But there was also the usual dull presenter banter, some truly rude moments of worthy winners played off (the ‘KPop Demon Hunters’ songwriting team even had the lights switched off on them, for which O’Brien apologized) and awkward insertions of politics, no matter how important the cause.
Overseeing the Oscars for the second time, comedian, writer and former late night host O’Brien proved he has what it takes to do this job.
His opening skit, dressed as Amy Madigan’s Aunt Gladys from ‘Weapons,’ chased through different other Oscar nominated movies by a bunch of kids, was a winner.
And if his opening monologue veered between pointed political jabs and some softballs that drew muted responses, it was still superior to other recent efforts. He was even able to smoothly deal with technical issues that plagued the ceremony, such as sound problems and cutting back to him unexpectedly.
Cementing its 2025 success, Warner Bros. enjoyed plenty of awards love this year, as Paul Thomas Anderson finally got his Oscar (six, in fact) for ‘One Battle After Another’ and ‘Sinners’ also took home plenty of trophies.
Talking of ‘Sinners’, Michael B. Jordan, whose Actor in a Leading Role ascension over waning prior favorite Timothée Chalamet (his ‘Marty Supreme’ went home empty handed) ended with Jordan on stage thanking those who had blazed a trail before him.
Elsewhere, ‘The Secret Agent’ sadly landed zero awards, but Netflix had a very good night, as ‘KPop Demon Hunters’ won two awards and ‘Frankenstein’ three, with the streaming service behind a variety of other triumphs.
Having actors –– particularly those with a film to promote or remember –– hand out awards has often led to some leaden banter, and this year was no exception. Even the star power of Robert Downey Jr. and Chris Evans couldn’t bring a lame bit to life, while one featuring Sigourney Weaver, Pedro Pascal and Grogu (pimping the upcoming ‘Star Wars’ movie) only really worked because of Weaver’s commitment (“Get away from him, you bitch!” she growled at nominee Kate Hudson, who had been cosying up to the critter in the audience).
Anna Wintour might not be everyone’s first choice for a co-presenter, but there she was, alongside ‘The Devil Wears Prada 2’s Anne Hathaway in a moment that felt like Disney selling the sequel more than looking to celebrate the Costume Design or Hair and Makeup categories.
There was more mixed luck with reunions –– the ‘Bridesmaids’ cast brought their moment to life with true comic power while Ewan McGregor and Nicole Kidman just looked award handing out Best Picture and recalling ‘Moulin Rouge!’.
Three big things happened last night in terms of history. There was the first tie in 14 years (only the seventh in Oscar history) as ‘The Singers’ and ‘Two People Exchanging Saliva’ shared the Live-Action Short Film honors.
‘Sinners’ cinematographer Autumn Durald Arkapaw became the first woman (and woman of color) to win her category, while the first ever Casting award was handed to ‘One Battle’s Cassandra Kulukundis. Long-favoured Actress winner Jessie Buckley, meanwhile, became the first Irish woman to take home her category for her work in ‘Hamnet’.
The annual remembrance for those in the industry was well handled and featured three major spotlights. First, Billy Crystal gave a moving speech about friend and collaborator Rob Reiner (who was murdered in his home last year alongside his wife, Michele), and was then joined by other cast members of Reiner movies.
Rachel McAdams took the stage to pay tribute to the likes of Diane Keaton and Catherine O’Hara, and then the big finish –– Barbra Streisand arrived to memorialize her ‘The Way we Were’ co-star and cinema icon Robert Redford, before singing for the first time in public (she had all but stopped due to stage fright issues and frustration) in years for a memorable finale to the segment.
‘One Battle After Another’ was the biggest winner of the night, with Paul Thomas Anderson’s latest taking Picture, Director, Adapted Screenplay, Supporting Actor (for no-show Sean Penn), Editing and, handed out for the first time this year, Casting.
‘Sinners’ was also successful, as Michael B. Jordan nabbed the top male acting award out from ‘Marty Supreme’s Timothée Chalamet (who had been the favorite for a while, but whose momentum had slowed of late), while its director Ryan Coogler scored Adapted Screenplay, composer Ludwig Göransson landed Best Original Score and Cinematographer Autumn Durald Arkapaw made more history as the first woman to win her category at the Oscars.
