Tag: a-wrinkle-in-time

  • Movie Review: ‘Origin’

    Aunjanue Ellis-Taylor as Isabel Wilkerson in director Ava DuVernay's 'Origin.'
    Aunjanue Ellis-Taylor as Isabel Wilkerson in director Ava DuVernay’s ‘Origin.’ Photo: Neon.

    Expanding to wide release in theaters on January 19th is the latest entry from writer/director Ava DuVernay (‘Selma,’ ‘A Wrinkle In Time’) entitled ‘Origin,’ which examines Isabel Wilkerson’s book ‘Caste: The Origins of Our Discontent’ and the author’s journey to find the connection between the Nazi’s persecution of the Jewish people, racism in America, and the caste system in India.

    Related Article: Director Ava DuVernay and Actress Aunjanue Ellis-Taylor Talk ‘Origin’

    Initial Thoughts

    Aunjanue Ellis-Taylor as Isabel Wilkerson in director Ava DuVernay's 'Origin.'
    Aunjanue Ellis-Taylor as Isabel Wilkerson in director Ava DuVernay’s ‘Origin.’ Photo: Neon.

    Ava DuVernay has a way of retelling true life events in such a way that makes it feel raw and visceral, putting the audience in that exact moment in time. From seeing Isabel Wilkerson’s personal life – her losses and grief, her journey of finding the connection between the persecution of Jews, the caste system in India, and racism in America, and finally publishing her book.

    DuVernay’s take on telling the story of Wilkerson and ‘Caste’ is thought provoking and complex. The movie’s structure is quite interesting, starting off in a bio-pic style drama with Wilkerson’s personal life and what eventually motivates her to pen ‘Caste,’ and then taking on an expositionary style as Wilkerson breaks down the main points and topics of her book, utilizing extended flashback scenes in history.

    At times, it feels like there are three movies playing at once, but in the end, it all connects beautifully.

    Story and Direction

    Ava DuVernay on the set of 'Origin.'
    (Center) Ava DuVernay on the set of ‘Origin.’ Photo: Neon.

    ‘Origin’ is written and directed by Ava DuVernay. It explores Pulitzer Prize-winning author Isabel Wilkerson and her deeply personal journey as she begins writing her book ‘Caste: The Origins of Our Discontents’

    The movie is a blend of a drama and narrative essay, with the first act focusing on Isabel Wilkerson’s (Aunjanue Ellis-Taylor) personal life. Setting up the background of her work as a writer, and gives the audience an inside look at her family life with her husband Brett (Jon Bernthal), her mother Ruby (Emily Yancy), and her cousin Marion (Niecy Nash).

    Shortly after the fatal shooting of Trayvon Martin, Isabel’s editor Amari Selvan (Blair Underwood) implores her to do a story on his case and asks her to look into the 911 call that was released. Reluctant at first, Isabel ends up listening to the 911 call, realizing there’s more to the story than just the killing of a Black teenager due to racism. In searching for something deeper, Isabel sets off on a global journey to find the connection between racism in America, the Holocaust, and the social hierarchy in India.

    Ava DuVernay's 'Origin.'
    Ava DuVernay’s ‘Origin.’ Photo: Neon.

    Throughout Isabel’s research, there are extended scenes flashing back to that exact moment in time – a German man falling in love with a Jewish woman and then forced apart by the Nazis, the Jim Crow era in America, and the treatment of Dalits in India.

    Later, as Isabel completes her book, it becomes a narrative essay taking the audience through the chapters of the book.

    The pacing of this movie is at times uneven and may have to do with going back and forth between seeing Isabel’s family life to extended re-enactment scenes that reflect a certain point in history or a topic in Wilkerson’s research. However, this does not discount the importance of each flashback scene, as they give more color to Isabel’s research.

    Performances

    Jon Bernthal as Brett Hamilton and Aunjanue Ellis-Taylor as Isabel Wilkerson in director Ava DuVernay's 'Origin.'
    (L to R) Jon Bernthal as Brett Hamilton and Aunjanue Ellis-Taylor as Isabel Wilkerson in director Ava DuVernay’s ‘Origin.’ Photo: Neon.

