’ is a scream of rage on behalf of those who don’t have the resources to defend themselves, and while it gets messy and scattershot at times, it manifests a primal power that we’d like see Kravitz keep channeling.

‘Blink Twice’ receives 7 out of 10 stars.

What is the plot of ‘Blink Twice’?

A starstruck waitress and her friend are invited to the private island of a billionaire tech mogul, where endless days and nights of debauchery and partying soon give way to the realization that something is very wrong.

Who is in the cast of ‘Blink Twice’?

• Naomi Ackie as Frida
• Channing Tatum as Slater King
• Christian Slater as Vic
• Alia Shawkat as Jess
• Adria Arjona as Sarah
• Simon Rex as Cody
• Kyle MacLachlan as Rich
• Haley Joel Osment as Tom
• Geena Davis as Stacy

Zoë Kravitz Movies and TV Shows:

• ‘No Reservations‘ (2007)
• ‘The Brave One‘ (2007)
• ‘Californication‘ (2007 – 2014)
• ‘X-Men: First Class‘ (2011)
• ‘After Earth‘ (2013)
• ‘Divergent‘ (2014)
• ‘Dope‘ (2015)
• ‘Insurgent‘ (2015)
• ‘Mad Max: Fury Road‘ (2015)
• ‘Allegiant‘ (2016)
• ‘Fantastic Beasts and Where to Find Them‘ (2016)
• ‘The Lego Batman Movie‘ (2017)
• ‘Big Little Lies‘ (2017 – 2019)
• ‘Fantastic Beasts: The Crimes of Grindelwald‘ (2018)
• ‘Spider-Man: Into the Spider-Verse‘ (2018)
• ‘High Fidelity‘ (2020)
• ‘Kimi‘ (2022)
• ‘The Batman‘ (2022)

Buy Zoë Kravitz Movies on Amazon