Elsewhere, ‘KPop Demon Hunters’ continued its successful run with two awards (Animated Feature and Original Song for “Golden”), while ‘Weapons’Amy Madigan got a rapturous reception as she took Supporting Actress for her creepy, wild turn as Aunt Gladys.
While ‘One Battle After Another’ has been the presumed winner the entire awards season, having taken home Best Picture at every major award show including Critics Choice, Golden Globes, and BAFTA, ‘Sinners’ won Outstanding Performance by a Cast in a Motion Picture at the Actor Awards, building some momentum for the Ryan Coogler helmed film.
It’s also been assumed that Paul Thomas Anderson would finally receive Best Director from the Oscars, especially after winning Outstanding Directorial Achievement from the DGA, but don’t count out a surprise win from Coogler just yet.
Speaking of ‘Sinners’, although Timothée Chalamet won Best Actor for ‘Marty Supreme’ from Critic’s Choice and the Golden Globes, he failed to win at BAFTA, and lost to Michael B Jordan at the Actors Awards, which signals trouble for Chalamet’s Oscar run.
On the other hand, ‘Hamnet’s Jessie Buckley has had virtually no competition in her race to the Best Actress Oscar and after winning every other major award, I don’t think anything can stop her from taking home gold on Oscar night.
Best Supporting Actress seems like a two-way race between Golden Globe winner Teyana Taylor for ‘One Battle’ and Actor Awards winner Amy Madigan for ‘Weapons‘, however, ‘Sinners’ Wunmi Mosaku is still in the mix.
Finally, the Best Supporting Actor category is fairly wide open, with BAFTA and Actor Awards winner Sean Penn currently the frontrunner fighting off Golden Globe winner Stellan Skarsgård for ‘Sentimental Value’. But the Oscars love a surprise, so if ‘Sinners’ has a big night, Delroy Lindo could end up having a surprise win.
Below are our predictions for who will win Oscars on Sunday at the 98th Academy Awards. We are only breaking down our predictions for the six major categories, Best Picture, Best Director, Best Actor, Best Actress, Best Supporting Actor, and Best Supporting Actress.
Leonardo Di Caprio as Bob Ferguson in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures.
Well, now we finally have a real race!
Since the start of this awards season it has seemed preordained that director Paul Thomas Anderson’s ‘One Battle After Another’ would finally earn the filmmaker a long overdue win for Best Picture. The film has won almost every precursor needed to be the frontrunner, including wins at Critics Choice, Golden Globes, BAFTA, and the all important Producers Guild of America Awards.
However, don’t count ‘Sinners’ out just yet! After grabbing an Outstanding Performance by a Cast in a Motion Picture win at the Actor Awards, as well as Michael B. Jordan’s win for Outstanding Performance by a Male Actor in a Leading Role, the vampire epic now has real momentum.
It also did better at the box office than ‘One Battle’, which sometimes but not always is a factor. But keep in mind that Outstanding Performance by a Cast in a Motion Picture at the Actor Awards is basically a recognition of ensemble acting and not necessarily a film award. And while ‘One Battle’ was also in that category, I don’t buy into the narrative that ‘Sinners’ “beat” ‘One Battle’ for Best Picture at SAG.
It now seems like we have a two-way race but ‘Hamnet’ is still in the mix after winning a Golden Globe for Best Motion Picture – Drama, and remember it was produced by Oscar favorite Steven Spielberg.
Keep in mind that the Academy uses a preferential ballot for Best Picture, meaning the winner isn’t simply the film with the most No. 1 votes. Instead, voters rank the nominees, and if no film receives more than 50% of the first-place votes, the movie with the fewest No. 1 votes is eliminated and its ballots are redistributed to the next highest-ranked film on those ballots. That process continues until one film crosses the 50% threshold. In other words, it’s not just about passion at the top — it’s about broad support.