    Aunjanue Ellis-Taylor (‘The Color Purple,’ ‘King Richard’) as Isabel Wilkerson was the perfect choice. She played each emotion and reaction – big or small – with such nuance and authenticity. Watching Isabel’s life slowly fall apart throughout the movie as she suffers the loss of family members and Ellis-Taylor’s heartbreaking performance in those moments will surely stir up the emotions of the audience.

    Alongside Ellis-Taylor, co-stars Jon Bernthal, Niecy Nash, Emily Yancy, and Audra McDonald also delivered stellar performances despite their brief screen time.

    Final Thoughts

    Jon Bernthal as Brett Hamilton and Aunjanue Ellis-Taylor as Isabel Wilkerson in director Ava DuVernay's 'Origin.'
    (L to R) Jon Bernthal as Brett Hamilton and Aunjanue Ellis-Taylor as Isabel Wilkerson in director Ava DuVernay’s ‘Origin.’ Photo: Neon.

    DuVernay’s ambitious film carries a very important message and will certainly start conversations on the topic of racism and social hierarchy. While the structure of the film is unconventional and uneven at times, it does its best to present Isabel’s journey of research, every historical event, and its outcome. Everything does come together beautifully in the end.

    ‘Origin’’ receives 7 out of 10 stars.

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    What is the plot of ‘Origin’?

    Grappling with tremendous personal tragedy, writer Isabel Wilkerson (Aunjanue Ellis-Taylor) sets herself on a path of global investigation and discovery as she writes ‘Caste: The Origins of Our Discontents.’

    Who is in the cast of ‘Origin’?

    Ava DuVernay on the set of 'Origin.'
    (Center) Ava DuVernay on the set of ‘Origin.’ Photo: Neon.

    Other Ava DuVernay Movies:

    Buy Tickets: ‘Origins’ Movie Showtimes

    Buy Ava DuVernay Movies on Amazon

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  • ‘Origin’ Interview: Ava DuVernay and Aunjanue Ellis-Taylor

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    Opening in theaters in limited release on December 8th and opening wide on January 19th is ‘Origin,’ which stars Oscar-nominee Aunjanue Ellis-Taylor (‘King Richard’), Jon Bernthal (‘Ford v Ferrari’) and Niecy Nash-Betts (‘Downsizing’) and was written and directed by Ava DuVernay (‘Selma’).

    Director Ava DuVernay and Aunjanue Ellis-Taylor talk 'Origin.'
    (L to R) Director Ava DuVernay and Aunjanue Ellis-Taylor talk ‘Origin.’

    Moviefone recently had the pleasure of speaking with director Ava DuVernay and Aunjanue Ellis-Taylor about their work on ‘Origin,’ the challenges of adapting the book, casting, Ellis-Taylor’s performance, and her experience working with DuVernay.

    You can read our full interview below or click on the video player above to watch our interviews with DuVernay and Ellis-Taylor, as well as Jon Bernthal and Niecy Nach-Betts.

    Ava DuVernay on the set of 'Origin.'
    (Center) Ava DuVernay on the set of ‘Origin.’ Photo: Neon.

    Moviefone: To begin with, Ava, can you talk about the challenges of adapting this book into a film, and was the key for you making the author the main character?

    Ava DuVernay: Yes. Once I understood that I could have the main character of this be this swashbuckling, intellectual adventurer, known as Isabel Wilkerson, played by the great Aunjanue Ellis-Taylor, the film kind of came together and came to life for me. That I could share the ideas in the book by going through this dynamic character, and that unlocked everything for me as a screenwriter.

    Aunjanue Ellis-Taylor as Isabel Wilkerson in director Ava DuVernay's 'Origin.'
    Aunjanue Ellis-Taylor as Isabel Wilkerson in director Ava DuVernay’s ‘Origin.’ Photo: Neon.

    MF: Aunjanue, can you talk about having the opportunity to play a character like this, and what were some of the aspects of the character you were excited to explore on screen?

    Aunjanue Ellis-Taylor: Well, one of my first conversations with Ava was that she wanted to explore the interior life of a black woman. I was just so excited about dramatizing the mind of a black woman genius. I thought that was rare and unique, at least in the landscape of American filmmaking. I was just excited about that prospect.