The real question isn’t only who voters rank No. 1, but which film consistently appears in the No. 2 and No. 3 spots and can accumulate support as other contenders fall away. My guess is that many voters may not rank ‘Sinners’ first, but could place it second or third, giving it a plausible path in later rounds. Still, the safer bet remains ‘One Battle’, which feels more likely to build the majority coalition needed to win.
(L to R) Leonardo Di Caprio and Director/Writer/Producer Paul Thomas Anderson on the set of ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Merrick Morton.
Just like the Best Picture race, since the start of this current awards season it has seemed like this was “Paul Thomas Anderson’s Year”, and that the ‘Boogie Nights’ director would finally win his long-awaited Best Director Oscar. With directorial wins at every other award show including Critics Choice, Golden Globes, BAFTA, and the all important Directors Guild Awards, it does look like Anderson will finally win Best Director at the Oscars.
But what about Ryan Coogler? While he has yet to win a director’s award this season, he is definitely Anderson’s biggest competition, especially now that the film is surging late. Typically, Best Picture and Best Director go hand in hand, but not always, and much like when Damien Chazelle won best director for ‘La La Land‘ but ‘Moonlight‘ went on to win Best Picture, we could see a similar spilt this year. But if we do, I think it is more likely that Anderson still wins Best Director, and the surprise win comes for ‘Sinners’ in Best Picture.
Let’s be honest, the Academy usually don’t get it right! They could be thinking that Coogler will return with another film in the near future, and want to finally reward Anderson now for ‘One Battle’ as well as his overall career, assuming that Coogler’s time will come sooner than later. While I would love to see an upset and have Coogler win, I would also like to see the Academy finally reward Anderson for his body of work, which I think will be the final result on Oscar night.
This is the race to really keep an eye on! The Oscars love a surprise, and if there is going to be a big surprise on Oscar night, it will be in this category.
Timothée Chalamet began the awards season with wins from Critics Choice and Golden Globes, making it look like he was a lock for a Best Actor win at the Oscars. But, when he lost the BAFTA to Robert Aramayo for ‘I Swear‘, who is not even in the Oscar race, it left the young actor’s Oscar chances vulnerable.
That brings us to Michael B. Jordan, who in my opinion gave the best performance of the year, and recently beat Chalamet at the all important Actor Awards. Historically, one Actor Award win is not enough to ensure an Oscar win, as demonstrated by Chalamet last year when he won Best Actor from SAG for ‘A Complete Unknown‘ but then lost the Oscar race to Adrien Brody for ‘The Brutalist‘. But Jordan has the surging momentum of ‘Sinners’ behind him and a lot of goodwill from Academy voters, while Chalamet seems to be cooling off and has fueled criticism for his unusual Oscar campaign style and recent comments on “ballet and opera.”
There is also a theory that Chalamet is really being rewarded for his performance last year in ‘A Complete Unknown’, when he should have won, and not his performance this year in ‘Marty Supreme’. The Academy tends to do that and often tries to make up for their past mistakes. For example, after not nominating Paul Giamatti for ‘Sideways‘, which he should have been nominated for, the following year he was nominated for ‘Cinderella Man‘. So, if Chalamet does win, it will be for playing Bob Dylan and not for playing Marty Mauser!
Also working against Chalamet is the fact that the Academy typically does not give young actors the Best Actor trophy. They love giving the Best Actress award to young actresses, examples including Gwyneth Paltrow, Jennifer Lawrence, Emma Stone, and recently Mikey Madison. But, if Chalamet were to win, he would be just a few months shy of breaking Adrien Brody’s record as the youngest Best Actor recipient ever for his first win in ‘The Pianist‘. Jordan is just reaching his prime as an actor, and with a long body of work to his credit, voters could see him as a strong alternative, especially with his recent win and the ‘Sinners’ surging.
While Chalamet is statistically the frontrunner, I feel like there will be a big surprise on Oscar night and I’m betting on Jordan for the win.
There really is not much to say here. If there is any locked category this year, it is this one.
‘Hamnet’s Jessie Buckley is one win away from a “perfect award season’. After winning Best Actress at Critics Choice, Golden Globes, BAFTA, and the Actor Awards, she is almost guaranteed a win on Oscar night.