    ‘Daredevil: Born Again’ will see Jon Bernthal back as The Punisher

    Jon Bernthal as Brett Hamilton and Aunjanue Ellis-Taylor as Isabel Wilkerson in director Ava DuVernay's 'Origin.'
    (L to R) Jon Bernthal as Brett Hamilton and Aunjanue Ellis-Taylor as Isabel Wilkerson in director Ava DuVernay’s ‘Origin.’ Photo: Neon.

    MF: Ava, can you talk about casting and having the opportunity to work with these accomplished actors on set?

    AD: Well, it was fantastic. I mean, the chemistry between Aunjanue Ellis-Taylor and Jon Bernthal was so palpable, so off the charts. As we were watching, I felt like these two people were in each other’s lives, and they would always be, whether they were physically present and had a beating heart or whether one of them would’ve passed away. The connection was so strong. That’s so much of what we needed to achieve in this, because that is the way that Isabel Wilkerson had shared that she felt, as I was researching and interviewing her over the two-year period of writing it. That connection with her husband, with Brett, was so real that we needed to have actors that conjured that. Aunjanue and Jon did. Also, Niecy Nash-Betts, the connection between Isabel and Marion, that sisterhood, that friendship, that pushing, and that protection. The actors were extraordinary. So many other folks came in to help us for a day, Nick Offerman, Audra McDonald, Vera Farmiga, Blair Underwood. It was an embarrassment of riches. It was a true delight to work with them all.

    Ava DuVernay on the set of 'Origin.'
    (Center) Ava DuVernay on the set of ‘Origin.’ Photo: Neon.

    MF: Finally, Aunjanue, what is it like being on an Ava DuVernay set? What was the experience of collaborating with her on set like for you?

    AET: Listen, what I love about Ava’s process as a director is that she wants you to experience things live and in real time. I’m laughing because walking across the intersection in New Delhi, how many directions was traffic coming from? Six, eight? A lot of cars coming at you at one time. I had to walk across the street, and that was happening in real time. There were times where the light made it easy, and the light didn’t make it easy. The camera was behind us or in front of us. I was just so exhilarated by that. It was so dangerous, but I was like, “I am a stunt woman right now.” That’s what it’s like with her. When you see those officers, those Nazi officers in that plaza, in that square, that’s real. That’s not CGI. That’s real. That’s her vision. That’s what makes her separate, singular, and apart. That’s what it’s like.

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    What is the plot of ‘Origin’?

    Grappling with tremendous personal tragedy, writer Isabel Wilkerson (Aunjanue Ellis-Taylor) sets herself on a path of global investigation and discovery as she writes ‘Caste: The Origins of Our Discontents.’

    Who is in the cast of ‘Origin’?

    • Aunjanue Ellis-Taylor as Isabel Wilkerson
    • Jon Bernthal as Brett Hamilton
    • Niecy Nash-Betts as Marion Wilkerson
    • Emily Yancy as Ruby Wilkerson
    • Finn Wittrock as August Landmesser
    • Victoria Pedretti as Irma Eckler
    • Jasmine Cephas Jones as Elizabeth Davis
    • Vera Farmiga as Kate
    • Audra McDonald as Miss Hale
    • Connie Nielsen as Sabine
    • Blair Underwood as Amari Selvan
    • Nick Offerman as Dave the Plumber
    Aunjanue Ellis-Taylor as Isabel Wilkerson in director Ava DuVernay's 'Origin.'
    Aunjanue Ellis-Taylor as Isabel Wilkerson in director Ava DuVernay’s ‘Origin.’ Photo: Neon.

    Other Ava DuVernay Movies:

    Buy Tickets: ‘Origins’ Movie Showtimes

    Buy Ava DuVernay Movies on Amazon

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  • The 10 Biggest Box Office Flops Of 2018

    The 10 Biggest Box Office Flops Of 2018

    Audiences can be a fickle bunch, but it’s not always their fault.

    Sometimes the timing of a film’s release is wrong, or lands at a moment where people fail to see it. Sometimes the marketing of a movie misses its mark and fails to connect. Sometimes reviews reinforce moviegoer skepticism and they decide to stay away. But sometimes, a movie is just bad, and no silk hat is going to make that pig any prettier. But that doesn’t mean those movies aren’t good — or even great. In many cases, it merely means that their time to shine is yet to come – be it internationally, on home video, or on streaming services.

    As we assemble a list of the year’s biggest box office flops,  look at the titles below as a reminder to support the films and filmmakers you love so they get to make more of them and continue to explore the cinematic universes that become indelible parts of popular culture now and in the future.

    A Wrinkle in Time

    Domestic Gross: $100,478,608

    Worldwide Gross: $132,675,864

    Action Point

    Domestic/ Worldwide Gross: $5,059,608

    Early Man

    Domestic Gross: $8,267,544

    Worldwide Gross: $54,622,814

    First Man

    Domestic Gross: $44,790,010

    Worldwide Gross: $100,490,010

    The Girl in the Spider’s Web

    Domestic Gross: $14,777,868

    Worldwide Gross: $33,891,747

    The Happytime Murders

    Domestic Gross: $20,706,452

    Worldwide Gross: $27,506,452

    Life Itself

    Domestic Gross: $4,102,648

    Worldwide Gross: $5,634,912

    Disney

    The Nutcracker and the Four Realms

    Domestic Gross: $52,909,258

    Worldwide Gross: $140,357,413

    Robin Hood

    Domestic Gross: $28,052,736

    Worldwide Gross: $65,789,193

    Solo: A Star Wars Story

    Domestic Gross: $213,767,512

    Worldwide Gross: $392,924,807

  • ‘Black Panther’ Surpasses ‘Tomb Raider’ for Fifth Box Office Crown

    LOS ANGELES, March 18, (Variety.com) – Disney-Marvel’s “Black Panther” has maintained its momentum at the domestic box office, winning its fifth consecutive weekend with $27 million from 3,834 locations.

    Alicia Vikander‘s “Tomb Raider” finished second in its opening weekend in line with expectations with $23.5 million from 3,854 sites for Warner Bros. and MGM. Lionsgate-Roadside Attractions’ faith-based drama “I Can Only Imagine” outperformed forecasts with $17.1 million at 1,629 venues.

    Disney’s second weekend of time-travel adventure “A Wrinkle in Time” followed in fourth with $16.6 million at 3,980 locations, lifting its 10-day total to $61.1 million. Fox’s launch of gay teen comedy-drama “Love, Simon” took fifth with $11.5 million at 2,402 venues.

    “Black Panther” has become only the seventh title to pass the $600 million milestone at the North American box office, and is the second-fastest film to do so. It’s the fourth-highest fifth weekend of all time, and the first time a film has held the top spot for five weekends in a row since 2009’s “Avatar.”

    The overall box office took in about $130 million, down 50 percent from the same weekend last year when Disney’s “Beauty and the Beast” opened with $174.5 million. Thanks to “Black Panther,” the year-to-date box office is up 2 percent over the same period a year ago at $2.5 billion, according to comScore.

  • Chris Pine’s ‘Wrinkle in Time’ Look Revives Comparisons to Gary From ‘Team America’

    We’re gonna need a montage to show all the comparisons since 2004.

    Chris Pine plays Mr. Murry in Disney’s new movie “A Wrinkle in Time.” If nothing else, his role has reminded everyone how much he looks like puppet Gary Johnston (voiced by Trey Parker) in “Team America: World Police.”

    This conversation is not new, but it got new life thanks to Pine’s hairstyle in the new fantasy movie. Twitter never misses an absurd celeb doppelganger, so they were all over this:

    This is probably not what Chris Pine would like fans to focus on after every performance. Blame Canada the “South Park” guys. Without them, he’d just be The Non Marvel Chris. Now he’s also The Non Puppet Gary.

    “A Wrinkle in Time” is now playing in theaters.

    [via: HuffPost]

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  • Box Office: ‘Black Panther’ Tops ‘A Wrinkle in Time’ in Disney-Dominant Weekend

    LOS ANGELES, March 11, (Variety.com) – “Black Panther” remained super-heroic in its fourth weekend at the North American box office with $41.1 million at 3,942 locations, easily topping the opening weekend of fantasy-adventure “A Wrinkle in Time” with $33.5 million at 3,980 sites, estimates showed Sunday.

    What had been pegged as a close contest among Disney titles for first place turned into a relatively easy victory for “Black Panther.” The Marvel title generated the third-highest fourth weekend of all time, trailing only “Avatar” and “Star Wars: The Force Awakens.”

    With $562 million in 24 days, “Black Panther” is now the seventh-highest domestic grosser of all time. It’s the first film since “Star Wars: The Force Awakens” to lead the North American box office for four straight weekends.