Does she have any competition? A little, but not much. Rose Byrne won a Golden Globe for ‘If I Had Legs I’d Kick You‘, but that’s because the Globes split the Best Actress race into two different categories, Drama and Musical or Comedy. So, Byrne did not compete in the same category as Buckley. When she has, she has lost to the ‘Hamnet’ star, and I see no reason that will not continue to take place.
Kate Hudson has been campaigning hard, but this is the only nomination ‘Song Sung Blue‘ received, and I don’t think that is enough to compete with Buckley and ‘Hamnet’, which received 8 overall nominations. ‘Sentimental Value’ does not seem to have the same momentum it did earlier in the season, leaving actress Renate Reinsve without a real path to the gold. And with two Oscars already on her shelf, Emma Stone’s nomination was more or less given just to round out the five nominees, not unlike some of Meryl Streep‘s past nominations.
The safe money is clearly on Jessie Buckley to win Best Actress, and at this point it would take a miracle for anyone else to beat her and win.
Delroy Lindo at the New York Premiere of ‘Sinners’. Photo: Warner Bros.
This is another very interesting category and one to keep an eye on for big surprises on Oscar night!
With no real frontrunner, Best Supporting Actor is wide-open and really anybody’s for the taking.
The season began with Benicio del Toro positioned as the frontrunner for ‘One Battle’, but the actor has yet to win for that performance, putting his chances of winning the Oscar in doubt.
His co-star, Sean Penn, could be considered a slight frontrunner after winning BAFTA and the Actor Award, but with two Oscars already to his name, I’m not sure the Academy is ready to hand him his third just yet. I also think that having both actors from ‘One Battle’ in the same category will split the vote, leaving them both empty handed on Oscar night.
Jacob Elordi received a surprise win for ‘Frankenstein‘ at the Critics Choice Awards, but the young actor was unable to capitalize on it and has yet to win a second award.
Veteran actor Stellan Skarsgård won the Golden Globe, but also was not able to capitalize with a second win, and with ‘Sentimental Value’s momentum cooling off, I’m not sure it will be enough to earn him the trophy.
Enter Delroy Lindo. Keep in mind that this is his first nomination this entire awards season, meaning that he has not had the opportunity to compete with his fellow nominees yet. It’s not unheard of for an actor to suddenly enter the Oscar race and win. Marcia Gay Harden successfully pulled that off when she won Best Supporting Actress for ‘Pollock‘ over Kate Hudson, the presumed frontrunner for ‘Almost Famous‘.
With ‘Sinners’ surging, Michael B. Jordan’s possible win, no real front runner in this category, and Lindo’s overall likability in the industry, I do think that he will pull off the win on Oscar night.
While its not as wide-open as Best Supporting Actor, Best Supporting Actress is really between two, maybe three actresses at this point.
Let’s just get this out of the way. Much like the two ‘One Battle’ actors in the Supporting Male category, I think ‘Sentimental Value’s Elle Fanning and Inga Ibsdotter Lilleaas will cancel each other out. Neither has won any major award this season, and with the film’s lack of momentum, I doubt either actress has a real shot to win.
While Wunmi Mosaku did win BAFTA, I’m not sure that will be enough to win an Oscar. ‘Sinners’ popularity could give her a boost, and if Lindo and Jordan fail to win, this could be where ‘Sinners’ gets an acting award. But since I do think Jordan and Lindo will be triumphant, I’m thinking this award will be given to someone else.
Teyana Taylor won a Golden Globe, and her film is the frontrunner for Best Picture. It would be odd for ‘One Battle’ to win Best Picture with no wins in the actor categories, so if it were to win an acting Oscar, it will be here. But Taylor has some real competition from veteran actress Amy Madigan.
The ‘Weapons’ actress began the season winning Critics Choice, but bounced around a bit before recently winning the all important Actor Award. That doesn’t make her the frontrunner, but puts her on par with Taylor. Working against Madigan is that she is ‘Weapons’ only nomination, but it’s not unheard of for an actor to win for a movie that received no other nominations. It happened when Kathy Bates won Best Actress for ‘Misery‘.
So while it’s a tight race, I think that Madigan’s long career and versatile body of work will in the end give her an edge over Taylor.