    “A Wrinkle in Time” opened in line with Disney’s projections, which were slightly lower than the industry consensus. Critics were mostly unimpressed with a 42 percent rating on Rotten Tomatoes, and audiences gave “Wrinkle” a B CinemaScore. The $100 million-plus budgeted film is depending on family audiences to support the film in the coming weeks to push it into profitability.

    A total of 37 percent of audiences gave “Wrinkle” an “excellent” rating with another 38 percent rating it “very good,” according to comScore/Screen Engine PostTrak. Paul Dergarabedian, senior media analyst with comScore, noted that the key 13-17 year-old demographic gave it an 83 percent combined score in those two categories. “That is very strong and makes sense with the PG rating, the subject matter and young people’s love for the book,” he added.

    Based on Madeleine L’Engle’s 1962 classic fantasy novel, “A Wrinkle in Time” stars Storm Reid, Oprah Winfrey, Reese Witherspoon, Zach Galifianakis, Chris Pine, Mindy Kaling and Gugu Mbatha-Raw. The film follows a young girl (Reid), her step-brother (Deric McCabe), and a friend (Levi Miller) as they embark on a journey that spans time and space in search of her missing father.

    The weekend marks the first time in recent memory that films both led and directed by African-Americans have nabbed the first and second place spots at the box office. Jordan Peele‘s “Get Out,” starring Daniel Kaluuya, led the box office its opening weekend in February 2017, with $33.3 million. The wide release of “Hidden Figures,” starring Taraji P. Henson, Octavia Spencer, and Janelle Monae, opened at no. 1 in January of the same year with $22.8 million.

    Dave Hollis, president of worldwide distribution for Disney, told Variety that “Black Panther” and “A Wrinkle in Time” accounted for inclusion through their portrayals of strong female and minority characters.

    “Audiences respond to seeing themselves on the big screen and it’s good business for us,” he added. “Representation and inclusion matter.”

    Hollis also predicted that “A Wrinkle in Time” has the next four weekends during spring vacations from schools. He noted that Disney has traditionally opened a family film in early March to take advantage of the family demographic, as it did last year with “Beauty and the Beast” and in 2016 with “Zootopia.”

    Overall domestic box office was $137 million, down 17 percent from the same weekend a year ago when “Kong: Skull Island” opened with $61 million. But year-to-date box office is up 7.4 percent to $2.31 billion, according to comScore. That gain comes largely from “Black Panther” and “Jumanji: Welcome to the Jungle.”

    The opening of Aviron Pictures’ “The Strangers: Prey at Night” led the rest of the pack in third with $10.5 million at 2,464 venues. Directed by Johannes Roberts, the horror sequel to 2008’s “The Strangers” stars Christina Hendricks, Martin Henderson, Bailee Madison, and Lewis Pullman.

    Fox’s second weekend of Jennifer Lawrence‘s spy thriller “Red Sparrow” followed in fourth with $8.2 million at 3,064 sites with a 52 percent decline. “Sparrow” has topped $31 million in its first 10 days.

    Warner Bros.’ third weekend of R-rated comedy “Game Night” finished fifth with $7.9 million at 3,061 locations, declining only 24 percent to lift its 17-day total to $45 million. Sony’s fifth weekend of “Peter Rabbit” came in sixth with $6.8 million at 3,112 venues to push the family comedy past $93 million domestically. MGM’s second weekend of “Death Wish” followed in seventh with $6.6 million at 2,882 sites to give the Bruce Willis reboot nearly $24 million in 10 days.

    Entertainment Studios’ action-thriller “The Hurricane Heist” opened softly with $3.2 million at 2,402 locations was tied for eighth place with Paramount’s third weekend of sci-fi horror movie “Annihilation” at 1,709 screens.

    Sony’s 12th weekend of “Jumanji: Welcome to the Jungle” rounded out the top 10 with $2.8 million at 2,157 sites. its 82-day total has hit a remarkable $397.3 million, good enough for the 30th spot on the all-time domestic list.

    Nash Edgerton‘s “Gringo” grossed a pallid $2.6 million at 2,402 locations to finish 11th. The Amazon Studios and STX Films’ action comedy stars David Oyelowo as a business man who works for a company that had developed the “weed pill” and is sent to Mexico to handle the manufacturing of the product, but ends up getting kidnapped by a drug cartel. The cast also includes Charlize Theron, Joel Edgerton, Amanda Seyfried, and Thandie Newton.

    Fox Searchlight’s 15th weekend of “The Shape of Water” followed in 12th with $2.4 million at 1,552 venues, up 63 percent as the studio added 720 screens of Guillermo del Toro‘s fantasy drama winning Best Picture and Best Director at the Academy Awards. “Shape” has grossed $61 million in 101 days.

    Focus Features’ thriller “Thoroughbreds” opened with a quiet $1.2 million on 549 screens. Anya Taylor-Joy and Olivia Cooke portray childhood friends who reconnect in suburban Connecticut after years of growing apart. Cory Finley makes his directing debut with the film that features Anton Yelchin in his final on-screen role. The actor died at age 26 in a freak accident in 2016.

  • Everything We Learned from Oprah Winfrey on the ‘Wrinkle in Time’ Set

    Last fall, we traveled to a strange and magical land: Santa Clarita, California. It was here that the sprawling sets for Ava DuVernay‘s adaptation of Madeline D’Engle’s literary classic “A Wrinkle in Time” were being constructed and stars from around the galaxy — including Reese Witherspoon, Mindy Kaling, Gugu Mbatha-Raw, and Chris Pine — were being pulled, as if by some unspecified, otherworldly force.

    And Oprah Winfrey was there, too.

    Even if she was not dressed in her fabulously celestial costume, which sparkled and glimmered, Oprah would have seemed positively galactic. Winfrey plays Mrs. Which, one of a trio of inter-dimensional beings (along with Witherspoon and Kaling), responsible for guiding a young girl (Storm Reid) towards her missing scientist father (Pine).

    Just shaking her hand, you get the impression that Winfrey was born to play this role. She seems regal but down-to-earth, helpful but not pushy, and wise beyond her years (maybe things work differently in outer space?) It was here, in Santa Clarita, that Oprah told us everything we really needed to know about “A Wrinkle in Time.” Behold, the knowledge she shared:

    1. Her Costumes Actually Aren’t That Cumbersome

    While Winfrey needed some assistance actually sitting down to chat with us about the production, she didn’t mind the elaborate ensembles.

    “One is more fantastic than the other,” Winfrey said. “I was in a metal corset the other day, which was actually more comfortable. You could sort of lean on it, you know, be in it.”

    2. She Rocks Some Eyebrows (Literally)

    Apparently her eyebrows are inspired by the movie’s many intergalactic settings. “We started out with amber eyebrows on one of the planets and we just liked it,” Winfrey explained. “[Ava] was like, I’ think you should have eyebrows made of stone for every planet.’” Not that the extended time in make-up and wardrobe tent (she says she shows up at 4:15am and has to be on set by 8:00am) dampened her spirits. She described her make-up as “probably the most fun makeup I’ve ever worn, in a lifetime.”

    3. She Has High Hopes for the Movie

    Winfrey said that the original book “never made it to my neighborhood,” so she was introduced to the empowering story and colorful cast of characters through DuVernay’. And even though she is a relative newcomer to these worlds, she can’t help but have high hopes for the adaptation. “It’s like doing ‘The Wizard of Oz‘ for a new generation,” Winfrey said. “It’s a spaced-out Oz, and I am Glinda!”

    Her models for the film were Glinda and Maya Angelou. “I hear both of them in my head as I’m speaking, and I cannot tell you how aligned I think this film is.” In fact, she doesn’t think it’s a kid’s movie at all. Winfrey continued: “I think of it as a film for generations to come, and will live on in the wisdom empowerment energy field for people in the same way as ‘Oz’ has.” Considering the screenplay was written by Jennifer Lee, who knows a thing or two about timeless classics — thanks to her work on Disney’s “Frozen” — and this just could be a recipe for a new favorite.4. Mrs. Which Is “A Supernova”

    When we tried to get some details out of her about her character, she described Mrs. Which as “a supernova, an angel woman, a wisdom teacher.”

    The movie, for Winfrey, is “about finding your own sense of belief, confidence and empowerment.” She went on: “It’s about a lining up of what is your true frequency, which I believe everyone has. It is your flow in life. There’s your line. There’s your current that you are supposed to follow, that is like no one else’s.”