Host Conan O’Brien will return for next year’s Oscars ceremony.
O’Brien has experience with shows such as the Emmys, ‘The Simpsons’ and his own late night output.
The 2026 ceremony will be held on March 15th next year.
Well, that didn’t take long.
Clearly looking to avoid the protracted search and endless speculation about who would host the 2025 Oscars, the heads of the Academy of Motion Picture Arts and Sciences have moved quickly to confirm that this year’s host, comedian and talk show veteran Conan O’Brien, has already been confirmed to return for 2026.
Yes, forget making any guesses as to whether Ryan Reynolds, Hugh Jackman or any number of other big names (longtime Oscar host Billy Crystal accepting a giant payday to come back for one more ceremony?), this time the Academy wanted to make it clear: Conan is the man. Again.
It follows the well-received ceremony of earlier this month, which saw ‘Anora’ score five Oscars (including a record four in one night for one person on one movie for writer/director/producer/editor Sean Baker) and a running time that, while it was overlong, still managed to be entertaining.
A lot of that credit goes to O’Brien, the writing team assembled to work with him and the producing side of things, so it’s perhaps not surprising that Emmy-winning producing team Raj Kapoor and Katy Mullan are also returning to lead the show for the third consecutive year.
And on a pure ratings level it was also a success, as the ceremony, held on March 2nd, delivered the highest viewership numbers in five years. The broadcast drew 19.69 million viewers and had a dominant presence on social media, racking up 104.2 million interactions, surpassing both the Grammys and the Super Bowl in online engagement.
If this year’s Oscars wasn’t enough of an introduction to wider audiences as to O’Brien’s style, here’s a quick briefing…
Conan began his late-night hosting career in 1993, taking over for David Letterman on NBC’s ‘Late Night.’ After an ill-fated, year-long tenure at ‘The Tonight Show’ after replacing Jay Leno in 2009, O’Brien later moved to TBS for ‘Conan,’ which he hosted from 2011 to 2021.
In recent years, he transitioned from anchoring a late night talk show to hosting a hit podcast, ‘Conan O’Brien Needs a Friend,’ and presiding over a podcasting empire under the banner of Team Coco.
A former writer on ‘Saturday Night Live’ and ‘The Simpsons,’ he has garnered 31 Emmy nominations, five of which resulted in wins.
In terms of awards shows, O’Brien has also hosted the Emmy Awards a couple of times, and also served as emcee of the White House Correspondents’ Dinner in 1995 and 2013. He was named one of Time’s 100 Most Influential People in 2010, and is the 2025 recipient of the Mark Twain Prize for American Humor.
Conan O’Brien as Oscars host: Conan, the Academy and the TV Bosses Speak
O’Brien was typically quippy about his return engagement:
“The only reason I’m hosting the Oscars next year is that I want to hear Adrien Brody finish his speech.”
It’s a reference to ‘The Brutalist’ Best Actor winner Adrien Brody, whose speech, which ran to around five minutes and 40 seconds, has ranked as the longest in Academy history.
Kramer and Yang were more straightforward in their own press release:
“We are thrilled to bring back Conan, Raj, Katy, Jeff and Mike for the 98th Oscars! This year, they produced a hugely entertaining and visually stunning show that celebrated our nominees and the global film community in the most beautiful and impactful way. Conan was the perfect host — skillfully guiding us through the evening with humor, warmth and reverence. It is an honor to be working with them again.”
Disney Television Group President Craig Erwich had this to say:
“Conan’s unique comedic style perfectly captured the moment, and I’m excited to have his talents back onstage next year to helm another indelible performance.”
Finally, this was the comment from Oscars executive producers Raj Kapoor and Katy Mullan:
“We are both so honored to be returning in our roles for the 98th Oscars. We can’t wait to work with Conan and his entire team as we continue to explore even more special and heartfelt opportunities to celebrate next year’s nominees and the impact of film around the world.”
When will the 98th Oscars be on TV?
The 98th Academy Awards, held once again at the Dolby Theater in Hollywood, are set to air live on ABC on March 15th next year, starting at 7pm ET/4pm PT.