    Her character, Winfrey said, is there to teach our young adventurer Meg (Reid) how to do that, “how to line up with the vibration, with the frequency that is most her, and how to have faith in that and follow it.” At one point in the film, Winfrey’s character tells Meg that, “You’re resisting. She actually says those words. ‘You are resisting,’ which is a thing for everybody in life. You don’t get what you want when you’re in resistance against it, so you have to be at ease. You have to believe you can and then you move forward.”

    Later, Winfrey conceded, the movie is about, “bringing back hope.” And listening to Winfrey talk, it’s hard not to get inspired.

    5. Her Straps Were Too Tight
    Someone asked about the movie’s update of the book’s list of important artists and cultural figures (it now includes people like Jay-Z) and whether or not Oprah contributed any suggestions, to which the superstar said “No.”

    In fact, the only thing she suggested was: “I think my straps are too tight.” She then laughed and said, “My vajayjay is chapped.” Otherwise, those suggestions came from Ava. Winfrey said that in addition to more classical figures like Shakespeare, Mrs. Who (Kaling) quotes Outkast and other contemporary artists. “It’s great,” she said.

    6. Later She Used Those Wires as an Excuse

    For some reason her too-tight straps were brought up once again later in the conversation. Winfrey was game. “On the first day — I’d never done wire work before,” Winfrey said. “Now, anytime anybody calls me from the office, ‘Sorry! I’m on the wire! The wire! I can’t get down. I’m on the wire. Can’t take that meeting. On the wire today!’ So on the first day, it’s such an ordeal getting wired up that I was like, ‘I’ll just hang here all day.’ That was my problem. No one is supposed to stay strapped down for ten hours.” No, no they are not.

    7. She Was in Awe of Ava’s Vision

    When the subject of working with DuVernay came up, Winfrey fully admitted her admiration. “I don’t know how she did it!” Oprah exclaimed. “This is what I said to her the very first time I came to Disney and was looking at the designs.” DuVernay walked Winfrey through the production, showing her “each of the planets and what was expected.”

    There were three rooms at the studio just devoted to the visual development of the film. “All of them were covered in drawings and designs and ideas and stuff,” Winfrey explained. “I said to her, ‘Wow, what an incredible thing that you get to call in all of the coolest, the vibe-y-ist, the hippest of designers and creators, and you all get to sit in a room, and you’re literally in the vortex of your imagination. You’re right there in the center of it and just throwing out ideas.”

    One of the biggest questions that vexed DuVernay and her team of collaborators, technicians and artists was how to make Mrs. Whatsit (Witherspoon) fly. “Everybody had all these ideas about how to make her fly, how do you make her fly like no one else has flown and what does that look like,” Winfrey said. Finally, the team came up with “the coolest thing.” (Production art we were shown earlier in the day, reinforced by trailers that have been released since, suggested that Witherspoon turn into a mythical creature that is a cross between a dragon and a blade of lettuce.)

    Finally, Oprah sighed and said, “I wish I was flying.” Just be careful of the tightness of that harness.

    A Wrinkle in Time” opens on this planet (and many others) on March 9th. We’ll have more from the unbelievable set very, very soon.

  • Mindy Kaling Confirms Pregnancy, ‘Really Excited’ for Motherhood

    Summer TCAMindy Kaling has confirmed reports that she is pregnant and is “really excited” about impending motherhood.

    In an interview with Willie Geist for “Sunday Today,” the writer/actress spoke out about her pregnancy for the first time.

    “It’s so unknown to me,” she said. “I have a lot of control over a lot of aspects of my life, and this is one where I’m like, ‘OK, it’s out of my hands,’ which is kind of a fun feeling.”

    The “Mindy Project” and “A Wrinkle in Time” star still hasn’t revealed the paternity of her baby, but she did open up about wanting to model herself after her mother, who died in 2012 of pancreatic cancer.

    “My mom was incredibly fierce and so devoted to us, just loved us and really wanted us to be happy no matter what we did,” she noted. “My career choice was not something that she was familiar with and she was just so supportive of that. And if I could give that to my child, just that open-mindedness, I’d be so happy.”

  • The First Photos of ‘A Wrinkle in Time’ Are Pretty Trippy

    Director Ava DuVernay‘s star-studded adaptation of “A Wrinkle in Time” arrives in theaters next spring, but you can get a glimpse of the fantasy film right now.

    Entertainment Weekly has been posting all kinds of exclusives from its new Comic-Con issue, including several intriguing first-look images from Disney’s “A Wrinkle in Time.” The movie follows teen Meg Murry (newcomer Storm Reid) and her cosmic adventure to find her missing scientist father (Chris Pine) with the help of three celestial beings who help her wrinkle time and space: philosophizing Mrs. Who (Mindy Kaling), inquisitive Mrs. Whatsit (Reese Witherspoon), and wizened Mrs. Which (Oprah Winfrey). EW’s photos also feature Levi Miller as Meg’s good friend Calvin O’Keefe.

    A Wrinkle in Time

    A Wrinkle in Time Meg Murry (Storm Reid) and Calvin O'Keefe (Levi Miller)

    A Wrinkle in Time Chris Pine as Mr. Murry

    A Wrinkle in Time Mr. Murry (Chris Pine)
    Ava DuVernay told EW she never read Madeline L’Engle’s 1962 novel as a child, but she was drawn to adapt the book when she discovered it as an adult:

    “I saw so much beauty in it, but also so much meaning. She’s a very radical thinker and she embedded her sense of what society should and could be in this piece, and a lot of it I agree with. And through that, the story of this girl saving the world and being out there in the universe slaying the darkness, it also says a lot about slaying our own dragons.”

    See more individual shots, and read more about each character, at EW.

    “A Wrinkle in Time” — also starring Gugu Mbatha-Raw, Zach Galifianakis, André Holland, Deric McCabe, Bellamy Young, and Will McCormack — is now scheduled to open March 9, 2018.

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  • Is Chris Pine ‘President of the Chrises’ After ‘Wonder Woman’? Debate Rages On

    Premiere Of Warner Bros. Pictures' 'Wonder Woman' - Red CarpetChris Pine may finally be done having to explain that he’s not Chris Evans, or Chris Hemsworth, or Chris Pratt. In fact, to some fans, he is now the No. 1 Chris, dethroning the Marvel heroes after his role as Steve Trevor in “Wonder Woman.”

    Top Chris is its own reality series, with voters on the Internet deciding who wins. Thanks to “Wonder Woman,” LaineyGossip just put Chris Pine in the lead, and Jezebel officially endorsed Pine as “President of the Chrises”:

    “We realize it’s a controversial choice; even our own Kelly Faircloth disagreed, wrongly calling Chris Pine a ‘false Kirk,’ instead advocating for Chris Hemsworth. A fair choice, and Kelly is passionate about Hemsworth’s Thor hair, but Hemsworth is a lesser Chris. Chris Pine has earned this endorsement, given to him solely on the strength of Wonder Woman and the last ten minutes of Hell or High Water.”

    Commenters agreed and disagreed, with many dissenters voicing support for Chris Evans.

    Director Ava DuVernay retweeted Jezebel’s post and echoed their support for Chris Pine, who happens to be starring in her upcoming movie “A Wrinkle in Time”:

    Chris Pine has been working toward this moment for a long time, from “The Princess Diaries 2: Royal Engagement” in 2004 to the “Star Trek” films, his underappreciated role in “Wet Hot American Summer: First Day of Camp,” the Oscar-nominated “Hell or High Water,” and his hilarious recent stint hosting “Saturday Night Live.”

    However, the other Chrises are still putting up solid fights. Just the other day, Hemsworth won himself more points with his own “Avengers: Infinity War” scene with action figures. Evans has a strong fan base, and Captain America’s political tweeting has earned him even more fans (and his dog posts earn him still more). Pratt just returned to his role as Star-Lord in “Guardians of the Galaxy Vol. 2,” but many Chris lists out there now have him at No. 4. Fair?

    “A Wrinkle in Time” opens March 9, 2018. Hemsworth will have a chance to put Thor on top when “Thor: Ragnarok” opens later this year on November 3. Pratt has “Jurassic World 2” on June 22, 2018, after joining Hemsworth and Evans in “Avengers: Infinity War” on May 4, 2018. Meanwhile, Pine recently took some shots at “Infinity War” … perhaps trying to finish off his competition?

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